#which also MEANS!!!! i can MOVE OUT IN A YEAR!!!!! instead of two!!!!

[markantonys]

What is your ideal Gawyn show intro?

tick tock, it's gawynposting o'clock!!! i love being enabled, thank you :')

okay, so here's what i'm thinking. 3x01 focuses on catching up with our established characters and setting up the main storylines for the season. 3x02 is time for our caemlyn crew to make their grand entrance; the episode title seems to be "a question of crimson" (though this isn't guaranteed) which would be perfect for an andor & elaida intro episode.

3x02 cold open. scene: caemlyn palace nursery 20 years ago. baby elayne (there was allegedly a baby needed on the caemlyn palace set) is snoozing in her cradle with a nurse (lini cameo!) keeping an eye on her. 10ish-year-old galad is there playing with toddler gawyn. elaida enters the room and takes gawyn over to elayne's cradle and explains to him what it means to be her first prince of the sword, then makes him swear the oath we famously hear about in the books, the oath he swore over her cradle when he was just barely tall enough to look into it, "my blood shed before hers, my life given before hers". the audience goes "wow! this is a pretty fucked up thing to do to this 2-year-old" and thus we learn something about both gawyn (was psychologically fucked up at age 2 by being taught to see himself as a tool to protect other, more important people) and elaida (cares a lot about protecting the royal house of andor and has no problem psychologically fucking up 2-year-olds to do it). and there can be other stuff in the scene to tell us a bit about galad and morgase maybe, depending on how big of a role they're going to have in s3.

this is where i would put the opening credits IF I HAD THEM. (hashtag bring back the opening credits in every episode not just the finale you cowards.) now we go to present-day caemlyn, where the fam is discussing their worries that elayne is missing. gawyn in particular is upset about it and is blaming himself (and being blamed by elaida, and maybe even morgase makes some queenly Harsh But Fair remarks), and the audience goes "yep, sure enough, that 2-year-old has grown up to have Issues." and thus, right away, we've been given a point of connection with and sympathy for gawyn as well as an important insight into why he is Like That. this toddlerhood oath-swearing scene is buried in his narration in the books and i think a lot of people miss it or miss its importance, but it is THE formative moment for his character and the key to understanding why he is Like That, and i'd die if it was portrayed directly onscreen via flashback cold open.

meanwhile, elayne, nynaeve, and mat have set off for tanchico from falme, but the rest of the gang is headed for caemlyn (either as a stop on the way to the waste, or as their intended final destination but shenanigans later force them to flee and only then do they decide to go to the waste). perrin goes out and about in the city and hears rumors of trouble in the two rivers, setting him up to branch off from the group by the end of 3x02. egwene heads to the palace, having been tasked by elayne to deliver a letter to her family assuring them she's well, and rand tags along.

but the guards won't let these two hooligans in, so instead they go around back and break in over the garden wall, falling off the wall at gawyn's feet and setting off the biggest bi crisis of his life. egwene has a whole flirty meetcute with a handsome prince while rand, with whom she officially broke up in 3x01, has to bear witness to the whole thing (and this shows the audience that egwene is also moving on, thus soothing them about rand getting new love interests this season), but gawyn is friendly to rand too and defends both of them from galad's bitch ass and all the guards galad tattles on them to.

rand and egwene are hauled off to an audience with morgase and elaida, and gawyn defends them again but obediently shuts up when morgase and elaida tell him to (showing us that he has a good heart but is easily influenced by authority figures, especially elaida - seeing that gawyn tends to obey elaida is a surprise tool to help us later). whole tense convo here where egwene and rand both get to meet their mutual future mother-in-law as well as their mutual future kidnapper, and egwene delivers the letter but then elaida has her ominous foretelling of rand, which calls his and egwene's integrity and thus the veracity of the letter into question. morgase lets them go (against elaida's advice) but doesn't trust the letter (at elaida's advice) and continues to worry for elayne's safety. so, elaida sets off for the white tower to get answers, with gawyn in tow because, as we learned at the very start of the episode, protecting elayne is quite literally his life.

there we have it! a gawyn intro that sets up a ton of important stuff for him (his oaths to elayne, the way he ties his self-worth to his ability to protect people he deems more important than him, his fucked-up mentor/mentee relationship with elaida, his crush on egwene, his friends-to-onesided-homoerotic-rivals arc with rand, his relationships with morgase and galad), gets the audience to understand and sympathize with and maybe even feel fond of him right off the bat, AND doesn't violate any of the handful of tidbits we know about s3 so far. a win-win-win!

this is my ideal version. but there's a couple other possibilities, such as a) we meet gawyn in caemlyn, but rand & co don't go there, so gawyn does not meet egwene until a future season, or b) elaida and morgase have a one-on-one convo in caemlyn (both actresses were leaked to have been on that set, but no word on if the brothers were there) and gawyn isn't introduced until a later scene arriving at the white tower with elaida (and so doesn't meet egwene until a future season).

i'm leaving galad out of the white tower trip for now because i remember musing a while back how it could actually be more effective if it's an elaida-gawyn duo and galad stays home with morgase. both women are important to both brothers' stories, but elaida is more important to gawyn and morgase is more important to galad. gawyn can be alone with elaida doing all the coup stuff, and galad can be with morgase watching her start behaving strangely, not understanding why, and starting to turn to the whitecloaks (because he blames the aes sedai for elayne's disappearance, because he's afraid morgase is losing her grip and starting to do andor harm, and maybe because morgase was compelled to treat him cruelly and kick him out a la bryne* in the books and he feels he has nowhere else to turn to). gawyn/elaida/tower + galad/morgase/whitecloaks feels like two logical groupings, and in that regard keeping galad in caemlyn could allow for more efficient storytelling than sending him to tar valon. and the galad/morgase/whitecloaks storyline could be held until s4, leaving galad and morgase as just 1ish-episode characters in s3, or it could be another s3 subplot if they want to speed things along. there's also a chance galad could already be a whitecloak and is in the two rivers storyline with dain, but i would prefer that not be the case because my opinion is it's important to his character for us to see him start normal and then get radicalized into the whitecloaks. plus, galad has SO little content in the books that the show is absolutely fine to stretch his stuff out a bit, they don't need to rush to have him already be a whitecloak at the start of s3.

*i've also made these theories with bryne being cut, since i have elaida take his place in gawyn's oath-swearing and galad take his place as the big bridge burned by compelled!morgase. i have no idea whether he actually WILL be cut or not (though i'm 99% confident his romance with siuan is off the table even if he's in), but he feels like a character where it's easy to divvy their stuff up among other more important characters. mat and bashere have us covered for Great Generals, thom has us covered as morgase's ex with whom things ended badly, and egwene could get soldiers from another source (or could even have her army simply be aes sedai and warders).

[justamessedupdisneyprincess]

I need help, my life is now a living hell. (TW suicide attempt mention)

I know this is gonna annoy a lot of you for bitching and whining again but as of late my life has been really hard. I had to sell my soul and my life to a demon against my will. There is a toxic parasite I want to cut ties with but can’t. I am talking about a toxic family member who has no respect for boundaries and loves to judge and be rude to everyone around her.

I just really need some help rn guys because at this rate it really feels like I can either endure and sacrifice my sanity for as long as she lives or I could only ever end it via suicide. I have tried to do it twice while she was down and my mother has to hide away medication so I don’t overdose and sharp things such as knives and scissors when her new favourite person ever, her karen on steroids sister is here.

To paint a picture there is a story about when I was a baby with my cousin and toxic aunt. My toxic aunt would use grandma ( her mother) as a slave whenever she came to visit her grandson. “Now that you’re here I want you to do EVERYTHING for him while I go and bitch and whine about coffee and ask to see managers (I’m not joking. She literally does that. Saw it multiple times when she stays with us.). Whilst my Mom would offer to do fun activities with her and us, like go to the beach, etc. Because of this she enjoyed our company more than my toxic aunt who threw a tantrum over it. “You love my sister’s daughters more than my son!”. She got so pissed that she moved out of our place during a vacation. Mother offered to have my cousin and grandma to play in the pool with me and my sister whilst she helped my toxic aunt pack. She EXPLODED over that! Why? Idk. She then stormed into the house screaming and it woke baby me up and I was sobbing. Dad got mad and told her to get out and we had nothing to do with her until grandma died.

She hasn’t changed at all. Very toxic, always complaining and saying horrible things behind our backs. I had multiple extreme meltdowns when she came. She stayed for four whole months last year. One summer, one spring, one for every season. She has this rule too where only she is allowed to talk, all she does to complain and she gets weirdly excited when someone else is struggling…she loves to happily talk about others misfortunes and then she finds no joy in going to the beach and going out for lunch. Instead she complains constantly and it ruins the whole day. Mother told me she says the most horrible things about me behind my back too…which gets her upset but she puts up with it because she is going through a divorce. We put up with her rude behaviour out of pity. I understand how hard getting divorced is but it shouldn’t excuse…whatever the fuck she is doing to us. Mother and I got into extreme arguments because of her as well and we rarely fight. My toxic aunt turns my parents against me. I’m freaking out because she is going to come down again.

Last time she claimed to be more respectful of our boundaries. “We don’t have to do something every day, I’m ok to hang out by myself every now and then.” Then she guilt trips us by saying “I don’t know why I bother coming down here if I’m going to be alone.” Over me wanting to spend ONE fucking weekend alone with my mom out of an ENTIRE month of her hovering around us and never shutting up. She also loves to interrupt. I would be in the middle of saying something and she cuts in as if I’m worth nothing! Then I can’t even say anything because she never shuts up ever! Then when I am blessed with a moment of talking (usually because mother says Izzy has something to say) I get nervous about saying something she will judge me for!

She belittles every trigger of mine too. Once I used to like this cafe and she has this huge obsession with their muffins. I don’t go there anymore though because some mean teenage girls work there now and they have been openly rude to me two times when I visited. So rude I ended up crying once. I didn’t want to go back (keep in mind I have been bullied a lot as well, I have a huge fear of mean girls) My aunt gave me this huge lecture about it and tried to force me to go in just so she can get her muffins. I felt completely shattered as she gave me a hard time over it. In the end mother figured out her angle and just dropped her off there whilst I waited in the car…for her to do that though about my own experiences and my triggers and not wanting to return to a cafe with rude service…it was just so insensitive.

She used to say rude things to me because of me displaying typical autistic traits like my weird eating habits and my special obsessions. Mother made her stop saying things to my face but she told me she just says judgemental things behind my back now and she gives me this god awful judgemental stare when we go out to eat…She also shows no respect for mental illnesses such as anxiety, saying it’s not real. She also once made fun of someone who committed suicide…which shows how she isn’t really a good person. She picks at Mom and gives her a hard time and openly judges her and says rude things to her and mother always bottles it and takes it out on me in the end because the one who HAD been rude to her is going through a divorce.

I never want to have to endure her abusive behaviour again but I’m completely powerless. I feel so hopeless. Idk what to do..

[publicuniversalenemy]

okay WAIT!!!!! revelations!!!! have been had!!!!! fuck!!!

[unproduciblesmackdown]

thinking about how of course billions is about people trapped in eternal battle world, and trapped because they won't ever exit, and don't want to because that's the only way they can define their idea of themself or like move through life, to the degree they have to just create or find another battle if one ends or they don't have enough going on at once or they're unhappy about anything & can only respond to that the only way they'll respond to anything: finding someone to consider a target to Defeat & being like nice, i'm so competent & active as a person, so with any other issues in my life, i'm sure it's not my fault at least

and it's been clear that to be someone at the Center of the show means needing to be inflexible enough to never leave that life, which also probably means never engaging in genuine self-reflection besides like, fuming in distress for 5 sec & then immediately searching for blame for someone else, or calling up your designated moral supporter who'll tell you you're upset b/c you're very complex & sympathetic & maybe if you do [xyz] you'll be able to Keep Winning, so like, don't worry, we'll never get too off track here. you have someone like connerty who cares so much about playing by the rules ft. ethics, but he was also someone completely inflexible who would give a shit like "ha ha you broke the law" and be Defeated b/c like yeah damn you do got him in that situation. he may then have gained the flexibility to throw a punch when he's already imprisoned but he's still just gotta retire & pursue some completely different goals

this in contrast with like, what a coincidence (surely not) that the more flexible characters are the ones who also do introspect & reflect & genuinely think about & question themselves ever, & how even beyond that, being in this world of people who overwhelmingly are thee opposite & aiming for a static sense of self & thus strategy for navigating life & all interactions & situations, the more reflective parties also tend to accept both Blame & the fruitlessness of pushing for more/different/better from the people & relationships & situations they're amongst. those willing to take on responsibility at all surrounded by people casting all of it off, always, w/the former already primed to take blame & the latter primed to be looking to find the blame in anyone else, a powerful mismatch....which allows the flexible parties to also put up with shit for longer lol like if they got fed up that quickly or recognized the dead-end here they'd just leave the show lol. like wow can't believe taylor spent their whole life already stuck having to deal with someone who's so very much like these bullshit central men & those trying to emulate them, & perhaps also then have a lifetime of experience extending endless patience & sympathy with little to no expectations for more from people who put up with such a bullshit man & his effects on everything around him, like, what do you mean taylor's mom hasn't seen them b/c douglas didn't want to see them b/c he wasn't yet motivated enough to have to exercise begrudging shows of basic respect. whilest sure seems like taylor felt more concern & basically stated their responsibility re: trying to make their relationship with their dad work / basically take on the task of making his life work for him according to his sense of himself (genius! who deserves the recognition thusly!) and doesn't seem to take on this role re: their mom, who nevertheless is just presumed to move closer to them along w/douglas. and here's taylor never truly putting their foot down re: wendy, no matter what, able to have no real positive expectations in how wendy treats them or thinks of them, but also always able to extend sympathy / decent treatment themself

thinking of like team ben out here as the Nicer axe cap or mpc people who also happen to be people absorbing the L's, blaming themselves for being at the bottom of the hierarchy & being subjected to the always negative treatment doled out to them accordingly, and, winstonesquely, still generally like extending genuine gestures of amicability, efforts of constructive actual communication, etc, & this being shut down & likely punished by all the people around them who won't handle that kind of thing. that Of Course nobody's actually supported around here, like, at best they'll get some kind of "well you're actually talented & valuable :)...." (so why aren't they already treated in a way such that they're aware of this?) "....so just have more confidence already god!" wherein (a) again that just means it's Their Fault that they're having a miserable time at the hands of others & (b) their having "confidence" doesn't really mean like, an emotional buffer between their sense of self-esteem & the message of inferiority in how they're treated, it has to mean externally acting different in some ways, more like A Winner, more like everyone else. the limits of ben trying to sometimes be a buffer for tuk as that kind of friend/mentor role, where either it simply fails or ben's Help is more unilateral "correction." that generally only any increase in aggressive hostility gets them anywhere, and really not that far.

the way dollar bill could always act however he wanted & they could always clean up his messes / save him from himself / just flatout blame other people for what dollar bill did to them or someone else; success in being a mini axe in that way for sure. dollar bill going off the rails over his literal dollar bill & that's not a problem, he's validated b/c he's upset, & b/c rudy knew he'd be upset it's really all rudy's fault....who just so happens to be more of a loser, what with his glasses & possible masturbation ever and all. whilest even when dollar bill is like every season being shit at his job & life, well, just find a loser to trounce while everyone ignores this, cheers you on, takes on responsibility for fixing things for you, blames the person targeted probably. dollar bill couldn't even do in office transphobic hate crime physical attacks, or that but while yelling the r word at the autistic guy he's already harrassing & threatening, without it being really basically the target's fault, & hey, as long as no investors are watching. and we're still dragging dollar bill back to the office b/c uhhh yeah!!

