#well it does depend on the theme really

[astrxealis]

sometimes i think about g'raha tia's little speeches where he goes on about how much he wants to go on an adventure with you and take to the skies upon the eternal wind and i fall in love with him over and over again

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[astrowrld300]

Astro Observations

Pt 2

It's so unreal how well Taurus placements can cook. Especially if there's Cancer in the big three. Taurus suns also have natural green thumbs

Cancer suns with Gemini Venuses are in constant conflict between they're ego and what they actually desire for love

This is definitely becoming common knowledge on the internet but all Libra placements that are personal and not generational are gay to some extent. Something about the scales allows them to go both ways I don't know . Depending on the placement and degree, it might make them uncomfortable, or the may proudly embrace it. But personal Libra placements can definitely go both ways

Cardinal signs are obsessed with each other, even though they're so toxic for each other.

5th house and Leo placements really love music. Leo rules the 5th house which is all about music, creativity and fun. So these natives really feel it.

Having your sun in the 11th house is a beautiful placement and creates a selfless person, but its the only placement for the sun to not be about "I" anymore. The sun is all about ego and self, ruled by Aries, but the 11th house is all about the collective, friends and the "greater good". Your ego is also heavily influenced by the collective and how you insert your self into the world.

Taurus moons have round/visible nostrils. They all have a green thumb for cooking as well

Aquarius suns and moons have very square shaped jawlines. Both the men and women.

The best sun+rising combo I've ever seen for Aquarius suns has to be Cancer rising. The blend is really heavenly and harmonious, the Cancer really softens out the Aquarian features perfectly (talking about the women idk about the men). This is only physical though

The best combo for Cancer suns definitely has to be Virgo in the big three. Either in the moon or rising, Virgo gives Cancer this snatched look that blends perfectly with the bone structure of cancer suns. (I'm also mostly referring to women here I don't know about the men) Although physically pretty, the combo creates a super insecure individual

Travel is such a big theme in the lives of natives with personal 9th house placements. It almost becomes the focus of life if there's a stellium.

Having your moon at 17 degrees (a critical Leo degree) makes you hella dramatic with your feelings. They're still valid, but you come off as a drama queen when feeling them.

Cancer suns are just as insecure and attention seeking as Leo when underdeveloped. Even though they're not sister signs they're ruled by the sun and moon, so essentially they are each other inside out.

Pisces is represented by the fish and the suns usually have big/swelled features and look a little bit like fish. Virgo placements have sharper/more defined features and Aries placements have prominent/tighter features.

Neptune aspecting Venus is a very underrated beauty indicator for transits and natal charts

Sagittarius rising are blessed with good luck in life since their chart ruler is Jupiter, the planet of luck. They also have hips on the larger side since Sagittarius rules the hips

Capricorn rules the skeletal part of the body and the native suns really have that skeleton bone structure in the face

Moon conjunct Rising is one of my favorite placements synastry placements for friendships. They are each other inside out and understand each other without words.

The most underrated house for the moon imo is the 9th house. The moon does really well here, there's a natural optimism and lightness to their feelings and emotions. I think this is from the influence of Sagittarius and Jupiter. They're also really funny people naturally and have a kind of intelligent humor

Cancer and Taurus placements are such big foodies. They also know how to cook very well and genuinely enjoy getting fat over other signs. Obviously all signs have the ability to cook, but Cancers and Tauruses make that home cooked comfort food that tastes like the feeling of your mom carrying you to bed.

5th house moons never feel emotionally fulfilled unless they're feeling some kind of fun or pleasure in life.

Taurus suns are the definition of work smarter not harder

Aries Mercuries are so smart especially if the sun is in Taurus or Gemini.

Geminis are known to talk with their hands and Italy's rising sign is literally Gemini...

You can always tell someone is Somali from the size of their forehead and the countries rising sign is literally Aries

Venus in the 8th house natal and synastry is that kind of ride or die love

Capricorn sun men actually think people what to hear their life lessons/lectures. It's really corny but they genuinely think they're helping. They also care so much about their rep but will never admit it. It makes sense because they rule the tenth house which is the house of popularity and is associated with our public image and rep. So obviously when Capricorn is in the sun, planet of self, their ego is closely tied with how they're perceived by others.

Scorpio moons are low key delusional but it's okay you guys had a rough childhood/relationship with your mother

The sexual attraction is crazy when you have the same mars sign as your partners rising sign (example. Leo mars-Leo rising) or if you have your mars opposite to their mars (example. Leo mars-Aquarius mars)

Aries moon women in red or leopard print is so perfect

Your gonna love the sun sign of whatever your rising sign is since the sun will naturally embody all the traits that you admire and will effortlessly be everything you want to be portrayed as.

Taurus risings, suns and moons look like bulls

Cancer venuses can lowkey hold down gemini venuses, it’s really harmonious for friendships. Not as compatible relationship wise because cancer venuses really don’t mess with how gemini venuses love. The love languages are just too different but when there are no constricting boundaries and it’s more of a playful friendship this pairing really works

[jessica-problems]

Seeing @thydungeongal constantly wrestling with people interpreting her posts about D&D in ways that seem completely alien to me has convinced me that there are actually multiple completely distinct activities both being referred to as "playing D&D" Before we begin, I want to stress that I'm not saying one of these groups is Playing The Game Wrong or anything, but there seems to be a lot of confusion and conflict caused by people not being aware of the distinction. In fact, either one works just fine if everyone's on the same page. So far, I think I've identified at least two main groups. And nobody seems to realize the distinction between these groups even exists. The first group of people think of "Playing D&D" as, well, more or less like any other board game. Players read the whole rulebook all the way through, all the players follow the instructions, and the gameplay experience is determined by what the rules tell each player to do. This group thinks of the mechanics as, not exactly the *whole* game, but certainly the fundamental skeleton that everything else is built on top of. People in the second group think of "Playing D&D" as referring to, hanging out with their friends, collaboratively telling a story inspired by some of the elements in the rulebooks, maybe rolling some dice to see what happens when they can't decide. This group thinks of the mechanics of the game as, like... a spice to sprinkle on top of the story to mix things up. (if you belong to this second group, and think I'm explaining it poorly, please let me know, because I'm kind of piecing things together from other people saying things I don't understand and trying to reverse engineer how they seem to be approaching things.) I think this confusion is exacerbated by the fact that Wizards of the Coast markets D&D as if these are the same thing. They emphatically are not. the specific rules laid out of the D&D rulebooks actually direct players to tell a very specific kind of story. You can tell other stories if you ignore those rules (which still counts as "playing D&D" under the second definition, but doesn't under the first)And I think people in both groups are getting mad because they assume that everyone is also using their definition. For example, there's a common argument that I've seen play out many times that goes something like this:

A: "How do I mod D&D to do [insert theme here]?" B: "D&D is really not built for that, you should play [other TTRPG] that's designed for it instead" A: "But I don't want to learn a whole new game system!" B: "It will be easier to just learn a whole new system than mod D&D to do that." A: "whatever, I'll just mod D&D on my own" And I think where this argument comes from is the two groups described above completely talking past each other. No one understands what the other person is trying to say. From A's perspective, as a person in the second group, it sounds like A: "Anyone have some fun inspirations for telling stories about [insert theme here]?" B: "You can't sit around a table with your friends and tell a story about that theme! That's illegal." A: "But we want to tell a story about this theme!" B: "It's literally impossible to do that and you're a dumb idiot baby for even thinking about it." A: "whatever, jerk, I'll figure it out on my own."

--- Whereas, from B's perspective, the conversation sounds like A: "How do I change the rules of poker to be chess, and not be poker?" B: "uhhh, just play chess?" A: "But I already know how to player poker! I want to play poker, but also have it be chess!" B: "what the hell are you talking about? What does that even mean. They're completely different games." A: "I'm going to frankenstein these rules together into some kind of unplayably complex monster and you can't stop me!" ---

So both people end up coming away from the conversation thinking the other person is an idiot. And really, depending on how you concieve of what it means to "play D&D" what is being asked changes considerably. If you're only planning to look through the books for cool story inspiration, maybe borrow a cool little self contained sub-system here or there, then yeah, it's very possible to steal inspiration for your collaborative story from basically anywhere. Maybe some genres are kind of an awkward fit together, but you can make anything work with a little creativity.

If, however, you are thinking of the question in terms of frankensteining two entire board games together, then it becomes a massively difficult or even outright nonsensical idea. For example, for skill checks, the game Shadowrun has players roll a pool of several d6 at once, then count up how many rolled above a target value to see how well a character succeeded at a task. The whole game is full of specific rules about adding or removing dice from the pool, effects happening if you roll doubles, rerolling only some of the dice, and all sorts of other things that simply do not translate to rolling a single d20 for skill checks. On a basic level, the rules of the games work very differently. Trying to make them compatible would be much harder than just learning a new game from scratch. Now, neither of these approaches is exactly *wrong*, I guess, but personally, I find the rules of TTRPGs to be fascinating and worth taking the time to engage with all the weird little nuances and seeing what shakes out. Also, the first group, "TTRPG as fancy board game" is definitely the older and more widespread one. I kind of get the impression that the second group largely got into D&D through actual play podcasts, but I don't have any actual data to back that up. So, if you're in the second group, who thinks of D&D as basically a context for collaborative storytelling first and a game second, please let me know if I'm wildly misunderstanding how you approach D&D. Because I'm pretty sure it would save us a whole lot of stupid misunderstandings.

