#was somehow written ABOUT YOU

[finniestoncrane]

trying not to vagueblog because i’m an adult but my autistic determination to level out all morals and arguments so everything is level and fair is just so sexy and tantalising

[punnifullife]

sorry i haven't posted in awhile! work started back up. here's some old sketches from June.

[shakespeareallanpoe]

*Tim gets thrown into a wall and isn't moving*

Batman: "Robin. Check the pulse."

Damian: *completely misses all pulse points on purpose and sticks a gloved finger in Tim's ear instead*

Damian: "No pulse. He's dead."

[thresholdbb]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

[toskarin]

glass houses and all, I've made bad deals in my time and I've failed to consult IP lawyers in cases where I probably should have, but putting your entire codebase up as collateral on a loan that you're paying more or less entirely through someone else's charity feels like it really shouldn't be fucking Plan A

[epickiya722]

I know what these last few chapters have taught me about BNHA...

Blocking people is useful! 😐

[starryalpacasstuff]

Indian BL? FROM 2017????

There's an Indian BL from 2017 that I just watched. And I have incoherent thoughts

Before I continue, massive thanks to my bestie @anixknowsnothin for telling me about this show and proofreading the post for me. You don't even watch bl so I have no idea how you found this, but I'm incredibly grateful nonetheless

Here's the link to where I watched the show from, there's a glitch in the first episode subs where the subs seem to be from another show entirely, but it's only for the first ep and about 50% of the dialogue is in English anyways, so it shouldn't be hard to follow.(My ask box is also always open if there's a specific dialogue/scene in Hindi that you want the translation of)

Edit: The link seems to be region locked, so to watch it you can use a vpn and set your region to India, otherwise the episodes are available on youtube, albeit without subs

Note:- this post is going to have a few mild spoilers throughout, but I'll flag major spoilers in red

It's no secret that India is fairly behind when it comes to queer love shows if we compare it to other Asian countries. While it has a handful of great queer shows and movies, it's still quite a small quantity. Additionally, before this, I'd never watched an Indian show that felt like I was watching a bl (if you have recs, please send them my way!!). I'm not going to get into the technicalities of what feels like a bl and doesn't, because honestly, I'm not completely sure myself. For now, I'm just going based off of vibes and feelings, and this show felt like a bl through and through.

Titled 'Romil and Jugal' after its main characters, the story is a modern, desi, bl remake of the classic story...

Romeo and Juliet

Well, Bad Buddy was the first Thai bl I ever watched, so Romil and Jugal being the first Indian BL I watched just feels right, no?

I didn't actually know that the story was based off of Romeo and Juliet till the second episode, because I didn't bother looking for a synopsis, and jumped right in. However, it's links to Romeo and Juliet quickly became apparent, around the same time I started to see similarities between this show and Bad Buddy. I also did not know that this show came out in 2017 before I googled it, having already watched the entire thing, which was a pretty huge shock, because this BL is progressive by 2024 India standards.

Alright, enough of my rambling. Here's a synopsis of the show in case you haven't heard of it. (I couldn't find an official one, so I did my best to write a spoiler free synopsis)

Ramya happens to start talking to a slightly older woman at an airport, who believes that there is no romance in the younger generation. To prove her wrong, Ramya decides to tell the older woman her brother's love story. The story from the past is shown to us as Ramya narrates it to the woman in the present. Jugal is a closeted 19-year-old who lives with his parents. One day, a family moves into the house next door, and Jugal immediately falls for the son, Romil. The two of them attend the same college, and eventually become friends. The two of them eventually get together, but have to face the challenges of a homophobic society and having parents that hate each other.

I was a little skeptical of the show going in, but the show surpassed all of my expectations in the best way possible. It's no masterpiece, and it has its flaws, but it was far better than what I expected. It had both comical elements and darker themes, and it did not shy away from exploring the darker themes at all. Oh, and it has a few musical numbers. What did you expect? This is India after all.

