#which out of this context because i said it in the tags is gonna mean whatever you want

[originalartblog]

oh whoops sorry I'll come back later 🫣

(and thank you @sensitiveheartless for being responsible for this 💖)

[hanzajesthanza]

when sapkowski is all “i don’t believe in absolute evil” like he didn’t write like vilgefortz and leo bonhart and birkart grellenort likeeee okkkk but those guys were preeeetty evil though

[angorwhosebabyisthis]

i'm torn because on the one hand, 'adam and the general's narratives are both very queer and stand in counterpoint to each other, which i Can't Unsee, and find more compelling as hideously cruel generational trauma than Standard Homophobic Dad Narrative.' on the other, DIVERSITY WIN to shake the heavens

[spirngakawening]

Sometimes when reblogging I think "it's been a while since I've posted anything Spring Awakening-related, people might be surprised to see it on my blog" then I remember what my blog name is

[coquitokisses]

Back Together | Bucky Barnes

Pairing: Bucky Barnes x female reader, (husband!Bucky Barnes x wife!reader, dad!Bucky Barnes x mom!reader)

Warnings/Tags: Bucky being dad and hubby material, fluff, angst maybe?

Summary: Bucky and reader are married and have two girls, but because of Bucky’s work, you decide to “break up” and have been separated for a few months. (Let’s say that this “job” was when the whole thing with John Walker happened in TFATWS, idfk lol)

A/N: so I’m currently writing a fanfic (on wattpad) and I had this idea, but I’m not there on the fanfic just yet lol so I decided to just post it here (also, my first language isn’t english so if there are any errors or mistakes, I’m sorry lmao)

The girls are like 4 and 5 years old and those aren’t the names I have planned on using for the fanfic, but it’ll do for now.. and Steve is alive and well lol (he doesn’t make an appearance, but I do mention him, like I said, this idea came as I was writing a fanfic so what I did was try and edit it a little bit so yall don’t need context and shit lol just enjoy okay?)

A/N #2: this is my first time doing this so just bare with me please lmao

+ + + + + +

It’s almost 10 pm which means Bucky must be on his way to bring the girls back after having them for the weekend. You were away in Seattle the whole weekend for work, but anyways it was Bucky’s turn to stay with the kids. They were supposed to stay with Wanda tonight, but since you arrived earlier than anticipated, you told her that Bucky was gonna bring them over.

You’re not on the best terms. Actually, you’re broken up at the moment and have been like that for like three months now. It all started because of Bucky’s “job”. You always said that he wasn’t being careful with the things he did and you didn’t like the constant worrying about him every time he went out to do his things. He didn’t really see it that way which made you get into a really bad fight and you decided to break up because he wasn’t putting his safety, or his family, as a priority and you didn’t like that.

Which was kinda true. So you’re currently not living together. Bucky has been staying with Steve, or with Sam whenever he comes to New York. The girls usually stay with you and then Bucky takes them on the weekends, but whenever you can’t take them to school (or get them on time) or something on week days, then Bucky takes them without a problem.

“Are you sure you don’t want me to pick them up for you?” Wanda asked while on FaceTime with you

“It’s alright, red, don’t worry.” You replied “Besides, Bucky’s probably on his way anyway.”

“Still haven’t talked?”

“Well we talk, just not about us.” You said walking out of the kitchen

“And are you guys still, like, mad or..?”

“I don’t know.” You let out a sigh

“Steve told you he got out.”

“I know.”

“So?”

“I just.. I don’t know, I haven’t talked to him about it.”

“Well I think you need to.” She said “Just have a little chat and see where things are at.. you guys still love each other.”

And you did. Of course you did. And the girls want you to get back together too. But you just haven’t talked about it again.

“I don’t know, I’ll think about it.” You replied and just as you said that, you saw the car lights through the window “He’s here, I gotta go.”

“Call me if you need anything.”

“I will, love you.”

“Love you more.”

You hung up the call and left the phone on the couch before heading to the door. You opened it and saw Bucky walking over to the house holding Olivia, your youngest, in his arms and Eloise was walking right next to him. And the three of them just looked tired as hell.

“Hi mommy.” Eloise ran over to you

“Hi, pretty girl.” You immediately hugged her

“Say hi to mama, Liv.” Bucky said as he got closer

“Hi mama.” Olivia opened her arms wanting you to pick her up so you did

“Hi, my angel.” You kissed her cheek

“Sorry to bring them so late, we just got out of the cinema.” Bucky said

“Buck, it’s fine, they don’t even go to school yet.” You told him “Did you guys have fun?” You asked the girls

“So much fun!” Eloise replied excitedly “We also went to the trampoline park earlier.”

“Oh well that explains why someone’s a little more tired than others.” You looked at Olivia and she rested her head on your shoulder

“Mommy, can daddy tuck us in tonight, please?” Eloise asked

“Baby, I’m sure mommy had a really long and tired flight and she just wants to sleep.” Bucky told her

“It’s fine, don’t worry about it.” You said “Daddy will tuck you in, sweetheart.” You tucked a few strands of Eloise’s hair behind her ear

“Daddy, come on.” She grabbed Bucky’s hand

You all went inside and you gave the girls a quick shower before Bucky helped them get in their pjs.

“Mommy, are we staying with auntie Wanda tomorrow?” Eloise asked as she got on her bed

“Yes, baby, I need to go to work.” You replied

“Can’t we stay with daddy?”

“Daddy works too, honey.” You moved her hair out of her face “I thought you liked staying with auntie Wanda.”

“We do, but we wanted to stay with daddy again.” Olivia spoke

“Well I can pick you up at auntie Wanda’s house when I get out of work, how does that sound?” Bucky told them

“And we can get dippin dots too?” Olivia looked at him with puppy eyes

“We can get whatever you girls want.” He said squishing her cheeks making her giggle

You couldn’t help but smile a little. You loved watching Bucky with the girls, he really is an amazing father and they love him like crazy.

“Alright it’s getting super late, time to sleep.” You said to them

“But mom!” Eloise pouted

“No buts, listen to your mom.” Bucky said “Come on, get in bed both of you.”

Each of the girls got in their beds and Bucky went and tucked them both. They have their own separate rooms, but they’re pretty close and they’ve always wanted to sleep in the same room so when the time came and you bought Olivia her big girl bed, Bucky just placed it in Eloise’s room. Anyways, when the time comes when they get to the point where they don’t even want to look at each other, you’ll probably make Bucky move Olivia’s bed back to her room and problem solved. But for now, they absolutely love being in the same room.

“I love you.” Bucky kissed Olivia’s forehead “And I love you.” He then kissed Eloise’s “So so much.”

“We love you too, daddy.” They said

“Now get some sleep because auntie Wanda is coming early tomorrow to pick you up before I leave.” You leaned down to kiss each of them on their heads “I love you both so insanely much.”

“Love you too, mommy.”

“Now go to sleep or I’ll call the slender man.” Bucky said as he turned off the light

He quickly closed the door once you got out of the room and the girls let out a scream that made you both laugh.

“You’re evil.” You chuckled “Creating them traumas so young.”

“It gives them strength.”

You rolled your eyes laughing. “Of course.”

You both went downstairs and then Bucky went back to the car to bring back Olivia’s shoes and a few toys that the girls left in the car. While you put them on the dining table, Bucky was just telling you what they did and how the girls were on the weekend.

“Liv didn’t even asked for my help to wipe her after using the bathroom.”

“No?!” You looked at him kinda shocked

Potty training Eloise was way easier than training Olivia. First she was afraid of the toilet being flushed, then she was afraid that something would come out and bite her, then she didn’t want to stay alone while using the toilet. It’s been a rollercoaster for all of you.

“No, she did it all by herself.”

“Oh my god, really? I’m gonna cry.” You said with a hand on your chest

“She said she’s a big girl and big girls don’t need any help to go potty.”

“She is a big girl.” You said “Fuck, they’re both getting so big.”

“They are.” He nodded “How was Seattle?”

“Fucking amazing.” You said excited “It’s so pretty.”

“And how did it went? Are they planning on transferring you?”

“Hell no, I told Nick I’m not leaving New York.” You replied “If we were still living in the compound, then this would’ve been a whole different conversation, but we’re not and we have kids now so no, I’m not leaving even if they pay me more.”

“Well if they are paying you more then..” he raised his eyebrows

You laughed. “You know what I mean, idiot.” You rolled your eyes “But no, I’m not being transferred.”

“Then why did you go?”

“Nick said that they needed someone like me for some training.” You answered “It was great, I got to teach a few people about self defense, how exciting.”

“I’m glad.” He said with a small smile

He was genuinely happy for you. He knew how much you’ve missed working like that. Being an agent, a spy, you missed it. But at the same time, it wasn’t really in your plans anymore ever since you got pregnant with Eloise. It happened during the blip as well so you weren’t exactly working as an agent or spy anymore so you just decided to leave it behind for good. Until recently.

“You know, if it’s really what you want, then go for it.” He told you “The girls aren’t stopping you and neither am I.”

“I know, but it’s just that I feel like I’m on a different stage in life now.” You said “It felt fucking amazing, don’t get me wrong.”

“Then do it, talk with Nick and tell him to put you out there, that’s what you want.”

“I don’t know.” You let out a sigh

“We’re not going anywhere, you know that, right?” He said and you looked at him “And how cool would it be for the girls to say that their mommy is a spy?”

You laughed. “They will brag about it for sure.”

“And the best part is that you’re great at it and always have been.”

“I don’t know, I’ll think about it.” You shrugged looking at the time on the stove “It’s getting very late.” You looked at him

“Ouch okay, I’m leaving.”

“Oh my god.” You rolled your eyes

“Are we gonna keep this up?” He looked at you

“What?”

“This nonsense.” He motioned his hand between the two of you

“This nonsense?” You arched an eyebrow “Do I need to remind you whose fault is it that we’re on this position right now?”

“It could’ve gone so much better, but little miss I’m extremely petty over here, doesn’t like to listen to people and doesn’t care about anything other than her opinion.” He said

“Oh don’t make me mad, James.” You crossed your arms

“It’s the truth and you know it.”

“I think you can go now.” You said turning around and starting to walk away

“See what I mean?” You heard him say from behind “Can’t we just talk about it like normal people?” He asked following you

“I don’t think there’s anything to talk about.” You said turning around to look at him

“Well I think it is.”

“Bucky..”

“Y/N, come on.” He sighed “It’s been three months, are you gonna keep pushing me away?”

And he’s right, you’ve been kinda pushing him away. To be honest, the whole thing could’ve been avoided if Bucky and you came to an agreement, but you never did. You were upset that he was going away with Sam to do all these things that you weren’t okay with and you were thinking about the kids, which, at the moment, he wasn’t doing and that pissed you off. That was the whole thing. He didn’t want to empathize with the way you were viewing the whole situation and he was kinda making you look crazy. Saying things like “it’s not a big deal” or “everything will be alright, you don’t need to freak out”.