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[karinasbaby]

hiii!! what type of porn do u think enha would be into?? this question has literally been plaguing me for the past week

thank u sm for sending this to me my beloved anon ! (⺣◡⺣)♡ here is my personal opinion on what kind of porn the enha hyung line (adding jungwon cuz i love nia) would be into 🤞

𖥻 JAKE i know will be into the nastiest shit known to humanity. but ! at the same time everything really depends on his mood and what he’s feeling. if he’s feeling like he just needs to get one nut out and have a quick orgasm he’ll probably go into the shadiest & easiest porn sites and just click on whatever makes his cock twitch from the thumbnail on the recently uploaded page. and he has range. his gravitation towards these types of videos range from (obv scripted) milfs getting pounded by their step sons or … hear me out. just straight up pussy eating videos. that does it for him tbh. however ! if he does have time and wants to have a whole masturbation session he would probably take his time in searching for the types of videos he’s in the mood for (also ranges from 69 videos, anal videos, sex toys videos, BDSM videos and so on and so forth) but at the end of the day, doesn’t matter if he was here for a quick or long orgasm— it WILL knock him out and he will sleep like a baby :(

honourable mentions ! : fucking machine videos, … sybian, step-cest hentai, pussy eating videos & squirting orgasm compilations (he’s a munch what can i say).

𖥻 HEESEUNG also into the nastiest shit known to human kind. i feel like heeseung has a phase where he hyperfixates on either 3D porn (probably futanari threesomes) or hentai (highschool themed ones maybe? or … infidelity ones ngl). (that phase comes and goes every now and then but it’s there for sure) he also has a thing for step-cest and i feel like lots & lots of bondage videos. i’m talking like porn videos where girls get tied up and fucked with different kinds of toys for hours till they squirt uncontrollably and best believe he’s watching it entirely. heeseung also has a thing for edging himself as it makes his orgasm hit 10 times harder. so he probably has participated in those ‘10 mins do not cum’ challenge videos on random porn sites. i also believe he has a thing for rough fucking videos. going back into the bdsm part he loves watching threesome bdsm videos where there’s a guy fucking a girl while another one is pushing his cock down her throat. also seems like the guy to have a thing for monsterfucking.. anything that involves werewolf, monster or alien x human porn videos just know that he’s already watched it. tentacles hentai is the way to go, 3D alien forced breeding is also one of his favourites (might even have an obsession with facehuggers phase… anyone interested in alien hee?) overall really filthy shit gets him off so well.

honourable mentions ! : has a thing for double penetration videos, gangbangs, lesbian threesomes, sex toy videos, alien breeding & facehuggers.

𖥻 JAY my romantic baby :( this man probably doesn’t even go to porn sites that often (lies) he goes to twitter to his fav nsfw accs & watches the most romantic and loving porn on the internet that it’s not even porn atp it’s just watching two ppl love each other (and being jealous). he’s the type of man that will have a thing for missionary videos because i feel like he watches the type of porn that he, himself can replicate. missionary videos with the guy being so whiny and kissing his girl everywhere is one of his favs, but ! he also does really enjoy watching cowgirl povs.. doesn’t matter if it’s reverse or not, i know an ass man when i see one. see now all of this? applies to my beloved soft boy jay ♡ who takes his time and enjoys his alone pleasure time so nicely and sleeps so contently like a baby after. butttt ! he also does have his own random urges and moments and needs to watch diff types of porn. i see him as the type of guy to stay on twitter still but also go to diff acc w diff kinds of porn in them.. call me crazy but i believe he also has a thing for tying up like heeseung. except this time its obv diff than the bondage on porn sites. he loves loves loves to watch videos of pretty ‘good girls’ getting punished on their daddies lap with their legs and arms tied up. loves to watch how their daddies make them sit on their faces so they can eat their cunts out for hours. also has a thing for full fucking session videos from start to beginning. is fully tuned in from the first few minutes of the make out session or the teasing till the final minute where both of them orgasm. might even be the type to start jerking himself off slowly in the beginning and make himself cum with the ppl on the video to get maximum satisfaction, then goes into a deep slumber cuz he’s been edging himself for a long time.

honourable mentions ! : twt videos that lean heavily towards ddlg content, bj videos, tit play videos (to feed into his lactation kink ! best believe he’s jerking off to a man sucking milky droplets off his girl’s nipples) and doggystyle compilations.

𖥻 SUNGHOON … he’s really into role play videos. idk how to explain this but i feel like he has a massive obsession with role play porn videos that are all scripted. a police officer x criminal porn video where the girl is the criminal and gets cuffed and fucked over the chief’s table just does it for him. his interests also drift towards pet play… has a thing for pet play kind of videos & cute pet like outfits like cat ears :( really has a huge thing for calling a pretty girl kitty it just makes him cum so quickly & so so hard. when the video contains roleplaying and punishment? he’s so gone. give him a video where it’s a professor / teacher x student roleplay porn and his hands will be around his cock in a second. his obsession is so deep rooted he’s willing to go into the sketchiest sites just to find the full versions of the videos he sees that are frustratingly teasers / half way through. he’s also a freak for ‘stuck inside the washing machine’ type shit (so yes to step-cest roleplaying videos). it just adds up in my head tbh cuz it’s freakhoon we’re talking about. bcs of his obsession with roleplaying and pet play… he also sometimes falls down a horny rabbit hole of 3D hentai.. that’s furry porn. he will never admit this but he came so hard to furry / wildlife porn especially when he found werewolf & human porn. best nut of his life the second he saw the knot orgasm. again will never admit this bcs the post nut clarity hit him so hard he didn’t jerk off for five days straight after that. (anyone interested in werewolf hoon? omegaverse hoon?).

honourable mentions ! : also into fucking machine videos, furry breeding videos, roleplaying hentai videos and anal compilations (no i will not elaborate for now.)

𖥻 JUNGWON the only thought that comes into my head when i think about the type of porn that will get won off is tits. doesn’t matter what kind of video he’s watching as long as there’s tit play is involved he’s so gone. loves and adores to watch videos of either boob play & jerking off or missionary with milfs (yes has a huge thing for milfs) where the camera pov is from above and he has the perfect angle of their cunt & tits bouncing. though he might have a thing for tits & female body worship… cock worship gets him off so well. just seeing a girl get so cockdrunk with a guy slapping his leaking dick on the side of her cheek makes him so fucking hard. like jake, jungwon’s porn videos depend on his mood and how he’s feeling like. if he needs a quick nut he’ll go to his favourite website and click on whatever appears for him first cuz he has an acc and the algorithm already knows the kind of filth he watches. (he’s a dedicated consumer, has an acc on every site and might even go as far as to downloading porn site apps & following their twt accs) but if he is looking for a long session where he can take his time then best believe he’s watching a whole homemade movie. loves to watch videos from beginning to end with all different positions and angles and multiple orgasms. also tends to have a thing for following along and experiencing everything in the video. but then again he also strikes me as the guy to also watch tit play compilations… for sure has a lactation kink and lives to get off of boob sucking videos & maybe even adult breastfeeding. either way… everything depends on his mood.

honourable mentions ! : 69 compilations, cowgirl compilations especially ones where the guy starts to suck on the girl’s boobs, pussy fingering orgasm videos, deep throating.

again thank u for sending this ask !! <3

[sxorpiomooon]

What does your older self wants to say to you? A pac reading<3

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Pile 1-

you need to let go, this is so funny to me given the pile that you guys have chosen has a tattoo of "amor fati" which literally means this. If you've chosen this pile you might have an anxious attachment and some of you need to go off a relationship that you are holding. A japanese song is playing in my head? Sometimes you only hold onto things very tightly because deep down you know that the moment you let go they are going to leave you. Your older self wants you to let go of such relations one particular scenario that I'm getting is of someone being in a toxic relationship being completely dependent on their significant others knowing that the other person might not choose to stay with them once they let go or once they are given the choice to do so. Stop being dependent on people and allow them and give them the space for them to leave you if they wish to do so the only way to understand how much they love is by giving them the space to leave then only you know that they truly do love you. The other people in this pile need to know that all relations require space and time for both individuals to grow individually too. Only when you have enough space and time to grow individually you can contribute something to the relation. Some of you might have ashlesha nakshatra. Also take care of yourself by yourself your older self really wants you to take care of your hair lmao I keep hearing "wash up wash up" I'm also seeing fishes for some reason those orange ones I don't know what they're called? You might love them now or definitely own them in the future. Your older self also wants you to know that the cycle ends with you. Breaking off from the generation trauma cycle seems to be a very important theme here. I see y'all are already very cool but are even cooler in the future man I'm not gonna lie I also keep hearing alt for some reason whether it's for songs or fashion but y'all are gonna be fucking cool in the future man. Be resilient I have full faith in you pile 1 do it for the super cool you. I also see this pile moving out of this house if they haven't alr I keep getting japan again and again but y'all gonna live a pretty great lifestyle also reminded of lucky from the blue sisters novel? Thankyou!!

Pile 2-

this pile might have the tendency to overreact at that exact moment when they are faced with a problem. Their emotions at times might make it hard for them to actually get a good grasp on the situation. Your older self wants you to learn to differentiate between illusion and intuition lmao. I also had a vision of someone journaling so I think the older self might want you guys to write it down before reacting or coming to a conclusion on any sort of situation. I also think that writing it down might make it easy or better for you to feel and understand your emotions better and the problem as well. This pile also needs to focus on their unconscious mind? If you are manifesting something you might have some biases already that you need to pay attention to. This pile might also easily interpret things and get confused. Your older self wants you to follow your heart I heard "it will lead you to the right path" and right after this "sometimes to run is the brave thing" played in my head from its time to go by Taylor swift. You need to act on whatever feelings you have some of you might write and be confused about whether it's good or not or some confusion related to it here's your answer- it is<3 go ahead and follow your heart pile two it will never lead you to the wrong path in the long end. I also heard "beauty and art is everywhere" this pile needs to follow their passion. Lord this is ending on such a good note. Your older self also wants you to know that you should not fear bc all your hardwork will pay off<3 all your hardwork and sacrifices will pay off and you'll get the success that you desire and want. This was also a pile that I chose and I needed to hear this<3

Pile 3-

The time or whatever you are going through will not be wasted. The journey is there to prepare you and give you the experiences that you need to get to the level that you want to achieve in your life. This pile might be going through some hard things. This pile also needs to know that you cannot force anyone to grow early or to change early or hurry up some process everything has its own time be patient a delay does not mean a no. This pile also needs to come face to face with their problems and fear only then they'll be able to move past it. "The only way out is through" "change is the only constant thing in life" "no one else can do it for you" are the things that I'm hearing. This pile knows what's needed to be done but might fear the unknown. A big transformation that is much needed is coming after that I see a wonderful new beginning for you<3

thankyou!!

