#three-dimensional maps

[secretarysong]

finally figured out what i'm supposed to do with normal maps... three blender crashes later... zuke always ends up as my test subject

[cauls-antique-pepperbox-pistol]

WIP of a Caul mask I’m working on

He’s halfway done so far, still needs papier-mâché and paint. And also some other adjustments that I’m not yet sure of

[dimalink]

Frozen arctic station – menu, items, navigation, demo show 4

[ Work in Progress ]

Again, three dimensional view. We walk with cells. Retro 8 bit theme.

Navigation with map changed. Map is rotating with player. There is minimap at the screen.

There is menu. With space button. For different actions.

You can take item. If it exists at the map. And you can enter inventory and see what you have. Select item as active.

Basic Pascal version 1.18 "Duckling" – most newest version. In this version there are 4 new games! Puddles at Countryside, Duckling Pseudo 3D, Road to Countryside, Duckling Goes 2D. And even more retro games! It is a pack of retro games with modern versions of Basic and Pascal.

It is now in development new version Basic Pascal pack games. This game will be included in a new version.

Basic Pascal: http://www.dimalink.tv-games.ru/games/basicpascal/index_eng.html

Website: http://www.dimalink.tv-games.ru/home_eng.html

Itchio: https://dimalink.itch.io/basic-pascal

[technoxenoholic]

so many book series that i'd love to read because my friends tell me i'd enjoy them and the things they talk about in an analyzing way do seem fun but i just do not have the spoons to process that many words, especially not if they are words about entire new settings i will have to build from virtually nothing inside my head. it sucks actually

[lightasthesun]

Comprehensive Lexicon Guide for First-Time SW Fic Readers:

Flimsi/Flimsiplast = Paper

Flimsiwork/Datawork = Paperwork

Stylus = Pen

Datapad = Tablet

Comlink/Comm = Communication Device/Phone

Binders = Handcuffs

Chronometer = Clock

Spectacles = Eyeglasses

Chrono = Watch

Conservator = Refrigerator

Caf = Coffee

Nerfburger = Hamburger

Blue milk = Milk (literally blue)

Hubba chips = French Fries

Sweet roll = Doughnut

Flatcakes = Pancakes

Tabac = Tobacco

HoloNet = World Wide Web

Holovision/HoloTV = Television

Holodrama/Holovids = Movie/Videos

Holocamera/Holocam = Camera

Holomap = three-dimensional map

Holojournal = Newspaper

Holocube = Picture frame

Holotable = Projector

Holoscanner = X-ray machine

Holojournalist = Reporter

Flatholo/Holograph = Photograph

Sonic Damper = Active Noise Cancellation

Refresher/Fresher= Bathroom

Sonic Bath = Bath

Sanisteam/Sonic shower = Waterless Shower

Hydrospanner = Wrench

Hydro Flask = Water Bottle

Power Cell/Energy Cell = Batteries

Authorization Chip = Decryption key

Datatape = Disk

Datastick = Flash drive

(Personal) Com Code = Phone number

Datachip = SD Card

Synthflesh = Synthetic skin

Glowrod = Flashlight

Sparkstick = Match

Slugthrower = Gun

Slug = Bullet

Vibroblade = a blade that can vibrate at high frequencies, increasing its cutting power and penetrating ability (tactical knife)

Rangefinder = Rifle scope

Turbolaser = Cannon

Ion pike/Vibropike = Spear

Electro Staff = Stun baton

Blaster = Pistol/Rifle

Stun Blaster = similar to a Taser

Landspeeder/Airspeeder/Speeder = Car

Turbolift = Elevator

Slideramp = Escalator

Starfighter = Fighter jet

Rotorcraft = Helicopter

Hoverpack/Jetpack= Jet pack

Speeder Bike = Motorcycle

Skylane = Traffic lane

Railspeeder/Hovertrain = Train

Power Chair/Hoverchair= Wheelchair

Windscreen = Windshield

Podracing = Car racing

Dejarik = Chess

Sabacc = Poker and Blackjack combined

Galactic Rebels = Combat simulator

B'shingh = Dungeons and dragons

Jizz = Jazz music

Wailer = Singer (ie. Jizz Wailer)

Cantina = Bar or Pup

Para Sailing = Paragliding

Aurebesh = Alphabet

Credits = Money

Sleeping Pallet = Bedroll

Naming Day = Birthday

Youngling = Child

Galactic Basic Standard/ Basic = English

Medkit/Medpac = First aid kit

Hypo = Syringe

Medic/Healer = Doctor

Medcenter = Hospital

Bactapatch = Bandaid

Nanoweave = Fabric

Transparisteel = Glass

Plastifoam = Packing material

Durasteel = Steel

Plasteel = Plastic

Duracrete = Concrete

Slicer = Hacker (slicing = hacking)

Identikit = Passport

Minder = Therapist

Synthleather = Vinyl

Viewport = Window

Cooling Unit = Air-conditioning

Honeydarter = Bee

Slythmonger = Drugdealer

Spice = Drugs

Stimpill = Caffeine pill

Power Socket = Plug

Cutters = Scissors

Cycle = Day

Standard Cycle = 24h

Standard Week = 5 days

Standard Month = 35 standard days

Standard Year = approx. ten months

Tenday = literally ten days

Cigarras/Smokes = Cigarettes

Click = Kilometer or 'a moment'

Parsec = a unit of distance

Tweezers/Clanker/tin head/tinnie = Droid

Separatist = Seppie

Promise Ring = Wedding Ring

Body Glove = Jumpsuit

Slicksuit = Wet suit

Civvies = Civilian clothing

Carbonite = a metal alloy used to freeze a person in a state of hibernation

Hyperdrive = device that allows a starship to travel faster than lightspeed

Moisture vaporator = device that can extract water from the air, commonly used on tatooine

Glareshades = Sunglasses

Gasser = Gas Oven

Repulsorlift = technology that can create an anti-gravity field and is used for levitating heavy objects

Heating unit = Heater

Utility Droid = Roomba

Sunbonnet = a Clone trooper helmet

Bad Batcher = a defective Clone Trooper

Banthabrain = birdbrain/ a stupid person

Bantha fodder = waste of space/nonsense

Blast! = word of exclamation

Blasted! = s.o in anger or annoyance

Blaster-brained = dimwitted

Blaster fodder = cannon fodder

Blast off = Piss off

Brainless = Stupid

Bug/Bugger = used to refer to Geonosians

Forceforsaken = godforsaken

Full of Poodoo = full of shit

Poodoo = Shit

Kriff = Fuck

Jedi scum = derogatory term for jedi

Kark = derogatory expletive

Larty = LAAT/i gunship

Laserbrain = insult

Meat droid = derogatory term for Clone Troopers

Redrobes = Palpatines guard

Rookie/Shinie = newly recruited Trooper

Scum = insult to refer to bounty hunters/rebels

Sharpie = Sharp-witted

Sithspawn/Sithspit/Hellspawn! = expletive

Sleemo = Slimeball

Son of a bantha = insult

Wizard! = Cool

Spaced = dead

Hutt-spawn = Bastard

Karabast = exclamation of dismay

Stang = Crap

Buckethead/Bucketbrain = derogatory term for Stormtroopers

Bucket = Helmet

Nat-born = Natural Born

Roger Roger = affirmative/copy that

Droid poppers = EMP grenade

Sitrep = short for situation report

Backwater Planet = any planet that isn't part of the core system

Holocron = device that can project a three-dimensional image of a person/object and is used for communication or entertainment.

Kessel Run = a risky Operation. Commonly used as a metaphor in impossible situations.

Thermal Detonator= device that can create a powerful explosion like a grenade or bomb

Ray Shield/Energy Shield = creates a (protective) barrier

Rebreather = device that allows a person to breathe underwater or in toxic environments

Phrases:

Wild goose chase = wild bantha chase

That's bantha shit = that's bullshit

As slippery as a greased Dug = untrustworthy

Credit for your thoughts = penny for your thoughts

Cut the poodoo = cut the crap

to get your gills in a twist = get upset about something

Holy mother of meteors = holy mother of god

Oh my skies/ Oh my stars = exclamation of surprise

Stars' end! = exclamation of disbelief

What in the blue blazes = exclamation

When Geonosis freezes over/When it snows on tatooine = extremely unlikely

Who pissed in your power supply = who pissed you off

Blast it = damn it

By the maker = exclamation of surprise

Great karking Dragon = expression of disbelief

Lothcat got your tongue = equivalent of 'cat got your tongue?'

Sod it = expression of frustration

[thevoidstaredback]

It all seemed to start within a snap of Time; the tick of a clock; the drop of a hat; the blink of an Eye.

Just before any of the assembled Justice League could leave the Watchtower, every alarm went off and pandemonium re-erupted across the space station.

"What the hell is going on?" Batman demanded as he and Robin re-entered the meeting room they'd just left.

Constantine and Zatanna were both using several different ways of communication, talking in frantic tone and jumping between conversations without losing any of them. Deadman had disappeared completely. The America based heroes were all getting calls, all just as confused as each other as to what was going on.

Batman pulled up a map on the projector, the one that was shown in the Observation part of the Watchtower, and glared at the red dot that was slowly taking over Illinois. "Constantine, Zatanna. What is this?"

Constantine glared back at Batman, "What we were trying to avoid by calling a meeting today!" He went right back to whatever conversation he was having in Esperanto.

"Yeah, look what good that did us anyway," Zatanna scoffed between conversations, "We were both late and ignored." She, too, had started speaking on Esperanto.

"That's where Red is based," Robin said quietly from beside Batman. "I-I need to call- make sure she's alright!"

Batman put his hand on Robin's shoulder. "Don't panic, chum, we'll get a plan started and then you can all Red Huntress." The boy nodded, but opened his own communicator anyway, likely to contact his team. Batman turned to the heroes in the room. "Everyone!" He waited until all eyes were on him before continuing, "Calm down. Constantine, Zatanna, find out what's going on-"

"Already doing that, Batsy!" the man hollered before jumping into a fourth conversation.

Batman's eye twitched behind the white lenses of his mask, but he otherwise didn't react to the interruption. "-the rest of us need to go and isolate the threat. We'll plan from there. Make sure your comms are on. Robin, get your team ready for rescue efforts and try to contact Red Huntress to see if she knows what's going on." When the heroes started moving, he grabbed Superman. "Where's Deadman?"

Superman shook his head. "No idea. He was gone by the time any of us came back in here."