& then of course there's winston, who, like a loser, says things in real efforts for real communication with others, that they winningly can only bring themselves to respond to as "he's not allowed to talk, that's out of line, i have to punish/deny this to reassert our respective status" except for, sometimes, taylor actually communicating in turn, or even simply receiving the information. winston in a duo with the very winning & worthy rian, being something of a quasirival for 5 seconds but even during then, and since, trying to be amicable to establish an actually positive dynamic, trying for actual communication, engaging flexibly & actively based on her feedback & her terms & etc to try to find some more success; versus rian completely inflexible, unwilling to respond to efforts to communicate, unwilling to have an actual relationship with any flexibility & genuineness in turn, or see winston as a person of course, and engage with real emotions. which is hardly an exclusive response of hers, like, everyone else is just the same, she's just also the one interacting with him more often and personally bullying him & standing next to him & immediately responding with clear contempt when he tries things like earnest expressions of "hey rian could you not do what you just did b/c it makes me feel like shit, probably b/c that's what you're trying to do" and "hey that was cool what you just did b/c it makes me feel like—" b/c like, what a loser. real winners cannot handle engaging with another person as a person. when you can just make up & stick to a narrative about "oh but i don't hate winston, who i feel is inherently beneath me. i wouldn't wanna feel bad about killing him, not when i could feel fine about administering more of a death by a thousand cuts with some other people helping out & hey maybe it was their cut that did it after all....but also if you're like 'pwease' then eh sure" or that winston's got a lesser inner existence anyways, some classic dehumanization, no complexity there, & hurting him isn't real, & it'd never be you in his position anyways! especially the more you're buying into "yeah i'm more of a person / more deserving / more real & sympathetic & correct than him :)" & being cheered on as you act that out. pretty cringe of winston to be earnest, flexible, openly trying & wanting & needing things, sounds bad & silly. unlike the winners around him who really cannot handle him or any of these things about him. of course near equivalent in loserness, tuk, is the person with the realest most amicable relationship with him. both of them too incompetent to realize their mutual failings in this, ha ha, real winners are repulsed & fleeing & can't handle a basic exchange with either of them. and the imbalance re: how little others are willing to give them in interest, consideration, time, words, etc, while they're always trying Too Much re: the disinterested others, totally proves their unworthiness

winston and tuk always having to stay at the bottom of the hierarchy, winston only able to be shitted on even as he extricates himself, ending up surrounded by people who will only act "correctly" according to their superior roles & this mf wags only processing anything as "did that reinforce my being a correct/winning person???" & only responding by trying to reassert to others how much of a winner they are, which requires establishing a loser, and crushing them. winston having recognized / gotten fed up with a bullshit scenario & had realistic expectations of those around them & spent those years being treated like shit yet never crushing an enemy to restore his ego & also spent those years trying to communicate and work with others and share actual info and make actual connections & now independently choosing to make a big shift in his life so that things can be different? is definitely the contemptible loser here while everyone else looks very good faffing around for an episode getting some temporary ego boosts & being very "correct" in every response to winston, even pointing out that rian even noticing something genuine & positive from winston in the absence of it anywhere is first & foremost incorrect, which rian will Also immediately drop in the face of that "well yeah it's more correct to prioritize Anything else. like that he's pathetic & mpc 5ever" like wuh oh rian being doomed from 5x08 "time to embrace acting more correct now" & being truly inflexible from that point on, never had a moment of conflict not resolved by [ignoring that] &/or again just getting someone more correct to declare how it'll be answered. taylor at their most flexible and Taylorest and most juxtaposed with central men & static ossified "winners" when they are also at their best in engaging with winston. taylor Like winston & vice versa in so many substantial & interesting ways, despite their relating to / sympathizing with / devoting much more effort & interest to people more like the central men. that here we are, when taylor might have to give up on Being A Winner, someone who'll walk away with status & resources & a seamless transition into some established business foundation, to really get the wins that matter, against pince, &/or to clock out of a sunk cost factory, &/or to not have strangled every part of themself that can be in conflict with this general situation into eternal dormancy. don't You dare blame latency lol, the taylor who gets to exist outside the conditional "well i guess you're a winner who's very useful to me, like dumping work on you & blaming you if it goes awry. and you can act like a Real winner in the ways that really matter (crushing people)"....is also a taylor who can be rejected & shut down & shut out & have their value denied & be treated shittily despite even knowing they'd be / are good at this shit, superlatively even, & could never feel okay just being regarded as a tool stashed away at someone's disposal. & Has been treated shittly & is liable to accept blame, unilateral responsibility for other's selves & feelings & actions & lives, & marinate in self-loathing. while people who refuse any introspection, questioning, responsibility, awareness, etc, & refuse to handle the least of genuine interactions/relationships with others as real people, are glad to scoff at them & dismiss them & imply or assert their superiority, like, wow have You got a lot to learn, or maybe you can't b/c you're inherently inferior. all just like re: winston!

tl;dr shoutout to the flexible characters who like can & do reflect & change things up actually, just so happening to always be Losing for this in the [only way to win is not to play] arena of fake winners seeing if they can consider themselves superior to everyone else & only even possibly correct always & forever, in the pyramid scheme of social hierarchy & also capitalism

[theres-whump-in-that-nebula]

I just realized that I hate being directly talked to (in most situations); but if someone is talking to their friend at the same table as I am, and we’re all working on separate projects, I love listening to their conversation? Like, in art class these two gamer kids would go on and on about Sonic and Overwatch to each other and it was amazing; because I like reading Wikipedia articles on things I have no personal interest in just to know what it is enough to talk about it if someone brings it up in conversation.

Call that benign eavesdropping.

[why-animals-do-the-thing]

There's a viral video circulating from the Fort Worth Zoo, of two keepers who ended up in a habitat at the same time as a silverback gorilla. Spoiler for good news: neither the humans nor the gorilla got hurt. It's a bad situation that ended extremely well, and that's why I want to talk about it.

The audio for this video is mostly someone praying loudly, so if you need to turn the audio off to watch it, you won't miss anything relevant. If you don't want to watch it, here's the summary: it starts with a keeper running around the corner into the main exhibit, pursued by a large male gorilla. She is quickly able to get into a doorway at the back of the exhibit, but does not completely close the door because the gorilla is standing across from her, watching. He eventually moves off to the right hand side of the exhibit, where we can see a keeper is trapped in the corner at the front. She was trying to move towards the exit as he moved to the right, and she stops, standing very still behind a tree, while he stays along the far right wall. They stay like that for a minute, and then the gorilla runs to the front right corner, and the keeper is able to run to the door in the back of the exhibit and get to safety.

Let's start with basic information. Even though it's just going viral now, this video is from October of 2023. It was taken not by a guest, but by the zoo security officer responding to the situation. Hmmm, seems like he maybe should have been doing something else during that situation, instead of than taking a phone video. It's going viral now because the guy (who is no longer employed at the zoo) decided to post it on TikTok for his five minutes of fame. This guy immediately started giving all sorts of media interviews, answering questions like "why no tranquilizers" inappropriately, making memes out of his own video, generally distasteful shit.

Zoo spokesperson Avery Elander gave a public statement that "thankfully, there was no physical contact between keepers and gorilla, and all staff and animals are safe." A comment from the zoo has also indicated that the incident was due to keeper error. (As opposed to, for instance, something in the fencing breaking.) According to the guy who posted the video, a lock was left unsecured and the gorilla was able to open the door to the habitat. I don't know if I buy it, and again, this just... is probably why he doesn't have a job anymore. By sharing that detail - real or not - he places a ton of public scrutiny and blame on that keeper team. (If that's what happened, I can promise you it will have been dealt with internally.) He also was nice enough to say he wouldn't name the women in the video... but verified they're still staffers at the zoo... which means they're eminently identifiable! Excuse me while I ragequit for a second.

So there's two reasons I wanted to talk about this. The first is to make sure it is well known that this guy is purposefully and intentionally exploiting the worst day of someone's life for media attention. Their lives were in danger, and he's using it for fame. His name is in the media articles - I'm not going to share it because he doesn't deserve that attention. The second reason, though, is because this video is a masterclass on how to survive if you end up sharing space with a gorilla. Every zoo person I've spoken to or seen comment on the video is so, so impressed with how the keepers handled themselves.

The gorilla in this video is 34-year-old Elmo. All apes in AZA zoos are managed in protected contact, so keepers are supposed to be separated from them by a barrier at all times. The zookeepers were in the habitat putting out a mid-day meal when he got out. Watching the video, you can see he's not actively being aggressive towards them - he's not making threat displays or trying to approach them. Mostly, Elmo seems like he doesn't know what is going on and he's kinda freaked out about it. (This is confirmed in the zoo's press statement, too). The staff stayed calm, and importantly, watched and waited to see how he'd move and act.

The zoo did say one thing, though, that's a bit misleading. In one article, their press person I quote as saying “In general, gorillas are considered the “gentle giants” of the great ape species.” Just because this may be true in comparison to other great ape species doesn't meant gorilla aren't still incredibly dangerous. This type of messaging always worries me, because I think it leads people to misunderstand the risks of being close to megafauna. Gorilla are extremely strong animals, and their social norms/behaviors are very different from that of humans. That's why it's such a big deal any time people end up in gorilla habitats, and why sometimes in those circumstances lethal measures have to be taken to protect human life.

These keepers are incredibly lucky to be unharmed. These women stayed safe specifically because they're trained professionals who knew how to act around gorilla, they knew this particular animal well, and they'd learned the escapes from the exhibit just in case this ever happened. We should applaud them for their cool heads and quick thinking.

As for the guy who posted the video? As a colleague put it, may he always step on a Lego.

[just-late-roman-republic-things]

Today I am thinking about weaving.

I can knit and crochet, but those crafts didn't exist in Roman times. Any historically accurate Roman cloth must be woven. So when a little potholder loom jumped into my shopping basket for 50 cents, it felt like a sign I should learn.

One potholder that was 50% yarn and 50% weird gaps later, I looked up a tutorial, and realized why the damn thing was 50 cents. I needed a better, more adaptable loom. And, because I am a cheapskate and slightly loony, I decided to make one instead of buying it.

So, how does this thing work?

First, you string the warp threads up and down, around the pegs. Here, I made a zigzag shape. Then, you use a needle or shuttle to weave more yarn over and under the warp, horizontally, back and forth. This produces woven fabric.

Some looms weave from the top, some from the bottom. This Greek urn shows two weavers working from the top. The left weaver uses a rod to compact the woven fabric upward, keeping it even and sturdy. The right weaver is passing an oval-shaped shuttle through the warp threads to form another row.

Most Roman looms would have looked like this, with the finished cloth at the top. Unlike my looms, these are warp-weighted. That means you keep the warp yarns taut by hanging weights at the bottom, rather than through a bottom row of pegs.

Warp-weighted looms also have a big advantage over my little potholder loom: you can easily create multiple sheds.

A "shed" is a temporary gap between lifted strands and non-lifted strands. Instead of having to go over and under each strand individually, you raise the entire shed, then pull the shuttle or needle straight through. This saves lots of time! Then, to weave the next row, you close the shed, lift up a different set of threads to create a new shed, and send the shuttle/needle through the other direction.

On a warp-weighted loom, the sheds are opened by loops called heddles (H), which are attached to a heddle rod (G). When the rod is down, shed (1) is open (middle diagram). When you pull the rod up, shed (1) closes and shed (2) opens instead (right diagram). Most warp-weighted looms also have a pair of forks you can rest the heddle rod on, to free your hands.

Here, there are three heddle rods and sets of forks, the heddles are white, and the warp thread is red. This gives you four different sheds, and the potential to weave very complex patterns indeed. Not bad for a device invented over 6500 years ago!

I liked the multiple heddle-rod design so much, I tried incorporating it into my DIY loom, too. I've tested both yarn and paperclips as heddles:

I actually got both sheds and heddle-rods working, too. Which is pretty cool for a lap loom - every other lap loom I found only has one shed, so you have to go over-under the individual threads on alternate rows.* More time-consuming. However, the sheds here are narrow, and I'll need a smaller and smoother shuttle to pass through them smoothly. This wouldn't be an issue on a warp-weighted loom, where the warp hangs freely downward, and can move more flexibly with the heddles.

Anyway. I may get a "real" loom at some point, but I wanted to build one first, and I think it gave me more appreciation for just how resourceful ancient weavers were. They created technology, clothing, and artwork out of very basic materials, and civilization depended on these skills.

Now, I need to go finish the...whatever the hell it will be. Big thanks to Wikipedia and to the lovely Youtubers who make this craft easier to learn. I think it'll be a lot of fun.

(*Edit - found out a rotating heddle bar can make two sheds on a lap loom! Exciting!!)

[burins]

I know this is the Take Personal Responsibility for Systemic Issues website, but I keep seeing weirdly guilt trippy posts about libraries and ebook licenses, which are a labyrinth from hell and not actually something you personally need to feel guilty about. here are a few facts about ebook licenses you may not know:

in Libby/Overdrive, which currently operates in most US public libraries, ebook licenses vary widely in how much they cost and what their terms are. some ebooks get charged per use, some have a set number of uses before the license runs out, and others have a period of time they're good for (usually 1-2 years) with unlimited checkouts during that period before they expire. these terms are set by the publisher and can also vary from book to book (for instance, a publisher might offer two types of licenses for a book, and we might buy one copy of a book with a set number of uses we want to have but know won't move as much, and another copy with a one year unlimited license for a new bestseller we know will be really moving this year.)

you as a patron have NO way of knowing which is which.

ebook licenses are very expensive compared to physical books! on average they run about 60 bucks a pop, where the same physical book would cost us $10-15 and last us five to ten years (or much longer, if it's a hardcover that doesn't get read a lot.)

if your library uses Hoopla instead, those are all pay per use, which is why many libraries cap checkouts at anywhere between 2-10 per month.

however.

this doesn't mean you shouldn't use ebooks. this doesn't mean you should feel guilty about checking things out! we buy ebook licenses for people to use them, because we know that ebook formats are easier for a lot of people (more accessible, more convenient, easier for people with schedules that don't let them get into the library.) these are resources the library buys for you. this is why we exist. you don't need to feel guilty about using them!

things that are responsible for libraries being underfunded and having to stretch their resources:

government priorities and systemic underfunding of social services that don't turn a profit and aren't easily quantified

our society's failure to value learning and pleasure reading for their own sake

predatory ebook licensing models

things that are not responsible for libraries being underfunded:

individual patron behavior

I promise promise promise that your personal library use is not making or breaking your library's budget. your local politicians are doing that. capitalism is doing that. you are fine.

(if you want to help your local library, the number one thing you can do is to advocate for us! talk to your city or county government about how much you like the library. or call or write emails or letters. advocate for us locally. make sure your state reps know how important the library is to you. there are local advocacy groups in pretty much every state pushing for library priorities. or just ask your local librarian. we like to answer questions!

also, if you're in Massachusetts, bill h3239 would make a huge difference in letting us negotiate ebook prices more fairly. tell your rep to vote for it!)

[satoruxx]

PARACOSM OF THE GODS.

PAIRING: gojo satoru x f!reader, geto suguru x f!reader | 11.5k words

SUMMARY: ok here we go, canon au, angst, fluff, best friends being in love, stsg being whipped but unable to express it, reader is clueless as usual, timeskips, canon compliant deaths, bittersweet, longing, mutual pining, emotionally stunted teens, dad!gojo makes an appearance, hopefully that’s it i'm tired of typing

RHEYA'S NOTE: highkey lowkey stressed posting bc this has been sitting in my wips for 4 years now. i honestly didn't have to add much to it i basically just proofread. but yeah when you maladaptive daydream and create a plot where you're a character in jjk and you're also in love with gojo and geto this is what happens. a little sad to let this go but it's time !! plus i can add more parts later. but anyways pls lmk what you think, i'm super curious to know <33

i. the unknown

satoru's first impression of you is anything but kind.  

his words come casually, free into the wind without care, and they aren't meant for you to hear. instead, they fall only to suguru's ears, evoking a deep chuckle and a slight shake of his head. his bangs swish a little with the movement, but satoru is too busy eyeing you over the frame of his shades to notice. 

you're lucky to have not heard it, because the intent with which it was said would have probably made your brow tick with frustration. he says it without a thought, as if he hasn't the slightest bit of interest in you as hints of arrogance fill his tone. 

"who's the rookie?" 

satoru and suguru sit outside against the patio railings of the classroom they had chosen for the day. it overlooks the grounds of the school, where they have a clear view of who approaches the main entrance. suguru absentmindedly clicks his lighter—shoko had gone to get another pack of cigarettes. 

it is from this higher point that they have a clear view of you. you're so obviously new to this, satoru thinks as he watches how you awkwardly stand in front of yaga sensei. 

he already wants to label you as a side character. it's mean, he realizes—cruel even, but he can barely bring himself to care. 

"yaga sensei mentioned that there'd be a new student joining us this week," suguru says, fingering the bangs hanging in front of his eyes. they roam over you with only slight interest before uttering your full name, just as his teacher had said it.

satoru repeats it with a hum. "not a big name or anything. a small-sized family of sorcerers i think." he shrugs carelessly. "but honestly i never really paid attention to all those stupid clan and jujutsu family lessons." 

suguru only responds with a good-natured chuckle, tearing his eyes away from the scene to look at his friend. "no shit." 

the two sit in quiet silence, watching yaga's lips move in structured, emotionless greetings as he shakes your hand. satoru is especially focused on the hunching of your shoulders and the way your eyes nervously dart around. 

suguru is the first to interrupt the peace. 

"maybe she's strong?" 

"are you kidding?" satoru scoffs as he stands up straight, shoving his fists into his pockets. he turns his nose up slightly. "that's not the attitude of someone who's confident in their abilities." 

ii. routine 

"can i ask you guys a question?" 

a cool breeze tickles your skin, goosebumps rising in its wake, and you suppress a shiver. the smell of the air tells you winter is fast approaching. 