[ohnoitstbskyen]

... y'all know Lae'zel is acting scared, right?

Video transcription: I've seen a lot of comments on my short about Lae'zel dismissing her entire character because she's mean and… I'm just checking in here… you guys know she's scared, right? She's terrified. She was kidnapped by the worst monster she knows, infected with the most horrifying death anyone in her culture can have, and then stranded on a hostile world, alone, with nothing to guide her except the dogmatic military cult indoctrination of a cruel lich demigod, telling her that her only hope of salvation is to follow Gith doctrine with total unyielding faith. And still she tries to save you. When she keeps insisting that you must get to the Githyanki crèche, it's our only hope, she's trying to guide you towards the only salvation she knows from the parasite, so she can share it with you. And Gith... aren't supposed to do that, saving an outsider is not part of the doctrine, she's breaking the rules trying to do right by you. None of that means she's not being an asshole, she's rude, dogmatic and unpleasant. But everything she does comes from a genuine, very misguided and abrasive, desire to do the right thing. It doesn't make her behaviour okay, but there is more to her character than just "being the mean one."

To expand on this a bit more than I can in a 60 second short, people acting from fear and from their damage is a major theme among the Baldur's Gate 3 companions.

Lae'zel is terrified and falling back on the only thing she believes will give her back some control over her situation, which is the dogma of the military cult she's in. Shadowheart is much the same, amnesiac and grasping on to the only solid thing she knows, which is her faith, which preaches deception, loss and duplicity as the only certain factors in life.

Gale is an inveterate people-pleaser desperately dependent on other people to help him feed his magic addiction, with his overtly affable exterior hiding a rolling boulder of guilt, ambition, greed, arrogance and legitimate hurt. Asterion is... well, no way to really lay out his deal without spoiling, but the boy has been through it and his self-destructive, hedonistic and selfish impulses are all coping mechanism and self-defense all the time.

None of that make their shitty behaviours okay, but in a fictional story, those kinds of flaws and toxic behaviours are what make for interesting stories and characters. I don't blame anyone for finding Lae'zel unpleasant and abrasive, but I do get a bit Old Man Yells At Cloud about people who casually brag about shoving her off a cliff-side, or murdering her because "she was a bitch" or whatever.

Like... being unable to face discomfort in your media is not a virtue, and lashing out reactively against fiction that doesn't validate your power fantasy isn't a flex.

Of course, I saw a lot of those reactions in YouTube comments and on social media, so my sample is biased by those algorithms, but still. A lot of people seem aggressively proud that they never engaged with her story because the terrified indoctrinated child-soldier wasn't immediately nice to them and I can't explain it but something about that reaction feels puritan to me.

[animeyanderelover]

Anon: May I request Platonic Mukamis with a little sister?

Tw: Yandere themes, toxic relationship, possessive behavior, obsession, overprotective behavior, clinginess, delusional mindset, isolation, manipulation, threats, self-harming tendencies

Little sister

None of the Mukami brothers are related by blood yet their bond surpasses that of even siblings who are related. They have been sticking together ever since they found each other and fought for their survival in the unforgiving world. They find you when you are but a mere baby, a few months old at best, left behind in a side street as if you are disposable trash. Whilst Yuma and Ruki show some hesitation as they don't know how capable they will be to provide for you, especially since you are so young and dependent, Kou and Azusa are immediately enraptured when you look at them with innocent doe eyes. Azusa even starts crying as he begs his older brothers to take you in and ultimately Ruki gives in to his pleas. It is always difficult but they try their best to cater to your needs as good as they can and even give you a name after a lot of small arguments about what name fits you best. Your wellbeing is prioritised over even their own as your presence is like rays of sunlight, warm and welcoming. When Karlheinz offers to transform them, all of them immediately take the offer as they realise that this is their chance to give you the treatment that you deserve.

Ruki Mukami

📘​Even if Ruki has expressed his doubts when the four brothers found you back when they were still humans, he has grown into the role of your oldest brother. Perhaps even a little bit too well. The fact that he didn't immediately want to take you under their care when you were still a baby is something he hides from your knowledge even so many years later and he has urged his brothers to do the same. He fears that if you were to ever find out about his initial hesitance, you would turn your back on him and favor his younger brothers over him. He takes immense pride in the fact that he is your oldest brother as he likes to treat it as if it would give him some special rights in comparison to his younger brothers. Those special rights include making most of the decisions for you as he claims that as the oldest he naturally has the most experience and knows what would be best for you in every situation of your life. If you have anything that worries you, Ruki encourages you to seek him out. He is the one who oversees your homeschooling as his brother and him have all agreed that attending school with humans is far too dangerous for you. He can teach you all you need to know.

📘​From all of your brothers, Ruki is the one who places the most restrictions on you, even as you grow older. His motivations lie largely within his paranoia and his overprotective tendencies because even if you are a half-vampire just like them, he can't stop himself from still seeing that little, toothless baby in you that smiled whenever she saw his face. It is only natural for you to grow older and more independent yet Ruki finds himself despising that process as he worries that one day you may intend to leave the mansion and go on your own adventures. You are his little light and you have always been and he has always been your big brother and intends for you to continue thinking that way. He is quite adamant on family events where all Mukami siblings participate and his brothers have never once rejected that idea because it means spending precious time with their adored, little sister. The happiness you five share is not an illusion and he really wants you to realise that whenever such a family event happens. You could never get the same amount of happiness with anyone else besides them. Do you understand him? It is best and safest for you to always stay with your beloved brothers.

Kou Mukami

​🎤​From the very first moment your bleary eyes met his own, Kou has known that he would do everything for you and turn into anyone if it meant to keep you and protect you. You are a little princess that deserves the world yet surviving on the streets always meant that he couldn't treat you the way he wanted to. When Karlheinz transformed them and gave them capabilities and riches they could have never dreamt about before, Kou finally could do what he hadn't been able to do before. From the very first day since they started their new life to the current day, your second-oldest brother has never stopped spoiling you absolutely rotten. Whatever you have wanted throughout your life, you have always gotten from him as prices nor rarity of the object you wanted have never mattered to him. Kou is quite playful and he proudly claims that title as your favorite playmate. Whether you want him to play with your puppets with you or want to play hide and seek with him, he has always entertained you. Ruki has reprimanded him already due to the risk he sees in some of the games he plays with you but Kou has always reassured him that he would never allow you to get hurt.

​🎤​From the first night they took you in though, Kou has always sung for you. It always made his heart swell when you would start crying during the day or night but would slowly calm down the moment he started singing a lullaby for you. It is one memory he greatly bemoans the older you grow and lullabies start being less important to you yet he still sings for you quite often. He composes a lot of songs and many of them he has written for you during his life, soothing melodies and kind words to calm your frightened young mind as you grew up. You still love his voice and his music though and that knowledge fills him with pride and with warmth and he gladly allows you to try to write a song of your own or teaches you how to play an instrument. He finds himself playfully pouting whenever he notices that you prefer spending time with another one of his brothers, he can't help the tinge of jealous he feels whenever he witnesses that sight. He tolerates it though as he knows that Ruki, Yuma and Azusa are mindful of the time they spend with you. Such jealousy always evaporates the moment you compliment him though or tell him how much you love your big brother.

Yuma Mukami

​🌱​Yuma has his doubts when they initially pick you up because he knows how harsh the environment is that they live in. He has always been tall and physically very strong which allows him to protect those who are important to him. You are still a tiny and fragile baby though. How are you supposed to survive on the streets? Even when Ruki agreed to take you under their care, he still has his doubts. It is the moment he holds you for the first time and you wrap your tiny fingers around one of his that he gathers the determination to defend you till his last breath. After he has been turned into a half-vampire and gained even more physical strength, he has only strengthened that vow in his mind. His tall physical build has always led him to be exceptionally gentle with you, especially when you are still only a small child. A part of him has always been worried that you may be scared of him because of his strength and tall build yet you have never expressed once any anxiety as you always come running to him and stretch your arms out, your large eyes begging him to lift you up and twirl you around. He has never been able to deny those cute eyes of yours, even though he has always been careful.

​🌱​Whether lifting you up, letting you sit on his shoulders or giving you a piggyback, Yuma has always been the equivalent of a human amusement park for you and this is something he takes pride in. He has been taking you to his garden from a very young age too and you are the only person who has ever gotten away with jumping through his patch without getting chased down angrily by him. He enjoys teaching you how to cater to the needs of a plant and how to tell if the fruits and vegetables are ripe or not. Whatever of the harvest you prefer the most is what he ends up sowing and growing the most in his garden just to watch the excited glimmer in your eyes whenever he informs you that it's time to harvest your favorite fruits and vegetables. You are in general quite isolated from other people yet the few times you are taken out, Yuma is terrifyingly efficient to scare away anyone who looks like they consider to approach you. Very few have the guts to chat with you if he is always right behind you after all. All that frightening strength that could easily crush someone's skull is never shown to you though as Yuma has always been only gentle and careful with you.

Azusa Mukami

​🗡️​Azusa has been attached to you from the very start, his heart nearly bursting when he found your little form in a basket all alone as your mother has left you behind. He begs Ruki to let them keep you as he fears that no one else would take you in and that you would end up dying lonely and afraid without having ever experienced love and he even bursts out in tears as he pleads to his older brothers. He even volunteers to take care of you all by himself if no one from that would agree to keep you. He has stayed the most attached to you even up until now, although he has been forced to limit the time he spends with you as you grow older and require a bit more privacy. When you were a baby he would always be right next to you or hold you even himself as you fell asleep, his fingers playing with your small ones and he would read bedtime stories to you, always happy when you came running to him with a book clutched in your hands that you wanted him to read to you. The youngest brother of yours often finds himself bemoaning the time when you were so cute and tiny, even if you will forever be his baby sister for him. Sometimes he still asks you if he can read a book to you.