Batman nodded and let him go. Everyone was on their way to Illinois right now, but there was something that Zatanna said that struck him as strange. He didn't have to wait ong before her three ongoing conversations all came to a stop. "Earlier, you said that Amity Park liked to stay in Illinois. What did you mean?"

Zatanna jumped when he spoke, obviously not realizing he was still there, but she answered him, "The city's been prime for supernatural activity since its founding. On top of the two dimensional rifts, that much magic contained in one area is bound to give it some form of sentiance, especially because most of that magic is death and life focused."

He hummed and left the room with a sweep of his cape. Containing the issue will be tricky if the source manages to move around them. Regardless, it needed to be done fast.

***

It took another twenty minutes before all five on Constantine's conversations ended. He had gotten the same unfortunate answer from all five of them, and, judging by the look on her face, Zatanna had been given the same news as him.

"We tried to warn them. We fucking tried-!" she slammed her fist down on the table, "But we were too fucking late!"

He ran a hand down his face with a heavy sigh. "C'mon, mate, let's go make sure they don't fuck anything else up."

"And help them defend the idiots that started all this? No way. Let them lie in the grave they dug."

"Horrible metaphor, love. And, as much as I hate to say it, we can't let the world get taken over."

"Why not? They've been practically begging for it to happen since Superman was first introduced. That's why the Green Lanterns had to step in and lay down the law, quite literally." She huffed. "Besides, the Realms won't be gunning for the world. They're looking for their child."

"And if they don't find the kid in perfect condition?"

"...I see you're point."

"Good! We're on the same page, then."

She sighed again. "How're we going to play this? Are we running interference?"

"No," he shook his head, "The only thing we can do is keep anyone from dying or attacking."

"Without Deadman to talk to the Realms?"

"Yep,"

"You realize how hard this is gonna be, right?"

"I'm gonna make Batsy pay me in hard liquor."

"Agreed."

***

The Justice League had set up a perimeter around the town of Amity Park, Illinois. They were a few miles out from the town, close enough to see it but far enough away as to not set off any panic. When Constantine and Zatanna arrived, they had made it very obvious that the town and it's citizens were probably very aware that they were there. They called another meeting, though only taking a few heroes away from watch. Zatanna was the one to explain things to them while Constantine kept tabs on the town in case it decided to move.

The heroes still weren't exactly sure what they meant by that.

Zatanna stood at the front of the heroes she'd pulled aside. Batman, Wonder Woman, Superman, Aquaman, The Flash, and Green Lantern stood in a half circle, all very clearly anxious to keep their eyes on the town. Too bad for them, this was her specialty, so she got to keep facing it while they turned their backs.

"They aren't going to listen to you guys," Zatanna said, "Like we tried to warn you earlier, their looking for a child that the US Government took from them."

"The one in the pictures?" The Flash asked.

"Yep," she affirmed, "His name's Phantom, like we said. He's this town's hero."

"I thought Robin said Red Huntress was the town's hero?" Aquaman wondered.

Zatanna pushed down the flare of anger with a deep breath. "Phantom has been operating for several months longer than Red Huntress. she is closer to being a hero while Phantom leans more towards being a vigilante."

"Is that why he doesn't stick around after his fights?" Superman tilted his head slightly in question.

"Yes," she glared, "Can I get back on topic, or are we wanting to waste even more time?" The heroes fell silent and she waited for a few seconds before continuing. "From what Deadman explained, Phantom is technically still a baby ghost because he's only been dead for about a year." She ignored the expressions on the heroes faces. "Not only that, but he's the favorite of several Ancient Beings. Think Primordials or Titans."

"Oh, dear," Wonder Woman whispered. Several had paled slightly.

Zatanna nodded. "Don't attack any of the Realms' people, not even in self defense. We're going to have to help them find Phantom, keep them from attacking the US Government, and keep the Government from attacking them."

"A bit late for that!" A new voice joined the group. They all startled, reaching for weapons and dropping into ready stances.

Above and slightly to the side of the group was a girl who looked to be in her late teens. She had teal-grey skin, a slight teal glow, and flaming teal hair tied in a high pony, bangs framing her face. Her eyes glowed the same radioactive green as Phantom's had in the picture, though less so. She was wearing black pants, a black crop-top, grey knee boots, and a single black elbow glove. There was a guitar strapped to her back that gave off a slight purple glow. Even from where the Justice League heroes were standing, they could feel heat radiating off of here.

"And you are?" Batman asked.

"Don't matter who I am, does it?" the girl sneered, "What matters is that you dickheads took one of ours." She very obviously assessed the small group, looking each person up and down with a frown on her face. "Phantom told me that this place had other heroes, so where were you?"

Superman blinked. "Excuse me?"

"Where were you?"

"I'm, uh, not quite sure what you mean."

"You're talking about when this place was catalyst for world threats, right?" Zatanna stepped forward.

The girl turned her full attention to the magician. "So, you knew?"

Zatanna nodded. "Me and my colleagues were keeping on eye on Amity Park after the rifts opened up last year."

The girl seemed to reassess the magician. "You're one of the ones Deadman told us about."

"You know Deadma?" Green Lantern asked. He was ginored.

"Yeah?"

"I'm Ember." She landed and held her hand out for a hand shake. "Deadman got the Council to agree to hold ourselves in Amity until the end of the day. After that, we move on our own."

Zatanna shook her hand. "I'm Zatanna. We're gonna find him."

Ember glared, tightening her grip, "You better. He's done more for this world than you heroes even know." She turned her glare on the others before flying back up. "And once he's back with us, where he belongs, we'll think about a cease fire." She left before anyone could get another word in.

Zatanna fell into a squat, her hands covering her face. "This is a nightmare," she whispered, "That definitely could've gone much better." She popped back up to her full height. "Well, you heard her. We've got 'til the end of the day to find Phanom."

The group shared looks, nodding at each other before separating to spread the word to everyone else

The first plan was the same one they had for every mission that needed quick recon done. Flash was sent out to get a location. Once he had one, they'd set off.

Part 1 Part 3

[zooliminology]

(To Ψ)

How did y'all manage to determine/estimate the shape of the Far Plane? Is there any way of "measuring" or tools to help with that?

So, this one is undoubtedly an interesting question, though the answer is a little difficult and not what I would call satisfactory. Sometimes any good scientist must admit they do not know the entire answer. To the best of my geographic expertise and available data, the Far Plane doesn't really seem to conform to any known "shape," and to date we have yet to discover any actual edge to the plane. We have however observed areas that are not accessible through seemingly real windows and doors, which we have dubbed "white holes," but the Far Plane continues on in other or even the same directions despite these.

The Far Plane also does not conform to our Euclidean understanding of three-dimensional spaces, with many rooms and entities existing in circumstances that would otherwise be impossible. This makes any two or even three-dimensional map inadequate to display the intricacies we have observed. Whatever documents you may see that try to display the Far Plane in relation to our reality are theoretical diagrams that attempt to explain its specific intrusions and postulate about its extent.

Most of what I use to help survey the places we can access in the Far Plane consists of LIDAR technology that can be mounted on relatively inexpensive drones if need be. These radars can be used to map out both interiors and the outdoor landscapes with waves of light that bounce off surfaces. This is adequate for most of my research, though any closer examinations generally require other methodology.

-Ψ

[sadclowncentral]

you made it out of the timeloop.

you know all of me, all my eventualities, each confession i would have made in a day gone slightly different, each reassurance i would have given for each of your revealed secrets that i don't even remember, each of my reactions to both the inevitable and the unbelievable, a three-dimensional map of me and my possibilities that reveals more about me than i know myself, and you love me for all of it.

while i only know that i love you too, and that it's thursday.

[dunmeshistash]

Interview to celebrate the opening of the Ryoko Kui Exhibition

About Delicious in Dungeon: Story making

Q1. Your first long-running series has lasted for about 9 and a half years. Has it been different from your previous experience drawing short stories?

A1. Compared to short stories, the series has been easier because the same characters appear each time. But I was surprised to find that I got tired of drawing the same characters too many times.

Q2. You have said before that the overall structure of the story was decided before serialization began, but how much of that had you communicated to your editor? Also, what kind of communication did you have during the series production?

A2. The goal was something we discussed and had decided on from the beginning. The goal itself was simple, but the path to get there was more difficult and took longer than imagined.

Q3. Regarding the overall story concept and development, did you write out or put anything down in writing (such as the plot)?

A3. I did, but it was simple.

Q4. Did you come up with the dishes based on the monsters you wanted in the story? Or did you come up with the monsters based on the dishes?

A4. It depended on the story, but usually the story came first followed by the monsters or food. I feel like that was most often the order.

Q5. As you progressed in drawing the series, what elements of the characters, story, or world expanded or grew in the most unexpected way?

A5. Nothing particularly unexpected perhaps. When I used to draw web manga, I tended to think up inconsequential settings. So, from the beginning I tried to restrain myself as much as possible and not expand too much. I was surprised when my editor said "Let's expand it more," in the second half of the series.

Q6. "Delicious in Dungeon" starts with a relatively simple setting, but as the series and the labyrinth exploration continues, the map slowly expands little by little in the readers' minds. It becomes more three-dimensional, revealing the secrets of the world, and taking on a multilayered structure. Are there any sources that you used as a reference, or which influenced you in creating this multilayered structure?

A6. A long time ago, when I was working on my personal web manga (fantasy), I drew it however I wanted, thinking that "Only people who can read this will read it," but I regularly received feedback that it was "unreadable", so I tried to make it as easily. accessible as possible.

Q7. The series combines many elements, including "fantasy", "gourmet", "battles", and "puzzle solving", but I think it's also important that it is a "comedy" which makes people laugh. Could you let us know if you have a creative commitment towards depicting humor?

A7. My hopes are that I can make it fun for people to read.

[page 5]

About Delicious in Dungeon: Drawing manga

Q1. Please tell us about the drawing tools you currently use, both digital and analogue.

A1. In terms of analogue tools, I use a light box, a G pen, a round pen, and a brush pen. And for digital, I use CLIP STUDIO PAINT and a Wacom LCD tablet. Screentone pasting is always done on the computer, so ultimately it all ends up as a digital manuscript.

Q2. Do you have any rules or reasons for using digital and analog separately?

