#which isn’t unheard of

[notsocooljess]

sometimes i am stunned when i remember that not only are katniss and peeta the youngest people going into the quarter quell but also that they are still literally KIDS. they are children facing 22 adults with not only years of friendship between them but years of mentorship to learn the best strategies of the games.

katniss is a 17yo girl who was malnourished most of her life that only had months to try to prepare to catch up to her competitors. peeta is a 17yo boy who is likely still going through puberty! facing fully grown adults.

sure some of the victors are in their early 20s like finnick or johanna, but the maturity difference between early 20s and 17 is huge.

they are kids forced to play in an adults’ game.

[chirpsythismorning]

Over halfway done with the ST5 vision playlist and… Just came across the most terrifyingly ST5 coded song and I’m 🫢

Like at first I was like, “okay, nothing really— wait no. that’s interesting… actually?… wait, what??— WAIT!

[iamfitzwilliamdarcy]

wear 👏🏻 a 👏🏻 helmet 👏🏻👏🏻

[lunacornfan2k24]

I’ve been slowly working on a story about elemental alien deities that ends with a fight during the solar eclipse on Monday and nature has decided to give me an earthquake in the northeast the Friday before???

THANK YOU

I’ve written almost none of it and have been developing the story since I was 17

[lemonlover1110]

Sukuna

Warnings: Fluff

Summary: Sukuna teaches his nephew a very important word.

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“Yuji, come here.” Sukuna signals his three-year-old nephew to walk over to him, and Yuji frowns before reluctantly walking over to his uncle. Sukuna looks around, checking if there’s anyone supervising him. You’re in the bathroom doing lord knows what, and his brother dropped Yuji off for a couple of hours… He’s clear. “Say fuck.”

“Fuck?” Yuji repeats, which makes Sukuna smirk. He’s curious about what the word means since it’s not used around his house, but he’s obedient and he’s going to listen to his uncle. 

Yuji has heard a couple of words that he can’t repeat like darn or moist (which Sukuna doesn’t even get, it’s just a word that makes Jin uncomfortable). Nothing as extreme as fuck. Sukuna is thrilled to be the person to teach his nephew this new vocabulary.

“When your aunt comes out of the bathroom, say fuck you.” Sukuna orders, and Yuji’s little eyebrows come together in a frown. He’s not going to mindlessly say something to you when he doesn’t know what it means. He’ll ask first. His mistake? Asking the man that he just learned the word from.

“What does that mean?” Yuji asks, and Sukuna is wickedly smiling.

“It’s another way of saying I love you. I know you love your auntie so much.” Sukuna watches as Yuji’s eyes grow wide, amazed by the new vocabulary. The child nods in response, more than willing to say he loves you.

“Took you long enough.” Sukuna says when you finally walk out of the bathroom and you roll your eyes. 

“I was busy.” You respond, walking over to him and taking a seat next to him. 

“Auntie.” Yuji goes to you, and a soft smile overcomes your face. You raise your brows, waiting for him to speak. “Fuck you.”

“Huh?” Your eyes go wide and your jaw drops. Did you get that? You stare at his lips before requesting that the child, “Say that again?”

“Fuck you!” He’s smiling, over the moon that he found another way to express how much he adores you. You snap your head to glare at the man next to you, one who laughs at his nephew.

“Sukuna, I will kill you.” You say, and Sukuna is smirking. You stare at each other for a minute, tense silence taking the room before Sukuna claims,

“It’s funny. He’s not even yours, so you’re not responsible for what he says.”

“Jin is going to kill you. The man thinks moist is a bad word.” You remind him, which only further amuses the man. You hear Yuji shushing you for using the word that his father doesn’t like, though he goes unheard since you have bigger problems at hand.

“Let’s be serious, I’d win.” Sukuna responds, which isn’t entirely a lie. You’re about to argue with him but before you can open your mouth, he turns his attention to his nephew. “Okay, when daddy comes in, you’re going to greet him like you greeted your auntie.”

[helcef]

Mermay pt 2 (pt1 here)

Blacktip shark (different from blacktip Reef sharks, which are smaller) Soap who is an extremely curious and fast lad. He lives and migrates around with a loosely organized group of other blacktip sharks. They’re not quite family and are together mostly to hunt more effectively.

More unorganized thoughts of mer!ghoap under the cut below

- Soap, like many of his species, has a curious nature, made bolder the bigger the pod they live with.

- Natural show off, especially after a good hunt. Being able to jump out of water with elaborate spins is not only a hunting strategy but also for impressing potential mates.

- Soap is popular enough but never made active effort to court anyone within or outside of his group. 🤔

- Ghost doesn’t travel with a pod which isn’t unheard of for his species but quite rare since most they’re known for their social behaviour (even interacting with other mer species)

- Ghost is heavily scarred for someone his age (and it’s made even more obvious by the fact that his species’ skin heal without its previous pigmentation so injuries almost always leave a permanent mark) because he has to hunt alone.

- Without the help of a pod, the squids their diet requires put up more of a fight. In addition, being alone makes him an easier target so every time he surfaces for air he risks being spotted by poachers.

[hazard-symbols-that-fuck-hard]

Okay time for the PBS Kids essay

Read it under the cut!

:readmore:

In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.

Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.

Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.

Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.

Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.

This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.

For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.

Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.

Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.

Just one year after the debut of Mr. Roger’s came Sesame Street.

While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.

While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)

At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.

Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.

White actors were and still are a minority on show.

In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.

It doesn’t get more explicit than this.

I want to point out this comment because it’s funny

You’re telling me this bitch isn’t Hispanic???

Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?

That’s right. Non-white focus.

These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.

Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.

It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.

Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.

Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.

A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”

One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”

There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.

Sagwa, the Chinese Siamese Cat

Created by Chinese-American woman Amy Tang

Dragonfly TV

Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups

Maya & Miguel

One of the network’s first Hispanic-led shows

SciGirls

I shouldn’t have to explain what the goal of this one was.

Molly of Denali

When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!

It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.

Disney Jr. could never. (Other than trying to teach colorblindness, of course.)

I’m gonna have to cut this into two parts, since I just hit the image limit

[maxlarens]

Hi, I have a smau request for Charles (based on c.ai bot lol, and the fact that I love painting), so the reader is invited by her friends to a house for vacation, her friends are all with their s/o and they also always try to set up reader with someone, that's when her and Charles meet, and reader finally gives it a chance because she knows her friends won't stop to set her up. They talk for a whole evening about what they do in life (reader is an artist/painter) and they get along really well. Eventually they get together and reader is very liked by the public, even if there will always be haters, but most fans thinks she's just very adorable (especially because of her insta/twitter posts)

CL: slip up and i call you baby

pairing(s): charles leclerc x artist!reader

summary: you love your friends, you really do. you just wish they’d stop trying so hard to set you up with random guys. [smau + written fic] (read on: ao3) (part 2)

fc: faceless

word count: 5.1k

warnings: mild sexual references

a/n: this is such a cute idea! thank u so much for sending it in!! u will not believe how much this idea gripped me like i never write one shots like this its just unheard of for me if im honest. anyway i know u asked for a smau so i will be doing a second part/continuation to this that is solely an smau to make up for that. (ALSO sorry for disappearing i was super sick for the whole week and have been getting my shit back together in the aftermath😭)

(yn’s messages)

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ynusername italy we are in u!!!

Amalfi Coast, Italy

You’ve never been particularly boy crazy. At least not the same way your friends are.

There have been a few not-quite boyfriend’s over the years, but those relationships never last long. They never really get you, or they never really get the art thing. Which means, of course, that they don’t get you and never will— and that’s fine, you’re content with that. If living for your art means you’ll never be in love then so be it and frankly, good riddance to them.

For the most part, you’ve given up trying. You go on a few dates here and there, but you never let them stick around. Even the ones that seem interested in your paintings you don’t bother with— none of them really seem to be able to grasp what art truly is to you. It isn’t just paint on a canvas, it’s living, it’s breathing. You are only yourself with a way to make art.

It’s difficult to put into words.

So you don’t. Instead, you send texts that say ‘thanks for your time but this isn’t working out’ and you keep the men your friends try to set you up with at arm's length. You placate Chloe and her partner Rowan– who collects friends like they’re Pokémon– with, “he wasn’t my type” and “I’m not looking for a relationship right now”, which you suppose is true, but also isn’t the entirety of it. Yet, every time without fail, there’s a new boy at the scene of the crime.

Chloe doesn’t get it, none of your friends get it. You don’t try to explain it to them. So, y’know, here you are again.

Anyway, here’s the thing: they’re getting closer. Inexplicably, without knowing how you really feel about it all, Chloe and Rowan are getting better and better at picking the boys who are able to tempt you. Which is a pain really, because sometimes you’re trying to have a perfectly nice vacation in Italy without the lure of a boy you can’t let yourself have. But alas, these things generally don’t go your way.

You should know that by now.

Charles Leclerc is bang on the money, he really is. He is unbearably cute, like so cute that you have to leave the room when he walks in, because you don’t trust yourself to be in close proximity to him right now. You have a hard time looking at his face when you are forced to be around him. The dimples when he smiles, the squint of his eyes even when he isn’t. If you look too long you’re liable to stare and that wouldn’t lead to anything good at all.

He’s nice as well. So nice, just like Chloe told you. You try to pretend he doesn’t exist and he still asks you questions about your job and the area of Monaco you live in— like he’s even interested, like he’ll remember you two weeks from now. You try your best to be pleasant, to answer without it being like pulling teeth, and to ask questions of him as well. You’ll probably see him again after this, so best to not to go too far and act like you hate him. It’s difficult though, toeing the line between friendly and encouraging of more. Or it feels difficult for you. Charles doesn’t make even the slightest suggestion of the two of you being set up by your nosy friends. That’s unbearable too. Part of you wishes he’d just make a clumsy pass at you so you can rebuff it and make your intentions abundantly clear. But, obviously, he doesn’t, because he’s perfect or something.

It sucks. You hate him, you think.

Or you want to.

On the second day of the trip, you’re on the villa’s private beach, laying in the hot sun. Chloe, Anaïs and Bea are there; everyone else is either still sleeping off the wine from last night or swimming in the glittering ocean. You’ve got a secondhand book, a 2B pencil and a pair of sunglasses over your eyes. You’re trying to read but you just end up doodling, drawing your friends bikini-clad bodies over the text and shading grapes into the margins. Trying desperately not to accidentally put Charles Leclerc’s dimples, messy hair, or sloped nose to paper.

“So,” Chloe says conspiratorially, as you abort an attempt at drawing a slightly squinted eye with thick lashes, “What do you think of Charles?”

You raise an eyebrow carefully at her over your sunglasses, betraying nothing of your inner turmoil, “I think nothing.”

Anaïs laughs, rolling onto her back, “That’s such shit. You practically sprint away from him everytime he comes near.”

“I do not,” you answer too quickly.

Anaïs laughs again, louder. Chloe joins in and Bea raises her eyebrows at you like you’re a fucking liar. You frown, glaring a little before stubbornly turning your head back to your book. The conversation about Charles ends there, but unfortunately your actions have spoken for themselves. A chill of something like panic chitters up your spine and into your shoulders. You have to roll them to make the feeling go away.

As the sun climbs higher in the sky you lose some people to the heat and gain others. It’s just you and Chloe sweating onto your towels when Rowan and Charles finally give up on whatever game they were playing in the ocean. Rowan collapses unceremoniously into the space between you and Chloe, kicking up sand and getting water droplets all over you like he’s a wet dog. You let out a noise somewhere between a laugh and an exasperated groan as you roll away from him, landing in the sand.