How does he expect you to not freak out when he doesn’t care about doing all this dangerous things? Was he insane?

In other circumstances, if you didn’t have kids for example, maybe you would’ve been a little bit more okay with it, maybe. But it’s a whole different scenario now.

And you were kinda pushing him away, sort of. But it wasn’t intentional, it’s just that you were kinda petty and there were times where he wanted to kinda fix things, but you wouldn’t let him because you would find a way to push him away unconsciously.

“You made me feel like I was exaggerating when I clearly wasn’t.” You said

“Because at the moment I did feel that way and I didn’t want to view the situation the way you were.” He explained “And I know I was wrong for that and I’m sorry.”

You let out a sigh. “You still went.”

“I know, I’m sorry, I should’ve stayed here with you, I regretted it the moment I left with Sam.” He said “And I came back as soon as I could.”

“And you stayed with Steve.” You rolled your eyes

“Baby, you wanted to kill me, do you really think I was just gonna come and ask you to take me back after that shit? Like you were just gonna accept me.”

“… Well, you’re kinda right.”

“I know, Steve told me you were pissed and that you wanted to punch me.”

“I did tell him that.” You nodded

“I’m sorry, I really am.”

“It’s fine, just forget it, I’m sick of the topic anyway.” You replied leaning on the back of the couch

“But are we fine?” He asked

“I don’t know, are we?”

“Well I’d say we are, kinda.” He got closer to you “You want me to do anything?”

“You could start by fixing the damn back door.”

“Again? But I just fixed it a few months ago.”

“Well I think you did it wrong because the doorknob is broken again.”

“I need to change that fucking door already.” He rolled his eyes “Anything else? Are you still mad at me?”

“A little.” You replied

“Just a little?” He moved his hands to your hips “I can help you change your mind.”

“Easy there, soldier.”

“Easy my ass, come here.”

Before you could even protest, his real hand grabbed your neck and he pulled you in for a kiss that screamed need. You really missed his kisses and just the way he would always give you a peck, whenever and wherever, whatever you were doing, he didn’t give a single care in the world. This man could see you sitting on the toilet and he still would go and give you a quick kiss.

“God, I’ve missed you.” He whispered on your lips “I’ve missed you so fucking much.”

“I did too.”

“Can we please never fight again?” He gently put his forehead against yours

“As long as you don’t piss me the fuck off doing some stupid shit like that again, we’re good.”

“Good.” He nodded before kissing you again

“And I swear to god..” you started saying between kisses “If I see you again that close to John Walker, I’m gonna kill you.”

“I know.” He said lowering his hands to the back of your thighs and picking you up

+ + + + + +

masterlist

a/n: should I post the fanfic here? What do we think? Lol (I’ve been thinking about it A LOT lately)

**UPDATE! I ended up uploading the fanfic and here is the masterlist for it lol

Anywaysss, hope you liked this! <3

(Likes and reblogs will be appreciated)

[submalevolentgrace]

Hi! I'm very interested in attempting to write a disabled character (not for this blog, I assure, for an book I'm writing) in which the story doesn't fetishize/objectify her prosthetic limb. I'm in many writing circles and have been for a long while, but I've never seen this issue brought to light which I realise is a very important one. I have much to change in my thought process, and thank you for bringing this issue to attention.

I'm curious, and I apologise if this has been asked before, but what sort of design could you see for a functional prosthetic that doesn't go for a plainly aesthetic appearance, or is soully to please others? I do note that you said prosthetics are generally... not that helpful. So is there a way that it could be? Or do you think it would always generally be better to not use a prosthetic, as its mostly for aesthetic purposes, as you said?

I apologise if this ask is too outright or anything, and I don't mean to intrude. Thank you for your time and have a beautiful day!

okay, i want to answer this as in depth as possible, because whenever i talk about having a prosthesis, someone will always tag some variation of "#writing reference" and i do wonder what message they're taking away, and i want to get as much of my experience out as possible to maybe help shape how this is all portrayed in the future. and yeah… this is gonna be one of those rambly smg posts that the expand feature was invented for, so i'll start with the very abridged TL;DR:

if you're writing a character with an upper limb prosthesis; don't. arm amputees are unicorn level rare even compared to leg amputees, and i've never interacted with or even heard of an upper limb amputee that regularly uses a prosthesis, let alone relies on one. fiction has lied to you for the sake of cool aesthetics, don't repeat the cycle. more in depth writing advice including nuance and "but i waaaant to" will follow.

that said, grab your donning parachute and let's get started...

context for everyone involved: i am an upper limb amputee that rants a lot about how prostheses suck, i lost my right hand roughly five years ago at roughly the age of 30 after a very rough decline in health… it was pretty rough. this question is being asked in the context of a previous rant post of mine, and i checked that the ask is about an upper limb prosthesis in particular.

the situation regarding the usefulness of lower limb prostheses is totally different; i am definitely no expert, but by all accounts, prosthetic legs are incredibly useful for many people. getting a good leg can be absolutely life changing and more or less necessary for day to day life for some; mostly because infrastructure and society is just so fucking hostile to wheelchair users. being able to walk - at the cost of pressure sores and rashes and increased residual limb pain - is a preferable option to many people than being unable to fit through a doorway or in a bathroom stall or find out that the key to unlock the only elevator is in the admin office up three flights of stairs (true story).

but upper limb prostheses… see, the thing is, hands are incredibly complex organs that rely on a lot of immediate haptic feedback to work at all. hand dexterity is all about control, you need fine granular movements of the digits yes, but you also need the subtle sensations of pressure and proprioception in order to adjust your movements on the fly. i speak from experience, in the years leading up to the full loss of my hand, i was slowly losing function of it, usually swinging between numbness that made it clumsy at best, or screaming overstimulation from moving it at all resulting in unpredictable spasms… and let me tell you, a half working hand is infuriating to try and deal with. you can never know if you have a good grip on something or if it's slipping because of the wrong amount of pressure, and there's only so many smashed bottles of pickles on the floor before you give up using it all together… so amputation wasn't a great loss there, i had time to adapt.

a prosthetic hand of any kind has all of those issues and more. they're heavy and bulky, the cosmetic faux fingers or gripping claw have crude movement at best, and there's zero feedback (put a pin in this). 100% of the time you're using a prosthetic hand you have to keep your eyes on the grip and visually guesstimate whether or not the thing you're carrying is held tight enough but not too tight, that is if your "heavy duty" prosthesis can even support the weight without the servos disengaging or the wrist attachment socket just busting loose. i dropped a whippersnipper on my foot last week when my socket couldn't take the weight and i think that was the final straw in me desperately trying to prove to myself that there is a single task my prosthesis actually helps with.

this is usually where fully two handed people start talking about bleeding edge DARPA tech, and how we just need to invest more,research more, develop more. better tech, more tech, neural integration, more more more. okay i promise the writing advice is coming! for starters on tech, my experience is already with a mid-to-high end ottobock terminal device: i've got a myoelectric nerve-signal operated proportional control heavy duty greifer; about the only upgrade left for me to get would be a rotating wrist joint if i could coflex. it's not military, it's not "rockclimber that owns a prosthetic company", but it's quality tech. it still fucking sucks. secondly, that high level military tech exists primary for PR purposes so they can say they treat their discarded casualties well, "we can rebuild him, we have the technology" style. every war vet i've read about or heard from that's been gifted that high level tech also abandons it for the same reasons; it's imprecise, there's no feedback (or the haptic interface has to be fully recalibrated every time they put it on), but mostly they're more capable without one.

okay, the transhumanist ableds say (i should know, i used to be one), what if we did more ~research and development~ and got that neural feedback working? then we could have fireproof superhumanly strong robot arms to fix up everyone! here's where i take out that pin we put up before and i tell you that a class of prosthetic arms/hands already exists that has perfect proportional control, fine motor control, and physics perfect pressure feedback piped directly into the patients' existing sensory systems! they're called body-powered prostheses, and they were invented in like the 1600s. you strap a whole bunch of stuff to your arm and shoulders shoulders, and control the operation of the terminal device and elbow through cable tension by flexing your shoulders. they do take a considerable amount of training to operate - though hell i spent 18 months training to use my myo - but based on everything i've read, body-powered prostheses are the best option if you're an upper limb amputee and absolutely need a second hand for some reason.

but they don't look cool and futuristic, and according to my prosthetist, most people give up on using them too. we all give up on our prostheses, no matter the type. my rehab OT was impressed i lasted the 18 months of my training. towards the end, they even asked if the clinic director could drop in to one of my sessions to see my progress; he expressed genuine amazement at me casually using my bulky robot claw to use a brush and dustpan, and made an offhanded (hah) comment about what someone can achieve "if they stick it out to the end", implying it was somewhat of a rarity for me to have done so. several years on, and yesterday i wedged the dustpan between my ankles to sweep up into it, awkward but exponentially less effort than putting my dusty robot arm on. which, by the way, is a whole thing. look up some videos, they're all awful to don. i don't actually know the official technical name of what my clinic calls a "parachute" but it's a bitch to use! have you ever tried to pull back with your arm whilst also pushing it forwards at the same time, and simultaneously lean in to and away from an external force pulling on you? that's how you get a myo socket on.

bare with me, i promise writing advice is coming, and i promise it's more than the tl;dr. but. remember when i said a half working hand is infuriating to deal with? any prosthesis, from fancy myo tech to pirate-era body powered, will only ever be half as good as a working hand, and being juuuust within capability to do something but not quite able to is maddening! but you know what works way better than a half working hand? no hand at all. using whatever residual/vestigial limb you have - whatever "stump" you have, i hate that word - is pretty much always better than trying to use a prosthesis. i can use the inside of my elbow to grip and carry things, i can use the nub of my arm to apply pressure to hold things, open doors, use a computer mouse, turn on taps and lights, if i put a glove over it i can use it to prep for cooking. i have full proprioception and pressure feedback with skin contact, i don't think i've ever dropped and broken anything from my elbow, unlike countless things slipped from my greifer - which, by the way, absolutely will start clenching as tight as it can if i get even slightly too sweaty around the electrodes, which has both broken things i'm holding and also injured me, because surprise surprise but servo operated robot claws have pinch points on them right near the "emergency disengage" lever for some reason!

but i am exponentially more capable without it on than with it. no, i'm not fully independent, i rely on housemates and loved ones to help me out with some tasks that simply just need two handed dexterity, but none of those tasks are things a prosthesis makes me able to do anyway. i used to imagine my prosthesis would be like a bra; a bit awkward and uncomfortable, but i'd wear it throughout the day because it's helpful and take it off in the evening to decompress. in reality it's actually exactly like a bra: an absolute bitch to put on one handed, unbearably uncomfortable because it never sits right, ugly af unless you're a millionaire, and absolutely useless except for the fact that i get gawked at and judged by strangers if i leave the house without it on.

