#which is also a very pretentious thing to say

[gwenllian-in-the-abbey]

Rules: post 10 of your favorite comfort movies and then tag 10 people

tagged by: @emilykaldwen thank you! These aren't comfort movies so much I guess since some of them are pretty depressing, but they are movies I can watch again and again because I love them. Showing my age I guess because it's very mid-late 90s. 1. To Live 2. Casino 3. Boogie Nights 4. Magnolia 5. Office Space 6. Romeo + Juliet (yes the 1996 version) 7. The Virgin Suicides 8. Brokeback Mountain 9. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 10. Raise the Red Lantern @whatevsbla @lairn @uniqueobjectcollective @aifsaath @alloysius-g @mariajamel @tragediegh @rillian-rohirrim @mellowthorn @cheezit-flavored-jello if you want, no pressure of course! and anyone else!

[rinbylin]

li xiangyi, yin, and femininity

we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)

this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.

[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]

-

there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.

[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]

阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:

Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]

while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.

sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.

as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.

one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)

-

a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.

it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.

-

I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)

"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)

by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.

it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.

conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.

-

now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.

how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.

that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to 光耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心，而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.

(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)

it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.

a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.

this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.

xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.

-

anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.

it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?

the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.

bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)

he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.

zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).

imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.

in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.

it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)

-

for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.

time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.

however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.

looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.

but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.

it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.

-

he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.

what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易，断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.

perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)

it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.

-

if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P

as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.

dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.

dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.

with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.

(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)

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to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.

there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?

in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)

I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.

I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):

明道若昧，进道若退，夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)

the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.

[shoechoe]

hope this isn't going to cause shit but i think tumblr users have a warped idea of what being "pretentious" means

[timelord-of-the-moon]

.

[weezerlvr228]

It's giving the...main character syndrome. like who tf does she think she is??? Y/N???

NO OH MY GOSH ANON. LET ME TELL YOU. LET ME FRIGGIN TELL YOU.

[othercrossee]

[moonstruckme]

Oh my god congrats on 7k!!! So so SO deserved in every way imaginable

Could I request apple pie prompt #28: dark lipstick smeared on a cheek with Sirius???

Thank you lovely!!

modern au

Sirius Black x fem!reader ♡ 731 words

It’s embarrassing, how much time you spend in front of the mirror before Sirius arrives. You fix and fiddle until you’re nearly unrecognizable to yourself, until your face is a word you’ve said too many times and it’s lost all meaning. You started out with more eyeshadow than you have on now, then you’d wiped that off and tried out a lip technique you’d seen in a tutorial online. You’ve used one makeup wipe already, front and back and all folded up to get to the clean corners, and you’re honestly still not sure if what you’ve ended up with is decent or if you just can’t look at it properly anymore. You hope your dress is enough to distract Sirius if it’s horrid. 

You’re seriously considering wiping it all off and starting over again when the doorbell rings. Your heels click on the floor as you hurry to answer it. 

Sirius looks surprised when you open the door, as if he hadn’t expected to find you on the other side. “Hi,” he says. 

You smile anxiously. “Hi.” 

He’s wearing a suit, which you’d been expecting but bowls you over nonetheless. Sirius manages to make it look both formal and relaxed, his dark hair tucked behind his ear on one side and his jacket unbuttoned suavely. 

Remus claims it isn’t a big deal, this banquet his university is having, but it is. It is for Remus, because he’s receiving an award, but also (privately, selfishly) for you, because this is the first thing you’ve gone to with Sirius as his date. You’ve been on dates, and you’ve already met his friends, which he says was the important thing, but part of you is savoring the privilege of this. That he’d asked you to Remus’ event as his date. 

“Hi,” Sirius says again. He blinks at you, slow and hard. 

Shit. 

“It’s too much, right?” You take a step back from the door, hand itching for a makeup wipe. “I can take it off quickly, we’ll still have time to make it. I’ll do something simpler.” 

“No,” he says, “don’t change it, it’s…it’s nice.” 

You cringe at the hesitation in his tone. You catch your reflection in the mirror by the door, panicked and overdone, as you turn back towards the bathroom. “I promise it won’t take long. I don’t know what I was thinking, the lips are way too much.” 

Sirius’ fingers wrap harshly around your wrist, stopping you. “Don’t you fucking touch the lips,” he says. 

His eyes catch yours in the mirror. You’re frozen. Once it’s clear you’re not reaching for the wipe anymore, Sirius loosens his grip, fingers skimming up to your shoulder and toying absently with the strap of your dress. He looks almost caught in a daze. 

“Fuck.” He expels a breath. “I wish I could kiss you without fucking them up.” Your lips part in surprise, and Sirius closes his eyes like he can’t look at it. He compromises by dropping his lips to your shoulder. He kisses the bare skin reverently. “You look stunning.” 

Your heart hiccups. “Really?” 

You realize the second after you’ve asked that it sounds like you’re fishing for compliments, but Sirius doesn’t seem to care either way. He meets your gaze in the mirror again. 

“Very,” he says. His brows bunch as if in distress. “You’re killing me, gorgeous. I can’t decide whether to go to Remus’ thing and show you off or keep you here to myself.” 

You laugh. It dislodges some of your nerves. “We’re definitely going to Remus’ thing,” you say to him. “He’s winning an award.” 

“He’ll win other awards, won’t he? He’s brainy.” 

“I also didn’t get dressed up like this to stay in.” 

“Much sounder reasoning,” Sirius admits. He sighs dramatically. “Okay, but do me a favor and give me a smacker so those pretentious shits know we’re together, yeah?” 

You raise your eyebrows at him. “A smacker?” 

“A kiss, doll.” 

“I know what you mean,” you laugh. “You want me to get lipstick on your face right before this posh dinner?” 

“If it looks half as good on me as it does on you, sweetheart,” he gives a winsome crack of a smile, “no one will have a bad thing to say about it.” 

You decide it’s not worth arguing with him. Your dark lipstick looks very pretty on his cheek all evening.

[charmedreincarnation]

I shifted and manifested with your Morphics challenge !!!!!

I am sharing this on an alternate account because I don’t feel comfortable posting on my main account. I want to continue using my main account so, I hope that’s okay.

I’ve been in the LOA community for a while and have consumed every piece of information. You know how it is.. I had a Reddit and TikTok shifting account and was literally helping people shift with my advice. But aside from maybe slightly hearing or seeing my DR, I had never succeeded, and even that was years ago.

I’ve gotten lazier yet more somehow ambitious since 2020 when I first started this journey, which is insane because you know how when you first find out about shifting, you have a lot of symptoms and almost do it, but then months and years pass, and you’re more desperate yet doing the same useless things. It was like that. I was enlightened; I could spew every method to you backwards, studied many years from teachers like Neville Goddard, Joseph Murphy, Florence Scovel Shinn, Wayne Dyer, Earl Nightingale, Louise Hay, Esther Hicks (Abraham-Hicks), Albert Einstein, Thomas Edison, Ralph Waldo Emerson, Wallace D. Wattles, Rhonda Byrne—okay, everyone and their teachers. I also spent so much money on paid subliminals, meditations, teacher personal subscriptions, witch spells, lucid dreaming supplements, etc., but there are some things money can’t buy, so really, don’t waste your money lol.

I’m not here to be wise and do nothing with that wisdom, so I realized maybe instead of trying to do everything so mighty and intricate and be pretentious in my intelligence, let me try something so simple I would be shocked if it worked. Then I came across a post that was like, "Everyone is going to shift in September," and I almost cried because I have been trying for almost 5 years. I’ve given everything, and I was starting to think LOA is a cult because, let’s be real, it checks off all the things of a cult:

1. Charismatic Leaders: Many LOA teachings are popularized by charismatic figures who attract devoted followings, similar to leaders in cults.

2. Promised Benefits: LOA often promises significant personal benefits, like wealth and happiness, which can be enticing and lead to strong adherence.

3. Community and Belonging: Followers of LOA often form tight-knit communities, sharing experiences and supporting each other, which can resemble the communal aspect of cults.

4. Us vs. Them Mentality: Some LOA teachings might create a divide between "believers" and "non-believers," fostering an exclusive mindset.

5. Simplistic Solutions: The idea that simply thinking positively can solve complex life issues might be seen as an oversimplification, similar to some cult ideologies.

It’s almost religious, but most people are religious, and you know what? Without faith in something, people might have probably just (TW) killed themselves. Everyone has some kind of cult behavior—religious, politics, loyalty to family who don’t love or respect them. At this point, if it was a cult, I guess I was okay with that. Hopefully, the belief would at least give some sort of false comfort. Because having awareness and enlightenment and still suffering is even worse. Ignorance is bliss, as they say.

Then I came across your challenge, and tbh I had tried every subliminal, meditation, binaural beat, etc., so at first, I thought, how will this be any different? But then I saw the LOA Bella success story, and I just felt this was my calling because I had never related to a success story so much. I wanted to cry because it felt like a sign.

This isn’t a very exciting or good story, but all I did was:

Morning
https://youtu.be/gOpZAPo8VvU?si=FA2oxWQkR6l2KU_M

During the day (together)
https://youtu.be/67T-wX2iqfM?si=-f-TvsYyQ_D-od1L
https://youtu.be/xwaSBZFucGg?si=8-XLLROuoIypBSu0

Overnight
https://youtu.be/uBHMmHbQwa0?si=h01rp0Ngdl7Xhv9C

Basically I had a lucid dream and woke up in my waiting room because I had used lucid dreams to get into the void state, but they were also fake voids, and it was annoying to think, "Wow, I’m going to wake up with my dream life," and then fail. So I was taking no chances. I had a dream I was at work, and this lazy girl was being lazy as usual but an actual nuisance. We were outside, and I was like, "Wait, I don’t work outside," and then I got too excited, so I started jumping around and did a backflip because I heard that helps stabilize the dream. Then I commanded my annoying coworker to take me to a portal, and she did. I envisioned my waiting room and set the intention that when I close my eyes and enter the portal, I would wake up in my WR. I walked through, and then I fell. I was scared to open my eyes, so I affirmed just in case as I fell, and I heard the beach waves, and I knew it was there.

I only did this for manifesting purposes because then I intended to shift back to the same reality but where I had my dream life and master shifting abilities and void ability.

Honestly, I was so depressed at that point I didn’t particularly have any dreams or aspirations, so I didn’t know what would make me happy, as sad as it sounds. But I just slid into my WR bed and set the intention because I knew anything is possible in my WR and fell asleep. When I woke up, I woke up in a brand new house with a brand new family in a beautiful room.

Now, like I said, I didn’t have any intentions, so for the last few days, I’ve been having so many surprises and things happening that I now realize, of course, I would want this. I am just very happy, and I can’t believe it was so easy after almost 4 years.

I don’t have any stupid enlightenment advice that I would have thought I would have when I finally succeeded. As stupid and cult-like as it sounds, don’t give up—something will click.

That's amazing! I'm so happy for you and your success :)) and I am even more happy that you’ve found happiness when you don’t even know what you wantedand that it worked out.

I had a very similar experience and what I took from this is to be open to experimenting with different methods because what might not work today could be the key tomorrow and it can seem random.

I wish you the best with your dream life and I hope you continue to find happiness in different ways

[pomefioredove]

okay after reading all the goth hc, I gotta ask. how do you think the guys would react (any of them but preferred Floyd and Idia ) to playing them goth music/show them a trad goth outfit/makeup look (suprise them maybe? For example: I hc Leona to just have the least slay music taste to mankind (beastmankind?) so you play him- idk let’s say Lebanon Hanover, and he’s like “wtf is this herbivore?” But then he kinda gets into it. no pressure to write for it btw!

-✨♥️✨

ANON I was literally thinking about making a post like this a few days before this ask... you have my heart. I'm doing a full post

summary: nrc boys and goth type of post: headcanons characters: nrc students additional info: platonic or romantic, reader is gender neutral, reader is not specified to be yuu, half-headcanons half-x reader author's note: I'm assuming that goth as a subculture and a music scene already exists in this world. this post is also mostly about the music scene

*ੈ✩‧₊˚

Riddle is essentially a baby bat

he's like, two bad life choices away from going full victorian goth at any given moment

he flat out refuses to listen to anything "vulgar" but secretly adores the dark, poetic side to goth

he's also morbidly obsessed with death, being a sad victorian boy and the child of two doctors. it works

as much as I hate to say it, Ace starts out as the kind of guy to say he wants a "goth gf" on multiple occasions

he proudly announces it to everyone at an unbirthday party once and Riddle almost kills him for being annoying for interrupting

thinks the music is too sad

...but he mellows out eventually (your influence)

both Deuce and Trey are not particularly interested

(Deuce leaned into punk music as a preteen but has since "given it up" because it's too unruly for an aspiring honors student, in his opinion)

Cater inexplicably already knows a lot about goth

won't talk about it unless you bring it up first but if you play him something semi-popular

he'll be like "oh yeah I know that one"

he has a few songs on his playlist he listens to when he's alone

is a goth magnet himself. pulls many hot goths. no one knows how

*ੈ✩‧₊˚

Jack is also not really into it. not his thing

however I can see him secretly being into emo

make of that what you will

and Ruggie will never pass you the aux again. he calls it "halloween music"

Leona acts thoroughly uninterested for a long time

like, he'll listen to the music you give him, but doesn't really say whether he likes it or not

says he doesn't care about the scene (thinks it's too pretentious)

and pretends to be annoyed when you give him more song recs

but he gets into it. he starts listening on his own

he has a definite preference for gothic rock

*ੈ✩‧₊˚

Jade is already goth (to me at least)

and very eager to talk about his favorite bands

loves giving recommendations

apparently the coral sea has its own goth subgenres and bands, which sound... much different from land ones

Floyd will listen (has listened, thanks to his brother) but he doesn't particularly care

he much prefers the aesthetic, it reminds him of home

...being that he's from the deep sea, where it's dark and cold

the flowy, dark, elegant looks are just enchanting to him. he can't keep his eyes off it

Azul couldn't be bothered

he's willing to learn, but isn't a huge fan of the general... strangeness

(he doesn't really understand why anyone would want to be perceived as strange in the first place)

and the music is so unmelodic to him

"that was just a man moaning and a gate creaking for seven minutes" and then he bans you from his office

*ੈ✩‧₊˚

Kalim literally listens to goth already

I don't know how to explain it but I know he does

it's so funny because he never ever dresses goth or acts stereotypically goth but every once in a while he'll be like "who wants to hear my new favorite song? :D" and it's like, alien sex fiend. and no one can say anything about it

Jamil is an appreciator

depending on what you show him, he could really get into the lyricism and general mood

...if only because he finds goth dancing absolutely mesmerizing

*ੈ✩‧₊˚

Rook is goth

he only dresses the part sometimes, but he's always been very passionate about the poetic elements of the music

...really into french coldwave

in terms of fashion he leans romantic goth

it just makes sense to me. he could find beauty in absolutely anything, and the dark and macabre are no exception

will talk your ear off about his favorite bands if you give him the chance

Vil is really more into the style than the music

he's dabbled in a little bit of everything; trad goth, romantic goth, medieval goth. he pulls all of it off

honestly, if anything, the gothic style compliments his features and tastes more than anything

he has such a respect for the subculture and the dedication that goes into the visual elements

Epel doesn't get it. sorry 😔

he will listen to the music you recommend because he cares about you, but he just doesn't like it

he's in the same boat as Azul. "was that a slide whistle?"

absolutely baffled, but he likes you and it's a small price to pay for your happiness

(and he thinks the fashion is too androgynous for his tastes)

*ੈ✩‧₊˚

I feel like Idia also used to think he wanted a goth until he saw the e-girl vs goth discourse, freaked out, then spent two weeks reading about different subcultures

...still wants a goth partner

but now he actually knows what that means

will listen to any music you give him out of respect (fear) and won't say anything about whatever weird taxidermy-related hobby you have

he's surrounded by death all the time anyway who cares

*ੈ✩‧₊˚

you could get Silver to listen to the cure's entire discography and he'd come out of it really enjoying just like heaven and nothing else

it's just... not for him

(plus the slower songs put him to sleep)

Malleus somehow hasn't even heard of goth as a genre when you approach him

he is. a little disappointed it's not music about the architecture style

but he still warms up to it, especially as someone who enjoys finding the beauty in the dark and misunderstood

you can fix him. you can goth him.

Sebek joins only after everyone in Diasomnia gets in on it with you (he doesn't like being left out)

he loves it because silver doesn't and malleus does

peepaw Lilia is an old goth

he was around when the music scene started, and he also remembers the literature movement it was named after, and the popular architecture style that was named after, and...

...you get it

still, he's always pleased to learn about new bands and subgenres and styles and the like

could and will talk about it for hours and hours with you

he dresses the part, too

we love him

[freyito]

Hello! How are you?

I got an idea~

Can I request Boothill with the Vidyadhara reader (male, but if you want, you can use gn) ?The reader is always calm and quiet, but gets very nervous and blushes when Boothill flirts with him or hugs him (Secretly he just loves it) . The reader's tail wags nervously. And he also has sensitive horns.

If you don't like the idea, then feel free to skip my request!! (♥´∀｀)／

✭ pairing(s): boothill x male vidyadhara reader

✧ a/n: THIS IS SO CUTE!!!!!!!!! i got it the night before my job interview i think so i owe it all to you anon for getting hired on the spot. my last fic as an unemployed man... i got this job so i could whale for boothill tho. lol.

🗒 cw: male reader, vidyadhara reader, SMALL 2.2 SPOILERS, itty bit of lore building (made the vidyadhara look a little more like the yan siblings from arknights), just fluff, not proofread

✎ wc: 1.4k

ꜱᴄᴀʟᴇꜱ & ᴍᴇᴛᴀʟ

Being a Galaxy Ranger, Boothill is well-read on the species of the universe. Sorta. Given the lack of his education, a lot of what he learned was through word of mouth or having someone explain it to him, aside from text to speech.

Aside from the Galaxy Rangers and his home world, he is the most versed on the Xianzhou, seeing as they follow Lan, as well. But that doesn’t mean he won’t treat it like it isn’t a spectacle, and the Vidyadhara have always been intriguing to him.

He’s only met a couple, namely Dan Heng, and Lady Bailu, the latter only in passing. He’s sure he’s met another somewhere, and there’s surely a Vidyadhara Ranger as well. But none of them stick out to him like you do.

