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#which is not good for me or anyone else lol
celestie0 · 2 days
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gojo satoru x reader | college au [18+]
kickoff ch.12 how you get the girl
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ᰔ pairing. college au - soccer player! gojo x film major! reader
ᰔ summary. gojo satoru is the most popular guy on your college campus. he's tall, funny, hot, not to mention he's the most talented soccer forward the school has seen in years. but he's also a frat dude, which puts him in a world very different from your own, as he spends most of his nights partying while you spend most of yours working on your annoying film major assignments. but when he reaches out to you for a favor, you realize that helping him out might have something in it for you too.
ᰔ warnings/tags. 18+, fem reader, fluff, angst, smut, college au, fraternities, sororities, partying, drinking/alcohol, romance, jealousy, pining, slow burn, opposites to lovers, friends to lovers, she falls first he falls harder, gojo being an idiot, marijuana use, sexism, sexual harassment (verbal only)
ᰔ chapter. 12/x (probably 18)
ᰔ words. 11.3k
a/n. man the color scheme for this chapter is kinda giving BRAT lolol...i mean gojo IS brat. anywho, i don't have much to say at the beginning of this chapter but i do have a LOT to say at the end of it sooo see y'all at the bottom!! hope u enjoy. also BIG THANK YOU to @whereflowerswenttodie who beta read parts of this chapter for me n convinced me not to scrap it lol
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☾·̩͙꙳ moodboard no.1 :: ♬.*゚playlist
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11:03am you: hi! 11:03am you: good luck today 11:03am you: incase i don’t see you
11:05am Gojo Satoru: Why wouldn’t you? Aren’t you gonna be on the field for your newsletter shots?
11:07am you: i mean yes but idk where i’m gonna be stationed so 11:07am you: it might not be on UTokyo’s side of the field
11:08am Gojo Satoru: Okay then I’ll look for you before the game starts
11:10am you: no pls don’t. coach yaga thinks i distract you. i don’t want to get yelled at again. he scares me :(
11:12am Gojo Satoru: Haha you’re silly 11:13am Gojo Satoru: East side entrance at 2 11:13am Gojo Satoru: Be there
11:14am you: or be square?
11:15am Gojo Satoru: Yea whatever shape you wanna be in is fine cutie
It’s a bright sunny day outside, perfectly blue sky with a scattering of fluffy clouds seen outside the window of your shared room in your apartment, and you realize spring is fully here from the way birds chirp past the glass. You’re stuffing your camera case full of chilled Kodak film rolls, your last stash left, and it’s the last piece of equipment you pack before slinging the strap over your shoulder and heading out the door.
Mina had offered to give you a ride to the stadium since your car’s still at the shop, but you’re happy you opted for the bumpy bus ride and although you come close to low-grade concussions from the bang of your head to the window at every other speed bump, the music in your ears while someone else is operating a public transport vehicle helps you think creatively before shooting shots.
It was surprise enough that Mina of all people was going to this game, and when you questioned her about it in the morning, she looked at you like you were absurd to assume anyone from UTokyo wouldn’t be at this game, and sure enough, it’s all anyone on Instagram has been repping on their stories or talking about in the bustling minutes before lectures. Even Utahime was going to this game, and she hates all intercollegiate sports. You knew the game was a big deal, given the way Coach Yaga was yelled at via email by the Dean of UTokyo to make sure the team wins today because a multimillion dollar Nike sponsorship would be greenlit by the prospect (for some reason you were cc’d in an email chain among divisional higher-ups, but you weren’t opposed to snooping in on conversations that were entirely outside of your tax bracket).
It’s because it’s the second to last home game before the season ends, and apparently this has been statistically the best season the UTokyo D1 Men’s Soccer team has played since the new millenia. No pressure to the players on that fact, but failure wasn’t much of an option for them anymore. 
And you can feel the stakes the second you step inside the stadium. Packed would be an understatement, there were people flooding the aisles, overbooked for the sake of the university pocketing an extra buck no doubt, but spectators could care less since they were able to at least get in on the basis of that irresponsibility in the first place, despite the stadium’s capacity having long been reached before the pregame festivities even start. Banners and signs drape over railings with the school’s striking blue and golden colors, every single replay screen is lit up and brightly pixelated at every north, south, east, and west entrance for inclusive viewing. As you pass VIP security and make it into the lower field-level entry, the scattered chants from the crowd amplify in volume and you almost wince a little to yourself from the noise. The stadium felt like a living, breathing entity, pulsing with the collective heartbeat of everyone inside. 
You’ve never been more overstimulated in your life, except instead of finding it frightening, it was electrifying. And for once, you think you can understand what an athlete must feel when playing on their own home turf surrounded by those that are wholeheartedly rooting for them.
Hana is quick to spot you, panic clear across her face as she regards you with a couple pages with your assigned vantage points, a rushed briefing session, and then she’s darting down the sidelines to make sure equipment is set up appropriately where needed. She’s understaffed, given you told Utahime about Kai’s little intervention last week and she made a nasty point to the university (and possibly a handful of legal threats) and they relented in firing him. So now the three of you were down a photographer, and the extra work shows in the instructions she gave you as you skim the sheets. 
A glance at your phone tells you it’s close to 2pm, and your eyes take in the expanse of green on the field. UTokyo’s players practice kicking shots off to the right goal post, while YCU’s players practice shots off to the left. You can’t spot where Gojo is, but you faithfully head down to the East Side entrance like he asked you to. 
When you round the corner, you almost crash right into an Ichiko mascot, but swiftly dodge, and then you stop in your tracks when you see Gojo standing right at the concrete entrance. He’s leaning back against the adjacent wall, arms crossed at his chest, and he’s stretching his neck side to side with a creased brow, an intense look in his eyes, lost in serious thought, scanning the wall across from him like he’s mapping out plays in his head. 
When you approach him and catch the corner of his eyesight, he leans off the wall and flashes you one of his so extremely charmed to see you grins on reflex, and suddenly there’s nothing your senses seem to pick up on except him. Like everything else around you just disappears.
“Hey, you,” he says when he comes up to you, and you walk him like a dog back to a corner that’s tucked further away from noises and sights. You lean your back against the wall now, the coolness of concrete seeping through the fabric of your shirt, and he stands a step in front of you. Your hands toy with the strap of your camera.
“Are you ready to win today?” you ask him, and look off to the right into the flourishing seats that are still being filled to the brim, “clearly there’s no pressure.”
He breathes in deep, and releases it slowly, like there really was tension to relieve. “We’ve got no choice but to win.”
“Is that something Coach Yaga says to you guys often?” you ask him, because the man recited the same thing about five times in that email chain. “Also, apparently you take years off of his life.” Another thing he recited about five times in that email chain.
Gojo only addresses what he wants to address, as per usual. “Yeah, it’s something he says to us often.” 
“So,” you say, “what did you want to talk about?”
He looks at you puzzled, tilting his head to the side. “Nothing. I just wanted to see you.”
It’s hard to assume that he didn’t have something to talk about with the intention of telling you to meet him here, because this is the same place you confessed to him a few weeks ago, and so is also the place he so painfully rejected you. But maybe he doesn’t think about these kinds of things as much as you do. “I see.”
His tongue pokes to his cheek as he studies your anticipating expression, and then he sighs, his shoulders slumping slightly. “What are we doing? I mean, I like you, and you like me too, at least I hope you still do. Why don’t we—…why don’t we just give it a go already? I don’t see how we can move forward if you won’t at least let me take you out on a date.”
Your hands stop fidgeting with your camera strap from his words, and you lick your lips, suddenly unable to keep eye contact with him so your gaze drifts down to his chest in front of you. His uniform is clean, no smudges of dirt or grass, just pure white fabric underneath heat-pressed blue and golden accents, and of course, that signature number 10. You’re sure he’s all you’ll ever think of when you see that number now for the rest of your life. 
You know when you want something so bad you don’t know what to do once you have it? Because it almost seems too good to be true? 
“I just wanted to let stuff between us breathe for a little bit,” you confess, “it’s just, it was a lot to deal with. Being around you when I thought you didn’t want me the way I wanted you. I don’t know if this is odd to say, and maybe I’m overthinking it, but I just feel like somewhere along the way, I kind of…forgot who you were for a little bit.” This kind of vulnerability would have you running away with your tail between your legs with anyone else, but not with him. Not after everything. 
His expression softens, melting away that confrontational energy he had earlier, and he nods slowly. He opens his mouth to speak, but he can’t seem to find words. The presence of them is there, though, you can feel them. But what good are his thoughts if not voiced? 
“I just wanted to spend a little bit of time getting to know you again, I guess.” You squeeze your arm in reassurance of yourself because he wasn’t giving it to you. You let out an awkward laugh. “I don’t really know what I’m saying right now, to be honest.”
You can tell he’s at a crossroads, and you think back to this week and his efforts to get you to open up to him again. You know how he feels right now, because it’s exactly how you felt when he rejected you. Like when someone is so close, yet so far, you can feel that they’re within arms reach but never truly. And they’re slipping away for some reason that you may never know, but all you can do is assume that it’s a fault of your own. You’re not really sure what he can do to make you feel secure about this whole thing anymore, and you can see the slight panic in his eyes when he realizes that too.
“I don’t mind waiting,” he tells you, rushed with a desperation entirely contrary to his words, “what’s a week or two when I want to spend a lot more of those with you anyways.” But he takes a deep breath, like he’s already mentally preparing himself for an agonizing wait in his head.
There’s a sound over the stadium speakers, something technical and sporty and goes entirely over your head in dismissal, but to Gojo it seems to have a different effect, as he’s suddenly attentive and stands up straighter, that focused expression on his face from earlier resurfacing. You realize he needs to get back to the field. 
“Can we continue this conversation after the game?” he asks you hastily, already turning towards the center of the stadium. And he adds an obligatory, “sorry.”
“Yeah, sure,” you quickly agree, suddenly feeling like you’re taking up his time. 
He gives you a small smile, unsure in its presentation but pure in its intention. But he can only take one step towards the field before you reach out and pinch the fabric of his jersey to keep him still. He feels the tug of it and fully faces you once again. 
“Um. Just a sec,” you say, “I have something to give you before your game.”
“Oh?” he looks at you with interest, “I fucking love things.” 
“You have to close your eyes though.”
“…what is the thing…” He squints at you with a what are you up to expression.
“Just close your eyes!” you snap at him.
“Okay, okay, jeez,” he holds his hands up in front of him in surrender, shaking his head to get his hair out of his face and then he closes his eyes. “You’re scary as hell sometimes. Excuse me for being cautious.”
You roll your eyes, useless because he doesn’t see it, and then take a step towards him. You cup his jaw with the palm of your hand, his cheek twitching slightly from the unexpected contact, and then you raise on your tiptoes to press your lips to his cheek. It’s short and sweet with the sound of a peck.
“For good luck,” you whisper, then you quickly lower yourself back onto your heels, take a step back and tuck some strands of hair behind your ear. The ground suddenly interests you.
He opens his eyes, blinking a few times with shock and his hand comes up to brush the tips of his fingers against the spot you kissed him, and then his gaze goes comically dazed when he reaches out to hold you. “Alright, c’mere you,” he says, closing his eyes and puckering his lips as he leans down to kiss you but you laugh and push his face away.
“No no no, only on the cheek for now,” you say with a small laugh.
He does nothing to restrain his frustrated groan. “You can’t do something that cute and then expect me to be chill about it.”
“If you win, then, maybe I’ll let you kiss me for real.”