"you just did," satoru hums, his snowy hair splayed out against stems of green grass. suguru's chuckle reverberates deep in his chest, and you have to push back an exasperated smile. 

"another one then," you press, leaning over satoru's face to force yourself into his view. his blue eyes pierce through yours over the dark-rimmed frames of his glasses, and even after seeing them so many times, they still feel as dominating as the first. he hums again, and you take that as your cue. 

"what did you first think of me when we met all those months ago?" 

satoru sits up quickly, and you can already feel your shoulders dropping when you catch a glimpse of the teasing smirk on his lips. he shifts so that he's directly facing you, leaning close so that the two of you are barely a palm's distance from one another. 

"thought you were an annoying little rookie~" he sings and you immediately shove at his shoulder.

"'m not a rookie anymore," you huff, and satoru laughs joyously. suguru only grins, his eyes darting between the two of you happily. satoru moves himself into a proper sitting position, digging his long fingers into your bag of chips and popping one into his mouth. you swat at his hand, even though you don't mean it, because though you complain about gojo satoru all the time, you would give him the whole world if you could. 

you and satoru take turns reaching into the bag. you wonder if the sound of crunching disturbs suguru. he's not asleep—he's just doing that thing where he keeps his eyes closed and escapes to his own land of tranquility. you'd like to give him as much peace as you can, so you stay quiet. satoru does too, but you think that's just because you aren't talking to him. 

the quiet is nice when you're with them. sometimes silence makes you feel alone—paranoid. it feels like there is some impending doom hovering over your shoulder, and all you can do is wait for it to come. but with them it is different. you know that any danger in the quiet will be caught by the two of them. maybe that's why it's so easy to let your guard down around them. you trust that they won't let you die.  

"i thought you were weak," satoru pipes up after a few minutes of silence. "you didn't seem like you were confident in your abilities, and that's a sign of weakness." 

after spending so much time with satoru and suguru, the word weak has permeated almost every one of your conversations. later you learned how much more significant it was for them to label someone as strong. you chase after the word—crave it.

"and turns out that wasn't true." suguru adds with a smile, his head leaning back against the trunk of the tree. his eyes are still closed serenely and you wonder if he can feel the way you're gazing at him. 

"yeah and now you act like some big hotshot," satoru grumbles, as though he doesn't want to admit to his old mistake, but you can hear his smile. it annoys you, the way his once degrading little nickname has now somewhat turned into a term of endearment. you would rather die than admit that you like hearing him say it. 

"well, I'm glad that i was able to prove you both wrong."

the conversation ends there. 

shoko returns a few minutes later, tossing you a can of soda and suguru a pack of cigarettes. as soon as she sits down in her spot under the tree you're forcing your head into her lap and kicking your feet onto satoru's legs. you ignore his complaints, because you know that in just a little bit he'll quiet down and his hand will rest over your ankle, fingers soft but firm. they'll occasionally drum some rhythmic tune, or draw nonsensical patterns against your skin.

shoko's fingers thread through your hair, just like they always do, and you know that in a few minutes you'll doze off in her lap, just like you always do. it's clockwork, this thing that you have with them. they make the days keep going—time doesn't stop for you. 

a part of you wishes you could freeze time at that moment. 

but you can't. 

iii. halcyon

"hey suguru?"

"hm?"

"how come you always do your hair the same way?"

suguru glances up from his book. he's seated at your desk, and for a minute, the breeze pushes your curtains so that they block your view of him. satoru groans lightly from your left, turning on his side to snuggle deeper into your pillow, and slumber overtakes him once more. him and shoko remain quiet, faces free of worry as they dream in a land that is so unlike the real world you live in.

"what do you mean?" suguru asks in response to your question. he has an amused smile on his face as he places his book on your desk, though his thumb and pointer finger keep his page.

"well…" you suddenly feel stupid for asking, but he's looking at you so intently now. "you have such nice hair. you could style it in so many different ways."

"are you saying you don't like my hair the way it is?" he frowns.

"no no!" you scramble, shaking your head emphatically. quite the opposite actually you think he's so so attractive—how on earth did you screw this up so badly? "that's not it i just—"

he laughs, tilting his head fondly. "i'm just messing with you, hotshot."

you blanch, before crossing your arms with a huff. "asshole…"

he chuckles, before lifting a calloused hand up to finger the tie that holds his hair in a bun. he glances back at you, before a michevious smile settles on his face. he gives the tie one sharp tug, and the bun falls away. black hair drops, resting on his shoulders, and you stare at him—oddly parched. wind brushes through the open window, tickling your curtains, tickling his now open hair. you had seen his hair down before, of course. in the few seconds after a sparring session when the bun had gotten loose, or when too many strands escaped the tie and fell in front of his face (he always pushed them away with an agitated huff). but now he looks different—good, you realize. he looks good.

"how should i style it then, hotshot?"

his question shakes you out of your daze. you hum in contemplation. "i don't know."

he laughs quietly, as to not wake the other two. "didn't you just say there were so many ways to style it? enlighten me then," he teases, reaching over to grab a small scrap of paper from your desk. he slots it where his fingers are holding place, and then closes the book. he swivels in the chair to face you completely, rolling over so that he's right in front of you.

"well…" you start, biting your lip in thought. "a ponytail maybe?"

suguru bunches his hair into his fist, holding it up against his head. "and? how do i look?"

you grin, eyeing the new style with a stifled laugh. "fantastic."

he laughs again, louder this time, before dropping his hand.

"it looked good though!" you laugh and he rolls his eyes fondly.

"yeah yeah," he dismisses with a wave of his hand. he looks back at you, eyes tracing over your hair before he grins wide.

"i like yours."

you blink. "mine?"

"the way you did your hair today," he points to the half up-half down style you've thrown together. a dark blue ribbon holds the hair in place—satoru had said it matched nicely with your uniform. suguru's eyes gleam as he appraises it. "it's nice. it looks really pretty on you."

something in your chest feels like it fell off a cliff.

"oh—" you stumble, before smiling at him because that's all you can do when he makes you feel like this. "thanks suguru."

"do mine like that," he says quickly.

once again, you blink owlishly and all you can manage is a stupid "huh?"

"do my hair like that," he repeats, getting up from the chair to sit at your feet, back towards you. he crosses his legs and puts his hands in his lap, patiently waiting.

"you can't do it yourself?" you tease, scooting closer to the edge of the bed.

"i can," he replies and you can hear the easy smile in his voice. "but i want you to do it for me."

"okay then!" you laugh before gently parting sections of his hair out. and then you work in silence, putting more effort into his hair than you've ever done with your own.

iv. fragility

"lady riko does not have any relations. when she was young, her family was involved in an accident…since then, i've been her caretaker. so please let her at least spend time with her fr—" 

"—so that makes you her family then." 

suguru's words seem to stun kuroi, the weight of riko's situation finally making itself clear as her face crumbles. 

"…yes." 

you listen to the way her voice wobbles, and try to suppress the poisonous lump forming in your throat. 

"then we do everything we can to make her happy," you say solemnly, leaving no room for argument. suguru seems to agree and says nothing—some deeper part of you feels something more than thankful towards him. 

"you're awfully sensitive for a jujustu sorcerer, you know that?" satoru comments offhandedly. you turn to look at him, meeting his piercing gaze over dark rims. 

"maybe," you concur. "is that considered weak?" 

satoru seems to ponder his answer, before shrugging, a light smile on his face. "to some people, maybe." 

you manage to smile back, and he takes in the expression with an odd look on his face. "say what you want, satoru. but you agree with me, don't you?" 

he looks away, eyes gazing out to the distance where you know riko is currently in class with her friends, trying to live the life she wants, and something in them softens considerably. 

"we'll do things the way she wants us to." 

it's one sentence, said without a smile or laugh, but hearing it fall from satoru's lips makes you beam at him. 

that's just your kindness, isn't it, satoru?

your heart leaps when you notice the tips of his ears tinge with rouge. 

v. longing

riko's hand is warm against the coolness of your fingers. your body feels hyperaware of your surroundings, toes deep in hot sand and salty air sticking to your skin. for some odd reason, you can't seem to relax. unconsciously, you tighten your grip around the young girl's palm. she glances up at you, but when you look down at her, she's wearing the biggest smile you've ever seen. 

satoru's presence makes itself known behind you—his shadow looms over yours in the sand. "it'll be fine," he says.

you can't see his face, nor can you see suguru who stands at his side, but your shoulders drop slightly, and you find yourself smiling back at riko. 

"i'm getting in the water!" she squeals eagerly, before dragging a helpless kuroi with her. satoru laughs—a clear, pristine sound—and follows after her. you watch the three of them with a fond smile, something akin to content settling deep within you.  

"and what are you planning on doing?" suguru asks. you turn to look at him, watching the way his heavy eyes stay focused on you. 

"hmm," you quirk a brow mischievously. "build sandcastles with me?" 

suguru blinks owlishly before he breaks out into a good-natured laugh. 

"deal." he walks closer to the water's edge, where the sand is damper, and crouches down. he turns to look at you over his shoulder. "don't make me do all the work, hotshot." 

you stand there, taking him in—really taking him in. he's just as clear as the sky behind him, and the sun shining on his face makes his smile glow. you want him to continue smiling at you like that well into the future. the waves crash onto the shore, as though the ocean is chasing his radiance, and an overwhelming feeling of unfiltered affection swells in your chest. 

your feet carry you forward, and you think that they might always lead you back to him. 

the sun rises as time passes, and occasionally you spare a glance at satoru and riko, who are screaming as they splash water at one another. and then you catch a glimpse of kuroi, who stands with her feet in the water, a soft smile on her face. 

and in that moment, nothing can be ruined. 

"what's wrong?" suguru's voice calls out, and you tear your gaze away from the others to look back at him. he stands behind you with two strawberry ice cream cones in his hands. 

"nothing," you hum, a serene smile on your face. "everything's perfect."

his eyes trace your face, stopping to linger on your smile, and they soften. "it is, isn't it?" 

he turns to the ocean, watching satoru and riko, and his eyes sparkle. "i hope it stays like this always." 

"me too." 

he bends down to take his place at your side before he hands you a cone. you take it from him. suguru's eyes drift away from you to look down at his castle. 

"i think it looks great," he expresses, before taking a lick of his ice cream. 

you roll your eyes with a huff. "yeah, because you made it look so nice. you're unnecessarily good at this, suguru." 

he laughs, waving his hand dismissively. "no no, we did it together! and yours is nice too!" 

"maybe," you grin, looking at his castle. "but yours is extra pretty." 

he smiles back, before pointing at a small hole in his sand tower. "see this room? it's yours." 

"mine?" you chuckle.

"yeah, all yours," he hums softly. "this is my castle and you get your own room." 

"oh? and why's that?" 

suguru's gaze lingers on you, and his dark eyes soften considerably. "because you'll always have a place in my home." 

you stare at him, speechless—something hammers away at the inner crevices of your chest. 

"and this one—" he points to another hole a few inches away from the first. "—is my room." 

"well in that case, that room is mine too!" you declare.

"what?" he barks out a laugh. "how does that work?" 

"well…" you grin at him, the sun burning into your cheeks. "because my home is wherever you are!" 

suguru's cheeky smile fades and his eyes widen. he looks at you, mouth agape, and you're about to say something else before sticky coolness trickles down your wrist. 

"ack!" you hurry to wipe away the strawberry ice cream dripping down your skin and you completely miss the red that creeps up his neck and seeps into his ears. 

vi. ice bath

shoko's fingers are unbelievably soft. you're grateful that you were unconscious through most of her procedures on your battered body—you don't think you would've handled the pain too well. she's quiet as she works over the large wound that now covers almost half of your torso. the man with the scar on his lip had done quite the number on you, and you don't think you'll ever forget the searing ache of his blade slicing through your flesh. he had left you in a bloodied pile, isolated, and you hadn't seen what had happened to suguru after the man shot riko. you could only lay there, vision swimming as a bitter taste filled your mouth—a reminder of the life you failed to protect.

the pain had been the only thing you could focus on, until satoru was on his knees at your side and tightly gripping your shoulders. your hazy focus was drawn to his lips as he spewed curses and insults at you. 

"why didn't you run away, you little shit," he had shouted, a feral look in his eyes. there was something different about him—a change in his very being that you could see even in the throes of death. "shoko's coming, do you hear me? for fuck's sake, keep your eyes open, hotshot!" 

you swore you saw his eyes shine behind that look of uncontrolled anger. he had been talking a mile a minute and your focus had waned until you could only see his lips move, no sound reaching your ears.

you've never thought satoru looked more godly than he did at that moment.

suguru eventually found his way into your field of vision—knelt at satoru's side. his large hand had squeezed your limp fingers in a death grip. he was sweating, and his eyes were darting back and forth between your pale face and bloodied torso, something akin to guilt swimming in them. you wished that you had the strength in you to squeeze his hand in return. the last thing you remember seeing is his dark hair falling in front of his face as he turned to shout at whoever was approaching.

now you're awake. disoriented and bleary, but awake, and all you can look at is the way shoko's bangs fall over her furrowed brows. she's taken care of the bleeding, and now all that's left is a dull throbbing, reminding you of how close you had toed the line with death. you don't know this yet, but the scar will remain for the rest of your life, and that dull throbbing will be a permanent reminder of your narrow escape. 

shoko hasn't said a word since she noticed your eyelids flutter open. you want to ask her so many things. important things that cannot wait: 

where's satoru? how about suguru? i saw them both. satoru's alive, right? and suguru, too? the man—with the scar. where did he go? he said that satoru—riko….where is riko? and—and kuroi…i—i..couldn't save riko. when did you get here, shoko? and why am i the only one who's being taken care of by you? 

you want to ask her. but she's making a very odd expression as her hands ghost over your body. you've never seen it before, this odd quirking of her lips. her teeth sink into the bottom one, and she chews and bites and nibbles like it's some kind of nervous tell. 

"shoko?" 

it's all you can manage to say—all you dare. your voice is dry, shaky, and sounds almost foreign to your ears. you're going to ask more, at least one of those thousand questions you had asked in your head earlier, but you don't get to because she speaks before you. 

"shut up," she spits, and the wobble in her voice has you pinching your lips shut and feeling closer to death than you did before. 

vii. acid rain

the sound of clapping is deafening. you don't think you've ever heard a sound so horrid in your life before, and you feel as though your ears are bleeding heavily. you can faintly make out the conversation between satoru and suguru, your ears struggling to pick out the tones of their voices. 

"no…" you hear suguru say quietly. "it doesn't matter if I'm fine…"

you can feel satoru's eyes roam over your motionless body, watching the way you gaze out into the crowd impassively. 

"let's get out of here, guys."

your feet carry you numbly, and you aren't aware of anything except the way riko's arm is swinging in front of you lifelessly. there are no mirrors around—no way of catching the track of tears cutting over your cheeks. the places where the salt touches burn like acid. you say nothing. 

satoru's gaze feels intrusive. he doesn't need to ask you anything—he just knows. it's like your body is radiating the emotions tumbling around in your gut. 

you're awfully sensitive for a jujutsu sorcerer, you know that?

"do you want to…kill them all?" 

the question stuns you, and for the first time, you can shake yourself out of your daze to look at satoru directly. blood is smeared over the left side of his face, cerulean eyes dimmed, as though something had pulled the shine out of them. red seeps into the fine hairs of his restless eyebrows. 

"right now, i probably wouldn't even feel anything," he continues, staring at you listlessly.

you think satoru might be feeling just as numb as you are. you don't know what happened to him yet. the last you had heard, gojo satoru had been killed by the man with the scar. he had boasted about it to you before he attempted to kill you too. but then satoru was at your side again, completely alive as he ran your battered body to shoko like a crazed man. 

you'll find out later who the man with the scar on his lip was, and what kind of legacy he had left behind. but for right now, all you see is a teenager with the weight of the world on his shoulders, and you know your answer.

satoru could help the pain go away; he'd be able to make the clapping stop—maybe then your ears wouldn't bleed anymore. but you couldn't ask that of him. 

"forget it. it's pointless," suguru mutters, and you're glad he's on the same page as you. not because any of these people deserve pity, but because satoru deserves a break—one less burden for him to carry. 

you hear suguru say more, but you can't focus. you continue to listen to the sound of the clapping, and once again lose yourself as you stare at riko's bloodied fingertips. 

"pointless, huh?" satoru mumbles in response to suguru's answer. "does there need to be a reason?" 

"of course. it's important," suguru's voice doesn't carry the same pleasant tone it always does. instead, it sounds strained, and tired beyond belief. unsure. "especially as jujutsu sorcerers." 

satoru doesn't respond, but you know that he's measuring the weight of his friend's words. that's how it was with the two of them. they both balance each other out—their moral compasses influenced by one another. but then you feel satoru look up from riko's body and turn to you. suguru follows suit, and before you can wonder why, it hits you: satoru had asked you both. 

you suck a deep breath in, feeling unusually breathless. the flesh of your stomach tingles with a painful reminder of what might've been, and you make up your mind. 