A2. I'm always looking for ways to draw better and save time, so the exact approach is probably different for almost every chapter. Personally, I feel that analogue methods create more appealing lines, but I feel like digital saves time, so maybe I'll do a digital rough sketch and do the inking by hand… I might have been using a G pen, and maybe I'll try out a turnip pen, or this time I'm short on time so I'll draw it entirely digitally, but with digital I can redo it over and over, so maybe analogue is still faster, and so on and so forth. I'm indecisive in this way and so haven't developed a consistent process.

Q3. I understand that you prepare 3D data for your assistants to draw the backgrounds. What kind of data did you make for "Delicious in Dungeon" ?

A3. You could call it 3D, but it's not a proper model, just something to help with the rough sketching. I line up cubes to share the perspective and sense of scale, and they use it as a reference.

Q4. At the beginning of the series, the characters and backgrounds were somewhat simply drawn, and it seems like they became richly detailed over the progression of the story. What was your intention behind using these different styles?

A4. It's simply that my technique isn't stable. I thought I'd put a lot of effort in at the start. I remember being confused when my editor asked me to add more in to the drawing, and I wondered "Where…?"

Q5. Thinking about the food, were there any menu illustrations that you were particularly satisfied with, or which you struggled with?

A5. I've never liked my own food illustrations. But the times when I read other people's manga and thought "That looks delicious," I think it's been more an influence of the movement, the staging, and the situation than the drawings.

Q6. For the world maps and the terrain of each continent, did you refer to any maps of the real world? I feel like the shape of the 'island' is similar to the shape of Fukuoka Prefecture or Kyushu.

A6. I didn't reference any specific geography, but I did try to put thought into things like whether a developed city would be near a river or the sea, and what the coastline would look like. I'm pleased if it feels similar to a real place, because it means my interpretation was pretty accurate.

About Delicious in Dungeon: Other

Q1. Which is your favorite monster?

A1. Nightmare.

Q2. I'm sure you have received a lot of feedback from readers in countries and regions outside of Japan. Please tell us if there was anything from them that made you happy, was unexpected, or which made a lasting impression on you.

A2. When you play foreign games, there are times when you think "Why did they translate it into Japanese like that?" But having been on the side of having something translated, I've realized some things are unavoidable, or endless, and there are many things that don't matter either way from the author's perspective, so it was interesting.

About Ryoko Kui's short story collections and herself

Q1. Dragons are a consistent and important motif in your work. Was there any particular work or experience which inspired this? Also, are there points about drawing dragons which you find interesting or have had to work hard on?

A1. It's less about liking dragons, and more that I'm interested in the worlds in which dragons exist. When I draw dragons, the depiction in itself has a sweet feeling to it. I have never had a pet reptile, so I don't have a very good understanding of them.

Q2. Unomiya University in your story "The dragon's school is on top of the mountain" has a Faculty of Dragons, Department of Environmental Studies, and Department of Technology Studies, and a Faculty of Veterinary Medicine. If you were to enroll in the university, which department or faculty would you like to enter?

A2. I probably wouldn't be accepted….

Q3. The collection includes a short story staged as an essay manga. Are you a fan of essay manga? Please tell us about any genres of essay manga that you like.

A3. I love all kinds of essay manga. I read them often.

Q4. If you were to make your own game, what kind of game would you like to make?

A4. I prefer being a player when it comes to games.

Q5. When did you first start drawing illustrations (doodles)?

A5. I don't exactly remember when I first drew a picture, but I think I started drawing manga around the fourth or fifth grade of elementary school. in my notebooks and had my friends read them.

Q6. What is the most fun part about drawing manga?

A6. Every part is fun and hard in its own way.

Q7. Please tell us if there is anything you "just can't stop no matter what".

A7. My procrastination habit.

Q8. Could you please tell us if there's something you want to draw now?

A8. I've been working continuously since the serialization, so I'd like to take about 2 to 3 months to just draw whatever I want.

[violetfractal]

come back! i have more facts about hypercubes.

A 3-cube has 6 faces, 12 edges, and 8 vertices. A 3-cube has six square faces. Squares are also known as 2-cubes! a 3-cube's surface is made up of six 2-cubes.

A 4-cube has 8 cells, 24 faces, 32 edges, and 16 vertices. By cells, I mean 3-cubes. a 4-cube's surface is made up of eight 3-cubes. Look at this diagram of a 4-cube. Can you see the eight 3-cubes? You might only see four at first.

... On the 3-cube, each edge borders 2 faces. if you were a 2D creature, you could live on the surface of a 3-cube. when you got to the edge, you would have to turn a 90° corner, and then you could see more of your world.

This is nice and predictable.

However, on a 4-cube, each edge borders 3 faces. Scroll back up to the diagram of the 4-cube and convince yourself that this is true. If Mario lived on the 4-cube's faces, navigating edges would be extra confusing. Mario is 2-dimensional, so the 4-cube has two extra dimensions beyond the ones he lives in. When he reaches the edge, Mario can turn 90° in either of two directions, reaching two different destinations.

Are you ready? Now you are going to be Mario. You are a 3-dimensional being, so you could live on the 3-dimensional surface of a 4-cube. Here's a picture of you, Mario, standing inside one of the eight 3-cells that make up the surface of the 4-cube.

From your position you can travel in any of 6 directions: up, down, left, right, forward, or back. Whichever direction you choose, you will come to a square face. The hypercube's surface folds at these faces. You will have to turn your body 90° into the fourth dimension, then you can continue through the face and into a new 3-cell.

To summarize, the 3-cell you currently occupy has six neighbors. That makes seven 3-cells. Where is the eighth? if you move into any of your six neighbors, then continue straight on through, you will enter the eighth 3-cell. It is antipodal to your current position. If you go straight 4 times, you will end up back where you started.

Is that straightforward? good. Now things are going to get weird.

The 5-cube has 10 4-cells. These, taken together, are the 5-cube's surface. The 5-cube also has 40 3-cells, 80 faces (2-cells), 80 edges (1-cells), and 32 vertices.

The 40 3-cells are not the surface of the 5-cube. They are more analogous to the 1D wireframe edges of a 3-cube. Nevertheless, they form a contiguous 3-dimensional space, and as a 3-dimensional creature, you could live inside them.

Except. Remember 2D Mario's predicament on the 4-cube earlier? You are now in the same predicament. Your cell is 3-dimensional, but your universe is 5-dimensional. That means there are two extra dimensions beyond the three you occupy.

Whenever you reach the boundary of your cell, you meet a face. Passing through the face, you can turn your body 90° into the fourth dimension and enter a new cell. Or you can turn your body 90° into the fifth dimension and enter a different cell!

Since your cell has six faces, your cell has twelve neighbors! On the 5-cube, each face borders 3 cells. How can that be? I can't visualize it. I'll leave it to you to map out the 40-cell compound you are now trapped in. I'm sorry.

hint: each edge borders 4 faces and 6 cells. that's because any 2 faces define a cell, and 4 choose 2 is 6!

[doctorbitchcrxft]

Wendigo | Supernatural Series Rewrite | Dean Winchester x Reader

Pairing: Dean Winchester x Reader

Warnings: canon violence, canon gore, Dean's a dick but so is the reader

Word Count: 8817

A/N: Happy Saturday! Enjoy the next chapter!! Taglist/Requests are open!!

Mobile Supernatural Series Rewrite Masterlist

Supernatural Series Rewrite Masterlist

Supernatural Series Rewrite Playlist

You were curled up against the backseat of the Impala writing in your journal and humming along to Dean’s Foreigner cassette tape when Sam jerked awake in the front seat. You jerked up as well, concerned.

Dean shot his brother a worried look. “You okay?”

Sam blinked and rubbed his eyes. “Yeah, I'm fine.”

“Bull. Nightmare?” you asked.

The younger brother just cleared his throat in response. 

“You wanna drive for a while?” Dean asked.

You and Sam gave him an incredulous look. 

“Dean, your whole life you never once asked me that,” he laughed.

“Just thought you might want to. Never mind.” He rolled his eyes and returned them to the road. 

“Look, man, you’re worried about me,” Sam sighed. “I get it, and thank you, but I'm perfectly okay.”

His brother just hummed in response.

“I’ll take you up on that driving offer, though,” you chimed in.

“Not a chance, sweetheart.”

“I told you to stop calling me that.”

“And I told you I wasn’t listening.”

“Dick.”

Dean just scoffed in response. 

Sam’s unfolding of a map brought the conversation back on track. “All right, where are we?”

“Just outside of Grand Junction,” you answered. You leaned over his shoulder and pointed at the spot labeled “Grand Junction” and drew a trail with your finger over to a spot labeled with the coordinates Dean had found in John’s journal. 

Sam hesitated before speaking again. “You know what? Maybe we shouldn't have left Stanford so soon.”

Dean shook his head. “Sam, we dug around there for a week. We came up with nothing. If you wanna find the thing that killed Jessica—”

“We gotta find Dad first,” Sam finished.

“Dad disappearing and this thing showing up again after twenty years, it's no coincidence.”

“Wait, showing up again?” you asked. Even after poking around at Stanford, this was the first you’d heard of a previous encounter with the creature.

“I thought Sam would’ve told you,” Dean said.

“Told me what?”

Sam turned to face you. “You remember what I said about my mom dying? She died the same way Jess did.”

You nodded in solemn understanding. 

The car went quiet again; the silence only broken by the older brother. “Dad will have answers. He'll know what to do.”

Sam scanned the map again. “It's weird, man. These coordinates he left us. This Blackwater Ridge.”

“What about it?” you asked, putting your chin on Sam’s shoulder to look at the map.

“There's nothing there. It's just woods.” He put down the map, looking past your head at Dean. “Why is he sending us to the middle of nowhere?”

Dean just shrugged in response. 

The three of you found yourselves in a ranger’s station in Lost Creek National Forest just outside of Blackwater Ridge. You and Sam scanned a three-dimensional map of the forest atop a large table in the center of the room. 

“So Blackwater Ridge is pretty remote.” The brunet tapped his finger against the ridge’s label on the map. “It's cut off by these canyons here, rough terrain, dense forest, abandoned silver and gold mines all over the place.”

However, his brother’s attention could not be pulled away from a picture on the wall. “Dude, check out the size of this freaking bear.”

You walked over to him, and he was right. The thing was massive. The man standing behind its corpse looked like a dwarf in comparison. 

“There’s about a dozen or so grizzlies in the area,” you added. 

You and the boys were startled by a ranger’s voice coming from behind you. “You three aren't planning on going out near Blackwater Ridge by any chance?”

“Oh, no, sir, we're environmental study majors from UC Boulder, just working on a paper,” Sam assured him, laughing awkwardly.