He’s only visiting the Luofu, there to pick up some information about the IPC from some shady courier. He doesn’t mind this, as long as it’s honest work, and he’s been in contact with this courier for quite a while. The benefit of becoming a cyborg is that when his contacts are long life species, he has a trustworthy ally for quite a while.

The problem was, the courier had told him to get it from a cycrane in Aurum Alley. Which was all fine and dandy, normally, Boothill remembered the Alley to be rundown and quiet, dead, even. But when he’s met with a stream of people like it’s a shopping mall (which it is), he was taken aback. How was he supposed to pick up information when the Alley is so… lively? The courier reassures him that it is okay, to not act suspicious, and boy, does Boothill mess that one up.

For the first time ever, he’s fishing out a letter from the cycrane’s box, sweating with the most guilty look on his face, like a dog that had just stolen some food off the counter. He stuck out like a sore thumb, as opposed to the business owners and recipients who frequented the roost. Paired with his outworlder appearance, it’s no wonder that a couple of concerned citizens came forward, even if it was just to watch.

Now, Boothill didn’t want to be considered wanted by the Xianzhou Alliance. Not at all, his deal was with the IPC and he’d rather not have the cloud knights tailing him whenever he visited. But all thought processes stop when he spots you. Whatever price the Cloud Knights puts on his head for this info is nothing in comparison to just how stunning you look to him.

He does his best to brush this incident off as not being able to find mail, and decides a couple more days on the Loufu wouldn’t be too bad. He spends the next few days attempting to court you, as he says. Really, it’s just over pretentious flirting. You do your best to ignore it at first, you think he’s just some awe-struck outworlder, but each day that goes by, your walls crumble.

You don’t return anything really, simply give him little looks and grin and bear it. But every time he says ‘Ain’t you a pretty thing?’ whenever you simply enter his line of sight, you start to feel your cheeks heat up.

Of course, Boothill notices. And he only increases his antics. You’d be attending to your duties in the skyfaring commission and he shows up to interrupt your shift, throwing all sorts of cheesy one-liners that make your head spin. There are times where you just can’t keep up and you blush so hard you fizzle out, your mind working on auto-pilot and making you turn away on your heels.

He starts to show up on your breaks, too. With food he’d think you’d like, (which is any food he buys on the Xianzhou, essentially) and the gifts start there. It’s… thoughtful, really. When he can, he shows up to Xianzhou with something in hand from wherever he’s been. It can be a rock to the most coat you’ve seen. Which, he learns, clothes aren’t exactly the thing to buy you. Not that you would look bad in them, but he decides that Xianzhou attire really does fit you. It is then that he notices the color that extends from your claws to your bicep, and he realizes that you’re ‘pretty all over’. (His words, which don’t fail to make you red in the face.)

When he starts giving gifts, that’s when your tail starts wagging. You curse your body for betraying your want to be calm and collected, which ultimately leads to a life bound by how easy it is to fluster you. Of course, Boothill notices. He thinks it is just too cute, and good Aeons, it takes him all his strength not to cup your face and say that directly to you, to make sure you hear him. Not that he won’t say it regardless.

With all of these instances, he only becomes more insufferable. And you find yourself falling for his charms. It isn’t so bad that you have someone to eat with on your breaks, and someone who’s so eager to see you when you’re working, (even if it disrupts your work Madame Yukong seems okay with it) even if he’s a very high-profile target.

And boy, he can TELL. You’re still a flustered mess around him, anytime he calls you cute, or handsome, or pretty, any silly little pet name like ‘buttercup’ or even just ‘darlin’’, your tail is wagging furiously. You do your best to hide your sheepish smile and your blushing face, but Boothill always finds a way around it. At some point, he starts grabbing your hands and pulling them away from your face, staring into your eyes. That is the death of you.

From then-on, it seems you two are semi-official. Boothill wants so badly to ask you to be his boyfriend, but he lays back with just how shy you are. He pampers you, takes you out on all sorts of dates, from just shopping to the most romantic little tea dates, where the artificial sun sets and it feels like it’s just you two. He loves it, he revels in your reactions. Ever time your cheeks are dusted pink, to where your tail won’t stop wagging that it feels like a hazard, he’s laughing it off and making it even worse.

He grows bolder with touching, too. He starts to greet you at your work with back-hugs, whispering little compliments in your ear while your tail wags, a distinct ‘wap, wap, wap’ sounding everytime it hits the leather of his chaps. He blows kisses at you when you have to focus on your work, he holds your hand any chance he gets, he plays with your hands, too. Compliments the color of your scales, traces your palm, anything and everything that can and will make you blush more. Doesn’t matter if you two are months into this flirting, he’s got you blushing.

The day Boothill plans to ask you to be his official boyfriend, he gets overly interested in your horns. Standing outside the Skyfaring Commission, he catches you before your shift starts. The artificial sun is just rising, and the streets are empty. He stands in front of the Commission, hat off and held to his chest. It’s like a scene out of a movie, really. He starts off with your name, slowly slipping from his tongue, his twang much heavier now, reaching out to you. It feels like his eyes are sparkling– like the world is sparkling, more like. He’s akin to a…. What's the name… Knight of Beauty. You heard the trailblazer talking about them with Yukong.

Your head spins, and all you can stammer out is a ‘y-yes!’ in the middle of his speech. You can’t tell if you can’t take it anymore with how warm your body is running, or if you’re just… eager. Both feel equally embarrassing. Before he can kiss you to seal the deal, he runs a steel finger against one of your horns. A jolt of electricity runs down your body, making you yelp and whine, and in the middle of that, he kisses you, holding his hat up to shield your faces from the few people out this early. It’s a soft kiss, just as romantic as his silly display of want, and he smiles against your lips. His hand comes down, slightly carding through your hair, to cup your cheek.

You try to walk off your embarrassment as you enter the Commission, taking note to text him later about what just went down. Of course, Yukong notices, but all she gives you is a soft chuckle and a smile. Thank Lan.

© freyito, 2024 | masterlist | queue | kofi | star header by roseschoices

DO NOT REPOST AS YOUR OWN, REPOST ON ANY OTHER PLATFORM, OR USE FOR AI/AI CHATBOTS.

[wilcze-kudly]

Hey so can we like stop with the "Zutara is for the girls and Kataang is for the boys" thing. It's silly and it's breakdancing just on the edge of gender essentialism.

The assumption that there is something inherent to Zutara that appeals predominantly to women and Kataang that appeals predominantly to men is dishonest because every ship can have appeal to all genders.

The discussion of the "female gaze" in Zutara and the "male gaze" in Kataang is also redundant. I enjoy dissecting the concept of "the gaze", however it is important to note that the "female gaze" doesn't have a set definition or grouping of conventions it adheres to. Lisa French,  Dean of RMIT University’s School of Media and Communication says:

“The female gaze is not homogeneous, singular or monolithic, and it will necessarily take many forms... The aesthetic approaches, experiences and films of women directors are as diverse as their individual life situations and the cultures in which they live. The "female' gaze” is not intended here'to denote a singular concept. There' are many gazes."

Now excuse me as I put on my pretentious humanistics student hat.

Kataang's appeal to women and the female gaze

Before I start, I want to note that the female gaze is still a developing concept

There are very few female film directors and writers, and most of them are white. The wants and desires of women of colour, the demographic Katara falls into, are still wildly underepresented. Additionally, the concept of the female gaze had many facets, due to it being more focused on emotional connections rather than physical appearance as the male gaze usually is. Which means that multiple male archetypes fall into the category of "for the female gaze".

The "female gaze" can be best described as a response to the "male gaze", which was first introduced by Laura Mulvey in her paper: "Visual Pleasure and Narrative Cinema" , however the term "male gaze" itself was not used in the paper.

Mulvey brought up the concept of the female character and form as the passive, objectified subject to the active voyeuristic male gaze, which the audience is encouraged to identify, usually through the male character.

To quote her:

"In a world ordered by sexual imbalance', pleasure' in looking has been split between active'/male' and passive/female'. The determining male gaze' projects its fantasy onto the female' figure', which is styled accordingly."

Mulvey also brings up the concept of scopopfillia (the term being introduced by Freud), the concept of deriving sexual gratification from both looking and being looked at. This concept has strong overtones of voyeurism, exhibitionism and narcissism, placing forth the idea that these overtones are what keeps the male viewer invested. That he is able to project onto the male character, therefore being also able to possess the passive female love interest.

However, it's important to note that Mulvey's essay is very much a product of its times, focused on the white, heterosexual and cisgender cinema of her time. She also drew a lot of inspiration from Freud's questionable work, including ye ole penis envy. Mulvey's paper was groundbreaking at the time, but we can't ignore how it reinforces the gender binary and of course doesn't touch on the way POC, particularly women of colour are represented in film.

In her paper, Mulvey fails to consider anyone who isn't a white, cis, heterosexual man or woman. With how underrepresented voices of minorities already are both in media and everyday life, this is something that we need to remember and strive to correct.

Additionally Mulvey often falls into gender essentialism, which I previously mentioned at the beginning of this post. Funny how that keeps coming up

"Visual Pleasure and Narrative Cinema" started a very interesting and important conversation, and I will still be drawing from certain parts of it, however huge swathes of this text have already become near archaic, as our culture and relationship with media evolves at an incredible pace.

And as filmaking evolves, so does our definition of the male and female gaze. So let's see what contemporary filmakers say of it.

In 2016, in her speech during the Toronto International Film Festival , producer of the TV series Transparent, Jill Soloway says:

“Numero uno, I think the Female Gaze is a way of “feeling seeing”. It could be thought of as a subjective camera that attempts to get inside the protagonist, especially when the protagonist is not a Chismale. It uses the frame to share and evoke a feeling of being in feeling, rather than seeing – the characters. I take the camera and I say, hey, audience, I’m not just showing you this thing, I want you to really feel with me.

[Chismale is Soloway's nickname for cis males btw]

So the term "female gaze" is a bit of a misnomer, since it aims to focus on capturing the feelings of characters of all genders. It's becoming more of a new way of telling stories in film, rather than a way to cater to what white, cisgender, heterosexual women might find attractive in a man.

Now, Aang is the decided protagonist of the show, however, Atla having somewhat of an ensemble cast leads to the perspective shifting between different characters.

In the first episode of atla, we very much see Katara's perspective of Aang. She sees him trapped in the iceberg, and we immediately see her altruism and headstrong nature. After she frees Aang, we are very much first subjected to Katara's first impressions of him, as we are introduced to his character. We only see a sliver of Aang's perspective of her, Katara being the first thing he sees upon waking up.

We see that she is intrigued and curious of him, and very excited about his presence. She is endeared and amused by his antics. She is rediscovering her childish side with his help. She is confiding in him about her own trauma surrounding the Fire Nation's genocide of the Southern Waterbenders. She is willing to go against her family and tribe ans leave them behind to go to the Northern Water Tribe with Aang. We also see her determination to save him when he is captured.

As the show moves on and the plot kicks into gear, we do shift more into Aang's perspective. We see his physical attraction to her, and while we don't see Katara's attraction quite as blatantly, there are hints of her interest in his appearance.

This is where we get deeper into the concept of Aang and Katara's mutual interest and attraction for one another. While her perspective is more subtle than most would like, Katara is not purely an object of Aang's desire, no more than he is purely an object of her desire.

When analysing this aspect of Katara and Aang's relationship, I couldn't help but be reminded of how Célene Sciamma's Portrait of a lady on fire (in my personal opinion, one of the best studies of the female gaze ever created) builds up its romance, and how it places a strong emphasis on the mutuality of the female gaze.

Portrait of a lady on fire's cinematography is very important to the film. We see the world through the perspective of our protagonist, a painter named Marianne. We also see her love interest, Héloïse, the woman whom she is hired to paint a portrait of, through Marianne's lense.

We see Marianne analyse Héloïse's appearance, her beauty. We look purely through Marianne's eyes at Héloïse for a good part of the movie, but then, something unexpected happens. Héloïse looks back. At Marianne, therefore, in some way, also at the audience. While Marianne was studying Héloïse, Héloïse was studying Marianne.

We never shift into Héloïse's perspective, but we see and understand that she is looking back at us. Not only through her words, when she for example comments on Marianne's mannerisms or behaviours, but also hugely through cinematography and acting of the two amazing leads. (Noémie Merlant as Marianne and Adèle Haenel as Héloïse. They truly went above and beyond with their performances.)

This is a huge aspect of the female gaze's implementation in the film. The camera focuses on facial expressions, eyes and body language, seeking to convey the characters' emotions and feelings. There's a focus on intense, longing and reciprocated eye contact (I have dubbed this the Female Gays Gaze.). The characters stand, sit or lay facing each other, and the camera rarely frames one of them as taller than the other, which would cause a sense of power imbalance.

The best way to describe this method of flimaking is wanting the audience to see the characters, rather than to simply look at them. Sciamma wants us to empathise, wants us to feel what they are feeling, rather than view them from a distance. They are to be people, characters, rather than objects.

Avatar, of course, doesn't display the stunning and thoughtful cinematography of Portrait of a Lady on Fire, and Katara and Aang's relationship, while incredibly important, is only a part of the story rather than the focus of it.

However, the 'Kataang moments' we are privy to often follow a similar convention to the ones between Marianne and Héloïse that I mentioned prior.

Theres a lot of shots of Katara and Aang facing each other, close ups on their faces, particularly eyes, as they gaze at one another.

Katara and Aang are often posited as on equal grounds, the camera not framing either of them as much taller and therefore more powerful or important than the other. Aang is actually physically shorter than Katara, which flies in the face in usual conventions of the male fantasy. (I will get to Aang under the male gaze later in this essay)

And even in scenes when Aang is physically shown as above Katara, particularly when he's in the Avatar state, Katara is the one to pull him down, maintaining their relationships as equals.

Despite most of the show being portrayed through Aang's eyes, Katara is not a passive object for his gaze, and therefore our gaze, to rest upon. Katara is expressive, and animated. As an audience, we are made aware that Katara has her own perspective. We are invited to take part in it and try to understand it.

Not unlike to Portrait of a Lady on Fire, there is a lot of focus placed on mannerisms and body language, an obvious example being Katara often playing with her hair around Aang, telegraphing a shy or flustered state. We also see her express jealousy over Aang, her face becoming sour, brows furrowed. On one occasion she even blew a raspberry, very clearly showing us, the audience, her displeasure with the idea of Aang getting attention from other girls.

Once again, this proves that Katara is not a passive participant in her own relationship, we are very clealry shown her perspective of Aang. Most of the scenes that hint at her and Aang's focus on their shared emotions, rather than, for example, Katara's beauty.

Even when a scene does highlight her physical appearance, it is not devoid of her own thoughts and emotions. The best example of this being the scene before the party in Ba Sing Se where we see Katara's looking snazzy in her outfit. Aang compliments her and Katara doesn't react passively, we see the unabashed joy light up her face, we can tell what she thinks of Aang's comment.

In fact, the first moment between Katara and Aang sets this tone of mutual gaze almost perfectly. Aang opens his eyes, and looks at Katara. Katara looks back.

There is, once again, huge focus on their eyes in this scene, the movement of Aang's eyelids right before they open draws out attention to that part of his face. When the camera shows us Katara, is zooms in onto her expression as it changes, her blinking also drawing attention to her wide and expressive eyes.

This will not be the first time emphasis is placed on Katara and Aang's mutual gaze during a pivotal moment in the show. Two examples off the top of my head would be the Ends of B2 and B3 respevtively. When Katara brings Aang back to life, paralleling the first time they laid eyes on one another. And at the end of the show, where their gaze has a different meaning behind it.

We see Katara's emotions and her intent telegraphed clearly in these instances.

In Book 1, we see her worry for this strange bald boy who fell out of an iceberg, which melts away to relief and a hint of curiosity once she ascertains that he isn't dead.

In B2 we once again see worry, but this time it's more frantic. Her relationship with Aang is much dearer to her heart now, and he is in much worse shape. When we see the relief on her face this time, it manifests in a broad smile, rather than a small grin. We can clearly grasp that her feelings for Aang have evolved.

In B3, we step away from the rule because Aang isn't on the verge of death or unconsciousness for the first time. It is also the first time in a situation like this that Aang isn't seeing Katara from below, but they are on equal footing. I attribute this to symbolising change of pace for their relationship.

The biggest obstacle in the development of Katara and Aang's romance was the war, which endangered both their lives. Due to this, there was a hesitance to start their relationship. In previous scenes that focused this much on Aang and Katara's mutual gaze, Aang was always in a near dead, or at least 'dead adjacent' position. This is is a very harsh reminder that he may very well die in the war, and the reason Katara, who has already endured great loss, is hesitant to allow her love for him to be made... corporeal.

However, now Aang is standing, portraying that the possibily of Katara losing him has been reduced greatly with the coming of peace, the greatest obstacle has been removed, and Katara is the one to initiate this kiss.

Concurrently, Katara's expression here does not portray worry or relief at all, because she has no need to be worried or relieved. No, Katara is blushing, looking directly at Aang with an expression that can be described as a knowing smile. I'd argue that this description is accurate, because Katara knows that she is about to finally kiss the boy she loves.

Ultimately, Katara is the one who initiates the kiss that actually begins her and Aang's romantic relationship.

Kataang's appeal to women is reflected in how Katara is almost always the one to initiate physical affection with Aang. With only 3 exceptions, one of which, the Ember Island kiss being immediately shown by the narrative as wrong, and another being a daydream due to Aang's sleep deptivation. The first moment of outwardly romantic affection between Aang and Katara is her kissing his cheek. And their last kiss in the show is also initiated by Katara.

I won't falsely state that Kataang is the perfect representation of the female gaze. Not only because the storyline has its imperfections, as every piece of media has. But also because I simply belive that the concept of the female gaze is too varied and nebulous to be fully expressed. With this essay, I simply wanted to prove that Kataang is most certainly not the embodiment of catering to the male gaze either. In fact it is quite far from that.

The aspects of Kataang that fall more towards embodying the female gaze don't just appeal to women. There's a reason a lot of vocal Kataang shippers you find are queer. The mutual emotional connection between Katara and Aang is something we don't have to identify with, but something we are still able to emphasise with. It's a profound mutual connection that we watch unfold from both perspectives that sort of tracends more physical, gendered aspects of many onscreen romances. You just need to see instead of simply look.

✨️Bonus round✨️

Aang under the gaze

This started off as a simple part of the previous essay, however I decided I wanted to give it it's own focus, due to the whole discourse around Aang being a wish-fullfilling self insert for Bryke or for men in genral. I always found this baffling considering how utterly... unappealing Aang is to the male gaze.