The show is 10 episodes long, with 20 minutes per episode, and so it does unfortunately fall into some of the pitfalls that shorter shows tend to fall into, namely underdeveloped relationships and rushed endings. I did end up feeling a little bit like it didn't make sense for the pair to sacrifice and suffer as much as they did because they hadn't known each other for very long, and I felt like they should have been given more time to fall in love with each other. But it also could be argued that the show stays true to the play, and Romil and Jugal are dumb teenagers who make mistakes and stick with each other through them. I'm not entirely sure how I feel about it.

One thing that I loved the show for was that it showed us that the relationship is not all sunshine and rainbows. They argue, they break up, they get back together, and they do argue even after that. But every time, they eventually work through the issue and reconcile. The show even depicts Romil dealing with internalized homophobia and struggling to reconcile with the fact that he will never be who his family wants him to be. Although I do wish they'd have had more time to explore this, I'd say it was decently depicted and handled. The show really delves into how children are forced to uphold their family's wishes and are constantly put under pressure to make them proud. Although it clearly affects both of them, it's more obvious with Romil, who is expected by his family to date and marry the daughter of his father's boss, whom they think he is dating. There's a metaphor along this theme too, where Romil pretends to like the mango shake that his mom has been making for him since he was a kid, even though he hates it, and when he tries to tell her, he has to act like it was a joke to spare her feelings. The show also goes into the communal mindset of basing your actions off "what will people think?", and you can see how a lot of the characters' actions throughout the show are haunted by this question. Some of Romil and Jugal's earlier disagreements are due to this very mindset.

The show also very candidly depicts the extreme homophobia of society in India. Romil and Jugal had to constantly hide who they were, always having to keep up a mask and I felt that reach somewhere deep inside me. When the pair come out, the show really shows how ugly homophobia can be in India. Their parents immediately disown them. They're mocked in college and wrongfully suspended for a fight that was provoked by other students. Very, very few people stand with them, and the pair very quickly realize that now that they are out, they simply cannot live in the city anymore. So with the help of Jugal's best friend and her mother, they flee to Mumbai, where they get jobs and live as paying guests with a friend of the aforementioned mother. But, even in Mumbai, the masks stay up. They have to act like cousins, for fear of being persecuted. The series depicted the worst-case scenario that so many of us live in fear of, so watching it was something of a cathartic experience for me.

Another thing that the show did quite well is showing how different people and their mindsets can be. Jugal's best friend, Ahalya, and her mom are very supportive, and they help the pair out quite a bit. Ahalya's mother provided a safe house for the pair and helped them find a fresh start. Meanwhile, Romil and Jugal's parents are incredibly homophobic. There was a scene that really stuck with me, (mild spoiler ahead, skip to the last sentence of the paragraph) where Ahalya's mother came across Jugal's mother, who prided herself on being educated and well-read, searching up how to cure homosexuality. Ahalya's mother then tells her off for calling herself educated yet believing that homosexuality is an illness. It is so important to me that the show depicted both the violent homophobia that permeates Indian society and the surprising, warm acceptance that one can find.

One final thing that I loved about this show so, so much is just how authentically Indian it feels. Asian cultures share a lot in common, but they also have their differences, so seeing a show where I can imagine encountering the characters in real life is really amazing. Rather than something big, it was little things sprinkled throughout the story that warmed my heart. The story felt like something I could hear the local aunties gossiping about. The way it depicts queerness in India hits incredibly close to home.

One thing I've learned watching Asian bls is that the ending of a show can make it or break it, but with this one, I'm stuck. The best way I can describe the ending is absolutely insane and incredibly Bollywood.

I believe this show was supposed to get a second season because the last two minutes of the show leave us with a massive cliffhanger. Now, it's been 7 years, so a second season is unlikely, so I'm simply pretending that the last two minutes of the show never happened. But the ending has so much more to it than just this (Major spoilers for the ending up ahead. I mean it when I say major, this is like going into Bad Buddy knowing that they're going to trick their parents in the end).