Dean grinned and raised a fist. “Recycle, man.”

‘I could hit him. Jackass.’

The ranger obviously did not believe him. “Bull.”

Your eyes flicked to Dean, who was unmoving. 

“You're friends with that Haley girl, right?” the ranger continued.

“Yes. Yes, we are, Ranger— Wilkinson.” Dean faltered only to read the ranger’s name tag.

“Well I will tell you exactly what we told her. Her brother filled out a backcountry permit saying he wouldn't be back from Blackwater until the twenty-fourth, so it's not exactly a missing persons now, is it?”

You shook your head. 

“You tell that girl to quit worrying, I'm sure her brother's just fine.”

“We will.” Dean paused only for a moment. “Well, that Haley girl's quite a pistol, huh?”

“That is putting it mildly.”

You laughed. ‘I’m sure we’d get along great.’

“Actually,” Dean stopped the ranger from leaving the room. “You know what would help is if I could show her a copy of that backcountry permit. You know, so she could see her brother's return date.”

The ranger eyed Dean curiously, but still got him a copy of the permit. 

Dean laughed smugly as the three of you left the station, waving the paper around.

“What are you, five?” you asked him.

“Listen, sweetheart, I consider this a major success.” You quirked a brow at him, mildly annoyed he called you that stupid name again. “This eliminates a lot of the groundwork we normally have to do.”

“Fair point,” you shrugged. 

Sam broke the somewhat comfortable silence. “Are you cruising for a hookup or something?”

Considering the thought you’d just had, you were taken slightly aback. “What do you mean?”

“The coordinates point to Blackwater Ridge, so what are we waiting for? Let's just go find Dad. I mean, why even talk to this girl?” Sam was more talking pointedly at Dean and not you. You came to a stop on your respective sides of the Impala.

You couldn’t quite see Dean over the top of the car. “I don't know, maybe we should know what we're walking into before we actually walk into it?”

You could practically feel the look Dean was giving Sam.

“What?” the brunet scoffed.

“Since when are you all shoot-first-ask-questions-later, anyway?”

“Since now.”

You furrowed your eyebrows, biting the inside of your lip. “Really?’ you muttered, getting down into the car. 

***

Sam walked a little further up the walkway to the Collins house than you and Dean did. 

“Forty-five minutes in that copy room for this?” you inspected Dean’s small, fake park ranger ID.

“Can’t rush art, sweetheart.”

“Now you’re just working it into every sentence because you know it aggravates me.”

"Yup,” Dean chuckled. 

You smirked lopsidedly and Dean knocked on Haley Collins’s front door. A quite beautiful, dark-haired girl opened it moments later. 

“You must be Haley Collins. I'm Dean, this is Sam, and (Y/N), we're, ah, we're rangers with the Park Service. Ranger Wilkinson sent us over. He wanted us to ask a few questions about your brother Tommy.”

Haley hesitated. “Lemme see some ID.”

Dean held up the ID you’d previously been inspecting to the screen door. The girl looked between the ID and Dean. 

“Come on in.”

“Thanks.” 

The door swung open, allowing Haley to catch a glimpse of the Impala. “That yours?”

“Yeah.”

“Nice car.” She began leading the three of you into the home.

Dean looked back at Sam, mouthing something excitedly to him that you couldn’t quite make out. You rolled your eyes. You decided then and there you would push your attraction to him to the side for the rest of the time you were working with the brothers. To you, he was just an asshole playboy. 

Sam’s voice broke you out of your thoughts. “So if Tommy's not due back for a while, how do you know something's wrong?”

You took in the sight of the table set for dinner and a young boy who looked to be about thirteen already picking at his plate of food. 

Haley entered the room with a bowl and placed it onto the table. “He checks in every day by cell. He emails, photos, stupid little videos—we haven't heard anything in over three days now.”

“Well, maybe he can't get cell reception,” you suggested.

“He's got a satellite phone, too.”

‘Well, there goes that theory.’

“Could it be he's just having fun and forgot to check in?” Dean threw in.

The teenage boy clanked his fork against his plate, sharply stating, “He wouldn't do that.”

You eyed the boy, getting a read on him.

“Our parents are gone,” Haley said. “It's just my two brothers and me. We all keep pretty close tabs on each other.”

You nodded in understanding. As much as you were trying to dislike her, it wasn’t working all that well.

“Can I see the pictures he sent you?” Sam asked.

Haley pulled out her laptop to show Sam the folder of pictures and videos her brother had sent her. “That's Tommy.” You could hear the sadness in her voice.

She clicked through to the most recent video. 

A scruffy, presumably twenty-five year old man appeared onscreen. “Hey Haley, day six, we're still out near Blackwater Ridge. We're fine, keeping safe, so don't worry, okay? Talk to you tomorrow.”

Something flickered past outside the young man’s tent. Your brows furrowed. 

“Well, we'll find your brother. We're heading out to Blackwater Ridge first thing,” Dean assured her.

“Then maybe I'll see you there,” she answered. “Look, I can't sit around here anymore. So I hired a guy. I'm heading out in the morning, and I'm gonna find Tommy myself.”

“I think I know how you feel.”

Your eyes flicked over to Dean, growing angry at what you assumed to be an attempt at seducing the girl.

‘She’s mourning the potential loss of her brother, and you’re gonna try and charm her? Asshole.’

The younger Winchester once again broke you out of your thoughts. “Hey, do you mind forwarding these to me?”

“Sure.” Haley clicked away on her laptop again.

*** 

You and the boys wound up at a bar. The table was covered in newspapers, John’s journal, and beer bottles; some full and some half empty. 

“So, Blackwater Ridge doesn't get a lot of traffic. Local campers, mostly. But still, this past April, two hikers went missing out there. They were never found.” 

You gestured to John’s journal, which Sam slid over to you. You began flipping through it. 

“Any before that?” Dean asked. 

Sam pulled out a newspaper to show his brother. “Yeah, in 1982, eight different people all vanished in the same year. Authorities said it was a grizzly attack.”

You leaned across the table, squinting at the headline. You felt Dean’s eyes flick to your breasts that had subsequently been pushed up in your wife beater as you leaned over. 

You glared at him. “Stay focused, Winchester.”

Dean rolled his eyes, apparently unable to find his way to a witty response. You turned your attention back to the headline that read, “ GRIZZLY BEAR ATTACKS! UP TO EIGHT HIKERS VANISH IN LOST CREEK AREA.”

Sam pulled out his laptop. “Before that, 1959 and 1936. Every twenty-three years, just like clockwork.”

“You have WiFi in here?” you questioned.

“Don’t need it. Just wanted to look at Haley’s video.” He pulled it up from a folder on his screen. 

“Oh, shit. I almost forgot. Can I see that?” You hopped off your stool to get between the two brothers. “Watch this.” You clicked through the three frames of the video containing the shadow you’d seen flash across the screen. “That's three frames. That's a fraction of a second. Whatever that thing is, it can move.”

Dean reached across you to hit Sam’s shoulder. “Told you something weird was going on.”

Sam rolled his eyes, closing his laptop. “Yeah. I got one more thing.” He put a newspaper article between you and Dean. “In 'fifty-nine one camper survived this supposed grizzly attack. Just a kid. Barely crawled out of the woods alive.”

You skimmed the article briefly. “Is there a name?”

The only survivor of the attack in the article Sam showed you and Dean was a child at the time. He now lived a life of what appeared to be solitude. He drove a beat up truck that was parked haphazardly in his driveway and lived several miles out of the city. You took in the poor old man’s messy house as he led your trio into his living room.

“Look, ranger, I don't know why you're asking me about this. It's public record. I was a kid. My parents got mauled by a—”

Sam interrupted him. “Grizzly? That's what attacked them?”

Mr. Shaw lit a cigarette, took a deep puff, and nodded. 

“The other people that went missing that year, those bear attacks too?” Dean’s tone was slightly pointed. “What about all the people that went missing this year? Same thing?”

The old man continued to take drags of his cigarette. He seemed almost scared to entertain any other explanation aside from a grizzly bear attack. 

Dean continued to pressure him. “If we knew what we were dealing with, we might be able to stop it.”

Mr. Shaw shook his head. “I seriously doubt that. Anyways, I don't see what difference it would make.” He sat down in his recliner. “You wouldn't believe me. Nobody ever did.”

Sam sat down opposite the old man. “Mr. Shaw, what did you see?”

“Nothing. It moved too fast to see. It hid too well. I heard it, though. A roar. Like... no man or animal I ever heard.”

“It came at night?”

He nodded. 

“Got inside your tent?”

“It got inside our cabin. I was sleeping in front of the fireplace when it came in. It didn't smash a window or break the door. It unlocked it.”

You tried to keep your face from conveying your intrigue and tinge of fear.

“Do you know of a bear that could do something like that? I didn't even wake up till I heard my parents screaming.” You could see Mr. Shaw becoming lost in his mind. 

“It killed them?” Sam continued.

“Dragged them off into the night.” The old man shook his head as if to shake away the memories. “Why it left me alive... been asking myself that ever since.” He took a brief pause before reaching to the collar of his wife beater. “Did leave me this, though.” He pulled it down to reveal three long, deep claw mark scars. Through morbid curiosity, you were tempted to run your fingers over the jagged edges of the scarring. You couldn’t imagine how painful and angry the marks must have been when the poor man first got them. 

“There's something evil in those woods. It was some sort of a demon.”

“Thank you for your time, Mr. Shaw. We’re sorry about your parents,” you told him, turning away. “Have a good night, sir.” 

Mr. Shaw seemed too caught up in his own head to respond with more than a wave, letting a cloud of smoke slither out of his mouth. 

*** Later that night, you and the boys had just booked a room in yet another crappy motel.

‘One of these days I’ll treat myself to a stay in a halfway decent hotel.’ 

Before the three of you would be turning in for the night, you were headed to Dean’s car to pack your bags for the early morning you were about to have. 

“Spirits and demons don't have to unlock doors.” Dean broke your train of thought. “If they want inside, they just go through the walls.”

“So it's probably something else, something corporeal,” Sam said.

“Corporeal? Look at you, smartass,” you laughed.

“Shut up. So what do you think?”

“The claws, the speed that it moves…” Dean trailed off. “Could be a skinwalker, maybe a black dog. Whatever we're talking about, we're talking about a creature, and it's corporeal. Which means we can kill it.” 

