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#who am I kidding he does not have flaws at all
kiawren · 8 months
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kiawren things that may add some plot to our relationship: (becuz to me we both like each other too much and are so perfect for each other we already know we're in love and get together so early like I Know it's not realistic but really I don't see how it'd drag out becuz I'm not stupid and I'd realise he likes me becuz he's not exactly good at hiding it so it wouldn't even be mutual pining for long lol)
– wren confessed his crush first (very in character of me becuz I get infatuated too easily), and kia/we says sorry he doesn't like them and has responsibilities to focus on, but they stay good friends. And then he falls for wren
– if we continue with the above, kia/we later asks wren if they view him still as a crush or a friend, and wren replies friend but he actually still adores kia/we, but kia/wes like ok he doesnt like me. And doesn't confess (he would've if wren said he still likes him)
– but then again im not that oblivious I feel like I can easily tell if kia/we likes me 😭 so thats fun to think about but it's not how the relationship 'canonly' mainly goes
– trans guy kia/we who wasn't sure that he was gay (didn't even like anyone legitimately till wren), when he transitioned he just took on an assumed transhet identity. and was conflicted when he starts to like wren whos nonbinary transmasc but doesn't really pass so he was worried he doesnt see wren as the boy they identify as!
– if kia/we already knows he likes guys/masculine aligned people, then wren was worried he wasn't enough of a boy for kia/we to reciprocate (actual thing that I thought of alot when I had an infatuation for a cis gay irl)
– over a vacation wren went back to whatever region they came from (idk poke/mon well enough outside of gen 7 my bad💀💀) and both of them were thinking whether it's a crush that'll pass over the month or two. (spoiler it didn't)
– well on the gender and sexuality thing maybe kia/we thought wren as someone who understands him in that aspect very well (since they're both transmasc, just to different extents) so he confused himself over whether it was like a special bond of solidarity and understanding or like. An actual crush (reminder he has not liked anyone so bad before. Or anyone for that matter. I still haven't really decided on that. I feel like he knows what love is cuz his parents are in love but never really had time to think abt it)
– wren isnt from alo/la right. He's there to study on conservation (my irl dream) and kia/we doesnt trust foreigners as seen in the first few eps. So he treats wren in a stern and a bit mean. kinda way. This is kinda important becuz if he didn't, wren would immediately be infatuated with him within like max 5 days. So to drag out the time they take to like each other kia/we has to warm up to wren and wren has to see him as actually not intimidating.
– it'll also be interesting if there were foreign students before and they did not care for alo/la's natural world as their academic intentions made them seem to. So kia/we had bad impressions of ppl coming to alo/la to help the region becuz he doesn't trust that they truly care for it. But wren really does and kia/we needs a bit of time to realise that. So he was initially really mean to wren lol, and unlike the shift in the canon show where kia/we quickly became a silly guy and wasn't mean anymore, here it was more gradual and so wren didnt like him that early on
– they were on the topic of dating before and wren said they didn't really like the idea of dating a schoolmate (once again, me irl, schoolmates suck) but that mostly applied for his school back home, not the smaller and more bonded class he was part of here in alola. And kia/we was like yeah I have lots of commitments too like my family, my training,... So they were both like yeah I don't think I'd date. So they were apprehensive on confessing to each other becuz they thought the other's answer was pretty much definitive. (but it completely changed later on solely becuz they really liked each other..!!)
Some other points of personality conflicts so they're not actually as perfect as I say they are lol
– I posted this before but wren (me irl) is kind of a germaphobe when it comes to their bedroom and some other routines in their life and kia/we is much less hygienic like basic hygiene ofc but he stays on a farm and sweats a lot and he sometimes lays down on his bed in between, or like before he sleeps he trains but he doesnt shower idfk in the games his bed literally smells like sweat. But anyway the point is wren got thrown off by kia/we like idk not washing his hands that much etc etc it's hard to say becuz I freak over 'germs' in specific places and circumstances only... but ajsksjkd I'm literally getting nowhere with this. I'm just saying they have to get used to each other here
– kiawe has 100 discipline responsibility commitment. wren has like 2. If we were to keep it realistic kia/we wouldn't be like head over heels for wren cuz he's really not perfect lol, all this comes to kia/we so naturally and. I kinda want to say he'd be annoyed that wren isn't like that but he also doesn't get annoyed at people's flaws. He understands them and helps them achieve their goals regardless.. but I still think it'd be tiring for him.. so I guess he'd want to help wren as more of a friend and it'd take a while to see them for their other strengths aside from yknow their work ethic that takes up a lot of what you see in someone and infer about them. What I mean is that I'm so non-committal but if someone were to like me. I guess it'd be more of the artistic and intellectual aspect? I hope........
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bakafurai · 3 months
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Sometimes I think about how Kenji basically said that he likes Rio about as much as his favourite thing in the world...
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black sails is still so insane like yeah! here you go! fun pirate show! heres the utter torment that is being queer in this time period. heres several episodes setting up an m - f - m love triangle before they reveal it was far FAR more complicated than that. here are lesbians. everyone fucking sucks. have fun
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yardsards · 2 years
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me: huh wonder why i'm so sad and my Parent Issues are feeling so strong tonight
me: *had to spend 2 nights at my abusive parents' house a few days ago*
me: yeah it's so mysterious, wish i knew why this is happening
#eliot posts#abuse mention#they aren't actively abusive to me anymore at least?#they just. are still not very good though#and also deny the fact that they ever abused me#my mother came SO CLOSE to admitting she abused me and for a moment it seemed like she was almost remorseful#she was still being guilt trippy mind you.#but she was talking about how she and my dad were trying so hard and we so much better now than they used to be#AND THEN#she completely undid all that by insisting that having family problems to that degree was NORMAL#and that our family was actually BETTER THAN AVERAGE#and ''you think your friends' parents are perfect but i bet your friends would kill to have had parents like us''#like#i am well aware that no parents are perfect#but there is A DIFFERENCE between flaws and veing straightup fuckin abusive#(and this is not counting my friends who actually DO have abusive parents bc she has not met those friends/does not know their families)#at one point she straightup started slandering my one friend's dad and insisting he was violent and insane???#that friend is open abt his life and the dad is imperfect and kinda babies his kids too much but he is not violent???#anyway like. when i talk about my childhood my froends are generally Fucking Horrified#i have made therapists CRY with my stories#one who had been in the field over a decade said i was in his top 5 worst childhoods#so no. it was NOT a normal amount of fucked up#it was horrendous and abusive and i hate how she always says it's normal#and then she started boohooing abt her own childhood and pulled the whole ''i had it worse'' card
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valwrote · 4 months
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PICK YOUR DOMESTIC HUSBAND 🛒
WHICH HUSBAND IS ON THE DOMESTICITY MENU TODAY?
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featuring: diluc, alhaitham, zhongli, wriothesley, neuvillette.
synopsis: glimpses into married life with the genshin men.
warnings: implied fem!reader, occasional pet names, ooc (I have a sparse idea how diluc works, mention of "activities" (just mention I can't write smut pls), silly goofy ah loser coded men, mild swearing (damn, heck)
a/n: *stretching my back and crunching my neck.* I'm back from the dead. apologies for the choppy writing. thanks for the support on the other posts, if only I could write 50-page essays thanking everyone. <33 :')) not proofread.
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DILUC 🍷
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PRODUCT NAME: BREAKFAST AND KISSES IN BED. Diluc always hated the Knights of Favonius… 
He hated how most of them just stand around like buffoons and do not partake in any actual work that involves saving Mondstadt. He wouldn’t admit that he enjoys playing Batman. He hated them all except for one.
One he was willing to forgive all flaws of. "Knight of Favonius…always so inefficient,”  He scoffed at the pathetic sight of the hilichurls trying to dry roast a few knights roped to a wooden stick for their dinner. “Seriously, You’re so right Master Diluc.” Diluc’s head turned so fast at the sound of a new voice. When did you get here? Were you always there and how did he not sense you around?
That’s simply how you always were. A hard worker amidst slackers – he always termed despite Jean trying to explain that others work hard too. Perhaps that’s what caught his attention, honestly, he would never know what did. “G’morning…” He murmured against your skin, head buried in the crook of your neck, your flushed bare back pressed against him. “5 more minutes…” he heard your soft and groggy voice evoking a chuckle from the usually passive man. “Have I ever told you…how beautiful you are?” Diluc muttered against your skin. You smiled and turned around, “You always do. I remember my Dark-Knight Hero crying at the altar.” You pressed a finger against his chest, while he scoffed at the memory. “Don’t remind me about that, Kaeya doesn’t let me live that down…” He sighed, his brother consistently brought up the matter of him crying whenever he was losing an argument. Foul play if you ask anyone. “So…breakfast downstairs or in the bed?” He planted a kiss on your cheek while you hummed out a response, “Bed, you didn’t exactly go easy on me the previous night.” You recalled the events of the passionate night the day before. The honeymoon phase never seemed to end. “I am so sorry–” He panicked,” You're not in pain are you? I promise I’ll be gentle– I knew I should’ve been more considerat–” You stopped him by pressing a kiss against his lips. He groaned at the feeling of your soft lips touching his hands tangling themselves in your hair.