and if you really want to discover how far "no hand is better than a half working hand" goes, brace yourself, and look up the patient's stories (not medical system stories) of people that have had hand transplants. the first man to receive one hated it, he was promised a return to normal function, and what he got was a nightmare worse than being one handed; he wanted it removed again but the doctors refused because it would undermine their grand achievement of the first hand transplant. the doctors and society wanted him to be fixed, they wanted him to be normal, they wanted him to be abled. they failed. they made him less able to do things, denied his autonomy, and left him with someone else's hand slowly rotting on him, prioritising the idea of "scientific progress" and "two hands good" over the physical health, mental health, and ability to function of this man.

he's not alone; every story from the patients' perspective about hand transplants that i've read goes this way, including a woman who was born quad limb different and was promised hands would improve her life, pressured into a double hand transplant, only to find herself after the surgery essentially experiencing disability for the first time ever, because she had lived her whole life getting by just fine with her 'underdeveloped' limbs, but half working hands are worse than useless. you can try to find these stories yourself, but i'm not going looking for sources on any of these cases, because if you look back through enough of my posts you'll get a glimpse of the horrors and abuses that i too was put through by doctors who prioritised trying to "fix" me at any cost, rather than providing me the best quality of life, and in turn traumatised me and left me more broken than any loss of limb on its own could. dear goddess, i promise the writing advice is coming.

so. why do upper limb prostheses exist at all? if they're so terrible and useless, what is their function? i want to borrow something someone else left in the tags of a previous rant here, from someone who i believe works in prosthetics and/or rehab, cleaned up and anonymised at their request:

"upper limb functions are wildly more complex than: 1) bear weight static, and 2) bear weight moving. but every single upper limb amputee i know has a fancy expensive prosthetic just gathering dust in the closet because there is literally nothing it can do like a few years of adjustment and if needed non-dominant hand retraining can't do. the existence of forquarter prosthetics to begin with is just kind of silly and useless and entirely to make OTHER people feel comfortable, especially considering they universally are UNcomfortable for the amputee. i hate the notion that as soon as you get the amputation the prosthetic is The Thing That Will Fix You And Make You Feel Normal again because it universally isn't! but every forequarter person i know had like this ideal of Being Fixed By Magic Prosthetic that they were then obviously wildly disappointed by and had to do yet another grieving process with, versus if the dominant narrative were just one of: yeah. it'll take time, there is no magic fix."

and i think that really nails down what the actual purpose of upper limb prostheses is: they're not for the user, they're for the sake of other people. and not just their comfort when looking at our bodies, although based on the pressure for both amputees and people born limb different to get functionless cosmetic plastic hands, there is a lot of that. but it's not just that.

i fully believe that the reason prosthetic hands exists is to comfort the fears of the two handed. "don't worry", they say, "we can fix you again. you don't have to fear becoming Disabled, you don't have to worry about adapting or your life changing. we can make you Normal™ again."

you would not believe the number of people that have approached me to shower me with pity, to tell me how horrific my life is, how they can't imagine it. people have told me, apropos of nothing, that they'd kill themselves if they lost a hand. indirectly, that my life isn't worth living. unless, of course, i happen to be wearing my cool as fuck looking robot prosthesis! then they tell me how wonderful it is, how lucky i am, how glad they are that we have the technology to fix me. that's what a prosthetic hand says, what all the happy fishing photos on limbs4life posters at the rehab clinic say: don't worry, we can fix you. that's what the bleeding edge DARPA flexi-whatever fully articulated neuro-feedback hands say: don't worry if you get IED'd while hunting civilians for us to drone bomb, if you get hurt, we will fix you, we will fix the fuck out of you, we will motherfucking adam jensen you into a cool as fuck cyborg that your son will idolise; come on boys, don't you wanna enlist just for the chance at being as cool as this? join the bomb squad for a ticket to the upgrade lottery.

and so we arrive at fiction. as much as his dialogue options protest, adam jensen loves his robot arms, they punch through walls, turn into fucking swords! they make him the most special man in the world. what would he do without them? learn to cope? grieve? practice acceptance? take up poetry? just, be disabled? there's no power fantasy for ableds in that.

in fact, can you think of a single fictional character that's an upper limb amputee that's, well, just an amputee? they all have robot arms. not realistic prostheses, not medical devices; robot arms. sleek or bulky, top of the line or broken down self built, steampunk or nanomachines or magitech automail; they're never without them. never just an amputee. never born limb different either! there's always that element of tragedy to overcome, always suffering and misery porn, always focus on the pain and the helplessness without the absolutely vital robot arm that makes them Normal and Whole. the closest amputee example i can think of is furiosa from mad max, who iirc fucking punches max in the face with her residual limb like a motherfucking badass! i can barely lean on mine wrong and she punches a guy! but she still apparently needs a dieselpunk robot hand to drive a truck, something you can do one handed so easily most drivers don't even notice they're doing it! please don't, by the way

and so many disabled fans love to point to robot armed characters as disability representation; the winter soldier, luke skywalker, edward elric, misty knight, that genderswapped furry girl from ratchet and clank, jet cowboybebop, finn the human, and yes, adam jensen…. these are all characters that someone disabled i know has told me they love because they "represent disabled bodies"…. and i know nobody wants to hear this, because i've been screamed at for saying it before, but… they do not. they are not disabled, functionally or within fiction. they are either perfectly able bodied Normal people with chrome paint on an arm, or tortured misery porn we are supposed to pity and feel lucky we're not them. sometimes both!

also you ever notice how it's basically always arms? lower limb amputations are orders of magnitude more common than upper, my prosthetist said i was probably only the 4th or 5th upper limb she'd worked with in her career, with literally hundreds of lower limb fits. but fiction doesn't seem to reflect that, huh? or any other part of the reality of disability. it's always cool as fuck robot arms, never cool as fuck wheelchairs or crutches or dialysis machines or colostomy bags. a fair few "i was blind but now i can see with Robot Eyes and also infrared and xray" around, which again, plays into that "we can fix you and make you cooler" propaganda.

by the way, up above when i was describing body powered arms, if you wondered to yourself why i went with a myoelectric one instead when i clearly believe body powered is better… yeah. i am not immune to propaganda! i too wanted to be cool as fuck. i spent years with deteriorating function in my hand for reasons that are still unknown, was misdiagnosed and medically neglected to the point that removing my hand seemed to be the only option left to offer some relief, and even that was a clusterfuck that left me worse than ever… of course i wanted to believe in the power and prestige of a cool robot arm that fiction promised me.

but fiction promises fantastical lies. and so.

we get to the writing advice portion of the novella that is this post. you asked for advice on how to write a disabled character with an upper limb prosthesis. you've read the tl;dr, you've read everything above i assume, you know i don't want you to do it. the obvious twist is that it's been writing advice all along, me trying to share my perspective on what it's like being an amp with a robot arm and how shitty it is, implying how almost any fully realised and realistic character that's missing an upper limb would give up on a prosthesis at all. you can already tell that every value judgement in me says "don't give her a prosthesis, no matter how functional or cool you make it. don't try to make the tech better to justify it, just let her be one armed, one handed. just let her be disabled, but not helpless. let her show off her elbow or underarm carry strength. let her love interest appreciate how soft and squishy her residual limb is in a moment of tenderness. let her natural disabled body be respected and valued."

but that's a personal value judgement from me, and you are the author of your own work. i know it's trite to say, but you are! even the act of deferring to someone with lived experience in the hope of doing a better job at representation is a value judgement, a good choice in my opinion, but one you needn't necessarily take. maybe you do want to write a character that has a cool as fuck unrealistic robot arm as a power fantasy, or a comfort blanket… i did.

i've been slowly writing my own probably terrible scifi epic for over a decade now, and when my arm was giving me hell back then, i'd take great comfort in this fantasy of my protagonist with her chunky robot arm, the terrible traumatic suffering of her loss, overcoming, the power and ability her advanced prosthesis gives her over others, that she alone has access to, because others are not willing to make the sacrifices required. inspiration porn. awful stuff to me now, but empowering to me then. as i grew and gained direct experience, i slowly reimagined her, rewrote her, ship of theseus'd her into an entirely new character; a reflection of me now, bitter at the whole thing, spiteful that her natural flesh arm evokes fear and distrust, but unwilling to suffer the pain and frustration of her unnatural prosthesis just to make others comfortable and respect her as "whole", however artificial that whole is. and as with the ship of theseus being two ships, once i realised the transformation, i re-added the old protagonist back in whole cloth as a separate character; proud of her robot arm and its power, but in new context, as a foil and antagonist, an in-universe military prosthesis propaganda figure to reflect how i now feel characters like her exist to us, the readers.

i'm not just sharing that as egotistical self promotion, but to highlight that, even if i sit here begging you all up and down not to write characters with robot arms for how bad and unrealistic they are; there's still something genuine and true that their inclusion can say. the great thing about the story that you're writing is that only you can write it, as they say. but i whole heartedly believe that to write to your best, you have to be aware of what you're writing and why. as tempting as it is to feel these characters form naturally in us and therefore we're averse to changing traits about them that feel organic and self evident; as authors we have omnipotent control over the text, every trait and detail is a reflection on us, so we'd sure as hell better understand why we're choosing to write a character with this trait. because anything you write without being aware of intent will take on its own meaning in the space between.

and on that note, if i don't say this, i'm leaving it to be inferred: i definitely don't want to appear to come down on the side of saying "you cannot write an amputee unless you are one", because we are rarer than single young bisexual unicorns! and it would be a tragedy if anyone read through all this and then turned away in fear, deciding to never write an amputee character (with or without robot arm) because they feel they can't do it justice… believe me, no matter what anyone says, some hack writer somewhere is going to keep writing adam jensens and winter soldiers. don't let them be the only voices in fiction! just try to do your best.

so my ultimate advice on the topic of writing a character with a prosthetic limb is to ask yourself one question in two different frameworks, and meditate on what you feel the answer is:

why does she have a prosthesis?

from a doylelist perspective as the kids say, as an author with omnipotent control, why are you choosing to write about this topic? why are you choosing to give this trait to this character? what does it say about how you view ability and disability, what makes a person normal, and what our society values? will you let her be in her natural body? or will you give her a prosthesis, force her to wear it by authorial fiat, or author her a meaningful reason to choose to? if yes, be sure you know; why did you give her a prosthesis?

and from a wastonian perspective, diegetically, inside the story, why does she choose to wear a prosthesis? what does it say about her inner character, and how she interacts with the world? how does she feel about doing it, is she prideful and loves the attention she gets, or does she resent whatever necessitates its use? how do people in this world view ability and disability, what does this society value? and above all, whatever the answer to these questions, whether or not she uses a prosthesis or is badass without one, how does she deal with the eternal freezing cold that every amputee ever feels constantly in their residual limb and why does nobody make a heat pack that fits over a nub without drafty gaps???

i can't outright tell you how to write a good upper limb amputee, but if you at least know why you're writing one and for what purpose, you're on track to write the best character that you can. that's the best advice i can give… other than, like, this whole rambly mess.

and, as a reward for reading this far, please have a very blurry cryptid photo of my cat doing his old man sit:

[voidy-vibing]

This is probably gonna be my last post about the Zerum drama but here is a full breakdown of what happened and what I understood! Thank you @obbystars for showing me the tweet and screenshots. (also sorry for the tag)

So.