It may surprise some of you that men are also subjected to the male gaze. Now sadly, this has nothing to do with the male gaze of the male gays. No, when male characters, usually the male protagonist, are created to cater to the male gaze, they aren't portrayed as sexually desirable passive objects, but they embody the active/masculine aide of the binary Laura Mulvey spoke of in the quote I shared at the beginning of this essay.

The protagonist under the male gaze is not the object of desire but rather a character men and boys would desire to be.

They're usually the pinnacle of traditional, stereotypical masculinity.

Appearance wise: muscular but too broad, chiseled facial features, smouldering eyes, depending on the genre wearing something classy or some manner of armour.

Personalitywise they may vary from the cool, suave James Bond type, or a more hotblooded forceful "Alpha male" type. However these are minor differences in the grand scheme of things. The basis is that this protagonist embodies some manner of idealised man. He's strong, decisive, domineering, in control, intimidating... you get the gist. Watch nearly any action movie. There's also a strong focus placed on having sway or power over others. Often men for the male gaze are presented as wealthy, having power and status. Studies (that were proved to be flawed in the way the data was gathered, I believe) say that womem value resources in potential male partners, so it's not surprising that the ideal man has something many believe would attract "mates". [Ew I hated saying that].

Alright, now let's see how Aang holds up to these standards.

Well... um...

Aang does have power, he is the Avatar. However, he is often actually ignored, blown off and otherwise dismissed, either due to his age or his personality and ideals being seen as unrealistic and foolish. Additionally, Aang, as a member of a culture lost a century ago, is also often posited as an outsider, singled out as weak, his beliefs touted as the reason his people died out and.

Physically, Aang doesn't look like the male protagonist archetype, either. He isn't your average late teens to brushing up against middle aged. Aang is very much a child and this is reflected in his soft round features, large eyes and short, less built body. This is not a build most men would aspire to. Now, he still has incredible physical prowess, due to his bending. But I'm not sure how many men are desperate to achieve the "pacifist 12 year old" build to attract women.

Hailing from a nation that had quite an egalitarian system, Aang wouldn't have conventional ideas surrounding leadership, even if he does step up into it later. He also has little in the way of possessions, by choice.

As for Aang's personality, well...

I mean I wouldn't exactly call him your average James Bond or superhero. Aang is mainly characterised through his kindness, empathy, cheerful nature and occasional childishness (which slowly is drained as the trauma intesifies. yay.)

Aang is very unwilling to initiate violence, which sets him aside from many other male protagonists of his era, who were champing at the bit to kick some ass. He values nature, art, dance and fun. He's in tune with his emotions. He tries to desecalate situations before he starts a fight.

Some would say many of Aang's qualities could be classified as feminine. While the other main male characters, Zuko and Sokka try to embody their respective concepts of the ideal man (tied to their fathers), Aang seems content with how he presents and acts. He feels no need to perform masculinity as many men do, choosing to be true to his emotions and feelings.

These "feminine" qualities often attract ridicule from other within the show. He is emasculated or infantiliased as a form of mockery multiple times, the most notable examples being the Ember Island play and Ozai tauntingly referring to him as a "little boy". Hell, even certain Aang haters have participated in this, for example saying that he looks like a bald lesbian.

I'd even argue that, in his relationships with other characters, Aang often represents the passive/feminine. Especially towards Zuko, Aang takes on an almost objectified role of a trophy that can be used to purchase Ozai's love. [Zuko's dehumanisation of others needs to be discussed later, but it isn't surprising with how he was raised and a huge part of his arc is steerring away from that way of thinking.]

Aang and Zuko almost embody certain streotypes about relationships, the forceful, more masculine being a literal pursuer, and the gentler, more feminine being pusued.

We often see Aang framed from Zuko's perspective, creating something akin to the mutual gaze of Katara and Aang, hinting at the potential of Zuko and Aang becoming friends, a concept that is then voiced explicitly in The Blue Spirit.

However, unlike Katara, Zuko is unable to empathise with Aang at first, still seeing Aang as more of an object than a person. We have here an interesting imbalance of Aang seeing Zuko but Zuko meerly looking at Aang.

There is a certain aspect of queer metaphor to Zuko's pursuit of Aang, but I fear I've gotten off topic.

Wrapping this long essay up, I want to reiterate that I'm not saying that Zutara isn't popular with women. Most Zutara shippers I've encountered are women. And most Kataang shippers I've encountered are... also women. Because fandom spaces are occupied predominantly by women.

I'm not exactly making a moral judgement on any shippers either, or to point at Kataang and go: "oh, look girls can like this too. Stop shipping Zutara and come ship this instead."

I want to point out that the juxtaposition of Zutara and Kataang as respectively appealing to the feminine and masculine, is a flawed endeavour because neither ship does this fully.

The concept of Kataang being a purely male fantasy is also flawed due to the points I've outlied in this post.

Are there going to be male Kataang shippers who self insert onto Aang and use it for wish fulfilment? Probably. Are there going to be male Zutara shippers who do the same? Also probably.

In the end, our interpretation of media, particularly visual mediums like film are heavily influenced by our own biases, interests, beliefs andmost importantly our... well, our gaze. The creators can try to steer us with meaningful shots and voiced thought, directing actors or animating a scene to be a certain way, but ultimately we all inevitably draw our own conclusions.

A fan of Zutara can argue that Kataang is the epitome of catering to the male gaze, while Zutara is the answer to women everywhere's wishes.

While I can just as easily argue the exact opposite.

It really is just a matter of interpretation. What is really interesting, is what our gaze says about us. What we can see of ourselves when the subject gazes back at us.

I may want to analyse how Zutara caters to the male gaze in some instances, if those of you who manage to slog through this essay enjoy the subject matter.

[celestialtarot11]

Astro observations 🤍🐚

back with another astro post part 1000 (i dont remember how much its been) 😭 anyways yall, please enjoy and feel free to share your thoughts always! I had to go in deep with this one 👀 you know, its astrology

divider creds: @fairytopea

Venus conj. Saturn has been the biggest lesson for me in love. In the connection often with this placement, the venus person clings to affection and love in a codependent way. The saturn person may withdraw & avoid romance altogether, creating an unstable dynamic. Venus person eventually learns their self worth is much more than having to convince someone why they should stay with them :/

That being said so much has been learned from this synastry. I truly became a better person and decided who was right for me, and who wasn’t. It broke my heart but fixed my vision! 

Someone I know has someone else’s mars in her 12h. This manifested as instant attraction even though she was repulsed by him. She couldn’t explain why she felt this way. Its possible mars 12h can bring out what we feel interest in, despite our shame and guilt towards it. It often has to do with our trauma and being drawn to things we know initially aren’t good for us. Which begs the question: why? And thats where the healing begins.

To also add she had her Lilith conj his sun, which definitely brought out an impulse to explore what she thought was off putting. Lilith can make us go deep into our trauma and transform our beliefs from then to now. With the sun it makes sense her beliefs are shifting especially in relationships. Her source of power was repressed due to her trauma, but now this synastry could be a way to regain it.

So random but are Taurus/Libra males more likely to be uncircumcised 😭 #sorry just had to put the thought out there

Jupiter in virgo male can be great listeners and conversationalists. It can also make them cunning, sly and manipulative with their word. With what kind of information they choose to let out at the time.

Chiron in the 4h and not living with stable parents 🤝 trauma. This guy I know has this placement and does not live with his parents, he lives with his grandparents due to the instability in his home life. His mother currently has a boyfriend. Chiron in the 4h can make an individual experience lack of stable family connections at a young age. It can also represent a separation or divorce in the family, or even the native being kicked out or homeless at some point in their lives.

Mercury in Aries and either going from being super blunt and dry, to spilling everything on their mind no shame. A guy with this placement was very dry, enunciating every word he could to be “masculine.” This was his attempt at projecting a dominant figure, as he lacked for it physically (#this is an astro post sorry i gotta get in there) I feel like mercury in Aries could manifest as sounding boastful, arrogant and pretentious. Especially if they don’t have a high self esteem. But the other side of it: mercury in aries can spill everything personal of themselves lacking boundaries.

Gemini Lilith natives know exactly what to say and how to say it. They are efficient with their word and thoughts. Precise and intelligent. Once empowered they acknowledge the importance of words and communication, but if not they can manipulate, lie to their benefit, and distort information to hide the truth. Empowered Lilith knows to honor all perspectives and feelings.

Also gemini lilith is multifaceted. Bring up a topic and gemini lilith can easily talk about it, even if you didn’t expect to know of it. They are tenacious individuals who love to learn more, and question everything presented to them!

Depending on other aspects and placements but women with Capricorn placements and plutonian aspects in their chart are more likely to have a grunge, dark moody vibe to their outfits. Even their vibe is unmatched. There’s a woodsy, whimsical yet dark vibe to them you can’t fully describe or place. Especially if they have venus touching pluto those women tend to go for a moody, gloomy yet striking appearance! They may also prefer whimsical softer styles, and one day switch to a darker vibe to change things up. Venus=fashion. As a result of pluto cap women may go through many different styles and changes in order to find what suits them. And even then, cap women love to explore with their look! They shed their old skin to make room for more.

Taurus Venus men & Libra men I notice tend to be extreme in their looks. Some prefer their real body, not altered by surgery. This can go extreme in one way: do everything naturally to their body but expect crazy results. High expectations. And some of them prefer perfection as well and go for surgery. They want to be symmetrical, flawless, and yet convey this, “effortless,” look. Not overdone but just right. And it can manifest into something unhealthy by wanting to look perfect all of the time. Taurus/libra men can be hard on themselves physically to fit a standard or stereotype.

Meanwhile Capricorn men want to convey this minimalistic, daddy energy. 😭. Not sorry. Some of ya’ll actually dress like dads though. Capricorn men always try to look put together, simple, yet there’s a sense of luxury to them. Depending on their other aspects/placements to Venus, they can give off a warm vibe. For example someone who was my childhood bestie dresses like a dad but gives off dork energy, because he has Aquarius stellium and Sagittarius placements as well. So it really depends on the venus aspects!

Libra dominant men are the type to go from couch potato to hot millennial business dad for an event. The type to get you drooling. The type to catch you off guard when you least expect it. The type you’d probably roll your eyes at when they say they’ll actually dress up, and when they do you’re stuck for words.

Capricorn women and their playlist 🤝 comfort. The only thing that truly understands them deeply. The only thing they find themselves getting lost in rather than getting lost in a person. Because losing themselves to a person is much more disgraceful to them, than getting lost in something they put together themselves.

“I’d rather lose myself in the hands of something I made, flesh and bone than to give you my dignity, my vulnerability, my guilt.” -me, a cap moon probably.

Thanks so much y’all for reading! I really hope ya’ll enjoyed this. Please always share your feedback, I love to engage and hear it! You can also send asks my way if that works! 🤍 have a great one.

Extra

Paid readings 🤍

[carmenized-onions]

Loosen Your Grip. | R & D

logline; even when it seems counter-intuitive.

[!!!] series history; so many parts, so many words.

Spotify Playlist, if you like to listen while you read. I listen to it when I write :) Constantly gettin’ added to. 8 hour mark officially! Lets go!

portion; 15k knowing the next chapters, this trend isn't going to change. they have started to line up with the chapter number, to my chagrin.

possible allergies; i think this one is relatively harmless? Stress though. Everyone's stressed. Idk what to tell you man, it's the bear. oh but more things were yoinked from Season 3!! Think that's just gonna be ongoing tbh. also if this is bad don't tell me. tell me it's really good, actually. i've never doubted a chapter more than I do this one.

pairing; Carmen ‘Carmy’ Berzatto & Fem Reader it's so fem. it's so she/her'd it's so girl'd i'm so sorry

kofi; if you’ve enjoyed the series, perhaps you wanna tip!

i'm so sorry for the delays beloveds, can you say 'most high stress but high reward month and a half of my life'? i can!!!

The Monday morning after New York— The first morning waking up in your own bed in a day or two— Comes rudely. Well, not immediately. First you have to roll over and grab aimlessly at your nightstand, searching for your phone to turn off your alarm. Through blurred vision you slide it to snooze, and as you debate going back to bed, your eyes glaze over some texts you’ve received in your sleep, from numbers you never bothered to put in your contacts. It takes a minute to absorb the information and register it as real, but once you do—

“...Are you fucking kidding me?!” 

—You’re definitely not gonna be heading back to bed anymore. You’re wide-eyed and wired— You can probably skip coffee this morning. Maybe every morning forever.

“Oh— I fucking hate this fucking city, I fucking hate Chicago— Fuck this!” 

In lieu of coming to terms with your world shattering news, perhaps this is an important moment to express gratitude, for the things that have gone well in the past few days. 

The rest of the weekend in New York was as lovely as a last-minute trip in a cramped car full of kitchen equipment and four neurotics can be.

Gratitude. Highlight reel?

There’s a bag M and Ms monogrammed with Syd’s, Richie’s, Carmy’s, and your faces in your pantry now. Eva shouldn’t be the only one allowed to have fun. Though snacking on all your cute little faces does make you feel like a slight monster.

Managed to get a good gift for Richie. Thank you Tiffanys. It was certainly an interesting moment when everyone tried to come up with lame excuses as to why they had to split up from the group to definitely totally not go get Christmas presents.

 Carmen’s knife guy wasn’t able to do engravings on such short notice, and you’re not the type to settle for less, especially not with Syd, so that’ll be a next year gift, it seems. You came up with a serviceable back-up while strolling through the MET— Which was a mostly fun field trip, it was very inspiring. You all could've done without Richie's pretentious prattling about postmodern absurdist dadaism. Mostly because you're pretty sure half of it was wrong; but still a good trip, all told.

Still lost on what to get Carmen… You’ve got a week, it’s fine. You’ve done more with less before. How do you subtly ask a guy, ‘hey, what the hell else do you like besides your job?’ You’ll figure it out. Figure it out like you figure out everything else, like you always do. Hopefully.

It's Monday. You've got a week. It's fine. Stop looking at your phone. This is such bad timing. This is awful fucking timing. You’ll figure it out. Stop looking at your phone, stop looking at the texts. Do the Connections, send it to Carmy, he already sent his, be normal… Just such bad timing—

At the very least if you can't bear to look away from the life ruining texts, just shut your phone off. You’ve got to stop ruminating or you’ll rot in bed forever. And you really have to get out on time, today. 

“God wants me to kill myself—” Gratitude. Express gratitude.

The drive back went ‘well’. Everyone had their licenses so the squad took shifts either driving or sitting on the uncomfortable console. Or, in your case specifically, sitting half on Carmen’s lap in shotgun on occasion despite the many complaints from Syd and Richie. You had a good excuse! Neither of you slept for the entire trip just to work on the cocktail and coffee menu. It was practically a sacrifice! It was just easier to sit up front together, okay!? You had to be close, you were scribbling ratios and drawings of glasses into a stolen notepad from the Holiday Inn with pencil crayons bought from FAO Schwarz—

Oh, hey, put that on the gratitude scoreboard, that was another thing that went well. Pretty cool to go to the oldest toy store in America. Might not have gotten the chef in your life anything yet, but the kids in your life are covered— You’re winning best Aunt for sure.

Oh, huge highlight— Didn’t say love you, like some idiot. Got away with that by the skin of your teeth, honestly. Hard to stare up at the Rockefeller Christmas Tree next to the guy and not blurt out something fucking stupid. Thank God for Syd, who stomped on your foot when you seemed a little too doe eyed.

With great pain and bemoaning, you finish expressing gratitude, which hasn’t helped much. You slam your phone screen down on your nightstand and roll out of bed. 

Today’s Monday. Today’s your first day at The Bear. Today that is the priority and there is nothing else to worry about.

You signed your contract last night. Talked to Syd for hours about it, planning next steps and goals and classes and budgets and a million other things. You’re both a little easily excitable, when it comes to lists and plans. Watching you sign yours gave her the ‘confidence’ to sign hers, if you can call it that. Not like you knew she needed the help, though.

“I love my life, I love my life, I love my life…” If you keep saying it while washing your face in the bathroom, it’ll become true, right? …Where’s Sara’s card again?

The Bear doesn’t run service on Mondays, so it’s a good day to do onboarding— Good day to do R and D. …What does one wear to R and D? Don’t need the serving uniform. Don’t need to dress up. Don’t need the jumpsuit… This is the first time you don’t need a uniform and that is bizarre.

You’ll wear your dad’s flannel, at least. Feels illegal to not wear the patch worked flannel. But besides that, you’re just a normal… restaurateur… part of the team…

Your hand hovers over where your necklace sits, in the small jewellery box on your vanity. “Mikey, if you want me to keep wearing it, make my ceiling cave in or some shit.”

You give it ten seconds and nothing falls. With a curt nod to no one, you pick up your book bag filled with loose tools and the menu filled notepad. Leave your bedroom, put your shoes on, grab your keys out of your clay dish tray on the way out.

It’s snowing.

That’s a lot of stuff falling, so to speak.

That’s basically a sign. That’s basically what you asked for.

You head back in, grab the necklace, hook it over your neck, and tuck it under your shirt. Baby steps. You head back out.

…And then soon after, head back in— Forgetting one of the most important things you need today. “The fucking glass, goddamn it!”

There’s a chance that today might be a little bit of an off day for you. No one’s gonna notice that, though.

“Mikey, why didn’t you tell me? You want me to look stupid on my start day, don't you? Fucker.”

You’re good. You’re you. You figure shit out. You’re compartmentalising perfectly and no one’s gonna be able to tell that you’re internally scrambling to figure out where you're gonna live once your lease gets terminated.

“ ‘Sup with you?” Okay, so Tina did immediately notice upon opening the back door for you. She tries to help you with the huge sheet of plexiglass you’re carrying, but you wave her off, stumbling further inside The Bear. Thankfully it’s a slow start to the morning, so the walk way is clear for your fumbled steps.

“I got it, T, just spot me—”

“Woahwoahwoah—” But alas, immediately Carmen is rushing over, making a big deal over nothing, “Fuck are you doin?” And grabs the thick sheet of glass from you. “Wait by your car next time, why do I gotta keep tellin’ you?”

“I am very capable—” You grunt, but you’re relieved when he takes the weight off you. You nod to the table in front of expo. “Put it on the island.”

“What’s it for?” Carmy asks but he follows direction without hesitation.

“Syd’s idea.” You walk with him, sidling up to Syd who’s already stationed up on the island with what looks like way too much paperwork for Chefs. You bump her shoulder as a greeting, she bumps you back. She lifts up the stack of papers and you pick up her deli container of Coke and ice, letting Carmen slide the glass onto the table.