“I’m kidding silly… you should stop taking things so seriously unless you want me to start searching for grey hairs amidst those red locks of yours.” You snickered out seeing him release a breath of relief.
If the Darknight Hero really does exist, he's probably just someone in disguise. When he gets up in the morning to brush his teeth, it's the real him. He was his real him in front of you. People may call him a loser for such vulnerability…he was a loser for you.
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ALHAITHAM 🌱
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PRODUCT NAME: READING BOOKS OUT LOUD. One would say married to someone like Alhaitham was nothing short of a nightmare. They weren't 100% right. Shrouded beneath the aloof and meticulous personality resided someone who was in complete denial towards being loved. He loves it.
Who was he kidding? Nobody in a million years thought someone could put up with his insufferable personality — said Kaveh, his unpaying tenant. That was until he ran into you during his time as the newly appointed Scribe. You were like a painter, splashing heaps of paint in his 90s black-and-white life. Was eating ice cream always this enjoyable or was it because it was with you? Was the gossip between co-workers always this interesting or was it because it included you?
Why was his heart having an entire Queen’s rock and roll concert talking to you? Was it cardiac arrest or– He almost shuddered at the thought of it being what they called love.
“You’ve got flour on your face, sweetheart.” His teal eyes blinked amusingly into yours, a faint smile curling up his lips. You must have saved a nation in your previous life to land this man as your husband. Beige shirt perfectly sculpting around his abs – contrary to him calling himself “feeble,” hair slightly tousled and slight sleepiness in his eyes. He might not act like it but he was a little child whose needs had to be tended to like the coffee mug in his hands which you made, like usual. You wouldn’t want a cranky Alhaitham now, would you? “Hmpf, not my fault, this cooking book is completely bogus!” You rubbed your cheeks with the back of your hand, wiping away any remaining flour. “This is so boring…if only someone could provide their poor wife with some entertainment.” You always resorted to theatrics to get him to do things for you, albeit begrudgingly. “No, the same tactic is not going to work again.” “Please…” “No…” He groaned, tone almost pleading not to put him through the torture again. “During better or worse!” You resorted to the ace up to your sleeve. WEDDING VOWS! “Stop quoting the wedding vows.” He sighed in defeat. The most intellectually gifted man in the nation couldn't win against his own wife. Ironical. He got up and grabbed a book out of the bookshelf; a small fraction of his much larger library.
“Miss Elizabeth,” Alhaitham lazily flipped through the pages earning a rebuke. “More emotion! You are ruining the scene.” Alhaitham sighed and cleared his throat, “I love you most ardently…” His tone was feathery soft, emotion surging in it. A smile crept up as he stared at you endearingly.
“That’s much better. Though I seriously think Mr Darcy should’ve said– Miss Elizabeth, allow me to kiseth thy lovely lips.” You mimicked the deep voice of the character with the failing British accent. “Please have mercy on Jane Austen’s ghost and let her enjoy the afterlife.” Alhaitham chuckled and continued reading as you continued baking.  It was a shame that a man of such talent only paid attention to the truth itself and not to the people around him. If only the searching eyes of the ordinary say the exception to his indifference, you.
This was your biosphere, just you, him, novels and food encapsulated inside your small home.
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ZHONGLI 🪨
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PRODUCT NAME: ALWAYS ON HIS MIND. What is the best but the most useless flex you have? Being married to the Geo Archon. The inability to just tell the whole world that you are married to the frigging god was painful. You yourself were surprised by your ability to control yourself. Zhongli was a man of carefully curated words. Instead of words, straight-up poetry flew out of his mouth. Everyone knew how much he adored his wife, every vendor, every acquaintance, heck even Venti. Wangsheng Funeral Parlor's mysterious consultant. Handsome, elegant, and surpassingly learned. Excellent memory. A master of courtesy and rules. The amount of poor women who have tried to grab his attention. "Mr.Zhongli, how does this look?" the woman, who he remembered meeting over a history discussion 17 days ago. "Hm?" his amber eyes shifted to gaze at the hairpiece the lady was holding. "Most exquisite.." He remarked, seemingly going into deep thought. Instead of a compliment, he said something that made the woman back away, "Such beautiful craftsmanship...may I ask you to tell me where you found this? I wish to buy one for my wife–" he paused, seeing the lady vanished after pointing at the shop where she got it from. "Zhongli, you should be able to tell why people approach you..." Hutao sighed, standing beside the rather oblivious gentleman. "Let's just continue...we've got customers to find!" Hutao started walking alongside the railing, hoping to find people in need of funeral services. "Maybe we should go and ask peopl– Zhongli??" Hutao looked around for the Consultant, who was caught up chatting with a shopkeeper over some earrings. "Zhongli!" Hutao called out to him, causing his head to turn towards the director. "Oh, apologies...It seems I got too carried away. These earrings caught my eye...I'm sure [Name} would love them.." he mumbled, staring at the jewellery. "I'll take them." "Mister Zhongli? What about the payment..." The shopkeeper meekly asked, causing Zhongli to turn his head fully at Hutao; gazing expectantly. Hutao should've expected this... "Zhongli, we are out here to find customers! Not buying gifts for [Name], her birthday is months away!" "They say the best things should be done first. After all, why must I wait for one specific day to express my love for my beloved?" Zhongli asked curiously and Hutao shaked her head; love was clearly out of her expertise. Zhongli, he is particular about everything. He only attended the best operas and focused on the perfect ratio for the creation of an authentic dish.  On a typical day, all you will glean from him is a few pieces of useless trivia, because he particularly enjoys sharing these fun tidbits with you. He was particular about you and your likings. A smile on your face was what he wanted by the end of the day. For being someone alive for 6000 years, he could proudly say that he loved and cherished something– someone.
"Wait here, Director Hu...Perhaps I should get those flowers over there to accompany the hairpin and earrings..."
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WRIOTHESLEY 🐺
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PRODUCT NAME: BATTLE TO BUY A DOG OR NOT.
"Wriothesley, I want a dog!" You crossed your arms, staring down at the Duke who was glued to the chair in his office. “But why? That’s just unnecessary responsibility…” Wriothesley sighed, rubbing his temples. This was the 3rd time this month you’ve brought up this topic. Was he that incompetent in terms of filling his role as your significant other? Perhaps not with the never-ending paperwork. Oh, how he wished people would just stop committing crimes. “I get lonely in the Fortress…I want a child.” You put forth your point by using the term ’ child’. Child, dog same thing. You hoped to finally convince him this time.
“We have Sigewinne.” Wriothesley pointed at the head nurse prepping tea in the room with the back of his pen. “I am sorry, Your Grace but playing the role of the child is out of my job description.” The Melusine replied indifferently, pouring freshly seeped tea into the three cups. “Fine, we will go get one…I’ll schedule a meeting with the owner of the pet shelter. Happy?” He asked you, chin resting on his palm. Perhaps getting a dog was a good idea as he was guilty of being unable to spend quality time with you… “No way…” “Isn’t that..?” “The Duke of the Meropide–” “He rarely appears in public..” Wriothesley held out the door to the shelter for you, hoping you would go in and it would finally save him from the gaze of curious onlookers. The two of you walked in, only to be pounced upon by a big dog. “Kal! You sly dog! I knew I shouldn’t have let you out!” The caretaker yelled at the big ball of black fur who had tackled Wriothesley to the floor and was aggressively licking his face, tail wagging in delight. “Are you okay?” You asked your fallen husband, who just chuckled in response. “I am good just– Okay stop! I understand your gesture of love.” Wriothesley got up as the dog encircled him. “This one is so adorable…” you gasped at the cuteness radiating from the dog and its big brown eyes. “You’ve got a keen eye! This is Kal, Shiloh Shepard, one of the finest dogs out there.” The caretaker combed her fingers through the thick and groomed black coat of the canine. “He seems to have taken a liking to the Duke.” The caretaker continued as the dog ran back to Wriothesley, peppering his face with licks. “He even looks like you.” You teased as Wriothesley stared at you in disbelief. You did not just compare him to a dog…he even did a double take at the dog to confirm. “We will take this one then…” He chuckled in amusement. Never had he imagined marrying you and on top of that getting a four-legged beast. Needless to say, Wriothesley proudly walked out of the shelter, holding the big dog in his hands like a child. It felt complete ever since getting Kal; like your own little family. Wriothesley wouldn’t admit it but he loved the dog, despite it hogging all of your love and attention. He didn’t expect to be fighting over cuddling rights with a dog!? 