“Watch it,” you cry, “You’re getting my book all wet.”

Rowan laughs, “You’re drawing in it!”

“So.”

He pulls a face at you that makes you roll your eyes; then he turns into Chloe, shoving his face into her collarbone and flinging limbs over her. You snort, leaning over to snag the book off your towel before it gets dragged into the mess that Rowan is causing. You’re about to get up and go inside until you realise Charles is still standing there. Has, in fact, been standing there since Rowan ran over. Your breath catches, heart skipping a beat as you look up to find him standing there.

“Hey,” you smile briefly at him, quickly looking away from his damp hair and bare chest (–which is difficult to do because, holy shit–) so you can gather up your towel.

“Hi,” he replies.

He might smile back. You don’t look. You’re trying to get the image of his washboard abs out of your head. This proves difficult when you clamber to your feet and find yourself face to face with him.

“Are you heading back?” he asks.

“Yeah.”

God, you want to kick yourself. You’re being so awkward, and right in front of Chloe too, who may not be watching but is absolutely listening to you make a fool of yourself in front of a guy you have very firmly said that you are not interested in. It must be clear to him too, that you’re trying very deliberately to not be interested in him. You cant tell what would be worse; if that means he’ll think you’re a weirdo or if it means he’ll take it as a sign that he should make some kind of move.

Ugh.

“I’ll come with you?”

“Hmm,” you blink yourself back into existence, seeing the questioning look on Charles’ face, “Yes, yeah. Sorry.”

You say goodbye to Chloe and Rowan who barely look away from one another, still rolling around in the sand like teenagers.

“Gross,” you say to Charles, as the two of you trudge through hot sand toward the sandstone steps that lead up to the villa.

He laughs, a breathy thing that tapers off with a sigh, “A bit, yes.”

You don’t say anything else, but you find yourself staring at his back and the way his muscles shift and move underneath his tanned skin. At the top of the stairs you part ways, he smiles at you and you offer something awkward in return, trying to pretend you hadn’t been looking at him. You don’t think he notices, but your cheeks red burn anyway.

You don’t see him watching you leave.

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chloegarelli hungover, sunkissed and lovesick

Amalfi Coast, Italy

Dinner is a huge affair, as it always is on these trips.

You, Anaïs and Chloe spend three hours in the kitchen that afternoon making chicken fricassée and about a hundred different side dishes to go with it. Everyone crowds around the dinner table to eat and drink even more wine than the night before. Piero Piccioni plays on the old record player, crackling away as you laugh and talk and tell stories with your friends well into the night. You watch the sun set through floor-to-ceiling glass windows and you wish wish wish that you had your paints right now.

You brought along a set of oil pastels and one of your art notebooks, but it doesn’t compare at all to painting. If you could get your hands on cadmium yellow in all it’s hues, maybe vermillion and a powder blue, your lack of paintbrush or canvas wouldn’t even matter. You’d use your fingers if you needed to. It bothers you so much that you get up in the middle of clearing away the meal and go to your room for the pastels and notebook. You need to get it on a page at least.

You push a few plates to the side, folding out your notebook and immediately marking the page up with a creamy white pastel. Bea teases you when she comes over to take the rest of the dirty dishes, but you just mumble something unintelligible, too engrossed with smudging the sunset into something that looks like what you’d seen out the window. When the oranges and yellows blend to your satisfaction you take the black and brown and draw in the top of your friends’ heads, not thinking about how much attention to detail you’re paying to the shape of Charles’ side profile.

When you’re finished, you’re surprised to see that the table is cleared save for a few half-full wine glasses and a fresh bottle. Only Chloe, Rowan and Charles are still sitting by you. You’re listening to another Piero Piccioni album now, or maybe just the other side of the record. You remember saying goodnight to the others and saying yes to a glass of wine, so you’ve not been totally dead to the world, but it’s all in a bit of a haze.

You think this might be part of the reason why you can’t hold down a boyfriend. The disappearing into your art like you cant breathe until it’s finished. That may as well be the case if you’re honest.

You sigh, wiping your stained fingers on the next blank page, then you take a long sip from your glass of merlot, pretending you dont notice the others’ eyes on you.

“All done?” Chloe quips, somewhere on the border of teasing and being annoyed at you.

You look at her, your eyes just narrowing enough for her to notice. She does and purses her lips. You raise an eyebrow to ask okay, what’s your fucking problem? And you see her eyes flash to Charles. You follow her gaze to see him and Rowan pretending to look disinterested in your answer. Charles is tracing the base of his wine glass and absently biting the inside of his mouth. You have to tear your eyes away.

“All done,” you answer, tone clipped, before gathering your things (including the wine glass) and leaving the room in a move you hope doesn’t come off as too rude.

At your back you hear Rowan ask Chloe, “What was that?”

Chloe means well, you think as you wind through the villa, making your way to the balcony overlooking the private beach. She wants you to be happy and she thinks you need a boyfriend to be happy. But she’d found the love of her life in Rowan after only a few years of dating around and she doesn’t quite understand that it’s never going to work like that for you. There aren’t enough people out there that understand the kind of passion you have for your art and certainly not many that would also be compatible with you. You’re fine with that, but Chloe doesn’t know what to do with it. Especially not now she’s cottoned onto the fact that you have some kind of interest in Charles. It’s killing her.

It’s irrelevant though, whatever interest you have in Charles doesn’t factor into anything. He’s cute, he’s nice, but so were the dozen boys that you’ve already dated and not continued dating. So really, Chloe needs to stop pushing it because it’s pissing you off. You’re here for a holiday, not to be forced into conversations with a guy you don’t know. If she needs to have an argument to finally understand that, then so be it. You’ve been friends for years, it’ll blow over eventually.

You flick a switch and blinking lights illuminate the balcony. Fairy lights are wound up the posts and draped on the awning, intertwining with the lush green vines that have grown up through the wood slats. The air is balmy and the breeze light as you settle into one of two cushioned chairs situated by a coffee table. It’s perfect. You spread the oil pastels out next to your glass of wine and set your open notebook on your crossed legs, listening to the sound of waves lapping against the shore.

You’re alone for what feels like a long time but is probably only an hour or two.

When the sliding door clunks open you expect it to be Chloe coming over to have it out, but it’s not. Instead, Charles slips through the gap with the rest of the wine gripped in one hand.

“Hi,” he greets, smiling at you in a way that makes dimples carve in his cheeks, and dashing any hopes you have that he’d walk right past you.

“Hey,” you forget yourself for a moment and bite your lip on a broad smile.

He holds the bottle out toward you, offering more. You lean over your notebook and hold your empy wine glass up in acceptance.

“Merci,” you say, and in a moment of weakness (and probable wine drunk-ness) you gesture at the plush chair across from you.

Charles, somewhat caught off guard, looks between your outstretched hand, the chair, and your face, before shaking his head almost imperceptibly and finally taking a seat. Despite his apparent shock, you find it hard to believe he’d come out here simply to offer you some of the last of the wine. Surely, this is Chloe and Rowan’s doing. Though, strangely, you cant quite bring yourself to care.

He sets the bottle on the coffee table, next to your oil pastels. You lean forward to place a few back in their rightful spots, snagging your wine glass as you go.

Charles eyes’ scan your face for a moment, searching for something you suppose, then he points at your notebook, “Have you been drawing?”

You nod, “Mmm.”

You think perhaps the answer is a bit obvious. He seems to realise this, you watch a blush spread onto the top of his cheeks and he flutters his eyelids slightly, almost like rolling his eyes at himself. You don’t think about his eyelashes, thick and dark as they brush against his cheekbone, and you don’t think about his eyes, the lights reflecting off them, making them sparkle.

“What are you drawing then?” he asks after a moment of collecting himself, an edge of embarrassment to his voice.

You give in easily to the strange urge you have to show him, grabbing the notebook off your lap and holding it out for him to see what you’d been scribbling in the book for the past two hours. You let him take it off your hands, ignoring the spike of anxiety. He holds it gingerly, like it's a precious artefact (of course, to you, it is), which makes something warm bloom in your chest. You take a sip of wine and gesture for him to flip through a few pages, which he seems hesitant to do without permission. The book is angled in such a way that you can see most of the page, so you’re content to let him. Or at least you are until he flips to the page you’d started when you’d first come out here.

Panic drops like a stone in your gut because he’s looking right at a fully rendered drawing of his eyes. It’s in amongst some pillars strung with lights and covered in climbing vines; your best attempt at capturing the way the beach looked earlier in the day; and, perhaps your saving grace, Chloe half asleep on her towel. But the drawing of her is haphazard, it’s half-scribbled and half-finished, whereas the one of Charles eyes’ is as detailed as the sunset scene you’d done the page before. It had been something you just needed to get out, drawn in one of those hazes of yours. You’d felt better after it was done, your hands had stopped feeling like they were itchy.

Now, you itch to snatch the notebook off him, but you fear that would be even more incriminating. So you watch him look at the page and try to sit with the panicked feeling spreading in your chest.

Eventually, he points at the page, “Is this me?”

You bite your lip, breathing slowly through your nose to try and abate the blush spreading up your neck. You don’t say anything exactly, just shrug and rock your head back and forth in a kind of confirmation that doesn’t really admit anything. Though, there’s no denying the drawing is him.

“It’s good,” he says, seemingly stumbling over the words, “It’s very good.”

You frown into your drink, “Thank you.”

“I mean it.”

You know he means it. It’s not that.

“Yes,” you put down the wine glass, looking at him but avoiding eye contact, “I know. I know it’s good. I’m just… I’m embarrassed,” you admit.

He furrows his eyebrows– or it’s more that he squints and his eyebrows fold in with it. You watch his tongue dart out to run across the top of his bottom lip and you stamp down the less than innocent thoughts that come bubbling up at that. He waves the hand that’s not still holding carefully onto your notebook about for a moment, trying to conjure up words that he doesn’t have yet.

Slowly, he says, “You shouldn’t be embarrassed. I– It’s–”

He’s about to say flattering, so you cut him off, not wanting to hear the tone of it, whether it be pity or something else entirely.

You try to explain yourself, “Things get stuck in my head sometimes. Like after dinner,” you reach forward and flip the page back one, to the sunset, “I have to get it onto paper. Or… or… it just runs laps in my head for the rest of eternity, I guess. I don’t stop thinking about it.”

You cringe internally. You’ve just told him that you were so consumed by thoughts of his eyes that you had to draw them immediately. That is perhaps worse than just wanting to draw him because you thought he was cute. Charles raises his eyebrows, clearly surprised by your admission, but there’s perhaps also something sincere in there? You can’t pinpoint it, but it makes you feel a fraction better you think.

You sigh forlornly, “That’s weirder, huh?”

He laughs, properly laughs, and it sends some strange feeling skittering down your spine, “No. No, I get it. I don’t have any way to get it down as quickly as I’d like, but I definitely understand the feeling.”

You bite the inside of your lip, hesitant but still curious, “You understand the feeling? Really?”

“Yes,” he smiles easily now, relaxing more in the chair after he places your notebook onto the counter with a cautiousness you still don’t expect, “For me, with racing, it’s like I get an idea and I can’t sleep until I try it on track or talk about it with someone. Some of them don’t work, or aren’t possible, which is fine, but if it sounds right to me and it checks out with the people that it needs to, then, well, then it literally does run laps in my head.”