​🗡️​Whilst his older brothers care for him, Azusa has some self-harming tendencies and they have always been worried that he might set a bad example for you. They care for him and want him to stop because it saddens them to see him like that but they are also afraid that you might pick up on it or would get scared once you are old enough to realise what Azusa is doing. To all of their relief helping to raise you seems to rid Azusa of that unhealthy behavior of his for the most part as he instead dedicates much more time to protect and raise you lovingly. Yet he has some relapses at times, mostly when you have an accident or fall ill. He cares deeply for you so seeing you in any kind of pain induces him with such anxiety that he feels his throat tightening and his vision blurring. In a very twisted sense of wanting to suffer with you, he resorts to grabbing a knife and cutting himself over and over again to show solitude with you. Azusa never tells you the truth behind all the bandages and the band-aids he wears the next time you see him though as all of his brothers have warned him that he might make you feel guilty. Being the reason for your sadness is the last thing Azusa would want.

[emmafrostdefender]

a fine line between god and animal | logan howlett x fem reader

chapter 1 - biting the apple | masterlist | read the prologue first

two new mutants arrive at the mansion.

i am churning this thing out and i have a very specific direction that i'm going to take it. the story does not really follow the canon plot because that would be boringgg. trust me, i know where this bus is heading. i hope you stay along for the ride! figuratively and literally! wink wink

warnings: cursing, religion, religious trauma, fighting, canon typical violence, 5.5k words

━━━━━━━━━━☆━━━━━━━━━━━

“Before you all leave, I want to give you food for thought. One of the heaviest themes of Frankenstein revolves around the idea of nature versus nurture. Is the creature inherently evil, or was his treatment by society what turned him into a monster?” You pose the question to your students as class comes to a close.

The similarities to your own existence is not lost on you. You hope the metaphor clicks in their minds as it did yours when you first read the classic novel. Charles made it assigned reading when he taught comparative literature at the school. When you were old enough, you took the job. And you were inspired by some of his lessons, of course.

“We will be discussing this theme next week, so those of you that haven’t done your reading…” You don’t finish your sentence, but make a face that communicates all they need to know.

Your students leave the classroom and you slump against your desk. Despite your outside calm, inside your thoughts are racing. 

Scott and Ororo aren’t back yet and you feel as if you could break something. Or a million somethings. 

The reasonable part of you knows that if something bad happened, Charles would know and tell you immediately. But the unreasonable part of you wants to drain your energy source to find them. To sneak your mind around the globe until you pick up on their footsteps crunching the ground or their signature heartbeats sending pulses into the air.

Before you can stop yourself, your feet are carrying you to the door that leads to the underground base of the X-Men. You’re going stir crazy.

Earlier in the day, before classes started, you assisted Jean in refining her powers. She wasn’t able to move a car with her mind, but she managed to start the engine without a key in the ignition. To you, that seemed more impressive. To the professor, it was exactly what he didn’t want. He wanted her to control her powers.

That word again. Control.

His reactions to Jean’s issues made you all the more wary to reveal your own struggles. With the recent revelation of Magneto’s scheme to abduct you, hesitancy bubbled up in your chest at adding anything more to Charles’ metaphorical plate. You would just be a burden.

Exiting the elevator, you enter the completely metal hallway, something of a labyrinth to newcomers. Your shoes echo against the metal and you look from left to right. No one else graces your path as you walk to the training room. There is another one upstairs that the students use when training with Scott, but you personally prefer this one. Far away from onlookers.

Your abilities don’t necessarily lend themselves to you having any physical prowess, but you managed to get trained up quite well in your years at the mansion. “The metaphysical is very much so connected to the physical. The health of your powers could very well depend on the health of your body,” Charles told you long ago. 

With nothing to do but wait, you change into the clothes from your locker and wrap your knuckles with tape. The large room is empty and you approach a punching bag. You begin. 

The rhythm you find is steady and fast. Hit after hit, blow after blow. The bag swings on its chain, bouncing back and forth between your hands. You punch and punch and punch, feeling anger build in your system. In your mind's eye, you see the bloody heart that was stolen from your chest. You see the chains holding you down. You see your mother’s face, staring at you in disgust. You see vines. Thousands of vines, each reaching to wrap themselves around your body, your arms, your legs, your neck. They rip the cross from your necklace, leaving a stinging brand there. You see your father’s lifeless form. 

And you feel your skull starting to split open when a voice says your name.

You nearly scream at the intrusion and your head flies around. “Holy shit, Jean! I could’ve killed you!”

“Yeah, I can see that,” she says with hesitancy. She’s looking at you like you’re a wounded animal about to lash out. Her eyes flit to the punching bag over your shoulder.

You look at it and gape at your handiwork. The bag ripped at the seams and sand spilled from the tears onto the ground. 

“Imagining Scott’s head?” She jokes, but it sounds strained. You hardly hear it.

You still stare at the punching bag, not quite sure what to make of this. You losing control was as infrequent as pigs flying, so…never.

A soft hand touches your shoulder. “Are you okay?” Jean asks so caringly.

You rip your gaze from the bag and look at her. You change your expression from one of near tears to one of slight amusement. “Must’ve gotten a little too enthusiastic.”

She analyzes you quickly, so quick you might’ve missed it if you didn’t know her so well. “I wanted to let you know that the jet is on its way back. They were able to locate the mutants.” You feel something in your chest relax. “Not in record time, though.”

You smirk. “Of course not. They didn’t have me.”

“Can you come help me prep the bay for when they get here?”

You nod. “Just let me change and I’ll meet you there.”

She turns to walk away and you watch her leave. Your gaze drops to your hands, where the tape did nothing to prevent the bruises forming around your knuckles. Looking at the clock hanging above the entrance, you realize two hours have passed. It’s nearly ten o’clock. 

As you enter the locker room, you swear you can still feel burning skin where your cross lays. 

You enter the loading dock of the jet in your regular attire and are greeted by Jean and the professor. They seem to be in deep discussion when you arrive, but snap their heads up the second they sense you coming. You can tell they were talking about you. 

You plaster a smile on your face and say sarcastically, “Looks like they managed to find them without me, after all.”

“They would’ve been here an hour after they left if you were with them, I’m sure,” Jean says with a playful roll of her eyes.

“Obviously.”

You shift your attention to Charles, who has begun using a computer to track the jet’s movements. Jean starts working the switchboard. You ask, “How many mutants did they pick up?”

His gaze does not move from the computer. “Two. A young girl and an older man. They were on separate paths until they met and started traveling together.” 

Your eyebrows furrow. “What made you think to bring them here?”

Charles has always been slightly particular when choosing the people to bring to his school. And even more hesitant to bring fully grown adults. At your question, his eyes shift to yours. “Why did I bring you to this school?”

You blink.

“To offer you protection. To offer you safety from a world that hurt you repeatedly. And to help you understand your abilities and use them for good. Not just to teach you Latin and calculus,” he adds with a smile. 

You nod, but still have a lingering question. “But why--”

He cuts you off, “Why am I bringing an adult man to our mansion as well?” He pauses. “Because he is extremely powerful. That kind of power can either be used toward the greater good, or harnessed for evil.”

By Erik.

“I see,” you say, hand mindlessly playing with your necklace.

Charles returns to the computer and says to you and Jean, “Get ready, they are nearly here.”

You are usually a part of the retrieval missions, making you less used to assisting with arrivals. However, you bring out two stretchers from the medical room and place them neatly by the door after getting a call from the jet. “They were in a rough fight with one of the members of the Brotherhood and the man is out cold. We think he has regenerative abilities so he isn’t badly injured, but the girl was with him when they got into a car accident. She’ll need attention. She’s jarred, but not unresponsive,” Ororo says.

Another of your jobs on the team is designated medic. You have innate knowledge of the human body and medical herbs because of your powers. It was never something you questioned when you were younger. If you scratched your arm or busted your lip open, you would skip into the woods and find something natural to heal yourself. Still, you begged Charles not to assign you to teaching biology. You despised the subject.

The ceiling of the hangar opens to reveal a velvety night sky. You feel the jet before you see it, the push it has on the trees around the mansion tingle your fingertips. The trees' movements stir your power source in your stomach, a warm, buttery feeling. The sleek aircraft lowers gently into the bay, your hair being pushed over your shoulders by the air movement. You feel relief at the sight of your friends returning from the mission; they exit the jet and you smile. Your grin droops at the sight of their expressions.

“We need you to look over these two, stat,” Scott says with urgency. 

You hurriedly bring the stretchers to the jet’s ramp and enter the main compartment with Scott and Ororo. Inside, they point you to a young girl, maybe sixteen years old, with brown hair and a soft face sitting in one of the seats. The two of them work to remove the man who sits slouched over in one of the front seats. The way they grunt, you’d think he weighs a ton.

The girl’s hands are wrapped tightly around the straps keeping her to the chair. When you approach, she jumps and stares at you with terrified eyes. “Hi, honey,” you say calmly. You introduce yourself. “I’m going to be taking care of you, okay? I just need you to undo these straps.”

She shakes her head tightly. “I can’t.”

“You can’t or you won’t?” You ask. 

She thinks between the two options and asks, “Am I safe?”

Your heart breaks. Upset coils in your stomach at the thought of all the people who have hurt this little girl. “Yes. You’re safe here.”

She seems to think this over and makes her decision. Her hands shakily unlatch themselves from the straps and move to unbuckle herself. You reach to help her, but she flinches. “Don’t touch me, please,” she says with desperation.

Your hands retract immediately.

“I just, it’s my…” she struggles with the words. “I hurt people when they touch me.”

You nod in understanding. That must have been a terrifying revelation for her. “That’s okay. We’ll get you all sorted out here. You are okay.”

She seems to relax a bit. You look over your shoulder and see your two friends lugging the man down the ramp and rolling him onto the stretcher. If this were any other scenario, you would laugh at Scott for struggling so much. 