“Maybe?”
“Yes. Maybe.”
He’s close, towering over you near this bustling east side entrance that he seems to like so much, and his eyes drop to your lips. “Alright. I like those odds.” 
You give him a smile and slip away from him to get back towards the field, and you feel his eyes on you as you walk away.
The pregame events are a blur, with blaring music accompanied by the sounds of the sports announcers clipping across the speakers, finally quieted down in time for the players to line up on the field for the national anthem which was then followed by UTokyo’s alma mater. 
You’re stationed on the same side of the field as Minato, UTokyo’s side, while Hana is covering the sidelines of the opposite end with the opponents goal post. Minato’s filling up a cup of Gatorade for himself at the athlete’s station and then he comes back around to find you.
“Are you ready to take your shots? I see Hana wanted you to shoot on film today,” he says to you as he sloshes around Glacier Freeze in a flimsy plastic cup.
You twist your aperture dial with your thumb. “Yesss, all set. I’ll try to keep up.” 
He nods at you in approval.
The atmosphere feels nerve wracking. Something felt different about this game, the stakes feeling high. Well, of course they’re high, because if they lose today then they’re out of the tournament. But the stakes feel high for other reasons too, an energy you can pick up on but can’t quite discern. 
Your eyes drift across the field where you can see a referee placing a ball at the center of the field. Off to the right, you can see Gojo standing with a few of his other teammates, including Geto, Nanami, and Choso, and they’re all gesticulating to various corners of the field as they discuss what you can only imagine have to do with their plays for today. And you realize— it’s their last college soccer season. Their second-to-last official home match before the championship, and for those of them that haven’t qualified for the national league, it may be their second-to-last match of this caliber for the rest of their lives. One of the final chances that they have to prove something of themselves. The determination was palpable. 
The chief referee’s whistle cuts through the air with three short chirps, and that gathers the attention of all the players on the field. UTokyo wins the coin toss, choosing to kickoff, and YCU’s players choose to attack the left side goal.
Your stomach churns with anticipation, the crowd hushing too as all the players take their places on the field. If you feel nervous, you can only imagine how the athletes feel. There’s a rhythm that you’ve learned over the past couple of months getting to know the sport, where players stretch out their necks and kick out their feet and take subtle deep breaths as they survey the stands. Idle moments before the start of the match where they have no choice but to look forward and only forward, so they take a moment to stay in the present for as long as they can gather. You’ve never been much of a sports spectator, and perhaps you’ve only recently had some personal interest in the team, but you realize you feel pride in your school as you stand behind chalk sideline and see UTokyo’s colors scattered across the field in uniform. And fuck, you wanted them to win. You wanted them to win with fierceness and wrath, and it’s a desire you share with the crowd. 
Gojo spends a minute talking to the referee before the black and white striped man pats him high on the back in the good sport and urges him towards the center of the field. He lifts his foot up onto the ball, rolling it back and forth underneath the spikes of his cleat, and you can see it in his eyes, even from all the way over here, that he seems to have different ideas in mind for this game too. High stakes. Pre-determined, set with will, evident in the clench of his jaw and the concentrated furrow of his brow as he surveys the field with his eyes, and you’re lost in the sight for what feels like forever because you can hardly register the chirp of the ref’s whistle. 
And then the kickoff starts. 
The ball is tapped to Geto to start the play, and the first few minutes were intense as the ball was passed back and forth between UTokyo’s players, placing pressure on YCU’s defense as they inched closer and closer towards the goal. A pass between UTokyo’s #4 was intercepted by YCU and the ball was rushed down towards the left side, the crowd’s horror evident in the uproar as they raise to their feet in fearful anticipation, and with ruthless offense, YCU’s forward takes a clear sink shot towards the goal, and the crowd holds their breath before they watch Choso lunge for it in air, gloved hands firmly grabbing the ball and then pulling it to his chest with a possessiveness you can only expect to see from a skilled goalie, before he crashes down into the ground and the crowd releases relief in the form of rowdy roars.
Ten minutes in, with everyone on their toes, each team tested each other’s defenses. UTokyo were known for stellar offense, especially within the past few years with players like Gojo Satoru and Takuma Ino joining the league as powerful forwards, but UTokyo’s overall offense was still statistically second to none other than YCU. And the pressure YCU was putting on UTokyo’s defense was wearisome to say the least. You glance to see Nanami, who is UTokyo’s best defensive player, huffing and puffing as he stands between two light-footed YCU players in an attempt to guard, and fails an attempt to steal the ball before it gets to the feet of YCU’s striker #6, passed in a split second off to his teammate, with a fake so seamless that it has Choso just a couple inches away from touching the ball before it’s sent flying into the net. 
The noises from the crowd are still loud, but dampened in spirit. 
With the referees hand signal up in the air, the current score is confirmed. 0-1, YCU. 
Coach Yaga calls for a sub, in which he switches Nanami out for who you believe is a 2nd-year defensive player name Yuta you’ve seen around practice with a promising statistical record for interceptions, and you watch as Nanami takes the bench before he swipes the sweat off his face in exhaustion. God. Just fifteen minutes into the match, and YCU already has UTokyo’s defense winded from play. 
You bring your camera up to your face, forgetting for a moment that there was still a job to do here, and you position the direction of the lens towards the center of the field, where Gojo takes his place at the ball once more. Yuta briefly passes by him, signaling some play to him by holding up a number three, likely something Coach Yaga asked him to pass on to Gojo, and you see him briefly nod, his mouth slightly agape as he breathes slowly and pulls his jersey up to wipe at the sweat at his forehead. 
The referee chirps the whistle, Gojo taps the ball to Yuta, and the play starts. 
YCU immediately puts pressure on UTokyo’s offensive play once more, with eager movements to steal the ball, but it’s passed between UTokyo’s players with ease, more practiced and more sure. The kind of play that you and the rest of the school was used to seeing from them. However, Geto loses the ball on a left-back pass, but right when YCU makes attempts to cover field in a long-shot kick towards the left, Yuta intercepts the ball and swiftly passes it to Gojo.
The crowd immediately rises to their feet in anticipation, watching as Gojo shuffles the ball down the field, dangerously close to off-field boundaries, a signature tactic he uses because he knows there’s not a single player in the league that can match him in precision and control to keep the ball in-field on a steal, and he swiftly passes it towards Geto with a side-swept kick, beelining down towards the goal post, in perfect time for Geto pass-back to meet his feet and when Gojo was this close to a net, there was no stopping him. 
He draws his right foot back, and explosively kicks the ball forward, chipping the grass under it in the motion, and it’s sent flying towards the goal, and then threaded past the goalie right to the back of the net. The cheers that erupt across the stadium rumble the ground beneath you. 
1-1, even match.
UTokyo spends no time celebrating, other than a few pats to Gojo’s back as he nods in acknowledgement, no emotion on his face other than pure concentration and greed. The greed to win, like a righteous sin. He stretches his neck out, panting slightly as he takes his place towards the right side of the field and the referee chirps his whistle to signal YCU to start the kickoff.
They quickly make attempts in moving the ball towards their scoring-end of the field, but face push-back from UTokyo’s defense, unable to make it much further past the midfield line, and you bring your camera up to take a snap of Gojo, who you see is still standing off to the right side of the field. But when you position it and peer through the viewfinder, that space he once stood at was empty. You pull your camera down, and blink at the sight, and then the crowd is picking up in volume once more.
Gojo sprints down the flank, cutting past every defender, and moves towards YCU’s attacking goal, which was a shocking place to be for a center forward, but you could feel his desire and determination to steal this back-and-forth ball, and succeeds when YCU makes an open pass, thinking they were in the clear, only to have Gojo sneak in at the last moment and get the ball at his feet. 
The play moves by in a flash, a blur that you or anyone else in the stadium could hardly keep up with it, movements so fast you were shocked a human being was capable of even running that far in such a short amount of time, and in an almost embarrassingly easy play, Gojo makes a fool out of YCU’s defenders as he slips the ball through the legs of his last obstacle before he struck it with sharp precision, sending it soaring to the corner of the goal, past the outstretched arms of the goalie, and into the net. 
2-1, UTokyo.
It was electrifying, the feeling that strikes through the stadium, one that reaches you in your own blood. You’re shocked, standing here, after witnessing Gojo score two goals within the matter of minutes, against one of the top three teams in the league. It’s a shock that reaches everyone, including Coach Yaga who’s standing about ten feet down the line from you, his arms crossed, and you see his eyes for the first time as he takes his sunglasses off to get a better look at what he’s seeing.
You trail his sight, dragging your gaze across the field until it lands at Gojo, who is barely acknowledging the encouraging pats and shakes and goodhearted shoves that his teammates were giving him, because he was focused. It might sound crazy to say, but you swear his eyes looked like a fiercer shade of blue, like they were lit up, and you’re insanely glad you’re not one of YCU’s defensive players at the moment because you feel fearful of him even just standing on the sidelines. 
Your gaze trails back to Coach Yaga, who slowly puts his sunglasses back on but his brows are narrowed tightly as he crosses his arms over his chest tightly.
The “athletic zone”... You’ve heard of it before. A state of pure focus, of peak performance, where an athlete experiences optimal concentration and a sense of effortless control over their actions. In which they perform at their highest level, where time slows down, any and all distractions fade away, and they’re completely immersed in their sport at hand. At the task at hand.
Coach Yaga seems to pick up on the fact that Gojo was on the edge of tapping into that state. 
YCU makes a substitution, and you watch in anticipation as they begin the kickoff. 
There’s fire in their veins with desperation to even out the score once more, rushing the ball down the off-field line, one of their center forwards mimicking Gojo’s signature attack pattern, and Yuta struggles to keep up with the expert dribbling of a fourth-year player with more experience on him, so much so to where he completely leaves the ball unguarded and there’s an open shot, but Geto places pressure at the last moment, in a fierce battle for the ball, before YCU’s center forward loses the ball over the goal line. 
Choso picks the ball up, tapping on it harshly a few times as he surveys his eyes down the field, and all offensive players begin to shuffle towards their attacking goal in anticipation for the goal kick. He signals his hand down and then holds up two fingers in the air before placing the ball down on the six-yard box. He tightens the strap of one of his gloves, eyes squinting, and you follow his gaze down to a part of the field where you note UTokyo’s best aerial players are located and being guarded by YCU’s defense. And with complete trust in his team, that’s exactly where he kicks the ball. 
Geto makes first contact with the ball, his chest colliding with two other YCU players as his head comes out on top and he headbutts the ball closer towards the inner field, and Gojo immediately gains access to it with a bounce of his knee. The crowd holds their breath, fear that they’ll lose the ball to a steal in the split second it spends floating in the air, but Gojo urges it forward with a bounce off of his chest and then rushes it straight down towards the goal post. 
You wonder what sight he sees right now. Where you’re dead center, at no angle, lunging towards the sight of an open goal with a sole goalie standing in the center, anticipating to block your shot, and three defenders on your tail. There’s no room for error, no time to think, only instincts that you cultivate in the last leading milliseconds. They say that, in sports, athletes channel one hundred hours of practice in just a brief second on the field. A split second success that was years in the making. You can’t even imagine possessing that level of perfection in your body, or possessing that level of confidence that you can follow through with it in a moment as dire as this.