You laugh, mostly to yourself. You’re not sure yet if he understands what you’re saying, but he’s trying. That’s more than you can say for a lot of people. You try not to let that thought linger for too long.

“You think it’s similar?” you ask in a way you desperately hope comes across as curious and not accusatory.

He hums, waving his hand around again for words, “Perhaps. I think the urgency is the same. The passion is the same. Do you ever feel like something terrible will happen if you can’t–”

“Yes,” you’re a bit breathless in your haste to agree, to talk about this feeling with someone who understands, “Yes. I do. It’s like I need to put it somewhere before I lose it. Otherwise, it won’t be perfect, or it’ll be too late.”

“Exactly,” his eyes seem to light up, for a long second you watch the flickering lights reflect in them, “Exactly.”

“It’s never as good as I want it to be,” you admit, finding it easier to look him in the eye now that some strange barrier between you has been broken, “It’s never quite how I imagine it in my head.”

Charles points at your notebook, “These are very good, really. I don’t see how they could be better. But,” he shrugs, “Eh, I will win a race and still think of everything I did wrong.”

You nod eagerly in understanding as you lean back into the chair, finally relaxing into the cushions. It’s strange to have this conversation, knowing you’re talking about two entirely different careers, but feeling like they’re so similar. Maybe it’s just you and Charles that are similar, maybe your jobs have nothing to do with it? You don’t know, you just know it’s nice to feel like someone gets what you’re talking about.

Charles continues, speaking like he’ll explode if he doesn’t get this off his chest, “It’s there all the time, do you know what I mean? Maybe I’m not thinking about it every second, but it’s always there waiting for something to draw attention to it. And people ask what else is going on in my life, and of course I do other things, and I enjoy other things, but I want to be on the track. I want to be driving whenever I can.”

You nod again, more subdued now, “Mmm, right. I want to be making art all the time, and when I can’t it’s like missing a limb. To me art is– it– it’s like–”

“–breathing,” he finishes, almost the lilt of a question to it, but not really, it’s like he knows exactly what you mean… how you feel.

You exhale, long and slow, “Yeah. Like breathing.”

Both of you are quiet for a little after that. You’re trying not to stare at him, but it’s not easy. He’s looking at you almost blatantly and you can feel blood rushing to your cheeks the longer he stares. The air feels thick with some feeling you can’t place. All you know is there are butterflies in your stomach and a smile keeps pulling at the edge of your pursed lips.

The smile takes over as you catch him starry-eyed in your peripheral vision, you mutter, “Stop that. Stop looking at me.”

“Why?”

You tip your head back so you can’t see him looking at you, “Because.”

“Because?” he laughs breathily, shaking his head at you, “Okay, well, tell me if I’m misreading anything, but I’m pretty sure that drawing of me in your notebook says something, at least.”

You run a hand down your face, sighing loudly, “Yes, okay. I suppose it does. But– I–” for a moment you struggle for the right words to explain yourself, “I guess I’m not really looking to date anyone.”

He tilts his head to the side, furrowing his eyebrows and looking for all intents and purposes, like a confused puppy, “You guess?”

You nod, resisting the urge to just launch over the table and grab his face. He is very cute and he is making this so hard for you.

He sucks his teeth briefly, shrugging, “I’m not really either.”

“Alright,” you say, “Good.”

As over as that should make the issue, strangely enough it doesn’t feel like you’re done with Charles Leclerc and it certainly doesn’t feel like he’s done with you either.

(instagram)

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Amalfi Coast, Italy

You try to avoid Charles after that, you really do, but he doesn’t quite let you.

For a few days of the holiday you give him pointed looks and purse your lips a lot when he’s around. Chloe catches on straight away and that makes it all infinitely worse until she finally realises she might need to leave you alone (yeah, shocker). When Chloe finally forces everyone to get off your back about Charles, it becomes much easier to be around him. You’re not glaring at your friends while they make eyes at you, or worrying if you’re acting weird; you’re just allowed to be.

It’s nice. He’s nice.

But you knew that already.

Neither of you are looking for a relationship so there’s no pressure for it to be anything at all. But you have this sneaking suspicion that perhaps both of you are looking for a relationship with eachother regardless. You try to ignore the thought.

On day five, you’re sitting together on an outcropping of rock that overlooks the ocean and you’re letting Charles doodle in your notebook with a ballpoint pen. The bare skin of both your arms are pressed together, they stick with sweat from the hot midday sun but neither of you seem to care. As you watch him doodle inexpertly you can smell him— salt and sweat and whatever cologne he uses masking the very faint scent of burning rubber. Your hair, still damp, brushes his forearm, you wonder if you smell of acrylic paint and mildew from all the water cups you accidentally leave out for your paintbrushes.

You reach out to trace a line he’d made, “Here, it should be more like…” you taper off, taking the pen from his hand and quickly fixing the curve of the beach before handing the utensil back.

“Hmm,” he hums, giggling a little, “I guess that looks better.”

“You guess?”

He nods, “What if I had a very specific vision?”

You raise an eyebrow in disbelief, leaning back to look him in the eye you tease, “A vision. Did you?”

He tilts his head down to look at you. You’re very close now, you can feel his breath fanning over your face. In the reflection of his sunglasses you watch your lips part slightly and your eyelids flutter. Your chest grows tight with anticipation and maybe a little bit of panic. Still, you reach out and slide his sunglasses up to settle in his hair. You’re a little careless, but you like the way his hair pokes out from them at odd angles. As he breathes out you hear it catch for a split second.

“Did you?” you repeat, knowing he won’t remember what you were talking about.

He blinks twice, still staring at you, “Hmm?”

“You said you had a vision,” you breathe.

“Oh,” as he says it, his eyes flicker down to your mouth, only for a second, but it’s long enough to you know you’re done for.

You both lean in at the same time, your noses sliding off each other in your eagerness. You breathe a kind of laugh into his mouth and you feel him try to suppress a smile against your lips. It’s slow for the first few seconds, just you and Charles figuring out how your mouths fit together. His mouth is warm and wet and so soft, and it’s easy to lose yourself in it. You move the hand that had adjusted his sunglasses, sliding it up his shoulder to the back of his muscled neck. Your fingers weave into the short hair at the base of it, your nails scratching absently there. He groans, ever so slightly into your mouth and it sends heat skittering down your spine, into the low of your gut.

The hand of his that isn’t clutching onto your notebook slips forward and winds around to press at your bare back. He pulls you closer to him as you slide your hand up to cup the back of his head, tilting his head to deepen the kiss. Soon it’s a mess of tongue and teeth and Charles blindly shoving your notebook somewhere it wont slip into the water so he can grab you with both hands. He tastes like red wine and coffee and you love the way his fingers dig into your skin and the way his teeth have been grazing at your bottom lip, like he wants to sink into it.

You’re almost in his lap when you’re forced to pull away for air.

Foreheads pressed together, you breathe heavily into the space between you. Your hand is still stuck in his hair and one of his on the small of your back, the other holding your knee. The sides of your noses touch, you nudge yours against his affectionately, tempted by the proximity of his mouth.

He laughs and you feel it against your lips, intermingling with your own breath, “Alright. That was–”

“Yeah,” you finish, dipping forward to kiss him again.

You’re lost for another few minutes. Tongue and teeth and the sound of the waves crashing against the rock behind you. And his hand on your jaw and in your hair and pulling you closer closer to him.

He pulls away this time, turning his head to press your cheeks together, mouth at your ear, “So,” he drags the word out with a laugh, “are you looking for a relationship now?”

You snort unceremoniously, and tease, “Hmm. I guess I would be amenable to that.”

“You guess?” he asks— but not really needing to at all because you can feel his dimples pressing into your cheek as he smiles knowingly.

You nod, smiling too, “I guess.”

🎨 yes of course i made a playlist>> https://open.spotify.com/playlist/6cAJaZjvK0V7SrmxoMosBX?si=ADlJGHxxQYKnlZ1jWFJxfw&pi=a-AI0MKbo3RTqE

taglist: (pls message if you'd like to be added to the taglist for charles. my yuck! one is full so need to start a new one😭)

[maevesheart]

only angel

FINNICK ODAIR X FEM!READER

note: takes place during the third quarter quell!

summary: through your alliance with katniss, you and finnick rekindle some buried feelings.

wc: 3.5k

tw: cursing, the different death traps within the arena

only angel (2)

Haymitch’s voice was sharp as he led Katniss and Peeta through the list of their new competition.

Your face lit up the screen, a smile as you took your place next to Brutus, your district-mate. Who you’d soon need to kill.

“Y/N L/N. District Two.”

“In the Capitol, they call her the angel,” Haymitch laughed, taking a swig from his flask after pointing to you.

“She looks harmless,” Peeta commented, noting your smaller-build as compared to other victors, especially Brutus.

“Trust me, she isn’t,” Haymitch shook his head, walking to the other side of the screen.

“The angel of death. One of the youngest Victors ever, winning the 68th games at 15. A Capitol favorite, but very different than the rest of the careers.”

Katniss and Peeta looked at each other in confusion. Considering you were from Two, you would’ve been a key member of a career pack.

Haymitch noted their expressions and continued, “she killed her career pack the first night. It was three versus one, very gruesome. But the Capitol loves her, and she’ll likely get lots of sponsors. The other careers will be hesitant to ally with her, including Brutus, who she publicly hates. Try not to make an enemy of her, she’s extremely well-trained in combat, especially with swords. Highest kill count the games had seen in years, around ten tributes.”

It was common that Career packs turned on each other as the games progressed, but to kill off the whole pack in one night was almost unheard of.

Katniss and Peeta remembered your games, they remembered watching as you slit your district-mate’s throat, and when you broke another’s neck while sitting on their shoulders. They remembered watching you in the final moments, taking out both tributes from Eleven with one sword, going through both their abdomens. You always put on a show for the Capitol citizen’s, killing the other contestants in the most gruesome ways possible.

And they knew that they definitely did not want to be on the receiving end of one of your death tricks.

“Why would we ally with her if she’s just going to kill us the first night, like she did her other games?” Katniss’ voice was hard and her lips were pressed in a straight line.

“Don’t we have that threat anyways? From all the other tributes as well?” Peeta asked Katniss, trying to get her more accustomed to the idea of an ally.

“The other Careers will steer clear of her, I recommend finding a way to get her on your side. The last thing you want is the Careers and the Angel hunting you.”

Katniss and Peeta both made a note to introduce themselves tomorrow during the parade, wanting to asses the angel of death themselves.

You scoffed looking down at your outfit, a thin, short bodycon dress that was golden, and a long flowing black and gold cape that reached the floor.

You had on knee-high boots, adding to the obvious sexual-appeal of your outfit. You would’ve killed your stylist on sight if it weren’t for the many other tributes and people around.

And of course, she had strapped you into a set of golden wings, always playing into the sardonic nickname you had been given all those years ago.

The sponsors loved it however, and you knew exactly how to play into the palms of their hands.

Brutus was in a matching get-up — without the wings, of course—, flexing his arms, waiting for a response from you. You hated him, and made it very well known.

You turned away, refusing to give a reaction. God, you detested your district. The only thing good that ever came out of the games for you was the money, which helped you and your family greatly, but you found your fellow Victor incompetent and selfish.

Your somewhat blissful bubble of isolation was broken when Finnick approached you, the two tributes from Twelve trailing him.

You rolled your eyes, rather dramatically, and stepped down from the Chariot, not missing the obvious ways the two men’s eyes raked up and down your very exposed body.

