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ekingston · 6 months ago

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SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using

his dyslexia;

his intent to implement a tip-system for the plagiarized authors; and

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there.

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain;

2. Fandom can really get things done when it wants to, and

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again.

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice.

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later:

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether.

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them.

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that.

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation.

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

PLEASE check my later versions of this post via my main page to make sure you have the latest version of this post before you reblog. All the information I’ve been able to gather is in my reblogs below, and it's frustrating to see the old version getting passed around, sending people on wild goose chases.

Thank you all so much!

#fandom #plagiarism #AO3 #speechify #word-stream #Cliff Weitzman #writers on tumblr #fan fic writing #AI plagiarism #independent authors #Ofek Weitzman #please share

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tinystepsforward · 9 months ago

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autocrattic (more matt shenanigans, not tumblr this time)

I am almost definitely not the right person for this writeup, but I'm closer than most people on here, so here goes! This is all open-source tech drama, and I take my time laying out the context, but the short version is: Matt tried to extort another company, who immediately posted receipts, and now he's refusing to log off again. The long version is... long.

If you don't need software context, scroll down/find the "ok tony that's enough. tell me what's actually happening" heading, or just go read the pink sections. Or look at this PDF.

the background

So. Matt's original Good Idea was starting WordPress with fellow developer Mike Little in 2003, which is free and open-source software (FOSS) that was originally just for blogging, but now powers lots of websites that do other things. In particular, Automattic acquired WooCommerce a long time ago, which is free online store software you can run on WordPress.

FOSS is... interesting. It's a world that ultimately is powered by people who believe deeply that information and resources should be free, but often have massive blind spots (for example, Wikipedia's consistently had issues with bias, since no amount of "anyone can edit" will overcome systemic bias in terms of who has time to edit or is not going to be driven away by the existing contributor culture). As with anything else that people spend thousands of hours doing online, there's drama. As with anything else that's technically free but can be monetized, there are:

Heaps of companies and solo developers who profit off WordPress themes, plugins, hosting, and other services;

Conflicts between volunteer contributors and for-profit contributors;

Annoying founders who get way too much credit for everything the project has become.

the WordPress ecosystem

A project as heavily used as WordPress (some double-digit percentage of the Internet uses WP. I refuse to believe it's the 43% that Matt claims it is, but it's a pretty large chunk) can't survive just on the spare hours of volunteers, especially in an increasingly monetised world where its users demand functional software, are less and less tech or FOSS literate, and its contributors have no fucking time to build things for that userbase.

Matt runs Automattic, which is a privately-traded, for-profit company. The free software is run by the WordPress Foundation, which is technically completely separate (wordpress.org). The main products Automattic offers are WordPress-related: WordPress.com, a host which was designed to be beginner-friendly; Jetpack, a suite of plugins which extend WordPress in a whole bunch of ways that may or may not make sense as one big product; WooCommerce, which I've already mentioned. There's also WordPress VIP, which is the fancy bespoke five-digit-plus option for enterprise customers. And there's Tumblr, if Matt ever succeeds in putting it on WordPress. (Every Tumblr or WordPress dev I know thinks that's fucking ridiculous and impossible. Automattic's hiring for it anyway.)

Automattic devotes a chunk of its employees toward developing Core, which is what people in the WordPress space call WordPress.org, the free software. This is part of an initiative called Five for the Future — 5% of your company's profits off WordPress should go back into making the project better. Many other companies don't do this.

There are lots of other companies in the space. GoDaddy, for example, barely gives back in any way (and also sucks). WP Engine is the company this drama is about. They don't really contribute to Core. They offer relatively expensive WordPress hosting, as well as providing a series of other WordPress-related products like LocalWP (local site development software), Advanced Custom Fields (the easiest way to set up advanced taxonomies and other fields when making new types of posts. If you don't know what this means don't worry about it), etc.

Anyway. Lots of strong personalities. Lots of for-profit companies. Lots of them getting invested in, or bought by, private equity firms.

Matt being Matt, tech being tech

As was said repeatedly when Matt was flipping out about Tumblr, all of the stuff happening at Automattic is pretty normal tech company behaviour. Shit gets worse. People get less for their money. WordPress.com used to be a really good place for people starting out with a website who didn't need "real" WordPress — for $48 a year on the Personal plan, you had really limited features (no plugins or other customisable extensions), but you had a simple website with good SEO that was pretty secure, relatively easy to use, and 24-hour access to Happiness Engineers (HEs for short. Bad job title. This was my job) who could walk you through everything no matter how bad at tech you were. Then Personal plan users got moved from chat to emails only. Emails started being responded to by contractors who didn't know as much as HEs did and certainly didn't get paid half as well. Then came AI, and the mandate for HEs to try to upsell everyone things they didn't necessarily need. (This is the point at which I quit.)

But as was said then as well, most tech CEOs don't publicly get into this kind of shitfight with their users. They're horrid tyrants, but they don't do it this publicly.

ok tony that's enough. tell me what's actually happening

WordCamp US, one of the biggest WordPress industry events of the year, is the backdrop for all this. It just finished.

There are.... a lot of posts by Matt across multiple platforms because, as always, he can't log off. But here's the broad strokes.

Sep 17

Matt publishes a wanky blog post about companies that profit off open source without giving back. It targets a specific company, WP Engine.

Compare the Five For the Future pages from Automattic and WP Engine, two companies that are roughly the same size with revenue in the ballpark of half a billion. These pledges are just a proxy and aren’t perfectly accurate, but as I write this, Automattic has 3,786 hours per week (not even counting me!), and WP Engine has 47 hours. WP Engine has good people, some of whom are listed on that page, but the company is controlled by Silver Lake, a private equity firm with $102 billion in assets under management. Silver Lake doesn’t give a dang about your Open Source ideals. It just wants a return on capital. So it’s at this point that I ask everyone in the WordPress community to vote with your wallet. Who are you giving your money to? Someone who’s going to nourish the ecosystem, or someone who’s going to frack every bit of value out of it until it withers?

(It's worth noting here that Automattic is funded in part by BlackRock, who Wikipedia calls "the world's largest asset manager".)