You turn back to the girl and say, “And what’s your name?”

“Marie-- I mean, Rogue.” The way she says it makes you think she is still trying out the name for size.

“It’s very nice to meet you, Rogue.” You look her over and ask, “Are you able to walk or do you need help?”

She has undone the straps and sits a bit more forward in her chair. “I think I can stand.”

Rogue puts weight on her leg as she moves to stand up, but winces at the feeling and immediately sits back down. 

“Can I touch your clothes or is that also a problem?”

“You can. It’s just my skin.”

You sling her arm over your shoulder, careful not to touch any exposed skin, and help her out of the chair. “Just put your weight on me, hon’.”

She does as you say and leans against you completely. When you have exited the jet, you help her sit on the stretcher. The others have left, presumably to attend to the man. Charles is the only one left and he moves his wheelchair over to greet the young girl. “What is this place?” she asks after his introduction.

“It’s a place for people like you. And me. And her.” He points to you and you feel yourself smile. “It’s somewhere safe.”

Your gloved hand moves carefully over Rogue’s legs, feeling for any fractured bones or torn skin invisible to the eye.

She’s been relatively quiet for the duration of her examination, but she asks, “So, what can you do?”

You look up at her and grin. “I can do a lot of things.” You stand and walk to the shelves of potted plants on the wall to your right. You hold up one of the more pathetic looking plants and say, “See how this one is all wilted?”

Rogue nods. 

You pull your glove off with your teeth. “Watch this.”

Once your hand rests delicately against the plant’s stem, its wilting flowers perk up. A lush green color returns to its body, becoming perfectly healthy again. You look over at her and her mouth is gaping at the sight. “But why do you keep all the plants here if they’ll die without you?”

You put the plant back in its place and slip your glove back on. As you make your way back to the examination table, you say, “That’s exactly why. The professor used it as a tool to help me understand my importance here. To help me distinguish between the big parts of my powers and the smaller, more delicate parts.” You shrug as you grab some medical tape meant to alleviate and correct sprains. “I also like having company when I’m down here.”

“Company?” she asks when you kneel before her again to start wrapping her ankle.

“They talk to me,” you say, slightly mischievously.

Her mouth gapes again. “So, that’s your mutation? Talking to plants?”

“It’s a lot deeper than that. The Earth and I are like two sides of the same coin. Through our connection, I can track people if they are grounded. I can grow and heal things, but also kill them. I can create beauty, but also take it away. And I’m recently starting to realize I’m much more connected to humans than I thought.”

She considers this as you finish wrapping her ankle. 

You laugh a little. “Most of those are Professor X’s words, not mine.”

Charles arrives after a few minutes of comfortable silence, asking Rogue to come with him. You give her a small smile and tell her, “Make sure to drink those herbs with water once every day. It’ll help the pain.”

She gives you a tentative smile back. 

Before she leaves, you squeeze her gloved hand. “You’re gonna do great.”

Once the two of them are gone, you decide it's time to check on Jean and the man. She took him to the laboratory where digital scans of mutants’ brains and bodies could be completed. You walk down the hall and enter the door to the left, seeing Jean in her white lab coat. She is analyzing what looks to be brain waves on the monitor in front of her. “Oh, good,” she says when she turns to see you. “I wanted you to take a look at him. See if there’s anything I’m missing.”

You approach the table where he lays and take your first real look at him.

He is shirtless to allow the nodes and wires access to his chest. You scan over his body, seeing no obvious outer injuries. His face is calm in his induced state of comatose, but etched with what seems like a permanent line between his eyebrows. You have the urge to smooth it with your thumb.

“His name is Logan Howlett. He has extremely impressive regenerative abilities.”

Your eyes continue to study the ridges of his face. “Is that his mutation?” The thought of Charles saying he is a very powerful mutant crosses your mind. 

“That’s part of it. Once he wakes up, we'll give him a chance to tell us more. And then we’ll do a full body scan; Charles thinks there’s something else to him. He’s not wrong. Logan’s brain activity is far different from anyone I’ve ever seen,” she says in slight awe.

You continue to gaze at him. There is something else to him. Something you can’t quite place.

“Could you check his vitals for me? I didn’t notice anything strange, but I want to be sure,” Jean asks.

Hesitancy fills your body. For some reason, you don’t want to touch him. Some sort of dread pits in your stomach. Something will happen. 

Despite your body’s strange resistance, you nod curtly. You approach the table and lean over him. His scent fills your nose. It’s woodsy and smokey, all mixed with something metal that twinges your nostrils. You close your eyes and inhale, pressing your hand to his chest. In a second, you’ve been pulled to him, a vice grip around your wrist. Jean yells and starts pulling at your shoulders. Your body goes alive and you twist your arm around and headbutt him, causing him to loosen his grip on you. However, the moment your skull collides with his, you nearly pass out from the impact. It feels like he’s made of metal. 

“Oh, my God,” you groan, collapsing to the floor. Your head is throbbing.

Before you or Jean can react, he’s jumped off the table. It looks like he’s grabbed six knives and placed them between his fingers. “Where the hell am I?” he shouts.

Jean holds up her hands, but you’re still recovering on the floor, holding your forehead in your hands. Jesus, fuck. You hope He will excuse your language.

“You’re at Xavier’s School for Mutants in New York. We aren’t going to hurt you,” Jean says calmly. “Well, not anymore.” Her eyes flick down to you and you make a face.

“It wasn’t my fault he fucking attacked me,” you say with narrowed eyes. You glance at him, annoyance replacing the pain that had swept across your forehead. “What’s with the claws?” you ask, now realizing that what you thought were knives were actually thin metal spikes protruding from between his knuckles.

He stares at you, chest heaving. Then back at Jean. Fury clouds his eyesight, but you know there’s fear in there, too. 

“Look, we’re not going to hurt you. You’re safe here,” Jean says again. “I just need you to calm down and we can talk.”

The throbbing has eased and you make your way to stand. 

Something like a sarcastic grin falls on his lips. “Oh, sure, we can talk.” 

You position yourself, readying for a fight. “Get Scott,” you say to Jean quietly. 

“You sure?” she whispers back.

“Yeah, I’ve got this.”

She looks between the two of you for a moment, then runs out of the room. You hear her shoes echo in the hallway. 

“You really want to do this, bub?” he asks in a voice so quiet, you nearly miss it.

You watch him carefully. You know that you’ll never beat him, but you can keep him occupied until reinforcements arrive. “Do you really want to do this?” you respond with a grin.

Something lights in his eyes, something thrilling that makes your heart pound. He pounces, jumping over the table, his claws aiming for your throat. You dodge the attack, rolling to the side. You are back on your feet in an instant, crouching low to the ground. “Got anything else in you, big boy?” you tease, grin spreading wider at his fuming expression.

He yells, running at you with a speed you wouldn’t think him capable of. He shoves you to the ground with retracted claws and you grunt at the impact, but kick his legs out from under him, causing him to fall to the floor as you crawl away. He yanks your leg, making you stumble once more. You kick with all your might, but he won’t let go. Thinking you might be the stupidest person alive, you let him drag you so you’re pinned beneath him. “Sexy,” you say with a wink.

You can feel his steady heartbeat this close. "You're annoying," he hisses. You see his eyes drop to the cross around your neck and take that as your opportunity to kick him in the groin. He grunts and his hold around you weakens. You shove him off of you and stand to make a move for the door. You don’t think he’ll kill you, but you don’t want to take that chance.

Before you reach the door, an arm wraps around your waist and pulls you harshly against a solid body. You hadn’t noticed before, but he’s tall. Very tall. “Where do you think you’re going?” he whispers in your ear.

It sends a thrill down your spine.

“Are you always this friendly?” you whisper back, hand coming up to touch his arm. Your fingers hardly wrap around his forearm.

In the blink of an eye, he has detached himself from you, falling to the floor. Your fingers tingle from the use of your power, slowing his heart rate enough that he would go unconscious, but not enough to kill him. With his regenerative abilities, though, you assume he’ll be back on his feet in about five minutes. You hardly ever use that ability, finding it invasive. With this man, however, you think your actions are justified.

You nudge his leg with your foot when Jean and Scott come running in. “Holy shit, you took him out yourself?” Scott asks incredulously. 

“I just slowed his heart rate so that he wouldn’t break all the bones in my body. I appreciate your faith in me, though, Scott,” you say, wiping your brow.

He approaches the man on the floor, coming to stand beside you. “Are you alright?”

“Yeah, I’m fine. He nearly broke my skull, though.”

Scott raises a brow. 

“How are we going to get him adjusted if he won’t speak to us without starting a fight?” Jean asks as she starts to fix the state of the room.

“I think our best bet is to leave him alone,” you say.

Scott looks at you. His visor blocks his eyes, but you can tell they are looking at you as if you are crazy. “Leave him alone? He’ll wreak havoc trying to find a way out.”

You shrug. “I think there’s someone who might be able to convince him to stay.”

“Better than getting a face full of claws,” Jean says, glancing at his limp body.

Exhaustion washes over you when you take the elevator back upstairs. It’s three in the morning and the events of the day are finally hitting you square in the chest.

You slump against the metal railing of the elevator, relishing in the silence. Jean and Scott stayed with Logan to put him in a state of deep sleep so that he wouldn’t go stalking around the mansion at night. You could imagine how some poor child would react to running into such a large and imposing man in the middle of the night. It would be terrifying.

You run your fingers through your hair and pinch the bridge of your nose. His smell lingers around you, crowding your space. 

What a prick.

Fighting you like that when all you wanted to do was help him? What was he going to do? Kill you?

A part of you wants to believe that he wouldn’t do that, but another part of you understands that he would’ve done anything to get out of here.

Logan.

You test the name out on your tongue. You wonder if he has another name, too. Something all of his enemies know by heart.

Deciding that that was enough thinking for the night, you shut your brain off and exit the elevator. You make your way to your bedroom and collapse on your bed, sleep hitting you like a bus.