“I’ll make note of those stares when I decide to kill you,” you smile, earring a chuckle from Katniss. At least someone found it funny; you didn’t.

“And this is Y/N, my lovely friend,” Finnick announced, snaking an arm around you.

You and Finnick had a short-lived relationship a few years back, after you had won your games. He had won his very young, just like you had, and the two of you bonded over the shared trauma.

Snow had destined you to the same unwilling fate as Finnick, selling your body and pride to anyone interested in the Capitol.

Your brief love story ended after a rather bitter fight, you and Finnick throwing around baseless accusations.

You hadn’t talked to Finnick in over three years, other than the surface-level and small-talk conversations you shared at various parties and Victor events.

“Hardly a friend, but you know,” you smiled, pushing Finnick’s arm off your body.

If he was hurt by your action, he didn’t respond, and ushered for Peeta and Katniss to introduce themselves.

Finally, Peeta broke the tension.

“I’m Peeta, and this is Katniss,”

You recognized them, but honestly didn’t care. You knew Katniss could be a strategic killer but Peeta really didn’t have any skills other than his strength, and you figured he’d be an easy target.

“If we were under different circumstances, I’d say it’s nice to meet you. But I don’t think I should say that to someone I’ll be killing in a few days,” you laughed, the sickly-sweet one that you faked for the Capitol citizens. They loved you, more than they loved the star-crossed lovers. And you were not about to let two teenagers forget their place. 

Katniss’s face was hard, but Peeta broke an awkward laugh, eyes averting your gaze. Finnick was still smiling, trying hard to keep himself from laughing at your depreciating jokes.

You suddenly pointed to Katniss, a fire burning beneath your eyes.

“You’re the one who killed my Cato,” your voice was hard, almost… emotional?

Peeta’s eyes widening, remembering the boy from Two who almost killed them both. The boy you likely poured hours of training and dedication into.

“It was him or Peeta,” Katniss speaks, refusing to break your intense eye-contact.

You cock your head to the side, silently challenging her.

Cato was a strong warrior, fierce and powerful. You had high hopes he would win, unrelenting confidence in him. You mentored him the way Enobaria had mentored you… made him into a friend.

Looking back, you knew you had become too attached to the boy, but he was your shot of proving to everyone that you still had it in you. To not discount you.

Only other mentors would know the pain of becoming close with a tribute and then watching them die.

You didn’t respond to her, instead pursed your lips and held back a scoff, knowing he would’ve won if it weren’t for the Capitol’s adoration of the lovers from Twelve.

“I apologize for her crudeness. The games bring out her nasty side,” Finnick smiles, hiding a wince when you lodge your elbow into his ribs.

“Tiny but mighty!” He squeaks out, hand rubbing over where you just jammed him.

With one final rake over your unsuspecting body, Katniss grabbed Peeta and ushered him away. Much to your dismay, Finnick stayed next to you.

“I’m making us allies, Y/N. At least act a little civilized!” Finnick’s voice was low but stern, earning a scoff from you as a response.

“You think I’m going to fight alongside you?” You wonder aloud, narrowed eyes barring into his.

He looks slightly taken aback, eyes widening before he composes himself once again.

“Fine. I’ll see you later,” he brushes you off, walking away to his own Chariot.

You had your own friends in this game. Johanna, and… well that was really all. And you knew Johanna would want to work alongside Finnick as well.

You determined it wouldn’t be the end of the world, it would give you the ability to ensure that he wouldn’t be killed.

But that meant that you’d have to kill him in the end, right? There was only one winner, and you didn’t want to have to turn on your friends like you did the other Careers in your games.

The next day, during training, Katniss approached you alone.

She watched from behind as you practiced with Johanna, a sword in each hand blocking her repeated swings with her axe.

“No lover boy?” You asked, turning around and the swords lowering to your sides.

Johanna smirked, crossing her arms over her chest. She was one of the few who you didn’t dish out attitude to.

“Wanted to get to know you myself, Angel of death,” Katniss spoke, voice steady and unwavering.

You lightly tilted your head to the side, smirking at her use of your infamous nickname.

“Well here I am! An Angel in the flesh. What can I do for you, girl on fire?”

“If you teach me some of your combat tricks, I can teach you how to use a bow?”

You quirked a brow at her offer, Johanna stifling a laugh behind you.

“I know how to shoot a bow and arrow,” you replied. Katniss’s face didn’t falter, but she stayed silent for a moment before responding.

“Not like I do.”

You finally gave in, letting her instruct you how to properly pull the string back and which eye was most ideal for accuracy.

You worked with Katniss and found her company rather enjoyable. According to Enobaria, Katniss reminded her of you. Stubborn and combatant.

She was funny, usually without meaning to be, and as much as you hated to admit, your craftsmanship with the bow did increase. Even after just a few practices with her.

In the second day of training, you were teaching her how to effectively wield a knife, and where the best places to aim for were.

A few other tributes had gathered around to watch before you scared them off, mock-lunging at them from your spot on the mat.

“Making friends, are we?” Finnick’s voice cut through the sounds of Katniss’s grunts as you pinned her to the ground, snatching the blade from her hand.

You rolled your eyes and stood up, sticking out your hand for Katniss to take.

“Better than you, yes,” you smiled, hauling Katniss’s body up off the ground.

Katniss thanked you for the help and then excused herself, slinking back over to where Peeta stood with Mags.

“Finally taking my advice, it seems,” Finnick triumphantly smiled, watching you scowl.

“She wouldn’t make a bad accomplice,” you answer back, though slightly abashed.

“Mhm. Looks like we’re gonna be on the same team,” he picks his trident off the wall of weapons and you gesture for the mat you had just stepped off.

“Wanna go a round?”

You watched with annoyance as Cashmere and Gloss stood with Ceaser, fake crocodile tears down both their faces.

You agreed with all they were saying, but you couldn’t stand the faux-ness of everyone around you. You knew in a few moments it would be your turn, and you’d have to get up on that stage and act like the sweet little girl they all remembered you as. But you had changed, and all because of their stupid games.

“Everyone, please welcome our favorite angel, Y/N L/N of District Two!”

You plastered a grin on your face as you waltzed out, a large sun-inspired headpiece catching the attention of the audience.

Your halo, as they all would say.

You waved, laughing at every joke Ceasar cracked.

“We are so glad to have our Capitol’s Angel back, aren’t we everyone?!” Ceasar’s stark-white smile was bright and you mimicked it, blushing as the crowd cheered your name.

“Now, Y/N, it’s been seven years since you won your games. How do you think this time it will be different?”

You knew it was coming, the questions about your game. You hated speaking about it, but it was all a part of winning.

“Different? Oh, Ceasar, we both know this won’t be the last time you’re gonna see me!” You giggled, the crowd roaring with excitement over your confidence.

His laugh boomed through the auditorium and you smiled, having him eat right out of your palm.

He complimented your hair piece, noting that it was the perfect halo for the perfect Angel. You smiled, feigned innocence. Anything to get you sponsors.

“Our sweet Y/N, I don’t know how we’re going to let you go!”

“Well, you don’t have to!” You smiled again, the audience awe-ing.

“You all have been so gracious to me, so wonderful. I couldn’t have possibly been given a better life if it weren’t for you all,” you gestured out to the audience.

“You flatter us,”

“No, no. Just know that I’m not going by choice. And I would chose to stay with you all if I had the option.”

You shed a stray forced tear from your face, slightly smudging the makeup your prep-team had spent hours doing.

The audience loved it, continuing to play into your sweet facade.

How ironic. A sweet innocent angel who turns into a brutal murderer.

They roared as you stood up and gave them a small bow, before joining Brutus and the siblings up in the stands. The three of them offered you glares, knowing you had out-done them in sponsorships.

You watched impatiently as the other districts rolled in, holding in a gag when Finnick professed his love to a girl back in the districts.

The idea of him having a girl waiting back in Four caused your stomach to begin to hurt. How did he find someone else when your nights were spent alone in a cold bed?

You were jealous, though you wouldn’t admit it out loud. You were too stubborn for your own good.

You knew it wasn’t true though, just a ruse for possible sponsors and sympathy. You had done the same.

Finally, after Peeta had stepped down from the stage, you were all allowed to retreat back to your floors.

You laid in bed that night, every possible scenario wracking your mind. These weren’t gonna be like your games. There was no way.

These competitors, they were ruthless and driven, just like you. They had won once, just like you.

How the hell were you going to win this?

The first thing you noticed as you were brought to the surface was how hot it was. Blazing sun beating down onto your covered skin.

You didn’t let yourself focus on for long, and you looked to each side, Johanna on your left and the male tribute from Six on your right.

Johanna nodded to you, and you returned the gesture. She had snuck to your room last night and told you the plan. Haymitch had pitched it to her before the interviews, and your only job was to keep Katniss safe until Plutarch and Coin could retrieve all of you.

You took in your surroundings, lots of water — you were an excellent swimmer, you’d be fine —, a large cornucopia in the middle (easy enough if you’re fast), and dense forests with sand. The sand left a bad taste in your mouth, reminding you of your games, which had been in a desert.

You never wanted to see sand again in your life.

But you’d push through it, the idea of being rescued by Thirteen and finally getting to live in peace resonated in your mind, you knew who the real enemy was.

The sound of the familiar gong sounded out, and you dove into the water, moving your limbs as fast as you could.

You were small, but damn, you were fast.

You reached the Cornucopia in record time, lunging for your two swords, and then throwing a belt of knives around your body.

You turned, knife quickly entering the abdomen of the girl of Eight.

Gloss grinned at you from behind the girl, and you scowled back, running back down the middle to get to the sand.

You found Wiress in the middle of the rocks, and tugged her with you, finding Johanna and Beetee a little ways away.

“Let’s get as far as we can,” Johanna announced, axe glistening in her hand.

The four of you walked for what felt like hours, Beetee and Wiress whispering about something relating to technology that you didn’t care about.

Finally, once nightfall neared, you set up camp. Wiress and Beetee offered to stay up, and you and Johanna had no problem allowing that, drifting off to sleep against a tree.

The next day came quickly, the four of you trying to gain more ground and hopefully find Finnick, Katniss, and Peeta.

You had watched Mags’s name flash across the sky last night and felt your heart-strings tug, wishing you could console Finnick.

The landscape was vast and there was lots of vegetation, your sword becoming very useful to get through the thick plants.

You and Johanna walked behind the two tech-savvy’s, silence as the two of you tried your hardest not to trip.

“Fuck, it’s hot,” you groaned, wiping the sweat from your forehead.

Johanna hummed, but before she could respond, the sound of rain echoed around your bodies.

You cried in happiness, opening your mouth to take in the water.

As soon as the first drop hit your tongue you knew, eyes widening in realization.

“It’s blood! Run!” You screamed, tugging Beetee as you barreled to the ground, running through a thick fog of blood.

Who’s — you didn’t want to know.

You stumbled around in the dark, blood coating your entire body. You were choking on it, coughing and sputtering, not caring anymore if Beetee and Wiress were following.

Your foot caught on a root, and you went tumbling down, one sword being thrown to a side, out of your view.

The belt of knives sat snug around your waist, your other sword still in your palm.

You shrieked as you fell, Johanna’s voice distant as she called your name.

You hit a tree, back bracing most of the impact. You groaned, slightly pushing yourself up off the ground.

