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#which (to date) it has not
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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lazer-meme · 7 months
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love love love steddie + supportive wanye
thinking about wayne and eddie going on an annual fishing trip (like thee Munson Men Annual Fishing Trip™️) just like a little weekend away. and the first one is coming up after eddie and steve starts dating. over breakfast eddie jokingly complains about having to go and tries to get out of it. but wayne is used to his dramatics so he just gives hmms when appropriate because eddie’s whole spiel never got him out of it before and he tells eddie that.
steve watches the whole exchange with amusement when wayne asks if he’s looking forward to it. and he’s like ??? because he assumed it was just a wayne and eddie thing. and wayne is like i just told eddie all munsons must go can’t get out of it kid.
steve gets flustered and is internally is like oh??? all munsons,,,
or like after the trip a neighbor asks wayne if they caught anything and he pulls out his wallet to show a picture they took on the trip. wayne passes it with ‘here’s a picture of my boys’ and to steve’s surprise it’s a picture of both him and eddie with their biggest catch.
and just idk wayne casually accepting steve into their family and throwing steve off guard with it.
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guinevereslancelot · 1 year
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undertheredhood · 8 months
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random civillain who just moved to gotham: *having a mental breakdown after they accidentally kill a clown with a bad dye-job*
the red hood (notorious crime lord and vigilante): "are you from tennessee? 'cause you're the only ten i see."
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Halloween prompts year 2 day 10
Danny groaned, blearily raising his head from the nest of blankets and pillows he had made in his apartment. He had smelled something strange.
Something strong enough to wake him from his sleep. Danny got up and stumbled to the front door, cursing his luck for getting a fever so soon into his interdimentional road trip.
Peering out of his open doorway he saw a little kid shivering in the cold, badly hidden behind two trash cans in the mouth of an alley. Danny didn't think twice. In fact he didn't think at all. It wasn't uncommon for an Omega to smell a child who didn't have the scent of another Omega on them and immediately claim that child as thier own, and seeing as his home dimension had exclusively Omegas...let's just say there's a lot of drama in family court and a lot of laws pertaining to this.
So of course the next thing Danny knows is that the kid was bundled up inside his very soft and comfy makeshift nest before Danny passed out.
For the next week Danny had this mysterious fever and he acted like a parent on autopilot, barely conscious as he instinctually cared for the little boy. He made them food and cut them up into tiny bits to feed his baby and if it was handfoods like pizza rolls or sandwich triangles, Danny would hold him in his arms and rock his back and forth, humming softly as his child ate.
Eventually his heat ended (note that omegas from his world don't have heats, they don't have alphas and so they don't even know what a heat is) and Danny was very surprised he has a child in his house. But he and the baby are very emotionally attached to one another. When Danny asked what the little kids name was (and man this kid was little) the kid stared at him in the way little kids do before muttering the world "Clone" followed by what sounded suspiciously like a serial number.
Danny decided, nah. His kid now. Sucks to be the bioparent cause Danny doesn't wanna share.
Somewhere in the city, the bats were freaking out. They had raided a lab and discovered not only had one of them been cloned, but the clone had escaped and no one knew where it was. Cue panicked parental frenzy.
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starmocha · 30 days
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Can confirm: Xavier is our garbage disposal boyfriend
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luxaofhesperides · 4 months
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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?
He has no idea how his parents did it. 
Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 
Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.
That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 
This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 
So here they are. Standing in the empty living room of their new apartment in Gotham. 
Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 
Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.
It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?
Ellie smacks a small palm against his cheek and babbles lightly.
“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”
He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 
“Can you be good for five minutes?” he asks Ellie. 
She babbles again and smacks his shoulder.
“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”
Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 
He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 
This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 
He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.
He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.
Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 
“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.
It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 
A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 
It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 
Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 
Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 
Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.
He’s finally feeling more settled, energized from sleep and food.
In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 
. . .
Four months ago, Danny had hope. He was optimistic. 
Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.
He had just gotten Ellie to sleep. She was actually peacefully taking a nap.
And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.
They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 
“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 
Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 
“I know it was scary, but you’re alright. You’re always safe with me, El.”
Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.