“True,” you started. “But how are you gonna know what to bring to kill it with if we have no idea what it is?”

“Just trust me on this one,” Dean replied. “There’s not much a gun won’t be able to take care of.” He let the door to the motel almost completely swing shut behind him; nearly hitting you in the face. 

You caught it just in time. “Right, right. Just like you ‘took care’ of Constance by shooting her.”

“Hey, it worked, didn’t it?” Dean raised a brow at you, just barely turning over his shoulder to give you his response. He started busying himself in the weapons box in the back of his car.

“I mean, just barely. Nearly caught me in the crossfire.”

Dean rolled his eyes, sighing dramatically. “And what a shame that would’ve been.”

“Hey!” You shoved his shoulder with yours. 

He glared at you in response. 

Sam, who had been quiet the last few minutes, spoke up. “We cannot let that Haley girl go out there.”

His brother was rummaging through the weapons box; haphazardly throwing guns into his duffel bag. “Oh yeah? What are we gonna tell her? That she can't go into the woods because of a big scary monster?”

You found a shotgun that was slightly smaller than the rest, giving it a once over before moving to put it in a duffel bag of your own. Before you could fully get it settled in the bag, Dean took it from you.

You went to protest, but Sam cut you off by saying, “Yeah,” as if it was obvious. 

Dean turned his attention away from you and your shotgun long enough for you to steal it back. 

“Her brother's missing, Sam,” he tried to reason. “She's not gonna just sit this out. Now we go with her, we protect her, and we keep our eyes peeled for our fuzzy predator friend.” 

Dean seemed to notice you had taken the gun back and glared at you. He picked up his own duffel, and you closed the weapons cavity. 

“Finding Dad’s not enough?” Sam countered while you closed the trunk. “Now we gotta babysit too?”

You and Dean gave Sam a look.

“What?” he snapped.

You shook your head. 

“Nothing,” Dean replied. He threw the duffel bag at him and walked off. 

***

You yawned and pulled yourself into a tighter ball on the backseat of Dean’s Impala. You hadn’t gotten much sleep last night for a reason you couldn’t quite place.

“Don’t get too comfortable, sweetheart, we’re here,” Dean told you.

“Fuck.” You grabbed yours and Dean’s duffel bags off the seat next to you and got out of the car to feel loose gravel grating against your boots. 

A man who looked to be in his late fifties was up ahead of you next to a Jeep with Haley and the teenager you recognized as Haley’s younger brother. You approached the other three from behind Sam and Dean.

“You guys got room for three more?” the older brother asked.

Haley crossed her arms. “Wait, you want to come with us?”

“Who are these guys?” The older man pointed at your group.

“Apparently this is all the park service could muster up for the search and rescue.”

Sam headed past everyone, and you followed.

You assumed the middle-aged man was the guide Haley had talked about hiring the previous day. He was very skeptical of the three of you. “You're rangers?”

Dean’s confidence never wavered. “That's right.”

“And you're hiking out in biker boots and jeans?” Haley was apparently skeptical, too. 

“Well, sweetheart, I don't do shorts.”

‘That’s what he calls me.’ You couldn’t quite understand the pang that went through your chest when he used that nickname for her. You pushed the thought aside once again, reminding yourself that you weren’t special in Dean’s eyes. To you, he was becoming more of a playboy asshole with each passing moment. You hoped your attraction to his beautiful green eyes and sharp jawline would soon turn to disdain. 

Speaking of which, he appeared next to you as the guide spoke once more. “What, you think this is funny? It's dangerous back country out there. Her brother might be hurt.”

You turned around, trying to explain Dean’s attitude away. “He knows that. He just has a funny way of showing it.” You hoped Dean didn’t miss the bite in your tone. And from the way you could feel his glare burning a hole through your skull, you were sure it wasn’t lost on him.

The guide shook his head, brushing past you and the brothers. He headed into the forest, and you followed a few paces behind. You would never admit it, but the woods had always unsettled you just a bit. You tightened your grip on your bag and pushed forward. 

Dean had apparently learned the guide’s name from Haley while you were lost in your own anxiety. “Roy, you said you did a little hunting.” He quickened his step to pass you and get up next to Roy. 

“Yeah, more than a little.” The response came gruff and disinterested. 

“Uh-huh. What kind of furry critters do you hunt?”

You could feel where this was going. ‘Don’t fucking provoke him, Winchester.’

“Mostly buck, sometimes bear.” The disinterest was ever present in Roy’s tone as he continued to scan the treeline in front of him. 

Dean passed him up, doing that obnoxiously confident backwards walk again. “Tell me, uh, Bambi or Yogi ever hunt you back?” 

Suddenly, Roy grabbed Dean’s jacket roughly. You nearly flinched.

“Whatcha doing, Roy?” Dean’s tone had hardened.

Roy grabbed a stick, and peering around Dean you could see the jaws of a bear trap close around it inches from Dean’s boot. 

“You should watch where you're stepping. Ranger.” 

‘Damn.’

Roy dropped the stick and took the lead once more.

Dean turned around to the rest of the group. “It's a bear trap.”

You scoffed. 

You could hear Haley’s quickened step crunching leaves as she passed you to catch up to Dean. “You didn't pack any provisions. You guys are carrying a duffel bag. You're not rangers.” She grabbed his arm, spinning him to face her. “So who the hell are you?”

The teenage boy passed his sister and Dean. You and Sam hesitated behind Haley, shooting Dean a quizzical look. Dean jerked his head for the two of you to go on. You followed Sam forward, but hung back close enough that you could hear Dean and Haley’s conversation. 

“Sam and I are brothers, and we're looking for our father. (Y/N) is—” you were interested in this explanation, “—a friend of ours.” 

‘Oh, so we’re friends now.’

“He might be here, we don't know. I just figured that you and me, we're in the same boat.”

“Why didn't you just tell me that from the start?”

“I'm telling you now. 'sides, it's probably the most honest I've ever been with a woman. ...ever. So, we okay?” 

‘Wonder how many times he’s used that line.’ You caught that same squeeze happening in your chest happening again. You desperately wished to get ahold of yourself and snap out of it. ‘He’s just pretty to look at. He’s a complete douche. Get it together, girl.’

You had missed Haley’s response to Dean’s “heartfelt” admission, but heard “And what do you mean I didn't pack provisions?” You heard the rustling of a plastic bag behind you, and remembered the bag of peanut M&Ms he had bought at a gas station before coming here. You heard Dean start walking again, and you hurried ahead to catch up with Sam and not look like you were snooping. 

Dean had apparently noticed you were hanging back and chuckled to himself. Your cheeks burned with embarrassment. 

He walked up beside you. “Jealous?”

“What?” you turned to him, feigning disgust. “Fuck no.”

“So… you were just snooping because…?”

You wanted to smack the smug grin off his face. His amusement at your aggravation riled you up even more. “I was just curious what she thought of us. And to be frank, I don’t exactly trust your ability to explain things away. That’s all.”

“Uh-huh.” You knew he didn’t believe you. “That’s all.” 

You petulantly stole the bag of peanut M&Ms from him.

“Hey! (Y/N)!” 

You marched on.

“This is it. Blackwater Ridge,” Roy announced after what felt like hours of walking. Your anxiety around getting lost in the forest was only deepening. That was what it all boiled down to. You had a fear of not being in control, and the idea of a place where every “landmark” looked the same, wildlife ruled the terrain, and being alone in it was pretty much a death sentence, scared you pretty severely. Not to mention, the time you almost bled to death in the middle of the woods had another hunter not found you.

You had no means of identifying where you’d come back from. All the trees seemed the same to you. You had no idea how you were going to get back to the car at the end of the day; if you were even going to make it out of here by the end of the day. You had been walking for so long that you were sure you’d be sleeping out here tonight. The thought of that frightened you even more. 

What truly unsettled you was that the sounds you had been hearing up until you made it to Blackwater Ridge— crickets, leaves rustling, birds chirping— all of it had been silenced. 

“I'm gonna go take a look around,” Roy announced.

The younger Winchester stopped him. “You shouldn't go off by yourself.”

Roy’s snark almost rivaled Dean’s. “That's sweet. Don't worry about me.” He waved his gun around and pushed between the two brothers to head deeper into the forest. 

Dean turned to the rest of your group. “Alright, everybody stays together. Let's go.”

‘Great. More fucking woods.’ You marched forward, trying to put on a brave face.

Sam’s eyes softened when he caught sight of you. “You okay?”

Apparently, your “brave face” wasn’t as brave as you thought. “Yeah, why?”

“You look… kinda nervous.”

“Yeah, I am. I’m, uh, kinda scared of the forest, honestly.”

“Aw, sweetheart,” Dean’s mocking tone interrupted your vulnerable moment. “You’re scared of a little woods?” He jutted out his bottom lip, feigning a pout. 

“Fuck off, Winchester. I’m fine.”

“Whoa, touchy. Relax.” Dean held his hands up in surrender. “Was just poking fun, that’s all.”

“Okay, well, it wasn’t funny. So, fuck off.” You rushed ahead, still white-knuckling the duffel bag on your shoulder. 

Before Dean could catch up to you or respond, Roy called out from quite a bit ahead. “Haley! Over here!”

Haley took off in the direction of Roy’s voice, closely followed by you. Haley froze at the sight in front of her. “Oh, my God.”

In the clearing Roy had found, bloodied, torn open tents surrounded mutilated camping supplies and backpacks. Deep gashes in the tent material and the surrounding trees were jagged and stained with blood around the edges. The sight wasn’t making your queasiness any better.

“Looks like a grizzly.”

‘No, it doesn’t, Roy,’ you thought. 

Haley’s backpack hit the ground next to you, and she tore through the campsite; screaming her brother’s name. 

Sam moved to quiet her down. She kept screaming. A much harsher “Shh!” passed Sam’s lips, finally getting the girl to settle down. 

“Why?” she questioned defensively. 

“Something might still be out there,” he answered. 

Dean called his brother’s name from the other end of the campsite. You followed Sam over to the sound of Dean’s voice.

You crouched down next to Sam. Dean snapped a stick and pointed to a set of drag marks on the ground. “The bodies were dragged from the campsite. But here, the tracks just vanish. That's weird. I'll tell you what, that's no skinwalker or black dog.”

The three of you stood and returned to the campsite to find Haley crying on the ground over her brother’s broken and bloodied phone. 

“Hey, he could still be alive,” Dean told her. She shot him a confused and slightly angry look. 