You wake, body aching and head throbbing. Although you managed to escape the fight with no outer wounds, your body protests as you remove yourself from your bed. Thank God it’s Saturday.

Thankfully, your mind allowed you a break from the night terrors that plagued you so frequently, instead replacing them with dreams of walking through a forest. As you walked farther into the dank, the trees began to die, but you woke before anything else could happen. 

You get ready for the day and make your way downstairs. In the kitchen, you see Ororo sitting at the counter with a mug of coffee in her hands. Before you can voice your question, she says, “There’s some in the pot.”

You grin and pour the coffee into your bright pink mug along with the creamer that sits by the pot. Scott calls the shade an affront to the color pink. “So…” you start.

“He isn’t awake yet. Charles thinks he’ll be up in an hour or so.”

Relief slumps your shoulders and you take a seat across from her, moving the coffee around in your mug before you take a sip. “He is crazy strong, Ororo,” you scoff. “It felt like his skeleton was made of metal. And his claws…” You shake your head.

“Charles thinks he’ll be useful to us.”

“I know. I just hope he calms down a bit.” 

Ororo gives you a sheepish smile. “You have to admit, he is handsome, though.”

You laugh. “That’s the impression he gave you?”

She shrugs. “I might have a different one if I had to fight him.”

You contemplate her statement. You suppose he was handsome, but it didn’t startle you when you first saw him. It was the kind of beauty that creeps up and you don’t realize it until you’ve been staring at them for too long. He was rugged, yes, but there was something enticing about his looks. A boyish quality. You remember the smirk that donned his face when he challenged you to a fight.

You shake your head. “Yeah, he definitely made an interesting impression.”

The two of you leave the kitchen once some of the older students begin filing in, many making their own breakfasts instead of eating the provided meal with the other students in the dining room. “Are we training today?” you ask as the two of you walk down the main hall.

“I think Charles wants us to wait until he’s spoken with Logan. Wants us to meet him properly.”

You roll your eyes. ‘Meet him properly.’ Tackling someone to the ground isn’t a proper greeting?

“Be nice,” you hear someone say behind you. Jean falls into stride with the two of you. 

“Jean! Don’t read my thoughts,” you say, pushing her lightly.

“But you think so loudly,” she complains.

The three of you make your way outside, deciding to steer clear of the mansion until Logan has had his conversation with Charles. “I really don’t want to run into him again. It would not be conducive to a healthy future relationship,” you mutter.

“He is kind of volatile, isn’t he?” Jean asks rhetorically. “I mean, he attacked with no real provocation.”

“Waking up in a room you’ve never been in with two strangers isn’t provoking enough?” Ororo asks, taking a seat at one of the lawn tables. You join her, leaning back in your chair.

Being in nature calms your nerves, but also sets them alight. Your senses come to life again and you hear the running water of the fountain, the wind whistling through the trees, and the small animals stepping in the grass. As Jean and Ororo continue their conversation, you close your eyes and lean your head back and allow yourself to connect. It is only the second day after the full moon, which means your sensitivity to everything around you is still high. You pull at the energy from the ground, letting it throb through your body. You feel the aching in your body disappear, feel your muscles rejuvenated, feel the blood pumping through your veins.

You hear the humming of a man’s voice, scratchy and slightly off-key. It’s a voice you haven’t heard in years. He’s humming something that only graces your ears in dreams. It scratches your scalp and kisses your forehead. Dad.

You steady your breathing, trying to latch onto his voice. You’ve never experienced this in the daytime; it usually only happens when you’re asleep or in a deep meditative state. The words of your friends fade away.

In your mind’s eye, you stand from the table and follow the humming into the woods. You stumble over fallen branches, but your unusual miscoordination doesn’t prick the logical part of your brain. All you can think of is your father. His voice roaming through the trees, taking you deeper into the woods. And suddenly, you are somewhere else.

The church. 

His voice is gone.

“No,” you whimper, turning into a young girl again. 

You feel the shackles of the past lock around your wrists, forcing you to your knees. A screech escapes your throat at a forcible yank of your hair backwards. You look up to see your mother staring down at you. Her eyes are pitch black. “Your father rejects you. Even in death, he will not visit your wretched soul,” she says with a sneer, pulling your hair farther back. It feels as if she is trying to rip it from your skull.

“He never rejected me,” you spit.

“Are you so sure?”

You open your eyes with a deep inhale. It wasn’t real. You remind yourself.

Jean and Ororo stare at you, waiting for your response to something. You subtly shake your head of the images conjured by your mind and ask, “Sorry, what were we talking about?”

You hope they assume your exhaustion from last night got the better of you and you simply dozed off for a moment. “Logan is ready to meet us,” Jean says, her eyes a reflection of worry. Not toward meeting Logan, to your dismay.

“Oh, great.”

Despite a desire to remain calm, your heart thunders in your chest. You worry your cross between your fingers. You have no idea what to expect from him; you fully believe he will pounce at you again. 

Ororo holds your hand as the three of you enter Charles’ study. Scott sits on the armrest of one of the chairs in the room, arms folded over his chest. Charles is behind his desk and sitting ever so casually on the edge of the desk, is Logan.

He wears a gray X-Men sweatshirt and the jeans he had on when he arrived at the mansion. His eyes fall to yours immediately, recognition filling his gaze. You break eye contact dismissively, going to sit on the other armrest of the chair Scott sits on. You keep your eyes strictly on Charles, but you feel Logan’s on you. Your heart doesn’t steady.

“Everyone, this is Logan Howlett. The Wolverine,” Charles says, gesturing to the man sitting on his desk.

Scott huffs a laugh. “Wolverine? Like the animal?”

You nudge him in the side. “As if Cyclops is any better.”

Charles clears his throat. “Please.”

“We are the X-Men, some of which you have already met.” Charles gives you a pointed look. You throw your hands up in defense. “I promise you not all of your introductions will be so…violent.”

Scott snickers. 

“Shut the hell up,” you hiss. Your eyes flick to Logan’s. He watches the interaction between you two carefully.

Charles goes around the room, introducing each of your friends to the stranger. When he gets to you, Logan’s stare bears into you heavier than it had before. It intimidates you, but doesn’t scare you. Charles tells him your name, following with, “Others know her as Proserpina, the Roman goddess of spring.”

You don’t expect him to say anything, but his voice fills your ears for the first time since last night. “The goddess of spring is who knocked me out cold last night?”

“It’s not just nature I can manipulate,” you say tersely. “Bub.”

His eyes narrow as his lips turn up in a smirk.

Charles finishes the introductions and tells the team that training will commence in thirty minutes. The second his spiel is over, you stand. Deciding to jump into the fire, you approach Logan. “Sorry about last night,” he says.

It takes you by surprise. You expected more of a fight from him.

“Uh, it’s okay,” you say, shaking your head slightly. “You gave me some much needed practice.”

You sense your friends watching your interaction from afar. Although they are conversing casually, you feel their eyes on you.

“Yeah, you seemed a little rusty, Pro.”

You narrow your eyes. “And you seemed a little overzealous, Wolverine.”

He grunts. “If that’s overzealous, then I worry for your boyfriend.” He points to Scott on the word boyfriend.

“Scott?” You laugh. “Now, that’s a good joke. You’re funny.”

A look of confusion crosses his face and you leave him like that, feeling content with how the conversation ended. Screw a healthy relationship.

━━━━━━━━━━☆━━━━━━━━━━━

i had to get this out of my brain or i was going to go crazy. i hope you enjoyed! im excited to keep writing them :)

[dalishious]

Why I Like Solas

So, I got a few asks questioning a) what I think about Solas’s plans and b) why I personally like him.

For that first part, I will direct you to this previously answered ask, as it’s all I am going to say on the matter until we have more information.

As to why I like Solas as a character…

I consider Solas to be an incredibly interesting, multi-dimensional character, in a way in which those multi-dimensions actually feel like they are reflective of the story. What I mean by that is, even with him set up as an antagonist, his demeanour throughout Dragon Age: Inquisition right to the end is dependent on the relationship the Inquisitor forms with him. In the confrontation scene in Trespasser, he carries himself entirely differently towards a friend, lover, or rival. This puts more emphasis on his shift in perspective on the modern world of Thedas, because of what a friend or lover Inquisitor teaches him.

Solas explains in Trespasser that he did not see people as real, but the Inquisitor proved him wrong. He is a character who is capable of changing, and I would not be surprised if he does in fact come to regret his goals in Dragon Age: The Veilguard to the point of giving up on them. We have confirmation that ‘regret’ is going to be a big theme of the game after all, and Solas is already primed for that, per the Dragon Age: Tevinter Nights story, “Callback”, in which Solas’s regrets are so powerful it spawns a demon in Skyhold.

Is Solas a tragic fallen hero? Is he a deceitful villain? He is both! In fact, I would say he is a prime example of an anti-villain – an archetype that is much rarer to see compared to its partner, the anti-hero. An anti-villain is a character with heroic goals and traits, but often their means of reaching for those goals are villainous… that sums up Solas pretty well. And what makes him such a good anti-villain, is that regardless of what role he plays in the story, he still has a tangible characterization that does not rely on him being The Antagonist. Solas is clever, benevolent, proud, solemn, intuitive, stoic, stubborn, deceptive, moody… And whether he acts as help or hindrance, you can still easily observe these traits.

Yes, Solas has flaws. For example, I do not like the way he calls Adaar “s*vage” – though at least in the same conversation, he acknowledges that he was wrong. But for me personally, the things I like about him outweigh the things I don’t like about him, and that’s why I can say that I overall enjoy him! And if he had no negative traits at all, people would complain he was boring.

Also, his romance is so full of sweet tragedy, and it’s really well done.

[nxathyx]

"That's my lap..."

Gn!reader x Dazai Osamu, Gn!Reader x Ranpo Edogawa, Gn!Reader x Chuuya Nakahara, Gn! Reader x Akutagawa Ryuunoske, Gn!reader x Nikolai Gogol, Gn! Reader x Fyodor Dostoyevski, Gn! Reader x Sigma

So i just remembered that audio that was like

"hey, is that seat taken?"