Zerum, the co-creator of Pressure, who's sona is canonically married to Sebastian has been getting constantly harrassed, bullied, and been given death threats.

There have been alllegations in which they are anti-selfship, transphobic and ableist.

To start off bit by bit.

Zerum was NEVER anti-selfship/oc x sebastian. In the Official Pressure discord server, there is a rule where people are not allowed to show ship art with ANY of the Pressure characters as all devs aren't comfortable with it. While they do not allow it in the official discord, they are not BANISHING shipping as a whole and people are allowed to do whatever they want.

People have been calling Zerum possessive, insecure, and a hypocrite because their reaction to people thinking 'Sebastian x Zerum is a joke not canon' was a pretty bad one. It was not professional, and people were right to get mad about their behavior but responded A THOUSAND TIMES worse. They sent Zerum countless death threats, insulted them, and they also griefed the Pressure Fandom Wikipage (the unofficial one) with a Sebastian x Zerum divorce fanfic (its fucking crazy).

People took the fact that Sebastian has a wedding ring as something to SPITE the Sebastian shippers, but to me it really seemed like setting in stone a thing that was already meant to be canon, as many ppl thought it was a joke.

The transphobic allegations came from the fact that Zeal made Zerum post a rule that Sebastian art with him in a dress isn't allowed. This was a rule ZEAL wanted, and they only banned it on the official discord server, and do not care for anywhere else. They just do not think it fits Sebastian's character ig. Its kind of weird to me, but its whatever.

The abelist allegations came from the fact that Zeal, when adding the deaf accessibility setting, didn't take on some tips from the deaf community. This I don't know a whole lot about so I'm not gonna delve deeper into it rn.

And finally, people think that the devs are mischaracterizing Sebastian by making him more snarky lines, or the ability to kill you, as a way for Zerum to 'fend off' the simps. This is not true, due to the fact that the voicelines for Sebastian killing you was recorded BEFORE there was the huge popularity for Sebastian. This is not something that was per say targetted at Zerum, but Sebastian has TOLD that he has been forced to help the Players. He doesn't help the Expendables because he is caring- he helps out of being forced to ans out of NECESSITY. It says in the wiki that Sebastian gets the data from the Expendables for blackmail (or probably something whatever in regards of escape ofc), and he simply sees the Players an easy means to get said data. Just because he is snarky because you literally flash his eyes fucking dry does not mean they are changing his character. He is still funny and sarcastic, but there are consequences to your actions and that'll be him getting mad ar you if you annoy him too much. It is very fair imo.

So no, perhaps in canon, Sebastian would not care for the players but it doesn't stop anyone from shipping or simping. He just manipulates us into thinking he cares in the game yes, but fandoms such as ourselves really shouldn't need to be mad or necessarily care over this aspect. This new update shows Sebastian's true colors VERY WELL and it is infact in-character for the game's story context. This does not mean you can't change it to your own liking, self-indulgence comes with being in fandom, and no one is gonna shame you for that nor should you shame someone else. I understand if people are upset over these new stuff about him, but I can make a seperate post to speak about this more clearly, I only wanted to try and explain it.

So yeah.

I really truly hope this does not seem like I am attacking, targetting, or hating on someone. If allegations with the devs or Zerum change, they'll change, but it's important to take every perspective and keep an open mind.

[billiewena]

TWO YEARS SINCE NOV 5TH, 2020 as summed up by Supernatural (sequel to this)

⤷ bonus

image ID & context below:

[image ID: screenshots of Supernatural paired with screenshots of various tweets, news headlines and Tumblr posts.

1. Castiel coming out of a closet in SPN 12x08 with screenshots of articles and videos called “Supernatural’s Misha Collins Appears to Come Out as Bisexual,” “Supernatural star Misha Collins appears to come out as Bisexual in the Best Way”, “Misha Collins Comes Out as Bisexual Footage”

2. Kevin Tran in SPN 8x01 saying “You know I’m not gay, right?” With screenshots of articles that read “Supernatural’s Misha Collins Apologizes for ‘Misspeaking’ After Appearing to Come Out As Bisexual,” “Misha Collins Is Getting Clowned About Being Bisexual Then Coming Out As Straight,” and a tweet by Misha Collins that reads, “This was not my intention so I need to correct the record: I am not bisexual. I happen to be straight, but I am also a fierce ally and the last thing I want to do is falsely co-opt the struggles of the LGBTQIA+ community 3/5”

3. Castiel telling a waitress in SPN 14x15, “And between various, steamy, erotic musings” with a screenshot of musician Perfume Genius tweet linking to the article “I have had sex with every actor from the TV show Supernatural” with the caption “I have had sex with every actor from the TV Supernatural. What follows is an account of each erotic event followed by a letter grade.”

4. Dean in SPN 10x10 saying, “And it ain’t gonna cost me a dime” with a screenshot of a tweet from @DiscussingFilm that says, “Nextstar will acquire 75% of The CW for $0. Instead, Nester will assume a significant portion of The CW’s current losses, which could exceed $100M.”

5. Dean in SPN 3x11 saying, “Come on. You love this song and you know it” with a screenshot of spnamvarchive and the 77 total videos in the #honeypie tag. There is also a screenshot of a text post by user iloveyoucas that says “OOH GIRL DONT YOU STOP DONT YOU STOP TIL YOU GET ENOUGH HONEY OH HONEY HONEYPIE HONEY HONEY HONEYPIE OOH GIRL DONT YOU STOP DON’T YOU STOP TIL YOU GET ENOUGH HONEY OH HONEY HONEYPIE HONEY HONEY HONEYPIE” with a gif of people dancing and a screenshot of a Honeypie AMV of Dean Winchester by afeelingsoweet.

6. Lilith in SPN 15x05 saying, “and his very weird, very perv-y obsession with you” with a headline that reads, “Jensen Ackles on his naked Soldier Boy intro on The Boys: ’Nothing on but a sock.”

7. Castiel in SPN 12x18 as he listens to a man say, “You know…like the Queen of England” with a screenshot of a post by whyissupernaturaltrending that says “Sept 8, 2022 - Supernatural trends because the Queen died” with a screenshot of Supernatural trending #1 on Tumblr.

8. Marie in SPN 10x05 saying, “But this is transformative fiction” with headlines that read: “Supernatural Prequel ‘The Winchesters’ Starts on The CW,” “The CW’s The Winchesters is a prequel to ‘Supernatural’”, “Jensen Ackles and The Winchesters Team Promise to carry on the Supernatural Legacy: ‘Trust us.”

9. Dean in SPN 10x05 responding to Marie saying, “You mean fan fiction” with headlines that read: “The Winchesters is a Soulless, Bland Attempt at Recapturing the Supernatural Magic”, “The Winchesters: 8 Biggest Retcons From Supernatural,” “Supernatural’s Spinoff Prequel ‘The Winchesters’ Offers Familiar Pleasures but Struggles building Its Own World: TV Review”

10. Dean in SPN 14x13 saying, “They always talk too much" with a tweet by nuttyforackles recapping a conventional panel that reads, “I should have said I love you too and hugged Cas… people will sexualize that but it’d doesn’t have to be, we were brothers in arms” - Jensen Ackles #spncon #vancon

Bonus: Lucifer talking to Dean in SPN 5x03, saying “Whatever you do, you will always end up here” with the Tumblr logo edited over Lucifer’s head.

/end ID]

[displ3azant]

CURRENTLY ASK-ABLE: - Unpleasant - Infected (Plez oversees the questions, though.)

(Before cut is In-Character.)

Hiii! Helloooo!

Hello!!!!!! Hehe, thiz iz actually super weird trying to write an intro-- give me a minute.

So, HIII!!!!!!! I'm Unpleasant! That'z not a joke, that iz literally my name. There'z no "deep reason" behind it, it iz literally just what people refer to me az. But, if that'z too weird, I do also go by Unplez or Plez for short.

Uh, pronounz? I don't really care, actually. I don't have a set gender, I've never really met a gradient who doez. That being said, since I started hanging with Infected I have been called he and she specifically a lot... so if it'z easiest for you, just roll with the crowd.

Right, so... the blog. Thatz thiz blog, haha! Well, the easy answer iz I waz super bored, Infected can suck a huge ####, and I like talking about myself! But... I kind of suck at talking in general, so I guess I'll type and answer questionz about myself.

BUT KNOW MY BOUNDARIEZ BEFORE YOU ASK QUESTIONZ! 👇👇👇

(Below cut is Out-Of-Character.)

To those who know me: Good to see you're still stickin' with me! I promise I will make an effort to make this blog much less of a dumpster fire like the last one.

And to those who are only now coming across this blog: Hello! My name is Hex. You don't have to call me "Mod Hex", or anything, just "Hex" will do. I'm the only guy running this thing here. I'll talk more about myself soon, because oversharing is what I do best.

Blog-Context

So, if it wasn't obvious enough from the intro, this is an ask/rp blog for the Unpleasant Gradient from Regretevator, but specifically in the context of the plez-centric au I have created for him. Or, well, the "AU" in question is actually just some freaky amalgamation of all my fucked up headcanons, which means...

I AM NO LONGER DOING DIRECT BLOG ASSOCIATIONS! Really sorry about that, I love my friends with all my heart but if I wanna keep consistency, I'm gonna have to "write the story" on my own. However, I do want to give full credit to my friends @sk8tr1101 and @party-noob for some major concepts involving Unpleasant, especially Audrey who already has some awesome ideas herself. Go check them both out!

MAIN TAGS:

#unpl3zansw3rz - Asks

#unpl3zrambl3z - Non-ask related posts/reblogs

#unpl3zlor3 - Plot points and similar

#ooc - Out-of-character post

OTHER TAGS (to be updated):

(nothing yet, hehe)

Blog-Owner

So hiiii, I'm Hex. If I can be bothered, out-of-character posts will either have the #ooc tag, be in purple text, or be signed off with my name. I'd prefer if you refer to me using he/it pronouns, thnx!

I'd also like you all to keep in mind I am 17 years old, therefore a minor, and even if I wasn't 17 I do not appreciate NSFW/Explicit jokes towards me, ESPECIALLY if you don't know me. It's one thing when you're my very close friends or my partner, it's another thing when you are a stranger on the internet asking me things I should not have to answer.

My other accounts are: @hexexists - my main blog, if you receive notifications from this account, please know it is just me! @hexational - my regretevator blog @geometricgiovanni - a Jeremy ask/rp blog set in the same universe as this one! Please note, however, that in the context of this blog, Unpleasant is not aware of the blog nor would he like to be.

Ask/RP-Boundaries

Let's start off by reiterating that I AM NOT OKAY WITH NSFW/EXPLICIT ASKS IN ANY CAPACITY! Sick of getting them, they're repetitive and annoying. Asking safe-for-work questions involving Unpleasant's anatomy is one thing, but I am not responding to ANYTHING involving genetalia.