Sep 20 (WCUS final day)

WP Engine puts out a blog post detailing their contributions to WordPress.

Matt devotes his keynote/closing speech to slamming WP Engine.

He also implies people inside WP Engine are sending him information.

For the people sending me stuff from inside companies, please do not do it on your work device. Use a personal phone, Signal with disappearing messages, etc. I have a bunch of journalists happy to connect you with as well. #wcus — Twitter I know private equity and investors can be brutal (read the book Barbarians at the Gate). Please let me know if any employee faces firing or retaliation for speaking up about their company's participation (or lack thereof) in WordPress. We'll make sure it's a big public deal and that you get support. — Tumblr

Matt also puts out an offer live at WordCamp US:

“If anyone of you gets in trouble for speaking up in favor of WordPress and/or open source, reach out to me. I’ll do my best to help you find a new job.” — source tweet, RTed by Matt

He also puts up a poll asking the community if WP Engine should be allowed back at WordCamps.

Sep 21

Matt writes a blog post on the WordPress.org blog (the official project blog!): WP Engine is not WordPress.

He opens this blog post by claiming his mom was confused and thought WP Engine was official.

The blog post goes on about how WP Engine disabled post revisions (which is a pretty normal thing to do when you need to free up some resources), therefore being not "real" WordPress. (As I said earlier, WordPress.com disables most features for Personal and Premium plans. Or whatever those plans are called, they've been renamed like 12 times in the last few years. But that's a different complaint.)

Sep 22: More bullshit on Twitter. Matt makes a Reddit post on r/Wordpress about WP Engine that promptly gets deleted. Writeups start to come out:

Search Engine Journal: WordPress Co-Founder Mullenweg Sparks Backlash

TechCrunch: Matt Mullenweg calls WP Engine a ‘cancer to WordPress’ and urges community to switch providers

Sep 23 onward

Okay, time zones mean I can't effectively sequence the rest of this.

Matt defends himself on Reddit, casually mentioning that WP Engine is now suing him.

Also here's a decent writeup from someone involved with the community that may be of interest.

WP Engine drops the full PDF of their cease and desist, which includes screenshots of Matt apparently threatening them via text.

Twitter link | Direct PDF link

This PDF includes some truly fucked texts where Matt appears to be trying to get WP Engine to pay him money unless they want him to tell his audience at WCUS that they're evil.

Matt, after saying he's been sued and can't talk about it, hosts a Twitter Space and talks about it for a couple hours.

He also continues to post on Reddit, Twitter, and on the Core contributor Slack.

Here's a comment where he says WP Engine could have avoided this by paying Automattic 8% of their revenue.

Another, 20 hours ago, where he says he's being downvoted by "trolls, probably WPE employees"

At some point, Matt updates the WordPress Foundation trademark policy. I am 90% sure this was him — it's not legalese and makes no fucking sense to single out WP Engine.

Old text: The abbreviation “WP” is not covered by the WordPress trademarks and you are free to use it in any way you see fit. New text: The abbreviation “WP” is not covered by the WordPress trademarks, but please don’t use it in a way that confuses people. For example, many people think WP Engine is “WordPress Engine” and officially associated with WordPress, which it’s not. They have never once even donated to the WordPress Foundation, despite making billions of revenue on top of WordPress.

Sep 25: Automattic puts up their own legal response.

anyway this fucking sucks

This is bigger than anything Matt's done before. I'm so worried about my friends who're still there. The internal ramifications have... been not great so far, including that Matt's naturally being extra gung-ho about "you're either for me or against me and if you're against me then don't bother working your two weeks".

Despite everything, I like WordPress. (If you dig into this, you'll see plenty of people commenting about blocks or Gutenberg or React other things they hate. Unlike many of the old FOSSheads, I actually also think Gutenberg/the block editor was a good idea, even if it was poorly implemented.)

I think that the original mission — to make it so anyone can spin up a website that's easy enough to use and blog with — is a good thing. I think, despite all the ways being part of FOSS communities since my early teens has led to all kinds of racist, homophobic and sexual harm for me and for many other people, that free and open-source software is important.

So many people were already burning out of the project. Matt has been doing this for so long that those with long memories can recite all the ways he's wrecked shit back a decade or more. Most of us are exhausted and need to make money to live. The world is worse than it ever was.

Social media sucks worse and worse, and this was a world in which people missed old webrings, old blogs, RSS readers, the world where you curated your own whimsical, unpaid corner of the Internet. I started actually actively using my own WordPress blog this year, and I've really enjoyed it.

And people don't want to deal with any of this.

The thing is, Matt's right about one thing: capital is ruining free open-source software. What he's wrong about is everything else: the idea that WordPress.com isn't enshittifying (or confusing) at a much higher rate than WP Engine, the idea that WP Engine or Silver Lake are the only big players in the field, the notion that he's part of the solution and not part of the problem.

But he's started a battle where there are no winners but the lawyers who get paid to duke it out, and all the volunteers who've survived this long in an ecosystem increasingly dominated by big money are giving up and leaving.

Anyway if you got this far, consider donating to someone on gazafunds.com. It'll take much less time than reading this did.

#tony muses #tumblr meta #again just bc that's my tag for all this #automattic #wordpress #this is probably really incoherent i apologise lmao #i may edit it

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novella-november · 3 months ago

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Well. I have a feeling I'm about to have a million new followers. (March 31st, 2025; not an April Fool's joke, unless Nanowrimo has very poor taste and timing)

youtube

Here's a link that explains in long video format the whole entire thing in detail:

youtube

and to sum it up:

This blog was made as an Anti-Generative AI to Nanowrimo, as well as a way to actually build a friendly, low-pressure, helpful community of aspiring writers, without the hard-fast-do-it-or-die pressure brought on by nanowrimo.

There is no official "contest" -- only a community coming together to inspire each other to write, help out with motivation by setting community goals, keeping participation motivation via Trackbear.app, etc!

The most popular writing challenge is still November for most people, but I myself have also started to keep a year-round, daily writing goal of 444 via the website 4thewords, which has been an extreme help in getting me to write a little at a time.