Out of nowhere, a scratchy male voice started gutturally calling, “Help! Help!”

Roy was quick to run to the shouter’s aid. However, you weren’t so sure it was a real person screaming like that. 

“Help! Somebody!” came again.

The brothers started off to follow Roy. 

“Wait, guys!” you called, not wanting to be left alone despite your hesitation. 

“C’mon, (Y/N)!” Sam called.

You dropped your duffel in your rush to follow Sam’s voice. When you found where the group had gathered, you could see the brothers searching the treeline. You licked your teeth, upset that your intuition was right. Your group had found no one.

“It seemed like it was coming from around here, didn't it?” Haley said, confused.

“Everybody get back to camp,” you ordered.

You followed the path you were pretty sure would get you back to the mangled campsite. Thankfully, your sense of direction was right, but all of your supplies had been taken by the time you returned. 

“Our packs!” Haley exclaimed.

Roy grumbled, “So much for my GPS and my satellite phone.”

“What the hell is going on?” Haley was catching on. 

“It’s smart. It’s trying to isolate us so we can’t call for help. It knows we won’t last long without supplies,” you stated. 

“You mean someone, some nutjob out there just stole all our gear.” The guide’s voice was hard and angry.

“I need to speak with you two. In private.” You pulled the brothers aside by their jackets. Dean shrugged your hand off him. 

“Can I see your dad’s journal?” you asked. Yours had been taken along with your duffel bag. 

“No, why?” Dean asked petulantly. 

“Please, dude, c’mon.” You were not in the mood.

“Give it to her, Dean,” Sam chimed in.

Dean rolled his eyes and handed it over. 

You flipped through until you found a page marked by a First Nations-style drawing of a tall figure with long claws labeled “Wendigo.” You looked up at the boys expectantly.

“Oh, come on, wendigos are in the Minnesota woods or, or northern Michigan. I've never even heard of one this far west,” Dean responded.

“Think about it, Dean, the claws, the way it can mimic a human voice,” you tried to reason. 

“Great.” He took his pistol out of his belt. “Well, then this is useless.”

“I told you guns don’t work on everything,” you quipped.

“Shut up.”

Sam took the journal from you and handed it back to his brother. “We gotta get these people to safety.” He led you and Dean back to the group. “All right, listen up, it's time to go. Things have gotten...more complicated.”

Haley seemed pissed. “What?”

“Kid, don't worry.” Roy’s tone was almost patronizing. “Whatever's out there, I think I can handle it.”

“It's not me I'm worried about. If you shoot this thing, you're just gonna make it mad. We have to leave. Now,” Sam countered. 

“One, you're talking nonsense. Two, you're in no position to give anybody orders.” Roy was now getting in Sam’s face.

“C’mon, Roy, chill out,” you told him, pressing a hand to Sam’s chest to keep him from stepping to Roy.

Sam let you keep your hand there, but still bit back at Roy. “We never should have let you come out here in the first place, all right? I'm trying to protect you.”

“You protect me? I was hunting these woods when your mommy was still kissing you good night.” The guide was so close you could smell the chewing tobacco on his breath.

Sam still refused to back down. “Yeah? It's a damn near perfect hunter. It's smarter than you, and it's gonna hunt you down and eat you alive unless we get your stupid sorry ass out of here.”

Roy laughed mockingly. “You know you're crazy, right?”

“Yeah? You ever hunt a wen—” 

Dean pushed you out the way and shoved his brother back. “Relax!”

Haley got between you, the boys, and Roy. “Stop. Stop it. Everybody just stop. Look. Tommy might still be alive. And I'm not leaving here without him.”

You considered for a moment the implications of what may happen if you allowed them to stay. 

Dean broke the silence. “It's getting late. This thing is a good hunter in the day, but an unbelievable hunter at night. We'll never beat it, not in the dark. We need to settle in and protect ourselves.”

“How?” Haley asked. 

“I’m not gonna sugarcoat this,” you began. “We don’t really have the time for the ‘monsters under the bed are real’ talk. This thing is a Wendigo. I’m gonna start carving some symbols into the ground. No one crosses the circle once I’ve drawn it. Got it?”

Haley nodded at you. “What can I do?”

“Build a fire with— sorry, I never caught his name,” you gestured to the teenager next to her. 

“Ben,” Haley told you. 

“Ben. You two start gathering enough wood and tinder to keep a fire going. Don’t go too far, though, please.”

She and Ben nodded at you before setting off.

“Thank you,” you called after the Collins siblings. “Sam, Dean, help me with the Anasazi symbols.”

“Yes, ma’am,” Dean said. You were surprised at his compliance.

After a while of scuttling across the forest floor drawing a circle of Anasazi symbols around the campsite, the sun had set. Haley and Ben had long since returned and were tending the fire. As you finished the last symbol, you brushed the dirt off your hands on your jeans. 

Haley looked up at you from her place by the fire. “One more time, that's—”

“Anasazi symbols. It's for protection,” Dean explained. “The wendigo can't cross over them.”

Roy laughed, feeling the need to assert the fact he thought this was bullshit. 

“Nobody likes a skeptic, Roy,” Dean told him, clearly fatigued of the man’s attitude.

Roy turned his attention back to the treeline with his gun over his shoulder. You followed Dean over to where Sam sat away from the group at the edge of the campsite. 

“You wanna tell me what's going on in that freaky head of yours?” Dean asked his brother.

“Dean—” the younger one began to protest. You sat down next to him.

“No, you're not fine.” Of course, he already knew what Sam was going to say.  “You're like a powder keg, man, it's not like you. I'm supposed to be the belligerent one, remember?”

You laughed. “Yeah, I’ve got enough of that attitude with just him, Sam.”

Dean nudged the tip of your boot with his harshly. You returned his glare petulantly. 

“Dad's not here. I mean, that much we know for sure, right? He would have left us a message, a sign, right?” Sam’s mind was clearly going a mile a minute.

“Yeah, you're probably right. Tell you the truth, I don't think Dad's ever been to Lost Creek.”

You decided to just sit back and listen for a moment before throwing your two cents in. 

“Then let's get these people back to town and let's hit the road. Go find Dad. I mean, why are we still even here?” Sam threw his hands up in frustration. 

“This is why.” Dean held out his dad’s journal to his brother. “This book. This is Dad's single most valuable possession—everything he knows about every evil thing is in here. And he's passed it on to us. I think he wants us to pick up where he left off. You know, saving people, hunting things. The family business.”

Sam shook his head. “That makes no sense. Why doesn't he just—call us? Why doesn't he—tell us what he wants, tell us where he is?”

“I dunno. But the way I see it, Dad's giving us a job to do, and I intend to do it.”

Sam’s eyes began to well with tears. “Dean, no. I gotta find Dad. I gotta find Jessica's killer. It's the only thing I can think about.”

“Okay, all right, Sam, we'll find them, I promise. Listen to me.” Sam looked up at Dean. “You've gotta prepare yourself. I mean, this search could take a while, and all that anger, you can't keep it burning over the long haul. It's gonna kill you. You gotta have patience, man.”

Sam looked away again, still fighting the tears congealing in his water line. “How do you two do it? How does Dad do it?”

You let Dean take that question. “Well for one, them.” He gestured to Haley and Ben. “I mean, I figure our family's so screwed to hell, maybe we can help some others. Makes things a little bit more bearable.”

You paused, looking down at the dirt and twigs below you before speaking. “It’s kind of the same for me. I don’t have a family anymore.” You felt Dean’s gaze on you, but kept the burning in your cheeks at bay. “This is really all I’ve ever known. I know I couldn’t go back to a normal life after all this. So, I do what I can to help everyone else’s lives feel a little more normal. Not everybody needs to know what’s really out there. It kinda brings me peace knowing I’m helping somebody else live their life relatively worry-free.”

Dean continued. “I'll tell you what else helps.”

You looked back up at him. 

“Killing as many evil sons of bitches as I possibly can.” 

You smiled at Dean genuinely for the first time. 

A twig snapped, breaking you and the boys out of the little bonding moment you’d just had. The same, slightly unhuman grainy voice screamed out again from somewhere in the trees. “Help me! Please!”

Dean stands with his gun. You thought about pointing out the fact that it was useless, but decided to keep it to yourself. 

“Help!” the strained sound came again.

Sam shined his flashlight through the tree line.

“He's trying to draw us out. Just stay cool, stay put,” Dean told the group.

“Inside the magic circle?” Roy quipped.

“Shut up, would you?” You snapped, narrowing your eyes at him. 

“Help! Help me!” The voice seemed to become more distant before a low growl emanated from just outside the circle.

Roy pointed his gun at the sound. “Okay, that's no grizzly.”

“Oh, now you believe us,” you quipped. 

“(Y/N),” Dean warned, still facing the outside of the circle. 

Something rushed past where Haley and Ben were standing. She let out a scream. 

“It's here,” the younger Winchester stated.

The guide shot at the rustling bushes, and then again. “I hit it!” He took off before you could protest.

“Roy, no!” you immediately ran after him.

You could hear Dean behind you addressing the Collinses, but barely registered it while trying to follow Roy. 

“Roy! Come back!” you called. 

“It's over here! It's in the tree!” the man called back.

Just as you reached him, something grabbed onto Roy’s shoulders and began pulling him up into the tree above.

“Roy!” you grabbed his ankles, doing your best to pull him back down to the ground. 

Roy was screaming above you, and the Wendigo’s strength was too much for you. Roy’s screaming was cut off sharply by a snapping sound. In that moment, you knew he was gone. You let Roy’s legs go and dropped back down to the ground. 

The Winchester brothers appeared at that second, rushing to your side.

“You okay?” Sam asked, helping you up. “Where’s Roy?”

You shook your head. “He’s gone.”

You and the boys headed back to camp to find Haley and Ben huddled together. Haley was caught off-guard by your return, and nearly took you out with her makeshift torch-weapon. “Shit!” she yelped. “You scared the crap out of me!”

“Sorry,” you laughed. “Easy, tiger.”

She threw her torch back into the fire. “Where’s Roy?”

Your smile faded. “I tried to help him. I’m sorry.”

She nodded somberly. A saddened, heavy air fell over your camp as the remaining five of you tried to go to sleep before your undoubtedly busy day tomorrow.

Haley and Ben settled down near the fire with tatters of backpacks and tent material as pillows and blankets respectively. You and Dean forced Sam to lay down and rest because it was evident via the bags under his eyes that he’d had none over the last several days. 