The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 
“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”
“Hey, you alright?”
Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 
The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”
Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”
“I’m Duke, by the way. I don’t think I’ve seen you around here before.”
“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”
“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”
Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”
“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.
“I’m so sorry. That drive by woke her up and it’s really rattled her.”
“Hey, no need to apologize. I get it, Gotham is rough to kids.”
Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.
Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”
“Thanks. Um, actually, I might need help opening mine?”
Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 
“If I could just get my keys,” he starts.
“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 
Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 
“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”
Ellie babbles lightly, and Duke turns his head to futilely hide his grin.
He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 
“I can’t believe this. Betrayed by my own blood.”
Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”
“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”
“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”
“Family,” Danny says in a tired, fond tone.
“Family,” Duke agrees.
With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.
The key word being tries. 
Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.
“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”
Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 
She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 
“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.
Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”
“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”
“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”
“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”
Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 
As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 
It should make him nervous, but Duke is calm and easy going and kind. 
He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 
Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.
All he needs to do is take that first step, reach his hand out, ask Duke to stick around.
He can do this.
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humbuns · 1 year
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pretty in yellow
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youchoseeachother · 7 months
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12x11
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puppetmaster13u · 6 months
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Prompt 65
“Oh what the fuck-” It was supposed to be a quiet night- no breakouts in Arkham and for once the asylum is actually full of most of their rogues. And the others were already taking care of Scarecrow and Penguin was- as far as he knew- doing legal things at the lounge at the time. So somebody tell him why there’s this giant… thing that could give Grundy a run for his money in should be dead a thousand times over was pulling itself out of a sewer tunnel. Like seriously, he can see the blood and infection and whatever else dripping from honestly filthy bandages all on its arms that look a hint too long the more he looks through the binoculars, and it’s glowing this sickly green that reminds him way too much like the Pits. That isn’t even getting started on the mouth- the only part visible of their face due to the wild mane of what might be white hair but was hard to tell under the amount of blood- that stretched far too wide. He even swore he could see fangs! Not to mention the cloak that he wants to say is a knockoff of B’s, but honestly he can swear he sees it moving, twisting like lashing tails of shadow, or like Ivy’s vines. Its hands are long and gnarled, tipped in claws that dig into the concrete as it pushes itself to a frankly horrifying height. And oh fuck, not only did it have some sort of giant sword, but there was a small child sitting on its shoulder without any sign of realizing the danger they were in-
Danny is having fun, his ghost-mom Amity is out on a date with another city spirit, Mr Bludhaven- so he gets to hang out with grandma? grandpa? (honestly who has time for gender when there’s curses to beat back!) Gotham! It would perhaps be better if he wasn’t unknowingly making said city spirit visible to those who aren’t death-touched or liminal… Oh well! 
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sadlynotthevoid · 2 months
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Okey, but, I feel like og!Cale is the type of person that, if someone tried to make fun of him for a crush, he would be like "ah, yeah, that's true" and openly admit it.
So, og AlbeCale AU where whenever someone tries to mock Cale about liking Alberu or asks him about it, he downright says the truth. Regardless of who is hearing him.
As in, maybe once someone asks if Rok Soo and Cale are dating because they seem close (in part because they're kind of close, and in part because Cale keeps knowing what he is thinking, but they don't know that's just a Cale thing). And Rok Soo is like:
Rok Soo: Nah. This guy's type are baker princes.
Cale: You got it wrong. I don't like any princes who bake, I like Alberu only.
And Alberu, who was drinking tea on the background, suddenly chokes on his cup. Which they notice, of course.
"Oh. Hey, Al. Are you okay?"
—Totally unfazed for having Alberu heard the whole conversation.
He's so shameless about it and it's completely unintentional.
He has no idea of how people treat their crushes normally nor is interested on doing the same. He knows that some people tend to get shy, but a decade purposefully acting as trash killed most of his shame— Well, at least when it is about others' opinions of him—. If he wants to do something, being laughed at is not what's going to stop him.
And what he wants is to say how adorable he thinks Alberu is, so that's what he does.