About halfway through the show, I remembered what play it was based upon and realized that there was a very real possibility that Romil and Jugal would die. The first half of the last episode leads up to this, telling us that they died when reconciling after an argument in the middle of the road when they were hit by a truck. We get a super emotional scene (yes, I cried) where the two families somewhat reconcile in their grief as they go to the police station to identify the bodies. Except... they're not dead, which is revealed when Romil's father hugs Romil's (not) dead body. They reveal that they planned this to show their family that they still loved their sons. I did say it was like PatPran tricking their parents in the end, didn't I? So the families reunite, Romil and Jugal get jobs in New Zealand and get married, and return to India for a wedding celebration (yes, I cried. again). The ending does feel slightly rushed, but if I'm being honest, it wasn't as terrible as it could have been. Believing that your child is dead for a bit is a somewhat justifiable reason for a sudden change of heart. There's a part where Romil and Jugal tell their parents that if they choose acceptance, they can reconcile, but if they choose to remain prejudiced, Romil and Jugal can simply get back on the stretchers, because they'll be as good as dead to their families anyways and it is *chef's kiss*.

All in all, the show was surprisingly heartfelt and poignant. It had me laughing, kicking my feet and even crying. There's a lot more about this show that I could talk about, but I'm going to stop here for now, and I'll try to write more on it later. This show really does deserve more recognition than it has, and I'm almost mad at myself for not knowing about it before. Am I being really biased when talking about this show? Absolutely. But I do think that this show is a worthwhile watch, and I'd really like to see what other people on here think of the show, especially because I'm aware that I am biased towards this show.

I'm tagging a few people who I know might be interested/have some thoughts about the show because this is a show that I really want to hear other people's opinions on and have conversations about, so I hope you guys don't mind!

@waitmyturtles @lurkingshan @bengiyo @neuroticbookworm

[sinful-karateka]

I'll bite and talk about something that doesn't get enough spotlight in general, which are Demetri's and Eli's family life. So obviously several fic authors have their own twists and flavors to this, but if I may sell you something for a sec.

So far into the series, what we've got are these facts:

Demetri's Mom is the only family member to be mentioned in the show.

Eli's parents were mentioned a couple of times.

That should be enough context to deduce two things:

Demetri could be an only child to a single mother, and;

Eli's parents involve themselves in the stuff that he does — including karate, who knows — though they tend to be tone deaf with his actual needs.

There's strong evidence to why the boys act the way they act (brain functions notwithstanding, but this isn't the post for that), which is why I think these deductions make sense. How their hypothetical upbringing is part and parcel to how characters behave in this series. Of course societal influence comes in second because obviously you've got a show that encourages learning karate as defense against bullies, but this show is also about generational chains and traumas! So why wouldn't their home life inform the way it informs the LaRusso's, Lawrence's, and Nichols'? But I digress.

In the span of the entire series, I've held onto this headcanon that Demetri's neuroticism and ability to anticipate his actions carefully stem from a household that needs these systems in place, much more for someone who likes to be on top of things. Since he's just a student, the only authoritative figure who can make executive decisions... is his mom. Add to the fact that she may be a working mom, so when Demetri tells Daniel about certain restrictions in learning karate, what could have made her decide to just write a letter instead vs. taking the time out to go with his son herself? I know I know it's narrative writing but like do you seeeee where I'm at here

Eli's family life is by far gave us early indications of his dynamic with his mother — but not so a father — in earlier seasons. It's possible that his mom is a stay-at-home one, but if I were to push the bounds of this box even further, I'd even speculate that she's retired early if it meant that Eli's dad is the one making most of the living. Like of course they'd get mad at Hawk for getting a tattoo at his age, I think any parent would! But the way he tells Aisha to exclude him from her stories tells us that there's not a lot that his parents know about the life he lives as Hawk. At this point we all know the kind of effort it takes to successfully carry it out because he has to go home every night. It's either he a) puts in a lot of effort into concealing this identity once he gets home, or b) his parents are rarely ever home, which again, feeds into another assumption that maybe Mrs. Moskowitz works certain hours.