ALSO! I am very unlikely to respond to things that is either hard to make a unique drawing for or don't progress the story (unlocking "lore" and such). I'm watching your ass, Mango, I know what you like to do (/lh). Joke asks are still okay, you don't *have* to progress story, but please keep in mind my "criteria" for answering asks when sending them. A clean inbox gives me a clear mind. I do not like notifications.

Shipping content: Shipping content is okay, but I don't care much for romance personally and so will likely not play much into it. Please don't push anything, I guess, and nothing that promotes proshipping or any kind of literally illegal pairing. If you dislike any direction taken ship-wise for this blog, then block me and move on with your day.

Roleplaying: While I'd prefer to not be in direct contact with other rp blogs, I am totally cool with roleplaying side stories and stuff, interactions and such! Please keep in mind though, Unpleasant in this is not a very social person, so you're probably not going to get the reaction you want.

Also! I think OCs are super cool and am happy to respond/interact with them as well! However,

PLEASE DON'T SEND YOUR GRADIENT OCS TO THIS ACCOUNT IF YOU WANT ME TO DRAW THEM! Please instead send them to @hexational! A lot of people were sending me their Gradient ocs to the previous Unpleasant account, and as much as I love seeing Gradient ocs and Gradient sonas, I'd love to be able to draw them, and if you are just asking an opinion on them and not an in-character ask or a genuine question involving other gradients I'd much prefer you send them to the account previously tagged!

That's pretty much all I can think of! Sorry for the long post, I just have a lot to say hehe

Lots of love, - Hex

[icarusredwings]

Snippet of my one fic series im calling

"Finding home."

This comes after DOG TAGS. They're spending the night at the Xmen mansion when someone pays them a visit. Established Poolverine.

Warning: Wade is just.. Wade. Logan (worst wolverine) is learning to stand up for himself, Complicated stuff with Jean Grey and other xmen characters. Post unknown context.

Angst, emotional hurt/comfort, fluff.

Coming into the room, Logan had found Wade lying down. Sprawled out beautifully like a dame in one of those fancy paintings. As if he was worn out. This had pleased him greatly. It meant he had so much fun that he was satisfied with the level of exercise and socialization for today. Something that was a rare sight.

Walking over, he climbed into the bed with a big smirk, pulling him close, underneath him.

“Hey..”

“Hi.”

He chuckled softly, starting to kiss him all over. The kind of kisses that meant he was hungry for something more, already nipping at his lips and his neck. Putting his head back into the silk pillows Wade groaned, putting his hands up to the back of his head, beginning to pet him.

Sliding his shirt up, It wasn't often that Logan let himself wonder so confidently. Which is why Wade whined, his stomach fluttery a bit as he groaned. Maybe it was because Logan was leaving a trail of nips down his abdomen or maybe it was because of how nauseous he was getting, but something wasn't right.

“Oh god. I usually would never in a billion life times say this but.. Stop?” What ever has gotten into Logan had got him good because he only chuckled again and bit his ear, Holding him by the hem of his jeans. “Sorry, Bub, But you're all mine now. Stuck with me. So get used to it because you're gonna be scr-”

“Logan Stop.”

Almost instantly, Like a switch he sat up, No longer touching him. In Fact the look he gave him was filled with concern and almost ashamed for the things he's done. For not stopping the first time. There've been plenty of times where stop didn't actually mean it, but he knew better when it was said in that tone.

This only made Wade pout more. Look at him!! All confident and ready to play the way they've been training his self confidence for. And the dirty talk too? Come on! How he was sitting like this? All obedient and worried for him? Ugh! He only wanted to fuck him more now. It wasn't fair.

“I'm gonna puke.” He stated a quick explanation that made the man frown, his thoughts instantly going to because of him, as if he were too gross to play with, but a single brain cell pipped up as he remembered his dear fiancé was not new to throwing up.

“If… if you don't mind. Do you think we could just cuddle tonight?” He asked, looking almost ashamed of himself too, feeling bad for turning him away.

“Yes. I mean- Of course… Do you want help?” Watching him light up like a puppy with hope to be helpful.

Wade couldn't help but stifle a laugh, giggling after the scoff. “Can you hand me that trash can? And.. maybe look away. Or something.” He muttered, not liking when people saw him so gross, especially not him. No one wanted to kiss you with vomit in your mouth. Within a few seconds, He fetched the trash can, sitting next to him as he rubbed his back.

“You're alright.” He whispered, reassuring Wade that it was okay, that he could do whatever he needed to do, and no one would be mad at him. Sometimes, he became upset with himself for times like this. Thought it ruined the moment, and past shitty hookups have convinced him it was true and his fault.

This was the opposite of looking away, but no one really wanted to be alone when sick.

“You're burning up…” he mummbled, looking away but kept his hand on him as he hurled, gagging and grunting how much he hated doing this.

Listening to him try to catch his breath was the worst part for him, knowing how sensitive he was to unauthorized breath play and cancer didn't exactly believe in safe words.

“I know.. I know.” It took him about a month to finally get it when he first moved in, that Wade wasn't lean and thin because he wanted to be, Rather, he could barely keep anything down some days.

“It's alright. Hey. You're okay. I got you.” He whispers to him. Wade put his head back, tears in his eyes as he breathed deep and slow.

“There we go. Better?”

Starting to nod, this quickly became a shake of his head, putting his head in that trash can again. Oh, the poor thing…

Opening the door, Logan swallowed as he saw her. “Hey…”

To make matters worse, there was a knock at the door. God, they couldn't catch a break, could they? Without even getting a chance to ask, Wade went off to the bathroom, slamming the door. He always did prefer a toilet, really. It's much easier to throw your guts up when you don't have to worry about holding a bucket full of vomit. Much easier to clean up too, just flush it instead of rinsing it and cleaning it with soap.

“Erm.. Hi?”

“Look.. Logan I- We.. we're sorry. For everything.”

Crossing his arms he looked away, leaning against the door frame. “I don't know what you're talking about.”

“Yes. You very much do. You claim that you're different, but the way you've been acting shows that we even hurt you in your timeline, too. So.. While I don't know what we did then, I want us to be on good terms.”

“Us?” He asked, a little confused, shaking his head a bit. “Jean.. that was a long time ago. And you're not even the same person. I'm not even the same person.”

Blinking, Logan looked outside of the door, as if trying to see if there was anyone else. “I'm sorry- this is bothering me. We?? Who's we?”

“I know.. but that doesn't mean we can't apologize... Maybe start over? We would like that."

“Well.. you know how he can be.”

“Jean, Usually when people apologize, they're in person and say it to their face. Not send their pregnant wife to come confront them by herself.”

A Small look of horror came to her face, as if she hadn't told anyone else yet. A look that said ‘How did you know?’ But she only sighed.

“Only ever what mattered…” His nose crinkled a bit, Able to smell it. She wasn't far enough along for him to tell if it was a boy or a girl, but the baby was healthy. That's all that did matter to him. There was nothing wrong with worrying for a friend's child.. was there?

“I never could hide anything from you...Could I?”

“Logan, Please. He really is sorry. He's just.. you know.. with the school and you of all people know how much a man's egos can get in the way of things...” She mumbled, taking his hand, rubbing over his knuckles.

She wasn't even doing anything with her powers, and yet he felt this intense wave of relief fall over him, only for it to be instantly covered with a sense of protectiveness. She always had that effect on him. He wanted to protect her no matter what.

Swallowing again, he pulled his hand away as it started to sweat.

“That's exactly my point.. If he actually was sorry and believed he did do something wrong, He'd be standing here with you, now wouldn't he?”

“That's not-”

“I'm not finished!” He growled, tired of being spoken over. Wade did a hell of a job to connect his emotions to his mouth, and now he wasn't shutting it off. He worked hard to turn his grunts into words. And she would litsen.

Becoming quiet, she nodded, Implying that he could finish without another interruption.

Taking her other hand, he held both of them.

“I know you're an independent woman. You always have been. But you shouldn't have too. You need a man that will not only defend you, but will take care of you, and stand next to you for things like this.”

This speechless promise quickly becomes a lie. “Logan-” Her eyes were almost… hopeful.

Tears welled in her eyes but wouldn't let them drop.

“I'm not that man.” He started, shaking his head slowly as he did, not wanting her to get any ideas.

“Not anymore… Do you understand? Hell, Even Forge stands up for Ororo and would defend her until his last breath despite her practically being an all-powerful weather goddess!... and your husband won't even stand next to you while saying sorry? Think about it.”

“F-for what?”

“Jean, I'm sorry.”

“Because I'm happy. I was never going to fit into your marriage. Not ever. Not… well. At least. Everyone thinks that relationships are finding someone who matches your puzzle piece. When in reality it's finding someone who's willing to change pieces to fit. I mean- I'm engaged now!” He whispered this bit, almost excited, leaning down some to talk to her.

“Is.. he okay?” She asks.

“How crazy is that? The Wolverine settling down? Crazy to think about. And with a dying maniac at that.” He smiles, only to frown, hearing a big cough and a groan of frustration from the bathroom. “Oohh Fuck..” It said.

He now stands, putting his hands in his pockets. “He gets tummy aches.” He lied, whispering. “Gluten sensitivity.”

“Ooh…then why is he-”

Just before she could say it, Wade came out with a stretch, seeming better as he dramatically held his stomach.

“We're pregnant!!”

“No- we are not.”

“Pfft-” snickering some, Logan put his hand to his face, rubbing it embarrassedly.

“Oh we so are! Don't you remember? It's the only reason he's marrying me really. Got me knocked up and now we're having A shotgun wedding. How scandalous! I can see the headlines now.”

“There's not going to be any headlines, you lunatic!” He chuckled, almost at the brink of giggling.

A frown came to her face, only to softly smile.

“... I've never seen you laugh like that before.”

“Huh? Oh… heh.. yeah. I uhm… I didn't know that I could..”

“Hmm.. Well.. I guess I should be going..” She whispered. “Leave you two alone..” Turning to leave, she had mixed feelings about the interaction. Happy for him yes, but also now had other topics to think about.

“Mmh.. Yeah.. Oh- And Jean?”

Turning, the hope in her eyes made him frown, feeling sort of bad for being kind of a jerk to a pregnant lady. “When Scott grows some balls? He knows where to find me.”

Sighing, she nods. “…Goodnight, Logan.”

“ ‘Night.”

Closing the door, he came back to bed, still giggling a bit. “Why did you tell her we're pregnant? I can't get you pregnant, idiot.”

Laying on the bed, Wade looked slightly offended. “Are you calling me a liar!?”

“I'm calling you the biggest liar.”

He shrugged. “Oh well. And who knows? Maybe I got a cancer baby in there or something.”

Rolling his eyes, He climbed under the blanket with him. “Oh shut up. You don't have a cancer baby.”