He watched you and Kal sleep peacefully on the couch, keeping him company while he finished up his work. He felt a sense of gratitude…people of the Fortress knew little of the crime he once committed. The only one who still remembers it like yesterday is Wriothesley himself. And no matter how much glory or repute he has earned, he still considers himself to be the same old Wriothesley he's always known.Neither a good person nor a complete villain. He's just another soul, still living on in this world. However, your eyes always reassured him in ways he couldn’t describe. Everything was perfect…
[Name]!! YOURDAMN DOG PISSED ON MY COAT!! Maybe not that perfect…whoops.
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NEUVILLETTE 🌊
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PRODUCT NAME: HELPING THE OTHER DRESS.
Monsieur Neuvillette, The Iudex of Fontaine, always wondered how his life had come to this. 500 years of serving his position as the Beacon of Justice, a lovely, beaming baker somehow broke the monotony. Well, calling you just a baker was now an insult. With your ring finger bejewelled, with one of the rarest gems– an ode to his undying loyalty and representation of his eternal love. “It’s astounding how a covert mission conducted by melusines could’ve landed someone such as myself a lady like her…” He muttered to himself, seeing his full form in the mirror. “Talking to yourself, again?” You leaned against the door frame, lopsidedly smiling at the peculiar antics of Fontaine’s most distinguished man. “Ah, apologies…I didn’t think you would notice me conversing with myself. Now I find myself in a rather awkward predicament.” He chuckled. Dear god, this man was so beautiful that his beauty was almost blinding with the morning sun perfectly hitting his face.
“Say ah,” You requested and he complied. Who better to take constructive criticism from other than your husband? “New filling?” He covered his mouth while chewing on the croissant. “Yup, how is it? I was experimenting with some Rainbow Roses and these Inazuman berries I bought.” You blinked curiously, waiting for some input. “Hmm it is very pleasant, it is fascinating how you manage to maintain the freshness of the fruit…” You smiled at his compliment, before noticing him struggling with the jabot around his neck. “Need help?” You offered and he nodded his head. “This is absurd..it usually isn’t this difficult.” He frustrated replied, it was amusing to see the cool and collected man all worked up about clothing. “I suggest simplifying your outfit.” You attached the jabot and secured it in with the teardrop brooch, fixing the ruffles. 
“Thank you. I do prefer my outfit as it conveys the message I wish for it to convey.” He explained before staring at you. You knew that look, he looked at you with his eyebrows slightly creased when he was hesitating from saying something. “What is it?” “Do I get a goodbye kiss before I leave?” “Pfft! I didn’t think you would take that seriously!” Conclusion: this man was wayyy to cute.
Neuvillette is a solitary person. Neuvillette is not known for his personal desires.
He was deemed as someone with unassailable impartiality. If only they knew that perhaps the Iudex was just a wee bit biased.
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a/n 2.0: the crust will come off...hopefully. i wonder if it's possible to guess which one of them is my favourite??
don't steal, copy, plagiarise, or translate.
©definitelysel
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supercutszns · 9 months
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rotten to the touch; luke castellan
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series masterlist
wc: 3.2k
pairing: pre-tlt luke castellan x f! reader
synopsis: you’re pretty sure you’re an awful person. you’re pretty sure luke castellan is too. and you’re pretty sure you want to make out with him.
warnings: reader is flawed & not the greatest, luke is ... a little dark🫣, small mention of blood, swearing, lots of making out but no explicit nsfw, a bit toxic, & no more more ‘i can fix him’ or ‘i can make him worse’ it’s ‘he can make ME worse’
notes: this is… sluttier than my usual stuff so it’s not as good but i’m trying, feedback is appreciated! also i wonder what cabin we think this reader would be in, let me know where you’d place her im curious :) maybe i’ll write more of her in the future she’s interesting!! and thank you for 100 followers i am so grateful<3 designated song for this fic is crush by ethel cain
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You are a miserable, wicked, asshole of a person, and everybody knows it. Including you.
It’s unclear to you why you turned out this way—every reason to blame never satiates the fury searing your insides. All the campers hate you. The counsellors, too. Even Chiron looks down on the viciousness inside you. You are Camp Half-Blood’s black sheep; a mean, bitter person with no love for the people around you. And it’s not just for show. You know you’re rotten. You know the anger will never go away.
It’s evident in the things you think about other people—the way you pick them apart in your head, toss them aside, because they just don’t see it. This miserable, unforgiving world, with children sleeping on wooden floors because the people who created you think you disposable. Because they can just make more of you. More, more, more, until one of you comes out rotten, born of all the ugliness they have inside them. You are the worst parts of Godly blood. The wrathful parts.
Everyone hates you. Everyone hates a person with an unquenchable anger.
But everyone loves Luke Castellan.
He’s a saint at Camp Half-Blood if there ever was one. Handsome, generous, kind. Goes out of his way to help out the new kids and gives them homes in his cabin. He’s the best swordsman in camp by a mile. Shit, you’d even love Luke Castellan if you didn’t know any better.
But you do, and you don’t, and it’s complicated, okay?
Because there’s something you know about Luke Castellan that nobody else does: he’s miserable and wicked, too.
You see it in his eyes sometimes. The way they look at you at dinner, when you’re picking at your food away from anyone else at your table. Something familiar rises in them, and your stomach twists. His body tenses whenever someone mentions his father, but the smiles he flashes are so charismatic nobody notices. But you do. It’s exciting.
During sword practice, he quips back and forth with the kids and laughs whenever they take a jab at him. He’s light, easy, carefree. But you see how he holds back, the tension in his shoulder, the way the arc of his sword never fully finishes. So you wait until everybody leaves and he’s alone, with the training dummies and the setting sun. And you. Hiding.
He slashes through them and spears through their heads. You see it, the gnashing of his teeth, the sweat curling down his cheeks. There’s something there. A chasm he’s hopeless to fill.
Before you know it, you’re going out of your way to catch him training alone. It’s creepy, you know, and awful, you know, but the more you watch him the more you see a sort of violence scabbed under his skin.
Whenever you see him now, the feeling you get is entirely foreign to you. It’s almost . . . longing.
Wherever she is, you’re pretty sure Aphrodite’s having a cosmic fucking laugh. And you’re sure she’s laughing double tonight.
The Aphrodite cabin is hosting some secret party for the older counsellors. You’re definitely of age to be a counsellor, but you’ve never been made one because that would probably make half the campers drop out. Chiron and Mr. D don’t know what to do with you. You’re sure you’ll be kicked out of camp soon for good.
But you’re here anyways, for a reason you don’t want to admit, and you stay tucked in a corner as the world around you mingles. Luke is on the other side of the room, lovely as always, laughing with a few other counsellors. He brings a drink up to his lips, and you have a startling thought of what it would be like to kiss him. And you’re fucked. You’re so fucked. Because for the first time in your life you want something tangible, something real. You want to hear him and feel him and pry him apart, and a part of you wants him to actually see you, see all the awful things that might make you the same. You feel like a teenage girl with a crush, and it is infuriating.
An Aphrodite girl comes up to you with a foolish smile. “Hey, sorry, you want a drink?”
“Fuck off, you idiot,” you snarl.
You wait for her to leave. She doesn’t. “You know, you don’t have to be so mean all the time,” she says evenly. “If you’re here, you might as well enjoy it. So yes, I want to give you a drink.”
“Have you ever thought that I’m not being mean? Maybe I just am.”
You glare at her. She looks you up and down. “Sure,” she shrugs, walking away. There’s a vivid picture in your mind of her falling through a hole in the cabin floor. It doesn’t soothe you, but at least the fantasy is there.
The night drones on. You’re sick of the smells and the laughs and the heat. And you’re sick of yourself. You can’t believe, underneath all your sourness, you came here to stare at a boy you barely know, and you don’t even know why. He’s fascinating, and you resent him, and he’s also beautiful. But he’s looked back at you all of three times tonight and you’re sick of the way your skin crawls when he does.
Leaving the cabin brings the relief of the cool night air, and the singularity of your body. You are the only one who feels this rage. You are the only one who hates.
To stave off your discomfort you walk around to the back of the cabin, to the crest of the hill facing the water. The stars above twinkle at you in spite. There’s a bitterness in your throat you want to wash down with something worse (maybe you should have taken that drink), but you know it won’t matter. Nothing matters. Those stars and whatever they hide are apparently the only important things in the universe, so why should anyone care about anything?
They stars only get brighter. It’s probably their goal to piss you off. You grunt, “Oh, fuck you,” to them. It’s not enough, never nearly enough to expel the rotten part of you. “Fuck you. Fuck off!” You groan at the sky. Nothing happens. Until:
“I’m guessing you’re not having a fun night.”
You whirl around. It’s hard to see in the dark, but whatever light is left catches a long scar on a cheek. Your stomach knots.
“Yeah, me neither,” Luke Castellan says, hands in his pockets as he meanders towards you.