"killing them won't change anything," you say, breaking your silence. the tears on your cheeks have dried, but they leave a rigid trail in their wake—a trail that still stings. "let's just leave it at that." 

viii. fever dreams

satoru lies next to you. 

a few nights have passed since riko's death, and you've chosen to stay holed up in your room. you're not sure why—death has always played a big role in your life. you don't understand why it's different this time. 

tonight is different as well. while you've maintained a distance from everyone since that day, save for classes and passing by people on school grounds, today you've decided to let someone in. satoru's the lucky one, mostly because he would've pestered you until you opened your door for him anyway. 

it's strange though. he had knocked over and over, and when you finally opened up with a snappy jab at his annoying personality, he had brushed straight past you and laid across your bed. he hadn't said a word since then, and you've found yourself lying next to him in silence for quite a while. 

his hand stretches out in the darkness and you can feel his fingertips brush over the skin of your arm. it's delicate, like he's testing his limits, but you understand. it's just to ground himself—to know that you're still here, with him. to be sure that you're still alive.

you think the scar that goes down your body bothers him a lot more than it bothers you. 

"'m here," you mumble sleepily. your fingers reach up to bump against his knuckles, and you hear him inhale deeply. his voice is throaty when he replies. 

"i know." 

ix. doubt

satoru learns that you've never been kissed before and he teases you for it.

not in a mean way, but in a way that has your cheeks heating and your eyes avoiding his. suddenly it feels like the gap between ages 16 and 17 is huge. he's barely even a year older than you and you're in the same year, but it feels as though he knows so much more about the world than you do. you want to ask suguru if it's bad that you've never had a kiss, but you don't. suguru rarely talks these days. sometimes he'll have conversations with you but won't look in your eyes when he speaks. 

"hey listen, hotshot. if you don't get a kiss by…" satoru hums, an eager smile on his face as he swings an arm around your shoulders and contemplates his words. "…let's say 27, then i'll give one to you!" 

there's an odd note of glee in his voice. 

"shut up, toru," you groan, heat flooding your cheeks. "quit joking around." 

he laughs loudly, pulling your cheek teasingly. "aw, i'm just playing. it's not a bad thing i promise!" 

your shoulders relax slightly as the snowy-haired sorcerer continues to speak. 

"i just thought that you would've kissed someone by now," he shrugs. "wasn't there that one guy you went on a few dates with? the one you met when we went to yokohama?" 

there's an almost sour expression on his face as he speaks, but you're too frustrated to care. "just because i went on a couple of dates with him doesn't mean i kissed him!"

a broad teasing smile appears on satoru's face. "is that so?" 

"ugh, i'm only 16!" you hiss, shoving him away from you. "besides i'm saving it for someone special!"

"good," you hear suguru speak up, and you turn to look at him. his fingers are interlocked, elbows resting on his knees, and he's staring down at his hands like they hold the answers to some deep questions he has. "it is something irreplaceable after all." 

x. shadow

satoru's grin is proud as he stands before the three of you, his loose shirt billowing in the summer breeze.

you stare at him, heart thumping as shoko lets out a confused gasp. "huh? what the hell was that?"

"did it automatically choose the target for your technique?" suguru asks.

"yep!" satoru stresses the word, spinning the pencil suguru had thrown as he explains. "though i am the target. i've pretty much automated what i used to have to do manually."

your head is spinning.

"now i can tell an object's danger levels based the strength of its cursed energy, its speed, mass, velocity, shape—whatever. i want to be able to discern poisons too but that's pretty hard right now." satoru's voice is even when he explains, though you can make out the hints of pride that permeate his tones. you think his voice has gotten a little deeper too. "basically this is gonna allow me to keep my limitless technique active all the time!"

"that's gonna fry your brain!" shoko interjects, shaking her hair out of her eyes.

"yeah but i can do it while i continuously generate energy on my own. that way my brain stays fresh."

you can't help but let out an amused scoff. "what brain?"

satoru chucks the eraser at you, and you laugh as it bounces off your shoulder harmlessly.

"i've been working on shortening my hand signals so i can activate red and blue simultaneously." he continues, lips twitching upward as he gives you an exaggerated glare. "after this the only things i need to work on are domain expansion and long-distance teleportation. which i should be able to do if we set up some training courses here at school."

you think if someone examined you closely, they would see the stars in your eyes when you look at satoru.

"shoko~" he calls out, grinning eagerly. "think you could get me some lab rats?"

shoko groans as satoru bounds over to pester her more emphatically. you watch him, thinking you've never seen a person quite so magnificent.

god personified into a 17-year-old body. and yet it is a body that stays so close to you—well within your reach. maybe there's nothing so godly about that at all.

"don't you get tired of getting stronger and stronger, jeez?" you complain, crossing your arms as you raise a brow at him. satoru wets his lips as he throws you a smug smile.

"don't worry hotshot, you'll catch up to me someday!" he gives you an exaggerated wink over the frames of his glasses, and you shake your head somewhat fondly.

"no way! i never want to be at your level," you huff. "i'm very comfortable living in your shadow, thank you very much!"

a strange look passes over his face, almost puzzled, but the dip in his brows melts away as he approaches you. "well—" he slings an arm over your shoulder. "if my shadow makes you happy then you're more than welcome to stay there."

you don't have time to reply. pale lashes flutter at you—a backdrop of cerulean. you think white and blue may be the prettiest combination of colors in the world.

"suguru?" satoru's voice is casual, yet the amusement has dropped from it. his arm is heavy around your shoulders. "have you lost weight? are you okay?"

you look up, seeing tired eyes behind dark stands of hair. suguru's cheekbones are prominent, and you have the sudden urge to reach out and trace your fingers over them.

his lips twitch upward weakly. "it's just the summer heat…"

his lavender eyes drift to your face as he says it, and he tilts his head as he scrutinizes your worried expression. "…i'll be fine."

xi. hellfire

you hear suguru before you see him.

his breaths come loud as he pushes the door to the morgue open, the metal clanging heavily. his eyes bore into your back, taking in your clenched fists and raised shoulders that seem to tremble.

you wonder who told suguru you'd be here. maybe nanami, who was here not long ago, and had sent you a text that merely said: the mission went badly.

or maybe it was satoru, who had been chatting with you near the entrance of campus when he saw the myriad of emotions pass over your face as you read the text. he had probably called suguru as soon as you left.

it doesn't matter—you can't bring yourself to care.

you can only think about the way haibara had smiled at you before he left that morning.

now that smile is covered by a dirty white sheet, and you can't tear your eyes away from it. the taste of blood and vomit is heavy on your tongue.

suguru says your name quietly. you can't even look at him—you're scared that you'll cry if you do.

you don't ever want to cry in front of him. or satoru—so weak in front of those who are so strong.

"he asked if i wanted to go with them and i said no because i was lazy," you hiss, teeth clenched as you spit out the words with venom. "if i had just stopped thinking about myself for a second—"

your fingers dig into the flesh of your palms—deep, deep, deeper.

you hear suguru click his tongue, and his hands wrap around yours. he yanks your fingers apart fiercely, thumbs smoothing over the bloodied indents you've made in your own skin. you tear your eyes away from the body to finally look at him.

"don't—" his breath catches as his thumbs still over your flesh, eyes going hard as he takes in the blood.

he blurs in and out of focus. his head whips up when he hears you sniffle, and his lips slant ruefully. "you—"

"i'm fine," you interrupt, blinking pointedly and taking a deep breath. "it's fine—i mean it's not fine—but i c—"

"stop." suguru grabs your shoulders, giving you an even stare. you don't know how you didn't notice it before, but he looks thinner, older. there are dark circles under his eyes—poison seeping into his skin. "you need to rest."

you stare back at him silently, but you don't feel like you agree. something about this is making you feel restless, like there is so much you need to make up for. his grip tightens, before he's wordlessly leading you to take a seat—he finds his place next to you.

"satoru took over the mission." he stares at the lifeless body on the table as he speaks. you lower your gaze.

"and nanami?" your throat feels like it's closing. suguru inhales deeply.

"he went back to the dorms."

"okay."

you try to figure out if there is any meaning in having this conversation. despite everything, weren't you expected to wake up tomorrow morning and head out on a mission once more? and when you return, you're sure that there'll be another faceless body taking haibara's place.

the cycle continues—clockwork. it scares you, just how replaceable you are.

haibara, nanami, you, another, nameless—interchangeable.

not like satoru. not like suguru. not like the strong.

you lean your head against suguru's shoulder, fingering the hem of your uniform skirt. the fabric is cool to the touch—it seems darker, heavier. heat radiates from the body next to you, and there's something about him that's making your stomach churn with nerves. "suguru?"

his voice sounds far away. "hm?"

"are you okay?"

he stiffens and you suddenly fear you've said too much—nosy, intruding, out of place. you stumble. "it's just, we haven't talked much lately."

"i'm fine," he answers, and you can hear a smile in his voice—whether it's real or fake you can't tell. "just a little tired."

you know there is truth to this. but it scares you, how this tiredness of his has lingered for months. you don't know how to tell him that.

"okay…" your voice is barely a whisper, heavy with unspoken words that you don't know how to formulate. somehow you find that silence has always been your only option.

but like usual, silence with suguru has never once been uncomfortable.

haibara's smile burns behind your eyelids.

"it should be a relatively simple mission. if you're not doing anything today senpai, would you like to come with us?"

his voice tickles your ears.

"that's alright! i'll get going then! oh right, today's mission is a little farther than usual, so we'll probably be back late! what would you like me to bring back for you?" 

hypoxia crushes your lungs, your blood burns. selfish selfish selfish. you've only ever cared about yourself.

suguru's arm curls around your shoulder before you even realize you're crying. his palm is warm as it smooths over your hair, and all you can worry about tainting him with your ridiculous tears.

you don't ever want to burden him—just want to quietly live in his shadow.

"i don't—" you internally cringe at the throaty rasp of your voice, swiping a hand at your nose. "i shouldn't be so sensitive about—"

"it's not your fault." he quietly hushes you, grip tightening imperceptibly. through your tears you can see him adam's apple bob, and for some reason that makes you feel worse. you're too scared to look at his expression, even though his voice is resolute. "none of this is our fault."

something has changed in the way he speaks now. something has settled, a confirmation of some idea that has been brewing for a long time now.

you don't say another word, but somehow he manages to sear himself into your very being. he's warm, and fuzzy, and he smells like sandalwood and incense. 

you don't know how long suguru let's you pathetically sob into his shoulder.

but you think you're embarrassed that he has taken pity on a wounded animal's cries.

xii. split

he looks different, but also the same. you've seen him wear that sweater before. it's plain black, no patterns, and you know that there's a loose string on the inside of the left sleeve that he was always too lazy to cut. you've always liked that sweater—always liked the way he looked in it. 

you liked it so much that you've even stolen it a few times yourself. 

but now it looks different. older and dirtier—as though soiled by some unknown curse. 

that's what everything came down to, right? curses. 

suguru stands in front of you, almost no trace of emotion on his handsome face, and his expression makes you want to turn and run. you miss the calm serenity that normally graced his features, wishing that you had some kind of cursed technique that could turn back time. but you aren't blessed like that—you wonder what sin you might've committed in a past life that made you so unlucky in this one. 

"you look confused," he comments. you reel at how casually he speaks to you, like it's just another afternoon sitting under that stupid tree. like he's leaning his head back against the trunk and watching you and satoru bicker with that fond look in his eye. 

"suguru," you speak, an odd strain in your voice. you struggle to comprehend this odd turn of events. you've had time to understand that he's now a different person than the one you once knew. you know that he's responsible for killing 112 innocents, including his own parents. you know that he's now an enemy to jujutsu society and you know that you should kill him right at this moment.

but he looks so much like suguru, like your suguru, that you can only manage to stand there, frozen in place. his eyes drift over your body, taking in your pajamas, the bath towel in your hands, and the small drops that trickle from your hair, and you can see the familiarity settle in his expression. 

"why are you here?" you choke out. you feel an overwhelming sense of danger in your gut, knowing that your family is just a few rooms over from where he stands now. 

"at your family home, you mean?" he asks casually. a small, almost amused smirk appears on his face. "you said i was always welcome." 

you did say that. sometime last year or the year before, when you had invited satoru, suguru, and shoko over to visit during one of your quick holidays. suguru had sat across from you at your dinner table. he complimented the food and your father smiled one of his rare smiles. you had chewed quietly to hide your grin.

you don't know what to say to him now. 

"everything they said about you," you whisper, taking a step toward him. he remains rooted in place, but his eyes follow your movements. they shift when he catches your fingers gripping your towel tighter. "is it true?" 

"do you think it is?" he asks, and you gulp. it feels like he's baiting you into some kind of trap. 

"i don't want to believe that it is," you answer, voice shaking. "that you would ever do something so…"

the sentence hangs in the air, and he tilts his head imperceptibly. something in his eyes changes as he focuses on the drops falling over your shoulders. 

"well i'm sorry to squash your hope," he raises his arms in a shrug. "but everything you heard is completely true." 

your head aches, but you're not surprised by his confirmation. "why would you…?"

suguru hums, a dark look falling over his face. "do you remember the conversation we had after haibara's funeral? do you remember what i told you when he died?" 

anger flares in your gut at the mention of haibara, and the bath towel crumples in your hold. "don't say his name," you hiss through gritted teeth. "don't act like he's the reason—just…don't bring him into this. please." 

suguru licks his lips, eyes going soft before he tries again. 

"everything used to make sense back then," he sighs. "back when the strong existed to protect the weak. but it's not true." 

"suguru—" 

"the reason why we suffer is because of them," he interjects evenly, though frustration is clearly evident in the curve of his brows and the volume of his voice. "we clean up their messes. they create problems and we die for it." 

you're stunned into silence, at the way he's raising his voice at you, at the way he's speaking so firmly about this horrible topic, at everything. he seems to realize the effect of his speech, and he quells his anger to speak quieter. "that's why i'm doing this. i'm going to create a world without non-sorcerers, so that sorcerers like you and i can live peacefully." 

a lump forms in your throat because god, he's right. he's so right. your life would be a thousand times better without curses. non-sorcerers were the reason curses existed. but the way he's going about this…

"suguru," your voice shakes, but you press on. "i get it. i really do—" 

"i know you do," he interrupts. "you always have. even back then…" 

he takes a step closer to you, reaching out to finger the towel in your hands. "but you don't agree with the way i'm doing it, right?" 

you bite your lip, and he smiles at the sadness in your expression. "you're so easy to read, hotshot." 

you ignore the way the nickname stings. "i just—how could you kill innocent people like that? your own parents, suguru."

he looks away from you, steely resolve in his eyes. "if i made exceptions for my parents, that would kinda make me a hypocrite, wouldn't it?"  

you don't know what to say to that. he doesn't seem to have anything else to add either. 

he looks around your old bedroom, eyes sparkling as they catch a picture of the four of you from your first year. satoru's arm is slung around shoko. the dark-haired female has her elbow resting on your shoulder, her tongue sticking out playfully. you're clinging to suguru's arm, and satoru's free hand is squishing your cheeks together. the four of you are laughing. 

nobody has laughed in a while now. 

you tear your gaze away from the picture frame to look at him. he's so unbelievably close, and he's gazing down at you with this foreign look in his eyes, the picture forgotten behind him. 

he slips his fingers into your hair. his palm is large enough that it can brush the side of your face, and you wonder why your body doesn't flinch away from those bloodstained hands.

"it's okay," he mumbles, a faraway look in his eyes. they remain trained on your hair, but it feels like he's looking straight through you. like you're nothing more than a ghost he wants to erase. he's so close—you can count his dark lashes as they brush against his cheeks. "it's difficult. i don't expect you to understand." 

his words incite a sudden flare of anger in your gut. it burns something fierce, and in that moment you hate him. 

"no, i don't," you reply indignantly. he pauses, now really looking at you, and his brows quirk upward in what seems to be surprise, because—well, he's never seen you make such an expression at him before. "you never tried to help me understand. you just left." 

a strained silence follows. his fingers twitch against your cheek.

"this doesn't concern you," he says finally. "i don't need you to understand my actions." 

you recoil, as though he's physically hurt you, and your expression falls so hard that it almost makes him regret saying it. almost. 

"if it doesn't concern me, then why are you here?" you ask again, and you see suguru's shoulders drop. "you know that i have orders to kill you. i might not be able to because you've always been stronger than me. but you know that i'll…" 

go down fighting you, is what you want to say, but the words leave a nasty taste in your mouth. but suguru seems to know what you're implying because a wry smile appears on his lips. his fingers twirl a strand of your wet hair. 