This year has been very hectic for everyone what with the election results so I haven't been very active on tumblr (I think everyone can understand that) but I was originally planning on also having each month of the year being a different themed writing / art challenge but got a bit distracted real life.

So, what is the Novella November Challenge?

It's a fun challenge where writers come together to write 30,000 (or your own personal writing goal!) words in 30 days, sharing tips, writing advice, plot ideas, accessibility aids, and committing to having fun while explicitly fighting back against Generative AI by using our own words and disavowing the use of scraping and generating to take away the livelyhoods of artists of all spectrums, and proving everyone who insists "generative AI is an accessibility tool" wrong by committing to our creative visions and making it easier for everyone to find the tools they need to succeed by sharing tips, free programs, and finding a like-minded community to support you! 💙

There is no official website, there is no required place to show your participation, this is a community initiative that will never be monetized by predatory sponsors or dangerous moderators abusing their power.

This blog is here to inspire everyone, regardless of experience level, to write and create the story they want to tell, in their own words, while striving to remain a fun, low-pressure challenge that doesn't turn into a stressful spiral, like often happened with Nano.

Want to start writing but not sure how? Don't have money to spend on expensive writing programs? Have no fear!

LibreOffice: An always free, open-source alternative to Microsoft Word (and Microsoft's other office suits)

4Thewords: A website (both desktop and mobile web browser) that syncs your writing cross platform to the cloud, with built-in daily word goals, streak tracking, and you can fight monsters with your word count to game-ify writing!

Trackbear: A website dedicated to tracking your writing, setting custom goals, and creating leaderboards for community participation; you can join the year-long community leaderboard with the Join Code "f043cc66-6d5d-45b2-acf1-204626a727ba" and a November-limited one will release on November 1st as well.

Want to use Text to Speech to dictate your novel?

Most modern phones have a built-in option available on your keyboard settings which can be used on any writing program on your phone, and most modern PCs that allow a microphone (including headphone) connection has some kind of native dictation function, which you can find by opening your start panel and searching your computer for "Speech to text" or "voice to text".

Want to write while on the go, but don't want to / can't use the small phone keyboard to type, or speech to text?

You can, for as cheap as $40, buy a bluetooth keyboard that you can pair with your smart phone or tablet and use to write in any and all writing applications on your phone -- this allows you to write on the goal (especially using cross-platform websites or services, like 4thewords or google docs) , and the small screen can also help minimize distractions by muting notifications in your writing time.

#novella november #nanowrimo #large text #writing events #national novel writing month #community events #anti ai #novellanovember #Sam Beckett Voice: Oh boy #long post #Youtube

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traumasurvivors · 11 months ago

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I am finally putting together a FAQ for easy access for people new to my blog since a lot of these posts I think are helpful are buried. Some of these links link to posts on my blog, but some link to my personal website. My website is not monetized in any way, so there should be no ads or anything intrusive.

About Coping

How can I make a self-care box?

Here's some instructions I wrote!

How can I make a safe space?

Here are some ideas!

What are some ways I can ground myself?

Here is an article with a bunch of examples, but there are so many more that aren't listed here!

I'm struggling with trauma around the holidays and/or a traumaversary.

Here's an article I wrote on trauma around the holidays!

Here's an article I wrote with advice for traumaversaries.

General Trauma FAQ

Do I have to forgive them in order to heal?

The short answer is "no." What everyone needs differs. While someone may need to forgive as a part of their healing journey, this isn't necessarily true for everyone. Here's a post I wrote about this.

What about myself? Should I forgive myself?

That's up to you. For some of us, healing is realizing we never needed forgiveness all along. And for others, it can mean that we can't get to a place where we feel we did nothing wrong, and therefore, forgiving ourselves is the best way to move forward. Here's an article I wrote on self-forgiveness.

What is trauma bonding?

This term is often used in a colloquial sense when two people who have suffered trauma bond together over their trauma. This article talks about the technical definition and is about how someone going through trauma forms an emotional bond with the one who is traumatizing or abusing them.

Was it bad enough?

The short answer is yes. But you can read a longer blog post for why here.

I'm struggling with anger after trauma.

That's a really valid way to feel. Here is some more info on it.

What is hypersexuality and/or sex repulsion?

See this article here.

What is Trauma Imposter Syndrome?

This is when a survivor invalidates themselves by saying something like “my trauma isn’t so bad, other people have it worse than me.” Here's my post on it.

How do I talk about my trauma?

First, remember that you do not have to talk about anything you don't want to. But if you do, here are some tips I have.

How do I listen to someone talk about their trauma?

The first thing I want you to remember, when someone tells you that they want to talk to you about their trauma, is that their needs do not negate your own needs. Here's my post on it.

Is Healing Linear?

No. Healing is a rollercoaster. Here's a post on it.

About Abuse and Specific Forms of Trauma

What are some different types of abuse?

Physical abuse, emotional abuse, sexual abuse, financial abuse, cultural abuse. You can read more about these here.

What is Medical Trauma?

It is a vast term that includes many different things, mostly linked to major emotional distress that occurs as a result of hospital stays, illness, or treatment (so yes, therapy trauma is valid.) You can see my longer article here.

What is Parentification?

Parentification is a form of abuse where a child is forced to take on the role of a parent. You can see my longer article here.

Why do I love and/or miss my abuser?

Nothing is wrong with you if you love and/or miss your abuser. There are any number of reasons why you could be feeling this way, and I will share some examples with you. You can see my article on this here!

Other

Are they trying to manipulate me?

While there isn't a clear cut guide, some of the points in this article might help you in getting more information about one of your relationships.

What is consent?

Consent is a freely-given yes. See this post here.

How can I be prepared for sex?

See this post here.

I also wrote this article that covers the same points as the first post, but focuses from a trauma perspective. A lot of the info is the same.

Why is it important to validate my feelings?

See this post here.

I'm struggling with self-harm/What is self-harm?

Here's a post on this.

#my post #faq #this is a work in progress and i will keep updating it #if you've seen a post of mine you think should be on here #let me know

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orteil42 · 2 years ago

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Between the recent custom buttons post with the pipe bomb and the gamification post with the post -deleting boss fight I'm starting to get absolutely feral over the idea of you making a social media platform.

