chemin de la rivière-delisle, coteau-du-lac
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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fleur, chemin du canal, les cèdres
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Italian Jay and his Italian dad (harvey). Just a thought
Honestly, I headcanon both of them as Hispanic, but, Harvey has GOT to have some Italian for sure. I personally love the take of him being biracial and connecting that to his split theme.
I’m just saying; Let them have a Rio and Miles dynamic. That “YOU GOT A B IN SPANISH?!” scene except it’s this:
Jason as mob boss red hood, trying to negotiate with some Big Bag Leaders and failing hard: And… Okay, hold on.
Harvey: What are you doing? Why are you checking your phone?
Jason: Just— I need this word in Spanish, okay—
Harvey: IS—IS THAT GOOGLE TRANSLATE?!
Jason: CALMATE PAPI, ESTO MU ES MY FAULT!
Bruce gets an extremely angry call from Harvey, saying that “their failure of a child” just embarrassed him in front of the entire drug cartel and he’s not letting him go until he’s fluent in Spanish, god damn it.
“Are you trying to kill your father?”
“DID YOU GUYS KNOW THE WHOLE TIME?!”
“The Hamlet references were a giveaway, sweetheart.”
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