“Unless it’s bad—” You correct, putting the cup down and digging through the tool bag on your shoulder for the right parts. “If you hate it, then it’s my idea.”

Syd snorts next to you, putting the papers back down on top of the glass. “Nice save.”

“What’s your idea, Chef?” Carmen taps his fingers against the glass, bemused.

You finally fish out two lock hinges from your bag, gesturing to them with a little flair like you’re Vanna White as Sydney explains. “For R and D. Thought since we’re like— Constantly changing shit and needing to review, it’d be like, useful to have a whiteboard— But those are huge and inconvenient for a restaurant— Duh— So—”

“Glass!” You come in with the assist as she rambles on. “On hinges— These one’s lock so you can have the glass sort of tilted up like an easel, or on the station— And then when you start service you can just flip it down off the counter for the night. Easy!”

“And—And—” Like a TV ad, Syd points out, “We can put paper under it and still be able to see— So it’ll make editing clearer— I-I think.”

Carmen always takes a nerve-wracking amount of time to think through other’s ideas, but once he nods, you both breathe easy. “Smart idea. Thank you, Chefs.”

You just smile, and this seems to bother Carm. Or at the very least, something is bothering him, as he frowns. “You got a second?”

Your brows furrow, for a moment, worried. You nod, putting your tools down. Glass can wait. “Always.”

Carmen comes around the counter, before he pulls you aside, Syd whispers over your shoulder, “Trouble in paradise.” Making you snort. When has it ever been paradise?

The two of you lean across from each other in the doorway of Carmen’s office, not quite in, not quite out. He looks worried, and his worrying is making you worry. He’s first to say something, concerned hand on your shoulder.

“Are you good?”

Fuck, he caught you too? “Hmm? Yeah, I’m good, do I not—”

You’re halfway through your response when he interrupts, he seems even more panicked by your words. His hand abandons your shoulder. “Right— Stupid, stupid fucking question— I just— Sorry—”

“Woah—” You grip both his shoulders, rubbing down his sleeves lightly. “Are you good, Carmy? You’re right, sweets. You caught me. I’m a lil’ off today. What gave me away?”

“Right, yes— You’re nice.” He’s saying it more to himself than you, like he needs to remind himself. Even so, it still hitches your heartbeat. “I— I’m good, I was just—You didn’t text me back this morning.”

“Oh.” You say it so breathlessly, with relief. It’s cute that that’s what’s got him freaking. “Sorry, yeah, I’ve been trying to not look at my phone, I just got some…” You shake your hand in the air for effect. “Bleh news. Put a wrench in some things for me, that’s all.”

“Yeah? What’s up?”

“Ah—” You shake your head, waving it off, “Too much to get into. Later, though?”

“Yeah, yeah. Whenever you want.” He nods. “Ah, I wanna get into uhm—” Carmen snaps his fingers a few times, finding the words. “Get into drinks, today. I made all the concentrates and syrups ahead of time—But Uncles gonna come in first with The Computer to go over some numbers shit— Should be here in thirty?”

You nod, squinting. “Is it like… A special computer or something?”

“Computer is a guy.” Carmen says, while Syd yells the same in tandem with him, “Why wouldn’t he be!?” Walking past you both as she carries produce out of the walk-in.

“Why wouldn’t he be?” You grin, reiterating. Your smile soon sobers though, as you finally notice a giant silver blob of machinery behind Carmen. “Baby, what the fuck is that?” 

You’re already walking past him, quickly winding up all over again. It’s a gorgeous espresso machine— “It’s an Ascaso.” Explains Carmen. “It’s the best.” And it’s sitting exactly where your beautiful beat up mistake of a heavily-stained coffee machine used to be. 

“Baby, baby, baby—” you’re looking above and below the station for your rusted companion, hushed and panicked. “Don’t tell me you threw away the old one—” 

“You want the old one?”

Richie’s timing is perfect, as he walks in from front of house, and even from just hearing the last sentence, “Fuckin’ told you, Carm.” He knows the context. He keeps walking— On a mission, seemingly.

“I’m grateful— I- I am.” You kneel down and shove some mixing bowls aside to see if it was tucked in the back of some shelf— It’s not here. She’s not here. “New is good— New is nice— I’ll learn how to use the new one— I will— But— I— I need the old one— You didn’t throw it away, did you?” 

When he stays silent, you turn and look up to Carmen from where you’re crouched on the ground, pleading. “Tell me you didn’t.”

“I— I—” The Chef is nearly sweating from this line of questioning alone. “It— It barely worked—”

“I know it didn’t! That’s the point!”

He blinks. You just seem to be saying all his trigger phrases, today, huh? “That’s the point?”

“I knew how she worked.” You push yourself back up onto your feet. “It’s got an espresso function that doesn’t work, if you tamp the basket the basket literally breaks off so you have to hold it and burn your hand a little— You have to hold the hot water button at the same time as the grind button for some reason or it won’t dispense— It’s literally a fucking nightmare— I covered it in like ten sticky notes of instructions at one point and they became pointless because no one but me was willing to use it. And— And I’ve got it memorized.”

“...And you want that?”

“No one’s gonna know how to take care of her, she’s my baby!” You gesture, albeit a bit too dramatically, speaking with your hands. “If you throw her away or donate her, no one’s gonna take the time to figure it out— They’re just gonna think she’s broken but she’s not, she works! She just needs the right hand!”

A dull silence falls between you, as Carmen purses his lips, squinting. There’s an ever slight chance your ‘I’m totally fine’ facade is cracking. “...Are you sure you don’t want to talk about your thing right—” 

“I’m good!” “...Okay.” “Did you get rid of her?”

“Relax, Handy!” Carmen does not say this. 

You grimace, looking behind Carmen to see Chi-Chi yelling from around the bend, in The Beef’s corner territory. Looking over him with the blue apron calling you your least favourite nickname by far— Well, second least favourite, only to— “She’s over here, Jack-Off. More our speed than rich boy’s ack - queso bullshit…” It’s nostalgic. Bad nostalgic but nostalgic. 

He slaps the top of the machine, you and Carmen both wince as a random spigot falls off it. Chi-Chi clicks his tongue, staring at it in silence. “...Refresher would be good, though.”

You’re already walking back to your damaged darling, patting Carmen on the shoulder as a form of goodbye, he pats your hand back. You don’t get to see him smile, as he watches you get to work. “Don’t fuckin’ call me Jack-Off and don’t touch her, I’ll show you, I’ll break your hand Cheech, I swear—”

The man in question shrugs, a devilish and terrible smirk on his stupid face. “Ey, love a woman in charge. Show me the ways.” 

Even on your most off days, working with The Beef will always be second nature for you. Even when the space is significantly more cramped than it used to be. 

You rewrite directions on how to use the coffee machine while showing them to Ebra and Chi-Chi. Ebra tends not to learn new tricks, so he stops listening by the time you get to syrups. That’s fine. No one ordered syrups in their coffee at The Beef back in the day all that often either.

Mikey really shouldn’t have invested in all those syrups back then. He really only did it for you and the staff. To be fair, when he did convince regulars to try your coffee they always changed their tune. The people don’t know what they like yet. They will like this. You were his proof that that idea was true.

“You gotta toss these, Boss. Slows you down.” You overhear Cheech saying behind you. You turn to see his arm on Ebra’s shoulder, holding the small blue baskets for sandwiches in his other hand. “Just the wrapping is fine. These people are gonna throw this shit out anyways, waste of plastic.”

Cheech turns his head to you, “Right, Handy?”

“...Don’t call me Handy.” Don’t freak out about throwing the old stuff away. Don’t freak out about throwing his old stuff away. You shrug, looking at Ebra over your shoulder. “Maybe just offer them, if they ask for one?”

“Y’know what the people are asking for, babe?” Cheech sucks his teeth, pulling Ebra closer, who looks nonplussed. “They’re asking where the nearest brick is to throw through our window. This rich people shit is getting on their nerves.”

You sigh, eyes flitting to Ebra for confirmation. “Yeah?”

He shrugs, nodding. “Ninety-eight percent, Jack-Off.” Cheech and the gang have been a terrible influence. How are you going to undo this?

“C’mon, E…” You scoff, but nod as you turn around, arms crossed. Gesturing with the frother as you do. “Well, I’ll make note of that. Now back to the fuckin’ hand frother, Cheech?”

“I know how to crank it, Handy—” “I swear to fucking God—”

“Ey!” Tina comes up to your corner, smacking the back of Chi-Chi’s head with a hand towel when she does. “Don’t talk to the baby like that, clean your mouth.”

He puts one hand on the back of his head, hissing, and another up in front of him, in defense. “Ey, T, it’s all love, aright? Playing!”

“Yeah well, you’re not gonna wanna play wit’ this one. ‘Specially not now—” She nudges you, smiling that coy ‘I’m about to blow up your spot’ smile.

You grimace, attempting to interrupt her. “T, don’t—” “That she’s Jeff’s.” “—Goddamnit.”

“Oh! Oh shit!” Cheech laughs, delightfully shocked. “You finally closed on Charmin’? Congrats—” It’s a blessing and a curse that Carmen, the guy you only ever saw in photos and heard in stories that you had a very minor and not vocal crush on, is now your… boyfriend? Undetermined.

You wave a hand in his face, “Shut the fuck up—”

“So where should I send flowers?”

You hate this family. “For the record, I have not closed shit.”

“What’s closing?” Tina takes a half step back, surveying your face, it doesn’t reveal anything. “What’s that? Gramps?” She turns her question on Ebra, who shrugs, equally as old and unknowing. 

“Well Jack-Off’s a little Mother Mary for my taste—”

You scoff, “So not true, for the record—” but Chi-Chi continues his tirade. “So I suspect she just means they haven't had the ‘are we datey-wating carmy baby?’ talk.”

You all but growl, crossing your arms as you wait for the second tutorial coffee to finish dispensing from the beloved whirring machine behind you. You can get the fuck out of here as soon as it’s done, and you’re praying that’s soon, because this interrogation is about to turn terrible. “We are currently unlabelled, if that’s what you’re trying to say.”

Tina kisses her teeth, poking at your shoulder. “Richie told me you spent the whole wedding together and you come back with no label?”

You sigh, composure falling apart. You are not ready for a mother’s disappointment. “We talked out a lot of important stuff—” “Mija, that is important stuff!”

“I just— We’ll talk eventually—” 

Chi-Chi conveniently interrupts you when it looks like Tina’s about to go off into a full rant on the downfall of romance in modern relationships. “So you’re still on the market, Handy?”

“For you?” You smile, then drop it. Pushing your hand against his forehead. “Never. Now froth the fucking milk.”

He mumbles an endless series of expletives, but gets to work. You give him a quick tutorial on the hand frother— You fought hard for the old machine, but you are overjoyed to see an automated steamer and frother on that Ascaso. That part is gonna be a dream. You can make so many new drinks for Carm— The menu. 

When you finish, you take the latte from Cheech to hand to Tina; and when you do, you catch her looking… off. She’s staring at the piled up diner baskets, next to the unused napkin dispensers. 

You put your hand on her shoulder, massaging it lightly. “You good, T?”

Your hand shocks her back into reality, “Yeah, yeah, I’m good, baby.” It takes her a second to remember where she is. She takes the latte, nodding. “I’m good. You good?”

“I’ve got my complaints.” You shrug. “But nothing I won’t survive.” Probably.

Tina takes a sip of her coffee, continuing to nod. She wants to dig deeper into your thing, you want to dig deeper into hers, but the painful groaning from the front of the kitchen, “And when did I fuckin’ greenlight this?” interrupts both your trains of thought. Uncle Jimmy tends to have that effect.

With a knowing nod, you walk together to the front, leaving Ebra and Cheech to continue experimenting with the coffee machine before they open their side of the restaurant. 

You watch from the sidelines as Carmen defends his choices, “The old one was shit, she was burning her hands on it. She’ll need the three groups to keep up.” and you’re able to quickly glean they’re talking about the new espresso machine.

“Okay, I hear that,” Jimmy nods, “but why the fuck did it need to be ten grand?”

“Ten?!” You can’t help but shout, you slap your hand over your mouth. Budget is none of your business. But fucking ten? You part your fingers to mumble through your hand,  “Sorry, continue.”

Carmen cares too much about your drink menu. Berzattos tend to invest too much into your special interests. Though this time, instead of syrups, and in addition to a 10k coffee machine, you see on the stainless steel table your shared sketches laid out alongside all the ingredients needed– Including the concentrates, whips, and other compounds Carmen made ahead of time for you. He’s so sweet. God, you love him. God, that’s disgusting. They have all, of course, been haphazardly shoved aside though, to make room for The Computer’s— Computer. Carmy’s nonplussed by that fact, it seems.

Jimmy gestures to you, deadpanning to Carm. “See, Chip understands the power of the dollar.”

“I’m not involved.” You add, waving your hand, it’s a terrible moment for your favouritism to shine through. Though you do enter the radius of this trainwreck of a quarterly review, kneeling down by the kitchen island to finish what you started with the plexiglass and hinges. “Ignore me, continue.”

The men stand on either side of you, as you bolt down the hinges. Carmen brushes off the dollar comment with a simple, “It’s the best.”

Why do you need the best? You think; Jimmy concurs with your brain, speaking for both of you. “Why do you need the best?”

The question seems to make no sense to Carmen. He freezes, blue-screening. “Cause—”

You duck your head under the counter at just the right moment— Or just the wrong moment? Because you don’t get to see Carmen looking down at you, then back up at his uncle. “Because.” 

You don’t see Uncle Jimmy practically roll not just his eyes but his entire body back into himself, witnessing the puppy love that is going to ruin his credit score. “Chip…”

When you slide yourself out from under the counter, Carmen puts his hand on the edge of the counter to make sure you don’t hit your head— Because you have an awful tendency to do so. You’re too focused on the way Uncle Jimmy says your name like you’re in trouble to notice though. “What’d I do?” 

“You’re you.” Jimmy grimaces, shaking his head. It’s not your fault. Not completely. “F-Y-I– Your boss just cut your bar budget by ten grand.”

“Hm.” You squint, lips in a line. “And what do I do if the budget I was planning was just ten grand?”

“Well respect yourself more than that.” Cicero scoffs, arms crossed. “Take twenty, now you’re back to ten. You’re welcome.”

“Generosity knows no bounds.” You shake your head, laughing him off as you duck your head back under the counter. “Thank you, Unc.”

“Sorry, who exactly are we giving twenty thousand?” 

“Oh fuck—” Despite Carmen’s best efforts, you still manage to bump your head on the roof of the counter, alarmed by the new voice— The Computer, you assume. “Fuckin—Ow— Sorry! Y’know what, hol’ on, let me just finish up here—”

“It’s the drink budget. Tony’s the new mixologist.” Natalie answers for you. “And sommelier.”

“Ah,” hums The Computer. “She’s the one we’re paying Quarter-Master for?”

“Nah, that’s me.” Gary strolls by, calling out to wherever his manager has gone, “Richie, you find that book yet?!”

“I’m taking them too!” You finally pop your head out from underneath the counter, finished bolting in the hinges. “Apparently I need actual W-S-E-T certification and a bunch of memorized google searches, youtube videos, and wine review blogs do not legally make you a sommelier.”

“I think it’s impressive you made it this far on basically nothing.” Syd taps the top of your head, she’s the one who made the call on schooling. She looks to her co-owner. “Classes are coming out of the advanced.”

“So is this.” You tap the plexiglass, nodding up to Carmen as well. “You’re workin’ with like… A thousand left for pre-paid work?”

“Hm.” Carmen nods, looking at The Computer, and you turn your head to him too. “Did you account for that?”

“Did I account for a thousand dollars?”

Carmen shakes his head like a white flag immediately, hearing the sarcastic tone, “Alright, you don’t—”

“A thousand dollars does not take you out of the hole, man.” He’s right, but you don’t love the tone. He tilts his head, reading something off his screen. “Payroll is a little high, for a somme.”

“I don’t disagree—” You try to say, because yeah, your contract does have a weirdly high salary.

But Jimmy, Nat, and Carm all speak over you. “It’s not.”

“That’s not pay for a somme, that’s a pay for Chip, you don’t need to enhance on that.” Jimmy deads the topic then and there. “You’ll see. Just trust me. You were sayin’ somethin about tiny plants?”

“Microgreens.” Says Syd. 

“Yes. Do less of that.”

And you just watch, from the sidelines, as this crew flows into a bit of a repetitive we’re doing this, which gains the response, well stop. Do less, charge more, figure it out, duh, don’t duh– What’s that you’re hearing about a daily changing menu? Carmen seems to be the only one campaigning for it. At a point he just starts pacing, pointing at numbers on The Computer’s screen that he doesn’t understand but pretends he does.

You’ve got a million ideas, but it’s none of your business. It very literally isn’t your business, until Jimmy turns his head just so, grimacing at the non stop debate, to see you standing aside, arms crossed.

He sighs, beckoning you to the table, like it’s a witness stand. “What’s that fuckin’ face on your face, kid?” Oh, for the love of God, why are you so easy to read?

You pfft, shrugging. “I’m not makin’ a face—!” But you come forward nonetheless as he boldly speaks over you. 

“You’re makin’ a face,” — “This is just what I look like,” — “Y’know how I know you’re makin’ a face?” — “Enlighten me.” — “Cause it’s the same fuckin’ face—”

He takes this moment to point at the face on your face. “That your dad makes.” A man that gambles as well as Cicero is a man that knows your dad’s tells. And a man that knows your dad’s tells is a man that knows your tells. 

You bite down on your inner cheek, poorly pretending to be confused, shrugging again, “I dunno what you’re talking about.”

“Come off it.” “I’m not on anything, Unc—” “You’ve got a problem, say it.” 

“I don’t have a problem!” You have a lot of problems, but they can’t know that. That makes you judgy and pushy— You don’t know enough about the business to have an opinion. “I’m just observing, that’s all.”

Uncle looks up, to Heaven, to Mikey, and sighs the world’s heaviest sigh. It sounds painful. When he finally tilts his head back down to you, it’s to say, “C-K.”

“Cicero.”

“Y’know why I’m able to pour mas queso into this fuckin’ kid?” He loosely gestures in the direction of Carmen, who in response seems to bite down a lot of venom. It’s bad to think he’s pretty when he’s annoyed, isn’t it?

You tilt your head, “Honestly, I always assumed some sort of mob association.”