All we know is they're never around a whole lot for these boys, which is sad! and also again, very Indicative of their classification as awkward nerds pre- and early karate. When I read along certain fics that consider and include how the rest of their characters besides the found families they've formed, it gives much more depth and potency to writing them, their flaws, and how they think.

For all we know, Mrs. Alexopoulos could be a lesbian making fun of her son for not slinging pussy like she does being rizzless unlike her, but don't let me explain that when we have @demetriandelibinaryboyfriends!

[evocatiio]

if chibnall was the one writing this season you lot would be talking VERY differently

[marzipanandminutiae]

this bizarre 2003 anti-corset dress history book I’m reading: ...and doctors observed this Mysterious Women’s Illness called chlorosis! Nobody knew what caused it, but one pioneering doctor realized it was linked to the Evils of Corsetry!

a 5-second Internet search: It’s hypochromic anemia. They realized that in 1937.

[tortoiseguy]

I think people are too obsessed with "canon" and trying to use source material to justify certain readings of the characters that were intentionally placed there by the author. You'll have characters very obviously written to be gay with so many allusions to the fact in their behavior and story themes and people will be all pissy it isn't "canon". As though having that arbitrary title slapped on will make the reading any more valid.

Like idk man I think if the writer puts a bunch of obvious gay sub text in their story, then maybe it being gay is already canon. Having the writer of the cool media you enjoy officially saying "ya its gay btw 😉" doesn't make your queer readings any more valid than they already are.

[iamhereinthebg]

Haven't they broken several rules they've established just for everything to revolve around Tsukasa? Like...

1. A mystery can't be defeated in their own boundary (and yet Tsukasa somehow ripped Kako's heart out in his own boundary)

2. You can't use your tsueshiro in a boundary without permission (and yet Tsukasa ordered his to hold down Mirai)

3. Nobody could move because the school's time was frozen (yet Tsukasa did, as well as Yashiro, and Hanako who if I remember correctly suddenly unfroze on his own to break down into tears)

The earlier chapters were way better at following previously established rules and concepts compared to whatever's going on right now

They did ! :))) (want to explode)

I can understand the idea that Tsukasa is a rule breaker, he did destroy the previous n°3 in his own boundary too and it was an interesting twist! I can understand the idea and why it can be interesting, but the way AidaIro using all others characters/plots to make him stand out is just terrible. Dirsregarding rules is not a new thing about AidaIro unfortunately but Tsukasa really wins all medals on breaking them.

As you said, he was able to move when time was stopped and for which reason?? We don't know. Hanako was able to move once Akane and Teru got to him, probably because Akane is a clock keeper and can somehow give the permission to people to move.

I said it before and I will say it again, but wanting to show a character is powerful/cool by making the others characters look stupid is terrible writing, and that's the feeling I got with Tsukasa in general. (and chapter 109 is just a whole sequence of the characters being made fun of)

We don't know where to stand because he has every kind of tropes attached to him. They want us to understand he is some kind of martyr who is 'omg poor lil Tsukasa who was so selfless at only 4yo boohoo' (no matter which translation I read for the red house arc, he is believable somehow with Kou but then we get the flashbacks with Amane and it's gone). They put him in an 'angel' position and naive position in a lot of aus, want us so bad to understand deep down he is a nice boy. When we watched him do every possible horrors on screen. And don't get me wrong, I don't mind this, it's cool. Him forcing Mitsuba to eat, creating him, the way he treats some characters... It's the way they are not doing that to other characters who is so strange in my opinon. They know how to handle grey characters like Hanako or Teru (from the reader's pov) so I don't why they try so hard to put Tsukasa in a good light.

He is not a believable kid character in the red house arc, being smarter than Kou and Nene is not making him cool, it's just making Kou and Nene absolute idiots.