A hand gripped your bicep, tugging you off the ground. You weren’t entirely sure who it was, but they shoved your other sword back into your hand, and gave you a push forwards, encouraging you to keep moving forwards.

You obliged, using one sword as a brim to keep the blood rain from your eyes.

“Y/N! Y/N!”

You now could hear Johanna more clearly, her hands grabbing you and pulling you into the sand, Beetee trailing out after you.

Johanna repeatedly slapped your back, helping you cough out all the blood. You were gagging on the air, a hand on Johanna’s shoulder to steady yourself.

She pulled you towards the beach, helping you sit down in the water.

“Tick tock, tick tock,” Wiress mumbled behind you two, wandering around on the sand.

“Nuts,” Johanna shook her head, cleaning off her face as you did the same.

You winced as you moved down to clean your legs, a large gash across your thigh.

“Ouch,” Johanna commented, noting the blood pouring out the wound.

“Guess I sliced it when I fell,” you bit your lip as you tried to clean the wound, using the sleeve of your top.

“Y/N! Johanna!”

Your head snapped up at the sound of Finnick’s voice, a relieved smile spreading across your face.

You ignored the pain searing through your leg as you rushed to him, hands wrapping around his torso.

He stumbled back in shock, but quickly wrapped his arms around you, asking what was wrong.

“Oh, Finn, I’m sorry about Mags,”

You pulled back to look at his face, eyes softening over the clear sleep-deprivation.

As you went to take a step backwards, you winced, Finnick’s hands on your biceps to keep you from toppling backwards.

“What happened?” He asked, eyes scouring your whole body.

You would’ve answered if you had the strength, but you fell forwards, straight into his chest, losing conscious.

Johanna helped Finnick prop you against the tree, and Katniss went to retrieve water while Peeta tried to fish for something to eat.

Finnick tried his hardest to clean the wound while you slept, prying all the information out of Johanna that she could.

You awoke to Katniss pouring water over your leg, grunting as you sat up, eyes screwing shut in pain.

“Thank you,” you breathed out, Katniss nodding before walking away to Peeta.

“You had me so worried,” Finnick shook his head, eyes not leaving your face.

“Just a cut, Finn. I’m alright,” you assure him, eyes soft as they meet his own.

“I’m sorry, by the way,” you add on, turning slightly so you’re facing him.

He shakes his head but you continue, “for all those awful things I said to you…. It wasn’t right.”

You knew this was being broadcasted for all the Districts to see, but you didn’t care. The only thing that mattered was that he knew how much you regretted your harsh words.

His hand comes up to cup your face, tucking a piece of hair behind your ear.

“I’m sorry too, I said things I shouldn’t have.”

“We both did,” you lightly laugh, pulling a small smile from Finnick.

“I missed you,” he whispers, “you really scared me earlier. Thought I had lost you,”

You shook your head, leaning into his hand that still cupped your face.

“Could never lose me. Not now,”

You flutter your eyes closed as his lips meet yours. Your hands tangle around his neck and into his hair, both his hands on your cheeks, pulling you impossibly closer to him.

All the unhatched feelings and emotions, the words the two of you wished to declare to each other, were poured into this kiss.

It was slow, passionate. Picking right up where you left off those years ago.

“Alright, love birds! Time to hunt!” Johanna exclaims, the two of you pulling a part. A light blush dots your cheeks and Finnick is wearing one of his stupid shit-eating grins.

Finnick stands quickly, helping you up. The pain is mostly gone, just a light sting as you all make your way back to the Cornucopia.

And you know then, that you’d die for him. Over and over. You’d lose these games, lose the war. Just to ensure that he’d live.

**

[tojisun]

sugar, spice, everything on ice (hockey au)

part of the ‘if fwb’ spinoff // simon riley x f!reader

johnny’s been… doubting, you see, about the validity of simon’s dating life.

like, for example, if he really was dating anyone.

simon looks content in a way that he never was before—intense eyes turned down towards his phone, unapproachable aura less angry but more settled, like he’s warding off people not because of his dislike but more so because he’s not available anymore.

not like he ever made himself available before, but it’s fundamentally different this time around; self-imposed walls brought down to make room for unbridled fulfillment.

he looks like he’s won the damn cup.

and that’s what makes johnny twitch—someone out there was just as, if not more, valued as the championship cup to simon, but he’s never introduced anyone to them.

not a picture nor an update nor even a PSA that they need to commission another WAG jacket for his partner because simon is tight-lipped about whoever it was he’s seeing. it’s not like he’s even dancing around the fact, it’s just that whoever it was he’s dating was never free.

not for a game nor a night-out nor a party. in simon’s house.

this level of secrecy was just unheard of. even the other men in the league who have a tight leash on their private lives still have living proof of their partners unlike simon who leaves it at, “she’s busy,” like that covers anything.

which is why johnny would like to go on record and say: he is totally valid for choosing to crash at simon’s place without letting him know.

he remembers getting wasted with the others, then refusing to be driven home, only to take a cab to simon’s place. he must have been coherent enough to remember the code for simon’s house, and was shockingly coordinated enough to even punch it in, but his memories begin to splinter there.

next thing johnny knows, he’s waking up, feeling like he’s been hit by a freight train. his tongue is heavy inside his mouth, the pungent taste of last night’s alcohol rising from the back of his throat like bile. he groans, blinking blurry eyes as he tries to remember where he’s at or what he’s done, only for nausea to wash over him so intensely he flops back down onto the bed—

he pats at the cushioning.

—onto the sofa then.

by the devil, what did he do last night? got him drinking like he’s got a new liver to replace this one he fucked with.

christ. he needs water, or a whole bottle of mouthwash, honestly.

“mactavish?”

johnny jumps, twisting his head to the side at the call of his name. it’s simon, of course it is, but he looks dishevelled, unkempt in a way that looks criminal because—johnny roves his eyes over his friend—who the hell looks that good when they’ve just woken up?

simon looks like he can be the next cover of inside fitness; give tyler fucking seguin a run for his own money.

“wha’,” is all johnny gets to say because he starts sputtering, dizziness hitting him intensely again. he gags, and only has enough mind to cover his mouth with his fist.

“jesus– down the hall. go,” simon barks and johnny warbles his thanks before locking himself in the guest bathroom.

.

johnny comes back out to the smell of freshly brewed coffee and melted butter wafting through. simon did say he had a problem with his kitchen vents which made cooking a problem, but johnny sure isn’t complaining right now. although, he supposes that it is a whole different problem when it’s steak or some ribs that simon’s firing up.

oh well, johnny thinks, scratching his side as he ambles to the island, pointedly quiet because simon might kick him out before breakfast is even done.

simon eyes him with a muted approval and johnny grins because, hey, he just secured free breakfast.

he’s about to break the silence, to apologize once more he guesses, when the sounds of padded feet descending from the stairs leading up to simon’s lavishly decorated—sarcasm intended—second floor pierces through the silence.

johnny’s back straightens, his exhausted mind clicking awake.

he turns to his friend but simon’s already angled towards the kitchen door, facing away from johnny. he looks relaxed, previous half-bareness now covered up with a thin white shirt, and johnny doesn’t know why he missed it but simon looks like a perfect picture of a boyfriend fixing up breakfast post-coitus.

“jesus–” johnny begins to say, the pieces linking because yeah, simon’s never denied that he’s been doing some dating around and it’s just johnny’s drunken whim to assume that the most talented ice hockey player of this decade was lying about his relationship status and—good lord, that’s a fucking person diving in simon’s arms, alright.

johnny watches, with his mouth agape, as simon and the mystery woman talk to each other in hushed whispers, his friend having to bend forward to make up for the height difference.

johnny watches, like the third-wheel he is, as simon laughs, actual quiet chuckles and not that children-crying-in-terror-inducing cackle, before nuzzling his nose over your own, and breathing you in.

johnny watches the quiet kiss, just lips pecking each other, and it’s all so soft and tender and johnny feels really, really bad that he didn’t get to give simon and his girl the privacy you two surely deserve and—

your eyes open, flitting to him because johnny is sure that he’s standing out amidst what must be a normally empty kitchen. he doesn’t even get to count three seconds before you’re screaming, lurching out of simon’s hold and hiding behind his bulk in your terror.

simon, screw him, seems to not have cared that johnny was privy to such an intimate moment and just turns enough to catch your attention again before murmuring reassurances. he says things like, “mactavish? the punk ass who got his hair shaved for the new season only to realize no one’s actually gon’ see it because of the helmet? remember?”

“what,” johnny chokes out, embarrassed that that’s what simon told you about and not, like, his player number or something.

“oh,” you gasp out anyway, clearly having heard of the shaved-sides and using it as a marker for johnny. “oh!”

you dance away from behind simon to make your way to johnny, your previous embarrassment gone from your gait. he’s so sure, though, that he’s seen you from somewhere, but the thought’s dashed out of his mind when you chirp, “you’re my best friend’s favourite player!”

“yeah?” johnny replies, gaining his confidence back.

“yeah! she won’t stop showing me the highlights of your guys’ game against that big german fella an’ his team!”

johnny laughs, his own giddiness ramping up. he remembers that game, alright. he remembers the miracle play during the final period when price was able to score an empty-netter. he remembers how, in his adrenaline-induced ecstasy, johnny turned to the player to his side, konig, and laughed in his face.

johnny made headlines then, and he’s saved every single one. his fiancee even printed a copy of her favourite shot and stuck it in her wallet.

(“for good luck,” she said with a wink, like johnny doesn’t have his prick twitching in her fist.)

“well, y’got anything for me to sign for her?”

“uhh…”

“guess you can use that one group photo our marketing team gave to us,” simon finally pipes up, and johnny turns, surprise lining his face at seeing the rich spread of breakfast.

he didn’t even notice simon setting up the table, too engrossed in the high that came from reliving the memory of laughing at konig’s face which resulted to him being pushed into the glass protector by a protective horangi.

not even that had dampened johnny’s elation then and now.

“oh yeah. thanks!” you say to simon before you run out.

you’re barely out of their eyesights when johnny turns to simon with a grin.

“what.”

“oh, you fucken’ sap!” johnny sings because he’s still too hungover to come up to simon and playfully punch him. “and why were ye hidin’ lassie?”

simon grumbles something as he turns, pretending to busy himself with the now-empty coffee pot.

“wha’s’at?”

“i said,” simon begins, heaving out a sigh. “that we jus’ became official last week.”

“oh, shit,” johnny whispers sagely. he blinks. “so, uh, who’s the one you’ve been callin’ yer girl?”

“oh fuck off johnny,” simon hisses, sputtering, before throwing the tea towel at him.

“what now!?” johnny yelps, ducking away from the soaring towel. “what’d i do now–” he gasps, realization dawning on him. “you didn’t.”

simon looked like he was going to say something but by then you were running back with the photo and a marker pen, telling him your friend’s name—alessandra, “or sandy!”—for johnny to sign.

while johnny’s busy practicing his signature on a scrap of newspaper that simon gave to him, he pretends not to hear the giggly whispers between his friend and his friend’s new but longtime-pining-for girlfriend.

“and me? why aren’t you asking f’r my signature?”

“oh ‘cuz y’r mine.”

johnny dutifully ignores the lips smacking sounds as he finally signs the picture, making sure to add devil horns on simon’s head.

serves him right.

i just. love fluff and hockey au sm 😞

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[rainbow-nerdss]

AITA for accidentally traumatising a 13 year old kid by pretending to be his dead mom?