"i'm here to say goodbye," he says finally. another tense silence fills the space between you both, and suguru can see the way your fingers shake between the folds of your towel. 

"you're a little bit late for that, aren't you?" you choke out, a strange tilt to your voice as you break eye contact with him. "you left school weeks ago, and you didn't say a word to me then." 

"better late than never, right?" 

the softness in his tone makes you turn to look at him again, and you desperately want to ingrain the features of his face into your head. the gentle slope of his eyes and sweetness of his smile. he almost looks like the suguru you once knew, and you suddenly have the urge to mourn his death. 

his face becomes blurry, the edges becoming less pronounced, and you can see the way his expression falls. 

"i didn't come all the way here to make you cry." his hand drops from your face and he takes a step back. your fingers hurry to wipe at your waterline, and you shake your head. 

"'m not crying." 

suguru smiles ruefully, and his eyes suddenly look devoid of life. he takes another step back—your heart plummets.

he says your name once, quietly, and it hangs in the air as you wait for him to say more. 

he doesn't. 

"you know that I'm not supposed to let you leave alive, right?" you mumble, fingers toying with the towel in your hand. "but i can't—i mean—"

"hm," he chuckles. "still as sensitive as ever, huh? s'okay…" 

he moves toward you again and his hand gently cups the back of your neck. "i think it's your best quality. makes you better than most people in our world."

he presses his lips to your forehead tenderly, and you feel your eyes widen behind your tears. 

you probably could've stopped him, because you're aware that he's now suddenly behind you, and that he's raising his hand. you can stop him, but a part of you thinks that if it's death at suguru's hands, maybe it's not such a bad way to go. 

you accept your fate then and there. 

you'll find out later that suguru never had the intention to kill you then. perhaps he was waiting for a more opportune time, waiting for there to be a meaning behind it. you're not sure. but when you wake up tucked in your bed cozily, you'll feel the remnants of him lingering around you.

he was warm, and fuzzy, and he smelled like sandalwood and incense.

xiii. sanctify

satoru's at your door again. 

you've memorized his knock patterns. he always knocks three times, then leaves a pause, then twice more. for someone so erratic, he can be quite predictable. 

"what's up, satoru?" you call out, not looking up from your busy hands. there are a couple of empty cardboard boxes open on your bed, and you've been placing things into them all morning. things that should've been put away a long time ago. you pause on one of your old test papers, and in suguru's dark, blocky handwriting you read: 

YOU GOTTA STUDY MORE DUMBASS.

underneath it, satoru had scrawled: 

hotshot failing class now huh? :P

and shoko had added: 

both of you stfu you're failing too 

you had drawn a heart next to her name. 

"whatcha doin'?" a familiar voice chirps. "spring cleaning?"

satoru stands directly behind you, peering over your shoulder. you can practically feel his aura shift when he notices the items you're putting away. 

"cleaning of some sort," you sigh, before turning to look over your shoulder. "i've been…putting it off." 

he doesn't move—just continues to stare down at the paper in your hands. you think maybe you shouldn't have let him in. sometimes you forget that satoru might have his own sensitivities—you've always viewed him as the strongest.

a few strands of his hair tickle your cheek, and you scrunch your nose in response. he then turns to you, eyes blinding as he studies you over the frames of his shades. 

"want help?" 

"please." you don't intend to sound so needy, but the way you whisper the word has him immediately grabbing your wrist and sitting you down next to him on the bed. 

"how are we sorting this stuff?" he asks, his voice oddly calm. he hasn't let go of your arm yet, and some quiet part of you is grateful. 

"i was putting our old school stuff in that box. books, papers…" you answer softly, and satoru nods in understanding. "and in the other box…" 

you inhale deeply through your nose. satoru waits, strangely patient. you're not sure if you're imagining it, but you think he squeezes your wrist. 

"…are all of suguru's things." 

there's a moment of silence—a quick mourning for what is no longer there. 

"it's stupid stuff that he left behind, you know?" you chuckle, even though nothing is funny. "some old shirts from when you two would sleep over, his old textbooks, a few pictures from our holidays—shit like that." 

satoru hums. he's not looking at you—instead he's staring at the box, a frown on his face. 

"i guess he didn't really need those things for where he was going. or for wherever he is now," you mumble. 

"guess not." 

you're not sure what's going through his head. satoru's reaction to suguru leaving had been chaotic at best. it was so hard to tell how he felt about it. you knew he was angry, confused, betrayed. but he never showed things like that. you think it might have to do with being the strongest. you're not sure though—you never were strong like him.

you wish there was a way to tell him that he could share his feelings with you, but you can't think of a way that won't be awkward. 

a ticklish sensation crawls up your wrist and you look down to watch satoru's first two fingers tap against the inside of your palm. his thumb brushes against yours as he lets out a heavy exhale. 

"let's get started then, hotshot." 

he looks down at you as he says the words, and you think you might cry. but you want to be strong, like him, so you offer him a smile. he gives you one in return. you realize there isn't that much warmth in it, not like it used to have—you're sure that yours isn't that warm either. 

but it's enough for the two of you. 

"you look tired, toru," you chuckle wryly, reaching up to brush a few strands of hair from his face. his eyes flutter at the touch, and you honestly think this might be the most vulnerable you've ever seen him. 

"so do you." 

"i am," you admit honestly. 

"'s okay," he mumbles. his fingers tap against your palm once more. "'m here." 

"i know," you answer. you always are.

nothing more is said as satoru stands up. he makes his way over to your desk and pulls one of suguru's old sweaters from your chair. you watch him fold it neatly, smoothing out the creases with care, before placing it into the box—you smile once more. 

you think the scent of sandalwood tickles your nose, but it's gone in an instant.  

both of you work in relative silence, sorting through the things in your room quickly. you're surprised at how bare it looks as you're nearing the end, as though there's nothing more to your life than old high school recollections. 

you finish putting the last few polaroids into the box when satoru speaks up. 

"hey." 

you look up and find him staring at you, so you turn to face him completely, giving him your full attention. 

"zenin toji—" the name sends a painful tingle up your body. "—left something behind." 

you frown. "what are you talking about?" 

"a kid. he's got a kid. and i was gonna go meet him today," satoru shrugs. you try to read his emotions, but as usual, he's giving you nothing. "the old man said something about the zenin clan buying up his kid before i killed him. i was gonna go see if there's something i could do about that." 

you sigh before raising a brow, an amused lilt to your voice. "and why have you kept this a secret?" 

satoru's trademark smirk appears, and he walks over to sling an arm around your shoulders. "who knows?" he quips nonchalantly. "guess i was waiting until we were bored. we need something to do now, don't we?" 

you glance at the packed boxes on your bed, and then look around your empty room. everything is always changing, but satoru is constant. 

"i guess so," you grin. his eyes shine, and for a second you see a familiar teenager at the beach, and then a familiar teenager under an old tree. you think you hear waves, and the crinkling of a bag of chips. 

"good," he chirps, walking you to the door, the arm around your shoulder secure. "his name's megumi, and we're gonna make sure he gets strong."

xiv. idyll

it takes you a little over four months to get used to megumi's eyes. they aren't unsettling or invading, like a certain snowy haired sorcerer, but they do give you chills when you first notice them. chills and a fleeting feeling of metal slicing up and down through your flesh. you just have to steady your breathing and remind yourself that the son is not the father.

tsumiki is an angel. you didn't think that kids that age could be so emotionally competent, but she's a pleasant surprise. she had been awfully protective over megumi, fidgeting with a firm hand on his shoulder as you and satoru invaded their space and upturned their lives. even after they had settled into the humble apartment satoru had purchased, tsumiki was still so overly cautious. it was obvious she still didn't trust either of you, but you thought it was admirable of her, and you relay this thought to satoru one day.

"think they hate us?" he asks, squishing his cheeks between his lithe fingers as he eyes the different milk cartons over the rims of his glasses.

"i'm pretty sure they just don't trust us that much," you reply, placing a few packs of instant ramen into the cart. "can you blame them? we're just random strangers who came up and basically kidnapped them."

"i'd like to say adopted!" he points out with a grin, before he sighs. "but we've already proved we're just doing this to help them. but they still barely talk at all."

"they're just being careful. megumi's still a little young and he looks like he doesn't give a shit about most stuff anyway," you chuckle as you remember the expression on the first grader's face as he spoke to your cocky friend. "and tsumiki's being cautious for both of them."

"she doesn't need to be cautious of us!" satoru dramatically whines, pulling out a carton of whole milk and placing it into the cart. you shiver as the cold air hits your skin, eyeing the sorcerer with an exasperated smile. he shuts the door with a huff. "i've been such a good dad!"

you roll your eyes, shoving his arm as he starts pushing the cart down the aisle. "she definitely should be cautious of you, you creep."

satoru looks down over his shoulder, appalled, though his eyes sparkle with mirth. "and why do you say that?"

"have you seen yourself? crazy 19 year old man that kidnaps kids," you mutter somewhat sarcastically, falling into step with him like it's normal. satoru grins at that—amused.

"i think it's pretty cool of her to be that responsible though," you continue, voice going softer as you think about them, and satoru hums in what you think might be agreement. you suddenly grab his arm, stopping him in his tracks and he turns to look at you.

"you think we should get another carton of milk?" you question, tilting your head at him. "megumi's been drinking it every day after he comes back from school and tsumiki said she wanted to try making milkshakes."

satoru blinks at you, eyes widening before an amused chuckle escapes his lips. you're about to ask what is so funny but he gestures back down the aisle. "go get some."

he waits for you as you go grab another carton, leaning against the cart easily. when you make it back and place the extra milk in the cart, satoru slings an arm around your shoulders. you raise a brow, but he just continues to push the cart with his free hand and says nothing.

so you don't say anything either.

the two of you continue shopping, trying to remember the things you've noticed the kids enjoying because you know they'll be too uncomfortable to outrightly request them. for every sweet snack satoru puts into the cart, you add something that can pass as somewhat healthy, and he hides a teasing grin behind his fist each time.

when you're almost done, satoru motions to the shelves of snacks, raising a brow at you. "what do you need, hotshot?"

you look up from where you're analyzing the contents of the cart. "hm? oh i don't wanna buy anything for myself. i'm good with the stuff i have back at the dorm."

"great," he shrugs with a subtle shake of his head. "except you're not buying anything this time, i am. so pick something."

"what?" you frown, walking over to him. "we're supposed to split groceries for the kids."

"we can split next time." satoru rolls his eyes at you, as though annoyed by your insistence. "i just got paid yesterday and i wanna waste money. pick something."

you groan. "but there really isn't anything i want. if you're gonna pay yourself then let's just go. i think this is good enough."

satoru looks unamused, his eyes boring into yours—bright, dominating, mesmerizing. "oh really? nothing you want?"

you stare at him in confusion as he walks over to the frozen section and opens the door. after a few seconds of rummaging, he pulls out a box. "not even this?"

your shoulders drop. he's holding a tub of strawberry ice cream.

he casually places it into the cart, eyes trained on your expression as he bends down. "it's your favorite, isn't it?"

your voice comes out throaty, and you wet your lips nervously—his eyes follow the movement at lightning speed. "how'd you know?"

satoru scoffs out a haughty chuckle, reaching up to knock a knuckle at your forehead—it's cold. "i know everything about you, hotshot."

he moves to grip at the cart's handle, standing close enough that you can feel the energy radiating off of him. the side of his hand touches yours, still cold. "now we can go."

he sticks by your side, pushing the cart towards the counters as he casually looks around the store. you briefly realize that his shadow doesn't cover you when you're at his side like this. the thought both scares you and pleases you in a way you didn't think was possible.

"thanks toru," you mumble before you can stop yourself. his gives you a sidelong glance—assessing.

his lips twitch. "it's just ice cream."

"no, it's a lot more than that." you're not really sure why you say it so tragically, and satoru inhales sharply. you notice that his knuckles have turned white as he grips the cart's handles. once again, his eyes dart rapidly over your face—between your eyes and then further down.

then he lets out a hushed laugh, nudging your shoulder with his. "as long as you share with me, hotshot."

everything is always changing, but satoru is constant.

you can't help but smile. "always."

you two don't say much as you head to the counter, taking turns placing all the items on the belt. you quietly watch satoru dig into his wallet, feeling oddly content doing so. you think the stars in your eyes will never disappear.

the clerk eyes you both, and suppresses a fond grin. with your close proximity, shared cart, and satoru's easy going smile, you realize that she's probably misunderstanding, but you don't really know how to correct her. satoru says nothing—he just continues smiling, oddly pleased.

he smiles all the way to the car. you catch yourself doing the same in the rear view mirror.

xv. retribution

the first thing you notice when you kneel in front of suguru is that he's bleeding all over the place. you have the strongest urge to scramble and grip his fingers tightly, just as he had done for you so many years ago—but you don't dare. you're too scared that touching him will ruin you completely.

he says your name quietly, and yet it's the loudest thing in the universe to you—crashing over your ears until you've lost all sense of self.

and then he leans forward, his gaze heavy, and his hand comes up to tangle in your hair. his palm rests on the side of your face just like it did when he visited you at your family home. the last time you saw your geto suguru.

except this time he moves further—crosses a line. presses his lips to yours.

he tastes like blood. you don't pull away.

the feeling of his lips shocks you though, and you stay permanently frozen in place as you feel your eyes glaze over with something you can't put into words.

suguru kisses you slowly, deeply, like he's been waiting but wants to savor it. maybe you've been waiting too. you're not sure. you're so confused.

you don't even process the way his tongue slips past your lips, tasting almost eagerly like your mouth is some kind of conquest he's trying to claim.

it's intrusive, but not unwelcome. slow, but not gentle.

you whimper quietly, feeling acid sting down your cheek as he pulls away and his eyes flutter open. he takes in your expression, and a million emotions pass over his face.

a quiet chuckle. "that bad, huh?"

you shake yourself out of it and try to push away the flush creeping up your neck. "w-what?"

"you're crying," he announces, his furrowed eyebrows paired with a sweet smile that makes him look so unbelievably tragic. "the kiss was that bad?"

your face burns, and you raise a shaking hand up to your cheek—it's wet.

"it wasn't—i didn't—" you struggle. "i mean—"

he smiles ruefully. "i'm sorry. you were saving it for someone special, right?"

there's a charged silence that follows as you scour your brain for the conversation he's referencing. when you find it, your heart sinks.

"you've always been special to me, suguru." your voice comes out quiet, but he hears it all the same. his eyes widen fractionally and you can see a light pink dust his cheeks before he laughs. it's soft, hushed, and looks like it's painful, but he lets it run its course.

it reminds you of a laugh from so long ago, at a beach, with childish screams echoing against the sound of waves. you think you can feel strawberry ice cream dripping down your wrist.

his laughs die down and he's left smiling softly at you. his lavender eyes sparkle with mirth as he tilts his head. "i'm glad. that you were the one i gave a room to."

you can hear waves in your ears, crashing crashing drowning. sand is in your hands, in between your toes, in your eyes.

he coughs, and his palm shakes against your cheek. you wonder why he doesn't just let go already dammit suguru.

you inhale sharply, trying so hard to breathe because what is that stupid thing that's clogging your throat and preventing you from speaking? there's so much you have to say to him. so many questions. so many things left unsaid. your words are failing you.

but silence with suguru has never once been uncomfortable, right?

you raise a shaky hand to press against his where it lays against your neck. "do you regret it?"

he licks his lips, smiling faintly, as though he's enjoying the new taste of you on them. "no."

"why not?" you whisper. your body unconsciously shuffles closer to him, chasing his warmth because gods is he warm. he's always been so warm, even now, in the throes of death.

"my feelings are still the same. i still hate the monkeys for everything they've done, all the crap they cause." he shuts his eyes, smiling that serene smile. you wish he was leaning against a tree trunk. "i still have no resentment to those at jujutsu tech. and you, i still…"

he doesn't continue. you don't think you want him to. there's a flush crawling up his neck, the faint pink a stark contrast to the red of blood. it makes you nauseous.

another deep inhale, and his thumb slides over your jawbone, before brushing under your bottom lip. he stares at the flesh heavily, letting his finger press into it. his tongue swipes over his own lips, eyes darkening further.

and then something shifts in his face, and he smiles mirthlessly. his hand drops from your face—broken contact.

he doesn't tear his gaze away from you, committing your face to memory. it's almost like he wants to say something, but decides against it at the last minute as he slumps further into the wall behind him and shuts his eyes.

when he speaks again, you know that it is all over.

"you're late, satoru."

[libraryofgage]

Good Vibrations Two

This AU got a lot more attention than I expected actually hfjdks I'm so glad everyone likes it!

Anyway, here's part two! We get some concert, some peeks at how Robin helps Steve navigate social situations, and a little Eddie having an itsy-bitsy crisis over Steve's fashion choices.