Him destroying his shackles thanks to Mirai power? It's not him being clever, it's Mirai and the clock keepers being made fun of. Him knowing what Hanako should be doing by using Nene? Not making Tsukasa cool, it's making Nene just as an object for Hanako's love, and to get a reaction out of him, most of the time by making Hanako look stupid. (I could go hours on why Nene is just here to serve as a mean to Hanako's character since some arc rather than being her own person but that's for another day)...

I understand that Tsukasa is like 'the antagonist and should be some steps ahead of the portagonist' but it's just so repitive in the way he is unpredicatble that it became boring and predictable. I was overjoyed to see him like this in chapter 108. (which was let's be honest the only good chapter in this new arc)

Tsukasa is really good here, which is why the drop of quality in chap 109 is even worst. Seeing a new side of him as a supernatural and his sorrow/hatred for Amane is really great. He even moralizes Nene about why sometimes you just need/have to get yourself out of situations alone, and that's how he himself proceeds because his brother never went to see him in 50 years. That he had no choice but to do so. It's great! Really great! To see that he is also an unpredicatble character and who decides to do what he wants not taking people's opinions in mind, because even his older never helped him when he called for him during all this time. It adds a good layer to his character and seeing him weaker/not really knowing what to do is something we desesperatly need for his chacter. But as everything in chap 108, chap 109 throws it out of the window and goes back to the usual ' we have set ups but terrible pay offs' things that has been happening a lot in the recent arcs.

He is also way too OP. As you said suddenly his tsueshiros could move again and he got rid of Kako. Even Hakubo and Teru being ones of the most powerful characters, were defeated once, Tsukasa never was seriously. It's never explained why he is so powerful (probably because he has an entity inside him/he eats others supernaturals) but the difference of levels is just insane, and absolutely not compelling to read.

We don't know why he is doing what he is doing and they try so hard to make him mysterious. They want us to get to know him without saying anything relevant or his backstory. We are left with whole chapters of absolutely nothing. Welp too bad I am not patient enough to see Tsukasa doing random stuff when half of the characters have rushed characters development or none because 'there isn't much time'.

AidaIro want us to understand they love him and that we should too but they are just destroying every other characters rather than make him loveable.

I hate what they did with his character, his role is terrible because it's destroying eveyone else's. Tsukasa is the favorite and it shows, but it's so badly done that I can't help but hate him.

[ohromeoraine]

I just need to rant here for a second because OH MY GOD-

Stars Align is so fucking incredible. By the end, tears were streaming down my face and i just screeched, “What the actual fuck?!” Because this anime sent me through the five stages of grief within the span of one season. These boys need new parents and hugs, and fucking everything. I would give them my soul, okay, that’s how much these boys need it.

The worst part is that no one and their fucking mother talks about this anime because the fandom is practically dead, but i want to rant to someone about this so badly. You have no idea the inner workings of my brain that go absolutely feral when someone even mutters, “stars align.”

YES. TELL ME ALL ABOUT WHAT YOU THOUGHT OF IT AND I WILL BREAK DOWN EVERY CHARACTER EVEN IF THEY ARE A PATHETIC EXCUSE OF A HUMAN BEING.

I will pull an Oliver Wood and try to drown myself in the shower if someone supports certain behaviors from the characters here.

ALSO, DID I MENTION THAT THERE IS A CANON NONBINARY CHARACTER?!

ACTUALLY FUCKING CANON. I’M NOT MESSING WITH YOU.

They are literally one of the sweetest fucking characters in stars align and i would hand them the goddamn universe if i could.

So, if you haven’t watched Stars Align(available on Hulu and Crunchyroll if we’re talking main streaming services) please invest your time to do so because you will not be disappointed.

There’s only one season because of budget issues(not enough streams was the problem I’m pretty sure), but holy fuck you will not be disappointed i swear.

[yuseirra]

I've been thinking over this god thing over and there's another idea I have related to it!

