#which if you know me is insane

[milogoestogreendale]

i think maybe one of the reasons i don’t really watch s6 id that im afraid im not abed-nadir autistic: loveable, confident, pop-culture obsessed and part of the found family despite his quirks and eccentricities. sometimes i feel more like frankie-dart autistic… perceived as a cold, detached outsider who never really feels like a true member of the group

honestly i see a lot of myself in frankie, she’s just trying to help greendale in her way of understanding the world which can be very black-and-white. she doesn’t see the point of all the magic that makes greendale what it is because she doesn’t feel like a part of it. we as the audience go in expecting to dislike her, because she symbolizes the change we’re not ready to deal with. they see her as sucking the life out of greendale which im sure is really disheartening to someone who just wants to be loved like everybody else. and it’s kind of heartbreaking to me that frankie never really finds that sense of belonging that made the rest of the group feel unconditionally accepted at greendale

[demaparbat-hp]

She will (and he'll let her)

[mourn-and-watch]

just want to remind y'all of some kirkwall-related details that are not at all relevant for the possible events of datv:

meredith stannard is alive and kicking and is also planning a war against tevinter

red templars are in control of the gallows; it's hard to tell what's going on in the city itself, but with varric absent it might be left with no viscount again

there's an elven graveyard on sundermount where ancient elves entered uthenera; it is also possibly dedicated/related to mythal

there was also a demon contained in an idol on top of sundermount who supposedly possessed a great knowledge about arlathan and eluvians

the veil in kirkwall has always been remarkably thin and tevinter magisters were weakening it on purpose during their reign; the whole city was built as an enormous blood magic ritual site

if the veilguard squad is going to travel through the eluvians there's still one in kirkwall. the one that has been plot-relevant since dao

[yuwuta]

you ask yuuta if he wants a bite of your food and when he says yes you offer your plate to him, but he’s just sat there looking at you with his dumb big bambi boy eyes and his mouth slightly open and he will not look away or blink or close his mouth until you lift your fork to his lips to feed him and then he grins like shit’s sweet and hums about how good the food is like nothing happened like he’s not ridiculously attractive. gonna chew on steel

[pr0cyon-lotor]

Au where Shen Yuan is a dragon with a giant cavern full of books and plays. It's enchanted and stuff so the cavern moves and shifts so it brings you to a section of the library with what you need/want. He occasionally lets people enter to read his books, but you aren't allowed to take them out no matter what. You are sometimes allowed to copy the information on your own scroll or book, but you need permission first.

He gets visited by Wu Yanzi and a young Shen Jiu. Wu Yanzi is looking for demonic cultivation manuals because Shen Yuan has almost one of each manual, encyclopedia, etc ever written.

He pays no mind since he doesn't really care if malicious people come in or not. He does passively keep an ear out just in case.

Wu Yanzi finds a cultivation manual that has everything he needed and could be sold for a lot of money since it was extremely rare and in pristine condition. He tries to sneak it into his bag, and the dragon just eats him. No warning. No heads up. No trumpets or fanfare. No foreboding messages to return the book. Just chomp.

Shen Jiu is taken aback because did his teacher just get eaten? JUST LIKE THAT?!

The dragon nudges the stolen book back into the shelf and looks at Shen Jiu. Shen Jiu is convinced he's going to die there. Except he doesn't get eaten or harmed. He gets gingerly picked up by the back of his robes and taken to the spiritual cultivation section of the library.

Shen Jiu gets plopped onto the floor and the dragon nudges a few beginner and cleansing cultivation manual to fall from the shelf for him and then promptly crawls back to its den.

Shen Jiu, who is instilled with the undescribable urge to scream "what the FUCK?!", instead sits down and starts reading and practicing because honest to god are you going to disobey a dragon that absolutely towers over you?

So when he's satisfied with his cultivation progress, he finally gets ready to leave. The dragon comes back only to put the books away from the shelves that were too far up for Shen Jiu to reach.

Shen Jiu thanks the dragon, which only gets him a huff in response, and because he hates to be in someone's debt (even if that someone is a dragon hundred of years his senior) he says he'll return with books to fill more shelves. He leaves soon after.

He manages to get the Qing Jing Peak Lord's attention during the Immortal Alliance Conference, which was his intention. He gets in a little late but his cultivation is practically caught up. He easily ranks up to head disciple.

During his time in Cang Qiong Shen Jiu jots down everything he learns. He writes down music he composes, discoveries he makes, talisman and array designs he creates, even poems he has written. His Shizun insists that he adds them to the Qing Jing library, and he does but he leaves polished copies of his work and excludes the very important parts.