Even when he’s close enough, you don’t say anything. If you do, you’re afraid it’ll be something ugly. Like I kind of want to make out with you. Are you awful too? I need a lobotomy.
The thoughts almost make you laugh. Been a long time since you’ve been funny.
He nods at the sky. “Those things don’t talk. You do know that, right?” He’s still so captivating, so self-assured, even when there’s no one around but you.
“Gods, you’re the worst,” you scoff. You really mean it, so you can’t look him in the eye.
“Then why have you been staring at me all night?”
It catches you so off-guard that you whip back to face him. He has an eyebrow raised and the itch of a smile that makes you burn with shame. “What the fuck are you talking about?”
He shrugs, leaning against the cabin wall. “I’m not stupid. You’ve been brooding in the corner watching me the second you came in.” He cocks his head to the side, adding, “Actually, you stare at me all the time. At meals and stuff. I really hope you don’t think you’re being subtle.”
You huff. “Okay, if we’re really being honest here, you started that! You do it too! All the time!”
His hands shot up like he was being arrested. “Hey, I never said I minded it. A guy’s . . . just gotta wonder. What’s up with you spying on me when I’m training alone, anyways?”
“You have no idea what you’re talking about.”
“You watch me when there’s nobody else around. I’m not blind. It’s weird. If you want tips you can just ask me. Or if you like what you’re looking at, at least be upfront about it.”
You speak before you can take in that last sentence, or the way his smile took pride in itself when he said it, or how embarrassed you should probably feel. “You didn’t answer my question about why you started staring at me first.”
The anger (shame) blinding you made you forget how close you are to him right now. Close enough to touch, but not enough to see. But almost there. Almost.
“People think you’re mean,” Luke says after a moment, his dark eyes probing you. The words curl out of his mouth slowly, like he’s choosing them all with care. “You’re rude. You never listen to anyone. You judge everything. They all think you’re awful.” Again, he looks you over. “I’m not so sure.”
“If I’m awful, then you’re awful,” you spit before he can say anything else.
He just shrugs. “Well, I guess that’s why I’m not sure.”
It’s irritating, his calmness. He has the same anger you do. How come he can just . . . shove it down? You try to unearth any fury in his eyes, but it’s too far back. Simmering. “Jesus,” you mutter, “You’re worse than me.”
He looks genuinely taken aback by this. His scar deepens when his brows wrinkle. “What?”
“You’re a pretender—that’s what you are.” It’s your turn now, to step closer, to make his skin crawl. “Look at you. Everyone loves you. You’re this perfect golden boy and you’re sweet and attentive and whatever the fuck but you know it’s one giant lie. At least I’m honest, but you just sit pretty and act like you don’t have that . . . thing that I have. Resentment. Insanity. Whatever you want to call it. We’re the same, but I’m the only one getting shit for it.”
Now, you are close enough to really see him. The patterns on the wood behind him frame the vision of his ever-shifting face. You realize that this, like most things are to Luke Castellan, is a challenge. You also can’t remember the last time you saw him lose one.
But when you play, you play to win.
“You don’t know that,” he dares.
“Oh, I do. You’re rotten, Castellan,” you sneer, index finger jabbed into his chest. You can feel his heartbeat if you concentrate. “And you’re not owning up to it, so you’re also a coward.”
However scathing you look, it isn’t enough. If anything it only makes Luke’s manner more playful. Nothing feels playful anymore. Everything, inside and outside of your mind, feels like constant, exhausting war. Maybe that’s why you don’t slap his hand off you when it wraps around your wrist, keeping it pressed to the middle of his chest. His heartbeat thrums through you.
He tilts his face towards you, grinning, “Then why do you want to kiss me?”
All right. What the fuck. It feels like you’ve been electrocuted.
“What the—what are you talking about?” You blunder, but he knows, of course he knows, because there’s something between the two of you that has been formed and understood by eye contact alone. He can probably read your mind. As much as you don’t want to admit it, you’d like to read his just as much.
He cocks his head. “I mean, you did call me pretty,” he teases, and it’s almost endearing. “You’re pretty like this too.” His other hand comes up to your face, and you’re surprised you don’t flinch when his thumb gently smooths the crease in your eyebrows. “Don’t call me a coward, heathen. Then we’ll both be embarrassed.”
The nickname makes you want to fight, but the touch makes you dizzy. “You don’t want to kiss me, Luke,” you say with all the control you have, which, right now, is increasingly sparse.
“You’ve gotta stop telling people what they want,” he muses. The hand on your wrist traces further down your forearm. The one on your face snakes around your hips. “One of your more disagreeable qualities.”
His words fan over you. That fire simmering in his eyes has finally come to the surface.
“One of?” You challenge.
“You let me make out with you and I’ll give you a whole list.”
You snort, hoping it hides the shortness in your breath. “What a charmer you are.”
His lips brush yours. “Well, that’s what makes me so rotten, isn’t it?”
There’s hardly time to unravel if that’s a question or a statement because you grab a fistful of his shirt and he kisses you. Your heart detonates. It is not rotten in the slightest.
His body is warm and firm. You smell the cabin wood and the drink on his breath. It all matters, and none of it does. You’re warm everywhere as he wraps both arms around your back, and the way he kisses is, unfortunately, exactly how you thought he would. Your hands are tentative in his hair. So is your mouth on his. But Luke is so deliberate in the way he kisses that you know he’s thought about this, too. It makes you all the warmer.
His hand takes your jaw and tilts it up. You know your neck is shaky with breath, and you’re pretty sure he’s admiring it. You don’t complain when he presses a kiss to your jaw, then another one, like he’s testing the waters. “You’re so nice like this,” he mutters almost to himself, thumb running across your neck. “If only people could see you.”
“Then they’d see how mean you are too, no?” You huff. “You don’t want that.”
Another kiss to your jaw. “Not yet, sweetheart.”
Whatever feeling is harbouring in your body right now, it’s so fulfilling it almost makes you uncomfortable. You want to reject it. You’re not supposed to want things. Worse, you’re not supposed to get things. Luke starts marking a path down your neck and you are so determined to enjoy this that you’d kiss a fucking baby if someone asked you to. You might as well be a saint.
He bites the pulse point on your neck, sure to leave a mark, and a shudder rips through you. You’re pretty sure the bastard starts laughing. You hit his shoulder in retaliation.
“Easy, heathen,” he reprimands in your ear, and you know he’s still smiling.
“Don’t—don’t call me that.” You hate that you start to smile, too, and that your stomach burgeons with butterflies when he pulls back to look at you.
He touches the corner of your upturned mouth, kiss-bitten and red. His expression is boyish. “Hard to when it makes your face do that,” he goads. “I thought it was impossible for you to smile.”
“Be quiet.” You thread a hand through his camp necklace and bring him closer. You can almost taste his mouth on yours, but he sweeps past you at the last minute.
He gently tugs your earlobe with his teeth and whispers, “Yes ma’am.”
Fuck him. Seriously. You might have to.
It’s a tangle of teeth and hands and smiles kept hidden, as you slip your fingertips beneath his shirt and he does the same, and you’re both angry and greedy and incredibly destructive, but it doesn’t matter yet. Now you’re just teenagers fooling around at the back of a party, and it’s the first good thing either of you have had in a long time. Luke leaves you gasping whenever his mouth hits certain places, maybe too many places, and he teases you accordingly. “So sensitive,” he taunts, pressing his knee between your legs so he can see you squirm. You rake your nails through his scalp and he tilts his head back to groan. It shuts him up for a while.
He bites your neck until you say his name. You trace lines on his stomach till he takes your hand in his own. You’ve been hungry for something your whole life, and you finally have something to sink your teeth into. For better or for worse.
After Hades knows how long, laughter floats out from the front of the cabin. Sounds of feet tripping over each other and muffled goodbyes. You pull away from Luke, chests heaving together. His hair is wild, his shirt crumpled, and he looks entirely satisfied with it. Smug little shit. “Party’s letting out,” you mutter.
“What a damn shame.” His hand rubs your jaw, and it’s too tender a gesture so you angle your head away to peek over the side of the cabin. You barely pay attention to the kids straggling back to their bunks.
“Is now the time you tell me all my horrible qualities?” You ask once you’re ready to look at him again.
He clicks his tongue against the roof of his mouth. “Actually, I came up with more since I said that so I’m pretty sure it’ll take more than one night.” He fakes a wince, “Might have to spread it out for a few days.”
You roll your eyes, “Oh, you ass.”
“I’ll give you one for starters.” You feel like a tornado when he kisses the juncture between your jaw and your neck. “Your hands are too cold.” They’re tucked underneath his shirt right now, pressed against his back. You don’t move them. “And,” he adds, “you’re incredibly crass.”
“Thanks, dipshit.”
“Thank you for proving my point, heathen.”
The commotion at the front gets louder, and you know your time to go undiscovered runs short. “You meet me again tomorrow, and I start telling you the rest?” He raises his brows.