So basically a couple of weeks back i (33F) was at work and I noticed this guy (30sM) staring at me. Now, this isn’t totally unheard of, I'm kind of used to it because I've done some acting in the past and sometimes people sort of stare while they try to figure out where they know me from. Usually I ignore it, but this guy was like crazy hot so I figured, fuck it, I’ll go talk to him, maybe make a sale out of it. We sort of talked a bit while I served him, and found out he’s a single dad. He had sort of sad vibes and I was kind of into it so when he asked me out I said sure, why not and we agreed to go for dinner.

So everything was going well for a while, we went on a few dates but mostly we facetimed bc he works 24 hour long shifts and scheduling dates around that and a kid is tough, which i totally understood and I was happy to be patient with him.  I should also say we still haven’t kissed at this point, even when he took me out on a boat on a lake, which was probably in my top 5 dates of all time? Anyway, I got the vibe he was holding back a bit but I figured I could wait bc he seemed like he was working through some stuff and dating in LA is fucking hard. 

What happened next was where the real shit started to hit the fan, though.

Basically, I decided to bring him some brownies at work, but I mistimed it and he’d already gone home so I gave them to his coworker who looked at me like I was a ghost or something. I should have recognised something was off then but I brush it off and the next day I get a call from the guy, and he asks me to come over to his place which hasn’t happened before. I figure this is a good sign, that maybe he’s ready to start moving things forward, but when I get to the house, there’s all these pictures on the coffee table and they all look EXACTLY like me. My first thought was: holy shit, this guy’s a stalker. Great. Then I looked closer, though, and the pictures weren’t even of me. Turns out, I look exactly like this guy’s dead wife???

Anyway, that was wild and obviously I left after hearing him out a little bc I just needed to wrap my head around it.

Now this next bit might be where i’m the AH, bc i haven’t had a chance to do any acting in a while and I genuinely felt bad for the guy, he just wanted a chance at closure with his wife and I couldn’t really fault him for that. 

So long story short, I cut my bangs (they looked cute in the pictures of his wife so I figured they’d work on me) and I went to his house in character as his wife and encouraged him to say what he needed to say to her. Things got pretty heated and he shared some really intimate thoughts and feelings so I was getting into it, you know? We embraced and I was feeling pretty good about the whole thing. I thought it really helped him until the door opened and in walks his kid with a woman who is apparently his girlfriend? So i guess the single part of “single dad” wasn’t totally accurate either.

Also, the kid called me mom, which kind of broke my heart, and I feel like maybe I might have fucked up somewhere here.

So reddit, I have to ask AITA for pretending to be a dead woman and accidentally being the other woman while simultaneously traumatising a thirteen year old kid?

[astarions-wife]

Okay y’all. Buckle in, I might have information about Violet’s (Vampire Spawn Violet) identity. So shoutout to @sadanduncertain for linking me to this tweet, but one of the writers confirms that the “banned patron” book in act 2 is in fact referencing Astarion, which infers that Astarion (probably over a century ago, before the Shadow Curse took over) was definitely near Moonrise, which means it isn’t at all unlikely that any of the spawn could’ve been there, or even have been from there.

Near the House of Healing, there’s a graveyard. There are a LOT of graves here you can interact with, but this one in particular caught my attention.

Violet Goldhammer.

Now spawn Violet, there’s very little known about her, except she’s a little bratty. Who’s to say she wasn’t a little bit of a bratty, young singer, who got whisked away to Baldur’s Gate? I just think it’s interesting because we don’t usually see name repeats in the game, and we know that spawn being around this area isn’t unheard of.

[jinjeriffic]

DCxDP Prophecy Universe Part 5

Part 4

After collecting their bags from the library lockers Jazz led him down the hallway until she found a small, unlocked, empty classroom. The room was barren except for desks and a whiteboard. I guess they don’t bother locking it if there’s nothing worth stealing.

Jazz sat her messenger bag down on the teacher’s desk and pulled a whiteboard marker out of a side pocket.

“Right,” Jazz began, “I don’t know how much you know about ecto-entities and since, as you said, the reports on them tend to be pretty biased, I’m just going to start from scratch. Sounds good?” she rambled.

Tim hopped up onto the front row desk and tried his best to look like an attentive teacher’s pet.

“Yes, Ms Fenton,” he said cheekily.

Jazz gave him an amused look.

“Careful Mr Taylor, or you’ll end up in detention,” she said lightly. She turned to the whiteboard and gathered her thoughts for a moment, then wrote ECTO-ENTITIES in large block letters, “Many people refer to all ecto-entities as ghosts, but this is actually a misnomer. Ghosts as most people think of them, i.e. the restless spirits of the dead, are only a small subset of the ectoplasmic population. There’s plenty of them that were never human to begin with,” higher up on the board, she wrote INFINITE REALMS, “Ecto-entities originate from a parallel dimension to ours, which is called the Infinite Realms by its inhabitants. Though my parents refer to it as the Ghost Zone, that name is woefully inadequate.” Jazz paused and glanced at him.

“Kinda like foreigners renaming places instead of using the one in the native language, gotcha,” Tim nodded. They had dealt with alternate realities before, so this wasn’t completely out of left field. He would go along with it for now. Jazz gave him a small smile.

“That’s right!” she said and tapped the whiteboard, “Now, the Infinite Realms and our dimension are closely interconnected, like two sides of the same coin. Large scale damage to one would cause similar devastation on the opposite side and vice versa,” she gave him a serious look.

“Which makes the hostile attitude of the paranormal research community rather worrying,” Tim mused, “If someone did something stupid the blowback would hit us too,” If he wasn’t trained to read people he would have missed the slight tightening around Jazz’s eyes.

“That’s the theory anyway. And it’s not like the US government ever dropped bombs on people just to see what would happen,” she chirped with false cheeriness.

There’s a story there, Tim thought, and not the kind you would find in a history book. What the hell has been going on?

“I’m guessing getting access to the Infinite Realms isn’t as easy as calling an Uber though,” he joked.

“You’d be surprised,” Jazz said wryly, receiving a raised eyebrow in response, “there are places where the barrier between worlds is naturally thin, allowing temporary rifts to form more easily, but they can pop up pretty much anywhere in the world. It’s what allows ecto-entities to enter our dimension. It’s also not unheard of for humans to stumble into the Realms either, though they’re lucky to return at all,” she twirled the marker between her fingers, “Time doesn’t seem to work the same way in the Realms as it does here. Just in case you ever come across one, make sure to leave through the same portal you entered. Otherwise you might find yourself stranded in the Middle Ages, or far in the future with everyone you know and love long dead.”

Tim had to fight to keep down a wince. The whole Bruce Lost In Time Debacle was still an emotional scar for the family, they really didn’t need a repeat performance.

“Duly noted.”

“Some entities are able to open and close rifts at will,” Jazz continued, unfazed by Tim’s dry tone, ”though that ability seems to be pretty rare. It probably requires an unusual level of power or incursions would be much more common.”

“That would explain the little disappearing trick Damian’s delivery guy pulled,” Jason murmured through Tim’s earpiece, “But does that mean we’re dealing with a fucking super ghost?”

Tim gave a thoughtful hum and drummed his fingers against the edge of the desk.

“Do you think humans could open a portal to the Realms?”

Jazz gave him a wry smile.

“You just summed up the bulk of my parents’ research over the last two decades. They managed to build a functioning portal about two years ago.”

Tim choked. Jason swore.

“What?! But that’s-! How is that not all over the news?!” Tim sputtered. Jazz just sighed.

“My parents have been ranting about ghosts since they were in college,” she said wearily, ”Most of the scientific community had written them off as crackpots years ago. It doesn’t help that large concentrations of ectoplasm generate some kind of interference that messes with recording equipment. Short of kidnapping the naysayers and shoving them bodily through the Fenton Ghost Portal it’s hard to prove anything. And thankfully even my parents aren’t that crazy,” she finished with an eye roll.

Tim buried his face in his hands. An interdimensional portal. What the fuck. He thought back on everything Jazz had told him so far.

“What’s ectoplasm?”

“You’ve been paying attention!” she smiled and added some notes to the whiteboard, “Ectoplasm is the basic building block of everything in the Infinite Realms, and by extension ecto-entities. Hence the name. It’s the equivalent of matter in our dimension; atoms, protons, quarks, etcetera. I’m not a physicist, so I can’t tell you exactly how it works, but that’s why ecto-entities are able to interact with our physical world in such fascinating ways. Flight, intangibility and invisibility are all common abilities for them.”

“Wow, what a fucking security nightmare. B is gonna freak,” Jason groused. Tim tuned him out to focus on Jazz’s continued explanation.

“My parents have been experimenting with using ectoplasm for power generation, but it’s proven extremely volatile. It seems like it’s affected by things like belief and emotion which is absolutely fascinating,” she said with a gleam in her eye, “not to mention its effects on organic tissue. Have you ever had your dinner come to life and try to eat you?”

Tim had a sudden, horrible suspicion.

“Can’t say that I have,” he managed to squeeze out past the lump in his throat, “Um… Jazz, what does ectoplasm look like?”

“Well that depends on what it’s been affected and shaped by but in its raw form it looks like a bright green, glowing liquid,” she tilted her head, “Why do you ask?”

Over the comms, Jason made a sound like someone had kicked him in the crotch.

“Lazarus water?! Is she talking about the fucking pits?!” he choked out.

Tim made a valiant effort to keep his own reaction in check.

“Oh, just wondering how I’ll recognize a ghost- er, ecto-entity when I see one,” he lied with fake casualness, “You mentioned something about powers?”

“Yes! All the entities we’ve encountered so far have exhibited powers which are common to their species, as well as additional powers that seem to depend on the individual core. I’ve theorized that powers develop as a response to stress related to either their Obsession or death trauma…” Jazz trailed off, “aaaaaand I’ve lost you.”

“Sorry.”

“It’s not your fault, I know I have a tendency to ramble,” she said sheepishly and considered the bullet points she had written so far, “Let me backtrack a bit. Not all ecto-entities are ghosts. There’s personifications of concepts, which I theorize are formed through the collective consciousness of living beings. They are entities which represent Hope or Justice or-”

“Time?” Tim interjected. Jazz gave him a calculating look.

“...sure. They are among the most powerful entities and have powers related to what they represent. I suspect they may have even been worshipped as gods at some point. You definitely wouldn’t want to mess with them,” at Tim’s nod, she continued, “There’s also the Neverborn, which are formed when ecto-entities choose to reproduce. They are entirely of the Infinite Realms, and thus were never ‘born’ into our world.”

“Ghosts can have children?” he said, surprised.

“Yes, although I’ve never been able to get the details on how it works. They don’t like to discuss it with outsiders. And considering they can look like dragons or disembodied floating eyeballs I’m not sure I’d want to know the exact mechanics,” she joked.

“I’m sure there’s plenty of people who’d disagree with you on that,” Tim muttered, then paused. “Wait, dragons?”

Jazz waved her hand dismissively. “Don’t worry about it. The point is that there’s way more to the other side than most people realize. There’s probably lots of things I’ve never even heard of. It’s quite exciting, really!”

Tim worried about it. A lot. Jason had also gone suspiciously quiet.

“So, ghosts are just the tip of the iceberg?” Tim hedged.