Earlier I've said that ame-no-uzume(god of the arts) and her husband sarutahiko(the great bright god) may be related to Ai and Hikaru.

Their story might also have been inspired from Izanagi and Izanami and they're very famous, so I believe I wouldn't have to explain a whole lot, (and I bet there are people who know it in more depth) but.. Izanagi and Izanami (the creator gods of Japanese Mythology) have Amaterasu(the sun god), Tsukuyomi(the moon god) and Susanoo(the god of the sea and storms) as their children. Ruby has something to do with Amaterasu and we have a girl who goes by Tsukuyomi as a character, Aqua, with the full name being "Aquamarine" has a name that has to do with the sea.

The reason I've brought this up is because of the lore between Izanagi and Izanami. Izanami dies, and Izanagi tries to bring her back to life but fails. It rings a bell, right?

Yes, this story of theirs also aligns with the things that have been mentioned in Mephisto and Fatal. Those songs revolve around a person who desperately wants to meet their love again (who's likely passed away) but cannot.

I've been wondering just why the ED's title was named Mephisto. Mephisto is the name of the devil, right? When you have a wish and the devil in the same picture, it means there's some kind of pact.

If the person singing in the song's been kamiki (which I've been pretty much stressing over and over through multiple posts now) it'd mean he's had gone through something like that too, to revive the one he loves.

This could be why there is a "stage" that's mentioned in BOTH of the songs, he's in a deal that he can't back out from.

この舞台で足掻くことをやめない

I will not stop to struggle on this stage(Fatal)

だけどステージが逃がさない いついつまでも憧れ　焦がれているよ

But the stage won’t let go I'll keep yearning and longing forever(Mephisto)

At this point, I'm so sure kamiki HAS done something to bring Ai back. He's made some sort of sacrifice for Ai it seems, he's probably made wishes regarding it, that come with a price but he didn't really care about his life in the first place after she's gone so he was willing to risk it. The efforts were probably in vain, though. But it could be really close to being granted if something's "filled in"

あなたがいないと生きていけない 何もかも捧げてしまってもいい あなたの愛がまだ足らない 欠けたものは何で埋めたらいい？

Without you, I cannot live anymore I would sacrifice anything for you I can’t get enough of your love What should I use to fill in what’s missing?(Fatal)

compared to Mephisto, Fatal seems more.. eager? energetic? but in an insane way. The speaker is actively doing something to fulfill their end goal. That's why I feel kamiki's missions are probably close to finish- he's all right with dying after having completed it

but in ch 154 he's heard that Ai wants to "help him" along with her children. and that she loved him dearly. This is going to leave him so devastated and conflicted lol because he's probably way past hope at this point. He can't be saved. He can't fulfill what Ai wants, that's going to make him very miserable. That's my guess. It's like everything he's doing had him stray even further off from what Ai wants.

Or it could be that he can't give up on Ai EVEN MORE now since he KNOWS that she loves him back too. Who'd give up on someone like that? She was like the only person who understood him and loved him. I can totally see why he couldn't let her go after all these years (may it be twisted. there is still some ambiguity in his words and we can be backstabbed) she was the one for him and he was to her, too, at least that's how he's felt when they were together. So he'd do ANYTHING for her. That lines up very well with those lyrics too.

So yeah. If my speculations are right Kamiki's so doomed... and doomed because of all the things he did that he thought was for Ai. Aligns with the respective mythologies too~.. I'd be surprised if these have NOTHING to do with the plot that's going to be revealed in the future because it just WORKS. It starts making so much sense to me.

[macadam]

Throwback to when someone referred to me as the matpat of transformers

[nekucreates]

Sonic Chronicles is always going to be one of my Sonic games. Like, none of the other narratives have gripped me as much as this game did. You get to go on an epic space adventure?! And there's this cool girl called Shade? And the dialogue is really funny? And Shadow is in this and written really well?! Sign me up!