The prospect both repulses and excites you, although perhaps they’re hand-in-hand. You tentatively reach up to trace the scar on his face. A faint, jagged line that holds scripture within it. His eyes flutter shut for a moment. “Even though I’m rotten?” You ask, and there’s an echo of mischief in your voice, too.
He’s got a strange expression when he looks at you. “That’s not true.”
He leans down, angles his head to kiss you. It’s slow, but bitter, and he bites down on your lip until you’re pretty sure there’s blood. “Luke,” you murmur, and he kisses you softer. You lean into him like a hapless, lovesick fool.
After you part, he loosens his grip on you. The bumbling campers have gotten louder. He stares at you, and you see the chasm in his eyes again, brimming with fire. Same as yours. You know you’ll see him tomorrow.
He says, “You’re not rotten. You’re right.”
And damn it, you really do believe him.
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Yuu showing off her high marks on a quiz/test to the smart kids(Riddle, Azul, Trey, Idia, Vil, Jamil, etc.) and expecting to recive a kiss on top of the head from them
Moving forward, I am gonna use the pronouns used by the asks for Yuu. If not mentioned, I will continue to use they/them.
Yuu knows that he knows what she is expecting him to do. Pretty sure he was the one who asked her for a list of Kiss gestures and its corresponding meanings.
Of course, words of affirmation and tiny gifts are good. But it doesn't have the same depth and appeal than a kiss on the top of the head.
"It's in the RULES!" Yuu would argue with Riddle, showcasing her high marks in History of Magic. She wants her praises! Her job well done! Especially after the torture..ehem.. study session Riddle put her through! Riddle would ask where in the rules? and Yuu would just reference that her List of Kiss Customs is technically a Rulebook for her, and because Riddle read it. The rules also apply to him. Riddle can't argue with her logic even if it feels flawed. Ok, maybe just a quick kiss on the head then!
Trey's hands are full. He praises Yuu but he avoids her expectant eyes, seeking more than pastries for her congratulatory gift. He knows what those sparkling eyes want from him. He keeps himself busy in the kitchen but Yuu doesn't budge, even volunteering to help him until he acquiesces to her rightful demands. Yuu is stubborn and in the end, Trey has no choice but to give her a quick peck on top of her head. He's kinda reminded of his younger siblings when they ask for praise.
Azul just does it as quickly as possible so that you'd stop staring at him from across his desk. You wouldn't budge at all, even with the threat of being squeezed by Floyd. What hit the nail in the coffin is when you said that he's in debt if he doesn't give your reward, which is him praising you using her Kiss Language. Your logic was obviously flawed but alas, he really hates just the thought of having a debt. He kisses Yuu on the head quickly, trying to remain his suave attitude even when he accidentally sniffs the top of her head. (He feels weird and awkward and he's gonna overthink this later tonight. Would you think he's weird?! He didn't mean to sniff your head, it was incidental!!!)
Idia doesn't go out of his room no matter how hard she bangs the door. He can hear her silent,.... well, not-so-silent demand from behind the door. He absolutely will NOT kiss the top of her head! It'll kill him! Maybe it's an exaggeration but stillllll!!!! He cannot deal with overly affectionate people, especially those who have good intentions. It totally contrasts him and is not his vibe! Also, he'll never live it down if someone took a picture of Idia kissing the top of the Prefect's head! NO WAY, NO HOW!!! The room is alight with bright pink flames illuminating every corner of the room.
Jamil immediately shuts Yuu down. He speaks before she can even say another word. He praised her, even gave her a nice meal. That's it. No kisses! If hard enough to control Kalim, its even harder to control his dorm members from spreading false rumors about your relationship with him. Especially since he knows she just means well, and her actions are not romantic? But how can he possible explain Yuu's strange Kiss Language to others without sounding crazy? If Yuu is relentless, he might just give in, pulling her in the corner and giving her head a quick peck, making sure nobody saw.
Vil doesn't kiss Yuu because he tells her it's not enough, much to her annoyance. A congratulatory kiss is a big thing, even if Yuu did work hard, that hardly is a reason to get a kiss from THE Vil Schoenheit, she needs to continue to do better. Vil can see the way Yuu takes it as an insult against her and Vil almost relents. She did work hard. However, Vil stands by his principles and opts to pat her head instead, which doesn't really satisfy Yuu fully, but it's ok. Maybe next alchemy midterms?
To find other related post in my blog, the tag is #TwstKissAU
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fluideli123 · 1 month
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I've watched the DP&W movie twice in theaters and three plus times on a pirated site, and I wanted to grant my analysis on Wade and Logan's relationship that not only respects Vanessa--because Vanessa was literally Wade's Soulmate until shit hit the fan and you can pry that fact from my cold dead hands. But also explains how Logan and Wade actually represent a a-spec experience and relationship that I feel like no one has really gotten into. Am I saying they're a-spec? No. But that doesn't mean queer relationships that are fairly normal in a-spec spaces doesn't mean they don't exist outside of them as well.
First of all, the only two reasons I believe Vanessa and Wade broke up was 1) Wade went back in time to save Vanessa and he told her after his usual routine of jokes and lies and 2) Wade finally believed he could be something more, a hero, only to be turned down by the people who are known for their heroism, leaving him lost.
I genuinely believe Vanessa had a hard time taking in that knowledge, but knowing Wade and everything they've been through she would get through that like the badass she is and work through it using her plans A-Z, as she always does. But I think to really stop that woman from continuing to start a family with Wade like she wanted to in Deadpool 2, is if Wade was no longer within the right mindset to do so.
Deadpool 1 introduced Wade as someone who believed he was a bad guy who got paid to fuck up worse guys, he refused the term hero, and the moment he even tried to reach for something selfless. An act that would hopefully spare Vanessa from the pain of cancer, it all got fucked up and he got turned into a monster. Someone he deemed even lesser than he was before. So far gone and completely removed from what he was loved for (his looks and personality, but how could his personality stand alone when he looked so ugly? As ugly as he always felt on the inside?)
So he turned to what he's always known: Tracking people down and making them pay. In his mind this only confirms that he's a monster, he isn't deserving of Vanessa, of anyone. Which is why he finds comfort in Blind Al, a woman who will only have to deal with his personality and not be able to see how ugly he actually is. Symbolism for showing only half of himself and not him in his entirety (not that he can hide it from her, she's too wise, knowledgeable, caring, and knows Wade better than he knows himself at this point.)
Eventually, he finishes his hunt and is still loved despite what had transpired. Vanessa still chose him, still loved him. So maybe despite how ugly he is, he can still be loved. This grounded him, solidified his self worth, have him such stability that he had a thriving relationship with Vanessa that they were SO ready to start a family, aspired to live that dream. Another act of selfishness. Only to, once again, be met by pain. Get his dream taken away, once again resorting to what he knows: revenge.
Wade wants to be a hero? He gets forcefully mutated. Wade wants a family? Vanessa gets killed. Both are immediately solved by death, but that self-loathing and sickening hatred towards himself do nothing to cure that same confirmation he had once thought he got over: That he wasn't a monster, he could be loved, be something else.
So of course Vanessa is who, even in death, looks him in the eyes and tells him he cares, he has always cared. He cares so deeply about the people in his life he meets who unconditionally love him for him as time passes, despite all his flaws.
Wade wants to be a hero? Colossus believes he can be. Wade wants to save the 13-year-old abused kid? Vanessa knows he can. He saves lives by sacrificing himself. He scarified his comfort to show Vanessa the full truth of his ugliness, he sacrificed his life for Russel to give him a better life. Maybe he isn't a complete monster, maybe he can believe again. He can be selfish, he can be reckless. So he goes back and saves more people. Heroes do that. They save the people they love. You don't hold the whole world on your shoulders, no, like Miles learned in ATSV you think of one person of the few people you want to fight against the world to protect. And he did just that.
With Vanessa back and a big family he can finally chase after what he wasn't meant for. Because it's only happened twice, it wouldn't happen again-
Rejection. He can't be a hero because people don't need him. He is the needy one, the one who wants to be needed, needs to be wanted. So, it's the crash. The final straw. He breaks. He breaks so hard because what the fuck is the point to trying if every time he is met with failure? Rejection? Pain? Loss? He becomes so stuck in figuring this all out he neglects his relationship with Vanessa, causing issues. They go separate ways, but still so close, because you don't just lose your best friend like that, even if you're no longer partners. They're always meant to be together one way or another.
So you have this broken man who is searching for purpose, years later still harboring this tiny flicker of hope that he can be greater. He can be great. He can be a hero.
His world is in trouble, he doesn't think twice saving it. He accepts he isn't perfect for this, not like all the big guys back in Avengers headquarters, but he can't let his loved ones die because of someone he's had a vendetta against the last two movies.
He literally fights and fights and fights to find someone to help him, Wade can't save who he loves he has to find someone else you can, anyone else.