Rejection? He isn't proposing anything. He doesn't plan on dating or wooing Alberu either. It's not that he wouldn't like it, it's just that it hasn't occurred to him that that's even an option. For him, who had spent years hearing everyone say the worst of him, the idea of someone wanting him by their side is so far away that it has yet to form.
So he keeps making casual comments about how cute Alberu is when he's confused, or "his hair looks so soft, I bet it feels that way too", or "he looks so handsome when he's tricking people. I like it more when he doesn't have to, tho", while everyone else feels embarrased for it. Except Rosalyn, she thinks it's hilarious.
Of course, he's pretty much respectful about it, never crossing the line to sexual harassment. And he would stop if Alberu told him too, but he doesn't. He kinda didn't realize that was an option at the beginning and, at this point, he got used and actually enjoys it a bit (a lot).
Cale: oh, sweets! They're my fifth favorite thing in this cruel world.
Rosalyn, fully knowing what she's doing: what are the other four?
Cale, carefully choicing which cake eat first: Well— *rising a finger per item* my family, animals, Alberu and wine. In that order.
Alberu: *frowns* I'm only third?
Cale, picking a chocolate tart: Mm? I loved animals since before meeting you and, at this point, is a part of myself. The other day I saw a dog and spent two hours squatting at her side without realize. It was not a conscious decision, it was... a soul impulse, let's say.
Alberu, looking at his thighs because damn, that's a lot of time to stay in that position: Oh. Wait, you've also loved wine since before meeting me.
Cale: Yes, but drinking wine is a choice. I can live happily without it. You would be... more difficult to leave.
Alberu: *processing* (that means— can't be happy without me aksjdjsj) "blushes hard*
Rosalyn, looking at Alberu's silly fuming face: (don't laugh don't laugh) Pff—
Cale: cherry pie? *Holds a mini pie in front of Alberu*
The turn tables when Alberu realizes that Cale doesn't have resistaince against genuine compliments. He never takes fake glibbery words seriously, but if someone says the slightliest good thing about him and they mean it, he'll become a mess. He just— doesn't know how to react when someone believes anything good about him.
So, Alberu starts complimenting him seriously— as reprisal, of course ("that's just flirting, nephew. You two are flirting, stop calling it vengeance"). Small but real things, details most people doesn't notice, deeper things that he deserves to hear (because, honestly, someone should tell him how sweet he is. How considerate he is. How much he should be appreciated because he's precious. And it seems Alberu is that someone). It works everytime.
Alberu calls his smile cute once and Cale stops talking. Face red and eyes avoiding everything, he can't pronounce a single word.
He calls him kind after Cale subtly helped a strange for no reason (he's obviously doing it in a way others wouldn't notice unless they knew what to look for. Alberu wonders if this is other "Cale thing"). Cale trips and almost gets discovered. When Alberu looks at his face, he's pouting.
Curiously, he doesn't have the same reaction when he gets called smart. He just smiles a bit and sometimes puffs his chest. Huh. Still adorable, tho.
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rainbowpufflez · 1 month
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Giovanni homophobia arc™️
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bixels · 2 months
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I feel like I've seen most of what interests me in FiMFiction for the time being, so I read through some good ol' reliable Stardew Valley fanfics last night, only to realize.
Haley x Female Farmer is basically Rarijack. Rarijack adjacent.
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like yes yes eddie needs to choose and buck needs to be chosen but also 
Eddie needs to get over the very big trauma of losing his wife. Last time he dated someone he had literal panic attacks at the thought of her being mistaken for Chris’s mother and as much as we saw him work through in therapy we never?? really?? talked?? about?? that?? So, yeah, Eddie needs to realize that he’s at a point where he’s ready to risk his heart and give love a second chance 
(and maybe realize he already did becase there already is a partner in his life who gets consistently confused for Chris’s guardian and it feels natural to him?? but he still needs to realize he’s ready for love)
And Buck needs to be ready to be in a relationship where he’s loved for who he is, where he doesn’t bend and twist to fit someone else’s expectations. And for that Buck needed to die, and needed to come back, and now he needs to process that trauma and steady himself. 