“Exactly. What sets them apart from other ecto-entities is that they are usually created upon the death of someone or something from our dimension, which gives them motivation to come back here,” Jazz added more notes and arrows to the whiteboard. “All entities have something they call a core; think of it as their central organ or brain. It houses their consciousness, and its nature affects what powers they get. There’s all kinds of elemental cores like fire and water, but also more esoteric ones like shadow or technology. An ecto-entity’s body is composed of ectoplasm and moulded by their core. Their physical form is malleable and heavily based on their self-perception. With experience they can change shape to suit their needs.”

Tim mentally added shapeshifting to the growing list of powers to worry about. So far it sounded a lot like a Martian’s.

“So can ecto-entities grow and age?”

“It depends. The Neverborn usually do, but a lot of ghosts have a bit of a Peter Pan thing going on where they don’t want to. They are often ‘stuck’ at the age they were when they died, physically and mentally. Though there’s always exceptions.”

Tim hummed thoughtfully. Something had been bothering him since ghosts had first entered the equation.

“Jazz, if ghosts don’t age or die, why aren’t they all over the place? Even if rifts are rare, shouldn’t there be hundreds of thousands of years worth of dead folks wandering the Earth?”

She gave him a sad smile.

“I never said ghosts couldn’t die, Adam,” she said carefully, ”And not everyone who dies comes back as a ghost. The ones who do typically have some unfinished business holding them back. Like an obsession they never got to fulfill, or a loved one they are watching over. Once they are done, they are free to move on to whatever Afterlife awaits them,” she sighed and crossed her arms, “It also takes a lot of energy for a ghost to do anything in our world. I think a majority of them never hit that level, or can’t keep it up for any significant amount of time. It’s also part of the reason my parents are so biased against them.”

“I’m not sure I follow.”

“Think about it. Most ecto-entities are just like regular people, going about their business and keeping their heads down. The ones who are both motivated to cross into our world, powerful enough to manifest and tend to make themselves known are the troublemakers. It would be like an alien looking at the population of Belle Reve and concluding that the majority of humans must be super villains! It’s sample bias.”

Tim bit his lip. This all sounded worryingly plausible, which would mean a literal world of trouble about to come down on their heads. Fuck, just what we needed.

“You mentioned that ghosts can die. I assume you don’t mean from old age, right?” he queried. Jazz looked at him wearily.

“You’d be right. If an ecto-entity’s core is too badly damaged, they will cease to exist,” she said cautiously, “It doesn’t help that ghosts tend to maintain a strength based social hierarchy and are fiercely protective of their territory. Ecto-entities usually have a lair within the Infinite Realms, and those who cross over to our dimension often establish a haunt to call their own. Any intruders would be met with violence,” she sighed and rubbed her forehead, “My parents have also been developing weapons to fight ghosts with… varying degrees of success. A lot of their tech runs on ectoplasm which makes it pretty temperamental.”

Seeing Jazz’s obvious discomfort with the topic, Tim decided to switch tracks.

“Is there any way to tell for sure if my brother came back as a ghost?”

Relieved at the change, Jazz made a see-sawing motion with her hand.

“Kind of? My parents tried for ages to build a ghost detector but they never got it to work quite right. Too much ambient ectoplasm in Amity I guess,” she shrugged as if that statement wasn’t extremely worrying. “You could always grab a ouija board or something and try asking. Just… don’t ask a ghost about their death. It’s a major trauma for most of them and there’s no better way to send them into a frothing rage. If they volunteer the information that’s one thing, but to ask about it is like the social faux pas among ecto-entities.”

Tim nodded and made a mental note to get his hands on some Fenton tech. He had a feeling it was going to be a long week for him.

Jason and Tim didn’t speak until they were safely back in the car. Tim was mentally composing the report they would have to make to Bruce. He was not looking forward to his reaction.

“So,” Jason began with fake casualness, “an interdimensional portal in Illinois.”

“Yep.”

“Creatures made of fucking Lazarus Water.”

“Sounds like it.”

“And we still don’t know if our mystery meta is Bruce’s dead kid or not.”

Tim groaned.

“It all adds up though, doesn’t it? The camera glitching, the powers, the portal…”

“And that damned prophecy. The personification of Time, huh?”

Tim pinched his nose to stave off the growing headache. They contemplated the fucked up situation they had stumbled into in silence for a few minutes. Finally, Jason sighed and started up the engine.

“Rock-paper-scissors for who has to tell B?”

Part 6

[digital-domain]

Clean Slate

Part Two to Spring Cleaning

Alastor x Reader // word count 3.1k

In which new clothes are illicitly obtained, and quickly disposed of

Tags/warnings: yandere, invasion of privacy, power imbalance, stripping/nudity, Alastor is definitely watching you sleep

A/N: god, part twos are hard to write. But the people of ao3 asked, so you, the people of tumblr, get to share in their (dubious) reward

True to his promise, Alastor did not leave your closet standing empty. When you woke up this morning, it was already full, the wardrobe you’d collected over the course of your year in hell displaced and forgotten. You wrinkled your nose in distaste when you saw that a large portion of the space was occupied by dresses, none of which fell above the knee. Those, you were sure you would never wear. But there were other options. You donned the least offensive - a pair of black trousers and a soft, slightly oversized red sweater - and felt almost like yourself when you looked in the mirror. 

In the drama of last night, Alastor had skipped over the rest of the small drawers of your dresser, so at the very least, you still had your own socks and the rest of your undergarments. The shoes lined haphazardly along the floor of your closet had been replaced by stiff, polished black flats, slip-on pumps, and other things that looked as uncomfortable as they did unfashionable, but he hadn’t noticed the pair sneakers that lay beneath your bed. You felt a strange thrill as you put them on, like you were getting away with something forbidden. 

And then, you thought, why stop there?

Alastor tends to keep his distance from you during the day. You do see him, of course - it’s not as if you can avoid him, living in the same building - but he barely speaks to you, unless you happen to be the only two people in the room. He doesn’t seem to like the idea of sharing your company with others, or letting anyone else see the two of you together. It means that outside of your bedroom, you still have your freedom. On this particular morning, you’ve decided to use that freedom to walk out the front door. Alastor is in the lobby, and you tense slightly when you see him, but he doesn’t so much as glance in your direction. At least, not while you’re looking at him. You swear that you can feel his eyes on your back as you exit the building. But that could just be your own paranoia. It’s been very strong as of late.

You don’t know exactly where you’re going. Just that you want to end up somewhere he wouldn’t want you to go. There are plenty of places like that in Hell. Arcades, electronics stores, smoke shops that sell harder drugs out of their back rooms, bars that don’t know how to make a proper old-fashioned…you certainly have plenty of options. But of course, in the end, you find yourself at a clothing store. Not a lingerie store - that entire concept has been ruined for you, for the time being - but still not a place he’d ever visit himself. Everything here is casual, comfortable, unpolished. The opposite of your new wardrobe.

You select a soft, unassuming pair of gray sweatpants and a plain black t-shirt. When you pay for them, you decline the branded paper bag, instead choosing to stuff them into the canvas one you’ve brought with you. Once you make it back to the hotel, and into your room, without alerting any suspicion, you’re relieved. You take the bundle of cloth out of the bag, and stuff it under your pillow. You’re not stupid enough to wear them during the day, but they’ll be perfect to sleep in. The slip you woke up wearing lays crumpled in an invisible corner of your closet. You’d like to forget about its existence, but you don’t dare try to destroy it.

You don’t see Alastor for the rest of the day. He doesn’t visit your room. This isn’t unheard of; his appearances have become more frequent over the past several weeks, but there are times when two, or even three precious days go by without a trace of him. Once it’s late enough, past the time when he might call on you, you change into your contraband. It’s nothing special, nothing particularly flattering, but when you look in the mirror, you smile. When you crawl into bed, you’re almost at ease. Last night, it took you a very long time to fall asleep, but tonight, it comes almost instantly.

It does not last.

You wake up, and know immediately that it is nowhere near morning. You’re on your side, facing the wall, and you fight the impulse to roll over and check the time. You’re still half-asleep. You don’t want to move.

But you do. And once you do, the time no longer matters. The exhaustion bolts from your body. You’d like to bolt along with it, but you only manage to half-sit up, swinging one arm defensively over your body. 

You are not alone.

This shouldn’t be happening. There are clear, unspoken rules to Alastor’s appearances - only when you’re alone, never past 10pm, never when you’re in the bathroom that adjoins your room. And yet, he is here. You can see his smile and his eyes far too clearly. It’s unnatural, the way they shine in the dark. 

“I apologize for the late arrival, my dear. It’s been quite a busy day.” 

You don’t believe him for a moment. “What do you want?” You’d like to scream at him to get out, but you can’t imagine that would end well.

“Do I have to want something to visit you?” He’s nowhere near the switch by your door, but the light still flickers, a shock to your eyes. It’s quickly extinguished, plunging you back into the dark. “Perhaps I merely enjoy your company.”

His hand is curled tightly around his staff. It’s another wrong thing about this image - he usually doesn’t have that, when he visits you. Your fingers brace against your sheets. You know why he’s here. He knows, somehow, about your little act of rebellion. How he knows…oh. You don’t want to think about that.

“I don’t expect you to return the compliment,” he murmurs, “but you could at least temper that awful glare in your eyes. It’s almost making me want to look away from you.” As he says this, he leans closer, bending at the waist until his unblinking eyes are mere inches from your own. “I always make an effort to control my unpleasant feelings. If I didn’t, I might make you uncomfortable.” 

You can’t imagine feeling any less comfortable than you do now, with that terrible grin glowing before you. Your eyes are still adjusting to the darkness, but you get the feeling that he can see you with perfect clarity. 

He straightens up, and uses the tip of his staff to flick back your covers, revealing the clothes you’re wearing underneath. “You must have thought so little of me,” he sighs, “to expect to get away with such a thing.”

You fail to catch your breath before it gasps out of you. He doesn’t sound angry, but you’ve learned that the tone of his voice is a poor indicator for how he’s truly feeling. “I’m sorry,” you whisper, eyes cast down. There’s nothing else to say. You purse your lips, and wait.

“I’ve tried so hard with you,” he continues, as if he hasn’t heard you at all. “I’ve been so patient. And just when I thought I was getting somewhere, you decided to act out.” The tip of his staff catches on the hem of your t-shirt, and you instinctively tug the fabric away.

It’s the wrong thing to do. His grin freezes on his face, its appearance now closer to a grimace than anything else. He rests the end of his staff heavily on the curve of your waist - you stiffen, and raise your hand as if to shove it aside, but quickly think better of it. 

“An excellent decision,” he purrs. “I knew you had some sense. I’ve worked very hard to instill it in you, after all. I was just starting to be impressed by your progress…but it appears that there’s still quite a lot of work to be done.” His eyes flash, momentarily glowing an even brighter red, cutting through the darkness between you. “Stand up.”

He withdraws his staff, and although you want nothing more than to pull your covers over your head and pretend this isn’t happening, you instead feel yourself rising to your feet.

“Well done.” His voice is quiet as he steps forward. He’s not touching you - his hands are pulled behind his back, as they often are when he’s close to you. But you can hear his breath, make out every detail of his face despite the absence of light. “I detest being upset with you. I detest that these little things upset me at all. But it seems there’s nothing I can do about that. So.” He leans forward, and smiles indulgently. It doesn’t reach his eyes. “Let’s fix this little problem you’ve created, shall we?” His head tilts a bit further than would be natural for anyone else. “If you take those ridiculous things off, we can put all of this nonsense behind us.”