It was unreal, the way Gojo fades away from all the defenders, and faces no fear when confronted with the sight of the goalie in front of him while drawing his foot back to kick the ball. You lift your camera up at the last second, no time to think about aperture or ISO, just like he had no time to second-doubt a single twitch in his muscles, and his foot makes contact with the ball so harshly that you can hear the explosive sound even among the delirious cheers from the crowd, before he hook, line, and sinks it straight past the goalie’s head, rushing by like a scarcely deflected bullet, and into the net behind him. 
3-1, UTokyo.
The whole stadium is momentarily speechless, all players and referees and recruiters and reporters and coaches and employees alike, before the most deafening cheers you’ve ever heard in your life scatter across the stands.
There’s a moment of brief reprieve, where the players can catch their breath while YCU makes yet another substitution, as if they’re just trial-and-erroring it at this point, and the cheers in the stadiums remain idle as you can’t tear your gaze away from Gojo.
It’s one of those moments where you realize that someone who you thought was so familiar to you was actually someone you hardly knew at all. You knew he was a talented soccer player, everyone on campus knows it, potentially one of the best to ever grace the league, and the amount of times you passively watched his plays on a lecture hall projector screen as your professor enthusiastically broke them down during class, even before you met him, was good enough for you to realize that he was insane, a one-in-a-million, a talent you cannot replicate, one you have by divinity. One you were born with. 
And yet, somehow, getting to know him these past couple of months, he just felt so human. For someone so seemingly beyond you, he felt so…close? In those moments where it was just the two of you, it was hard to imagine that he was capable of such greatness, and that so many people were rooting for him with wholehearted tears in their eyes and cheers from their hearts, because most of the time, when he was with you, he was just a dorky idiot. You find that your heart is beating fast in your chest, that feeling of being unsure of what to do with what you’ve been wanting resurfacing powerfully. 
“This is insane,” you hear Minato say from beside you and you jump a little from your thoughts being interrupted.
You twiddle with your camera straps. “I know…almost done with the first half and we’re up 3-1…I thought YCU are number one in offense for the league?”
“Oh, yeah, I mean, yes, that is insane too. But what’s even more insane is that three of the goals so far have been scored by one player.” He tips his chin towards the right sight of the field and you trail his line of sight. “By Gojo Satoru.”
Your brow furrows as you watch Gojo, his hands on his hips and his mouth slightly open as he indulges in a few shallow breaths to gain energy while YCU prepares for kickoff. Three goals, by just one player. Your eyes widen when you realize that is insane, especially for a D1 semi-final qualifying match.
“You know what the divisional record is for most goals scored by a single player during a championship match, y/n?” Minato asks you as he lifts his camera up to take a picture of the area Gojo was standing in. 
You shake your head and wait for his response.
He drops his camera down and glances at the photo on his screen. “Four. During Keio Uni vs. Osaka Uni, near the beginning of the tournament back in 1997 by Osaka’s center forward number 24, Yuji Nakazawa. Meaning no one’s managed to beat that record since the new millenia, for a couple decades. Although a few players came close.”
You blink at him, and Minato is jerking his chin over in the direction of Gojo again.
“I think he’s trying to beat the record.”
You can only widen your eyes at Minato in realization, and then the chirp of the referee’s whistle draws everyone’s attention back to the field. 
The sports announcers go wild on the speakers, the crowd raving all the same, standing to their feet like the team just won the championship match.
“LADIES AND GENTLEMEN!! We are watching HISTORY in the making!! Gojo Satoru, UTokyo’s very own 3-year consecutive MVP, has scored his 34th goal of the season, highest of any player in this year’s season so far, and is now on the road to beat the league’s long-standing record for most goals scored by a single player in a championship match since 1997!!” And the crowd roars even louder as you stare out at the field in awe.
YCU starts the kickoff following the prompt short chirp of the referee’s whistle, and with two minutes remaining on the clock for the first half, make desperate attempts to book it down the field towards their attacking goal, one of their midfielders making a clumsy attempt to strike the ball to the net in the final minutes of the half, and Choso easily catches it in his arms, right before the buzzer of the timer sounds, and the match moves into halftime. 
All of UTokyo’s players immediately flock towards Gojo in sportful glee, finally having a chance to surround him and harass him with harsh pats on his back and ruffles of his hair for his play in the first half. Choso even puts him in a headlock because they all don’t know what else to do with their excitement and adrenaline rushing through their bodies. Their win for today was basically confirmed with the way he was playing. 
You catch a glimpse of him through the crowd of people, and he has a boyish grin on his face, reveling in the embarrassing amount of attention from his teammates, that focused look from before dissolving into his normal self again. But you can see through him, as well enough as you’ve learned to at least, and you can tell he’s not satisfied. He’s thinking it’s not enough. There’s still more to be done, and it’s not time to celebrate yet. 
His eyes scan down the sideline until they find you. 
Your heart jumps a second in your chest. He stands up straighter, despite his teammates still clinging to him, and there’s a twinkle in his eyes when your eyes meet. 
Cheerleaders take their place out onto the field, performing their numbers with loud music blaring, and the recruiters seated at their white tables get up to roam across the sidelines in discussion with referees and with Coach Yaga and with whatever players they can sink their greedy teeth into, as well as sneak at refreshments while they’re at it. You can see off to the right that Hana has reunited with Minato and she’s showing him some of the shots she took over at the opponent's side. 
UTokyo’s players start to make their way to the benches to grab for towels and drinks of water and to sprawl across in rest, and you hear loud familiar laughter approaching as you watch the players sprawl across the benches, so you avert your eyes towards the source of the sound. 
You see Gojo approaching the benches, two of his teammates slung with their arms around him in some type of adrenaline-drunken glee as they talk dramatically and theatrically which Gojo entertains with his own drunk-off-of-adrenaline glee. And you raise an eyebrow at his demeanor when he makes eye contact with you.
“There’s my freaky little photographer,” he says, and he’s standing up straight and—wait, is he puffing his chest out as he makes his way towards you? Oh for fucks sake.
Gojo has always been confident around you, for as long as you can remember, but in the fair few moments he’s been cocky, he’s been a menace. And you can only assume the testosterone-induced high of being on the verge of breaking a league record in front of the entire school then subsequently getting homiesexually praised by his teammates for the better part of the past five minutes, not to mention with the crowd and the reporters feeding his ego with a spoon across the speakers, he’s been transformed into the final boss of cocky.
His teammates surround you too, their hands on their hips as they assess you and Gojo when he meanders right up to you, arms held out to hug you, a sleazy sight you’ve seen probably six times this week, and you feel a rush of warmth in your cheeks as you place a hand on his chest to keep him away.
“You’re sweaty and gross, please stay away from me,” you reprimand him, “this is an expensive lens that is not humidity-proof.” 
“Hey, you’re the girl that Kentaro socked in the face with a ball the other day at practice, right?” one of his teammates asks, leaning in towards you to take a closer look at your face.
“Oh yeahhh, ‘cause Satoru wasn’t paying attention,” another one of his teammates chimes in teasingly, hardly heard over the loud remix playing in the background as the cheerleaders continue to perform on the field. 
You shrink a little from where you stand. Gojo’s got an irritated look on his face and he’s shrugging his teammate’s elbow off of his shoulder.
“I really hope you’re getting my good angles,” his teammate to the left comments before winking at you, and you purse your lips together. 
The one on the right leans in too, looking at your cheek with an assessing look in his eye. “At least it didn’t leave a scar on your cute face—”
Gojo shoves the both of them back and away from you by elbowing them in the chest, and they make deep eugh noises before stepping away and rubbing at their sternums with pouts on their faces.
“Get the fuck away from her,” he grumbles, “she’s mine.”
Your cheeks flush slightly with warmth at the attention, and you watch as his teammates scurry away to adhere to some social hierarchy Gojo seems to possess over them.
You raise an eyebrow at him. “Yours?”
“Yes. Eventually. Whatever, did you see me out there?” he turns his torso towards the field and points behind himself with his thumb, “when I—”
“Oh god, you know what’s soooooooooo super sexy to me?” you interrupt him. “When guys are humble.”
“Oh c’monnn,” he curls his arm around your waist and pulls you to him, to where you stumble a little on grass and he holds you when you fall into him with more clumsiness than grace. “Tell me you aren’t at least impressed by me.”
You pout, because you are, and you’d really like to give him some reassurance and validation, but for some reason his cocky attitude is setting you off. “Satoru,” you sigh, wiggling a little in his hug, but he holds you tighter, “I’m working right now. Cut it out.”
He lets go of you at that, sober enough from the adrenaline to realize you’re being serious, but he steps into your space so only you can hear him. “What? Are you embarrassed?”
“Of what?” Your face twists with confusion.
“Of me. Are you embarrassed of me?” he asks.
“No. Why would I be embarrassed of you?” you ask with sharpness.
“I don’t know, just, sometimes I feel like you’re always annoyed by me,” he says with a sigh. “It’s like, you’re really sweet sometimes, and then kinda rude out of nowhere, and it’s sort of messing with my head.”
You pout. “You were messing with my head for weeks.”
“And I’m sorry about that,” he quickly interjects, like he already knew you were brewing up that counterargument, “but you don’t have to act like you’re all disinterested and indifferent just to get back at me for it.” He places his hands on his hips and wipes his temple on the round part of his shoulder when he feels a drop of sweat trickle down from his hairline. “You don’t have to act embarrassed around me either.”
“I’m not embarrassed,” you deny, and your cheeks feel hot, and for some reason you feel angry. “In fact, I’m the one that should be asking you that question. Because I still very clearly remember that time you said I was just someone you know in front of your friends.”
He groans and tilts his head back with frustration. “Can you just let that go? Things have changed between us since then. Move on.” 
“You kissed me and then pretended I was just a stranger to you in front of your friends,” you grit as you cross your arms. “That’s the level of sincerity that I know from you, Satoru.”
“Oh, okay, so there’s nothing else I’ve done that shows you that I’m serious about you?” he asks rhetorically with incredulity, throwing his hands up in the air in disbelief.
No. That’s not true, not true at all. But he’s pissed you off now and so all logic was to the wind. “Doesn’t matter. If you’re not embarassed of me, and if you’re really serious about me this time, then fucking prove it.” You’re speaking out of spite, and you fear you’ve just set him off too.
“Fine,” he says, and he grabs the microphone straight out from a passing reporter’s hand, replacing it with a gatorade bottle. The reporter stares at the bottle he’s now holding with confusion. “I will.”
“W-Wait—” you squeak out, feeling the hair at the back of your neck bristle in anticipation and a shiver gets sent down your spine. The cheerleaders are making their way off the field at the end of their routine, and you can hear the thumps across the loud boisterous speakers when Gojo whacks his palm to the microphone to make sure the thing was on before he jogs to the center of the field.
The crowd is already cheering, ecstatic to see the afternoon's star player and pride & joy of their school, and Gojo takes a moment to soak in all the glory in comical appreciation with bowing towards all 360 degree angles of the stadium.
“Uhhh,” you hear Choso from beside you, who’s strapping his thick goalie gloves tightly to his wrists, “Why the fuck does Satoru have a microphone while standing in the middle of the field.”
“It can’t be for any publicly decent reason,” Geto muses.
All you can do is watch.
“Hi, uh,” Gojo starts, static blaring slightly across the speakers and the crowd winces with him, “sorry. I’m Satoru, Gojo Satoru, you might know me from—uh, the game you’ve been watching?”
Cheers all around, because as if a single person wouldn’t know who he is. The stands were rowdy and most definitely drunk off of sidestep beers the stadium has been serving all afternoon long. 