The companies that run the current options are cowards.

i would honestly love to give it a crack and were i younger and sillier i think i probably would. unfortunately by now i've become a bit too aware that creating a social media website is one of those nightmare projects that is guaranteed to be 500 times more work and trouble than you initially expect, and if i get into that i'd never have time for anything else. i'd also have to deal with hiring an actual team and be an actual company instead of just some guy who codes in his bedroom. and then let's say maybe the website takes off and we get a few thousands of active users. after a while our uptime becomes terrible; people can't log in, posts won't load. tech sites are starting to make fun of us. we have to grow, get bigger servers, hire more people. eventually i'd have to confront the fact that despite my cute take on monetization our social media isn't recouping the growing server expenses and our seed money is drying up and people at the office are starting to bang at my door to get paid. do i pull the plug and throw away everything we've built so far? likely not, even my own ego aside there's too many people's livelihoods on the line. other folks on the team are motivated to make this work, and a feedback loop forms where we start to ever-so-slightly readjust our values if it means we get to survive another quarter. i get more cynical; our ad slots are more and more intrusive, our monetization strategy gets shiftier and more aggressive. we accept funding from less and less savory entities. we start collecting user data beyond simple telemetry. if we've gotten big enough by that point, we may choose to restructure and begin taking on shareholders. this is a deal with the devil, and we now have a fiduciary duty to play nasty and treat our userbase like livestock in order to secure short-term profit. we can't just stop accepting new users; continued growth demands that we throw away what's left of our ethics to accommodate the gargantuan swaths of money that hundreds of thousands of database calls per second require. those of us who disagree with the new direction are gradually nudged away from positions of power. me, i've either been kicked out of my own project a while back or i've adapted to become someone i would've despised a few years prior. this is all assuming the website didn't crash and burn a few months after launch from either my technical shortcomings or my inexperience with management, or maybe just because our site ended up being too niche to really snowball. it is fun to think about tho!

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silcoitus · 6 months ago

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WordStream is stealing fanfics and using AI text-to-speech to make audiobooks, AI art covers

I'm still trying to dig into this as much as I can, short of making an account and poking around in it. But it appears WordStream monetizes via premium accounts, though I have no idea what these tiers offer. It also looks like you're able to upload works to be made into audiobooks, but I highly doubt there is any vetting process, so someone can just upload your works without permission and boom, now it's suddenly on their library and being fed through AI to generate an audiobook (and it looks like book covers as well???)

The developer is Ofek Weitzman and there is zero means for reporting stolen content because the entire site's business model is stealing content. There are published books, though so far I am only seeing works in the public domain, where the copyright on them has expired (Pride and Prejudice, Alice in Wonderland, etc.)

As of right now, I would suggest you search for your fic handles to see if your work has been uploaded. Right now, as far as I can tell, there's no way to report individual works on the website itself (because that would break its entire business model, wouldn't it) so your only recourse is to report the app on Apple (requiring you to actually download it and then go through Apple's entire circuitous reporting process) or report the site itself to Google.

Every single part of this is a scam.

From the AI audio to the AI covers. Ofek is stealing the hard work of countless authors in order to make money off people who either don't know any better or don't care.

#fuck ai #all my homies hate ai #public service announcement #psa #fic writers #fic authors #wordstream #ai

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somesecretpie · 1 year ago

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Fans and Creators of Webtoons!

I want to talk about Line Webtoon’s new “Super Like” program and why it sucks for literally everyone.

What is a “Super Like?”

According to their website, super likes are a new way for webtoon creators to monetize their work. Readers can pay real money to buy a super like for their favorite webtoon, and the creator gets a fraction of that money.

Wait, a fraction? Not all of it?

Yep! Webtoon skims quite a chunk off the top.

30% goes to Webtoon, and then another 30% of that amount goes to the payment processor.

So what do creators get? 49 cents for every dollar their fans try to give them. Literally half.

That’s pretty ludicrous, right?

Interestingly enough, they announced that they had a “tipping system” in the works in the same email they ended the CANVAS creator rewards program (and many comic creators livelihoods)

They said tipping system in their social media posts too

Obviously this tipping system is referring to super likes right? They say they’re going to do a tipping system, and then this rolls out.

But “tips” are not something that buisinesses can just take a cut of, at least not in the United States. According to the Department of Labor, it is illegal for any amount of tips from customers to go to an employer.

Webtoon is trying to walk back this language, of course. You won’t find the word “tip” anywhere on their website page explaining how it works. But those old social media posts are still up.

This is all pretty scummy

But wait, it gets worse!

They removed the Patreon button at the end of episodes and replaced it with this:

Yep! That’s right. Webtoon really said “what if we replace the tipping system that already existed with a shittier one where you only get half of it 🥺”

Unsurprisingly, they faced a ton of backlash.

Webtoon was quick to point out that the Patreon button was only removed from the end of episodes and there was still a button on the creator’s homepage. But of course, the end of episodes is where that button matters the most.

Creators know this. Webtoon knows this.

Eventually, after days of continued complaints from creators on social media, Webtoon went on damage control mode and announced that they would be putting the Patreon button back at the end of episodes—

As of right now (May 11th, 2024) the Patreon button is still not back.

***

So…Super likes are “super totally not a tip.”

But if they aren’t tips…what are they?

Well there’s a bit more to the story of what a super like actually is. After announceing the program, the app updated to reveal a new ranking category on the front page

When you click on this ranking tab, you can see that there is now both a daily and weekly ranking

If you’re a CANVAS creator, you know how difficult and seemingly random it can be to get your comic on the front page of the app—so my immediate worry was that comic creators were going to buy superlikes on their own series to get in this ranking and…

Yep, that’s already happening.

But why would webtoon even allow creators to buy superlikes for themselves? How does that make sense?

Surely goading desperate creators into buying superlikes can’t be that lucrative, can it?

No. I think there’s another, possibly even worse reason.