You instinctively take a half-step backwards, only to awkwardly shuffle your foot back to where it was before. The thought of changing back into the slip he gave you makes you shudder, as does the thought of how he might react when he sees you pull it from the floor of your closet, hideously wrinkled. Still, you find yourself nodding in agreement. “Now?”

“Now.” His control over his tone is beginning to waver - his volume oscillates, voice frays with harsh static. 

“The slip…” Your voice is small, in stark contrast with the angered scream you were preparing to release just moments before. “It’s in my closet. I can go”-

Alastor abruptly flicks his staff upwards, turning it into a barrier between you and your closet door. “That won’t be necessary.” You feel very small, all of a sudden. You can’t quite tell whether it’s just the way he’s standing, or if he’s truly taller than he was a moment before. There’s an awful cracking noise - his head drops, neck contorts until he’s staring at you from a truly impossible angle. “You ought to listen when I speak to you, my dear.”

The way he says this now, it might as well be a curse. It propels you back, your feet moving of their own accord. But of course, the backs of your legs quickly hit the side of your mattress, leaving you feeling even more trapped than before. For a moment, you’re grasping at stray thoughts, trying to figure out exactly what you did wrong - 

Oh. He didn’t say anything about the slip, did he? That was where you jumped in your head. But what he actually said -

Your breath catches, fists clench. You don’t want to be right. You can’t be right - he’s awful, but he wouldn’t make you do that -

“Hm.” Seeing your panicked response seems to calm him somewhat. He straightens, takes a deep breath. The terrible grin seems to shrink just a fraction. When he speaks again his voice sounds just as it always does, rolling off his tongue with the pleasant crackle of long-dead airwaves. “A delightful reaction, as always.” He shakes his head slightly, shiftily glances aside. His gaze returns to you, and there’s that familiar spark, the excitement that you’ve come to fear. “Now…” The tip of his staff catches once more beneath the hem of your shirt, and this time, you don’t even consider brushing it aside. “Off.”

What is wrong with you? You don’t know. You should have something to say, something to yell, a fist or a kick or a back to turn on him. Instead, you only manage a moment of inaction before casting your eyes down and pulling your t-shirt over your head, discarding it on the floor at your feet. You were wearing nothing beneath it. The blood rushes to your face so quickly that you imagine he can see it flowing beneath your bare skin. You can feel it, almost as intensely as you can feel his eyes burning into your face.

Your face, which you slowly, foolishly raise to look up at him.

His eyes do not wander. He is staring, yes, but at your expression more than anything else. His gaze is fixed and impassive, with much less appreciation than the night before, when you were clothed in the modest garment he’d conjured. There’s something in his eyes - vindication, perhaps - but nothing more than that, even now. His hands are behind his back, and show no signs of stirring.

“Go on.” 

He’s certainly enjoying this. But not for any reason that makes sense to you. In his mind, you think, this is fair. To make you regret what you’ve done, in the cruelest, most humiliating way possible - to him, there’s nothing wrong with it. You should have been good. Then, this all could have been avoided.

Is that what you think? That this is your fault? You’re not sure. You don’t want to think about it. You move mechanically, sliding your fingers between your underwear and your waistband, tugging your sweatpants down your legs and nearly losing your balance as you step out of them.

“Well done.” He says this, just as you stumble, just before you catch yourself, and it’s so condescending that you’re seeing red. But it’s not like you can say anything about it. You seem to have lost your ability to speak entirely. “Now. If you can manage it, I would prefer for you to look at me, instead of at your floor.”

You bite down hard on the inside of your lip. Your arms are hanging at your sides. You cross them as you look up, but a gentle glove on your wrist sends them falling. You’re glaring, but it must appear more petulant than anything else, because he only laughs when he sees it.

“Just one more thing, my dear.” He leans forward, strokes one finger over the thin cotton that clings to your hip. His touch is so light that you can barely feel it, but it’s still enough to instantly tense every muscle in your body, to straighten out any slack that was left in the posture of your spine. “These didn’t come from me either, did they?”

You shudder, and set your jaw. Speak through barely parted lips. “No.” 

“Don’t look away,” he murmurs. “You’ve nothing to fear, so long as you behave yourself.” He waits patiently until you force yourself to look into his eyes. They’re shining, and his grin, too, is far too bright, a lurid yellow gash in the dark. “If I intended to harm you tonight, you would already be well aware of it.”

Where are your hands? You realize that they’re clasped behind your back; the realization sickens you for reasons that you don’t take the time to understand. As if in a trance, you bring them forward, let them fall against your hips. He doesn’t need to say anything more - only to watch as you pry the last scrap of clothing from your body. When you’re done, you stand with your head bowed, praying that he doesn’t ask you to look up again.

He doesn’t. He doesn’t say anything at all. Only sighs, satisfied, and lightly drags the tip of his staff up the side of your body - the outside of your thigh, your waist, your ribcage, your neck - and then presses it gently under your jaw, silently compelling you to raise your head. 

You try to summon anger to your eyes, but find that you can only stare blankly, waiting.

“I almost wish I could stay upset with you,” he sighs, letting his staff drop to his side. “It would make things so much less complicated, if I could simply refuse to forgive you…” His chest rises, falls. “And yet, I can barely stomach the thought.” For just a moment, his eyes flutter shut. His fist falls from behind his back to clench at his side. He takes another slow, deep breath. Then, his eyes slowly open, their red light dim and hazy. “No…I couldn’t let you go, even if I tried.”

You’re rigid, feet frozen to the floor as he leans over and kisses you gently on the forehead - he doesn’t touch you anywhere else, but you feel that perhaps you’d prefer that to this. You’d understand it better, at least. You’d understand exactly what you were scared of.

You don’t think he quite understands what he’s doing, either. He looks almost confused, when he pulls back. Rattled, almost as much as you are. But he quickly suppresses it, the daze in his eyes replaced with the familiar vicious spark. “You look exhausted, my dear. I would apologize for waking you so suddenly, but I’m afraid it was necessary. I’m sure you understand.” 

He stares until you nod in agreement.

“Lovely.” He pauses for a moment, then goes on with a lowered voice. “I’m sure I’ll have no need to do it again.”

Again, you nod mutely. It was a question, and one that you can easily answer.

“I certainly have no need to keep you awake any longer tonight.” He gestures to the mattress behind you. “Time for bed.”

You don’t think you’re going to fall asleep any time soon, but you still reach behind you to awkwardly pull back the covers. You do not turn around.

“Hm… ” His eyes narrow, grin twitches at the corners. “It’s a warm night, my dear. I’m sure you’ll be more comfortable without anything covering you.”

There’s nothing to be done. You sit down, swing your legs over your covers, and lay on your back. Arms at your sides, although you itch to wrap them around yourself. You vaguely register that you are cold, but that barely matters. Perhaps you’re not cold at all. You could be shuddering for any number of reasons.

He leans over you one final time. “Sleep well, darling.” His eyes do not waver from your face. Nor do they blink. You’re not sure if they ever have. “You’re quite a restless sleeper…I do hope that you have better dreams tonight.”

By the time you’ve processed what, exactly, he’s just told you, he has shrunken into the shadows before your eyes, and silently disappeared. You lay stiffly on top of your blankets, and stare up at the ceiling. You do not move, and you certainly do not cover yourself, even as the chill seeps under your skin. When you do fall asleep, hours later, your dreams are cryptic, tinged in a red glow, full of shadows and whispers in voices that are almost familiar, but far too distorted to make out. 

When you wake up, you’re shocked to see that your discarded clothes are still lying on the floor. Shocked - but not relieved. It only means that the task of their disposal has been left to you.

[haechoxo]

[9:26 pm]

pushing past everyone to reach the front door, not daring to look anyone in their eyes, let alone look up from the floor, praying no one would notice you leaving, but your prayers went unheard because someone’s hands were planted on your shoulders in an instant.

“where’re you going? didn’t you just get here?” renjun.

“please, jun, let me go, i just want to go home,” you plead, hoping the dim lights would conceal your glassy eyes. the ambience couldn’t conceal the crack in your voice though.

his brows furrowed before looking around, only to darken when he realized what you witnessed.

renjun sighed, “i don’t want you going home alone, i’ll deal with him later. mark’ll take you, alright?” you nodded and followed him to the porch to find him. they shared a knowing look and turned towards his car on the street.

you eyed him warily as you were buckling in, but he only chuckled, “don’t worry, it’s only cola, i figured i would’ve been someone’s driver tonight. though i was expecting jaemin.” he giggled, trying to lighten the mood. it was comforting, but you couldn’t help the slight painful feeling creeping up from your stomach and into your chest.

he broke the silence after a while, “we all knew, you know, that you and hyuck have a thing, though i’m not sure you guys were even hiding anything in the first place,” he said lightheartedly.

“we weren’t hiding anything, we—i thought, we were just going with the flow, maybe something would’ve just led to another after these past few years, but i guess i should’ve picked up on the signs a couple of months ago.”

“you guys were fucking for years? and neither of you made a move at all?” even if he tried to hide the disbelief in his tone, he was doing a shitty job.

“we weren’t just fucking though, it was more than that.” your voice was weak, trailing off with a frown. it started near the end of university, you were both close to begin with, nearly best friends, and school stress on top of work was just getting a little too hard to cope with alone. so it just happened. and then again. and again. and again. it became almost like routine.

your personal endeavors with haechan weren’t a secret either, it was quite normal for the strong romantic relationships that formed between your friends because of the friend group itself. jeno and aeri, jisung and yizhuo, even jaemin and jimin, all entered university together as friends with the rest of us, graduated with the rest of us, just as more than friends this time.

everyone assumed it would just be the same for you and haechan. you weren’t in denial either, but it just seemed unspoken, unnecessary, to say anything about it. as if it was just obvious the line between friends and not friends was just blurred. that you were his and he was yours.

well, the line faded before it could be blurred out.

the kisses became less and less, the “dates” came to a halt, the ‘morning-after’ activities ceased to exist anymore. the only constant that remained was his late-night calls, to which you answered in an instant, showing up to his place shortly after, and vice versa. but even then, he stopped staying.

even the little things, hidden possessiveness, lingering touches, hidden goodbyes, despite everyone knowing.

was it all a lie?

you couldn’t tell how he felt anymore, and it made your head spin, losing touch with yourself being preoccupied with someone who was bad for your health.

“i think i’m done.”

“what? what are you talking about?” mark looked over at you, confusion written on his face.

“with donghyuck.”

he sucked in a breath, but you stopped him from saying anything more.

“i can’t keep going on like this, mark.” you couldn’t help that your voice cracked a little, “he doesn’t care the way he used to, clearly. his interest isn’t in me, he’s not mine, and i’m not sure if i was even his in the first place. i don’t think i’ll be able to move on for a while but i know that i did love him, i do love him, more than a friend should,” you suck in a breath, “but i can’t continue being his for convenience. i’m tired of trying to find where his head is, where his heart is. mine was his, but his isn’t mine. and that’s okay. i don’t think it’s healthy for either of us, you know?”

mark nods in understanding, but remains silent.

“and mark, please don’t tell anyone.”

“not even renjun?”

“...okay, only renjun.”

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a/n ; part four!! im glad ur all enjoying this as much as i am, its so exciting seeing ur msgs and comments u guys r so silly :p the next parts may take a while to be posted as theyre still being written and edited, most of it is drafted in a notebook rn so i still have to type it out anyway but ill try to get the next chapter out asap!! (tomorrow..) ANYWAY hope u kike this chapter, idk if it adds as much substance as i wish it would but,, advice is appreciated! xoxo jelly <3