Than a broken, desperate man walks into a bar to see another broken man who has since long given up.
The thing about Logan and Wade is that they don't need words. Wade blew himself up in order to die in the second movie, Logan drinks himself away, both knowing they can't die no matter how much they want to. How much they believe they deserve it.
So Wade sees a Wolverine who has potential, who hasn't hurt him (unlike the others, he gets hurt so much, guys) and places his faith in him without hesitation. From that moment on he has never truly doubted Logan's abilities nor his heroism, because he knew his Logan and if his world was anchored by a Logan than all Logan's are built with something he isn't. They're made to be heroes, made to be important. Yeah, they fight, but I strongly believe that's how two broken men say everything words can't possibly describe.
I mean what words could describe the way they go all out on each other, knowing the other can't die, the way Wade looks up at him, not wanting to regrow his entire body because he needs to save his world and understands Logan and has to decide to say something that'll convince him to help. Wade doesn't know if stopping the machine will completely save his world or if a new Logan will patch it up too, it's his own educated wish he passes onto Logan. Because just like Russel, he cares. He understands. He wants to help.
It's that faith, hope, and resistance and face of humor despite it all that causes Logan to stick by that dumb asses side. He lost everything, he is seeing someone like himself before he stumbled home drunk from the bar to find everyone dead. Someone who is capable of doing something he wasn't able to. He wants to help, more and more for Wade and less himself, a silent journey of healing following Wades steps everywhere they stumble into.
Because Logan was just drunk at a bar before being told he was needed to save a world, told he was the worst before being offered help anyone, getting praised over his capabilities, and than told again and again how he is able to be someone he never thought he could be. Much like Wade was and is.
Logan sees it. Wade most likely ignores it, much like anything else. He isn't very open with anyone other than Vanessa as we've learned.
So just- of course Wolverine is the honest one, of course he hits low, he sees himself and Wade and wants to hurt him. Wade wants to hurt him back, but only when he's directly attacked by his words and threats, a way of not taking shit. Logan took shit from the world and than didn't from Wade and his emotional rollercoster right. And I think without whatever happened in that Honda Odyssey things wouldn't have been the same. They needed that fight, that release, that hatred from themselves to burst into the form of someone else who could take it just as much as the other could.
Logan listens to Wade's home at the borderlands. Logan is given kindness and tough love. Logan joins. Logan begins to understand how most linger by Wade's side despite everything. He sees why. He's a force, he doesn't give up, he doesn't quit, not for others. It grants strength, though imperfect and messy.
Logan believes Wade deserves better. So he plans on sacrificing himself only for Wade to once again show how much of a Hero he wants to be and could be. Only for those two idiots to hold hands to madona and come to a mutual understanding and comfort that has Wade making room for Logan in his and Al's apartment.
And there is something so inherently a-spec about not being explicitly sexual with each other, having an understanding that goes beyond direct words and full truths. They they can hurt one another and it feels so good, so wanted and cherished. How they support one another by being fucked up and sloppy. They're wrecks and they help the other heal, do what they're too afraid to do.
What is more a-spec than two people looking at each other with adoration and trust? To be two people who cannot be placed within a single both because their relationship and meaning to one another isn't so neatly cut and within expectations? To love in a way that blood and standing side by side is a comfort? A steadying point in which everything becomes clearer with time?
They make me so fucking sick, they make me so FUCKING SICK.
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silversodas · 2 months
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Some Interesting Things About Peri and Dev
Truthfully this is more about Peri and his interesting flaws, but there is some character analysis about Dev too.
I think when Peri and Dev finally do become friends, they would actually make an interesting pair, we actually learn that they are conflicting opposites
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Peri: Rules are the only thing that separates peace from total chaos
Dev: But Peace is boring
Now, Dev may be a neglected kid, but he is the furthest thing from a wet Cat. He is smart and resourceful and a force to be reckoned with when he feels a certain type of way. It’s not entirely what he can do it’s what he is willing to do that makes him dangerous. Speaking of which, I may be calling it early, but I think that the glass ball on Peri’s wand/cane is a stabilizer and that Peri is still insanely powerful but also a pacifist. So Peri will reason with you and let’s his all powerful self get bulldozed but his human, ten year old Godkid will feed you your hair. That dynamic has the potential to be hella interesting
We also learned that Peri has an interesting flaw, he has jealousy issues. And lies to his parents?
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I mentioned before that in the Birthday take back episode that Peri showed to be a little bit jealous of Hazel but didn’t see that it was a hint to his issues with jealousy till he got really jealous of Irep in the next episode
In that next episode Peri tells Dev that he’s done, that he quits. But when Dev informs Cosmo Wanda and Hazel of this apparently Peri told Cosmo and Wanda a different story
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Wanda: Peri didn’t quite, he was waiting for you to call
Cosmo: He thought you two were on a brake
Uhhhh that is not at all what Peri told Dev. Don’t get me wrong, I am glad he talks to Cosmo and Wanda about his problems but boy straight up lied. He probably changed his mind and just told his parents that because he feels like they would be disappointed in him if he actually quite. And at this point I am thinking he is only sticking around with Dev for his parents, but that’s not entirely the case
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Before Dev and Irep unalives Cosmo and Wanda Peri steps in with Jorgan and straight up LAUGHS in Ireps face (this took me by surprise) and gloats informing him that he never actually quite so Dev was still his Godkid
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What’s so interesting is that this is the most immature we have ever seen Peri. Like this is basically the equivalent of a child running up to another child and yelling MINE! Before snatching a toy away. And that’s basically what Peri did, he basically went MINE! And snatched Dev away.
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I mean look at him here. He looks like a kid who is happy that another kid he doesn’t like is in trouble. I wonder of Irep brings out this childish side of Peri. And does Jorgan punish Dev for attempted murder-
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Nope…man Jorgan must have less fucks to give this time around, from what I remember if Timmy so much as farted while in Fairyworld Jorgan would appear out of nowhere like “TURNER! THIS JACKASSERY WILL NOT STAND!!!”
In case we needed it to be any clearer, Peri accidentally admits that he was jealously spying on Dev, so Peri can be a bit jealous and possessive? Interesting.That actually didn’t really bother me till this frame
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Like, really dude? Your just gonna mark your territory, snatch his new friend away and not even talk to him about it? I mean he almost killed your parents at least chew him out! Ok honestly if the episode had went on longer it probably would have shown Peri turning away from his parents to face Dev and talk to him only to see that Dev ditched him. But Peri ONCE AGAIN! Got distracted by his parents at a time he needed to have his attention on Dev.
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If seeing Peri at his parents place is anything to go by, I would say that Peri is definitely in the dog house
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deconstructthesoup · 6 months
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Personal Ranking of the Fantasy High Moms, From Worst to Best:
Arianwen Abernant: -19999/10. She's not as bad as Angwyn, since she's convinced herself she's a good mother, but her "I just want the best for you" shtick isn't any better, and the fact that she's ignorant about how horrible she is doesn't make up for years of neglect. And she also attempted to rope her daughters into raising a being of pure nightmares because she lost her status, so.
Donna Applebees: 0/10. Conservative, racist, judgmental, only loves her kids conditionally... you get the gist. Also, she's absolutely a Karen.
Hallariel Seacaster: 3/10. Yes, I know, she's a MILF, she's got such an iconic vibe, she's a badass with a sword, but none of that excuses years of being emotionally absent from your son's life. She's not a bad person, but she unfortunately doesn't know how to be a mom. Sorry, Hallariel. I wish I could rank you higher.
The Last Phoenix: 5/10. Bird. She's a bird. We don't know enough about her except for the fact that she is the last phoenix, she started out as a "haha Arthur Aguefort is a crazy motherfucker" gag, and she gave us the incredible gift that is Ayda. I cannot rank her fairly, but given that she is Ayda's mom, she goes on the list.
Roz Last-Name-Unknown: 6/10. Same deal with Gorbag---we don't know enough about her for me to properly rank her, but we do know that she was a teen mom, and she's made the choice to reconnect with her son and be in his life. Props for that.
Sandralynn Faeth: 7.5/10. I am ranking her realistically, but let it be known that I love her so much. She is such a beautiful example of a flawed person who consistently tries to be better, and even though she does relapse into old behaviors, she's still growing---and outside of the serial cheating (that is a response to trauma, by the way) and occasional lapses in social skills, she's a pretty damn good mom, all things considered.
Cathilda Ceili: 8/10. She's the parent that Fabian needed, even if he didn't always realize it. She's sweet, she's caring, and if anybody hurts her boy, she will fucking rock your shit. (Also, the reveal of Cathilda being an incredibly fearsome and ruthless pirate outside of Solace was one of my favorites.)
Wilma Thistlespring: 9/10. She's a caring and supportive mom who writes songs, is sex-positive, and loves her son! Again, she does need to recognize when she's embarrassing Gorgug, and she needs to recognize that he's gotta learn how to be angry, but still! We all love her!