Gojo is about to continue speaking, when he catches sight of the table of recruiters in the corner of his eye and he turns to face them out of respect. “Oh, yeah, uh, number 10,” he tugs his jersey up at the shoulder to stretch out the fabric, the 1 and the 0 flattened in view, “division player ID 233-997. Coach Yaga keeps my business cards in his purse if you want one.”
“SAAAAATTOOORRUUUU!!!!!” you hear Coach Yaga yell from somewhere in the distance.
“Anywho,” Gojo continues, and the music dims slightly, so he glances at the stop clock on the screen, which shows him he’s got roughly five minutes left to pull off whatever idiocracy he had in mind before the second half of the game starts. “Just here to say that there’s this girl I really like.”
The crowd gets louder, almost deafening, and sonically mostly feminine in (delusional) hope he’s gonna name call one of them.
Gojo’s voice is crisp and clear through the speakers as he clarifies. “She’s standing over there,” he says as he nonchalantly points to your exact latitude and longitudinal direction, “with the big camera slung around her neck that looks like it could pull her down to the center of the earth. Yeah. She’s super cute and I really like talking to her.”
“Uh-oh,” Geto murmurs from beside you, and you glance at him to try to get a read on the situation but you can’t.
Gojo starts to pace across the center of the field now, like he’s working the crowd. “But get this—she thinks I’m not fuckin’ serious about her!!!”
The crowd groans with him in unison. Yep, most certainly drunk. Or high off of glee. Either way, he’s playing them like a violin.
“Huh?” Gojo’s voice sounds distant now, away from the mic, and you can see on the large pixelated screen that he’s being interrupted by someone that looks like one of the videographers, “oh, what’s that? This is being broadcasted? Uh-huh. Oh. I’m not allowed to cuss? Oh fuck, okay. Er— shit, okay. Wait—shoot, okay.”
Choso’s smirk is heard from beside you, and you catch Geto and Nanami shaking their heads in your periphery.
“LIKE I SAID,” Gojo continues into the mic, “the girl I like thinks I’m just messing around, so. Uh. To show her that I’m serious about her, I’m gonna…” He looks up at the sky to ponder, and you can hear people shouting all sorts of suggestions of nonsense from the crowd. And instead of saying proclaim my undying affection for her through a romantic soliloquy straight from my heart in the presence of the entire school, he says—“I’m gonna strip. Yes. Down to my tighty whities, Imma strip.”
H–
Huh?!?!?
You don’t even have time to be horrified or scared, you’re just bewildered beyond belief that that’s what he came up with.
What the fuck kind of reassurance did you ask for. And what the fuck kind of reassurance were you about to get?
The crowd goes wild, it’s no surprise to say everyone and their mothers wants to see him naked, even the straight dudes would dig it for the gym inspo. And he points straight to you, sleazy look on his face and you’re going to ignore the fact that he just winked at you too as he crosses his arms to hold the hem of his jersey and pulls it up over his head in the most raunchy and slutty way a man can take his shirt off.
The music manager is quick with the bit, and is most definitely a fellow Gen Z college student, because Justin Timberlake’s SexyBack (ft. Timbaland) starts playing across the speakers and the crowd goes ballistic.
“Ayo why’s Satoru Magic Mike’ing the field right now?” one of his other teammates calls out through a mouthful of protein bar, “What the fuck did I miss?”
The cameraman does God’s work in a hella zoom-in of Gojo’s sweat glistened abs, then pans up the naked expanse of the perfect taut skin across his chest, and you can’t help but stare even among all your horror. It’s like when a male bird embarrasses the fuck outta himself to attract a female bird sitting on a perch, except instead of within the context of a NatGeo documentary, this was your real life. Everyone wants him, but he’s making a fool out of himself for you. 
He pretends to stretch his arms up into the air, a cover-up to flex his biceps, and then he kicks his cleats off, and the socks come off too. Entirely unnecessary, as showing one's ankles is simply too slutty, but alas he’s a whore. And when his thumbs dip into the waistband of his shorts, and there’s anticipating screeching from the crowd, he finally gets chased by security. 
Except he’s an intercollegiate D1 athlete, why the fuck wouldn’t he be able to outrun a bunch of dudes in black?
The camerawork on him is phenomenal as he runs across the sidelines of the field, eliciting a wave down the bleachers. So good in fact that you’re pretty sure the camera man could shoot for the Olympic track and field, with the way the stadium’s got a clear sight of Gojo mouthing the lyrics Them other fuckers don’t know how to act from the song still blaring with satirical rage on his face as he makes a fool of the men chasing him around the perimeter of the field.
And then he does it, drops his shorts, discards them with a kick, and he’s down to his tighty whities as promised. Cameraman has got to be displaying some previously undiscovered level of talent as he zeroes in on a shot of said tighty whities, with Gojo’s—forgive me, I need to be crass—huge bulge prominent in Big Dick Energy fashion except his tighty whities have little red hearts in rows across the fabric so do with that duality what you will.
He’s outrun security with a steady grin on his face as he eats up the drunken crowd’s cheers and riots and roars and you feel like you’re the only sane person in this stadium, or maybe you’re just not used to the fanatics of a college sports crowd. You peep the men in black trailed all the way on the left side of the field where they abandoned their pursuit of Gojo.
He taps imaginary pockets at his thighs, very muscular thighs you take indulgence in noticing, as if he expected to find something there, and he looks around when he doesn’t. He shrugs and grabs the microphone of the next passing sports commentator he spots, and then he makes his way back to you.
His breathing is a little shallow, and he inhales deep to catch his breath. “Baby.” The crowd SCREAMS at the way he purrs the word into the mic. “Will you do me the honor,” he’s huffing and puffing, heard across blaring speakers, “of being my lawfully wedded girlfriend?” And then he holds the mic to your lips.
“W-Wha—” you stutter, and there’s chanting across the crowd with words that barely make sense until you finally realize they’ve started to yell say yes! say yes! say yes! “Oh my gosh, okay, yes, fine, now please, for the love of god, put some freaking clothes on!”
The crowd goes wild with cheerful glees, and Gojo shoots fists up in the air in celebration as he runs all the way towards the center of the field with high knees, and you’re gawking at the sight, before he falls backward onto the grass and makes delirious snow angels on the ground. You see Coach Yaga’s vein popping in his neck from pure agitation as he storms off towards the center of the field to knock some sense into Gojo, but you know that Coach Yaga can’t kick him out, because they still have a game to win. The perks of being the most valued player in the league is getting to act like an absolutely insane idiot because you know they still need you in the end to bring it home.
You glance to the right, seeing his teammates nodding slowly then getting back to wrapping athletic tape around ankles and stretching out shoulders, with immediate acceptance of his actions like it wasn’t even out of character for him to do. And you realize again that you don’t know Gojo as well as you think you do.
And then the halftime timer is up.
You see Gojo approach the benches in a quick jog, squeezing some water into his mouth with his green gatorade squirt bottle, and when your eyes flit up to the screens on all four entrances, you see that the cameramen are still all focused on him accompanied by the continued buzz of conversation among the crowd following his public spectacle. But he seems to already be past any semblance of embarrassment as he takes the attention with ease, before he glances up to make eye contact with you and then lightly jogs right up to you.
“Did that prove to you that I’m not embarrassed of you?” he asks you, cocking a brow with a smug look on his face as he gets all up in your personal space. 
“I don’t know, but I’m certainly thoroughly and expeditiously embarrassed of you now,” you say, cheeks feeling flush when he leans forward so he can make eye contact with you at eye level. “I’ll have to move to a different country.”
His grin is relaxed. “Yeah well you asked for it.”
“Maybe. But I underestimated what a lunatic you are.”
“You’re my girlfriend now, you’ve gotta get used to it.”
Your heart skips a beat in your chest. “Satoru–”
“Tomorrow,” he cuts you off, “Hinode pier. I’ll pick you up at six. It’s a date, so wear something cute. And preferably easy to take off.” And then he’s attentive to the chirp of the referee’s whistle in the air before jogging backwards towards the feel and eventually turns on his heel towards the field while you’re left with warm cheeks and a heart that felt like it was moving at a mile a minute.
The timer for the second half refreshes on the screen while you loosely hold your camera in your shaking hands. It occurs to you that you haven’t taken a single photo of him before the start of the kickoff, and so you bring the piece of consolidated metal up to your eyes, peering through the viewfinder and focusing it on the center of the field. And there he was. Your muse.
Gojo lets out a breath, which you can see even from here that it’s shaky and staggered with resistance, and he lifts his jersey up to swipe at the sweat trickling down his face as he eyes the ball underneath YCU’s player’s foot just prior to the start of the second half. There it was—that look again of pure focus. 
3-1, forty-five minutes on the clock. And the referee chirps the whistle to start the second half.
It’s immediately evident that YCU has returned to the field following halftime with renewed energy, pressing high down the flank relentlessly past UTokyo’s defense, so fast it was hard for anybody to even keep a steady eye on the ball with the fluidity of their passes. The persistence pays off in the fake double-pass that slips past Geto’s feet, a moment of hesitation in the broken flow of UTokyo’s defense, and one of YCU’s strikers has the perfect line of shot towards the goal before digging his foot under the ball and sending it flying towards the corner of the goal post, scoring themselves a goal within just the first five minutes of play.
3-2.
The pressure mounts at the next kickoff, and with about seven minutes of solid play, with back-and-forth passes, multiple attempts at both goal posts to no avail on either side, it was clear that exhaustion was bustling in the veins of all the players.
One of YCU’s offensive players seems to capitalize on this, jumping on a defensive lapse of a pass Nanami attempted to make towards Yuta, and the ball is swiftly stolen then raced back towards the goal post. Choso prepared himself at the line, light on his feet paired with a solid stance, but in a millisecond of a moment, YCU’s offense unexpectedly passes the ball to a player racing up the midfield, and the player chips the ball neatly into the exposed corner of the goal despite Choso’s attempt to lunge for it in mid air.
Equalized, 3-3 game, momentary shock across the players’ faces, and the crowd bustles with something that sounds less like glee and more life fear. YCU was prepared to live up to and hold onto their title as the league’s number one offense, and as Minato explained to you during your time working in this job, an offensive team isn’t good at scoring goals, but rather exceptional at breaking down the other team’s defense.
Your eyes zero in on Geto, who stands in the center of the field for kickoff, and he’s huffing and puffing. He's the lead of defense for the team, and you can only imagine the level of pressure he feels right now. He glances around to his players, over to Nanami who seemed to share the same level of exhaustion, and then he glances towards Gojo who stood in front of him off to the right. Except you notice that Gojo looks relaxed, albeit still exhausted, but there’s a composed expression on his face even in the moment of heightened stakes. With locked eyes, Geto nods at Gojo and raises two fingers up into the air to signal a play, of which Gojo seems to respond to by closing more distance between him and the goal post prior to the kickoff, positioning himself almost directly in front of it, to which YCU’s defense immediately begin to guard him in a tight radius. 
The kickoff begins, with Geto making a few passbacks with Nanami as they close distance towards the field before passing it off to UTokyo’s string of offense and then receding back to their defending goal. UTokyo continues to close distance, raising stakes for YCU as their defense begins to falter under pressure, and the ball gets passed to Gojo, who only keeps it in possession for less than three seconds before he passes it back to Yuuji, a risky decision to make in the second half of a semifinal match, but the first-year swiftly unleashes a powerful shot that rockets past YCU’s goalkeeper, up towards the corner, except–
It bounces off the metal of the goal post, shot off with projectile speed back towards the center of the field, but with razor-sharp reflexes, Gojo headbutts the ball in air, twists his torso and strikes the ball with his foot past a dumbfounded goalie who can’t even move an inch to guard the ball that he already knew was going to sink right into the goal, and that’s exactly what it does. 