Have fun! And, as always, if you see any typos, no you didn't (especially for this one since I wrote most of it on my phone actually lmao)

----

Steve stares at the shirts laid out on his bed, arms crossed over his chest. Choosing jeans had been easy, but choosing a shirt is giving him trouble. What do you wear to a metal show at the local dive bar for a small-town band in which the lead singer is a long-time and way-out-of-your-league crush that you've been holding a candle for since the first time you saw him laugh on top of a cafeteria table?

You definitely don't show up in a plain black shirt, that's for sure.

The lights in the hall outside Steve's room flicker, switching off and on three times. Steve just barely notices, which means he doesn't get his pants scared off when Robin appears in the doorway, grinning at him while pocketing the key to the front door he'd given her months ago into a messenger bag. "Hey, dingus," she says, striding into the room and flopping onto the bed.

Steve rolls his eyes, yanking the shirts out from under her and laying them once more over Robin's stomach and legs. "What shirt should I wear?" he asks.

It takes a few seconds for Steve to look from the shirts to Robin, and she patiently waits until he's staring at her to say, "Just pick one. Nobody's gonna care what you're wearing."

"I care," Steve says, frowning as he looks back at the shirts. For the aforementioned crush reason, Steve cares very much about the shirt he wears. "What says 'Hi, we've never talked before but your music is the only thing I can hear and I think your hair is in desperate need of quality shampoo and also I've been halfway in love with you since, like, sophomore year'?"

Robin considers the question for a long moment before picking up a red sweater. "This one says 'I'm horny'," she offers.

Steve blinks, staring at the sweater for a few beats before laughing. "But I'm not," he says.

Despite looking at Robin, she happens to angle her head toward the sweater, and her response is lost on Steve. He frowns, waits until her jaw has stopped moving, and says, "I didn't get that."

After Robin first learned about Steve's deafness, he'd been overly anxious about asking her to repeat things. Somehow, it was worse to constantly ask when the person knew he couldn't hear well, if at all. But Robin had never shown annoyance; she'd just adjust her posture, make sure Steve could see her lips, and repeat her words. She does all of this now, and Steve gets to read her joking response, "Yeah, but you will be."

And, yeah, she has him there. Steve huffs and collapses onto the bed beside her, sacrificing the shirts. "I'll need a jacket," he says, turning his head to look at Robin so he can read her response.

Instead of words, though, he sees her face light up, and she jumps off the bed. Steve sits up, watching as she digs in her messenger bag before pulling out a t-shirt. "Remember when I stayed over a few weeks ago? And you let me borrow a shirt? You should wear it!"

Thankfully, Robin waits until she's done talking to throw the shirt in Steve's face. Honestly, he only understood a few words ("remember," "borrow," and "wear") but he's gathered enough context clues to get the gist of things.

He spreads the shirt out, humming at the Iron Maiden design. It's not one he wears often; for the most part, it's a shirt he wears on lazy days at home because of how soft it is. But as he's studying the design, Steve is suddenly hit with a stroke of pure genius.

He quickly changes into the shirt and then grabs a varsity jacket (not his letterman, but one he'd seen at the mall and bought on a whim because it used a nice shade of yellow) off his desk, tugging it on over the shirt but leaving it unbuttoned. After a few more seconds of digging around, he finds sneakers under the bed and tugs them on.

"Okay," he says, turning so Robin can see the outfit from every angle. He comes to a stop when he's facing her once more, hands buried in his jacket pockets, and asks, "What do you think? How's it look?"

"I think you'll give Eddie a crisis," Robin replies, wrinkling her nose at the varsity jacket. "Not, like, a bad one. But he'll probably ask where you got the shirt from."

Steve grins, thinking that sounds about perfect, and turns to study himself in the mirror. It's a surprisingly solid blend of metal and jock, and it makes him feel oddly confident, the same way he felt the first time he did his hair just right and everyone complimented it.

"Perfect," he decides. "Let's go."

----

The ride to the Hideout isn't exactly quiet, but it's not like Steve can talk and drive at the same time. So it's filled with music blasted as high as it can go on his car stereo, causing the whole vehicle to vibrate with each beat. When he finally turns the car off after parking, Robin grimaces as she rubs her ears.

She waits for Steve to be in front of her before saying, "We're putting the windows down next time."

"Oh. Sorry," Steve says, rubbing the back of his neck a little awkwardly as Robin dismissively waves off his apology.

"No, it's fine, I'm just saying. Now, let's get inside before they start."

With that, she loops her arm through Steve's and drags him into the Hideout. They're hit with a wave of cigarette smoke, spilled beer, and sweat as they walk through the door, the combined smells making Steve dizzy. He frowns, leaning closer to Robin as she squeezes his arm. He feels her thumb tap him twice, their code for asking if the other is okay.

"I'm fine," he mumbles, nodding to a table in the corner. "Let's go sit. I just need to get used to...everything."

The lights are weird, too. Despite the place being dim, the few lights that are on are flickering, and Steve is having trouble processing all the new information his (working) senses are taking in.

Thankfully, Robin pulls him over to the table he pointed to, a small circle near a stage of dubious sturdiness. It looks like it can barely hold the instruments, much less those plus the people who will play them. There's an amp on the side of the stage near the table, which means they'll have the perfect spot to feel the music's vibrations. Steve slides into one of the chairs there and closes his eyes, resting his arms on a table that is surprisingly not sticky.

He feels Robin move the other chair next to him, slide in, and start pulling things out of her bag. When Steve opens his eyes again, there's a notebook between them and a variety of pens in all different colors spread out across the open pages. Robin has already picked up a red pen and is writing with it as Steve chooses a purple one.

When Robin is done writing, she taps the page so Steve can read, "Want something to drink?"

"I'm not sure we can trust the glasses here," he writes back.

"The fact you're calling them "glasses" tells me everything. Just sit tight."

With that, Robin drops her pen, winks at Steve, and heads over to the bar where a woman is wiping the counter. Steve watches her for a few seconds before looking around at the other people in the place. Most of them are sitting in groups, talking amongst themselves. Most of them also have mustaches or beards, making it downright impossible for Steve to read their lips.

Instead, Steve just gets a dull kind of rush in his ears, an ever-present background noise he can't escape. Soon enough, maybe because he's thinking about it too much, a high-pitched ringing starts up in his right ear, growing and growing in pitch until it's all he can focus on. Steve grimaces and looks down at the notebook, trying to keep his shoulders relaxed so he doesn't look as tense as he feels. The ringing persists, and he rubs his ear like that's going to help.

His ear is still ringing, though it has started to diminish, when a water bottle is placed in front of him. Steve jerks, forcing himself to calm down as Robin slides into her seat again with a mug of beer that's more foam than anything else. "They're about to start," she says, waiting until Steve has nodded once to show understanding before taking a sip.

Steve looks up at the stage and wonders how he missed Eddie and his friends arriving. As his friends are setting up behind him, Eddie is resting one hand on the neck of his guitar and using the other to hold the mic close to his mouth. Steve can't read his lips, but Eddie's grin is a little contagious as he says something to a guy by the bar. The guy must say something back, because Eddie bursts out laughing, his head thrown back to show off a neck Steve wants to bite.

A tap on his arm brings his attention away, and he looks at the notebook to see Robin has scrawled out a transcript:

"Eddie: Thanks for coming out tonight, everyone

Guy: Fuck off, Munson

Eddie: Love you, too, Jeremy"

Steve snorts, looking up to see Robin's equally amused smile as she continues to write on another page. When he glances at the stage, Steve sees Eddie still talking into the mic, his eyes roaming over the audience until they reach Steve and Robin. Eddie seems to grip the mic tighter, and he holds Steve's eyes for a few seconds, giving just enough time for Steve to wave awkwardly before Eddie looks away. But his smile seems a little bigger than before, and Steve is happy to let himself think he caused it.

When he looks down again, Robin has finished writing, and she nudges the notebook closer to him. Eddie must talk fast, because her writing is almost indistinguishable from chicken scratch in dirt that a cat got dragged through. Thankfully, Steve is an expert at this point.

"Eddie: Anyway, you know the drill. We'll start with some Metallica, treat you to Iron Maiden, throw in a dash of Black Sabbath, and then grace you with a Corroded Coffin original. If you don't like it, not my problem."

Steve feels the beginning of the set as he finishes reading. He sits a little straighter, planting his feet firmly on the floor and placing his palms on the table with his fingers spread. Robin is still writing next to him, most likely transcribing the bits and pieces of conversation she can hear for Steve to read later and laugh at. She doesn't try to get his attention while she does, already knowing it won't be worth it after Steve has shifted into Music Mode.

In the same way that people can tell what song is playing based simply on the first note, Steve can sometimes tell based on the strength and length of the first vibration. In the same way people know the lyrics of songs after listening to them enough times, Steve knows the vibration patterns like the back of his hand. In the same way people who hear their favorite songs played live can tell when a note is wrong or a lyric is sung too fast, Steve can tell when the drummer or bassist makes tiny mistakes that wouldn't be caught otherwise.

And Steve loves it. He loves how his entire body thrums with each vibration that travels from the amp. He loves how he can close his eyes and picture a story based on the music, one that probably doesn't match the lyrics but tends to replace them in his heart. He loves that this is something he can still share with his friends, even if most of them don't realize how different his experience with music is.

So, for all the little bumps and dips that occur in the vibrations as Corroded Coffin plays, for all the tiny slips that certainly go unnoticed by anyone else, and for all the fact that Steve doesn't get to hear Eddie's voice, he can confidently say he loves the show. He's never heard the songs played like this before, and it helps diminish the gut-deep desperation for new music.

And then Corroded Coffin starts a new song. It's one Steve doesn't recognize, one with vibrations that are completely foreign to him, and he jerks his head up to watch Eddie play his guitar in an opening solo. It thrums across the floor, climbing up his legs and spreading in waves from his palms on the table. Steve feels goosebumps chase after it, a new wave washing over him when the guitar solo ends with a particularly strong vibration that's immediately followed by the drums and bass.

Eddie throws himself into the music, moving and twisting and strutting around the stage like he's playing to Madison Square Garden. Steve can't look away, the lyrics incomprehensible but replaced by the jerk of Eddie's hips and the tilt of his head and the little half-spin he does on his heel.

It ends too quickly with one final, reverberating strum that lingers in Steve's bones, burrowing into his marrows as Eddie pushes his hair back and grins into the mic. He says something breathlessly, his shoulders rising and falling rapidly as he tries to catch his breath, and Steve knows he's gone.

He's hopeless.

He's desperate.

He needs more Corroded Coffin, more Eddie, in whatever form he can get.

----

For the first time, Corroded Coffin gets genuine applause after playing. Usually, the patrons of the Hideout will politely clap (if they even notice the set is over) for about two seconds. Tonight, however, Eddie and his friends are graced with excited clapping, a few shouts, and one very strong whistle from a small table to the left of the stage. And it spreads because even rough biker dudes can fall to peer pressure when it's that enthusiastic.

So, yeah, genuine applause all because of Steve Harrington and Robin Buckley who, Eddie thinks, is surprising company for the former King of Hawkins High. No matter how unexpected, he should still thank them and ask what they thought of the set now that it's over. He carefully sets his guitar on a stand and glances over his shoulder, catching Jeff's gaze and flashing a grin. "I'll be right back," he says before jumping off the stage and heading over to Steve and Robin's table.

As he gets closer, he notices the notebook and pens spread out, colorful writing filling the pages and Steve grinning with amusement as he reads it. Robin is watching him like she's waiting for him to understand an inside joke already so they can laugh about it together. If Eddie didn't already know Robin was like him (band camp, summer after his junior year, during an unfortunate game of Seven Minutes in Heaven where they awkwardly stood in a closet together before Robin commented on his black bandana), he'd wonder if something was going on between them.

"How'd you like the set?" Eddie asks when he reaches the table, suddenly nervous enough to tug on a lock of his hair and pull it in front of his mouth.

Robin looks up, but Steve doesn't. He's still reading the notebook, snorting at whatever is written there like he didn't hear Eddie. It's not until Robin elbows him that he raises his head, eyes widening when he sees Eddie. "Sorry, could you repeat that?" Steve asks, his gaze dropping to Eddie's mouth (Eddie definitely isn't imagining that) and faltering some.

"I asked if you liked the set," Eddie says, frowning slightly as Robin grabs a pen and scribbles something on the notebook. It's too small for him to read, but he doesn't miss how Steve glances down for less than a second before his eyes light up with realization.

"Oh!" he says, looking back at Eddie and flashing a charming grin. "It was great. You guys are so loud, and I've never f-uh, heard anything like your original song before."

Eddie catches the way Steve fumbles, faltering like he wanted to say one word but forced himself to say another. Something is tugging at the back of Eddie's mind, but he can't quite grab onto it just yet. For now, he leans forward, placing both hands on the table so he can be closer to Steve. "You listen to metal often, Harrington?" he asks.

Steve stares at his mouth for a few seconds before nodding, and Eddie feels the thrill of learning something completely unexpected. "I like Black Sabbath best, but Judas Priest and Guns N' Roses are close seconds," Steve says.

"Yeah?" Eddie asks, "What do you like most about it?" He wants to know. Does Steve Harrington (King Steve, Steve "The Hair" Harrington, Steve fucking Harrington) like metal for the same reasons he does? Does he like the stories and the passion and the heavy theatricality of it all?

Steve seems to hesitate, possibly thinking about how to answer, before finally saying, "I like how it's music I can feel. When I listen to metal, it digs into my bones. Other music doesn't."

Somehow, Eddie's grin gets impossibly wider, and his cheeks are hurting from the sheer force of it. He's about to say more when Robin glances at the clock and swears under her breath. "Shit, I promised Mom I'd be home ten minutes ago," she says, grabbing the pens and recklessly throwing them into her bag.

It's the movement that seems to catch Steve's attention, and he looks down at Robin's hands before looking up at the clock. "Oh, fuck, your curfew," he says, looking at Robin like she hadn't just said the same thing two seconds ago.

"Yeah, no shit, dingus," Robin says, pausing long enough to speak while looking straight at Steve before throwing the notebook into her bag, too. She jumps to her feet and hauls Steve out of the chair, making his varsity jacket fall open to reveal an Iron Maiden shirt.

And Eddie thinks his heart just about stops. He doesn't know why, but seeing Steve in a metal band shirt under an undeniably jock jacket makes him feel....something. This is, like, sacrilege, right? How dare Steve Harrington allow Metal and Jock to meet? Doesn't he know the two styles clash? Or, well, they're supposed to clash, but Steve somehow wears them well, and Eddie thinks he's upset and annoyed by the fact.

Before Eddie can analyze that feeling, Steve says, "Sorry to run, Eddie. You played really well. Let me know when the next show is."

There's a lot to unpack there, too. Steve Harrington wants to come to another Corroded Coffin gig. Steve Harrington is sorry he has to cut the conversation short. Steve Harrington thinks his band played really well. Before Eddie can say anything in response, Robin is dragging Steve away, throwing a goodbye over her shoulder.

Eddie doesn't want Steve to go without something, though, some kind of departing word, so he shouts, "See ya later, big boy!"

Steve doesn't look back, but Robin nearly trips over the doorway. She then pauses long enough to say something to Steve, watching with sheer delight as he splutters and glances at Eddie before dragging her through the door. Eddie couldn't stop the grin if he tried, and he didn't try.

Later, when Eddie is sprawled on the floor of his room, staring up at the ceiling and thinking about Steve's stupid combination of Metal and Jock, he'll be struck by a sudden, consuming thought. What if Steve was wearing just the Iron Maiden shirt? What if he wore just the jacket?

Eddie swallows around the sudden lump in his throat, his mouth going dry as he scrambles to his feet and gets ready to take a very, very cold shower.