Jimmy holds back his laughter, it comes out as a disgruntled cough. He shrugs. “It’s because when I saw your dad at the table, makin’” —He gestures to you— “That fuckin’ face, I knew to pull back.”

“You don’t need to pull back.” Your reply is a touch too panicked and instant for anyone’s liking, makes it a little less believable. But Cicero smirks, and you know that face as well as he knows yours. Check. He’s got you. 

“Then speak on it.” And he pushes you forward, just slightly, like a slap of support on your back. You grimace, looking to Carm and Syd for permission to have opinions, and they both nod, like it’s obvious. With great hesitation, lips pressed together, you finally allow yourself to come off as judgy, opinionated, a fixer. 

“I think the chargers are kinda stupid.”

A plate no one eats off of, that they still have to clean, that’s on top of another plate? Definitely super necessary. Definitely not some rich people NOMA bullshit.

You look to Syd, apologetic. She shrugs, open mouthed, head tilted, “I– I mean, I didn’t invent them.” 

“It’s presentation.” Carmen nods, to himself. He doesn’t like to budge. “That first look at the table affects everything.”

“Yes.” You nod, directly across the counter from him. “I agree, I just think the plates are stupid.” 

“You got somethin’ better?”

“Think so.” You hum, tilting your body back to yell to the back of the restaurant. “Ay, Cheech! Pass me a fuckin’ basket!” 

It’s without hesitation that you hear, “Hut!” before even seeing the man. You see the blue basket being hurled towards you before you see the man. You catch it, albeit a bit clumsy, but you catch it. 

You toss the basket on the table. Everyone stares. You defend yourself before anyone even criticizes it, “Easier to clean than plates, because you just need to rinse the plastic. Ties together a colour scheme, costs nothing, they’re gonna be tossed anyways.”

“It looks cheap.” Carmen tuts, but he really does seem to be trying to hear out the idea, despite his reservations. 

“It looks purposeful.” You double down, leaning on the counter just so, “It carries a story, that we didn’t forget where we started.”

“Ooh.” Marcus, clocking in just in time, hums behind you. “Kind of a bar, Chef.”

“Thank you, Chef. Morning, Chef.” You fist bump him over your shoulder, not looking. Too focused on convincing the man before you, you let him think in silence for some time before asking. “Think on it?”

“No.” Carmen shakes his head, and you’re a little crestfallen, for a second. “It’s good. Let’s do the baskets, yeah—” He then remembers to ask for permission, he turns his head to Syd, “Yeah?”

“Yeah? Oh, uh. Yeah. Yeah. Baskets are good.” Syd nods to Nat. “Can you look into, uh—”

“Returning the expensive as fuck earthenware shit? Happily.” Nat is far too cheery upon receiving a paperwork rabbit hole of a mission. She brushes past you, excitedly whispering, “Please keep going.”

“Oh, uh—” Are you some sort of thought leader now? “Well, uhm, I think I heard you sayin’” —You snap your fingers at The Computer, “That R and D cost is a little high?”

“A lot high.” He corrects.

“Kid with crayons.” Jimmy tuts, “Need to pull back a little.”

Carmen’s screwing and unscrewing the cap of a mason jar— Marmalade, it’s for Syd’s drink. He made it this morning, it’s labelled down to the minute.  Just let him work on his fucking drinks menu, please God. He’s been dying for this moment and it’s being thrown off by this bullshit. 

He can’t keep biting his tongue, “Hey, uh, why don’t you just tell us to do everything a little bit less so we can skip this and get back to work, huh?”

You hear Uncle Jimmy inhale as preparation to verbally beat Carmen’s ass. You put one hand up in front of the old man’s face, the other hand grabs a dry-erase marker. “He didn’t mean it like that and he apologizes, Unc.”

“Does he now?”

“He does.” You drop your hand, focusing on lifting the glass panel, clicking the locks in place to keep it up. You nod to Carmen through the pane. “Right, Carmy?”

Poor Carmen nearly deflates, “...I’m tryna be the guy.” 

“Not what the guy does, baby boy.” You hum, uncapping the marker with your teeth. You turn your head to Cicero. “Guy had a lapse, he forgot you were his boss and just thought of you as family, so he spoke to you like family, cause he loves you, Unc.”

Cicero nods, tilting his head just so at Carmen. “S’that right?”

Carm manages to shake his head and nod all at the same time, “S’a facet.” 

“....Well, just don’t do it again.” A crisis is averted and an uncle is softened. 

“I love to see a family come together.” You hum, nonchalant, writing on the glass, ‘R & D - Cost: Bad’

“Bring it from bad to good.” The Computer notes very helpfully. “You can cut—”

“Hol’ on.” You put your index finger up, effectively shushing him, “Just think about it first. We don’t have to go straight to cutting. Let’s look at our options.”

“Your options are fucked.”

“Just—” You tut, rubbing the bridge of your nose, man, you really are becoming your dad right now. Loosen your grip, Jack. “Widen the scope. We cut costs through returning those chargers— How else can we ‘return’ shit? Carmy?”

Thank God you’re the guy, because Carm can’t hack it. “Heard? Yes?” And frankly, he doesn’t want to.

“What’s the main cost on R and D?”

“Supplies. Food— Y’know, lot of trial and error.” He nods to a bus tub filled with failed attempts over this morning’s session. But you like that, right? “Trying new things, y’know?”

“...Carmen.” He doesn’t answer, because he can hear he’s in trouble. He is staring at you stare at the tub in what seems like a sort of contemplative, serene, searing anger. “Sweetheart, are those four wagyu filets in a fuckin’ bus tub?”

“Yes, it’s got a blood orange reduction, but– But Syd suggested mint—” 

You don’t let him finish, “Is it poison?”

“It’s not.” “It’s edible?” “It is.” “Okay, so then, babydoll, why is it not being eaten?”

Syd winces from the sidelines, hissing under her breath, fist over her mouth. Carmen cannot help but notice. You’re perhaps… a dash upset.

“We can’t eat everything.” “Did you offer it to the crew?” “Yeah—” “You offered it to Nat, Unc, Cheech— All the servers? Or did you just offer it to the cooks?” “...Heard.” “Did you take a bite of all of these?” “Not all.”

You start writing on the glass again, explaining as you do, “Okay. So then uneaten food from R and D should be sold on one of those fuckin’ food waste apps— Too Good to Go, or somethin’. We advertise it to The Beef regulars, try to get the other side of our city to understand the finer things, prevent any brick through window incidents, how we feel ‘bout that?”

You remember small things far too well. You did make note of the rich people shit getting on The Beef customers' nerves. You make note of the people who live on your block, who cannot afford to eat here. You make note of the fact that Carmen resents subtracting with a passion now, so you find another way. He can still try new things, just needs to handle the results better. 

“...You keep a binder or somethin?” Is all Carmen can think to ask. 

“Steel trap memory.” You tap the cap of the marker to your head, “Good though?”

He nods, “Good.”

“Good.” You take a breath, dragging a hand down your face, practically coming out of a fugue state. Carmen knows your need to have something to do, just as much as him, so he slides the jar of fig marmalade to you from across the table. You take it happily, unscrewing the lid. You’ve also been dying to get to this menu.

But Richie comes up from behind, scratch and sniff wine book in hand— Didn’t Mikey get you that? It  was meant to be a gag gift but it’s actually quite useful. “Chip, can you also tell Chef Carmen the daily menu fuckin’ sucks?”

“Re-lax.” You sigh, pulling over all the ingredients and tools you need for Syd’s drink. “Syd told me ‘bout this though, daily pre fixe, or whatever it’s called?”

“It’s—” Carmen crosses his arms over himself, immediately defensive but trying his best not to be. “It’s an idea I’m floating, for now— It’s what the best restaurants do, and— And even if we don’t have full intent on getting a star, right now, it’s still important.”

“I just think…” You hum, trying to figure out the most delicate way to say it. “It doesn’t exactly give you the most room to collaborate or create—”

“The whole point of it is to collaborate and create—”

“Oh yes,” —As if waiting in the wings for this, Richie pops out behind you again, “What wasssit? ‘Vibrant Collaboration’ and ‘Constantly Evolve Through Eating My Own Head like a fucking ouroboros’.”

“Relax.” You hiss this time, putting a hand up in front of Richie. You can speak for yourself. “You don’t have time to be creative or collaborate when you’ve gotta make decisions in less than twelve hours.”

Carmen tries to defend, he gestures to the one good plate of wagyu with mint that came out of this morning, “But the—”

You nod and hum, knowingly. The sweet sound stops him. You already know the answer, but you ask anyway, as you scoop fig marmalade into your cocktail shaker. “Did you get to try the pop rocks thing yet?”

“Well, no, it’s not viable to perfect that in such—”

“A short amount of time, angel?”

“Oooh…” Richie mimics Syd’s movements, air whistling between his teeth as he takes a sharp breath. He gestures, standing behind you, staring at Carmen as he slides his thumb across his neck. He mouths, ‘Mad mad.’

Carmen’s two closest friends are freaking him the fuck out and one of them wasn’t even doing it on purpose. How do they know that? How can they tell that? Are you gonna break up with him? Are you even dating? This work together thing was a terrible idea—

“You don’t have time to be thoughtful about things, if you do an entire menu every day, you’re gonna have to cut corners on what you’re willing to experiment with.” You reword, more productive, better for his brain. “Plus, prix fixe is a fuckin— In—In my opinion, is sort of a lacking idea, maybe, for a new restaurant.”

Carmen’s willing to give up the daily rotation, he’s not so willing to give up the pre fixe. “It’s what the best restaurants do.” Carmen loves the word best, huh?

“Have those restaurants—” You bite your tongue from what was going to be an immediate catty response.

You try again, measuring out orange liqueur and lemon juice as you do so. “You’re thinking like a Chef and you need to think like a customer— A- A guest, for a second.”

Carmen gives you the floor, mostly because he cannot compute the command. You continue, “Let’s do a little roleplay, alright? Let’s say we’re just average people, not workin’ at The Bear, and we’re goin’ on a date.”

“When?” “...When?” “When is the date?” “No, I’m— It’s— This is hypothetical.” “Yeah but in the hypothetical.”

You shrug, clicking tongs together as you grab large chunks of ice for your shaker. “I dunno, Friday nights? We have like a Friday night date night.”

“Oh, so you’re doing good.” Richie hums, proud of this hypothetical you, “Weekly date night is a cornerstone.” 

“Moving on.” You elbow Rich behind you, shaker sloshing in hand, “I’m not a foodie, you are— In this hypothetical. You’re looking around at restaurants in the area for the date, you find The Bear— You find through their website with an improper hyperlink that the menu is,” —You list off on your free hand— “prix fixe, unavailable online, and changes daily so you can’t go off of reviews either. Also, it’s a new place, so you can’t really ask around for opinions.” 

“Right.” Carmen nods, as does Syd. Uncle Jimmy’s got that stupid smirk he gets when he sees his kids fall in line. You pour the ouzo over the ice, focus on the drink, not Carm’s mopey expression. 

“So, we probably wouldn’t go, right?”

Carmen keeps nodding, eyes downcast— Not upset, just can’t take feedback without keeping his head down. “Prob’ly not, yeah.” 

You pound the shaker shut, shaking it lightly in one hand as you try as hard as you can to sweetly explain. “People are open to like, two surprises on an outing. New place, new food— But they will need a set menu and they will need to have it available beforehand— And they’ll need to be able to choose.”

He looks like a cat in the rain, so you add, “But. Maybe we can do a daily special? Or weekly, depending on burnout, but like, y’know, a semi-frequent one new thing. And maybe on like, Valentines or some holidays we do a fresh prix fixe. That’s how some of the best places do it.”

Carmen’s eyes upturn, smiling with them, at that last part. “You do keep a binder.”

“Syd does. I just pay attention.” You shake your head. “She mumbled about it all night when we got back.” 

Adamu is immediately aghast, she should’ve realized ages ago, you were practically quoting her. “You said you couldn’t hear me!”

“No, I said you weren’t bothering me, and you weren’t.” You can’t hide your smile as you break the seal on the shaker. Syd sucks at sharing her ideas, but you’re happy to act as a good mouth for her good brain. “Hand me a lowball.” 

With a grumble, Syd walks off in search of  the lowball; while everyone does seem to agree this is best practice, Carmen does still seem a little sore about it.

“It’d probably also serve us well to do a seasonally rotating menu, right?” And so you throw him a bone. “Like Winter, Spring, Summer, Fall? Base it on what’s in season with local vendors?”

“What grows together goes together.” Tina says, nearly sing-songy. “Farmer’s market is rough though, Jeff.” 

“Fuck a farmer’s market— With love, fuck a farmer’s market.” Back to writing on plexiglass you go. “We gotta do vendors, maybe f’ like, eggs and dairy we can do farmer’s market, but it’s just not feasible. Maybe for holiday pre fixe or daily specials? But full stock, it’s just not— It’s not it. And I say that while having farm fresh eggs and local honey in my pantry, alright?”

Carmen agrees, like a bobble-head this guy. He nods to Tina. “That cool with you, T?”

“Yeah, yeah, that’s cool with me.” Tina is a millisecond off to pipe in, which is really not noticeable– To anyone but you, that is.

“Why’s— Why would T not be good with that?”

“She’s in charge of farmer’s market.” 

“Hm.” You bite the end of the dry-erase marker. “T, would you be cool with rotating that, now and again?”

“Ooh?” She tilts her head, shrugging, “Yeah, yeah, kid. If you wanna take the reins.”

“Not me.” You return to scribbling on the glass board. You point at Carmen and Syd through the glass. “Them.” 

“I’ve paid my sous chef dues.” Says Syd, returning to the table with your glass. You tut, shaking your head. You refocus your vision from your writing to beyond the plexiglass, at them. 

“You need it for inspiration! You fuckers keep forgetting you like cooking, I need you to visit the farmer’s market once in a while to remind you.” You take the lowball glass and tong a few ice cubes in. “Non-negotiable. Heard?”

A soft, simultaneous, “Heard, Chef.” from your cats. 

“Good.” You strain the mixed concoction out of the shaker, into the lowball glass. It’s a very pretty peachy pink. You tweezer a slice of dried fig and place it on top. You grab a toothpick, stick it down the glass, pull it out, and taste the toothpick. Balanced, solid flavour, should be good.

You slide the drink over to Syd. “I can’t drink everything obviously, so first dibs goes to whoever the drink is based on— I don’t care who drinks it, just let me know if it goes down smooth.”

You also in turn hand Syd the recipe card and sketch, and you’re quick to move on as she reviews and sips away.

Ouzo. Dry anise tasting spirit. It’s got a licorice aftertaste, but oddly sweeter for it. It’s strong. Resilient. It’s made from remnants of unfermented wine grapes and a mix of other distilled and unused spirits. Better than the sum of its parts. It goes well with figs. Muddle it together with fig marmalade— Sweet yet earthy, spring-like. Orange liqueur to marry the flavours, lemon juice to brighten. Shaken, pour over ice into a lowball, serve with a dried fig on top.

Syd manages to reserve her reaction to a slow but repetitive nod, like entering deep space. She only comes back to reality when Richie reaches for the drink, wanting to try. She’s quick to pull it away from him, coveting the glass. 

“Ah… what else? Rapid fire.” You knock your head around, remembering what The Computer talked about, and in quick succession, you line up every problem and talk through them, possibly solve them— As best as a newbie can. At the very least, you open the floor to actual discussions as you make drinks all the while. 

“Opening a full sixth day I think will shoot us in the long run, especially if we ever get a kitchen plague going. Maybe we just open for half the day on Mondays going forward, try out breakfast? Stop booing me, I’m right.”

Richie’s. Also served over ice in a lowball. It’s similar to a whiskey smash. Nixing the mint. Whiskey bourbon— A good one, but not too good that it’s a sin to mix. Something with a cinnamon spice, that's warm all the way down, but never burns. Water it down a bit by stirring peach juice over the whiskey with ice for a brief moment. Float blueberry syrup on top. Add a toothpick, spearing two blueberries and one peach halve, balance it over the glass, for stirring. So the drinker can mix the blueberry syrup in and have a cute colour changing experience. 

“Wine pours, me and Gary got that. We can also just start charging by the bottle by default— Whatever works.” 

Marcus’. Simple but effective. A rum and coke ice cream float. Made complex by the fact that the ice cream is on a rotating schedule, based on whatever Chef Brooks is feeling that night and what’s in stock. Right now? Pistachio. So tonight it’s actually rum and seltzer, and it will probably continue to be rum and seltzer, based on the way Marcus’ eyes light up by the opportunity to get weird. More often than not, you’re going to need that neutral base. Served in a milkshake glass, because what else?

“I don’t understand why I couldn’t just grow these microgreens myself in house. They’re just plants you murder early, are they not? Am I missing something?”

Tina’s. Varied take on a spiked agua fresca. Fresh blended mango agua fresca— With ginger, of course. A healthy kick is a necessity for a mom drink. Sweetened with simple syrup, spiked with white rum, dash of agave bitters, top with coconut water. Served in a tall glass, because why would you skimp on portions?

“Why are we shipping flowers from New York? No, fuck that, go to Violet’s Violets— I fixed her cooler once, she falls in love and gives a discount to literally anyone who’s nice to her. Just send Marcus with some dessert and you’ll be set for life.”

And of course, Carmen’s aperol spritz. You go with the cherry syrup rim for now because it’s important to try. You’re almost certain it’s too much though.

“Napkins…” You rub your icy cold hands— From shaking up so many goddamn drinks— Over your eyes. “Why are we renting?”

“Buying is insanely overpriced.” Answers Computer. 

You nod, shrug, but nod, fingers tapping the glass, “Well, it’s like renting over owning right? It might be better to own because, y’know, you might suddenly get told by your napkin vendor, like, like years down the line, after basically paying for these napkins in full through rent, ‘hey, actually, we’re gonna jack up prices or just take those napkins back’ even though you’ve —again— Literally had them for years—”

“Chippy, are you good?” Richie tries to massage your shoulder, tries to break you out of the doom spiral, but admittedly, it was never his forte. Still isn’t. 

“We—!” Your voice hangs and is grating in a way it usually isn’t, ignoring the question. “We can produce our own napkins if we buy linens by the yard and hem ‘em ourselves. We—” You snap your fingers a couple times at Carmen, praying he backs you up. “We can even get The Bear monogrammed on them.”

“That sounds nice…” It’s Carmen’s turn to ease you off the ledge of insanity, gently. “It also sounds expensive, were you gonna do that?”