Eventually when he's peak lord, he goes on an expedition by himself with the scrolls and books he's filled through the years. He finds the dragon's cavern and finally meets it after so long. He presents his life's work to the dragon, practically bearing his heart to it.

The dragon looks at him curiously and transforms into a human form. Shen Jiu watches as the dragon takes the bag from his hands and pulls out the first book, which had all the songs he made for the jiejies in the Warm Red Pavilion to preform.

The dragon say down and invited Shen Jiu to join him. He does and the dragon continues to go through everything while asking him questions about something he wrote or created. Sometimes they get off task and start talking about something else and both appreciate being able to talk to someone that understands classics or is good at debating.

By the time Shen Yuan finally finishes with everything Shen Jiu gave him, they have surprisingly clicked very well. Shen Yuan tells him he's going to make a section in his library for all his works, so he can bring more if he wished because Shen Yuan thought he was a genius that was just starting to shine.

Shen Jiu agrees to continue giving Shen Yuan his work if only to have an excuse to return. And that's how it became tradition that every once in a while the Qing Jing Peak Lord will go off the mountain with a stack of books for days on end and return to none of them.

Sometimes he would even have a strange man come to his peak. If the man visited, that meant Shen Qingqiu was going to be in a good mood, so obviously the kids always told him to stay or come back soon.

And also just as obviously, this is incredibly suspicious to the other peak lords. Cue Liu Qingge and Qi Qingqi pestering Shen Qingqiu and demanding to know what is the meaning of this. Also cue Shen Yuan misunderstanding and getting jealous and then realizing he has feelings for Shen Jiu (after a solid month(s) of denial).

So the next course of action is to keep Shen Jiu from Liu Qingge and Qi Qingqi because they're threats to Shen Yuan's time alone with Shen Jiu. Also he doesn't trust how Shen Jiu covers his face with his fan when they talk to him. Shen Jiu also covers his face when they both talk, so obviously that must mean something and he doesn't like it.

Isn't dragon jealousy great?

Eventually the peak lords find out about Shen Yuan and it was definitely a whole ordeal. Shen Yuan maybe threatened to burn Cang Qiong to the ground at some point, but the threat didn't go through so did it really happen?

Shen Jiu definitely knows about Shen Yuan's feelings for him and is absolutely fucking smug about it. Like who wouldn't want a highly intelligent dragon with a library that is any scholar's wet dream that INSTANTLY becomes a begging puppy when he wants your attention.

As far as Shen Jiu is concerned, he's winning at life.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[cozylittleartblog]

happy pride month. i did not make this up for th ememe

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[moonkhao]

WE ARE | EP16

[rambles-about-minecraft-ocs]

one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible

like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that

[yanderespamton78]

AJDJSOAJW I MADE MY SPAMTON PLUSH THE DEFRAG OUTFIT

AAAAAAAAAAAAAAAAA

I'm so normal. About. This comicc

Yes

Defragmentation by @zarla-s go read it if you haven't rjkwsjdkdhkash

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[strayklds]

LEE KNOW x CLÉ 2 : YELLOW WOOD ERA

[vvitchllng]

In addition to Everything Else that happened this episode, I can’t stop thinking about the moment where Laudna asks him why Seedling isn’t enough why he wants This sword and Orym’s whole demeanor shifts and he looks Laudna dead in the eyes and says you’re right why Would you reach for a darker power.

Orym and Laudna are the characters with the most interparty conflict and they’re the same!!!!!!! At their core their strongest motivation is their drive to protect the ones they love at the cost of themselves if necessary. We see it all the time with Orym throwing himself in front of his friends over and over again, making deals with fae to try and keep them safe. And we see it all the time with Laudna and Delilah, where over and Over again she lures Laudna with the promise of being strong enough to protect her friends, to keep them safe. We saw it again tonight when Delilah manipulated her to get the sword by telling her it was a danger to Orym!!

Both of them looked at the power that caused their pain and decided to take it for their own, to use it to protect their loved ones instead, because if it was capable of such devastation against them, it was capable of delivering that same devastation to their enemies. Laudna asking why seedling isn’t enough (why he isn’t enough, the frustrated self-deprecating response “I have Push-ups!”) and Orym returning the question because Laudna Does have her own power separate from Delilah, she just doesn’t think its enough for what’s coming!!!

They both lost their families, but where Orym had the rest of his family, a purpose, a home, Laudna lost Everything and only had the voice of her murderer as comfort in the cold. So now they’re both taking on the power that destroyed their lives, but Orym can be rational and willing to have a discussion about doing so, while Laudna absolutely Cannot do the same because of how entwined she is with Delilah (with Delilah quite literally guiding her actions in addition to the years of psychological manipulation and abuse), and so they’re the same and yet so utterly different that they keep coming up against this fundamental inability to understand the other’s position because despite the same underlying motivations, their responses are so different.