(and Buck loves so quickly, so openly, so loudly, and he gives so much of himself and he wants to be loved that way, and maybe he’ll realize that he already?? is?? loved?? but he needs to let himself accept it)
so basically, it’s not only a matter of choice... eddie needs to be ready to love and buck needs to accept that he is loved if they are ever going to find each other properly together
and that, my funny little friends, is the point of their arcs were we are at right now
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morganbritton132 · 11 months
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IDK if it’s actually a trend or just one couple’s hilarious communication style but I keep seeing reels/shorts of this one couple having “arguments” by pressing their faces/cheeks/noses against each other (like kissing but not) and whisper-shouting at each other and neither can keep a straight face and it always resolves hilariously.
Sort of piggy-backing off of your previous posts about Eddie and Steve being mid-tiff and ridiculous, I just imagine Steve coming in after the other teachers leave, sitting on Eddie’s lap and literally getting in Eddie’s face with his face like “hey, asshole, what gives?” Bonus point if Eddie had been live.
I am picturing this whole event happening a little after Eddie started using Tiktok.
So, Eddie (and Steve by extension) is nowhere near as popular on the app as he’s going to get. He has his following of metalheads and D&D nerds, but he hasn’t even explicitly said that he’s married yet.
After he said his hellos and goodbyes to Steve and the other teachers, he went down to the studio, picked up his guitar, and started a live-stream because sometimes it’s better to work out your creative process with an audience. He’s not great with the camera set up yet so the way it’s angled, you get the guitar, his hands, and his torn jeans, but it’s cut off at his mouth.
He’s in the middle of working the kinks out of an angsty guitar riff when the door to the studio opens and closes, and you can hear footsteps. A hand reaches into frame, pulls the guitar out of Eddie’s hands and replaces it with the hand’s owner.
Steve climbs into Eddie’s lap and straddles him, but all you see on camera is Steve’s nice jeans and his Christmas themed grippy socks. You also get to watch Eddie’s hands rest on Steve’s hips for just a second before sliding into his back pockets. Eddie’s voice sounds real fucking casual when he hums, “What do I owe this pleasure?”
Steve sounds anything but casual when he replies with, “What gives, asshole? You embarrassed me.”
“I embarrassed you?” Eddie said in a voice that sounds like he is about to go on a monologue across cafeteria tables. He ignores Steve’s pouty little ‘don’t’ start’ to instead slide a hand up to the back of Steve’s neck and pull him in closer. “Did the freak embarrass you, Ste-“
“Don’t call me that,” Steve huffs, a laugh in his voice. “What are you, my father? Call my what you always call me.”
“And what is that?”
“I’m not embarrassed of you,” Steve says instead of answering. “I never have been.”
“You won’t see a movie with me.”
“I want to see the movie!” Steve exclaims, shifting so their foreheads are pressed together. He looks Eddie in the eyes even though it makes him feel cross-eyed when he does that. “I didn’t say I didn’t want to go. I just – I don’t want to do the carpet.”
You can tell from the sound of Eddie’s voice that he’s pouting when he says, “I wanna show you off.”
“Next time,” Steve promises like he promised the last time and the time before that. He kisses Eddie on the tip of the nose and then pulls back, “You’re fogging up my glasses.”
Steve says that he’s hungry and wants to go get dinner, so Eddie reluctantly lets him out of his lap after one last squeeze of his ass. Steve pulls Eddie to his feet and they leave his live-stream audience with an image of the studio’s ugly orange couch as they go upstairs.
‘Eddie Munson gay’ trends on Twitter for the next week which is amazing to Eddie because, “Seriously, guys? It’s insane how many times I’ve had to publicly come out as queer when everybody in my high school seemed to know instantly.” 
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teruel-a-witch · 3 months
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First Boat Date
Danny asks Steve if he is crazy, but who is crazier, the guy who brings a beer cooler on their excursion to interrogate/intimidate a suspect by throwing him into a cage with (harmless) sharks, or the guy who readily accepts the beer and laughs about it? Just coz they are working doesn't mean they can't have a little romantic outing, as a treat. Danny is as sane as Steve and they both deserve each other.
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and in case this scene wasn't gay enough, here's something that appears directly before it
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