“I’ll take first watch,” you told Dean, settling your back against the stump of a tree near where Sam had started falling asleep.

“Not a chance, sweetheart.”

“First of all, stop calling me that,” you snapped. “Second, it wasn’t a suggestion. I’m taking first watch. Go to sleep.”

“Why are you so insistent on this?” Dean furrowed his eyebrows at you.

“Why don’t you trust me?” you countered.

“I don’t know, maybe because you’re the last person to have seen my dad before he ‘mysteriously disappeared’?”

“You’re not seriously suggesting—” you scoffed, and Dean cut you off again.

“Maybe because I don’t even know you. Maybe because you so readily agreed to just hitch a ride with Sam and I the day Jessica died. Maybe those are some good reasons not to trust you.”

“Dean, I had nothing to do with your dad’s disappearance. And in case you haven’t noticed, I’m on my own. Sorry that I was just excited to finally have someone willing to take me along with them. And I don’t give a shit about you, honestly. I do give a shit about Sam, though, and I’m not gonna leave while he’s in this headspace. And I wanna help you find your dad.”

“Why do you care so much?” he hissed in retaliation.

“Because I don’t have any family. I want to help reunite yours. Like you said earlier, it helps you feel a little better and sleep a little easier at night.” Your voice had softened considerably, and you turned your attention from Dean to your hands folded in your lap. 

“Fine, but after we find my dad, you’re gone,” he responded after a moment.

“Fine.” You turned away from him, hugging your knees to your chest. “I’m still taking first watch.” 

“Whatever, (Y/N).” You could hear Dean moving around behind you. 

“Goodnight,” you said. 

All you got was a huff in response. 

At some point that night, Sam was actually the one to take over your watch. He’d woken up from a nightmare, and you knew he wouldn’t be getting back to sleep any time soon. You did your best to get some sleep despite your heightened sense of awareness from your unsettling surroundings and the anger you still felt at Dean after your argument. 

When you did awaken, Sam was sitting against the tree next to you, Dean was talking to Haley about the origin of Wendigos, and Haley was grilling Dean about how he knows about monsters.

“Kind of runs in the family,” was all Dean answered her question with. 

You felt Sam push off the tree behind you. You still hadn’t rolled over from your sleeping position. 

“So we've got half a chance in the daylight,” Sam announced to the group. “And I for one want to kill this evil son of a bitch.”

“Well, hell, you know I'm in,” you heard Dean respond. 

“'Wendigo' is a Cree Indian word. It means 'evil that devours',” Sam explained. 

You began stretching while Dean continued educating Haley and Ben. “They're hundreds of years old. Each one was once a man. Sometimes an Indian, or other times a frontiersman or a miner or hunter.”

“How's a man turn into one of those things?” Haley asked.

“Well, it's always the same,” the older Winchester continued while you started to make your way over to them, brushing leaves out of your hair with your fingers. “During some harsh winter a guy finds himself starving, cut off from supplies or help. Becomes a cannibal to survive, eating other members of his tribe or camp.”

“Like the Donner Party.” That was the first you’d ever heard Ben speak.

“Cultures all over the world believe that eating human flesh gives a person certain abilities. Speed, strength, immortality,” Sam continued. 

“If you eat enough of it, over years, you become this less than human thing. You're always hungry,” Dean finished.

“So if that's true, how can Tommy still be alive?” Haley waited for the answer with baited breath.

“You're not gonna like it.”

“Tell me.” Haley steeled herself.

“More than anything, a wendigo knows how to last long winters without food. It hibernates for years at a time, but when it's awake it keeps its victims alive. It—” Dean seemed to be searching for the right words, “—uh, it stores them, so it can feed whenever it wants. If your brother's alive, it's keeping him somewhere dark, hidden, and safe. We gotta track it back there.”

“And then how do we stop it?”

You spoke up for the first time, holding an empty beer bottle, a white cloth, and a can of lighter fluid you’d found from near the camp. “Guns are useless, so, Molotov cocktail, baby.”

You could swear Dean cracked a smile at you, but you refused to acknowledge it. 

The sun had risen much higher since your crew had first started walking. You had passed multiple trees with bloodied claw marks on them. It was starting to unsettle you, quite honestly. You’d just passed the seventh or eighth claw-marked tree  when you decided to bring Sam’s attention to your thought process.

“You know, I was thinking, those claw marks are so clear and distinct. Not at all as jagged as they were on Mr. Shaw’s scar or the tree where the thing snatched Roy. They were almost too easy to follow.��

Almost as if on cue, a low growl rumbled from above and trees rustled. Haley looked up before jerking herself out of the way. And good thing she had, because Roy’s corpse soon landed where she’d stood. 

Dean inspected Roy’s corpse while Sam helped Haley up. “His neck's broke.”

The growling continued. 

Upon hearing the sound, Dean started to bark out, “Okay, run, run, run, run, go, go, go!”

You immediately split. You were always quite a fast runner and light on your feet. You and Haley took the lead of the group and could hear the boys’ thundering footsteps behind you. 

Before you knew it, the growling had landed right in front of you. You and Haley were brought to a skidding halt before the creature. Haley yelped as the creature grabbed your legs and began dragging the two of you. You took the bag of peanut M&Ms you’d stolen from Dean out of your jacket’s inner pocket. You let the bag’s contents out slowly as sticks and rocks scraped up your dragging body. The last thing you felt was a sharp pain on the back of your head before you vision blacked out completely.

The next time you came to, the first thing you felt were your aching wrists and hands on either side of your face. You could faintly hear Dean calling your name, and your vision began to get less hazy as Dean’s voice became more clear. 

When Dean’s annoyingly beautiful, worried face finally came into focus, you said the first thing that came to mind. “Aren’t you a little short for a stormtrooper.”

You could hear Sam laughing behind Dean and Dean sighed. If you didn’t know any better, you would say he sounded relieved. 

Sam reached above you to cut your wrists down. “You okay?”

Despite your aching joints, you said, “Yeah.”

Sam helped you over to one of the cave’s walls. “You sure you're alright?”

“Yeah. Yep,” you groaned. “Where is he?”

“He's gone for now.” 

“Oh, thank god,” you breathed, making Sam laugh a little. “Oh, sweet.” You noticed the stolen duffel bags next to you and started rummaging through yours. Haley let out a shriek, causing you to jerk your head in her direction. She’d found her brother, and thankfully, he was alive. 

“Cut him down!” Haley ordered. Sam got to work. 

You found a flare gun in Dean’s duffel bag, saying, “Check it out.” to the rest of your group.

“Flare guns. Those'll work,” Sam responded, grinning.

You laughed, throwing one of the guns at Dean who caught it easily. He twirled it around his finger, smirking at you.

“Enough fooling around, let’s go,” Haley urged. She shouldered her brother, and with Ben’s help, started moving down the mine shaft.

You and Sam held up the rear of the group while Dean took the lead. Amidst the clunky shuffling of Tommy’s weakened body down the shaft, you could hear the same deep, low growling you’d heard in the forest. 

“Looks like someone's home for supper,” quipped Dean, scanning the corridor ahead of him.

“We'll never outrun it,” Haley said.

Dean looked back at you and Sam. “You thinking what I'm thinking?”

“Yeah, I think so,” Sam responded.

“I don’t,” you chimed in.

“You’ll catch on,” Dean shot back. “All right, listen to me. Stay with Sam and (Y/N). They’re gonna get you out of here.”

“What are you gonna do?” Haley asked the older Winchester. 

He winked at her, shooting her that same smile he’d shot you one of the first times you’d met him. You fought the urge to roll your eyes. He started yelling moments later, walking away from you. “Chow time, you freaky bastard! Yeah, that's right, bring it on, baby, I taste good.”

‘I bet he does.’ You surprised yourself. ‘What? What the fuck? He’s an asshole.’

Sam’s voice brought you out of your head. “All right, come on! Hurry!”

Your group rushed down the tunnel. You stayed in the rear, and Sam headed up to the front. He began leading your group down to where you could faintly see a bit of daylight peeking through. 

And then, the growling again. 

“Fuck,” you muttered. “Get him outta here!” you instructed the Collinses. 

“(Y/N), no,” Haley told you.

“Go!” you urged her. 

She finally nodded and started pulling her brothers down the tunnel with her. You aimed your flare gun at the direction where the growling was coming from. 

“C’mon, motherfucker,” you grumbled, scanning the tunnel. 

“(Y/N)!” Sam called from behind you. 

You wheeled around to come face to face with the Wendigo. In your startle, you missed your shot with the flare gun. Your only other option was to take off after the three Collins siblings, closely followed by Sam.

“Come on, hurry, hurry, hurry,” Sam ordered the group. “Get behind me.” Given Sam’s size, he was able to hide all three Collinses behind him. You knew your pistol was no use, but you still aimed it at the creature anyway. 

The Wendigo approached, taking its time in getting to you. 

“Hey!” you suddenly heard Dean from behind the Wendigo. It wheeled around, only for Dean to shoot it in the stomach. 

Flames curled up the Wendigo’s horribly disfigured body in twisted tendrils. The creature let out a howl before collapsing to the ground in a pile of burning embers. 

Dean was revealed behind where the Wendigo previously stood. “Not bad, huh?”

Despite yourself, you grinned. 

A quite chipper, clearly freshman EMT had patched you up upon your return to civilization. You had an uncomfortable laceration on your neck, a few scrapes above your eyebrow, and your wrists burned from where you had been tied up. You’d survive, it would just take you a few days to recover from. 

You watched from a short distance as Haley approached Dean, both of whom had been patched up. You scowled as Dean smirked lasciviously at Haley and couldn’t help the bile rising in your throat when Haley leaned in to kiss Dean’s cheek. She said one final thing to Dean before walking toward the ambulance carrying Tommy with Ben. 

“Thanks, (Y/N)!” she called to you.

You waved at her with a lopsided smile. She returned your grin before hopping into the back of the ambulance. 

Sam motioned for you to come back over to Dean’s car. 

“Man, I hate camping,” said Dean as you approached.

“Me too,” you shivered.

“Still scared of the woods?” he asked you, his tone slightly patronizing.

You ignored his tone and answered earnestly. “Definitely. Probably more so, now.” You crossed your arms over your body and hugged yourself. 

A moment of silence passed before Dean addressed his brother. “Sam, you know we're gonna find Dad, right?”

“Yeah, I know,” he nodded. “But in the meantime? I'm driving.”