“You never know…So…marrying a dying maniac?”

“Oh… how much of that did you hear?”

Grunting, He rolled over, Putting his face in his hands again. “Nngh.. I'm sorry.. I didn't mean for you to hear all that..”

“The bathroom has surprisingly thin walls.”

“It's alright. It's always nice knowing that you're just as big of a whore as I am.”

“Hey! Am not! It was just… complicated.”

“That's what whores say when they can't pick one dick to ride” he giggled, Rolling over to climb into his chest, nuzzling up under his chin.

“Are…are you sure you aren't happier... here?” He asked, the questions slipping out.

So many things were running through his mind, things that he probably shouldn't be thinking but he's learned that as long as it stays in his head, no one would get hurt… except.. that was the hard part.

Logan let out a deep sigh. “Wade?”

“I mean- Do you even like that i'm with Vanessa? What were you doing? Being a barrack bunny? But for the mansion? The mansions personally sex pet or some kinky shit like that?”

“Yeah, yeah.. shut up.. I know...”

“Wade.”

“hm?”

“I let you cut up my dog tags…and turn them into a ring”

“Technically Forge did that- actually.”

“.. a ring that you own now.. right?”

“Uh… yes?”

“And dogs go with their tags.. right?”

“I guess so?”

For a few seconds there was silence.

“So what does that mean?”

“25- no! 26. I'm pretty sure it's 26.”

“What?” He laughed. “That wasn't even a math question.”

“Ugh, just tell me. I'm not good at stupid riddles! If I ever met the riddler I'd just shoot him in the face.”

“The who-? erm, nevermind. If the tags belong to me. Yes?”

“Ok..”

“And now you own them. Yeah?”

“Okay..”

“Then that means..”

Blinking, he suddenly gasped a few seconds later, going into a giggle fit as he held him tight. “Oohh!! I wanna get married!”

“We will. Just not yet.”

“Tomorrow!!”

“No-”

“Why!?”

He wasn't tucking and running anymore. He would stay like a loyal mutt. As long as he wore that ring on his finger, he'd follow him. Whether here, or at that shitty apartment. He didn't care which.

“Because.. you deserve a good one. And good ones aren't planned overnight.” Logan smiled.

“And for your information… I was always the Barrack bunny..”

“GASSSP!! No way!! Same!”

“Yeah I figured that much… and.. As for Vanessa? We're inviting her to the wedding right?”

“Obviously. Duh.”

“.. Go ahead and kiss her after me.”

“Shut up and take orders, Wilson.”

“Really? But that’s- I don't think-”

“Yes sir!.. erm... peanut?”

“Do you still want too?....you know”

“Hm?” It was these late night talks that really made him enjoy having him around. The pressure on his chest, the gabbing, the giggles. It made him feel young again.

“Eh.. not really. 'm tired."

“Oh thank god! My stomach is killing me.” He groaned. Shifting them to lay on his side, Logan pulled him close into his chest, rubbing his stomach softly.

“Behave, Jr.” He mumbled, earning himself another laugh and a deep kiss. “Mmh..” intertwining their hands, Wade curled up against him, happy as always just to be next to him.

“...I love you..” Holding him in his arms as he said this, he felt embarrassed and almost.. nervous. As if he wouldn't say it back. But if there was anything about Wade he knew, it's that he'd never skip a beat to reciprocate affection.. something he wasn't used too.

“..How much?” Usually, he wouldn't ask such childish things. But Tonight? He might have needed it.

“I love you too, Logan. A lot.”

“I'd fight the entire world.”

“You do that anyway. More than tacos?”

“Woah there, Angelcakes! Know your place.”

They both laugh, the giggles die down, and snoring replaces the sounds.

[decolonize-the-everything]

as far as i know, the transandrophobia post you're talking about is the one by ftmtf who pretty regularly reblogs from spacelazarwolf and genderkoolaid, who are both zionists who deny and downplay the genocide in gaza (on top of being open transmisogynists who dabble in claiming trans women have male privilege). i'm not going to tell you what to think about the theory of transandrophobia but i personally question the motives when a lot of loudest proponents of it either are or associate with these types of people.

The post I'm talking about was made by myself. Someone made a vaguepost in response to it suggesting idk what I'm talking about.

That context aside,

I'm none of those things, advocate for none of those things, and my followers know that so what makes their character a reason to question my character, anyway?

.

When did y'all start letting racists and genocide apologists speak for anyone? Radfems came and nobody said feminism had to stop existing right?

I think it's entirely possible to recognize good faith, genuine critiques and analysis of how white supremacy affects men (which is the perspective of oppression that my post focused on) and how that intersects with other systems of oppression.

Likewise, the same way you've learned to spot radfem/terf bs I think it's also possible to recognize when that's being done in bad faith like when radfem-type ppl (like spacelazarwolf) do it.

Another response I get is people assuming that acknowledging someone else's oppression would somehow be lessening their own? and I dont see how that's my problem to unpack after we spent the last 5 years explaining to white people that privilege doesn't mean you can't also be poor or queer. We've already read this chapter as a society, I thought?

Imagine how fucking sad it would be if some totally normal person logged on Tumblr, saw the feminist tag full of transphobia, assumed all feminism was like that, and decided "I'm never gonna be a feminist, they're all bigots and also anyone who calls themselves that is fucking wrong and just doesn't know it."

🙃🙃🙃

That is what's happening to non-femme trans people except it's happening before the concept of our oppression under patriarchy/white supremacy has actually even really been discussed which is fucked up cuz like ...how are you gonna let that pathetic, bigoted explanation of oppression be representative of all trans-masc/non-binary people and actively discourage other people from trying to figuring it out too....and it's not bigoted? Like how.

Esp when my post was analyzed it through the lens of white supremacy. So it was also specifically about marginalized mascs and nonbinary people. Like how is wanting to discuss the way your gender impacts, compounds, and informs your experiences and other forms of oppression bigoted just because you're not a woman or femme lol?

I thought we wanted men to do that specifically. What happened to that?

Ofc trans femmes don't have male privilege!!! I think if your concepts of oppression undermine someone else's then your concepts are shit and you should read more. You shouldnt have to misgender, degrade, or dehumanize anyone else to identify yourself or name your oppression. My posts didn't do that, which is why the reactionary response from especially leftist Tumblr has been pretty disappointing tbh.

I've been fleshing my own idea of it out on my blog and that's been aggressively reacted to every single time I've answered questions about it 💀

And it's always bad faith nonsense, like "you just hate trans women" which is just a factually untrue reactionary statement. Like that's not even a critique cuz I know you didn't check the trans tag on my blog, that's nothing to me. Or it's "you don't know what intersectionality is" when I've made sure to read Kimberlé Crenshaw's source material and share it. When I've made sure to even read recent statements she's made commenting on how it's being used and weaponized in modern times.

Or it's seemingly good faith comments like yours anon "well only bigots have ever talked about it..."

Which is just another reactionary comment that doesn't even bother valuable critique.

How would you feel if I said "radfems are the loudest proponents of women rights so think about that before you start associating yourself with them."

sounds like bs misogyny doesn't it?

And maybe your response would be that I should just widen my circle and stop listening to radfems maybe. Maybe you'd tell me that Bigot feminism is not the only feminism out there and it would be on me to educate myself about that in good faith if I actually care about women :)

And you'd be right.

And I'm saying that road should go both ways.

When I'm having that conversation in good faith on my blog, it shouldnt be difficult for a bunch of people calling themselves progressive thinkers to hear me out in good faith instead of assuming I'm a bigot who doesn't know trans women are oppressed.

Like yeah it's shitty and systemic proof that misogyny is alive and real that the only people who talked about transandrophobia thus far are Like That.

However, I do not think it's proof that nonbinary, transmasc, and other marginalized men need to be gatekept from having the vocabulary to describe their unique experiences. We don't use homophobic straight women as proof that feminism shouldn't exist, right? I'm using the same logic. If the shittiest woman on earth deserves to destroy the patriarchy then why doesn't the shittiest nonbinary man you know have the same right? 💀

And going back to the vocabulary thing: Vocabulary, language, and literacy are necessary to dismantle anything and everything you can think of.

I genuinely don't get all the pushback beyond it just being well-intentioned & reactionary at the same time tbh

[murfpersonalblog]

IWTV S2 Ep8 Musings - Lestat & Gender: "I am she, she is me."

Scrolling the tags and sighing, cuz I just KNEW people were gonna take this line out of context, as proof that Lestat's the woman/wife/mother/femme-fatale (which @dwreader had to explain cuz folks just don't get it X X), blahblahblah. I've already said my whole bit on Lestat as the patriarchal father/husband, and the dandified matador/killer (a la Bruce). But I just wanna remind y'all that THE SAINT IS NOT A CITY.

Either the fandom's got a bunch of new Lestans posting who missed the discourse from S1 about the meaning behind Les's monologues from the books; or y'all just have frightfully short memories.

He's NOT talking about stupid effing New Orleans; and he's NOT calling himself a woman. He's talking about LOUIS. Louis' motherland! Louis' culture! Louis' ancestor's bones! Louis' grave soil! Louis's HOME--Louis' back at home, and Louis IS his home.

But here y'all go, always centering everything on Lestat's yaasification, and ignoring the Louis-shaped elephant in the room.

Lestat's been talking about Louis to his nameless Millennial Fledgling this whole time. Everyone knows who Louis is--and what he means to Lestat. This is CRUCIAL for Loustat going forward in TVC, when Lou's held as collateral against Lest by Akasha and Rhoshamandes.

But for some reason Lestans are hella quick to separate Lestat's identity from Louis every chance y'all get, then wanna whine & complain about the QotD movie pairing Lestat with Jesse, or AR tryna pair Les with Tom, Dick & Harry.

And YES, I will die on the hill that this whole anti-feminine discourse about AMC!Louis is couched in racial prejudice and biases--a trap that even Black fans who are pro-Louis fall into, while ignoring the struggles of effeminate/feminized gay Black men in their own effing community (X X X X).

But this is BY FAR more endemic in spaces predominately occupied by straight white women, who utterly fail to relate to their direct antithesis: gay Black men (X X). So of course they'll leap on every chance they get to glom onto long-haired blonde white drama queen Lestat as their spirit animal, even when he's LITERALLY TELLING Y'ALL that he himself identifies himself with LOUIS.

(Lestat's toxic color blindness is a whole 'nother conversation, omg. X X X)

Lestat says "she" because it's conventional speech to refer to places--especially continents, countries, and cities--as female, denoting motherhood and wives--places as people that take care of their own, as a mother would her children and/or spouse; a la the Statue of Liberty, personified virtues, and most abstract concepts we've inherited from Greco-Roman gender inequality about women as home-makers (HOUSEWIVES) being barefoot & pregnant in the kitchen. It's not even an exclusively English phenomenon. NOLA, like any city, is referred to as a "she."