"That's my lap.."

"i know what I said"

And i thought it'd be fun to write something similar so basically reader sitting on the bsd boys lap

Tw: slight suggestive themes (like hair pulling, grinding, marks/bites/brusinig, straddling if you want to count that, spanking), sitting on ones lap, ooc, cursing, slander (im slandering Fyodor once more), bad grammer

Dazai Osamu

° would definetly grab your hips and push you down on his lap

° I feel like he prefers when you're back is towards him so you can rest the back of your head against his chest while he just reads, does something on his phone or just stroke your hair

° definetly just does it as a pass time

° definetly Held your waist and made you grind against his thigh or just generally against him

° I feel like he enjoys having you on his lap in the agency, just to tease you and to anger Kunikida

°I feel like he'd massage your shoulders and leave feather like kisses on the back of your neck

Ranpo Edogawa

° I don't know why but I think he prefers sitting on your lap

° but if you do end up on his lap you two would just be quietly enjoying each others company eating some snacks and engaging in conversation from time to time

° definetly places his hands on your tummy and just plays with the skin (that sounds weird asf)

Chuuya Nakahara

° okay either likes having you on his lap sideways or you straddling him

° It depends where and what his mood is

° if you have a more childish and or silly personality would definetly use his ability to kind of make you jump up and down, and when I say up I mean like 30cm off his lap up

° would probably try to get a bit frisky

° once he let you sit on his lap while you did his eyeliner (he loved it)

° I feel like he'd know how to braid hair so would definitely do that (if your hair is long enough for that)

° I have no clue why but I feel like he'd pull your hair and then say some kinky shit in your ear😧

° you're probably leaving with a bruised and bitten neck

° if you have fishnet tights on he's definitely fondling with the plush of your thighs (slap his hand away if you don't want those to be torn [he will buy you new ones though])

°probably has a hand on your neck/throat

° if you wear chockers especially leather ones he's pulling on it just to kiss you

Akutagawa Ryuunoske

° how the fuck did you manage to even do that

° mf definetly uses rashoumon to keep you in place if you try to get up

° I legit don't know what else to say rather than what the fuck

° I think Akutagawas very kinky in private so expect a lot of lewd comments, maybe even spanking (this is so ooc right now💀

Nikolai Gogol

° mf once straight up kidnapped you with his ability just to have you sit on his lap

° likes having you kind of bounce on his lap (my grandma used to do that and it's kind of like you're pretending you're riding a horse while making sounds of the hooves clicking against the floor with your mouth. Eastern Europeans will probably understand)

° would show you card tricks

° I don't know why but I feel like he'd just randomly draw on the back of your neck (maybe sometimes with his mouth—)

° definetly drew a dick once and thought he was hilarious😭😭

° he grips your thighs from behind (I think he'd have really long and well kept nails so expect crescent moons on them)

Fyodor Dostoyevski

° personally I wouldn't go for that 😁

° don't touch his hair, you'll get 8 unknown diseases or something (I love hating on him so much)

° his body is really cold so use it to cool yourself off on a nice sunny day

° okay i don't know why but if you like a top or dress or corset or anything that needs to be tied on the back he'd sit you on his lap and zip it or tie it for you

° this man has such a hard grip on your hips, like you're leaving with bruises

Sigma

° I feel like he'd prefer to sit in your lap

° either that or just let you cuddle up to him while he's working or something

° will have one hand on your lower back

° if you ever strattled him he'll be so confused and embarrassed

° like don't do this to him he has to focus on the casino not the way you feel on him

°(he definitely gets turned on real fast)

[caturnmoon]

Astrology Observations #6️⃣

♍️ Happy Virgo Season!! ♍️

🌱Virgo rising is a super underrated beauty placement in my opinion. Virgo is ruled by the maiden archetype, and physical hallmarks attributed to Virgo are that soft, doe eyed, effortless beauty for women and boyish good looks for men. They take pride in their wellness routines unless the chart indicates otherwise, and cleanliness and grooming take priority too. They always have this effortlessly put together beauty about them. Queens of the “clean girl” aesthetic. A lot of celebrities and models have heavy Virgo influence. Ex: Brooke Shields, Blake Lively, Beyonce

🌱Mercury Pluto aspects and always feeling like their mind is a scary place to be. They can struggle with mental health in general, but can also have AMAZING laser lock focus too. The expression, “You can do anything you set your mind to.” definitely comes to mind at its most positively expressed.

🌱Having the asteroid Fama in Virgo could indicate being famous/well-known for anything that you’re really good at. Virgo’s are known for their attention to detail and work ethics, so depending on the house it’s placed in, this area could be a natural talent for you and something you’re “famous” for.

🌱Gemini over the 6th house could indicate multiple jobs and not holding one job down for too long due to boredom. You need constant mental stimulation, so if your work doesn’t provide this, then you’ll be looking for the next best thing elsewhere. Creating a podcast could really appeal to you as well since Gemini rules oral communication. You’re most likely known as phenomenal multi-tasker in your everyday life and routines!

🌱Part of fortune in the 6th house could bless you with wonderful health and longevity. You probably don’t get sick that often and heal quickly too.

🌱Scorpio moons no matter how extroverted they may be if their chart supports this, value privacy over everything. They feel most secure when their privacy is respected and made top priority. If it’s in the 8th, 4th or 12th houses then this is even more emphasized. Needs solitude to decompress.

🌱Look to what phase the moon was in when you were born as well for added elements to your chart! I interpret the phase in correlation to my moon sign and the nature of it. it makes a lot of sense. I’m an Aries moon born during a waxing gibbous moon; the cusp before the full moon. Aries is fiery, assertive, and headstrong ready to charge forward. Waxing gibbous moons symbolize consolidating gains, moving forward and preparing for forward momentum before the full moon.

🌱Have a lot of 7th house activity? Your focus is developing (and learning what it takes to maintain) relationships in this lifetime. Give and take, compromise, and boundaries will be repeated themes and lessons for you to learn this time around.

🌱Having the 22nd degree (the Capricorn “kill or be killed” degree) can indicate immense potential for success and notoriety. In my opinion, this can be a very underrated fame degree.

🌱Having the rectangle pattern in your natal chart can indicate a strong pull towards making a difference in the world and being given all of the tools in order to make that happen while you’re here. This pattern is rare, and is made up of two oppositions connected with two trines and two sextiles. These aspects support and complement each other providing stability necessary to fulfill your life purpose and calling with relative ease.

🌱Pisces Mercury could have such profound imaginations and thrive at communicating through creativity of any kind. Keeping a dream journal may be beneficial for you too!

Until next time!!🖖🏼👽

[ambrosiagoldfish]

HI! Can I request Vox, husk or anyone else with a s/o who has an addiction problem?

Yes I know my Grammar and punctuation is out of line 🙏🏽

Hazbin Hotel x Addict!Reader

(Vox, Husk, and Angel Dust)

Viewer Discretion is Advised!

Warning: Drug/Alcohol Abuse, Gn!Reader, Reader being defensive, happy-ish endings.

Request Box: Open

Word count: 1170

A/n: Hi! Thank you for the request! This is my first time writing both Vox and Husk so I had to do some research (and by research, I mean reading 2+ hours of how other write them) to get an idea of their main characterization.

I really enjoyed writing this as I personally have my own experiences with addicts and how it’s affected me as a person. So this was also a little bit of a vent post if anything. I also added Angel cause I think it fits the theme but also he’s one of my comfort characters and writing for him made me happy.

Hope you enjoy <3

Proofread like once so sorry for any mistakes!



Vox

He’s used to being friends/knowing addicts. I mean one of his closest allies (And TOTES not previous hook-up buddy) Valentino, is also an addict who also employs many as well. So he’s not a stranger to it.

So mostly he’s indifferent to it, almsot desensitized to it. He doesn’t really see a danger to it, I mean we’re in hell and you can’t exactly OD and die

But of course, death isn’t the only thing that can happen when you're an addict. The breakdown of you as a person often happens, as well as you being reckless with money. And this is where Vox starts to have a problem.

If you’re in a relationship with Vox, then clearly you mean a lot to him, he may not be the most expressive about it but he does. So to see the partner that he has opened up to and grown attached to deteriorate slowly in front of him is something he refuses to accept.

So one day he cancels a meeting with his staff and calls you to his office so you two will be alone. When you get there he gives you a cup of coffee and you catch up a bit. How was your day? Have you ate yet? Those kinds of things.

Until finally he decides to just break open the floodgates with one simple statement.

“Darling… I think you should get clean”

You were caught off guard at first

“It’s fine, What’s the problem? we’re in hell”

He then comes out with his honest opinion

“*Sigh* I know it’s hell and you can’t die… but surely you can see how it would make me a bit… worried for you.”

He paused

“I mean even last week you spent all the allowance I gave you on it and you would have starved if I didn’t buy you food, surely you can see why it’s a fucking problem!”

Eventually after talking and depending on how it goes you either agree to go clean or it ends with an argument and he’ll just try again later.

If you agree, he’ll make sure he’s with you ever step of your sobriety. Considering he’s one of the top rising Overlords and owns VoxTech he’s got money so He’ll higher the best people to help you go clean(Do therapist exist in hell?)

“Thank you dear, you have no idea how much this means to me”

Husk

Similar to Vox in a lot of ways but also really different. He himself is an addict with alcohol so he clearly understands the struggles of it.

He has lots of walls up but for someone who “lost the ability to love” he sure does care a lot for you. I don’t think he would try a get you to go clean, at least not right away (or even at the beginning of the relationship) simply cause he thinks he doesn’t have a right to judge. So in all honesty he might just let you be.

That is until he realizes that you do it to forget things and ignore your problems/past. He knew first hand that drowning your sorrows away with your choice of addictive vice did nothing but harm you.

Then when you two are alone at his bar he’ll talk to you about it in a similar way he did with Angel. Perhaps a bit more softer than he did with Angel but even then “softer” is a bit of an overstatement.