Dean lolled his head to the side dramatically before tossing the keys to Sam. Recalling your fight with Dean at the campsite, you hesitated to get in the car when the brothers did. 

“(Y/N), what are you doing?” Sam asked out of the driver’s side window. “Let’s go.” 

You nodded, conceding, and hopped into the backseat. You threw your legs up on the leather beside you and stared out the window. Out of the corner of your eye, you could swear Dean was staring at you. 

Series Rewrite Taglist: @polireader @brightlilith @atcamillanorrman @jrizzelle @insomnia-bookworm @procrastination20 @mrs-liebgott @djs8891

[drmapzo]

Hello, everyone!

The adventuring party makes their way through the cold forests. They climb the mountain until their strength fails them.

But they finally reach the top. They're before the place they've seen in their dreams, marked by a great tree of bloody leaves. The entrance to the cave is filled with ice statues, an terrible warning for those who dare to step inside.

The creature tokens for this map are an Adult Dimensional Dragon, an Arctic Abomination and an Undead Horse. Emerald tier gets the Arctic Abomination while Diamond tier gets all three. In addition, Sapphire tier gets extra creature token variants.

You can see a preview of all of this week’s Patreon content here.

Thank you very much for taking a look and be sure to check out my Patreon where you can pledge for gridless version, alternate map versions as well as the tokens pertaining to this map.

[mbari-blog]

Meet the MOLA AUV, a multimodality, observing, low-cost, agile autonomous underwater vehicle that features advanced sensors for surveying marine ecosystems. 🤖🪸

At the core of the MOLA AUV is a commercially available Boxfish submersible, built to the CoMPAS Lab's specifications and enhanced with custom instruments and sensors developed by MBARI engineers. The MOLA AUV is equipped with a 4K camera to record high-resolution video of marine life and habitats. Sonar systems use acoustics to ensure the vehicle can consistently “see” 30 meters (100 feet) ahead and work in tandem with stereo cameras that take detailed imagery of the ocean floor. 

Leveraging methods developed by the CoMPAS Lab, the vehicle’s six degrees of freedom enable it to move and rotate in any direction efficiently. This agility and portability set the MOLA AUV apart from other underwater vehicles and allow it to leverage software algorithms developed at MBARI to create three-dimensional photo reconstructions of seafloor environments. 

In its first field test in the Maldives, the MOLA AUV successfully mapped coral reefs and collected crucial ocean data. With the MOLA AUV’s open-source technology, MBARI hopes to make ocean science more accessible than ever. Watch now to see MOLA in action. 

Learn more about this remarkable robot on our website.

[foone]

There's a lot of different ways time machines work, you know? (I got slightly long talking about this)

There's always a lot of descriptions of how time travel works in different fiction, like if you have ripple-proof-memory or not, if you can change the past or not, if changing the past changes it for you or if you effectively create a parallel universe where it changed, but you're not there, you're still in your home timeline.

So many different little distinctions. Like, if time tries to main itself or not. Sometimes you pop a cap in some Austrian painter and immediately some other guy ends up playing the same role. Sometimes you do that and come back to a 2036 full of aliens who invaded in 1954 in this timeline and are currently fighting off a resurgent druid commonwealth of spellcasters.

Sometimes the way time works lets you effectively dupe-glitch reality: you put a gold bar in a box for an hour, then go back 1 minute and steal it from the past. now you have two: the one you had in the box, and the one you got from the past. And then you go back another minute, and there's three! Sometimes timetravel allows this, and sometimes this'll get you eaten by TimeMonkeys because you tried to twist spacetime into recursive four-dimensional knots.

I know at least one story* where time travel into the past was fine, so long as it didn't change the actions of humans. You could go back and build a house in the midwest US in the late cretaceous and it would be fine, because eventually an asteroid and a bunch of glaciers are going to flatten all that shit anyway, and it'll be a bunch of debris miles down that no one will ever encounter. But you send something back 1 minute and it makes you turn left instead of right, and you have split the timeline: there are now two of you fucking with time travel, and if the timeline gets split enough you will BREAK TIME ITSELF.

So yeah! Time travel is very fascinating to me, and a big part is because of all the different rules for how it works. Figuring out which ones are in play, and how they'll affect (or even effect) the story is a huge part of what I like out of time travel stories.

But I don't want to do that. I want a time machine with a dial and some switches**. Let me pick.

Do I want "I can go to the past and grab a spare Apple Lisa from a store in San Jose in 1984" and it doesn't affect the timeline at all, except now I'm one Suspiciously Mint Condition Apple Lisa richer***?

Or do I want "I go back and stop someone from getting on that plane" and I come back home and they're alive and they've always been alive and I can remember them at my university graduation?

There's a dial. I can pick it, and then I can fine tune it. This is a much more useful time machine than a bunch of the other ones people use in fiction, where they're all "no we can't, because of the Laws of Time." or "Time travel always has a price" or "if we do that it makes time worse when we get back so we go back and have to fix it" or such.

So much whining. Skill issue, frankly. Mine's got a dial. I just don't do that. Maybe you should upgrade? Trade in your Tardis, Time Egg, DeLorean, Hyperspacing powered-by-spinning-compasses-and-bad-geometry flying cars, Magic books, Flying Houses****, flying around the earth, running around the earth faster than light (or time?), falling into black holes, worm holes, going faster than warp 10, Magic Space Rocks Of Time That Are From Alien/Gods, Time Portals, That Magic VCR From That One YA Novel I Read Back In The 90s Where If You Hit Rewind It Rewound You Back In Time, and your assorted magic spells in for my clearly superiour time machine, because I thought to put a dial on mine and you just thought you needed the date and time. Pfft. I bet you don't even bother picking which timeline you end up on!

Oh, what's that? You didn't know you had access to different timelines? Wow. Mine's just got a little map, and I use the trackball to select which one. Actually... *I reach over and swivel the CRT away from you* Let's not have you looking at that, if you don't know about timelines yet that's basically spoilers.

Anyway... Yeah. What's your favorite set of weird time travel rules? One of the obvious silly ones is the Terminator universe's "you can only time travel in flesh, so no bringing guns, nudity is required, and robots have to get tricksy" rule. But I'm sure it's normal compared to some of the weirder stuff that's out there.

As for HOW you time travel, while there are many silly methods in use (a surprising number of which involve Going Fast in some manner), one of my favorite ways is in one of the later 80s Heinlein novels, where a Genius AI points out that the hyperdrive can do time travel, but just no one had realized or bothered to ask an AI until now. Out of universe, this is a hyperdrive from a common setting the author had been writing about since the 40s. In universe? nearly TWO MILLENNIA. No one had noticed it can JUST TIME TRAVEL in all that time, until an AI bothered to mention it because someone was like "boy, it's annoying we don't have time travel" within earshot (the first mission was to find christ (couldn't), and the second was to bang his mom. (he failed (for now) and died in ww1 (for now))).

I may be in a slightly rantly ADHD mood today. But that's the thing, with ADHD you have an impaired sense of time. That's maybe why I like time travel stories so much? Time is already a murky mess for me, let's get weirder with it.

* funfact: from the same author of the previous story I was referencing! "Time travel splits the timeline" is Strange Attractors (1990) by William Sleator, and "You can just infinitely dupe items by stealing them from yourself" is from The Green Futures of Tycho (1984) by my favorite YA author of the 80s-00s, William Sleator. ** It's my fantasy time machine, and my fantasy time machine has nice tactile switches and knobs. like most of my Fantasy Whatever Machines, now that I think about it. *** you don't want to know by how much. you will be happier to not know how much this 1 shit-ass computer would be worth today. **** Now with the mention of Flying Houses you can recontextualize the previous vague "magic book" entry as a clear reference to Superbook and The Flying House, two 1980s Christian Animes, because I am exactly that nerd.

[etz-ashashiyot]

Okay so you know how a lot of us have been feeling abandoned and hated by both left and right sides of the political spectrum (especially since October 7th, but this has been a long time coming in my opinion)?

Well I've struggled with what to call myself, because I'm not a centrist either. I'm not even really a "third/middle path" person. Instead, much like with existing gender frameworks, I don't find myself on any two-dimensional map at all. So I would like to propose another option for anyone else stuck in this quandary:

Let's take our politics into three-dimensional space, with constructive compassion as our North Star and our feet firmly planted on the path of pragmatic problem-solving.

That is to say - we might have to veer left or veer right, move forward or even turn around, but the most important thing is to get where we're going on the road to justice in a way that is both practical and compassionate to all people, all living things, and the earth.

(I still have no idea what to call this, though.)

[ariemfox]

it was the multi-layered symbols + parallels in the story & the engine for me...

the heart of the machine is the stories, which is the tardis. spoken by the brain (which encloses the heart)/the doctor (the storyteller+traveller)/the time-travelling. the many faces glued to the brain - some screaming = the many faces of the doctor. the callback to 'we're all just stories in the end'.

the barbershop and the tardis. using hair or the webs of time/history's progression to tell stories. our hair and our histories showing the truth of our personalities in style and story. the story of the slave girls making maps with their hair braids -> making a map to the heart of the machine.

the parallels of the barber to the master in the revenge against the gods/time lords. tecteun stealing their own narrative of the origin of the time lords from the doctor - the time lords only exist through gallifreyans telling their stories. the gods on earth only exist through people on earth web-weaving their stories.

world wide web, we're all connected - stories bring community, the way each culture braids it's hair connects us to each other. we can tell stories with hair and make maps, we can time-travel.

abena's parallel to the doctor. abandoned and trapped with a parent - anansi, tecteun - who does not care for them, failed by everyone else. a child that's used for their own parent's benefit - abena with her father's bet, the doctor with tecteun harnessing regeneration.

the parallels to previous episodes. 'the long song' and 'lux', with gods being overloaded with power, to kill them with their fatal flaw. with 'lux', more emotion made them more three-dimensional - more individual power made the stories play out three-dimensionally in 'the story and the engine'.

the theme of trapped, abandoned children, with the timeless child arc & 'space babies'. the alone little black girl that belinda saw being played by the actress for baby poppy in 'space babies'. a little black girl that didn't really fit into the narrative, but was there nonetheless. the reminder that the doctor was dropped into this universe as a lost little black girl, who never really fitted into the narrative either.

the six-letter stories and the robots of 'the robot revolution' never hearing the seventh word - as if stories don't exist past that point to machines that rely upon chains of commands/binary.

& so much more i probably haven't mentioned. the fucking layers, man <3

i am worshipping u, innua ellams <3