Why would you reach for a darker power, why can you not understand why I’m doing this, why can you not see I’m doing this For You. Distorted reflections of each other wanting to be understood and at a loss when faced with the differences between them, what a fucking dynamic.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[caustinen]

clegan drabble — chance encounter, first meeting, modern au

By the third time the guy makes his way over to the bar, Gale has to really work on not throwing his Coke bottle to the liquor shelf and start breaking stuff.

”Seriously man, are you sure we don’t-” ”No, we have not met before,” he responds as politely as he can through his teeth, “and no, I do not need company. And no, I will not go home with you. Excuse me.”

The guy’s drunken gaze falls to his lips as he talks, making Gale suspect he has not heard a single word he has said all night despite repeating himself over and over. The glassy eyes eventually turn back to his, and the man licks his lips as his expression morphs into a what he surely thinks is a seductive smirk.

”Come on, baby. Humor me a bit. Let my buy you a drink.” Gale exhales in frustration. The ick he gets from this man is ridiculous. ”I told you already, I don’t need a drink, I’d really just like to-”

He stops abruptly when the man takes a tight hold of his bicep. ”Hey, could you-” ”This hard-to-get act is getting old now, gorgeous.” ”I’m not-” The grip gets tighter, another hand reaches for his thigh, and Gale is about to get violent despite not wanting to get in trouble at their frequent spot when-

”Hi Buck, there you are! I’m real sorry I left you here all by yourself for so long, the queue to the toilet was insane.” A pleasant, carefree voice comes up from behind him. He turns to find a gorgeous smile on a gorgeous face he doesn’t recognize. The man’s smile is tense on a futher look, though, and his eyes are questioning as he lays a careful hand on Gale’s shoulder, clearly ready to pull back immediately if he gets any indication that the action is unwanted.

Gale exhales quietly again before covering the hand now on his shoulder with his own, immediately catching on. ”It’s okay.” It’s easy to slide away from the icky man’s grasp now, his surprise making him loosen his hold on Gale. Gale tries to avoid looking at him and accidentally leans closer towards the other man, his aura calming despite towering over Gale’s propotions in every direction. The man doesn’t seem to mind, still smiling from under his curls. ”Ready to go home, doll?”

Gale nods immediately. The drunk dude has been looking between them for a bit before his eyes land on the taller man. ”I’m real sorry mate, I didn’t realize he was-” The man’s face changes immediately when he looks away from Gale to the other guy, the youthful happiness turning into coldness that makes him look mature and strick. ”Yeah, whatever. Go home, sober up and learn some fucking manners, you fucking jackass.” With that, he’s gently leading Gale to the door.

He doesn’t let go until they are out of the other guy’s view, but he does drop his hand immediately as the door closes behind them. It’s probably the chill of the autumn evening and not the departure of the solid body against him that’s making Gale feel cold suddenly but it’s still unpleasent. ”Sorry,” the man says almost frantically, ”I didn’t mean to intrude but you were looking pretty miserable before he even showed up and when he got his hands on you-” The man sighs and shakes his head. ”Didn’t look like you were happy with it, somehow, so I just wanted to check on you. No clue where the fake boyfriend thing came from though, I’m so sorry if I-”

”Don’t be,” Gale says firmly, and the man immediately relaxes again, ”I don’t know why I froze like that, it was nice someone else de-escalated it like that. My friend went to argue with his boyfriend on the phone like 30 minutes ago and never showed up again so I was pretty pissed anyway.” The man nods, and the warmth Gale feels under his intense gaze shouldn’t feel this exciting, surely.

”Well then…” The guy lifts his arm and scratches the back of his neck, ”I don’t wanna take more of you’re time, I hope you’re oka-” Gale doesn’t think, in an unusual manner to him, when he interrupts him. ”I, eh, actually… I’d love to thank you somehow? Maybe buy you some late night dinner?” The man’s face lights up again, and Gale feels silly in a way he doesn’t often do.

”I’d love that. I’ll go tell my friends I’m leaving and meet you up here after?” ”Sounds good.” They stare at each other for a beat despite the words, and Gale swears he’s not blushing when he sticks his hand out jerkily. ”Gale Cleven.” The man smirks, his eyes turning to lines as it overcomes his face. ”John Egan,” he introduces himself as he reaches to shake his hand, ”but you can call me Bucky.”