So yes, to an extent, Lestat is channeling LOUIS; waiting at home for his spouse to come back and TAKE CARE OF HIM again. But Lestat is NOT a home-maker. He's living in a nasty AF shack, with only his music for company (and we know his tour's all about TVL & Akasha & Marius & Claudia & Louis). He treats his own Millennial Fledgling (his BLOOD CHILD) like trash; setting him on fire "IN LOUIS' HONOR" and not even knowing his name--he's NOT tryna be no one's MOTHER. He couldn't even bring himself to be Claudia's effing FATHER when she was literally burning alive two feet away from him, FFS.

But it's not about the brick & mortar or the PLACE itself--it's about the PERSON it's attached to--cuz Lestat always knew that Louis would eventually come back to NOLA--come back HOME--and FIND LESTAT WAITING FOR HIM THERE.

EVERYTHING & ANYTHING FOR LOUIS.

But AMC leaves it deliberately open-ended and ambiguous what Louis says to Lestat during their hug, and we don't see Lestat in Dubai, or any implication that Loustat is remarried/a couple again. Louis' putting down the torch, to stop accepting everyone's effing dregs; "your tired, your poor, your huddled masses...the wretched refuse of your teeming shore." Cuz Lou's decided to finally start learning how to live on his own for the first time in his entire life; for himself, not other people--AND realize that he doesn't need to rely on his husbands to fight his battles for him. "I own the night!"

[charcubed]

Individually and together, Loki and Mobius personify Chaos + Order. Their relationship and love is the balance the TVA needs.

Victor is talking about the temporal loom, AND this is related to Loki and Mobius' relationship.

Yes, Loki is chaos and Mobius is order... except they each have a little of both principles in themselves because of each others' positive influence.

They've grown together, they've changed each other, and that's why they're the key to saving everyone and everything.

It can never be only chaos or only order. It's about both.

The TVA was only order, initially.

And when He Who Remains wanted it run by Loki and Sylvie, it was "pure chaos" – as Mobius predicted when deriding the idea of them together, which is partially why they are fundamentally incompatible.

Neither was sustainable, and neither can be the TVA's future.

(A few days ago I was talking about chaos and order and said "in episode 6 they’re gonna be back at the citadel, and it’ll include Mobius, and Loki’s gonna pick up his dagger in a lokius context, and they’re gonna commit to co-running the TVA (maybe with B-15) and also kiss. Meet in peace at the end of time for order + chaos, let’s GO" so you can imagine how thrilled I was by these themes making a blatant return in this episode lmao)

This is spelled out here too, of course:

Ravonna personifies only order, while Sylvie personifies only chaos. Hence why they've been at odds from the start, which kickstarted this whole thing when Sylvie was taken by the TVA.

But...

"All that matters is order versus chaos" isn't true.

"When will you learn that none of your words mean a thing?" isn't TRUE.

Mobius' words were the catalyst for Loki to change – hence the framing during that line – and the ways they personify order and chaos as a result is in a partnership rather than in a battle.

The equal relationship and love between Mobius and Loki is ACTUALLY all that matters in the end.

As a bonus, this episode even provided a pitch-perfect microcosm of evidence that, per usual, Mobius' words mean everything. They're vital.

^^^^ This is what happened in the show at large, but condensed.

Loki was ready to do something rash, like maybe killing Victor Timely. He was panicking. Mobius talked him down, and Loki immediately saw sense and they began to work together to help instead of harm.

Loki, changed by Mobius, then stands in front of Sylvie and tries to keep her from killing.

He tries to get her to stop and think. She doesn't listen and he cannot change her.

It's EXACTLY what happened in the season 1 finale. And it happens on a wheel. 🌀

What actually changes Sylvie and gets her to listen is Sylvie seeing herself in Victor, which I LOVE.

All Sylvie wants is free will. Victor asks her for that. If she kills him – "prunes him" for being a Variant – she'd be no better than the old TVA.

So... one last thought (for this post, at least):

Mobius' slow, deliberate, cerebral approach – coupled with his words – is what Loki needs.

But Mobius needs him just as much for many reasons, including the fact that sometimes Loki sees the obvious that Mobius DOES miss :)

Chaos and order in harmony.

This is a love story, as always.

And now that love story is explicitly irrevocably tied even more to the plot.

---

My Loki metas on Tumblr are under the tag “chars loki posts.”

[rattkachuk]

Hello! Hope you are having a good day.

So I have a question for you, just ignore when you don't feel like answering.

I came to Mattdrai via the enemies/rivals to lovers tag and then got sucked into hockey. I really like the fanon take on Leon, fav character, fanon Matthew was fine but way too woobified and infantilized in so many fics. So my surprise when I started to watch games, interviews etc. Public Matthew is so confident, so loving, awesome family to back him up, especially Brady, hot as hell, sexy way of playing hockey, amazing public persona. Loved and respected by his team, beyond hockey.

Then Leon. His only trait seems to be that he's pissy which I can appreciate but it seems that he's just a downright mean, arrogant guy with a superiority complex (see that interview when he puts Silovs down.) I don't find him stoic at all but he's just seems boring and bland and yeah, pissy. It doesn't seem like he has fun or likes his team a lot or is liked by them (Connor aside and his skills aside.) His friendship with Connor seems the only endearing or likeable thing. He even looks good in a bland way and his hockey is while it's so skillful it's not hot and also I wonder why his dirty plays aren't called out more often.

So what do I miss? Where does great fanon Leon come from? Why is he written mostly so superior to Matthew and where comes the "his team likes Leon so much but Matthew is an outcast in his own team come from?) It's so far from what I gather from old and new interviews or games and I have watched a lot, also German interviews. I really would like to like Leon, shipping them had been more fun when I didn't find his public self so jarring. What do I not see what everyone else seems to get?

Sorry for the long ask! Have a great day and thank you

first off thank you for such a thought out ask! i don't get to dive into things like this a lot outside of writing fic and it got my brain gears going.

to get right into the bulk of this ask: i get what you are saying about leon. that can be the way he comes off for sure, and look everything i'm gonna say? i'm talking out of my ass here. i don't claim to know anything about him as a person besides what's publicly presented, and i don't have much right to theorize about why he is the way that he is, but i'd be lying if i said i didn't think about it. how would i write rpf otherwise, right 💀

i think he cares a lot. and i think sometimes he gets so wrapped up in things, how things should be, how he should be performing, etc, and when it doesn't go a certain way he gets frustrated and snarky (eg, pissy comments and such). but i don't see that being bad necessarily, especially when it's seems to come from such a team oriented state of mind. which, i dont think he dislikes his team at all? i think if anything, he has a sort of blind faith in his team, and that's the only context i could see a 'superiority complex' making sense in. and yah maybe a little misplaced at times, but ultimately i think it comes from believing so fully in his team and not seeing that come to fruition. he really does not seem to care about his individual performance much at all, so how self obsessed can he be? when i think about leon i just see someone that is ultimately very passionate and committed to the game he plays. i'm also curious to know where you get the vibe that his team doesn't like him? simply because i never got that impression from any of the other oilers, they all seem like they're obsessed with him.

beyond hockey, i see a caring, sweet, kindhearted individual. anytime i see a picture or vid of him interacting with bowie, or even the things his girlfriend posts about him, the comments he leaves for people on ig, and yah of course in the way he talks/acts around connor, i see fragments of someone soooo different than the little two minute post game interviews (which, can we judge any hockey player on those? i think they all hate them dfkjgsd). it's not always something i actively go digging for or have examples of the top of my head, but i do see it, and it definitely goes into creating the version of leon that i have in my mind.

hey, and, he's a silly guy!!! please, i know the reputation is pissy and humourless, ESPECIALLY in fic, but that man is so funny. so many random offhanded comments that make me pause and then laugh. a different sense of humour but it's so there. i love the sandcastle vid from the asg last year and feel like it's a good example of that, all sunburnt and happy. also hey, big man in tune with his fear of the ocean? love that. that little vid of him dancing on the ice earlier this season, those halloween photos where he's dressed as a monkey, every time he talks to a kid. hell, seeing him in warmups and watching the way he takes time to interact fans?? loveee watching warmups but i'd never had a player actually acknowledge my existence before leon!

also i really enjoy his personality on the ice, i like the rat behaviour and the sassy comments that he makes to other players/refs, i like the bitch moves, and i like his hockey too. i think his game is dependable and like you said skillful, and while maybe not the most creative, the sureness and the technical aspect it is hot to me. so my thoughts on everything are probably skewed in that regard.

anyways this was just a whole lot of rambling about why i find him interesting, endearing even, but i understand the perception you have. i don't like some players that other people love, just cause i cant see what they see. and honestly that's sometimes just the way it is! if you don't like leon, maybe u just don't like him and thats fine.

disclaimer that i have only been on hockeyblr for a couple years, and really didn't spare many thoughts for leon til the beginning of the 22/23 season. truthfully i'm hardly the person to ask about leon imo, but of course i have thoughts anyways! if someone else with more knowledge reads my bit of rambling here, please feel free to chime in and add your voice to this!

and side note, ofc, i have to touch on this bc who would i be if i'm not one to talk about matthew; in the way of m.tkachuk, i think that in the early days of mattdrai it was maybe a fair take away during his time with the flames (minus the woobifying). even though he was loved so much here and had some fucking times, and i think the team was mostly good to him (player wise if not regarding management, that is), i see such a stark difference now that he's on the panthers. he seems much happier and more confident, and obviously he's clicking with the cats on another level, and i do see a shift in how he's been portrayed in fics since tbh.

[falconearring]

The tags immediately after this directly address me and say 'don't answer this' but I asked my friend if I can anyways cause I really liked it and they said go crazy so I'm gonna go crazy.

Also I've talked a bit about field bindweed/morning glory in this post but I'm gonna go into greater detail here because it's one of my favorite flowers.

Like I mentioned before, the reason I chose morning glory to be Lizzie/Joel's flower's because of their associations with love, undying or in vain. Flower language is a bit finnicky in the sense that depending on context/who you ask meanings can change.

Specifically, I draw field bindweed. This invasive plant is notoriously difficult to manage. Their root system grows fast and can go up to twenty feet underground. Properly taking care of an infestation can take years of work. The seeds can also remain dormant for decades so you may think you've cleared a field, only for them to start growing again.

Here's a framed root system grown from one seed for reference. I just think it's so dang cool.

Bindweed smothers other plants and creates great competition for nutrients in the soil it occupies. When it's completely out of control, it's leaves can shade other plants, which also kills them.

I think because of it's tenacious growth habits, the association with undying love and obsession make total sense. To me, Joel is characterized by being completely independent and not really taking to people that well. That is, until someone strikes a chord with him, at which point he sort of digs his claws in and can't let go.

In life series there's plenty of examples of devotion between characters, but usually those are instances where the devotee suffers because of their dedication. When Joel decides he's going to be loyal to a person, it's more so dangerous to everybody else than it is to him.