Fandom wars

If you’re into music, you probably are aware of how common it is for super fans to make concerted efforts to get their favorite musician to the top of the billboard charts. They coordinate over social media, stream music on loop as soon as an album drops to inflate the numbers, buy albums in bulk to increase sales, all so that they can say their fav is number one. It’s especially common among K-pop fans and swifties

This phenomena is well documented

Fans of Webtoons can be just as ravenous as K-pop, so I think Webtoon is trying to capitalize on this. They want to encourage fandom war and make money. That’s why they have this ranking. Not only can super fans brag about their favorite series topping the charts but they can wear their super like proudly on their reader profile that webtoon will be rolling out soon.

They’re just testing this super like stuff out on CANVAS right now, but once this starts up with originals? Oh. It will be a very profitable, very terrible mess.

(Oh and I mean profitable for webtoon, not creators, in case that wasn’t clear.)

***

Anyway, if you’re a creator, do yourself a favor and don’t enable super likes.

If you’re a fan of a webcomic, just donate to that creators patreon or Ko-Fi to show your support. Don’t give a red cent to webtoon because they did not do any of the work to make the series you love, alright?

Also check out my webtoon haha.

#webtoon #super likes #webtoon super likes #webtoon super like #super like program #monetization #comics #comic #webcomic #Patreon #webtoon canvas #webtoon creator rewards #webtoon fans #webtoon fan #webtoon creator #artists on tumblr #weird comics

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darkfictionjude · 1 month ago

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Jude’s history corner (aka old man yells at cloud because today’s internet no longer has whimsy and is a soulless pit of despair)

So I’ve been surfing the wayback machine to go on old websites. I thought I’d be a cool idea to go more into internet culture of the 90s in season 2

Geocities is a big one. If you don’t know what that is it’s basically was a web hosting service. You registered to be a part of city and live in a “neighborhood” which was used to organize the links to the web sites created by the users

There was also features called webrings which were websites that had the same theme or interest and would led to each other in a ring and guestbooks were you signed that you visited that site and left a message

It sort of made me nostalgic for an internet that no longer exists and I never experienced because looking at these archived websites people were very passionate and dedicated. It was free until Yahoo acquired it and wanted to monetize the crap out of it

Also the gifs are cool as shit. I recommend this site if you’re interested. It is a live site it’s not an archived one and it’s created to showcase what it looked like 20+ years ago on a geocities hosted web site. All the gifs are taken from real archived websites and if you touch them they lead you to the original website of where that gif came from

Anyway technically geocities doesn’t exist yet in wwc, it launches in November 1994. But it will be cool to add it by the time it’s very well-known in 1996-97

#Jude’s history corner #wwc

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journeytothewestresearch · 10 months ago

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Some asshole stole my article

Someone eager to jump on the Black Myth: Wukong train at Digital Artists League (a.k.a. Artizen) reposted my 2013 summary of Journey to the West without permission. And then they got mad at me when I made them take it down.

It just dawned on me that their website is likely monetized, so they would have made money off of my hard work. And they had the audacity to try to gaslight me.

I have to seriously ask where they get the majority of their content if they think stealing is OK.

This is a screenshot of the stolen article on their website before it was taken down.

And here are screenshots of our conversation. I really enjoyed watching their mini-meltdown towards the end.

#Journey to the West #JTTW #Sun Wukong #Monkey King #Black Myth: Wukong #Black Myth Wukong #theft #plagiarism #bitches be crazy

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thefemigirl · 5 months ago

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★ Hobbies to Start This Year: Prt 2

Welcome back to my series, where we’re exploring hobbies that will make 2025 your most enriching year yet! In the previous post, I talked about ▹Mind Hobbies.◃

Today, we’re looking into a category that’s not only fun but also financially rewarding: Money-Making Hobbies. You might be looking to fund your latte habit, save for a trip in the summer, or wanting to launch a side hustle, these hobbies can help you turn your skills and creativity into extra income.

1. Crocheting and Selling Handmade Items

How to Start: ⋆ Learn simple crochet patterns using online tutorials on YouTube. ⋆ Focus on popular items like scarves, blankets, and trendy "kitten scarves" (beanie-scarf combos with cat ears!). ⋆ Open an Etsy shop or sell on platforms like Instagram or Gumroad.

2. Selling Thrifted Clothes and Style Bundles

How to Start: ⋆ Shop thrift stores for unique items in good condition. ⋆ Wash, style, and photograph the clothes for resale. ⋆ Bundle similar styles together or sell individually on platforms like Depop, Poshmark, or Vinted.

3. Creating and Selling Notion Templates

How to Start: ⋆ Explore Notion and learn to create customizable templates. ⋆ Focus on niche audiences like students, freelancers, or wellness enthusiasts. ⋆ Sell your templates on Etsy, Gumroad, or your personal website.

4. Nail Art

How to Start: ⋆ Invest in basic tools like nail polish, brushes, and practice tips. ⋆ Experiment with trendy designs like ombré, abstract art, or themed sets. ⋆ Offer services to friends or sell custom press-on nails on Etsy.

5. Content Creation as a Career

How to Start: ⋆ Choose a niche (beauty, gaming, fashion, lifestyle, etc.). ⋆ Create consistent, high-quality content that resonates with your audience. ⋆ Monetize through ads, sponsorships, and affiliate marketing once your audience grows.

Best of luck! See you in part 3!

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ai-art-thieves · 5 months ago

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Hey, am I overreacting or do some of the videos on the youtube channel @/FactsByBriggs contain ai generated images?

Here's the link to the channel if you need it: https://youtube.com/@factsbybriggs?si=QC-lGMhM9239_g5C

I don't usually tackle cases that are on youtube, but for the sake of investigating whether or not something is ai generated I'll do it.

(FUTURE A2T HERE: THIS IS GONNA BE A LONG ONE.)

Aaaaand right out of the gate I see AI.

However, I can't call this ai trash just because they generate art from ai.

The real deciding factor would involve a few things:

Does this channel tell people that some of the pictures are ai generated?

Does this channel credit any images they use online?

Are they using ai to mislead and/or farm content solely for monetization purposes?

Only one way to find out.

Ok, so right out of the gate, we don't see any links to images.

This guy also has a lot of socials.

....And a LinkedIn for some reason.