----

Tag List (the tag list is completely filled up! There definitely wasn't enough room for everyone who requested a tag orz

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[mysteriesmuse]

You’re hiding in your Hiding Place — Bakugou Katsuki’s bicep 💪

In your later years at UA, Bakugou Katsuki ends up with an —unusual reputation within class A. He’s got a notoriously famous mean streak, but in 1-A he’s also got a reputation for having a strangely nutty tough-love aura about him — which makes him a decently good person to come run to when things go wrong. Naturally, not anyone’s top pick or anything, but a good one for when you need cry your heart out, or something. And, Bakugou usually knows, which is why he’s not all too surprised when you plow into his midsection in the middle of the hall. He’s headed upstairs from a later dinner because of his internship when he sees you. You’re coming straight from the dormitory showers, a chrous of familiar caterwauling floating out from the boys side. That’s why he took his showers in the morning, if he could help it, because at least Iida didn’t attempt to sing. You look soft and malleable stepping out from the bathroom. An old tye-dye shirt boasting participation of some kind of annual charity run and a pair of sweatpants on. The cuff at you ankles revealing your — now, slightly pink house slippers due to a washing mishap that happened last week in the dorms with a certain Shitty-Hair’ed guy and his red-themed hero costume. Your arms and face are dewy with what he presumes is that moisturizer that all you girls like to lather up in daily — and your hair is still on the verge of wet and stringy, but also frizzy and fuck, you look so very tired and soft right now. Katsuki pauses, red eyes squinting at your face; your nose is pink and your face is dewy, but those aren’t fingerprints left in the wake of moisturizer — it’s old tears that’s streaked over it. He huffs from his nose, nostrils flaring before he takes his hands out of his pockets and flexes his fingers at you where they hang by the side of his hips. And it’s then that he sees your shoulders slacken slightly before you’re suddenly pressed up against his front. All causal and warm — pressed as far into his abdomen as you can get, and he can feel your boobs smush against his chest because you’re very clearly not wearing a bra — and also because he’s earned a reputation for being a decent fucking human and for being nonchalant about that stuff. Bakugou is one of three guys in the dorm you guys deem trustworthy and reasonable enough to do that with. (The other two being Shouji and Todoroki.) And thus, he’s been grappled into many squishy-boob hugs by all you shitty girls. And your cheek is pressed against the hard plain of muscle that is his chest and your arms are wrapped around him — just under his shoulder blades in an action that lifts him and pulls Bakugou in towards you just a little bit. Your fingertips pressing into the muscle on his back and he hopes you don’t feel the way his heart is lub-dubbing inside his chest at the action. And suddenly Bakugou pulls you closer to him. A bicep circling protectively beside your chin, as a big palm comes to rest atop your damp hair. His other arm squeezing around your mid-section like a python and it’s a good thing too because as soon as he puts his arms around you Bakugou can feel that strength seeping from you and it feels like he’s holding you together. And that’s when the sniffles start.

“I’m so pathetic,” you whine. “As soon as you put your arms around me I felt my knees buckle.” And you’re pressed so close Bakugou can feel the way your lips move to form the words right against his chest. And instead of Bakugou saying anything mildly helpful in this situation his says, “I have that effect.” With a slight shrug that brings the top of your head pressing against his jaw, which might just be him engulfing and cradling you completely, but who knows? And Bakugou has no fucking idea why he said that. Or how he managed to say something so flirtatiously cringy with such calm, but all you do is attempt to shake your head against his hold and mumble, “yeah, that makes sense. I’ve seen the other girls around school.” Which you punctuate with a snort, an arm moving from his back to swipe at your face. Bakugou has no idea where this is going — except for you to start “hilariously deflecting” from whatever problem is at hand. “There’s this one girl,” you start with a breath, “she’s always hanging around the hallway between classes. She’s definitely trying to catch you at your locker, but she always just ends up next to mine and Momo’s — saying something random before running off. She’s definitely into you.” You look up at him, still completely weak in his hold and Bakugou scrunches his nose at you. An action that you find looks unnatural and awkward on the sharp features of his face. You frown, hoarsely laughing, “Stop that.” About his facial expression. Bakugou can’t imagine any girls wanting to be with him. Surely he’s a terrible catch at a boyfriend.

He face curls into a snarling scoff, “Nope. Can’t see it. You must be imaging things.” He declares forcefully pressing your head back into the cocoon of him. He settles his head back on top of yours and you’re now squirming like a damn worm. And you find some strength as you manage to peek your face out and blink at him with furrowed brows. And maybe it’s cause you’re in a vulnerable state with a good friend and maybe it’s because you’ve been harboring a little bit of a recent crush on the boy, but you blurt out, “You’re a catch. You know that, right?” And again his stupidly handsome face scrunches into that weird shape again before his red eyes are staring into yours. The hand on your back clutches at your shirt fabric before he says, “You really think that? You’re not just fucking with me?” You snort, wiping a few more stray tears from an entirely different problem than the internal one that the blonde is currently having. “Yeah I really think that, Bakugou.” And there’s a little quip on the side of his mouth that might count as a Bakugou smile, but it’s gone before you can tease him about it. The explosive murder god boy being unsure about his status as attractive is entirely too precious and far too laughable a situation — which is probably why your aggressively smooshed back into his chest and why he starts waddling side to side. For some damn reason the gently rocking from foot-to-foot placebo affects you into crying it all out. Some remnant of being a baby you suppose, but it’s still annoying how Bakugou’s managed to peg it on you so easily. And you’re damn right Bakugou’s doing it on purpose because you very clearly have a problem of your own or you wouldn’t be clutching onto him for dear life like you are right now. And despite this revelation that Kirishima may be right in the fact that’s he’s attractive he’s still whirling at the thought that you think he’s a catch. Because you’re the only girl he’d probably ever want thinking that — but Bakugou tucks that piece of knowledge into the back of his brain when Momo comes out of the showers next. A giant frilly nightgown on as she scampers over — talking and whispering to you gently from within your little hiddie-hole formed by his curled bicep and forearm. And he just huffs, and continues to cocoon you in his embrace rocking back and forth like a damn rocking-chair as you rattle off whatever’s been on your mind.

What’s on his mind is for another day . . .

[traitormithos]

.

[ashwhowrites]

No cash, no problem

Summary- Y/N can't afford to pay Eddie for the night, but he has a different payment in mind

⚠️smut- oral sex and fingering ( age gap but it's all legal )