Lydia Barkrock: 9.6/10. While she doesn't quite get the full score due to the fact that her son was briefly an ass, it clearly was not her fault, and from what we've seen of her, she is a fantastic mom. She's a badass disabled powerhouse who cooks incredible spreads and cares about her son and his friends a lot. I love her a lot. She's amazing.
Sklonda Gukgak: 10/10. She took that spot in her very first scene, where she poured water in her cereal so Riz could have milk in his, and she's been holding it up ever since. Despite the fact that she's constantly swamped with work, Sklonda is literally one of the best moms you could ever ask for. She deserves the world and it's a constant injustice that she's not getting it.
Bonus: Garthy O'Brien, while having transcended gender and therefore not being able to fit into either of the "mom/dad" rankings, is an 11/10 parent---not just to Ayda, but to everyone younger than them who they've essentially adopted. Words cannot express my adoration for this person.
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daiziesssart · 5 months
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a humiliatingly long character analysis of lily evans
Someone sent me an ask that briefly mentioned how misunderstood Lily is, and before I knew it I was typing out this monster. I am. sorry. This is literally just me rambling about her, what I find compelling about her character, and why her character is so often misunderstood.
This is long as hell so I'm putting it under a read more lolol
Part of the reason I like Lily so much (other than my being ginger and projecting onto any redheaded female character I see) is that even though she isn’t explored as much as her other Marauders Era counterparts, we know enough about her to start building the framework for her character. And what I see is a girl who was incredibly interesting, kind, and flawed.
One thing I always think about in regards to Lily is that she was dealt with a pretty unfair hand. As soon as she receives her letter, she’s basically torn between two worlds, both of which have been less than welcome to her. On one hand, we have the muggle world that she’s known all her life, but once she starts integrating into the wizarding world, she likely feels a bit of a disconnect with that world. To twist the knife further, her sister- whom she loved dearly and grew up so close with- starts outwardly resenting her with such unbridled hostility that they likely couldn’t even be in a room alone together without major conflict. 
On the other hand, we have the wizarding world– a world she’s not as familiar with and one she soon learns holds a demographic of people who hate everything she is and would rather see her excommunicated or even dead. And even though finding out you’re a witch/wizard is probably such an exciting and life-changing moment, I can’t help but also take note of the difficulties, especially if you’re the only one in your family with magic. You’re essentially uprooted from the only way of life you’ve known at an already complicated age, and now you have to quickly become acclimated to this new world that you only just found out existed. Not only that, but now you’re suddenly attending a school with classes that are primarily focused on this world of magic (which is still brand new to you), and you have to work extra hard to play catch up in order to do well. Like, that all seems like… a lot for a kid to handle.
And then I remember how young she was when she was thrown into that mess. She was only 11, and kids that age desperately crave any sense of belonging. I mean, that’s something that still holds true for adults, but it’s especially critical for a developing child. So imagine Lily, ages 11-15, struggling to stay afloat in this weird purgatory between these two parts of herself, both of which have been the cause for major and traumatic experiences relating to rejection in her life.
(I say it was the “cause” even though it’s obvious that those things were never her fault at all, but when you’re a young kid navigating the world, the only thing you’re able to process is that the common denominator is you, therefore you’re the one who must shoulder the blame.)
So now we have this tween-teenaged girl who has a dysfunctional relationship with two major parts of identity and probably feels absolutely lost. 
This is why her hesitancy to end her friendship with Snape makes sense to me. Even though by fifth year he’s already well past toeing the line with the dark arts, Lily was willing to overlook some pretty egregious and troubling things in order to maintain the relationship. I kind of interpret that as her way of desperately clinging on to any sense of belonging she has left; her relationship with Petunia has already been poisoned, and now there are people who resent her existence as a witch; if she loses Severus too, what and who else does she have? And what tone does that set for her, if everyone and everything she’s come to hold close to her ends up turning her away?
It’s also important to note that not only is Severus one of her few remaining connections to the muggle world, but he’s also a wizard who grew up in the muggle world; he understands her, and I don’t doubt that he gave her some stability at times when she needed it (her finding out about her being a witch, her having trouble acclimating to the wizarding world, etc).
I see this as being one of her flaws and I can actually appreciate how relatable and realistic it feels. Lily is not a bad person; on the contrary, you’d be hard pressed to find anyone to describe her as such. Not to get all clinical and boring, but the interesting thing about (unhealthy) coping mechanisms is that it can actually be really hard to identify them in your own behavior. Unless you’re in therapy and/or are actively psychoanalyzing yourself, you likely don’t even realize how many of your common behaviors are born from self defense mechanisms put in place by your brain after past events.
To me, it makes sense why she avoided actually confronting the idea that Snape was too far gone. We know that she was aware of the path Severus was taking, but it almost seems like she was still convinced that she could save him, and could possibly steer him back in the right direction. It’s only when she becomes the target of his bigotry that she realizes that the Snape who called her a ‘mudblood’ was not the same Severus who was the one who held her hand and introduced her to this new, exciting world.
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In a general sense, yes, it is selfish, to only take a stand when something starts affecting you personally. But I also think it’s important to note that it’s unlikely that this was a conscious decision on Lily’s part. In my eyes, it was easier to delude herself into thinking she still had a chance to save him before it was too late when she was able to separate him from his actions (considering, a lot of the time, she was only hearing about them after the fact, rather than seeing them firsthand). But the elusion is shattered once she sees that the Snape she grew up with– her friend, Severus– is, in fact, the same person who’s out there calling other students slurs, dismissing the malicious use of Dark Magic on others as just “a laugh”. There we see a Lily who is actually revealed to have been somewhat aware of Snape’s involvement with the darker side of magic, and genuinely feels pretty ashamed about her inaction.
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Also, this is in no way me being a Snape-anti, and I actually could do an entire separate analysis on his character alone and why I find him so interesting.
Anyways, that moment in SWM is probably somewhat of an epiphany to her. It’s like a dam that’s been broken, and now she’s overwhelmed with the realization of exactly how much she overlooked in order to keep their friendship afloat. And for someone like Lily Evans, someone whom we know is opinionated and unafraid to call others out on their bullshit, that can be hard to swallow and feel pretty mortifying and shameful. And I think this was a huge turning point for her- at that point, she doesn’t have the luxury of avoiding uncomfortable truths anymore and now that she’s getting closer to graduating and being thrown out into the world on the brink of war, this was probably a really sobering discovery.
This is where we don’t have as much info to go off of, and a lot of it is up to interpretation. But we actually have little crumbs to go off of following her graduation and leading up to her death.
One of my favorite little tidbits isn’t in the books, and @seriousbrat's post reminded me about it. Here's the actual entry on Pottermore for anyone who's interested, but I'll summarize: after James and Lily began dating, Lily brings James to meet newly engaged Petunia and Vernon. Everything goes downhill, because Vernon is a smarmy asshole, and James is still pretty immature and can’t help but mess with him (which… fair, I guess). Petunia and Vernon storm out after Petunia letting Lily know that she had no intentions of having her as a bridesmaid, which causes Lily to break down into tears. I mention this because I also think it’s a pretty important aspect of her character; like we’ve seen in her past friendship with Snape, Lily seems more than willing to forgive others most of the time. Petunia is a bit of a complicated character herself, but she was objectively very cruel and unfair to Lily once it became obvious that she was a witch and Petunia was not.
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Something that always stands out to me is just how desperate Lily is to earn Petunia’s trust and approval again. Even up until her death, she was more than willing to mend the relationship, were Petunia ever to consider. 
This is a detail about Lily that I feel is misunderstood quite a bit. I’ve seen a lot of instances of her character being reduced to a one-dimensional archetype with little to no complexity. And often, that archetype is “know-it-all, prudish, self righteous bookworm who is also a goody two-shoes with a stick up her ass”. What annoys me is that the reason for this is most definitely the scene in which she blows up at James in SWM for bullying Snape, and hurls quite a few insults at him directly after an extremely devastating and overwhelming situation for her. This frustrates me because we know for a fact that she’s the polar opposite of this archetype I’ve seen her reduced to. 
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In actuality, she’s referred to as popular, charming, witty, bright and kind. From flashbacks we also are shown that she’s opinionated, bold, and not afraid to challenge others. With other context, like her interpersonal relationships, we can also see that she’s pretty emotionally driven and wears her heart on her sleeve. 
(I know Remus didn’t mention Lily much in the books, but I really love how he described her in the movies. He tells Harry that the first thing he noticed about him was not his striking resemblance to his father, but his eyes, the same eyes Lily had. He also calls her a “singularly gifted witch” and an “uncommonly kind woman”.
“She had a way of seeing the beauty in others, even and perhaps most especially, when that person could not see it in themselves.”
I know there are mixed feelings on whether or not the films count as canon source material, so take it with a grain of salt, but I personally cannot see a world in which Lily and Remus didn’t become close friends.)