“Look, I know you got a lot of shit that you don’t want to think about… but doing this *sigh* it’s not going to work, at least not in the long term.”

“That’s rich coming from you.”

He laughs. I mean, you were right. He was single handedly the worst person to be judging you. But surely you can understand his point of view, right?

Either way though, he leaves it alone again. Occasionally bringing it up when you’re both alone. He expresses the same sentiment about it each time hoping that eventually, hopefully…you’ll come to see from his perspective.

When you do finally see that he’s worried for you and understand why, you agree to go clean. Which, for once in a long while, made his supposedly cold dead heart melt.

“Glad you finally came to your senses… Seriously, I’m glad…”

Angel

He is THE addict of the show, so obviously he knows what you are going through and THEN some. Now,. Here’s the thing, how he handles it depends HEAVILY on when exactly you got with him/when you started having you addiction problem.

If you started dating him when you already were an addict he most definitely wouldn’t question anything about it. Hell, chances are you both might have taken part in it together. And it’s only when he starts making progress in the hotel (post EP4) is when he starts realizing how bad of an influence you both were on each other.

If you started sometime AFTER you both started dating then this boy would honestly feel terrible about it, ESPECIALLY after EP4 when he actually started being sober more often. He’d feel like he was a bad influence on you and that it was his fault you turned to your addiction.

Either way though, he will eventually realize that he doesn’t want you to be/continue to be on the same path he was. He’d talk to Charlie about arranging you to stay in the hotel, either in your own room or you guys could share one (he would honestly prefer the latter) and then after the preparations are made he would finally ask you too

Angel wasn’t expecting it to be easy, he gets what it’s like to suddenly be asked to go clean. And he knows how addicts act when they don’t get there vices, how he acts. So he mentally prepared himself for the worst first before asking you to come over and talk.

“Uh… Y/n can I talk to you about somethin’?”

You nod your head

“I’ve been thinking and… I think you should crash here at the hotel with me… and’ go clean.”

You only laugh “Angie I’m glad this hotel thing is workin’ for ya but that’s not really my style. No- I mean, I’m fine!”

Angel knows he put you on the spot, so he lightens off a bit but continues pressing on. He explains how he feels and how he doesn’t want anything bad to happen to you, to end up where he is. The poor boy starts crying honestly with how much he’s worried. He rarely opens up to people so this was a big step for him.

Seeing how much he cared and worried about you really put into perspective how important this was to him. So you agreed after some thinking.

“*sniff* thank you Baby, I’ll be there with you every step of the way… I love ya’ you know.”

[saintsenara]

Do you think harry is more similar to lily or James

thank you very much for the ask, anon!

i think the assessment of harry's character which dumbledore gives to snape in deathly hallows is more or less the correct one:

“He is his father over again -”  “In looks, perhaps, but his deepest nature is much more like his mother’s.”

which i think can be expanded upon really interestingly as an example of something which the series does really, really well - how it obscures the fact that lily is the key to the mystery right up until the last minute.

the things harry has in common with james - not only his looks, but his quidditch talent, his impulsivity, his disregard for the rules, his arrogance, his cunning, his beef with snape, his adoration of sirius, his belief that his uncle is faintly ridiculous, and his bold, flashy courage - are big and explicit and demonstrative, and the text lampshades that they're inherited from his father at every opportunity.

[and not only in how many characters mention that he looks like james. voldemort - for example - mentions james' demonstrative bravery - facing him "like a man" - every time he and harry interact; sirius and lupin never mention lily when discussing harry's personality, even when what they're talking about is how he's not like james.]

the text also goes out of its way to suggest that similarly big aspects of lily's character have not been inherited by her son - the most obvious example of which is that, in half-blood prince, the incandescent talent at potions which has slughorn raving about how like his mother harry is... is actually the result of harry cheating [and cheating from a textbook he's convinced for much of the book might have belonged to james].

the only thing the text emphasises again and again that harry has inherited from his mother are his eyes.

and - in doing this - the series is actually telling us something very clear about what it understands harry to have in common with lily.

eyes are a frequent motif throughout the text, which are almost always connected to the themes of authenticity and truth.

dumbledore's eyes give away his true feelings in goblet of fire - when the "gleam of something like triumph" comes into them after he learns that voldemort used harry's blood to resurrect himself - before serving as a metaphor for the way the information about the prophecy is being withheld from harry in order of the phoenix when he refuses to make eye contact with him.

[dumbledore's eyes also stop "twinkling" after voldemort returns, in a sign of how serious the situation - which the ministry never appreciates the full gravity of - is becoming.]

occlumency and legilimency - the obscuring and seeking of truth - depend on eye contact. the teenage tom riddle's eyes - with their gleam of red - give away his true depravity, even when he's still outwardly charming and beautiful. the teen snape sees the reason for his obsession with the marauders "wrenched from him against his will" at the force of lily's glare [and the adult snape frequently averts his own gaze from harry when he clearly doesn't want to risk seeing anger or pain in lily's eyes]. ginny's love for harry - her "never giving up" on him, her willingness to wait and endure while he goes off on the horcrux hunt - is communicated by a "blazing look". the basilisk kills by looking - but doesn't kill anyone in chamber of secrets, since the truth about the culprit isn't known. and so on...

which is to say - the series regards the eyes as the windows to the soul [an idea which is connected to a verse in chapter six of the gospel of matthew - the verse immediately preceding which, "for where your treasure is, there will your heart be also", is inscribed upon kendra and ariana dumbledore's graves] and to the true, inner nature of a person.

in mentioning again and again that harry looks like james except for his eyes, what the narrative is doing is hinting to the reader that harry's big, obvious, showy similarities with his father mustn't let them miss that the more subtle traits of his personality - his steadfastness, his quiet courage in the face of hopelessness, his ability to love so much it changes the entire course of history - come from his mother, and that what he inherits from lily will be much more important to the resolution of the story than the things he inherits from james.

this is a clue it plays with really nicely - particularly because harry doesn't really care at any point prior to the last third of deathly hallows about what he inherits from lily more than he cares about what he inherits from james.

we - as readers - go through his experience of learning that his mother is the key to the whole mystery in real time - when we join harry in snape's memories - and we walk into the forest with a harry who now knows the whole truth: that he's more like his mother than he's previously realised, and that he'll therefore be able to do the same thing that she did, and die so that others might live.

“You won’t be killing anyone else tonight,” said Harry as they circled, and stared into each other’s eyes, green into red. “You won’t be able to kill any of them ever again.”

[harfanfare]

I like to think that romance with Idia widely differs depending on the time you’ve been in a romantic relationship.

1. “Just started dating” stage.

If you're reading Idia fanfiction, there is an 80% chance this is the stage your relationship is on.

Idia is… treating you like a very precious stranger. He's on his toes and seeks your approval in whatever he's doing. He is going to great lengths to understand the theory of dating and your hobbies - so you can maybe share even more interests - but won’t really act on anything.

He’s constantly surprised by every romantic move you make and you have numerous occasions to adore his cherry blush and various puckles of hair igniting with pink and red. He stutters a lot and can’t focus on anything in your presence.

Idia will outright reject any suggestions for bolder moves. He’s unprepared, and although guilt is eating him from the inside, he is not up to anything you two weren’t doing as friends. Well, maybe handholding, kissing, and cuddling get a (hard) pass, but you are the only one initiating these things.

He will try his best to reciprocate effort, though.

2. “Have been dating for a while” stage.

It’s an interphase between two very different stages, so he’s a funny mix: a very shy outsider and a cocky genius at the same time.

Gaming sessions will be the centre of your couple's time. Idia regularly invites you to his dorm, sometimes even on spontaneous sessions when a new event comes up or he has found a new game that looks very cool. You share snacks, drinks, and clothes (read: you have unwritten permission to claim his blouses).

This boy would be dead without you and Ortho, and with that knowledge, you make it your mission to (somehow) tidy up his room, buy some cosmetics, healthier food, etc. If you are up to organizing a “self-care evening”, he will be hesitant at first but will be looking forward to it after a while, with some older anime. (I like to think it would be a magical girl series like Sailor Moon, Tokyo Mew Mew or Chobits, or some shoujo).

In exchange, he might construct some little gadgets (maybe anime-themed?) for you, helps you get the merch you want, and supports you in your games.

At this point, he doesn’t weigh his words much. He’s still easy to fluster, but he comes with comebacks right away. The most flirty he gets on the phone when it’s late at night and you are using a chat to talk, especially when you are not in the same room. 3. Long-term relationship stage.

He knows you are doomed to him and shamelessly takes advantage of that.

He has no claims against calling you in the middle of the night to watch him sharing his screen when he pulls for a character he wants to get in the gacha system. He believes your presence brings him luck, so he must have you when he does crucial things!

Idia disses your taste in fictional men. Sometimes, he reads the dialogues out loud from the otome games you play. He may alter them, which can make you either huff or laugh. If you read or write fanfiction, he might read them too, giving you an out loud commentary on some fragments and asking you if you are that desperate for dates so you are sending fanfiction to inspire him. If you say yes, he will hum and return to whatever he was doing before, but he might plan something out that you will preferably be able to do in his room.

Chatroom with him and Ortho is quite calm, almost polite, but your private chatroom with Idia is the most chaotic one you’ve ever been. You learned to not leave your phone openly if you don’t want to explain some inside joke with a layered backstory. An app you use to chat with Idia is the one your screen time is counted on most, and writing with Idia is your guilty pleasure.

If you are interested in IT, he might program you an app or something to help you with it! He will give you the best feedback ever, and although it may be harsh, the last thing he wants is to discourage you from learning further.

On one anniversary of your dating, he will gift you this kind of couple bracelet which lights up if the other person touches it. He created them himself. When he receives signals throughout the day, he thinks of them as a promise from you, that no distance can sever your bond.

If you bring up some serious talk, you will be bullied with memes. It’s Idia’s coping mechanism. He will plan his future with you, don’t worry, but wait for him to muster up the courage to get on one knee and ask the question.