Let's put a pin on that for now.

What do the videos have to offer?

Ok. So we got an ai voice, an avatar that reeks of content farm garbage, and an image that has not been credited.

We're off to a good start. (in case you couldn't tell, that was sarcastic.)

What they didn't do is crop the url that is above, so we know the art got taken from somewhere.

Luckily, we have Google Lens.

That image is from @yuumei-art.

They took that image and did not credit where the image was from.

But, it gets better. IT'S NOT THE ONLY ONE.

There's even some where they even left the artist's signature! Not once, but twice.

And to answer your question, fellow anon, yes. They do use ai generated imagery as well.

This channel is generating images or taking images from the internet for their videos.

No, this is not me hypothesizing. This is what they are actually doing.

I know this because in one video, they use a stock image with the watermark still intact.

But let's take a step back for a mo'. We need to investigate that LinkedIn account.

I have no idea why they have this account here. Like, at all.

LinkedIn is a job hunting website, not TikTok!

The link they have goes back to their Linktree.

Another thing to point out is that they have a Kofi page.

Well, BuyMeACoffee.

Same difference.

There doesn't seem to be anyone supporting that page.

Looking at this channel some more, this doesn't seem to be a content farm.

It has the stench of one, for sure. But it's also responding to comments.

Feeling like I've hit a dead end, I dropped "Facts by Briggs" on google.

That's when I learned that Facts By Briggs actually has a tumblr page.

....It's just not advertised on the Linktree.

And they have their own tumblr domain.

....wait, tumblr domains cost 22 bucks (18.02 pounds sterling in the UK). Isn't Briggs struggling with financial stuff?

...Something's not adding up.

They reblog posts from a London Hip-Hop DJ and Rapper by the name of CANMKING.

I was going to let this fact pass. But...

And yes, he is a real guy.

But let's get back on topic.

What's even stranger is that Can isn't the only one of the usual suspects that replies.

ctkvi, the people that made an album cover for Can.

They too have a linktree and a tumblr domain.

They also do ai video and music work.

And upon investigating those guys...

"Instagram Growth Service"?

Ok, the LinkedIn accounts are starting to make sense.

Let's tackle that monstocity another day, because it looks pretty daunting.

As for the avatar...

Google Lens saved me again, and that led me to Adobe Express.

And lookie here!

It's Briggs!

And considering that its a part of the Adobe Express ecosystem, I can probably infer that the whole video is made on Adobe Express.

Along with some of the other projects that CANMKING has done.

"Riley Frankcap"

Yes. This man made another one.

Better yet, Can has a total of 6 accounts.

And they reply to all of his stuff.

ongawdclub is the oldest of the alts, going as far back as December 2021, but Can has been on tumblr since 2011.

...

Huh. Looks like this case does involve this fellow hellsite after all.

Ok that's enough rabbit hole digging for today. Also I've hit the image limit on this post. Needless to say, there's a whole lot to unpack.

TL;DR:

Yes, Facts by Briggs is a content farm.

Yes, it uses ai art. BUT...

It also uses images off the internet and doesn't credit artists.

Briggs himself is not an original creation, but an avatar that you can easily use on Adobe Express. It's probably how most of the videos were created.

Facts by Briggs has a lot of social media accounts, as seen on their Linktree, including one on LinkedIn and one on a Kofi-like site.

What Facts by Briggs doesn't have on the Linktree is a tumblr. One that has a domain. This goes against what was said in the Kofi, which states that they are struggling with money.

Facts by Briggs reblogs posts by a London hip-hop dj/rapper named CANMKING.

CANMKING replies and reblogs numerous posts by Facts by Briggs, along with five other accounts (reallysmalls, ongawdclub, needgoodgraphics, ctkvi, and rileyfrankcap (A news based content farm). Facts by Briggs also replies to posts made those five accounts. CANMKING is the oldest account out of the total seven, so we assume that the six are sockpuppets that astroturf his tumblr posts.

ctkvi deals with ai video and audio, and needgoodgraphics has a service that, and I'm probably guessing here at the moment, artificially boosts your instagram account by astroturfing it.

TL;DR for the TL;DR:

CANMKING is a rapper/dj from London who uses sock puppets, astroturfing, bots, content farms, and straight up kofi scams to gain success.

...and he made those content farm videos all in Adobe Express.

To prove it, I reverse engineered a Facts by Briggs video.

Mostly.... I know Facts by Briggs uses ai voices... but I don't want to make another account just to access the ai voice add-on. So I used the legendary "Why You Lying?" instead.

I only found one post that talks about CANMKING's scamming efforts, but they've only scratched the surface.

If any of you have any more info about CANMKING that's not listed up here, do let me know.

#case type: scam #case type: astroturfing #case type: sockpuppeting #case type: bot #case type: ai scumbaggery #long post #case: CANMKING

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dervampireprince · 6 months ago

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so i've been coding a website

home of: the dervampireprince fanart museum, prince's art gallery, a masterlist of resources for making websites and list of web communities, and more!

[18+, minors dni (this blog is 18+ and the art gallery and art museum pages on my site have some 18+ only artworks)]

littlevampire . neocities . org (clickable link in pinned post labelled 'website')

if you don't follow me on twitch or aren't in my discord, you might not know i've been coding my own website via neocities since june 2024. it's been a big labour of love, the only coding i'd done before is a little html to customize old tumblr themes, so i've learnt a lot and i've been having so much fun. i do link to it on my carrds but not everyone will know that the icon of a little cat with a wrench and paintbrush is the neocities logo, or even what neocities is.

neocities is a free website builder, but not like squarespace or wix that let you build a website from a template with things you can drag in, it's all done with html and css code (and you can throw in javascript if you wanna try hurting your brain /hj). i love the passion people have for coding websites, for making their own websites again in defiance of social medias becoming less customisable and websites looking boring and the same as each other. people's neocities sites are so fun to look through, looking at how they express themselves, their art galleries, shrines to their pets or favourite characters or shows or toys or places they've been.

why have i been making a website this way?