On the flipside, because of the way bindweed can't easily be uprooted, Lizzie is here to stay as she appears now, for better or worse. Joel can't be rid of her without having the actual intention of letting her go, which he simply can't do. Whether she's a real ghost, or a product of his own mind, or some external malevolent force doesn't really matter because she's not going anywhere long term.

This is all to say that yes, the vines growing being a way to show attachment developing is absolutely true. It's also true that Joel is completely aware of the fact that he's prone to latching onto people in a way that's sort of freakish (for lack of a better word) but it's all he knows how to do.

[chaos0pikachu]

Film Making? In My BL? - The Sign ep01 Edition

So, if we're doing this we're doing this, so buckle in baby.

I'm gonna focus how the opening scene below, uses two narrative devices and one film technique to build out the scene as a whole: in media res, misdirection, and the long take.

Okay so to begin, we have to start at the beginning, or well, the middle lmao

In Media Res

I saw a post in the tag that said something to the effect of how The Sign starting with no context and providing no information at the beginning was strange, with the implication it was bad writing. I disagree, fundamentally, because The Sign is using a very common literary device called 'In Media Res'. And in my opinion, uses this device very well.

If you're familiar with basic storytelling terms I ain't telling you anything new, but for folks who may not know, in media res is a latin term that means "in the midst of things" and lots of stories - both prose, comics, and film - use this device.

The most famous is The Iliad by Homer, which if you've ever read - and you should it's glorious also it'll give some context to Song of Achilles - you know it drops you full-on no context into the middle of things. The beginning will differ in verbiage depending on the translation you pick up, this free version starts with:

THE CONTENTION OF ACHILLES AND AGAMEMNON. In the war of Troy, the Greeks having sacked some of the neighboring towns, and taken from thence two beautiful captives, Chryseis and Briseis, allotted the first to Agamemnon, and the last to Achilles.

Right off the bat the story drops four character names and the setting with no real context. Who are all these people? Why is there a war? Well, keep reading to find out! It also starts the story with an action aka an argument - nay A CONTENTION!! Achilles and Agamemnon are such bratty bitches lol

Other (more mainstream) examples include:

The Dark Knight

Lost

28 Days Later

Mission Impossible (pick one)

Fight Club

Full Metal Alchemist (both)

MDZS

Inception

And, The Sign.

"In contrast to linear storytelling, which starts at the beginning and moves sequentially, in medias res is a nonlinear approach that can make stories more dynamic and immersive.

It's a technique that challenges the audience to make sense of the narrative puzzle, often revealing essential information about the characters and their motivations gradually." (source)

What's described above is exactly how The Sign, starts it's story, in the middle of things, specifically to create a puzzle for the audience to figure out gradually. If you watch the above scene, what's happening?

We get a (well done) overshot of an island (establishing setting), we see a group of soldiers (establishing the characters we'll be following) we see them doing military things (okay these are their skills, and they're on some sort of mission), their drone spots a group of people inside and a character says the dialogue "Listen up, you only have 15 minutes" (this establishes stakes, okay there's a time limit to this mission) "Team A will rescue the hostage" (okay now we know what the mission is and informs these characters are on a rescue mission).

Who is speaking here? We don't know yet, but a safe assertion would be this character, since they are the first character who speaks on screen, will be important.

And we'd be right because it's Phaya speaking, one of our main protagonists as well soon find out.

All this happens within the first minute; the show provides an interesting set-up. It deals out information in tidbits - setting, characters we'll be following, situation set-up, stakes - but not enough information for the audience not to ask questions.

I want to iterate that at this point, the goal isn't to "care" about the characters yet, so much as create an intriguing set-up based in action that will showcase various information about the tone, setting, and skills of the piece that will engage the audience. To make the audience ask questions, to engage with them.

When you open up on MDZS the protagonist, Wei Wuxian is dead and we have no context for this. Everyone is just in the middle of celebrating his death and we, the readers, do not care that he's dead or why he died. The story could have started in a more linear way, with him arriving at Cloud Recesses arguably the beginning of his journey, but would that have been as interesting? As engaging?

I like how this article breaks down the why of starting your story in media res is a powerful and often used device:

This is what The Sign is doing in this opening part. Starting the action of the series off with action and creating that immediate engagement. The scene also ends with a plot twist which connects to that final point about information control.

This isn't a technique I've seen often used in BL because BL is a sub-genre of romance and most romances are told in chronological order, rather than non-linearly - there are, of course non-linear romances, but most mainstream romances, and by extension most BL aren't told in this way - BL shows don't often have actual physical action. A majority, especially in Thailand, are grounded, closer to slice-of-life, coming-of-age, and comedy dramas - though we are starting to see a change in that trend.

So starting in the middle of things, like chepa the middle of what? Two dudes walking~ to Engineering class?

The goal of this opening scene is to pull in the audience, make them wonder and ask questions: "who are these characters? will they rescue the hostages? who are the bad guys? who is this character who's having visions?" and so on and so forth. It's a way to engage in the audience without having to slow down the narrative with a ton of exposition, or build up stakes slowly, rather it grabs the audience immediately and sets them in the middle of the tension asking them to engage with what's happening.

The Long Take

You've probably heard about "the long take" but to break it down, a long take is one continuous take without any edits/cuts. The film 1917 was famously filmed to "look" like one long take. One of the most cited and well known long takes is from Children of Men by Alfonso Cuarón:

Now if you watch this movie you can tell why there isn't a lot of BL long takes because, god damn, they built a new type of car just to get that one scene. [read here for more on long takes]

So, The Sign. It's long take starts at about 2:08, following Phaya - again, we the audience don't know this is Phaya BUT since the camera is spending specific time with him we assume he is An Important Character and he is! Set up and payoff! Funny how that works - and ends at around 4:27.

[Sidenote I love that the take ends, not with a cut but a transition. Which I'll cover in another post but in the land of Thai BLs which favor cuts so damn much transitions were so refreshing to see]

During this long take, we establish that these characters are competent at what they do. We understand that they're military trained, in both hand-to-hand combat and firearms. We also get these two mid-close ups, which signifies these will be Important Characters:

And they are, the first shot is of Phaya, Khem and Thongthai and the second is Tharn and Yai.

This also sets-up the character dynamics; Yai and Tharn are already close and know each other so they are drawn to each other while on the mission, while Khem and Thongthai have a pre-established relationship but are still supporting behind Phaya.

This type of shot also allows for the audience to better see and follow the fighting that's happening on screen. Filming fight scenes are their own beast, and while there's no one school of thought on how a film scene "should" be filmed, there are techniques that that place some fight scenes above others.

The first video showcases some techniques on how to film a fight scene, while the second one at the 8min mark talks about the long take in John Woo's classic action film Hard Boiled.

This long take in Hard Boiled really showcases why long takes are so powerful in filming a fight scene specifically. They pull the audience further into the action and create a palpable energy that just works better than a scene with lots of quick cuts.

There's a reason one of the biggest criticisms of Mortal Kombat (2021) was that all the fights were edited to pieces while John Wick (2014) was a refreshing jolt to the industry.

The Sign takes a page out of John Woo's book, and places the characters, and the physicality of the scene front and center, pulling the audience along with the camera in one long shot.

Long takes are hard, I can't really emphasize this enough, if you watched that video on Children of Men you can see all the intricate work that went into scenes that amounted to maybe 5mins of actual film time. Likewise this long take in The Sign is only about 2mins of actual time in the show BUT it's effective, it's engaging, its ambitious.

Which is why, I gotta give The Sign it's roses because of that ambition. Long takes are a lot of hard work, time, effort, blocking, rehearsals, on top of incorporating the fight chorography that's a lot and it looks good.

Now is this the best~~~ long take I've ever seen? lol no god but it's well done and ambitious especially for the sub-genre of BL.

Misdirection

Misdirection has more in common with in media res than the long take as it's a literary device and not a filming technique.

From Gotham Writers:

"In fiction misdirection can be either external or internal. That is, the author can be using the story as a frame to misdirect the reader, or a character in the story may be misdirecting one or more of the other characters. Or, of course, both." (source)

Misdirection is often used in thrillers or mystery narratives, Hitchcock used misdirection a lot in his films.

In Psycho the audience is lured to believe that Marion, the character the film opens with, builds up, and essentially sets up as our protagonist, is in fact our protagonist. She's not, she's murdered and her sister, Lila, is the actual protagonist of the movie. Sorry if this is a spoiler for an almost 70 year old film lmao

Misdirection is often used to set-up plot twists down the line. A good misdirection will leave clues for the audience when they watch back and go, "oh! I can't believe I missed that!"

In film The Sixth Sense is a good example of this, where the plot twist at the end doesn't weaken the film once you know it but rather, it enhances the film itself on a rewatch. Another good example of misdirection in film are both Knives Out and Glass Onion, where Rian Johnson will set up a non-linear story and then slowly unravel the information for the audience.

Take the scene where Marta, in Knives Out, finds Fran's body and hears Fran say "it was you" at least to audience ears. Then stands up looming above Fran's body. The scene cuts, and the audience is led to believe Marta has let Fran die to protect herself (since we the audience also have been led to believe Fran is dead) only to find out later that Marta didn't let Fran die, she is alive, and she knew Ransom was the killer.

The Sign uses misdirection in a much more simple way. It sets up an expectation: Phaya is going to die, upping the stakes from "must save hostages" to "must save a comrade" aka the character we, the audience, have been following for the last 11 minutes. It sets two characters, Chart and Phaya, as opposing against each other, for reasons we don't know - is Chart one of the villains? Why is he trying to kill Phaya? etc - and the audience is led to believe this is a life or death situation.

Then, plot twist. The reveal happens that this was all a training exercise, and there was never any "real" danger whilst also keeping the audience on their toes. And like in The Iliad, now we have context for the mission, and then the story is able to step back and explain.

It's not like, the best~~~ use of misdirection but there was a purpose to it. It sets up an expectation, and subverts that expectation of the audience - but in a good way not a Game of Thrones way. While also pulling the audience into the show by starting in the middle of the action rather than slowing down the story with exposition or giving their hand away to much that this was a training exercise.

If you knew it was a training exercise, suddenly the stakes feel less intense because none of the characters are in any real danger, but not knowing that, withholding that information until it's relevant, ups the stakes of the scene.

The opening scene of The Sign imparts a lot of information without using a lot of dialogue and I find that impressive. We learn which characters will be relevant to the story - Phaya, Tharn, Yai, Khem, Thongthai and now we know, Chart is also important - that they are skilled combat fighters, knowledgeable in firearms, there's a fantasy element to the story via Tharn's visions, they're on an island which the setting for right now, and the tone and aesthetic of the show itself.

It's actually a fun scene to rewatch again with more context because I appreciated it even more. Which is just good film making.

I didn't talk much about the camera work - needless to say it's notable and fun - but maybe I'll save that for the next post. What other shows or scenes would be fun to breakdown? Drop me a line but heads up I don't actually watch a ton of shows so idk if I've seen xyz show lmao

Later chepies ✌️✌️

Other posts in the series:

Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI

[like these posts? drop me a couple pennies on ko-fi]