The stadium erupts with the momentum.
4-3, UTokyo. 
It was a sweet moment, one you manage to capture on camera of Gojo running up to Yuuji and ruffling his hair in reassurance, despite the missed goal. Your heart feels warm in your chest, feeling your own sense of melancholy that this was one of the last times they’ll ever get to play together on a team. 
Your eyes widen when you glance at the scoreboard, realizing that he’s tied. Gojo is tied for the most goals scored during a championship match. There were less than three minutes left on the clock. UTokyo either preserves their lead, or they risk moving into overtime, which, judging by the exhaustion on the UTokyo players’ faces in the wake of YCU’s relentless offense this entire game, moving into overtime would be a hefty, hefty risk. 
YCU’s center forward takes his place in the center of the field, fire evident in his eyes as he glances across the field. YCU are light on their feet, channeling everything in their bodies into these last moments of the game as they prepare to start the kickoff. You glance across UTokyo’s players, and although they look spent, there was a resolute look to all of them. It wasn’t the time to give up or feel at ease even near the end of this grueling battle. Now was the time to play. 
The referee chirped his whistle, and the kickoff began.
YCU immediately presses hard, as all their other plays have been all game, in their desperation to score. You can already see UTokyo’s midfielders move sluggishly in comparison to YCU’s offense, a drag to their feet as YCU pushes past the first layer of defense towards their attacking goal. Geto takes an aggressive approach, making moves to steal the ball while Nanami and Yuta guarded both flanks, and there was a relentless pass-off happening that ate up more than a minute of the remaining time.
Nanami succeeds in stealing the ball, but immediately loses it under his feet by a YCU midfielder, who makes a broad pass down the sidelines to YCU’s star forward who then powerfully kicks the ball towards the unguarded area of their goal, a dangerous shot that was clear towards the crossbar and Choso makes a leap for it, high into the air, his glove brushing against the ball, the entire crowd holding their breath in anticipation–
And the ball lands in the net. 
4-4, tied game. With one minute and seventeen seconds left on the clock. 
There was no time wasted in getting back to center field. No time spent dwelling in the horrific roars of the crowd as they watch with anxiety and fear. No time spent to process or consider or signal any plays. Not even a single second used to catch breath. When there is this much at stake, an athlete thrives on momentum. 
To your surprise, Gojo isn’t the one that takes place at the center of the field to start the kickoff. Yuta stands there instead, and you notice his eyes are erratic as he surveys all corners of the field. 
The referee chirps his whistle. 
Yuta immediately passes it off to the side to UTokyo’s midfielder, who curls it towards their attacking goal with a swift pass to Ino, who closes distance towards the goal, but one of YCU’s defender slips in, undoing any progress they had made in their offense by stealing the ball and sending it back towards mid-field. Forty-three seconds. The crowd’s roars heightened as YCU continued to push forward, thirty yards now from scoring, and UTokyo’s defense was desperate to stop them but their momentum was cracking in the wake of their exhaustion. 
It was a moment you don’t think you could ever fully or truly recall, one that you wish you had focused all your energy and attention to so that you could commit it to memory for the rest of your life. The image of Gojo pushing all the way to ten yards before their defending goal, a place where no center forward should really be at in a game like this, but it was exactly what their defense needed. It was exactly what the team needed. It was exactly what the school needed. For the ball to be in his possession.
With twenty-two seconds left on the clock, he steals the ball from right under YCU’s offensive feet, and then charges towards the opposite side of the field. The crowd rises to their feet, thunderous roaring that overtook any and all senses, as Gojo weaves through forwards, center forwards, midfielders, and defenders, covering the entire span of the field in lightning time. Fifty yards, forty yards, thirty yards, twenty hards, ten yards–
In a moment you couldn’t believe, he digs his foot underneath the ball, and sends it flying out towards the goal. There was not even a margin of an inch in which it slipped past the goalie’s hands, past his head, and swiftly flew right into the net.
With three-two-one seconds, the match was over. 
5-4, UTokyo’s win.
The final whistle blew, and for a moment, there was silence. As if the world paused to catch its breath. Then, all at once, the crowd erupted with glee that shook the entire stadium at its core. Flags waving, scarves held high, toasts of beer held up to the sky, it was deafening, and it almost makes you want to cry. Thousands of voices shouting in unison, celebrating the hard-fought victory of their school’s team. A type of pride that was fostered, and well-deserved, and long-lived.
You quickly glance towards the field again, and see Gojo standing right at the same spot where he had kicked the last and final goal, staring towards the net. You can’t see the expression on his face, but it surprises you how still he is. Like a statue, staring at the goal with the ball tucked into its corner. The very epitome of what it means to succeed in this sport was right in front of him, and it seemed like he wanted to soak the visual in for as long as he could.
His trance is abruptly interrupted when his teammates swarm in, rushing over like a wave of pure adrenaline. They slap him on the back, ruffle his hair, shout his name, the sounds of gleeful disbelief mixed with exhausted sighs of relief swarming into the air. And Gojo finally melts away from the tension of the match and into the celebration as he weakly returns the embraces of his teammates while he catches his breath. 
“IT’S OFFICIAL!! IT’S OFFICIAL!! UTOKYO’S VERY OWN GOJO SATORU HAS OBLITERATED OSAKA UNIVERSITY’S RECORD FOR MOST GOALS SCORED BY A SINGLE PLAYER IN A CHAMPIONSHIP MATCH!!” 
The speakers are blaring the voices of the sports announcers, along with ambient music to match the intensity of the match that everyone had just witnessed. 
You should probably be doing your job. You know, take a picture of the huddle of players on the field as they bask in the glory of a close victory, but instead your feet start moving on their own. Like a magnet drawn to him, you make your way towards Gojo, only a slight hesitation in your step as you stop about ten feet away, suddenly unsure. But when he makes eye contact with you, all that fear melts away.
He hastily pats the backs of some of his teammates, acknowledging their praise at the center of the huddle before tightly squeezing past them to make his way over to you. Your heart is beating fast in your chest, feeling an almost overwhelming sense of pride in your school’s team, but more importantly, in him. What was the acceptable thing to do? Run to him, into his arms, and hug him while he twirls you around? Tackle him to the grassy ground? Kiss him like your life depended on it? You have no clue what the acceptable or sane or normal thing to do is. But he’s made his decision for you when he walks right up to you, his hands holding your waist as he pulls you towards him. He smells earthy, of grass and salt and sweat and of all the hard work he poured into today, the wear and tear of the game evident in the wear and tear of his jersey. He only manages to huff out an exhale at the sight of you, like some relief washing over him just by looking into your eyes. Forget the fact that the crowd was all watching and that all of the screens you could see past his head were focused on the two of you, because all you could hear or see or think was him.
“I believe you owe me a kiss,” he says, huffing as he catches his breath but that doesn’t stop the smile that makes its way onto his face.
You nod your head, giving him your own version of a sweet smile as your arms slide up past his shoulders, crossing behind his neck, and he leans down to kiss you.
You hear a swell from the crowd, some teasing comments off in the distance from some of his teammates, you’re pretty sure you hear Coach Yaga yelling at him to get back to the benches, but it all melts away with the feeling of him smiling against your lips as he kisses you at the center of this stadium.
It was a moment so pure, so sweet, so picture perfect, and for once, you’re not the one behind the camera taking the photo. You’re the one that’s in it.
.
.
.
.
.
[end of kickoff ch12]
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a/n. aaa thanks a lot for reading!! pls the fucking public stripping scene was so stupid i apologize on behalf of kickoff gojo for his behavior 😂😂 i’ll put him in his cage dw this chapter had some of what i consider to be the most challenging aspects of writing for me (internal conflict, grand public gesture, sports jargon) and so writing it felt like an uphill battle the ENTIRE time i wrote it and edited it. i considered scrapping it sooo many times cuz i just wasn't happy w it...but whatever i can't expect to be 100% happy w every chapter i put out there haha. i think kickoff has become a lil sacred for me since i've been working on it for a while now but likeee...sometimes u just gotta say fuck it we ball (tbh kickoff gojo probably says that to himself before a match) anywho, i am veryy thoroughly excited for what i've got planned for the chapters to follow, especially moving into the last angsty arc before the end of the series!! so i look forward to picking up momentum w this series again :0 honestly chapters 10 through 12 were the most difficult things i've written so far for a lot of reasons, but i have a feeling things will go more smoothly for me creatively going forward since what i've got planned falls well within my writing comfort range oh also there seems to be a little confusion about the number of chapters left, as i know i had originally said 12, but i anticipate that there will be about 18 chapters of kickoff total!! so still around six chapters left before the end :)) much lovee thanks for reading!!
OH WAIT ONE LAST NOTE I'M SORRY i didn’t really have a way of organically incorporating this into the story n i’m not sure if i’ll get a chance to in the upcoming chapters, so i just wanted to share this part of ch7 (gojo’s pov chapter) that is relevant to this chapter:
During the thrilling semifinal match between Keio Uni, Gojo’s father’s team, and Yokohama Uni during the end of his senior year, spectators witnessed a game that most college soccer enthusiasts would deem was a once-in-a-lifetime watch. Both teams engaged in relentless offense, and Gojo’s father was on his way to shatter the record of the most goals scored in a single championship match within the history of the league, but when he received a call from his wife during a timeout with the most life-altering news he could have ever heard, he abandoned everything on the field that day to go home and be with her. Grainy footage from the televised broadcast still exists online today—the moment he sprinted across the field, confused players glancing in his direction, amidst the uproar of the crowd. She called to let him know she was pregnant. 
the record that gojo broke in this chapter is the same record that his father almost broke before he got the call that he was going to be a dad :0 
➸ you're all caught up!
additional notes. please do not pressure me for updates or ask when i will next update (read rules); taglist is currently closed (consider subscribing to the story on my ao3 for email updates if you'd like! :0)
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taglist:
@megumisdivinedogs @witchbybirth @avatarl0v3r @mwtsxri @asherheed
@wynney @delulux3 @higurumapet @zombriesworld @xenop0p
@phoenix-eclipses @who-can-touch-my-boob @mo0nforme @reagan707 @lost-resonance
@foulprincesscycle @luniunia @alekssashka7 @beabadobeee @thexmistress
@tsukikourito @pickuptruck01 @gabriiiiiiii @4y3sh4 @tiredflame132
@cliosunshine @btszn @izayas-rings @semra4 @ethereally-lyann
@drthymby @bbyxxm @fvsm4x @sadmonke @zoinks1010
@joemama-2 @horisdope @banenemilk @nanasukii28 @spindyl
@ri-sa20 @thexmistress @mwtsxri @ritsatoru @sashisuslover
@chwesuh-imnida @megumisthirdog @imjustaweirdnerd @angelicscribe
[taglist is closed]
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ilyrafe · 2 days
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𝒉𝒊𝒕𝒎𝒂𝒏 ✧ 𝒓. 𝒄. | 𝒑𝒂𝒓𝒕 𝒐𝒏𝒆
pairing: hitman!rafe cameron x f!reader
warnings: domestic violence, murder
word count: 1k
a/n: this is loosely based on the movie hit man (actually based on a scene lol)
taglist: @starkeyvhs
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unpretentiously, rafe enters the diner and sits at a table, facing the entrance, just so he can see who comes and goes. the young waitress takes his order - a cheeseburger with fries and a soda - and he waits.
strangely, he couldn’t find any pictures of y/n, the woman who contacted him. all he knew about her was her name, really. she only said the clothes she would be wearing - a pair of jeans and a large gray sweater, but anyone could be wearing that. she didn’t inform him about her physicality, and he couldn’t find anything about her online, which intrigued him a lot more.
she isn’t his first female client, but it’s still rare for him to have women wanting his services. 
his order comes and he keeps watching the entrance of the diner. all kinds of people come and go, young and older men, children, teenagers, and even some women, but none of them approach him.
when he’s taking the last sip of his soda, he sees a young looking woman walking towards him. she looks around, clearly nervous. she sits in front of him and rafe realizes it’s her.