well i used to love customising my tumblr theme back when clicking on someone's username here took you to their tumblr website, their username . tumblr . com link that you could edit and customise with html code. now clicking a username takes you to their mobile page view, a lot of users don't even know you can have a website with tumblr, the feature to have a site became turned off by default, and i've heard from some users that they might have to pay to unlock that feature.

i've always loved the look of old geocities and angelfire websites, personalised sites, and i've grown tired of every social media trying to look the same as each other, remove features that let users customise their profiles and pages more. and then i found out about neocities.

are you interested in making a site too?

neocities is free, though you can pay to support them. there is no ads, no popups, they have no ai tool scraping their sites, no tos that will change to suddenly stop allow 18+ art. unlike other website hosters, neocities does have a sort of social media side where you do have a profile and people can follow you and leave comments on your site and like your updates, but you can ignore this if you want, or use it to get to know other webmasters.

to quote neocities "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."

i'd so encourage anyone interested to try making a website with neocities. w3schools is an excellent place to start learning coding, and there are free website templates you can copy and paste and use (my site is built off two different free codes, one from fujoshi . nekoweb . org and the other from sadgrl's free layout builder tool).

your site can be for anything:

a more fun and interactive online business card (rather than using carrd.co or linktree)

a gallery of your art/photos/cosplays/etc

a blog

webshrines to your a character, film, song, game, toy, hobby, your pet - anything can be a shrine!

a catalogue/database/log of every film you've watched, every place you've visited, birds you've seen, plushies you own, every blinkie gif you have saved, your ocs and stories, etc

hosting a webcomic

a fanwiki/fansite that doesn't have endless ads like fandom . com does (i found a cool neocities fansite for rhythm game series pop'n music and it's so thorough, it even lists all the sprites and official art for every character)

i follow a website that just reviews every video game based on whether or not it has a frog in it, if the frog is playable, if you can be friends with it. ( frogreview . neocities . org )

the only html i knew how to write before starting is how to paragraph and bold text. and now i have a whole site! and i'm still working on new stuff for it all the time.

i just finished making a page on my website called 'explore the web'. this page lists everything you might need to know when wanting to make or decorate your website. it lists:

other neocities sites i think are cool and i'm inspired by, check them out for more ideas of what your site could look like and contain!

website building resources

coding help and tutorials

free website html code layouts you can use if you don't want too start coding from scratch

places to find graphics and decorative images for your site (transparent background pngs, pixels, favicons, stamps, blinkies, buttons, userboxes, etc)

image generators for different types of buttons and gifs (88x31 buttons, tiny identity buttons, heart locket open gifs, headpat gifs)

widgets and games and interactive elements you can add to your site (music players, interactive pets like gifypet and tamanotchi, hit counters, games like pacman and crosswords, guestbooks and chatboxes, etc)

web manifestos, guides, introductions and explanations of webmastering and neocities (some posts made by other tumblr users here are what made me finally want to make my own site and discover how too)

art tools, resources and free drawing programs

web communities! webrings, cliques, fanlistings, pixel clubs (pixel art trades) and more!

other fun sites that didn't fit in the other categories like free sheet music sites, archives, egotistical.goat (see a tumblr users audio posts/reblogs as a music playlist), soul void (a wonderful free to play video game i adore), an online omnichord you can play, and more.

i really hope the 'explore the web' page is helpful, it took three days to track down every link and find resources to add.

and if you want to check out my site there's more than just these pages. like i said in the beginning, i recently finished making:

the dervampireprince fanart museum

every piece of fanart i've received (unless the sender asked me to keep it private) has been added to this museum and where possible links back to the original artists post of that art (a lot the art was sent to me via discord so i can't link to the original post). every piece of fanart sent to me now will be added on their unless you specifically say you don't want it going on there. there's also links to my fanworks guide on there and how to send me fanart.

other pages on my site

about me (including favourite media, quizzes, comfort characters, kins, and more)

art gallery (art i've made, sorted by month)

graphics (so far it's just stamps i've made but plan to remake this section of my site)

media log (haven't started the 2025 one yet, but a log of all films, tv, writing, music, theatre, fandoms, characters and ships i got into in 2024)

silly web pets

shrines

site map

update log

my shrines so far:

i have ones for lucifer from supernatural, sam winchester from supernatural, charuca minifigures (arcade prizes i wanted as a kid that i'm trying to finish collecting as an adult), my waifuroulette discord tcg collection. my masterlist of every lgbt+ marvel character is a wip. i love making each shrine look different and suit the character/fandom/thing the shrine is about. and then there's also:

the european musical section

i ramble about them a lot and it's no surprise there's multiple shrines for them. i fell in love with german musical theatre in 2020 and that expanded in being interested in all non-english language musical theatre and trying to spread the word of it and how they deserve to be as known as english-language musicals. one musical in particular, elisabeth das musical, is my biggest special interest so expect a very detailed shrine about that one day.

so far this part of the site includes

'enter the theatre' an interactive web theatre where you choose a ticket and that musical will play on the stage (click a ticket and the embedded youtube video for that musical will appear on the stage and play. i dealt with javascript for the first time to bring the vision i had for this page alive, it might be slow but i hope enjoyable)

elisabeth das musical webshrine [not made yet]

tanz der vampire webshrine [not made yet, might abandon the idea]

my favourite european musicals [not made yet]

a masterlist of european musicals [a wip, only two musicals listed so far, i am listing every musical and every production they've had, this was a word document i kept for a long time that i always wanted to share somehow and this page is how i'll do it. there's no other list for european musicals out there so i guess it's up to me as always /lh]

the future for my site

i will update my art gallery, the fanart museum, my media log and other collections as often as i can. there's so many more pages i want to add including:

profiles for my ocs

finish my european musical masterlist

finish my 'every marvel lgbt+ character' masterlist (i have no love for marvel or disney's lgbt+ representation nor are all of these characters good representation and a lot are very minor characters, but for some reason i have gotten hyperfixated on this topic a few times so here comes a masterlist)

make shrines for loki (marvel), ares (hades), my sylvanian families collection, vocaloid (and/or vocaloid medleys), my plushie collection, pullip dolls

make a 'page not found' page

and i have one big plan to essentially make a site within a site, and make a website for my monster boy band ocs. but make it as if it was a real band, an unfiction project (think like how welcome home's website portrays welcome home as if it was a real show). this site would have pages for the band members, their albums, merch and maybe a pretend shop, and a fake forum where you could see other characters in the story talking and click on their profiles to find out more about them. and then once that's all done i want to start posting audios about the characters and then people can go to the website to find out more about them. that's my big plan anyway. i hope that sounds interesting.

i also want to make an effort to try and join some website communities. be brave and apply for some webrings and fanlistings, and make some pixel art and join some of the amazing pixel clubs out there.

but yeah, that's my site, that's neocities. i hope that was interesting. i hope it encourages people to make their own site, or at least look at other's small websites and explore this part of the internet. and if you go and check out mine feel free to drop a message in the guestbook on the homepage, or follow me on neocities if you have/make an account.