“Fuck no.” You’re quick to shake your head. “I fucking suck at sewing, my own jumpsuit is covered in my blood— No, my—” Oh. “Hold on.”

Your hand immediately goes for your back pocket, quickly pulling your cell-phone out, and dial one of your first starred contacts. Richie, over your shoulder still, sipping his blueberry and bourbon cocktail, excitedly mumbles. “Oh, put it on speaker.”

You’re annoyed before he’s even answered, knowing the headache you’re about to get. “Trust me, the first thirty seconds minimum will not need—”

“Hey!” It’s impossible to convey how earth shatteringly loud and drawn out his voice is, immediately upon answering. There may be eight seconds of the sustained vowel? Maybe more. Almost everyone flinches, par for Syd, Carm, and Rich. Though for all different reasons. 

A touch grating, in the same way your voice just was. Like father, like occasional daughter, you suppose. “Hey kiddo baby darling sweetheart angel princess—” Oh, he’s mad. The whole ‘slew of nicknames when you’re pissed off’ thing? Yeah, that didn’t start with you. “Did someone die? Because that’s the only reason my darling baby only daughter calls anymore!”

You sigh, immediately exhausted, putting your weight on one leg. “Y’know, once a month is honestly a lot of times a year for a fully grown woman to call their dad, on average. I absolutely call you more than my friends call their dads.”

Richie almost chokes and whispers over your shoulder, hesitant, internally preparing for a dreadful future. “Please tell me that’s not true.”

“Oh, and you should be so lucky that you have a dad to call! Cause I bet those friends are calling funeral homes, aren’t they?!”

“Dad—”

“I should have never taught you independence. Worst mistake of my life to teach you how to be your own person. Richard, never teach your kid how to use a screwdriver, it will be the last day you are a father.”

“Noted, Big C-K.” Richie goes for your dry erase to actually write it down, you pull it away from him. That’s gonna require a long talk down later. 

Carmen mouths to you, across the table, he meant to ask earlier when Cicero said it but there wasn’t time. ‘C-K?’

You mouth back, gesturing to the logo on your very own flannel ‘Chicago’s Kindest.’ He’s not the best with acronyms. 

“Oh— And thank you for bringing that up! And what’s this I hear about you cutting your hours with C-K? I hear this from Tony of all people ‘fore I hear it from you?”

“I got a long-term bartender gig that’s actually gonna keep my bills paid, alright? And I like it. Putting that mixology double trade major to good use. Cicero’s got stock in the place, actually.”

“How you doin’ C-K?” Cicero pipes in next to you, waiting for his moment.

“Ah… I’ve got my complaints. For one, my Jack keeps you more company than me!”

There’s a series of hums and haws, that weird uncle secret language of heavy exhales that manage to say more than any actual words they could say. 

You let the heaving run its course for ten seconds before cutting it short with, “Anyways, I’m still gonna keep the business running, just only in the mornings. It’s not like I brought in that much business anyway, I’m not pulling a foundation.”

“Everytime a small business dies, a rich man laughs, Jack!” 

“It’s not dying! It’s alive! It’s present and alive!” Don’t get flashbacks. “Anyways, speaking of small businesses, I need a favour—”

“Ooh, the truth comes out, princess calls cause she needs bail—” 

“For the love of God, let me get through a sentence, Pops!” You grumble, continuing. “Remember that overpriced monogram machine you bought for no reason?”

“It was not for no reason, it was invaluable because it saved my mitts from hand embroidering all those logos— And and— you have to remember—” You mouth the words along with him, mimicking him, because you know exactly what he’s going to say, “that it all starts in your community— And now you have like eight beautiful outfits, cause of me… And also it’s fun.”

“Well… If it’s fun, would you consider making some linen napkins?”

And it flows like ping pong, because your dad is a repairman— Well, former, but still. He’s simple. He handles negotiations simple. So do you.

“For who?” “Restaurant. The Bear.” “Why?” “Cause they need linen napkins.” “How many?”

You look over your shoulder to Richie, he does the math in his head pretty quickly, “Bout seventy to a hundred covers a night.”

“Six hundred.” “Pay?” “We’ll pay supplies, and I’ll give you like—” You look to Syd, expectantly. She has no answer, so you put your advanced on the line. “A thousand?”

“A thousand!? Less than a dollar a napkin! Is this pre-housing crisis?!” “I work here, okay?! Discount me!” “My God, princess, are you in love with the owner or something?”

That world feels like it's choking, but that's probably just you. You blow hot air out of your mouth, looking anywhere but Carmen. Refusing to see him even in your periphery. Refusing to see his blue screened but ever so slightly expectant expression. Well? Are you? …Or something?

After a long moment, you find a way to avoid the question. “Ah–Uh, Syd co-owns the place.”

“Oh, Adamu?!” 

Syd pipes in, leaning over the table. You hold the phone out for her. “H–Hey, Mr. CK.” She waves, despite the fact that it’s a phone call.

“Hey kiddo. Aw, what a sweetheart. Lead with her next time!”

“Alright!” You bring the phone back to your face— It’s remained off speakerphone this entire time, but he continues to yell loud enough for the table. “I didn’t realize you were best friends.”

“Of course we are. Y’know she brought me this uh– this salmon mushroom risotto the other night? Unbelievable.”

You squint at Adamu curiously, whispering. “You bring my dad food?”

She whispers in return, defensive. “He lives on my block, don’t be weird.”

“For her, I’ll do it for eight-hundred, okay kiddo? I know how tough it is to start up a business, can’t imagine trying to move on top of that.”

Your turn to blue screen. Moving? You’re immediately over the love thing. “...Pardon?”

“...I’ll do it for eight—”

“No– Yes, sorry, yes dad that’s great—” You arch the phone away from your face, focusing your attention on Syd. “Syd, you’re moving out?”

She sighs, “Trying to.”

“Pops.” You straighten up, not looking away from her. “I’ll call you back to sort details later, okay?”

“Sure. You also need to let me know holiday plans, are we going up to Oak Park or—”

Somewhat disrespectfully, you speak hurriedly, “Yeah, we’ll figure it out, love you, bye!” and hang up. Still locked on Syd, you ask. “When you tryna move?”

“Like, soon as possible.” She stretches out her shoulders. “My own dad is sort of… Encroaching on my space.” 

“Right.” Your eyes flicker with too many ideas, and you’re trying to temper expectations. “You wanna live by yourself?”

“I mean, I don’t really know anyone on the same timeline as me, with the same ‘low budget’ as me.”

The Computer attempts to interrupt the interruption of his review, holding a finger up, “And why are we talking about—”

But you hold the palm of your hand up, continuing on, “I need to move out asap and have a ‘low budget’.”

That’s Carmen’s queue to chime in, he loves your place. “What happened?” 

Also Richie’s, “What? Chip, your spot’s like a historical site, ya can’t move.” and this is generally agreed upon by a sea of dismayed voices.

“To make an extremely long story short, I don’t have a choice.” You wave your hand in the air, silencing murmurs. “My sweet old lady landlord— The only landlord I’ve ever respected, got bought out by a fuckin’ big business gentrification ass company— I’m not in a rent controlled zone so they’re gonna keep jacking the rent until I move out so they can tear it down and build a new spot— They also may or may not have found out that me and Loretta— My landlord— Haven’t exactly been keeping up to date on my lease.”

“Meaning?” Carmen knows the answer will be bad. 

But it’s somehow worse. “Meaning I pay my rent on time in cash and she texts me once a year saying ‘do you want to keep living here?’ and I say ‘yes’, and we continue on.”

“Well, hold up—” Richie holds a hand up, like he’s a genius. “Squatter’s rights?”

“I thought about going that avenue, but—” You gesture to Syd. “If you’re already moving, and looking for a roommate?”

She looks up and around, thinking about it. You decide to join her in the brainstorm, scooching yourself just an inch to the right, writing on free space on the plexiglass screen, ‘pros and cons’

“Pro.” You murmur as you write. “I have a better credit score than you.”

Syd sputters, half sarcastic. “Well, that’s just uncalled for.”

“It’ll give you more options for places! Better ones! Ones with in-unit laundry!” You defend.

“In-unit laundry…” “Your eyes just lit up in such a sad way.” “Con. You are an ass.”

“That’s a pro. A real con would be that I have a lot of plants and if I ever go on vacation I’m gonna need you to take care of them, and I’m not gonna have a binder for you, because I water them based on vibes, and if I come back and they’re dying I’m gonna be pissed off and very passive aggressive about it.”

“Violently honest.” “Pro. Mostly direct. Aside from when I’m not.” “Con. I’m not direct.”

“Con. That’s fine but if I get the idea that you’re mad at me I’m gonna act really weird about it until you reassure me that everything is okay and you don’t want to throw me out the window.”

“Yeah. Con. Same.”

“Pro. I’ve lived by myself for a while, which is good to have when you’re moving out of your parents for the first time. Con. I’ve lived by myself for a while, and I’m very used to the lifestyle of big t-shirt no pants, I’m not giving that up.”

Now that one takes Syd a second to unpack, “But, but like, underwear though, right—?”

“No shit I wear underwear!”

“Okay! It’s important to note!”

“Don’t be weird.” Richie grumbles behind you, solidly directed at Carmen.

Who’s whole face really just scrunches up in confusion. “‘Don’t be weird’? You don’t be weird.”

“I’m not bein’ fuckin’ weird—” “Then why are you up in my shit—” “Up in your shit? Oh wow—” “Fully not what I was referencing—” “Don’t be weird, cousin!” “I literally— I did not even move— Not a single cell in my body—” “And— And you only know that ‘cause you had to lock it down, you dog—”

“I don’t remember having kids, why the fuck am I in a Kindergarden?” Uncle Jimmy interrupts.

“I’m just takin’ care of my boy, Unc.” Richie raises a hand in defense, feigning innocence. “Can’t be too careful.”

“You super can, and you super are.” You grimace, elbowing him again. “And also, not important–!”

“Actually, no, very important.” Syd of all people interrupts. “Non-negotiable, like you can’t— …Like you— …When I’m home it’s like— Don’t—” Ah.

You roll your eyes and save her before she just about breaks out in a feverish sweat. “Syd, I wasn’t planning on it. That’s like roommate rule one.”

“Syd.” Richie points to his own eyes, then to hers, ‘watching you’. “Don’t be weird.”

“What the fuck—”

“Everyone shut up, pros and cons—!” You shout, gaining the attention back. “Pros. I have a car, we work at the same place, I have all the furniture for a living room already,  you'd never have to wait for a landlord to fix something ever again, and I could probably do a bunch of D-I-Y renter friendly projects, if you wanted.”

“...Oh my god, a French-door pantry.” “I think I could swing that.” “Pros. You’ll never have to cook again. I guess that’s my only pro, actually.”

“Con. I have been feeding the cat on my fire escape for like a year and if I’m moving I am going to have to adopt her, so we’re gonna have a cat. She’s cute, she has five toes on each paw. Something dactyl, it’s called.”

“What’s her name?” Squid’s not excited per se, but she’s not saying no. 

You shrug. “I never named her, let’s name her together.”

“No, that’s too much pressure—” “No, you’ll do great—” “What do you mean I’ll do great—?” “Three–” “Oh like together together? No! What—?!” “Shut up, just do it, head empty, two—” “No! I’m just not gonna say any—” “Yes you will, Squid. One!”

And together, perfectly in sync, like it was planned all along, you both say on queue, “Calamari!”

“There we go.” You write ‘Calamari’ on the plexiglass. “That’s my girl— That’s our girl, actually. I’m still not sure if she’s a girl.”

You click your tongue against your teeth, knocking your head back and forth in thought as you look at the scribblings on the glass. “Non-negotiables?”

Syd leans forward on the table, chin propped up in her hands. “I need forty-five minutes of bathroom time at the beginning of the day.”

“...Do you have a fuckin’ lactose intolerance?” “It’s my me time!” “Alright! Fuckin’ fifty minutes of toilet time for Syd. Ah, I need east facing windows… and uhm…”

Syd stares at you, and alas, she can tell, “You have a big non-negotiable…”

“It’s not that big… It’s more a group thing than a roommate thing, really…” “What is it?” “I think… It would be fun… If we all started playing Dungeons and Drag—” 

There’s an immediate, staggeringly loud array of groans, you’re still writing it down nonetheless, all the while defending, “I honestly think a little roleplay and math would fix you assholes! I really think it would! I’ll D-M, I’ll make it so easy— Please?”

Syd grimaces, but inevitably nods. “Y’know what, you’re never gonna get a concrete schedule for that down, and no one else is gonna agree so yes, sure from me.” Still a win. 

“Okay.” You hum, capping the marker. “So… Aim to move first of February? You down?”

It takes some time, and you realize as Syd’s brain frozen, that you might be overstepping. “Sorry, that’s going too fast, you think on it—”

“...I’m down.” You make it very easy for her to say yes, by giving her the option to say no. “Yeah, let’s do it. February. I’m down.”

“I’m so happy for you two, but I’m still fuckin’ reeling— Chippy, it’s– it’s— So many memories—” Richie’s being overly dramatic on purpose, hand on your shoulder, really laying on the vocal fry in his voice; but it is true. “I mean, come on, first time I’d ever been stabbed was on your block.”

“Sorry, what?” Carmen was having fun watching his two favourite employees figure out they’d be perfect roommates. He loves to be a fly on walls around you more than he’d like to admit. Richie managed to ruin it with one line. “Stabbed on your block?”

“Yeah,” You suck the air between your teeth, trying to think of some sort of white lie, but slowly shake your head, “I— Yeah, there’s no real way for me to down play it, I was so fuckin’ scared.”

“You were tweaking!” Richie laughs, clapping his hand against your shoulder, to him it’s a charming story— You’d probably be laughing too, if Carmen didn’t seem so… unpleased, let’s say. “You fuckin’ thought I was gonna die!”

“You fucking were!” You slap Rich’s hand away. “It was so close to a cerebral artery— First and last time I’ll administer stitches in my fucking kitchen, hand to God—”

“What’s the story?” Oh, new face from Carmen you haven’t seen before, bewildered annoyance, you’d describe it as, it’s going in your bottom five. “You live in a bad neighbourhood?”

“It’s rustic—” You try, but Richie opts to speak on your behalf. “Oh, Chip lives in a terrible neighbourhood, Cousin. You’ve been there, haven’t you?”

“Yeah but it didn’t seem that bad— No— Hold on, go back, stabbed why?”

“So I heroically defended a boy from crooked—” Richie tries, but you opt to speak on his behalf. “Richie was helping me bring up groceries, we saw some highschoolers shaking a kid down, Richie tried to break it up, one of ‘em stabbed him with one of those shitty switchblade comb things.”

“You got stabbed by a kid?” Syd snorts, but immediately regrets it because she has perfectly set him up for—

“Yeah, and wouldn’t be the last time, would it?”

“Richie, c’mon…” You reach up, patting the guy’s shoulder. “It was an accident and she apologized—”

Richie just raises his eyebrows, interrupting with a simple, “Mm-mm.” 

And so yours raise in tow, “...Fuck you mean ‘mm-mm’?” And your head turns to Syd, alarmed. “Syd, you apologized, right?”

Her mouth just sort of hangs, sputtering noises do come out of it, but nothing that strings a sentence together. You grow more agog, repeating again, astonished, nearly laughing from the shock, “Syd?! You apologized, right?! And told him it was an accident, right?”

Syd takes a beat, but she gets there. “I— I. Am. Sorry I stabbed you by accident, Richie.”

“Hm.” Richie crosses his arms, considering, mostly sarcastically. “Yeah, I’ll take it, I guess. Would’ve liked a card.”

“I am not getting you a card.” “I’m jus’ sayin’ I’d’ve liked one.”

Carmen’s still five steps behind, “Are you gonna be fine living there? In January?”

You choke back a laugh, because this is how men try to show they care, one must imagine. “I’ve been fine for the past handful of years living there, I think I’ll be fine for another month, sweetheart.”

“Crime is bad in January.”

“I was a first responder, and I know that’s not true.” You shake your head, shirking off laughter. “It’s actually in the summer that you see shit go down. Again, I will be fine. But you are free to visit.”

“Point of order.” The Computer finally pipes up again— Might’ve forgot he was here, if you’re honest. “What are we talking about anymore?”

“Point of order— I feel like numbers— Talking numbers is great but it’s all just like— Paper, y’know?” You unlatch the plexiglass, gently settling it back down on the table. “We should be talking more.”

Tina nearly whistles in agreement, nodding by your side. “Heavy that, Jeff.”

“That’s what I’m sayin’, like—” You snap your fingers to the rest of the crew, hand moving to and fro to point at everyone, “Did y’all know until right now that Syd was moving? …No, right? Let’s like— Fuckin’ remember to check in, like y’know, family, Chefs.”

And without calling her out, you can feel Tina’s demeanor next to you change, relaxed. 

“Heard, Chef.” Is the agreement from the crew, however, The Computer nor Cicero seem convinced, so with a sigh, you put on your most authoritative voice.

 “Y’know. Three Cs! Caring cuts costs!” A phrase no one has ever said, but it sounds legitimate when you put it like that. That gets them to acquiesce. 

Thank God, Marcus helps you move the conversation along, “...What’s everyone doing for the holidays?” Alas for both of you, the silence is deafening. “...Or not.”

You volley back for him, “If no one has hard plans I was thinking of having a lil’ Holiday party? Nothing big. Sort of a ‘goodbye old apartment’ party? Come by after you hang out with your families or whatever?”

“Not gonna go up to Oak Park?” Rich leans one arm on your shoulder, nursing his whiskey cocktail in the other. 

“Meh.” You shrug, attempting to push him off you, but he doubles down. “We’re not so intense about holidays since everyone’s aged. I’ll visit my nephew on New Years.” 

“I’m doin’ Eve with Eva, but I’ll be free on the day. I’ll come by. We doin’ gifts?”

“I mean I got you something, so,” You tap the bottom of his glass as Rich takes another sip, making him flinch. “Catch the fuck up.” 

Syd pipes in, sniffing. “Me and my dad only celebrate on Christmas Eve now, so I’ll come.”

“Incredible. Two down.” You gesture to Marcus and Tina across the table. “You guys? Tina I assume you’ve got a loving family and shit?”

Tina smiles and nods, rightfully proud. “I do have a loving family and shit, but maybe I’ll come by late with them too?”

And Marcus tacks on with her, “I’m gonna be with my mom most of the night, but I’ll come through for a couple hours.”