“i contacted you yesterday.” she says, almost whispering.
she is visibly tense, probably her first time talking to a hitman.
“how can i help you, y/n?”
she sighs, contrasting with his own posture. she looks tired, the bags under her eyes are quite dark. her hair is lifeless, quite messy, as if she didn’t really have time to brush it or didn’t care to do it. her clothes aren’t new, and he notices a tiny stain that could be blood, but he’s not sure.
before she can say anything, she reaches for her bag and takes out a dark yellow package and slides it to him.
the cash.
“i need you to kill my husband.”
he could be wrong, but rafe is pretty sure there are tiny tears forming in her eyes. they look scared, devoid of any light or hope. to be honest, this woman is just existing.
“why?”
that seems to catch her by surprise. he doesn’t like the way she’s doing everything she can to look invisible. literally no one has noticed her presence there. the waitress hasn’t even come here to take her order.
“he… he’s awful.” she admits. “i don’t know what else to do. he won’t let me leave him. he… he gets drunk and then he…” she trails off, wiping away a few tears. “anything can set him off and i’m scared for my life. the police won’t do anything…”
the friction between the sleeve and the table causes the skin on her wrist to be exposed and he sees purple marks. if her wrist is that bad, he can’t even imagine the rest of her body.
rafe takes the cash in his hands and after two seconds of thought, he gives it back to her.
“do you have children?” she shakes her head. “then take this money and don’t go back home. go away and don’t look back. start over somewhere far away from here.”
“no, he’ll find me!”
the panic in her voice pains him so much.
“don’t worry about it. i’ll take care of him, but i need you to do what i say.”
“i don’t understand…”
“i don’t want your money. just give me a picture of him and his home address.”
after a few long seconds, she nods and takes a piece of torn photo, a piece of paper, and a pen from her purse. she writes down her home address and hands it over along with the picture of her husband.
she takes back the money and put it back in her purse. it’s all her life savings. the money she had to hide from her husband, so he wouldn’t spend on alcohol and drugs. rafe puts the items in his pocket and watches her leave the diner, hoping to god she listens to him and goes away. 
(...)
in his car, rafe watches the movement on the street outside your house.
ever since he left the diner, he has been monitoring your husband’s steps, and since then, he has not seen you coming home. hopefully you really did leave this place for good. 
rafe doesn’t know what possessed him to help you, he has never worked for free, and money is perhaps the most important thing in his life, but after seeing you, and understanding that hiring a hitman may have been your last option, he just wanted to do a good deed, since his job is only to kill people in exchange for money.
it is already dawn, two in the morning to be exact. all the neighbors seem to be asleep. when he is sure that he can act, rafe gets out of the car properly dressed for the killing - gloves, mask and a gun.
upon reaching the back door of the house, rafe notices that the door is unlocked, as are the windows.
strange.
prepared for any kind of situation, he enters the house silently. it is dark, so he turns on the kitchen light, and finds himself in a simple but messy kitchen, with food scraps in the sink. there are empty bottles of whiskey and beer everywhere, trash all over the place. just ahead, in the living room, lying on the floor, there is joshua, your husband, apparently passed out.
this will be easier than expected.
before doing anything to joshua, rafe searches your bedroom and sees that the closet is open and empty. well, there are just a few men’s clothes. all of your clothes are gone. you really are gone. you did go back home, but you're gone, and that’s what really matters.
a sense of relief washes over rafe, and it’s inexplicable. it’s like he really feels like he saved a life.
thinking about faking a suicide, he searches for a gun, and luckily finds one in the bathroom. after checking for ammo, he carefully places the gun in joshua’s hand and brings it to his temple. with his finger, he pulls the trigger.
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let me know your thoughts & if you want to be tagged :)))
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icepoptroll · 2 days
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One last question from me for the night: what do you think karnak thought of the kids individually? Either on reading their fortunes or during the game or whichever situation is preferable
Lol you know I'm always happy to answer your asks
Ocean- he really wants to steer her straight, knows she has potential for good and wants to guide her towards it. Also she's really fun to mess with
Noel- Thinks ok this kid is cool, he really understands and embraces the dark side of life. A machine who recounts people's lives and predicts their deaths can appreciate that about a person
Misha- Pities the lost young love between this young man and his fiance. He knows the extent of its possibilities better than anyone else ever could. He knows what could have been and that what could have been, never got to be.
Ricky- Can ACTUALLY relate to him on a personal level. Karnak knows exactly what it's like to know things and have much to say and no way of expressing it in a way anyone can receive and understand. Ricky has in his heart a message of love and peace which could have greatly helped the world that no one got to receive until he had already left the living world. Karnak had information that could have prevented multiple deaths which he was prevented from ever divulging.
Jane/Penny- Has a total soft spot for her. Had he not died an hour and a half into their coming to the warehouse they probably could have had some pretty profound conversations
Constance- Knew all along that there's more to Connie than meets the eye. He could easily tell all, but he doesn't--- he tells her backstory, same as the others, and, although he tried to encourage her to delve deeper he ultimately left it up to her to decide whether she would let her secrets out or take them to the grave.
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kinemortophobian · 8 months
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guardian-angle22 · 3 months
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This or That: Tarlos Edition -> Season 3 or Season 4
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the-sunlit-earth · 3 months
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a lot of clipping to fix, but hey I got it moving at least! I'll get the Telvanni robe properly physic'd if it's the last thing I do >:0
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batsplat · 3 months
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always am obsessed with motorsport champions that decide to run the number 1 plate vs those who’ve stuck with their number. because it reveals so much of each of their inner philosophies, whether they are deeply superstitious, or seek a tangible everyday proof of their victory, or concerned with branding/legacies, or trampling the inner critic that believed deep inside of them that they were cut out to be a champion. just so interesting to parse through possible motivations
you're so right anon!!
of course, a big part of it is historical context... you can't really disentangle the choice of whether to run the number one plate or not from the era within which they made said choice. until fairly recently, it was entirely the norm to pick the number one plate - and beyond that, even those who didn't finish in first tended to just adopt the number that represented the place they had finished in during the previous year's championship. so for instance in 1987, gardner was first, mamola second, lawson third, haslam fourth, macckenzie fifth, and so on. in 1988, gardner ran the number 1 plate... mamola 2, lawson 3, haslam 4, mackenzie 5, etc etc. the only champion who broke with tradition was british racer barry sheene (500cc champion in 1976 and 1977), known for being a rebel - and even the styling of his iconic number 7 was apparently a wee bit controversial:
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sheene stuck with the 7 both after his formula 750 title and then after his two 500cc titles:
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there's some ways in which sheene is kinda the prototype of the modern rider, and he was the first to reap the benefits of having a distinctive number associated with him
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in the eighties and nineties, it was all back to number one plates - but then of course another rider decided to break with tradition
incidentally, the generally purported story for why valentino took the number 46 is that it was his father's number. if his autobiography is to be believed, the truth is a little different:
I am Valentino. Graziano chose that name for me because he wanted to honour the memory of his best friend, who drowned at sea, near Pesaro, at the age of eighteen. The fact that St Valentine's Day is just two days before my birthday was also a reason. Number 46 originated when I raced minibikes. I was on a team with two kids from Gatteo a Mare, Marco and Maurizio Pagano. They are the brothers who lent me the Aprilia 125, which I used for my debut at Misano. All three of us had number 46 because we raced in three different categories. They too loved Japan and Japanese riders. One day we were mesmerised by a wild-card entrant at the Japanese Grand Prix who pulled off the most amazing tricks and seemed to have no fear whatsoever. He was number 46. And from that day on, so were we. For me, that lasted until I moved up to the Italian championship and, later, the European series. But when I finally made it to the world championship, I was asked to choose a number. I discovered that 46 was Graziano’s number when he won his first Grand Prix on a Morbidelli 250cc, back in 1979. Which was the year I was born. That’s why I decided that I, too, would be number 46. For me that number represents my career and, partly, my life. It certainly symbolises my massive, incredible, adventure. 
so valentino was only the second premier class rider who stuck with his number. the norm of just following the previous year's standings to choose your number was kinda starting to die out in the late nineties anyway. by 2002, when valentino was defending his title for the first time, if you look down the list it's basically personal numbers all the way. still, valentino was the one to break tradition for champions - the first to do so in a couple of decades. valentino did also know sheene personally as a result of the link through his father, who was a friend of sheene's and had raced him:
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^valentino with sheene, valentino wearing a tribute helmet with the iconic '7' on it after sheene's passing (also with the rainbow helmet colours and the word 'pace' or 'peace' on the back during the 2003 invasion of iraq), and valentino's 2005 championship celebrations for his seventh title, his shirt again featuring sheene's seven
hayden didn't follow valentino's example and instead went for the number one plate in 2007. casey made the same choice for the 2008 season, then jorge in 2011... so for a hot moment it really did look like valentino had been just another blip. if anything, the trend was going the other way, with a couple of high profile instances of riders who hadn't won the title rejecting their established numbers:
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this particular trend didn't catch on, and from 2010 onward dani decided to just stick with the 26. because all the non-valentino aliens just couldn't stop faffing about with their numbers, 2010 is the only year in which all four aliens are actually concurrently running the numbers we most commonly associate them with
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then, by 2012 apparently people were starting to get a bit superstitious about the number one plate. here, from an interview with casey:
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the idea is that you can't defend the title if you're sporting the number one plate. which is true! in the 21st century, three guys chose the number one plate, and they defended their titles a grand total of zero times. one bloke stuck to his number, and he defended his title five out of seven times. so yes, it is technically correct that nobody with the number one plate had defended their title, though it is equally true that nobody not called valentino rossi had defended their title. I suppose we'll never know what the bigger factor was
anyways, if picking the number one plate was already a sure thing before, I reckon this sort of silly talk about 'jinxes' would have made casey even less likely to change his mind for 2012. not only is he stubborn, but he also takes an extremely dim view on superstitions
That race was the twelfth in a row that had been won by a rider not starting from pole, which was a new record. People were making a big deal about it and questioning whether, psychologically speaking, it wasn't a good thing to qualify on pole position at all. Maybe to the superstitious riders out there it had become an issue but I have never allowed myself to be affected by outside influences like that and I put an end to the stat by winning from pole in the next round at Laguna Seca in California. It is amazing how many riders have superstitions, which to me are completely ridiculous. Pretty much every one of them has a little mascot or a lucky pair of undies that they once had a good result in and have been stuck with ever since (so to speak!). Superstition is basically just fear and as an athlete my view is that by allowing it to enter your mind you are effectively handing over control. My approach has always been to deliberately tackle it by doing things differently to the last time, just to make sure I don't get into a restrictive habit. Some riders look at their qualifying position and think, I never go well from fifth position, or arrive at a circuit thinking about past results there and say, 'I've never done well here before, it's not my favourite circuit.' You have to be in the mindset that every day is a new day, a new set of circumstances. Every corner is different, every situation is different, and if you are not prepared to open your mind to that then you will always struggle more than necessary. You might have been through one particular corner a thousand times before but with a slight change in temperature, a new bike, a different tyre or a rider trying to pass you on the inside it becomes a completely different challenge and you have to be ready to deal with that.