Single milf!reader x babysitter!Eddie

~~~

Eddie struggled to find a job, he did his dealing but he also wanted a job so Wayne could know where the money came from. But based on his appearance and reputation in the town, not many gave him the opportunity.

Then he met a stressed-out mom in a store. Way in over her head and struggling to keep her three kids in check. He helped that day and now months later, he found himself their babysitter.

Eddie adored Y/N and her kids. He met her ex, he was a total dick and a shitty dad. The kids loved him, he got along the best with the two boys. They talked about movies and video games. He got along with everyone and he had a good relationship with Y/N.

Eddie had all the kids down for bed by the time Y/N arrived. He sat on the couch as he watched the TV low. He watched as she bent over to take off her heels. She sighed deeply and ran her hand through her hair.

"Stressful night?" Eddie asked, his voice causing her to jump and turn around. A relieved smile as she noticed it was Eddie. He muted the TV as she walked over. He eyed her dress, the way her body looked amazing. Her curves are more at notice with the tightness of the material. Her perfume smelled amazing and she looked gorgeous.

"You have no idea," she groaned, she began to dig around in her purse. Eddie assumed for cash for the night.

"Tried a date, right? Complete asshole, who didn't even pay for dinner. Then doesn't drive me home so I had to take a cab," her voice got more stressed as she dug around in her purse faster. "Which now I realize I gave the last amount of my cash to the driver and now can't pay my fucking babysitter." She groaned, throwing her purse on the floor.

Eddie held back a small laugh at her mini meltdown. "It's alright, Y/N. Don't worry about it." He said.

"No! You do so much for us and deserve to be paid. I mean you got Ben an A on his project, and Kasey won't shut up about you. I think she's in love. And Jack adores you. I mean you do more than their father." She ranter, steering away from the topic. "Can I double it next time? Or I can write a check?" She struggled to find a solution and she was so frantic about it. Eddie couldn't help but watch her fall apart.

"Those are all fine. Or honestly, it can be on me. It sounds like a shitty night." Eddie offered, he stood up, his body up close next to hers. He felt his fingers inching towards her before his brain knew.

"I need a bath then I'll be fine. But I'm still paying you some way." She smiled gently at him as she touched his arm. A short way to show her affection and a promise. She went to move away but Eddie moved faster. His hand grabbed her arm, and he brought her hand up to his mouth. He watched as she froze and sucked in the air. Her mouth slightly opened.

"I think I know a way you can pay me. A slightly different method." He whispered, then he took her ring finger, one that used to have a band around, and slowly put it in his mouth. He was crossing a huge boundary and he prepared for the slap across his face. But instead, she moaned and zoned her eyes in on his mouth as he sucked her finger.

"What's that?" She whispered, her voice cracked and she coughed to try to fix it. Her eyes never left his mouth as he let her finger go with a pop.

"Let me eat," he started, yanking her arm to bring her body smack against his. She stumbled into him but he kept them in balance, "that pretty pussy, momma." He whispered against her lips.

She wasn't sure if she got drunk off her glass of wine or if Eddie was truly hitting on her. He was an attractive boy, but he was just in his twenties and she was ten years older than him. It was way too wrong to feel this turned on.

"The kids." She mumbled, turning her head to look up the stairs. Eddie grabbed her chin and brought her face against his again. His lips were right on top of hers.

"Then you'll have to be quiet then, huh?" He smirked, raising his eyebrows as he challenged her.

"But..." She trailed off. She tried to wrap her brain for an argument but she felt like her brain shut off.

"You say stop, and I'll stop. Let me make you feel good, take away your stress. Feast on you like you've never felt. Not by that loser ex-husband and not that loser from tonight." His dirty words made her submit. A little pleasure wouldn't kill her and he was of age. And based on the hardness she felt against her thigh, it was something he wanted.

She nodded and allowed his lips to smash on hers. She gasped as he slammed her against the wall and his hands immediately slipped under her dress. She moved her tongue into his mouth and her hands went in his hair. She was rough and tugged. Harder each time she heard the growling sound he made.

She moaned against his tongue as his fingers moved her underwear aside, and his fingers fucked into her. Her head fell back and his mouth latched on her neck. She cradled his head as she began to ride his fingers. She bit down on her bottom lip to keep quiet, not trying to scar her children for life.

She gripped his hair harder when his thumb rubbed her clit and his teeth sunk into her flesh.

She got her breath back when he pulled away, but her break didn't last long. He dropped to his knees and pulled her leg over his shoulder. He growled at the sight of her wet pussy, pulsing and asking for more. He didn't need the extra wetness, but he still spit right on her clit. A way to mark her as his.

She threw her hand over her mouth the second his tongue was on her clit. He knew just how to suck and flick. He made her knees shake. His fingers were back inside of her as he sucked on her clit.

Eddie loved the taste of her on his tongue. She was sweet and way better than he imagined. He couldn't deny the amount of times he thought of doing this. And the many nights he craved to taste her just like this.

He didn't care to be clean, he was messy and sloppy. His tongue moved between her folds to taste every inch, removing his fingers just to circle his tongue inside. Her body arched off the wall and he could feel her digging at his roots.

Eddie moved his tongue back up to her clit, and his fingers entered her again. He went fast and slipped in three fingers, and then slipped in a fourth one. He felt her snapping before she even made a sound. Four fingers deep as he fucked her and spelled his name with his tongue on her clit, sucking harshly at the very end as she came.

Her body slumped against the wall but he kept his mouth on her, shoving her against the wall and he held her up as he finished tasting her. She was sensitive and shaking but he made sure to lick up every single drop.

She tried to catch her breath when he gently placed her leg back on the ground, he moved her underwear back in place and pushed the underwear against her sensitive clit. She bit back the whine, the material soaked up her wetness. He pushed her dress back down and cleaned off his mouth.

He smirked as he took in her fucked off state. "no cash, no big deal."

Tags!

@bmunson86 @mxcheese @ladymunson @michaelfuckinglangdon @z0mbie-blah @biittersweet @mirrorsstuff @somethingvicked @micheledawn1975 @ago-godance @magnificantmermaid @tlclick73 @hargrovesswifee @cityofidek @manyfandomsfanvergentreblogs @silky-luxe @lokiofasgard616 @loving-and-dreaming @eddiemunsonsbitch69 @thegemaqua @ashlynnkennedy @strangerthingsstories5255 @harringt8ns @pleasinghellfire @whoscamila @stusdollface93 @gretavankleep37 @bellaisswagger

[theshitpostcalligrapher]

please tell me this manga/comic/show exists i do not wanna have to make it

okok I've posted about this before but I'm watching animation content on youtube again while getting work done and by GOD I WANNA TALK ABOUT THIS AGAIN

There's a specific concept I want to consume as content/art so badly but it came to me in a stupid dream. BUT. Sometimes, a dream means I DID see a hint of it somewhere and my brain accidentally plagiarized it which provides me with the teensiest sliver of hope that exists already and I don't have to work on it

It's a kind of a reverse isekai, right? But instead of an instant portal, it's time passing. And what I mean by that is that it's a Sun Wukong story, but the branch off is that after the main events of Journey to the West he gets either water temple'd or trapped in magic sleep again, not for a few hundred years but a few THOUSAND.

He wakes up to an incredibly far-flung China that remembers his myth and only his myth.

The art style that operated in this dream was sort of. Textured but 3D? Think nimona's buttery lighting but instead of emphasis on light and shapes to operate with the stained glass and solarpunk-medieval style the models are textured in a way that just invokes traditional brushwork and colour bleed even in a more cyberpunkish setting. Think like. Whenever there's a night scene the astigmatism glow of lamplight bleeds a little, like ink feathering on paper.

It's a little bit of a Steve Rogers treatment in a way, the world has moved past him, but also completely mythologized and capitalized on that mythology. Rather than treat that man out of time narrative as an aspect of backstory, it's the MAIN character narrative, because this ISN'T a world that needs him. This world is doing pretty okay, actually.

This a story about him.

Not about his feats or how cool his powers are or the 8 gajillion things the magic staff can do but just.

How ya doing, bud?

From the vaguely coherent notes that I could garner from my sleepily typed googledoc, it seems that I wanted this to be a love letter of sorts to the Asian diaspora experience? A specific sort of loneliness? Where the world you experience has a sort of disconnect in that it makes plain you belong there but you also don't, you never have, and there's no way to go "back" but going forward feels like groping blind through the muck. How much right to the past does he feel like he has? When it's been built into something he can't recognize and is clearly important to other people.

I want the pickup of the plot to gain him friends, family, maybe even a conflict or two but the stakes should never elevate vis a vis physical enemies to battle.

It'd be about 2/3 of this sort of narrative drawn story and the other 1/3 just hogwild worldbuilding and design

I've looked at a few other journey to the west adaptations but they mainly just use him as a funky lil action figure hero that's there to be cool as hell and save the day

99% likely this is just a thing my brain is made up and I'd need a several million budget and about 25 additional skills to start the ball rolling but hey, worth it to ask yall again

[txttletale]

how would you recommend watching doctor who? there are so many different guys idk how it works.

so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.

the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.

if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.

anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.

another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.

there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.

finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.

so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:

rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth

but i want to start with classic who because i'm a contrarian

alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:

an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.

spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.

if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.

i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.

finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:

spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child

all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned

[dresshistorynerd]

The Real Cost of the Fashion Industry

Atacama Desert, in Alto Hospicio, Iquique, Chile. (source)

The textile industry is destroying the world. The industry is wasting massive amounts of energy and materials, and polluting the air, the ground and the water supplies. It overwhelmingly exploits it's labour and extracts wealth from colonized countries, especially in Asia. I assume we all broadly understand this, but I think it's useful to have it all laid out in front of you to see the big picture, the core issues causing this destruction and find ways how to effectively move forward.

The concerning trend behind this ever-increasing devastation are shortening of trend cycles, lowering clothing prices and massive amount of wasted products. Still in year 2000 it was common for fashion brands to have two collections per year, while now e.g. Zara produces 24 collections and H&M produces 12-16 collections per year. Clothing prices have fallen (at leas in EU) 30% from 1996 to 2018 when adjusted to inflation, which has contributed to the 40% increase in clothing consumption per person between 1996 and 2012 (in EU). (source) As the revenue made by the clothing industry keep rising - from 2017 to 2021 they doubled (source) - falling prices can only be achieved with increasing worker exploitation and decreasing quality. I think the 36% degrees times clothing are used in average during the last 15 years (source) is a clear indication on the continuing drop in quality of clothing. Clothing production doubled between 2000 and 2015, while 30% of the clothes produced per year are never sold and are often burned instead (source), presumably to prevent the returns from falling due to oversupply.

These all factors are driving people to overconsume. While people in EU keep buying more clothes, they haven't used up to 50% of the clothes in their wardrobe for over a year (source). This overconsumption is only made much worse by the new type of hyper fast fashion companies like SHEIN and Temu, which are using addictive psychological tactics developed by social media companies (source 1, source 2). They are cranking up all those concerning trends I mentioned above.

Under the cut I will go through the statistics of the most significant effects of the industry on environment and people. I will warn you it will be bleak. This is not just a fast fashion problem, basically the whole industry is engaging in destructive practices leading to this damage. Clothing is one of those things that would be actually relatively easy to make without massive environmental and human cost, so while that makes the current state of the industry even more heinous, it also means there's hope and it's possible to fix things. In the end, I will be giving some suggestions for actions we could be doing right now to unfuck this mess.

Carbon emissions

The textile industry is responsible for roughly 10% of the global CO2 emissions, more than aviation and shipping industry combined. This is due to the massive supply chains and energy intensive production methods of fabrics. Most of it can be contributed to the fashion sector since around 60% of all the textile production is clothing. Polyester, a synthetic fiber made from oil which accounts for more than half of the fibers used in the textile industry, produces double the amount of carbon emissions than cotton, accounting for very large proportions of all the emissions by the industry. (source 1, source 2)

Worker exploitation

Majority of the textiles are produced in Asia. Some of the worst working conditions are in Bangladesh, one of the most important garment producers, and Pakistan. Here's an excerpt from EU Parliament's briefing document from 2014 after the catastrophic Rana Plaza disaster:

The customers of garment producers are most often global brands looking for low prices and tight production timeframes. They also make changes to product design, product volume, and production timeframes, and place last-minute orders without accepting increased costs or adjustments to delivery dates. The stresses of such policies usually fall on factory workers.

The wage exploitation is bleak. According to the 2015 documentary The True Cost less than 2% of all garment factory workers earned a living wage (source). Hourly wages are so low and the daily quotas so high, garment workers are often forced through conditions or threats and demand to work extra hours, which regularly leads to 10-12 hour work days (source) and at worst 16 hour workdays (source), often without days off. Sometimes factories won't compensate for extra hours, breaching regulations (source).

Long working hours, repetitive work, lack of breaks and high pressure leads to increased risks of injuries and accidents. Small and even major injuries are extremely common in the industry. A study in three factories in India found that 70% of the workers suffered from musculosceletal symptoms (source). Another qualitative study of female garment workers and factory doctors in Dhaka found that long hours led to eye strain, headaches, fatigue and weight loss in addition to muscular and back pains. According to the doctors interviewed, weight loss was common because the workers work such long hours without breaks, they didn't have enough time to eat properly. (source) Another study in 8 factories in India found that minor injuries were extremely common and caused by unergonomic work stations, poor organization in the work place and lack of safety gear, guidelines and training (source). Safety precautions too are often overlooked to cut corners, which periodically leads to factory accidents, like in 2023 lack of fire exists and fire extinguishers, and goods stacked beyond capacity led to a factory fire in Pakistan which injured dozens of workers (source) or like in 2022 dangerous factory site led to one dead worker and 9 injured workers (source).

Rana Plaza collapse in 2013 is the worst industrial accident in recent history. The factory building did not have proper permits and the factory owner blatantly ignored signs of danger (other businesses abandoned the building a day before the collapse), which led to deaths of 1 134 workers and injuries to 2 500 workers. The factory had or were at the time working for orders of at least Prada, Versace, Primark, Walmart, Zara, H&M, C&A, Mango, Benetton, the Children's Place, El Corte Inglés, Joe Fresh, Carrefour, Auchan, KiK, Loblaw, Bonmarche and Matalan. None of the brands were held legally accountable for the unsafe working conditions which they profited off of. Only 9 of the brands attended a meeting to agree on compensation for the victim's families. Walmart, Carrefour, Auchan, Mango and KiK refused to sight the agreement, it was only signed by Primark, Loblaw, Bonmarche and El Corte Ingles. The compension these companies provided was laughable though. Primemark demanded DNA evidence that they are relatives of one of the victims from these struggling families who had lost their often sole breadwinner for a meager sum of 200 USD (which doesn't even count for two months of living wage in Bangladesh (source)). This obviously proved to be extremely difficult for most families even though US government agreed to donate DNA kits. This is often said to be a turning point in working conditions in the industry, at least in Bangladesh, but while there's more oversight now, as we have seen, there's clearly still massive issues. (source 1, source 2)

One last major concern of working conditions in the industry I will mention is the Xinjiang raw cotton production, which is likely produced mainly with forced labour from Uighur concentration camps, aka slave labour of a suspected genocide. 90% of China's raw cotton production comes from Xinjiang (source). China is the second largest cotton producer in the world, after India, accounting 20% of the yearly global cotton production (source).

Pollution

Synthetic dyes, which synthetic fibers require, are the main cause of water pollution caused by the textile industry, which is estimated to account for 20% of global clean water pollution (source). This water pollution by the textile industry is suspected of causing a lot of health issues like digestive issues in the short term, and allergies, dermatitis, skin inflammation, tumors and human mutations in the long term. Toxins also effect fish and aquatic bacteria. Azo dyes, one of the major pollutants, can cause detrimental effects to aquatic ecosystems by decreasing photosynthetic activity of algae. Synthetic dyes and heavy metals also cause large amounts of soil pollution. Large amounts of heavy metals in soil, which occurs around factories that don't take proper environmental procautions, can cause anaemia, kidney failure, and cortical edoem in humans. That also causes changes in soil texture, decrease in soil microbial diversity and plant health, and changes in genetic structure of organisms growing in the soil. Textile factory waste water has been used for irrigation in Turkey, where other sources of water have been lacking, causing significant damage to the soil. (source)

Rayon produced through viscose process causes significant carbon disulphide and hydrogen sulphide pollution to the environment. CS2 causes cardiovascular, psychiatric, neuropsychological, endocrinal and reproductive disorders. Abortion rates among workers and their partners exposed to CS2 are reported to be significantly higher than in control groups. Many times higher amounts of sick days are reported for workers in spinning rooms of viscose fiber factories. China and India are largest producers of CS2 pollution, accounting respectively 65.74% and 11,11% of the global pollution, since they are also the major viscose producers. Emission of CS2 has increased significantly in India from 26.8 Gg in 2001 to 78.32 Gg in 2020. (source)

Waste

The textile industry is estimated to produce around 92 million tons of textile waste per year. As said before around 30% of the production is never sold and with shortening lifespans used the amount of used clothing that goes to waster is only increasing. This waste is large burned or thrown into landfills in poor countries. (source) H&M was accused in 2017 by investigative journalists of burning up to 12 tonnes of clothes per year themselves, including usable clothing, which they denied claiming they donated clothing they couldn't sell to charity instead (source). Most of the clothing donated to charity though is burned or dumbed to landfills (source).

Most of the waste clothing from rich countries like European countries, US, Australia and Canada are shipped to Chile (source) or African countries, mostly Ghana, but also Burkina Faso and Côte d'Ivoire (source). There's major second-hand fashion industries in these places, but most of the charity clothing is dumbed to landfills, because they are in such bad condition or the quality is too poor. Burning and filling landfills with synthetic fabrics with synthetic dyes causes major air, water and soil pollution. The second-hand clothing industry also suppresses any local clothing production as donated clothing is inherently more competitive than anything else, making these places economically reliant on dumbed clothing, which is destroying their environment and health, and prevents them from creating a more sustainable economy that would befit them more locally. This is not an accident, but required part of the clothing industry. Overproduction let's these companies tap on every new trend quickly, while not letting clothing the prices in rich countries drop so low it would hurt their profits. Production is cheaper than missing a trend.

Micro- and nanoplastics

There is massive amounts of micro- and nanoplastics in all of our environment. It's in our food, drinking water, even sea salt (source). Washing synthetic textiles accounts for roughly 35% of all microplastics released to the environment. It's estimated that it has caused 14 million tonnes of microplastics to accumulate into the bottom of the ocean. (source)

Microplastics build up into the intestines of animals (including humans), and have shown to probably cause cause DNA damage and altered organism behavior in aquatic fauna. Microplastics also contain a lot of the usual pollutants from textile industry like synthetic dyes and heavy metals, which absorb in higher quantities to tissues of animals through microplastics in the intestines. Studies have shown that the adverse effect are higher the longer the microplastics stay in the organism. The effects cause major risks to aquatic biodiversity. (source) The health effects of microplastics to humans are not well known, but studies have shown that they could have adverse effects on digestive, respiratory, endocrine, reproductive and immune systems. (source)

Microplastics degrade in the environment even further to nanoplastics. Nanoplastic being even smaller are found to enter blood circulation, get inside cells and cross the blood-brain barrier. In fishes they have been found to cause neurological damage. Nanoplastics are also in the air, and humans frequently breath them in. Study in office buildings found higher concentration of nanoplastics in indoor air than outdoor air. Inside the nanoplastics are likely caused mostly by synthetic household textiles, and outdoors mostly by car tires. (source) An association between nanoplastics and mitochondrial damage in human respiratory cells was found in a recent study. (source)

Micro and nano plastics are also extremely hard to remove from the environment, making it even more important that we reduce the amount of microplastics we produce as fast as possible.

What can we do?

This is a question that deserves it's own essays and articles written about it, but I will leave you with some action points. Reading about these very bleak realities can easily lead to overwhelming apathy, but we need to channel these horrors into actions. Whatever you do, do not fall into apathy. We don't have the luxury for that, we need to act. These are industry wide problems, that simply cannot be fixed by consumerism. Do not trust any clothing companies, even those who market themselves as ethical and responsible, always assume they are lying. Most of them are, even the so called "good ones". We need legislation. We cannot allow the industry to regulate itself, they will always take the easy way out and lie to their graves. I will for sure write more in dept about what we can do, but for now here's some actions to take, both political and individual ones.

Political actions

Let's start with political actions, since they will be the much more important ones. While we are trying to dismantle capitalism and neocolonialism (the roots of these issues), here's some things that we could do right now. These will be policies that we should be doing everywhere in the world, but especially rich countries, where most of the clothing consumption is taking place. Vote, speak to others, write to your representative, write opinion pieces to your local papers, engage with democracy.

Higher requirements of transparency. Right now product transparency in clothing is laughably low. In EU only the material make up and the origin country of the final product are required to be disclosed. Everything else is up to the company. Mandatory transparency is the only way we can force any positive changes in the production. The minimum of transparency should be: origin countries of the fibers and textiles in the product itself; mandatory reports of the lifecycle emissions; mandatory reports of whole chain of production. Right now the clothing companies make their chain of production intentionally complex, so they have plausible deniability when inevitably they are caught violating environmental or worker protection laws (source). They intentionally don't want to be able to track down their production chain. Forcing them to do so anyway would make it very expensive for them to keep up this unnecessarily complex production chain. These laws are most effective when put in place in large economies like EU or US.

Restrictions on the use of synthetic fibers. Honestly I think they should be banned entirely, since the amount of microplastics in our environment is already extremely distressing and the other environmental effects of synthetic fibers are also massive, but I know there are functions for which they are not easily replaced (though I think they can be replaces in those too, but that's a subject of another post), so we should start with restrictions. I'm not sure how they should be specifically made, I'm not a law expert, but they shouldn't be used in everyday textiles, where there are very easy and obvious other options.

Banning viscose. There are much better options for viscose method that don't cause massive health issues and environmental destruction where ever it's made, like Lyocell. There is absolutely no reason why viscose should be allowed to be sold anywhere.

Governmental support for local production by local businesses. Most of the issues could be much more easily solved and monitored if most clothing were not produced by massive global conglomerations, but rather by local businesses that produce locally. All clothing are made by hand, so centralizing production doesn't even give it advantage in effectiveness (only more profits for the few). Producing locally would make it much more easier to enforce regulations and it would reduce production chains, making production more effective, leaving more profits into the hands of the workers and reducing emissions from transportation. When the production is done by local businesses, the profits would stay in the producing country and they could be taxed and utilized to help the local communities. This would be helpful to do in both exploited and exploiter countries. When done in rich countries who exploit poorer ones, it would reduce the demand for exploitation. In poor countries this is not as easily done, since poor means they don't have money to give around, but maybe this could be a good cause to put some reparations from colonizers and global corporations, which they should pay.

Preventing strategic accounting between subsidiaries and parent companies. Corporate law is obviously not my area of expertise, but I know that allowing corporations to move around the accounting of profits and losses between subsidiaries and parent companies in roughly 1980s, was a major factor in creating this modern global capitalist system, where corporations can very easily manipulate their accounting to utilize tax heavens and avoid taxes where they actually operate, which is how they are upholding this terrible system and extracting the profits from the production countries. How specifically this would be done I can't tell because again I know shit about corporate law, so experts of that field should plan the specifics. Overall this would help deal with a lot of other problems than just the fashion industry. Again for it to be effective a large economic area like EU or US should do this.

Holding companies accountable for their whole chain of production. These companies should be dragged to court and made to answer for the crimes they are profiting of off. We should put fear back into them. This is possible. Victims of child slavery are already doing this for chocolate companies. If it's already not how law works everywhere, the laws should be changed so that the companies are responsible even if they didn't know, because it's their responsibility to find out and make sure they know. They should have been held accountable for the Rana Plaza disaster. Maybe they still could be. Sue the mother fuckers. They should be afraid of us.

Individual actions

I will stress that the previous section is much more important and that there's no need to feel guilty for individual actions. This is not the fault of the average consumer. Still we do need to change our relationship to fashion and consumption. While it's not our fault, one of the ways this system is perpetuated, is by the consumerist propaganda by fashion industry. And it is easier to change our own habits than to change the industry, even if our own habits have little impact. So these are quite easy things we all could do as we are trying to do bigger change to gain some sense of control and keep us from falling to apathy.

Consume less. Better consumption will not save us, since consumption itself is the problem. We consume too much clothing. Don't make impulse purchases. Consider carefully weather you actually need something or if you really really want it. Even only buying second-hand still fuels the industry, so while it's better than buying new, it's still better to not buy.

Take proper care of your clothing. Learn how to properly wash your clothing. There's a lot of internet resources for that. Never wash your wool textiles in washing machine, even if the textile's official instructions allow it. Instead air them regularly, rinse them in cool water if they still smell after airing and wash stains with water or small amount of (wool) detergent. Never use fabric softener! It damages the fabrics, prevents them from properly getting clean and is environmentally damaging. Instead use laundry vinegar for making textiles softer or removing bad smells. (You can easily make laundry vinegar yourself too from white vinegar and water (and essential oils, if you want to add a scent to it) which is much cheaper.) Learn how to take care of your leather products. Most leather can be kept in very good condition for a very long time by occasional waxing with beeswax.

Use the services of dressmakers and shoemakers. Take your broken clothing or clothing which doesn't fit anymore to your local dressmaker and ask them if they can do something about it. Take your broken and worn leather products to your local shoemaker too. Usually it doesn't cost much to get something fixed or refitted and these expert usually have ways to fix things you couldn't even think of. So even if the situation with your clothing or accessory seems desperate, still show it to the dressmaker or shoemaker.

If it's extremely cheap, don't buy it. Remember that every clothing is handmade. Only a small fraction of the cost of the clothing will be paying the wages of the person who made it with their hands. If a shirt costs 5 euros (c. 5,39 USD), it's sewer was only payed mere cents for sewing it. I'm not a quick sewer and it takes me roughly 1-2 hours to cut, prepare and sew a simple shirt, so I'm guessing it would take around half an hour to do all that for a factory worker on a crunch, at the very least 15 minutes. So the hourly pay would still be ridiculously low. However, as I said before, the fact that the workers in clothing factories get criminally low pay is not the fault of the consumer, so if you need a clothing item, and you don't have money to buy anything else than something very cheep, don't feel guilty. And anyway expensive clothing in no way necessarily means reasonable pay or ethical working conditions, cheep clothing just guarantee them.

Learn to recognize higher quality. In addition to exploitation, low price also means low quality, but again high price doesn't guarantee high quality. High quality allows you to buy less, so even if it's not as cheep as low quality, if you can afford it, when you need it, it will be cheaper in long run, and allows you to consume less. Check the materials. Natural fibers are your friends. Do not buy plastic, if it's possible to avoid. Avoid household textiles from synthetic fibers. Avoid textiles with small amounts of spandex to give it stretch, it will shorten the lifespan of the clothing significantly as the spandex quickly wears down and the clothing looses it's shape. Also avoid clothing with rubber bands. They also loose their elasticity very quickly. In some types of clothing (sport wear, underwear) these are basically impossible to avoid, but in many other cases it's entirely possible.

Buy from artisans and local producers, if you can. As said better consumption won't fix this, but supporting artisans and your local producers could help keep them afloat, which in small ways helps create an alternative to the exploitative global corporations. With artisans especially you know the money goes to the one who did the labour and buying locally means less middlemen to take their cut. More generally buy rather from businesses that are located to the same country where the production is, even if it's not local to you. A local business doesn't necessarily produce locally.

Develop your own taste. If you care about fashion and style, it's easy to fall victim to the fashion industry's marketing and trend cycles. That's why I think it's important to develop your personal sense of style and preferences. Pay attention at what type of clothes are comfortable to you. Go through your wardrobe and track for a while which clothing you use most and which least. Understanding your own preferences helps you avoid impulse buying.

Consider learning basics of sewing. Not everyone has the time or interest for this, but if you in anyway might have a bit of both, I suggest learning some very simple and basic mending and reattaching a button.

Further reading on this blog: How to see through the greenwashing propaganda of the fashion industry - Case study 1: Shein

Bibliography

Academic sources

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Sewing shirts with injured fingers and tears: exploring the experience of female garment workers health problems in Bangladesh, 2019, Akhter, S., Rutherford, S. & Chu, C., BMC Int Health Hum Rights

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