“Perfect, perfect. Invites open to any plus ones as long as you text me first!” You hum, writing names down on the glass board. It’s kind of a nightmare of different lists at this point. “Richie, can you make sure Fak and Sweeps get the invite?”

“Yessir.”

“And us!?” Shrieks Cheech in the back, who really shouldn’t be able to hear you, he should be in the zone, slinging sandwiches.

You yell back without turning to him. “Yes, fucker, you and E can come, if you want! No fuckin’ plus one for you though!”

“Oh come the fuck on, Jack-Off!”

“Oh, make me a fuckin’ sandwich, big man!”

“Oh, I’ll make you a fuckin’ sandwich!”

“Oh, my dick!” A response that makes no sense, consistently the perfect bookend. You sigh, and finally, your eyes flit to the most terrified two in the room. “Berzattos… Holiday plans?”

“I think we’re gonna do dinner on Christmas Eve, and then the morning together? Well, I am.” Sug hesitates, she’s looking between Uncle Jimmy and Carmen. “I was gonna ask what Carm’s plan is…”

“I’ll go. I’ll go.” Carmen has to stop himself from biting the skin off the tips of his fingers. “I’ll go. And I’ll come to the party, after.” 

“I’ll probably just go home with Pete after. Baby’s first Christmas, y’know.” Natalie hums and nods awkwardly. There’s a question both of them want to ask. Neither of them are brave enough to ask it. And while you can sense there’s something dancing in the air, you’re not going to overstep on this front. 

“Mazel. I can buy silly decor with reason now. …Now let’s talk about the important grievances.” You hum, happy to end that chapter.

You turn just slightly to gently slap Richie’s cheek as he stands next to you. “Rich, you need to line your beard up, this neckbeard shit is pissing me off—”

“What’s with the fuckin’ drive by?!” “It’s been on my mind forever— You can’t be wearin’ suits and then be rockin’ that unkempt shit, clean up—” “I’m clean! I’m fucking clean!” “Who said? Who fuckin’ said? Cause I sure didn’t!” “How’m I s’posed to be linin’ my shit up every mornin’—” “You do not grow a beard that fast—” “Oh fuck you, I’m not fuckin’ Carmen, I grow a fuckin’ beard.”

Carmen’s just surprised to hear his name out of any name come up. “What– Now that’s a fucking drive by, what the fuck?” 

“If we’re voicing grievances, I’d like to voice my fuckin’ complaint with Captain Crash-Out over here—” “Who the fuck is sublimating now?” “You’re not usin’ that term correctly, cause you’re not integrated—” “I thought you two worked this out on the road trip!” “We did!”

You only half regret starting this feud with the beard comment— To be fair, you’re right. “This is it working?” 

“This is, in fact, it working.” Syd confirms plainly, her disappointment more than apparent. Rubbing the tips of her fingers to her temples. The fight is out of her, at this point. 

“Alright.” You slap your hands together. “Richie, what is your complaint?” Are you just union rep now? You might be a union rep now. 

“Carmen is fucking killing me.” The cocktail swishes and nearly spills as Richie points at the Chef, emphatic. “He won’t change shit for guests!”

“No substitutions!” It’s almost cultish, the way Sydney and Carmen yell it out together. 

Richie scoffs, head reeling back. “What happened to it bein’ about hospitality?” 

“I mean…” You suck air through your teeth, squinting. “If we’re sayin’ no substitutions, it’s no substitutions— Unless it’s like an allergy or sensory thing— But even then, it shouldn’t be like a major component getting replaced.”

“See? See?” It’s almost maniacal, rabid, how delighted Carmen is that you’re on his side. “Fuckin’ thank you. This is why I lo—” 

Before Carmen can finish his sentence, Richie flails about to suddenly throw the peach and blueberry skewer from his drink at Carmen— Not the pointed side, he doesn’t want to stab the guy. Just wants to save him from running his mouth. The peach slice hits Carm’s chest as Richie stutters out, “F-Fuck you, fuck you, fine. No substitutions— What the fuck am I supposed to say then?” speaking over whatever syllables fell out of Carmen’s mouth, muddling them. 

You cock your brow, but Carmen seems to quickly let the childish toss go, more than eager to move on. So you do too. “...Say some bullshit like, like, The Bear encourages —uhm— explorative culinary experiences where you let your taste buds go beyond your limitations and comforts— So eat a fuckin’ mushroom, you’re not gonna die.”

“If they don’t like mushrooms—” “Then they shouldn’t order it!” “How hard is it to just fuckin’ switch it out!?” “So hard! So hard! I think! I could guess!”

“I could do it.”

“Could you?” You cross your arms, leaning your weight onto one leg, pivoting to Richie. “Okay, roleplay, you’re Carmen, I’m you—” Just as Richie opens his mouth, you hold your index finger to his lips. “I know you wanna be a bitch, I’m askin’ you to just skip that part for me.”

His shit eating grin is only a little endearing. “How am I supposed to be in character if I’m not allowed to be a bitch?”

You clench and unclench your hands in the air, but let it go, opting to move on to your little thought experiment. “Chef, patient—” Instincts never give out, huh? “Christ, patron doesn’t want mushrooms in their anolini, I need you to sub it.”

“Ah, well I’m happy to do that for you, Host Richie, I—” He’s going to go into some scathing spiel, and you love the guy, but you have to rub dirt in the wound for the lesson to stick. 

You speak over him, voice stern, “Chef. In order to keep pace, I need you to make this call in fifteen seconds, what are you subbing it for?”

Richie’s head shakes back and forth as he scrambles to get his brain to work.“Fuckin— Fucking– Eggplant.” 

“Eggplant?” You ask politely, tone unsure. Carmen asks it with you, tone ridiculing. 

“It’s a sauce isn’t it?” You squint, turning your head to the actual Carmen. “It’s like a really thick mushroom sauce stuffed pasta?”

He tilts his head from side to side, but nods. In gist, yes. “It’s a ragout. Low and slow cooked stew—” Carmy’s ready to rave about it and teach you every facet of the dish, but perhaps that’s too romantic for a public setting. God, he’s weird about love. “We keep it going on our back burners all day— It takes an hour minimum to make from scratch, you can’t just sub it.” 

“Yeah, well…” Richie stops himself short of getting snarky for no reason all over again, taking a second to think about it. “Well, I didn’t know that. You didn’t explain that shit to me.”

“I don’t have time to hold your fuckin’ hand—” Carmen stops short of getting catty when you give him a very soft and yet gutting disappointed look. He pinches the bridge of his nose, sniffing. “I can’t explain why I do everythin’ I do when I’m— When we’re in a middle of a rush, I just need you to trust when kitchen says we can’t do it. Trust that I thought it through.”

Richie has to control himself, has to make sure the corners of his mouth don’t upturn just slightly, has to make sure it’s not clear that he is overjoyed that there’s finally middle ground, can’t get his hopes up. He nods. “I just wanna make everyone happy, y’know?”

“I know. You’re—” Carmen’s nose scrunches up for a second, God, he’s never had to say that he think’s Richie’s good to his face. And he’s not gonna start now, “Eggplant would be a good sub, if we had time.”

Richie prods his tongue along the side of his cheek, thinking. “Maybe I could look into knowin’ restrictions faster and estimatin’ their orders, so you can have ‘em on deck?”

And Carmen does think that’d be a waste of time, but he’s learning. He hears it out. “Could give it a shot, yeah.”

“Same team.” Richie reaches across the counter, and Carmen actually takes his hand, a quick dap. Civil.

“Same team.” First time you’ve heard Carmen adopt your idiom; you can’t help but smile, though you’re trying to hide it. You’re too focused on arguably the two most important men in your life to notice the silent conversation Uncle Jimmy is having with The Computer, speaking solely through nods and exchanged glances. 

Pay is for Chip. Cicero nods, and The Computer nods back. He gets it now. Pay is for Chip. Not just the mixologist, not just the sommelier, not just the repairman, not just the not-quite girlfriend, Chip. You’re Chip. You’re the cog, the piece. The grease between everyone. 

You’re the guy. Always have been, always will be. 

The silent conversation and the warm feeling in the room is cut short though, by The Computer. “Can she deal with the butter thing?”

“What the fuck is the butter thing?” You immediately jump onto the case, when Carmen looks down and away from you, you frown, leaning in. “What’s the butter thing?”

Jimmy snaps his fingers at The Computer, he hands him an invoice, which is then handed off to you. Old Major Farms, Orwellian Butter, salted and unsalted. $11,268. You just. Stare. The math comes all too easy to your head. Worth a week? 

“It’s the best.” Carmen repeats as your eyes remain worryingly unblinking. “It’s—”

“Carm.” Syd all but hisses, shaking her head in tight swivels, waving her hand around her neck for him to cut it. “Making it worse.”

“Angel is like, the worst it can get.” Hums Richie. Recalling your barometer of anger. Recalling the times when Mikey would say ‘what’s the point of paying bills?’ And you’d have to pull him aside. “Can’t get much lower than that besides—”

“Light of my life.” You look up from the paper in your hand, and both Richie and Sydney wince. Your voice is terrifyingly delicate as you nod over to the room behind you. “Apple of my eye. Can I speak to you in your office, please?”

Carmy’d like to say no. “...Yeah.” But you already started walking before he even answered, so there’s not much of a choice here. You head in by yourself, and thankfully, the door closes behind you, so Carmen’s got a second before he gets devoured. 

He walks around the counter, and as he nears the door, Richie grabs his arm. He whispers as he hands Carmen what’s left of his cocktail. “You need to lock the fuck in.”

“I know.” Carm returns, shooting down all that’s left of the lowball. Why’s Richie’s the sweet one? Why’d Carmen get the cough syrup drink? That’s not fair. Do you not think he’s sweet? “Thank you for the— Intercept.” 

Richie nods, he’s been unwillingly playing quarterback for Carmen since going to Rockefeller and seeing that goddamn giant tree and Carmen couldn’t stop opening his big fucking mouth after seeing you under the star. “Just think with your brain, not your—”

“Don’t.” “Was gonna say heart.” “Sure.” “Don’t be weird.”

“I know it’s expensive.” Carmen gets it out before even fully closing the door behind him, “But it’s normal prices, for high-end restaurants. I know it’s different—” He stops short when he finally turns around from the closed door, to see you, holding your painting. 

It’s facing you, you’re reviewing it in your hands where you sit in the office chair; the brown wrapping paper freshly ripped and on the floor. Carmen still doesn’t know what’s on the piece. 

“Carm.” You twist the piece around in your hand, turning it to him. He can see the nine squares. The Beef to The Bear. Mikey. “This is not another restaurant.”

Carmen continues to stare, silently, though he takes a step closer, reaching a hand out to graze over the canvas. You keep going, clarifying. “We’re not just another high-end restaurant. We’re us. And so we should be doing things like us. We’re the best, we don’t need the stuff to be.”

He was with you until that last part. His pursed lips say as much.

“It’s—” You smack your lips together, haphazardly handing him the canvas, he’s very quick to grab it with both hands, not wanting it unstable for a second. “Hold on, let me show you somethin’ — I think I left one in here.”

You roll the office chair back a bit, sinking down in the seat to reach far behind a tall cabinet; you have to pad your hand around in the dark nook for quite some time before you pull out— A screwdriver. An oddly shaped one, at that.

“...Has that been here the whole time?”

You nod. “Like threeish years at least, I think I threw it back there while telling it’s origin story. It’s part of the first set I ever got.” You grip the flat wooden handle. “It’s the worst screwdriver on earth, like, by far.” 

That gets a little chuckle out of Carmen. “Yeah?”

“Yeah.” You look up from it to him. “It’s a handmade set. Dad’s dad made it.” You awkwardly roll closer to him, he leans over, head next to your head as you both look down at it. “It’s got a flat wooden handle, made of poplar— So not only is it fucking impossible to get a good grip on, it’s also so fucking slippery. It’s part of a whole set, passed down from my grandpa to my dad to me.”

“Sounds fucked.”

“It is.” You laugh, and so does he. “It’s purposefully meant to piss you off.” You rub your thumb over the dent marks in the wood— All from the times you threw it at something— Including the very cabinet that it hid behind. “You ever wonder why I took over the handyman gig, bein’ the youngest and all?”

Carmy shrugs, glancing from the screwdriver to you. “Just assumed you were the best.”

That gets another laugh out of you, and Carmen’s overjoyed by the sound. “Yeah, I’m probably the best. But that’s only cause I kept up with it.”

You turn your head up to face Carmen again as you explain, “When our dad started bringing us to jobs as kids, he would make us exclusively use this set of screwdrivers— Sort of as a secret test. My brothers would get pissed off, as planned, and they’d quit and cry. And I dunno, I guess I’d cry and keep going? And I learned a couple tricks, eventually.”

“Tricks?”

“Like.” You pull back in the chair and run your hand across the office desk. The corners of it are screwed into the metal cabinet below it. “It’s really good if you’re screwing from the top down.” Using it as an example, you start to unscrew it. “It’s balanced. And it’s really all in the grip— Always loosen your grip with this one. Even if that seems counterintuitive.”

You get it to unscrew just fine with your loosened grip. “But if that doesn’t work, and you just can’t get it to work—” You lift the screwdriver in front of his face, showing off the sides of the handle. He smirks at the— “Just make your own grooves, it’ll be easier to hold.” Tiny teeth marks. 

“Carm.” You tap the handle to his nose as he zones in too much on it. “I’m the best repairman because I can work with anything. You’re the best Chef because you can work with anything. You don’t need the best when you’re the best.”

He’s the best? 

He’s the best. 

He’s the best. 

“I truly think you could make just as good a plate with Becel as this fucking Animal Farm butter.” 

Carmen’s the best. You think he’s the best. 

He’s gotta think with his head and not with his heart and not with anything else, either. Lock the fuck in, Carmen.

“I dunno bout all that.” He shrugs, bashful and attempting to hide it, trying to shake the praise off his back. 

“Well I know ‘bout that.” You shrug back, “I’m actually kind of a genius, when it comes to knowing who’s good and who’s not.”

“I don’t doubt that.” Carmy hums, and the sound is sweet without reservations. “...Painting is very good.” He nods to himself, on repeat, like a bobblehead. “Or I guess it’s less a painting and more a buncha photo transfers?”

“Yeah.” You set the screwdriver aside on the desk. “Most of them I took.”

“They’re good. It’s—” He pauses, tongue against his teeth. “It’s nice to see evidence he kept up, or somethin’.”

You nod, seeing Carmen’s brain struggle to keep pace in real time. “We took that one I think the day we talked to Uncle Jimmy about The Bear? Had to print out articles as proof we could make it work— Or, that you could make it work, rather.”

Carmen sniffs, crossing his arms, hands in tight fists— Probably too tight— where they hide. “Yeah, kinda fuckin’ up my end of the bargain, hm?” The light laugh that follows is hollow.

“Eh. You both did.” You smile, though it’s hesitant. “ But at least you’re still here fixing it.”

Still here. Still fixing it. That is in essence, the piece. Carmen gets lost staring at the squares, so you speak as he does. “I was trying to like. I dunno, replicate your brain.” He can see it. The messy yet coherent, controlled yet chaos. The love. The grief. The progress. The home. You see him. He can see that you see him. 

“11k for butter,” Carm’s head doesn’t move but his eyes raise to you. “Is a week. More than a week.”

Ah. Carmen can see you too, see your thought process. The Ascaso, worth one of the worst weeks of Mikey’s life. The fucking butter. Worth more than a week of Mikey’s sobriety. 

All you can do is nod solemnly. “It is, yeah.” 

He nods back, tongue prodding his cheek. “That’s too much.”

“I’d agree.”

“I’ll switch to local.” You make it easy for him to fix his mistakes, by giving him the space to realize them. 

“I think that’s the right call.” You nod, smiling. After a moment, you reach for Carmen to uncross his arms, and when he does, you take his fist and uncurl it— Your hand is a very soothing balm to the spots where he dug his nails into his own hand.

“Loosen your grip, Carmy.”

And so, he does. With a laugh and a look to high heaven, he loosens his grip. Really loosens his grip. Well— Not completely, he’s not going to say that, but he will say something that is just nearly as difficult but not quite. He'll bite down a little. He’ll make the grooves, for now, until his grip is good enough.

“Come to dinner with us?”

would you believe me if i said I had to rewrite a bit of this last scene because intially it went so rom-com and I was so disgusted when I reread it in the morning I had to stare at it in the subway ride to work like "what the fuck am I gonna do"

was this chapter good? God I hope so. I felt like with where we're going, it was kinda necessary to do Chip's onboard, set the stage for what work is like for her. I had to loosen my own grip with this one lmao. just allow myself to be a LITTLE messy. if it's bad, lie to me. tell me sweet little lies peach

DAD REVEAL THOUGH EH? MR CK!!! So much did happen this chapter. Chips on board! Squid Ink moving in together era commences! Christmas party!! Also. Would you believe me if I told you no shit syd was gonna move, she was planning it in S2, but I was planning this whole time for Ink to get evicted!! I want those fuckers to be roommates STAT!!!

anyways, i really hope i remembered to write down everyone that asked to be added to the taglist, i might've not. i'm very sorry if i didnt

oh also if you wanna be added!! send in your thoughts!! words for words baby, essay for essay cmonnn gimme ur character analysis!! (oh and also ask to be added, ofc)

@hoetel-manager , @fridavacado @sharkluver , @spectacular-skywalker , @silas-aeiou , @deadofnight0 , @sunbreathingstuff , @anytim3youwant @navs-bhat @whoknowswhoiamtoday @gills-lounge @blueaproncarmy @itsallacotar @catsrdabestsocks101 @popcornpoppin @renaissance-painting @lostinwonderland314 @v0ctin @ashtonweon @mrs-perfectly-fine @thefreakingbear @anytim3youwant

[f1byjessie]

A PICTURE IS WORTH A THOUSAND WORDS ━━ LN4.

sometimes the right words are hard to come across, and sometimes everything you need to say can be captured in an image.

( lando norris x photographer!reader )

━━ part one.

INSTAGRAM.

liked by mclaren, landonorris, and 505,281 others

tagged: landonorris

yourusername a smiley lando is the best lando in my books! to celebrate the end of the 2023 season, here's a handful of my favourite photos from throughout the year!

view all 3,171 comments

mclaren What a happy lad! We can't wait to see that smile again in 2024 😁🧡

↳ yourusername you and me both! 🤝🧡

user she's got the dream job omg

↳ user IKR??? imagine just getting to follow lando around and take pictures of him all day, i'd be dead within the first hour

↳ user he'd smile at me and i'd be asking “what are we” on god 😩😩😩

↳ user is that literally all she does??? she just follows him around and takes pictures??