given that casey is like, neurotically anti-superstition - well, he was probably always going to do the same thing as he did in 2008, but now he definitely would never just stick with his number. unlike jorge... who did change his mind, having run the number one plate in 2011 - but decided against making the switch in 2013. funnily enough, this did not help him defend the title. the eventual 2013 champion ended up also opting to stick with his number... and, well, marc's title defence went a little bit more smoothly. after jorge's 2015 title, he once again stuck to his 99, while marc has used the number 93 throughout his career. by the time you get to 2020, it's easy to have a warped perception of how common it is to keep your number. if you're born in, say, 1997 or later, you think it's basically the done thing to stick to your number, and it's really only a few outliers who use the number one plate. but even in the 21st century... it's really just valentino and marc who were doing it, plus jorge two out of three times. but between the two of them, they sure were winning enough of the titles to make it feel like the established norm
by this point, there really was a bit of a superstition about how the number one plate was 'cursed'. obviously, this wasn't actually a 'curse' as much as it was 'the dominant force in the sport in the noughties decided this number one plate thing wasn't for him and the dominant force in the 2010s who also happens to a massive fan of the other guy also decided not to make the switch either so that probably explains it'. it's not 'you won't defend your title if you're sporting the number one plate', it's 'you won't defend your title if your name isn't valentino rossi or marc marquez'. but obviously, sports drives people insane, so it was always going to be something that prompted a lot of speculation until someone finally managed to defend the plate
following his 2020 championship, mir didn't depart from the new tradition, with a suzuki video to announce his decision:
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and fabio did likewise after his 2021 title:
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obviously, sticking to their numbers didn't actually help joan and fabio defend their titles, and after his 2022 championship it was pecco's turn to make the choice. pecco went about this in the most pecco way imaginable, with just a touch of public hand-wringing about the whole thing:
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just as a quick reminder, before pecco there had been 28 premier class champions. five and two thirds decided against the number one plate - sheene, valentino, marc, joan, fabio, and jorge twice. "I have always been fascinated about riders with number one" describes something that until very recently had been completely normal. not even remotely noteworthy. cheers valentino
eventually, presumably after some extremely extensive introspection, pecco decided to go for the number one plate:
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and also this:
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and also this (look he's got a lot of thoughts on the matter, please allow him):
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and talking about defending the number one:
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pecco has continued talking about it sporadically since then. he's spoken about it in the context of defending his title, which as he points out he can only remember marc and valentino doing:
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and then the pressure inherent to sporting that plate, from after he'd successfully completed his title defence:
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hm. right. let's unpack
the thing about this whole 'running the number one plate' business is that in motogp, each rider's individual choice has to be read with that history in mind. for many years, this wasn't even really a question... it's just what you do when you win the title. sheene was the rebel, the one who decided to do things differently, who wanted to be associated with his very own number. and valentino, who himself knew sheene and was already attached to his own number and has always had a good sense for personal branding, decided to stick with 46. of course, valentino being valentino, he's inescapable enough within motogp that ever since he made that choice, every single champion after him has had to actively make a decision one way or another
so you've got jorge, who had used the number one plate in his title defence during his 250cc campaign in 2007 - and also used it in 2011 as motogp defending champion. he ended up changing his mind for his following two campaigns... remember, he only started using the number 99 in 2009 after his fractious split with his manager during 2008 (see more on numbers lore here). here was what he said about his decision in 2011:
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versus his decision in 2015:
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jorge in particular does of course have a bit of a complicated relationship with the numbers he's used during his career - and unsurprisingly he's clearly put quite a lot of thought into the whole matter. he's determined to still have the number 99 represent him in some way even in 2011, while also thinking about how he can integrate the number one into his initials - and since it's jorge, of course it's particularly important that his fans approve. he "won't forget" his 99, it was still on his leathers because it's still 'in his heart'... but he explains it by saying he has "earned the right", that it's a "unique opportunity". then, a few years later, his main cited reason for sticking with the number 99 is how it 'represents' him
very much a question of identity, then, something about how jorge made the choice to use the 99 and how it was an expression of liberation for him... he was tempted by the number one once and only once - a statement in itself, following on from jorge's title win in 2010 where the oppressively popular defending champion had been taken out of contention through injury. jorge says he's 'earned the right' because he feels like he deserves it and he wants to tell the world as much. did his failure to defend the title play into his decision not to run the plate again or did he just decide it wasn't really for him after all? did he realise he had grown so attached to the number 99, what it symbolised to him, that he didn't want to give it up again? or did he just realise it was better for personal branding?
last year, here's what casey had to say:
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it's fun how the perception of it has changed so drastically, hasn't it? now it's kinda the brave decision to take it... and that's mainly the legacy of two blokes who happened to monopolise this century of racing and decided to make their numbers their own (you may have noticed that there's considerably less material out there on why they made the choice they did). it's gone from something that you just sort of did automatically to something that puts a bit of a target on your back. because that's the subtext, right - everyone wants to 'take the number one plate'... which obviously they do anyway, but all this talk of curses and jinxes attempts to give it a bit of extra weight. is it presumptuous to take that number? valentino and marc made the call to stick to their numbers - and years later it's become a statement to deviate from that path. in that fabio quote above, in context he's really just trying to say he feels like he's the number 20 and nothing other than that - but "I feel like I'm not number one" is still a teensy bit loaded. how did marc's injury affect the choice made by those in his absence?
casey is unsurprisingly very firm on the whole thing, "you are world champion and you should be wearing number one". as if doing anything else is shying away from this duty. defending the title is another "challenge" that he says he likes - almost like a way of putting extra pressure on himself. though in a different interview, casey also says this:
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just a number after all, then? it's also interesting how they frame it in different ways, isn't it? for casey it's "recognition" of an achievement, for jorge it's something you've "earned"... and for pecco, it's something you "need to respect". it's about something that puts "pressure" on you... perhaps that's partly because so much of the discourse about the number one plate has become about defending the title (or failing to do so), but pecco discusses it more as a responsibility than something he deserves. you can tell that it's clearly preoccupied him for a while - it's something he's "fascinated" by, he's "admired" people who have done it, he's "always loved it". for both casey and pecco, part of it seems to be about respecting the history of all the blokes who have used the number in the past, like it's an act that pays tribute to that heritage. you'd think this shouldn't have been such a tough choice in the first place, wouldn't you? goes to show how much of a break with tradition it's become - tradition, of course, that was really started by pecco's own mentor. would it be that surprising if that's part of the reason for the reticence? and, at the same time, would it be that surprising that his mentor's long shadow might make him feel like he needs that big and bold number one? what does pecco think it's saying that he went a different way? all this public hand-wringing just because he's breaking a trend
for jorge, the number one plate was a public declaration that he'd made it, naysayers be damned. to pecco, "the number one plate means you need to demonstrate you are number one". it's like giving yourself a point to prove... is it mainly a matter of pride or giving yourself something to live up to? both of them go to great pains to stress their continued attachment to their original number, how they're continuing to integrate it into all their cute designs... and that is something that has changed pretty definitively - not entirely as a result of valentino, but around the same time as valentino emerged as the figurehead of the sport, and he's certainly a big part of it. even the riders who go with the number one still want to have their number and to be known by it. the numbers have become such an integral part of branding and rider identity that riders want to make clear how important they are to them, whether they stick with the number as defending champions or not
at the same time, the fact that taking the number one plate has been de-normalised means that this decision places extra focus on the challenge of defending the title. pecco might not frame his choice in opposition to valentino and marc's to keep their numbers, but he does repeatedly link it to how they alone had been able to win successive titles. for him, then, it becomes an indirect way of living up to a legacy - counterintuitively by doing the opposite of what they did. "since I remember, was just marc and vale have repeated the title" “I thought about it many times this season in all the races we were struggling that the only two riders able to win two years in a row were marc and valentino"... that's what he's trying to live up to, this simultaneous source of inspiration and insecurity. are you lacking confidence if you need to see the number one to believe yourself that you are the number one? or is it conversely shying away from something you have rightfully earned if you can't bring yourself to take the plate? is it an expression of ego if you think your personal number is more meaningful than the number one could ever be? personal branding decisions aside, wouldn't manufacturers much rather you display the number one plate proudly on their bikes?
kind of remarkable, isn't it? it should be such a simple choice... and yet. not only is it now a question of branding and identity, but within motogp it's also become one of how you relate to the legacy of two specific riders. maybe it'll gradually become more common again to take the plate - after all, the curse has now been broken. or maybe it will be the source of much hand-wringing forevermore... we shall see. we shall see
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i love dead boy detectives to death, and hope with all my being that we can Somehow pull off getting it back (through netflix or otherwise)
but honestly if we cant? if we get stuck at where we are now forever? i honestly think ill miss the potential s2 soundtrack the most
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chiimeramanticore · 6 days
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#im not dead quit asking#I'm just really really really not doing well#sorry if i scared anyone. that wasnt my intent#things got. let's say worse. for me irl. more complicated for sure#i hate to publicize my breakdown I really do. but maybe i... need this? in a weird way?#i haven't really been adjusting well to having a platform online. that's not anyone's fault but mine ofc#i feel that my 'fans' (if ive earned the right to call them that) dont and frankly cant ever care for me as a person#i dont know you and you dont know me. you dont know all of me at least. just what i make public. what i allow others to see#i had it kinda bullied into me that i need to keep my mouth shut abt my own issues. and ive spent a lot of this year trying to unlearn that#maybe publicizing this is a bad idea anyway#I just know ive been more honest abt my emotions and my personal life with my friends and my partner#and not everyone enjoys it but i know I'm not like. traumadumping so i feel somewhat assured that anyone who doesnt wanna hear abt my life-#-probably wasnt all that interested in forming a close relationship w me to begin with. even if theyre friendly at first#everyone else; the people who I know care about me; have shown me that through their actions#my point is being honest abt how youre doing w other ppl is a good idea. revolutionary i know lol#and i still don't know a lot of you personally but#parasocial or not i got some very genuine sounding messages while I was gone. and i. feel really bad that i worried those people#I guess theres my proof that people would care if i disappeared suddenly. people would notice pretty quick it seems#im never gonna kms btw. even if i didnt have the support i have im simply too stubborn to die lol. to put it lightly#and to those who thought this was abt fandom drama: it's not. those who shall not be named are genuinely the least of my problems these days#I'm on a journey of self actualization. or something. im trying to get my shit together. im trying to stop being clinically depressed lol#but god keeps throwing wrenches in my plans and. i beat myself up about it too much#but that's just life. they say you make a plan and god laughs#im. trying to be okay with just riding the wave. im impatient but if i keep trying to somehow speed up time im just gonna exhaust myself#which I think is where im at now. burnt out#and on top of all that i still feel this need to like. perform for you guys#if i dont keep making content everyone will forget i exist. if i dont make another video essay this year can i even call myself a youtuber#etc etc. its the spiral its impostor syndrome we've all been there#im trying to end this on a positive note but idk. i dont have all the answers yet#hoping i figure it out soon. i hope you dont forget me in the meantime
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oozeandgoo-art · 9 months
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had an odd dream that i was reading a comic book. sketched a couple of the pages i could remember.