#the vampire rambles #neocities #the vampire codes #indie web #web revival

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ausp-ice · 2 months ago

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Profit (he/they/any), an Edeia representing the Idea of Profit.

This all started with me having a silly thought of using the name "Rob Banks" based on a video I saw...

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Profit

"Everyone should profit. But of course, I should profit the most."

At present, Profit is charismatic and persuasive, creating mutually beneficial arrangements where they still came out ahead. They became more patient, willing to invest in long-term growth rather than immediate exploitation. Profit developed genuine curiosity about innovation and began to enjoy watching their investments flourish. Their demeanor was often inviting, rather than threatening, though they always carried an undertone of calculation with them. At present, he is more forthright about his profit motives, but he is more honest about his practices and always follows through on his promises to partners.

He has quite the sense of humor, though he cares more about what's amusing to him than what's amusing to others. So long as there's no real harm, he delights in others' ruffled feathers (for instance, by making puns). He enjoys peppering his speech with business jargon, often for humorous effect, but avoids using it so excessively that others can't understand him.

While still fundamentally self-interested, Profit now values sustainable profit over destructive exploitation, understanding that a healthy economic ecosystem yields greater returns than a series of depleted targets. He creates transparent but advantageous deals where all parties benefit—though, of course, he benefits the most. He considers himself an investor, finding promising individuals and ventures to provide all sorts of resources, with the intention of getting a return in the future. He does still participate in black markets and corruption, but only when it generates new growth and value—not when it simply transfers opportunity from one individual to another.

Abilities

Market Intelligence

Profit can sense untapped value and potential profit in people, places, objects, and situations. He also has an innate awareness of past and current market trends, as well as a predictive sense for future market movements. This ability can be temporarily granted to others as an intuitive sense for good deals and profitable ventures.

Seed Capital

Profit can create one "whole unit" (e.g. 1 USD, 1 bitcoin, etc.) of any currency that exists in his current dimension, so long as he has any amount of information on its existence, if he does not own any physically or in assets.

Binding Proposition

Profit can create magically binding contracts for deals involving currency or valued assets. These contracts cannot be broken by conventional means and ensure that all parties fulfill their obligations or pay the penalties agreed upon.

Portfolio Diversification

Profit can maintain countless business ventures, investments, and assets across multiple dimensions simultaneously without loss of oversight or control. This allows them to spread risk and maximize returns by operating in various economies with different rules and growth patterns. They can mentally "check in" on any of their ventures at will.

Return on Investment

After investing time, energy, or resources into a person or venture, Profit is guaranteed some form of return. This doesn't guarantee success, but it does mean that even failures will yield valuable lessons, connections, or alternative opportunities that can be monetized in some way. Nothing Profit invests is ever truly lost. This is a passive ability, but Profit can focus to apply it to others, guaranteeing a "return" for those individuals.

Asset Empowerment

Profit can designate individuals as "Associates" through magical contracts, granting them enhanced abilities related to their role in Profit's ventures. These enhancements are tied to performance conditions and limitations:

Associates must share a percentage of all gains with Profit.

They cannot act against Profit's interests.

Their abilities cannot be used for unauthorized ventures.

The magic enforces compliance, with abilities failing or backfiring if terms are violated.

Successful Associates may see their capabilities grow over time, creating a mutually beneficial relationship while allowing Profit to extend their influence through a network of empowered agents across markets and dimensions.

Abstraction

Profit's original Abstraction took the form of a large building of countless rooms, filled with all sorts of things. After those were lost in Profit's transition to the Main Continuity, that building was rebuilt alongside a sprawling, glittering city of modern skyscrapers and glass buildings. The sky is in an eternal golden twilight. Streams of gold light pour from the sky in straight lines, and the air is filled with glittering gold particles.

The city, referred to as Gold, is inhabited by residents from all across Ideation and other dimensions, including humans and non-humans. Every resident is in the pursuit of profit, though they are more cooperative than competitive. There are corporations and small businesses, artists and consultants—any occupation, any role, so long as they hold a doctrine of "profit for all, profit for Profit" in their hearts.

Time is strange and nonlinear—those who need more time will have more time, and those who wish for time to pass faster will experience time passing faster. Those who wish to rest can rest as long as they like, and still be on time for work. In some cases, some will be able to be present in multiple places at once or step back in time to remedy a mistake, though this requires authorization from Associates that handle governance of the city. Associates can also authorize a "storefront," which involves that business merging a door, room, or other part of their venture with a physical location to interact with united society or extradimensional societies.

Gold is considered an independent magical society by united society.

Story Synposis

Profit began as Robert "Rob" Banks in the Calamity Continuity, where he rose from a business prodigy to become a ruthless financial mastermind who eventually gained control of the nation of Adamant. As reality began crumbling around him—partially due to his own exploitative tactics—Profit faced the meaninglessness of his accumulated wealth and power. Given a second chance by Possibility, he abandoned his Abstraction's contents and transferred to the Main Continuity in 1805, where he embraced a more sustainable approach to wealth creation. In this new timeline, Profit established himself as "the Prophet of Profit," building ventures across magical and mundane societies while creating a golden city in his Abstraction for those who shared his values of "profit for all, profit for Profit."

For more, see his profile.

#creature #my species #original species #art #my art #procreate #edeia #spirit #ideation

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