↳ user there’s probably a technical term for what her position is and i just don’t know it, but bc there’s so much going on around the track at any given moment, sometimes the press and other media workers are focused on something or someone else, so she’s hired on by mclaren to specifically focus on mclaren to make sure that there is content for mclaren or mclaren sponsors to use. she’s not just lando’s photographer, she also takes photos of oscar, the pit teams, and the other staff that work in the garage, but she was hired on when lando started so her portfolio is pretty full of him. hope this helps!

user didn't know i could need so much orange in my life but here we are

user LANDO NORRIS SUPREMACY

oscarpiastri i see who the favourite is 🫤

↳ yourusername you literally SAW me picking photos for your post too

↳ oscarpiastri yeah but you posted his first 🫤

user guys this is the face of the 2024 wdc winner take it in now

user i could write a 50 page thesis on the importance of these photos and what they mean to me and how the serotonin they make me release could replace my depression meds

user lad’s like a mini danny ric with how smiley he is

landonorris best photog right here folks

↳ yourusername you're only saying that bc i always get your good side

↳ landonorris i'll have you know that all sides are my good sides 🤨

↳ yourusername whatev helps you sleep at night luv 😊

In 2019, when you took on the job of being McLaren’s lead photographer, you hadn’t expected it would garner you the amount of attention it has, or that it would slingshot your career to levels of success you never could have anticipated, or that you would get a best friend out of it.

When you first met him back in those early days, you’d thought Lando Norris was an arrogant, pretentious, self-righteous prick who thought he was hot shit because he was a Formula One driver. However, he’d quickly proven you wrong when he’d admitted to you that a lot of the confidence was an act━ carefully constructed to hide his insecurities about his performance both on and off the track.

“I mean, we’re drivers, yeah?” He’d said. “But we’re also actors. We’ve got these personas that we have to uphold even out here on the paddock, and I’m always worried I’m not playing the part well enough.”

It hadn’t made a lot of sense to you then, you thought he was pulling off the persona of Total Douche remarkably well, but in Shanghai, things changed.

After the Chinese Grand Prix, things were dour. Lando had DNFed━ the first in his Formula One career━ which contrasted greatly with his previous accomplishment of P6 in Bahrain. Carlos Sainz hadn’t been doing very well, either, and it didn’t paint a very pretty picture for McLaren so early in the season. You’d thought he’d throw a hissy fit, tear Daniil Kvyat apart for his role in the crash, or at the very least throw some shade his way, but he hadn’t done any of that. He’d accepted his fate with grace, joked to the media about how boring the race had been because of what had happened, and then gone on to congratulate Carlos for at least finishing.

What was even more shocking, was that despite his disappointment and the frustration he must’ve been feeling, instead of going back to sulk in his lonesomeness or drown out his feelings with booze and loud music at some club, he’d comforted you later that evening.

The morning of the race, as you’d been getting ready in your hotel room, you’d gotten a text from an unsaved number admitting to you that they’d been taking part in a months-long affair with your boyfriend but had been previously unaware that he was already taken and therefore wanted to let you know to clear their conscience. You’d managed to hold yourself together then━ mostly because you’d already done your makeup and, quite frankly, didn’t have the time to sob it all off and then attempt to salvage it━ but as the day drew to a close and the adrenaline of the race and its excitement wore off, and with nothing else to keep you distracted, you were struggling to keep yourself composed.

Lando had somehow noticed in that weirdly perceptive way of his that something was off, and he’d sat with you, asked what was wrong, and listened when you━ through tears━ explained the situation to him.

“He sounds like a total fucking muppet,” he’d commented after you’d said your piece, and he’d done it with such a deadpanned expression that it had startled a genuine laugh out of you. Because yeah, you’re (now ex) boyfriend had been a muppet.

After that━ and after all the rom-com and ice cream binging you’d both done in his hotel room afterward much to the chagrin of Lando’s nutritionist and the displeasure of his PR officer━ you’d rescinded your initial judgment of him. He was significantly less dickish than you’d originally thought, and it let you finally understand what he’d meant when he’d talked about putting on a persona.

The cocky, know-it-all prick that Lando pretended to be half the time was all just an act to hide his overly self-critical nature fueled by his insecurities.

By the end of the season, he’d gained a little confidence of his own and had subsequently toned down the assholery when he no longer needed to “fake it til he makes it,” and you were calling him your friend.

It’s 2023 now, and he’s since been upgraded to best friend status━ a role he takes very seriously, and constantly reminds you of.

“I’m your best friend━” case and point, “━you have to come to Bali with me. Literally, like, what am I gonna do without you there? Do you expect me to just go by myself? What if I get lost? Or what if somehow the mafia, who have unknowingly had a hit out on me for years, track me down there and I’m kidnapped and ransomed off for billions of dollars? What will you do then?”

“You just want me to take pictures of you,” you answer, rolling your eyes only because you know he can’t see you through the phone.

He gasps in mock offense. “I cannot believe you think I value you so little! I want you to take pictures of me and be here to help me make fun of awkward tourist spray tans so I don’t feel like a total asshole for being the only one who laughs.”

You laugh at that. “Well, unfortunately laughing at bad fake tans doesn’t pay the bills.”

“But taking pictures of me does.”

“Yeah, when McLaren is paying.” You turn back to your laptop, a photo put on pause mid-edit splayed across the screen. It’s of Lando, as most of your photos tend to be despite your attempts at keeping things even between the McLaren boys. It’s the last of the images you need to send over for their 2023 sendoff, and when it’s finished you’ll officially be without work for a painstaking two months. “I’m on break too, technically, until they need promotional shit for the new season.”

He huffs, and you can almost imagine the childish pout on his face. “What are you even doing, then?”

You hesitate, not because you don’t want Lando to know about your winter plans, but because you don’t really know how he’ll react, which means it could be anything between genuine happiness for you and congratulations, or abject horror and feigned screams of anguish. He’s always been dramatic like that, but even more so now that he’s comfortable enough with you and himself to have crawled a decent way out of his shell.

Even still, he’s your best friend and it would make you a pretty shitty person if you didn’t tell him.

“Believe it or not,” you start, wringing your hands together, “but Manchester City actually hit me up with an inquiry. Asked if I’d be interested in working with them on a project documenting their training throughout the winter months. I said I would love to.”

He pauses for a good long moment, and you prepare for the screaming, but all he says is━ “Man City? You traitor. I thought Man United was our forever!”

“Be so fucking real right now, Lando Norris,” you answer, laughing as you do so. You’re relieved, at least he hasn’t gone the feigned anguish route, but you also can’t tell if he’s happy for you or hiding his true feelings behind humor like he’s prone to doing. “You know damn well you only watched them for Christiano Ronaldo and he hasn’t played with United since 2009.”

“Technically he played for them in the 2021-2022 season,” he grumbles.

“Yeah,” you deadpan, “and he was dogshit. We both agreed to pretend it never happened.”

He groans, “I can’t believe this. My day is ruined and my disappointment is immeasurable.”

“Oh, get over yourself. It’s only for the winter. I’ll be back in McLaren Papaya by February when they need me snapping shots of you and Oscar next to the new livery,” you promise.

The reality is that it’ll probably be sooner. McLaren has always been good about getting you back at HQ pretty quickly, either to get some snapshots of the beginning of Lando and Oscar’s pre-season return or to just capture some material of the engineers at work to promote their readiness. You understand why they can’t keep you around all year━ no Lando and no Oscar means no you━ and with the sheer amount of content you capture and edit for them throughout the season, they’ve got enough to last them the handful of weeks you aren’t working.

Unfortunately, you aren’t working with a driver’s salary to keep you sustained over the break and rent certainly hasn’t been getting cheaper. In past years, your bank account has been chirping with crickets when you’ve returned to work after the winter, and that was before your landlord had decided to make your life a living hell.

You have an important job, but it’s by far the most important, and sometimes sacrifices have to be made. Working in sports media taught you that early on.

“Who knows?” Lando’s voice snaps you back. “Maybe Jack Grealish with his perfect hair and perfect calves will steal you away and you’ll be in sky blue forevermore.”

You laugh, “Jack Grealish is a happily taken man, and although he does have perfect hair and perfect calves, I’m more of a Haaland girl anyway.”

He guffaws. “I can’t believe I’m hearing this. You’re so far gone that you already have a preferred player. Jack Grealish is England’s poster boy! Everyone loves him whether they like City or not!” He heaves a dramatic sigh. “Christ, I can already feel you slipping through my fingers. I give it a week over there at Etihad before you call me up telling me I can find a new best friend because you’ve replaced me with Phil Foden and Julian Alvarez.”

“For someone who supposedly hates Manchester City, you’re certainly well-versed in their roster.”

“Well duh, I need to know my competition,” he says, like it’s obvious.

“Ah, yes,” you snark back sarcastically. “Because you, a Formula One driver, have to be worried about the football players of Manchester City.”

“Apparently I do if you’re calling yourself a Haaland girl now!”

You burst into cackles and he’s following shortly after with chuckles of his own that eventually peter out into a comfortable silence. You are really going to miss him for the few months you aren’t working with him.

The Formula One schedule is so jam-packed across the season that it typically means you’re getting to see him every day for an hour or two at least, if not for the entirety of the time he’s at the track. You follow him and Oscar to their sponsor obligations, their interviews, and everything in between. It’s honestly rare if you’re not getting a moment to goof off and dick around with one another━ and it’s even rarer for you to not actually see one another face to face in passing at the very least.

The off-season is your least favorite time of the year for this very reason, and though it makes you feel a bit full of yourself to think so, you imagine Lando doesn’t enjoy this time of year much either for the same reason.

“I promise I won’t replace you with any of the City boys,” you say after the silence has stretched on a moment longer.

He huffs again, but you can envision the smile tugging at his lips. “I suppose even if you do, I’ll just show up to a match and steal you away again.”

“As if. Have you seen Grealish’s calves?”

INSTAGRAM.

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footballfansofficial BREAKING: Manchester City Forward Garrett Ward caught with mysterious woman revealed to be well-known Formula One photographer Y/N L/N! The two were seen sharing a romantic evening on Friday, the 5th of January, ringing in a passionate start to 2024. Garrett Ward has been with Manchester City since 2021 but was out on loan to a lesser-known Championship League team until 2023. He has just recently begun to play for his team again, but an injury early into the season has seen him benched for a majority of his time back. Y/N L/N is a photographer for Formula One racing team McLaren and has been working with them since 2019. Recently, she has been working with Manchester City to help promote a new docuseries following the men’s team’s winter training. Check the link in our bio for the full article!

view all 12,971 comments

user OMG GARRETT WARD??? NOTORIOUS BACHELOR GARRETT WARD???

user who is she? like genuinely how is she relevant 🤔

↳ user no literally cuz like who even gives two shits about formula 1?

user girl works in f1 why can’t she stay there

↳ user i’m sure there are plenty of drivers who’d smash her idk why she needs to try and get footballers too like bffr 😒😒😒

user aint no way this bitch is kissing my man rn

user literally what does he even see in her??? she’s not even cute AND she’s wearing man united colors 💀💀

user Y/N L/N??? I THOUGHT SHE WAS WITH LANDO NORRIS???

↳ user LITERALLY ME TOO?? like she posts him all the time on insta so i just kinda thought they were an item or smth?? trouble in paradise maybe

user she’s fucking ugly wtf

user i wish these footballers who get with regular women would realize there are so many better girls out there that would ACTUALLY treat them well and would support them in their careers. like i bet this girl doesn’t even know anything about football. she works in f1 and that’s where she should stay bc nobody cares about that shit round here. she probably doesn’t even know the first thing about how football works, but i bet she’ll be at matches pretending like she knows what’s happening. garrett ward is gonna flush his career down the troilet for this chick bc she’s gonna convince him his busy schedule ain’t worth it and then city will be down a great forward for good, and it’ll all be her fault

user i mean she’s kinda pretty tbf

↳ user stfu she really isn’t

↳ user she gen looks like any random bitch off the street

user these comments are not it…. 😬

↳ user maybe you f1 fans just don’t know how to handle constructive criticism

↳ user is the constructive criticism in the room with us rn?? cuz all i’m seeing is bullying and hatred directed towards an innocent woman who’s only “crime” was going on a date

user ok so she can take photos?? 🙄🙄 maybe she should get a real job

↳ user she’s probably only with him so she can mooch off of him like a fucking gold digger

user AINT NO WAYYYYYY

user it’ll last a month max 😌 i’m calling it

user ayo lando come get your girl

━━ tags: @maih23 @urfavnoirette

━━ a/n: here we have it! took me a bit longer than the start of american smile did, but lando's story is officially here! (and it's a whopping 2.9k words to start us off). first and foremost, before we get started, garrett ward is 100% an oc and obviously does not play for manchester city, and this is bc i would feel absolutely horrible portraying a real person in the way that garrett will be later on. gather from that what you will haha! regardless, i hope you enjoy this first part and stick around for the rest!

[crystalwhites]

ASTROLOGY NOTES

Hey! These are just my views and observations might not be relatable to all, please take what you relate 🤎

This Post consists of only Scorpio, Capricorn, Saturn, Pluto, 8th / 12th house placements

𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃𓂃

✦ I'm not surprised 12TH HOUSE rules psychiatric hospital, mental illnesses, abandoned places things that are twisted in some way, that are mysterious

since we are on it, 12th house mystery and 8th house mystery are veryyy different....... 12th is like conspiracy everything that's hard to believe which might or might not be real...and 8th is stuff that everyone knows exists but don't wanna talk about cause it's dark and hidden

✦ Saturn dominancy is definitely something you inherit or like runs in family (not compulsory ofc)

✦ Plutonic moon and plutonic venus make a good match from what I've seen, their wants and needs are similar (also the possessiveness and jealousy :/ )

✦ Capricorns and them questioning themselves whether they're enough.

✦ Scorpios are majorly attracted to Capricorns cause caps are so authentic they just be themselves not trying to lure anything or anyone,....... caps / earth signs don't give a shit about anything and Scorpios like it, their cold persona is very appealing + caps are not pretentious and Scorpios like people being honest and real

✦ CAPRICORN and SCORPIO difference (sun/ moon/rising)

Both of them are mysterious but the difference is Scorpios are secretive and caps are reserved / private ppl. Caps don't mind sharing their things with right person but not announcing it lol where as Scorpios have issues with trust they won't share until something like 10+ years and signed nda.

✦ 8TH HOUSE placements really hate people who don't have depth to them, who are too superficial to understand them

✦ You shouldn't underestimate a Moon in 8th house person's ability to detach themselves from anything or anyone, or at least they can pretend to cause they are so good at hiding their feelings

✦ idk why but I've observed this a lot that in someway or other it has always been unfair with Saturnians

✦ Heard a CAPRICORN STELLIUM say this ----

"your life is 100% your responsibility, no one is coming to save you"

✦ one thing you can expect from CAPRICORNS is keeping things real. They will say like it is and yes that also means no consideration for your heart sometimes cause they don't want anything based on lies, truth and loyalty are important to them

✦ A combination of Saturn and Pluto dominant in a chart 😵😰🥵

✦ Some of the songs from taylor swift album tortured poets like loml, so long London are so deep and heavily emotional perfectly showing her SCORPIO VENUS (pls never break a scorpio venus heart they're too soft <3)

✦ SATURN - PLUTO transits are scary especially in the 1, 4, 7, 10 houses....... pls y'all look out for yourself stay safe <3

Thankyou for reading !!

Hope you liked and related 🤎

[periwinkla]

How Takumi writes romance - and narumitsu thoughts

I feel the way he writes it is.... dare I say realistic? If dramatic. Which is also very realistic honestly. To be fair all AA characters are kinda.. dramatic themselves so any couple that comes from that HAS to be dramatic. Anyway the point I want to make is that I honestly LOVE the way he writes romance, like come on LOOK at the canon ones: -the Delites (crazy in love and also in general <- perfect AA couple example) -Maggey and Gumshoe (not a canonical couple per-se but canonically down bad for each other and also both kinda wild, one in a way the other in another.... it's left to interpretation whether they get together after AA3, but it is fairly hinted) -Mia and Diego (very realistic? love can be tragic, also love leads you to make bad choices sometimes) -that one wild tgaa couple (don't wanna spoil) -actually multiple tgaa couples This is unironically peak romance to me. We never see the actual development of these couples here. Takumi shows they love each other, he doesn't simply tell you by making characters confess or have cute moments together. You see them do foolish things for each other, you see them care. You see them being illogical and that leads to them doing bad, messed up things sometimes. When I think about that one discussion going around Suekane telling Takumi he wasn't writing the narumitsu scene right so he better scrap the scene (which is honestly a bit of an ambiguous info to be taken with a pinch of salt imo, but let's analyze this anyway) I think the main problem is that that's just not how he writes. It's just not! He didn't write AA that way and it shouldn't be forced like that. It would feel out of place. Like, look at this (obviously just trilogy stuff because that's what Takumi wrote): -Miles' very odd conversation with Iris -generally every poetics Miles spews in the trilogy... -his agreeing to doing something so incredibly foolish at the drop of a hat such as donning a defense attorney badge? (after an harrowing hurried flight over in the middle of the night) He even suspends his disbelief and still resorts to using an artifact that reminds him of the ugliest event of his life? -Phoenix's depression after Miles disappears...? He already wasn't accepting any clients after 1-4 (Ema had to force him) which I think was a mix of things (Mia's death, Maya's departure, the fact that he had accomplished his goal with Miles but apparently they didn't keep in touch?) but then after Miles' note it just went even worse - if Maya wasn't there to basically drag him around, what would have happened? How was he paying rent? Groceries? He wasn't working. How was he planning to continue living exactly? -Phoenix's I-am-the-only-one-who-can-save-him obsession is similar to Godot's I-blame-myself-for-not-saving-her, who has it over someone he canonically loves... and they're both very pretentious about it as well. While these are definitely character flaws, they show as I said that love doesn't always lead to logical and healthy thoughts or choices and sometimes it leads to you doing very messed up things… This is all way more telling to me. And of course I don't believe in a million years the games will ever make it a canonical couple, but in my heart they care so much for the other that all I can discern from this is that at least they canonically love each other. Was it meant to come across that way? Who knows. But sometimes your own creation gets away from you (also it's not like Takumi made AA123 all by himself, other people were involved).