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#i might adapt this into an actual story because i am SO SO SO mad that it isn't a thing i can go back to reading#oc#im definitely keeping the concept of save-bot i fucking love save-bot he's just doing his best. i love a robot who wants to help people#im not equipped to be writing about underground rebellions with any sense of real tact though#besides its in a superhero universe/story so you know it would just be so sucks lol#sketch#god the colors were so interesting. the teal parts were all very precisely crosshatched and the fire was this gorgeous brush pen looking#colored inks that just seemed like they were MOVING#and i mean some of that was because i was dreaming but god even in my halfhearted copy you can see some of the movement#it was a bad scene but a really really REALLY fun dream. i love when a book can *get* to me so i was really enjoying it#put it aside so i could take a break and woke up. instant fury at the universe for not having it be a real book instead#ill reblog with details if anyone's curious. i can explain this scene but i dont feel like it#the green people are in a secret basement though. hiding from the government. blue jacket guy is a speedster robot named save-bot who does#rescue stuff with every fire department so fire suppression technology is not very good because save-bot "can just save you''#however they're badly over their legal occupancy and the secret basement has One (1) exit so everyone is like really fucked here.#includinig save-bot who is going to do his job until he dies because he is an ai without any sense of self preservation and he cares#which i didn't even CATCH until i woke up and started tryin to frantically note everything down#and then i was like wait. the glitter on that last page before i realized i needed a glass of water to keep reading... what WAS that...#(it was tears suspended in midair because save-bot goes so fast and also knows he's so fucked LOL)#seriously i'm so mad someone else didn't make this.
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sisterdivinium · 2 years
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Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.
Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.
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Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.
And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.
An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.
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Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.
The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".
Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.
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But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.
Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.
However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.
What's more is that this lurking "optimism" matches really well with our own protagonist's personality.
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And it makes perfect sense that Ava would do the best she could with whatever she is given.
Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.
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Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.
Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?
True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.
And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.
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Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.
Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.
It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.
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#warrior nun#ava silva#you know it's actually very funny to type this as someone who is very schopenhaurian with hints of nietzsche#but i AM doing the best i can too :)#again i will reiterate that i don't think this apparent optimism has anything to do with the classic theodicy#if anything i see it more as a cry in favour of antitheism -- this is YOUR life fuck god#life is shitty so carve out your own makeshift paradise out of the wreck you are given#and don't make things harder for anyone else in the process if you can avoid it#(but that might just be the luciferian in me speaking lol)#anywho this post is a translation of one i wrote not too long ago in cryptic english and a ton of tags#so if it seems familiar that's why#also i do find it rather telling that whenever i try to delve into how the show structures things i talk about ava#i don't set out to analyse her -- but in analysing the show i must analyse her as well if by the edges#which again points to how finely woven she is to the fabric of the entire thing#remember how i said ava is a representation of free will?#well this whole bringing good out of evil thing also touches upon it#saint augustine maintains that it is precisely free will that allows us to do it -- to choose good#of course he means it in a sense of being free to pursue god rather than evil but you see the parallel still works#(this is the post i mentioned in the last reblog. figured i'd go ahead and throw it in the wild since there are more brewing)#analysis and similar#exercises in observation
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adrift-in-thyme · 3 months
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My college library had the Iliad and Odyssey YAAAAY
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carcarrot · 3 months
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well that was a shortlived good feeling about my job
#maybe i should just become unemployed. maybe i should just suffer!#recap of todays further events .#that supervisor? who i kinda didnt already like but now absolutely hate?#she came down to confirm that i wasnt leaving. okay . and then she fucking tells me#oh we're going to get another person to help out from this other company. we were going to do that bc we thought you were leaving#but she thinks that even if im staying there should be another person on this floor. bc apparently more has to be done#and there are 'constant complaints' abt this floor . which doesnt make sense to me bc there shouldnt be#and so we're waiting to see what the manager decides but hes on fucking vacation and wont get back until. next week??#she said she was gonna email him and like right after she left i emailed and texted him explaining everything#and trying to very nicely say hey what the fuck are you doing you don't need to hire anyone else#and if im doing a bad job fucking tell me so i can do it better. bitch#and she had the nerve to fucking tell me when she was talking to me#that i wont find an easier job than this one#well if its so fucking easy why are we hiring someone else#by the way getting that extra person from this other company doesnt cost them anything which is why theyre doing it i think#which is making me not feel good abt my own future lmao. like why would they keep paying me when they can get someone for free#and she was saying all this stuff like oh you have it so good here we dont write you up i do all this stuff to help you like . ok#i didnt ask you to come downstairs w the coffee order and if you wanted me to i would come up . god#but the thing of me not being able to find a better job like wow! what if i killed you. for saying that to my face#and she talks abt how shes been w the company 20 years ok and that doesnt give you an excuse to treat me like a child. jesus#anyway im very pissed off and not enjoying my work situation lol. i dont wanna do this anymore#but looking at other jobs im so unemployable. sigh
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opens-up-4-nobody · 9 months
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...
#man ive never seen an eating disorder kill someone else besides a parent infecting a child but my nana is really trying#shes like 1000% orthotexic. will not eat anything not filled with vegetables or fat. and my grandpa is 87yo with a heart condition currentl#in the hospital for covid bc thry went to Christmas church and dont believe in being vaccinated and my dad is so frustrated#bc he knows his mom is not gonna give his dad hearty foods. he needs to eat like protein shakes and meat and ice cream. anything thats not#her cooking which sucks on top of being extremely healthy. except its not healthy bc they dont eat a balanced diet#so its my nanas eating disorder killing her husband and shes so fucking frustrating. im like 99% sure she has obsessive compulsive#personally disorder bc she fits to a T and has zero insight. she may have full on 0cd bc talking to my dad he has more obvious 0cd#compulsions than i do. he used to say phrases before going to bed and would take 2 steps across the floor to prevent bad things from#happening. so like im pretty sure my nana is where i get my perfectionism and 0cd. god. i wish i could express how fucked up she is#like my dad said at least he had a stable home to grow up in but like she has zero sympathy for other people. cannot look past herself. wil#not wear a mask bc she doesnt care enough abt other ppl. my dad was like: u would not have survived in that house. which is fair bc i am#barely keeping it together coming from a stable home with two sympathetic parents who i know love me#and like its sad that they're suffering the effects of buying into the fox news bullshit and its killing them#but also. genuinely. i think theyre not very good ppl. theyre the type of people who think they're better bc they're religious. white. and#thin. and theyre not better thsn anyone. their grandchildren cant stand them. well cant stand her at least. papa is just quite so its hard#to say what hes thinking. apparently he was confused last night and saying something about eating dinner on the golf course. which sounds#nicer thsn being in the hospital lol. ugh. he seems not long for this world tbh. may he pass peacefully to b with his 1st wife who died of#brain cancer at age like 20 or something. so it goes. bleh. how many funerals are intended for me in the next 5 years? hopefully none but#that seems improbable with the unspoken drain circling that seems to b going on in this family. old age and like almost 10 years of cancer#defying the stats but for how much longer?#i dunno. its just so weird to watch these things happen and not talk about it directly to the other ppl who see it#i worry that ill come off as too callose or inappropriate bc i have that tendency when something bad is happening but thats everyone else#excuse? idk i just feel like its better to talk abt things#unrelated#ed mention#i tell u this so i can say these things to someone and also bc if i were u. i would like to hear the drama#bc im nosey and i assume other r too ;-]
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galacticlamps · 4 months
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I just wanted to apologize to my classic whotuals for all the dead boy detectives spamming, but it's also important to me that you guys know two things:
a) I've become aware that a lot of what appeals to me about dead boy detectives is, on a kind of conceptual/thematic level, the same stuff that I love about my favorite eras of dr who, and 6b in particular
And I tell you this not as an advertising tactic but as a genuine PSA for anyone following me because:
b) Being me & having realized this, I know I'm definitely gonna wind up posting some unnecessarily long-winded analysis/comparison, pop it in the main tags for the sake of organization on my own blog, and subsequently confuse a hell of a lot of people there who either have no idea what I'm talking about or simply don't view either piece of media in the same light as I do to begin with
So I just wanted to reassure everyone that at least you're not suffering alone, as I will soon be inflicting the reverse bait-and-switch upon others!
That's all! continue w ur scrolling <3
#i hope this is clear but im REALLY not trying to be like coy or intriguing here#this post is not remotely intended to convince anyone to watch dead boy detectives on the grounds that it's similar to 60s who#in ways which i've conveniently failed to elaborate upon & so you'll just HAVE to go see for yourself#(firstly bc when i want to sing something's praises i will upfront & unapologetically)#(& secondly bc im not super into telling people to watch things in general unless they're actively seeking a rec)#honestly this (now very overhyped) future post of mine is going to be more about like#me recognizing i have A Type when it comes to stories/underpinning narrative backdrops in fiction (if thats not too pretentious)#and much less of a 'well if you like x then you'll definitely love y bc i do & we all enjoy things in the same way & for the same reasons'#and i find it funny that nobody will care - bc it'll incomprehensible to all but about 5 people who have the full context#& half of those 5 will probably still disagree w my perspective/interpretation of one or both -#but im gonna do it anyway bc what else am i supposed to do w these thoughts! keep them to myself??? dont be absurd#that said though if you are debating watching dbd and would like to chat about it to push yourself in one direction or another#im happy to do so! especially if you have questions about it in relation to some other shared interest you actually did follow me for lol#im always game for that sort of thing & yes i am of the opinion that its a good & fun & rich show all on its own
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walker-lister · 8 months
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I just have to remind myself sometimes that no matter what anyone else says, the way a piece of media makes me feel and the positive impact it has had on my queer identity is valid, and that tearing myself apart thinking I have to defend it or questioning my own place within queer communities is not at all important when compared to the almost tangible sense of 'rightness' that piece of media helped me to feel about myself.
#just something i've been pondering the last few days#kind of like no matter how much people debate or i suppose theoretically deconstruct media featuring queer stories#the most important thing is how it makes a queer person feel#and I do think it is of course a good thing to ensure queer stories are executed with respect and authenticity#but there's this grey area in fandom spaces in which people may have found rep from a 'unreliable' source i suppose#or something which is queerbaiting- sherlock springs to mind for example yet if people have been able to explore and nurture their own#queerness through that media does that therefore mean their experience is invalid? i don't think so#and my worry is the more we focus on theory the less we focus on emotion and therefore the actual queer experience itself#and sure theory can inform the queer experience and ensure the media is a 'healthy' site of queer identity formation and identity aid#but at the same time scorning or being rude to those who have found certain media an aid is not the right approach to be taking#especially as queer experiences are so wide ranging that one person's idea of 'good' representation is someone's else's of 'bad'#and that unless a piece of media is clearly offensive in its portrayal of queer experience there has to be some benefit of doubt#I think we're still in a period of progression in media espc tv where queer creators are coming to the fore of their own stories#and we've got to 'live and let live' a little about where people are finding sights of queer validation and joy#and perhaps this a naive and simplistic way of thinking but i think queer people can either recognise when something isn't the best rep#but was helpful for them anyway and therefore in a way confer 'ownership' of the media to themselves in how they engage#or there is variety in queer experiences represented in media so that perhaps not everyone finds a 'site' of rep but that does not#therefore invalidate it or make it 'bad' representation#this is just my opinion and it'd be hypocritical for me to not now mention this is only formed from my own queer experience lol#so i'm not trying to tell anyone how to feel or anything just something i'm pondering
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