Here we have a direct description of what she was like and who she was, corroborated by recounting of memories of her, and yet for some reason, this feels like the thing that is most commonly lost in translation.
I don’t think I can say why I think that is without mentioning the dreaded M word (misogyny- it’s misogyny), but I also don’t want to get too off topic so I’ll be brief: female characters are typically not given the same grace as male characters. When we have an undeveloped male character, he’s awarded the assumption that despite his lack of depth, there still exists a complex and multifaceted character– it’s merely just potential that hasn’t been tapped into. Whereas when we have underdeveloped female characters, they are taken at face value, meaning that not much exists beyond the little information we have of them. They are not presumed to have a life or a story that exists beyond the surface of what we know like male characters are. That’s why I think characters like Regulus, Evan, or Barty (just to name a few) are more popular than Lily, despite being less developed than she is.
(Before anyone gets defensive, no, I don’t think it’s an individual problem that you alone need to be shamed for. I think it’s the result of a deeper issue regarding misogyny in media as a concept; these are things that we’ve all unknowingly internalized and while it’s not our fault, we still have to do the work to deconstruct those learned prejudices.)
What I find really cool about her character is that despite how much she’s been hurt, she’s also still known as one of the most loving, kind, and considerate characters. There were so many times in her life where the love she received was conditional and ripped away from her– and I think that’s what makes her sacrifice even more poignant. She was able to protect her infant son from an extremely powerful dark wizard, wand-less, knowing that her husband was just murdered in cold blood, just from how much love she felt for Harry. Her love was a force of nature on its own, and I just think that’s such an amazing thing about her. 
I know I’m biased, given that she’s one of my favorite characters, but even upon delving into this, I still just find it so incredibly hard to understand how anyone can actively hate her (not indifference, but actual dislike). In my opinion (again, no one is unbiased, and she is a favorite character of mine, but trust me when I say that I’m trying to be objective as possible when I say this), she’s probably one of the most likable characters of the Marauders Era. I think perhaps a lot of people haven’t given her a chance or really taken the time to learn about her character, but it could be a myriad of other reasons that I’ll never understand. 
There's so much more I could say but this is long enough and I will stop myself
Lily Evans, u will always be famous to me
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candyskiez · 3 months
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I don't know how to explain why but the Teru vs Mob fight literally would not have been so gutwrenching if they hadn't drawn it like. That. Like. They're so clearly kids. And it's not gorey it's just. Impossible to forget that the violence is horrible and extremely painful for Mob and that this is serious and this isn't a fun game, neither of them are having fun, this isn't a cool anime battle they look like children. Teru is just a kid who's a bully and who's scared that this literal other child isn't acting how he's Supposed to and he doesn't know if he's a threat. And mobs just a kid whos so scared and doesn't want anything bad to happen. You cannot forget at any moment of the fight that nobody is having fun.
It's just hard to watch. It's just two kids having a horrible day because both of their trauma is getting hit in the face and it's awful and seeing ???% isn't cool or a relief its just. Oh, he's freaking out. Oh, he's in. So much pain. Him defeating Teru wasn't exciting or good it just Happened and obviously you're glad Mob survived but it's just so fucking brutal.
And then Teru really romanticizes it, because. It's good. It was a good thing. It was a very good thing. It saved him. This is good. Kageyama is good. This wasn't horrible or traumatic or the worst day of his life. He needs Mob to be Perfect so he can hide from how horrible everything that happened was. He cannot face what he did as something horrible, it's just the events in a story. It was just a Big Anime Fight he lost. It's fine. He learned from it so it was a good thing. He could've died but that's fine. His entire school came apart before his eyes but that's fine. He could've killed someone but that's fine. His entire world view was flipped on its head and he was alone but. That's. Fine. He needs it to be Good. So he pretends it didn't happen usually. He doesn't apologize because that's not how stories go. Even though he had nightmares about what he did. And he massively romanticizes Mob's powers because he NEEDS to. It's the only way he can make that fight not "we could've killed each other". He absolutely cannot see Mob as anything other than Incredible and Wonderful or his entire world view and self image fall apart. Again. He like duck taped them back together.
But in confession arc he looks at what's happening and how everyone is so horribly affected and terrified and he finally admits to himself: I am terrified. This is terrifying. This is a painful, horrible situation. I don't feel good. He's not the main character. All of this is awful and I hate it and everyone hates it and he probably does too.
I could've died. He could've died. That was horrible. That day was horrible.
And by admitting to himself, that day was horrible he can actually HELP mob. Because he can admit that Mob was crying, not because he's a wonderful saint who wanted to save him but because that was a horrible experience! All of that was horrible! They both just had probably the worst day of their lives up until that point! (Except for the Ritsu incident) And he was crying. And he sees that Mob was alone too. Mob was MISERABLE. His powers terrified him. Mob wasn't gifted, none of them are, it's not a story, it's real life and Mob was a person with flaws. And he can admit this all really happened, and it was bad. I need to take this seriously. This is maybe the first time in his life he's ever let himself understand the gravity of a situation. But he saves everyone. He protects everyone.
And he couldn't stop Mob. But he could be there. He could scream at him I AM HERE, I CARE, WE CARE, YOU CAN COME BACK FROM THIS until maybe something worked. Maybe it wouldn't. Maybe he was going to die. Because this is a horrible situation.
But he can tell Mob not to underestimate him. That he wasn't being weak. He just didn't want to hurt him. He just cares about him. And he's sorry, he's so fucking sorry for everything he did, and he will NOT do it again, no matter what. And he wants to be better. And he gets it now. They're both just people. They're equals.
By the way all of this started because I saw an screenshot with a joke edited in and remembered how fucking horrifying it was to watch Mob get strangled. Anyway. Goodbye now. I think about these two every second
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reggies-eyeliner · 4 months
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OKAY AN EXTREMELY SELF-INDULGENT SENSELESS RAMBLE ABOUT JWCT REGARDING GRIEF AND EMOTIONS AND FOUND FAMILY AND COMPLEX CHARACTERS COMING UP AHEAD WOOP WOOP !!!
i cannot stress to you enough. how much i love the way they write processing trauma. like yeah trauma is all silly and angst and whatever but it's a real thing like genuinely and it's exhausting to see shows just dismiss it over and over again but THIS SHOW I SWEAR IT'S JUST. EVERYTHING IS DONE SO SO WELL AND I AM ETERNALLY GRATEFUL LIKE
and not to mention that the animation SERIOUSLY DOES IT JUSTICE like the expressions are SO GOOD OH MY GOSH LIKE IT'S I'M THEY'RE YEAH THE EXPRESSIONS. ARE INCREDIBLE. that looks darius got in his eyes when he KNEW the password to brooklyn's phone and kenji didn't??? so good SO GOOD and just the way their eyes all shine before they start crying is actually done so well that if you listen carefully you can feel my heart breaking
also i love how like emotional processing is also written so much. all of them aren't afraid to cry and i feel like that's just. yeah it's beautiful. they cry soft they cry loud whatever it is they're comfortable enough to do so and if they're not they at least know they won't be judged for it ARE YOU KIDDING ME I'M GOING TO BITE A TABLE?????
the characters have flaws. i love that so much. the characters are not perfect but they're still likable and it's executed so well. darius' grief is PALPABLE and kenji's anger, albeit sometimes annoying, is so understandable that you can't actually be angry or annoyed with him because the story writing makes you understand. that's incredible. yasmina struggles with anxiety and ptsd and she gets frustrated and that is !! okay !! sammy ignores her emotions and struggles with toxic positivity but we understand *why* she talks to yasmina that way (because she's worried and scared and concerned for her girlfriend, but she's also just as worried of truly addressing what she's been through) so it's so hard to get mad at her. ben is THANJ GOODNESS not mischaracterized as a cinnamon roll and is actually a complex character with complex emotions and i can't get enough of it. he's like a pain he's so annoying sometimes but it's endearing because he reminds you of that one classmate from elementary that makes you go ohhh yeah no it's him that's fine
okay paragraph was getting long but I do have more to say about kenji. the relationships in this show are executed SO WELL and I'm beyond relieved that Kenji and Daniel's relationship was written INCREDIBLY WELL
like. okay first off the asian rep YEAHGHH IT EAS GOOD !!! WOOP WOOP YRAHAHDH HONK HONK the part about kenji saying he should get his violin after daniel was like telling his sob story was SO FUNNY OH MH GOSH
and just. kenji and daniel kon. im. like his dad was never perfect. far from it and yet kenji just he loves him so much and wants to make him proud and it makes me sick because the writing helps you UNDERSTAND why
daniel keeps giving kenji ultimatums and kenji standing up to him for once just. yeah. that was done incredibly well. and then not even ten minutes after daniel started to change and gave his son something without expecting anything in return other than his presence daniel gets eaten alive in front of him.
okay now this show holy moly i was NOT expecting daniel to just. get ripped apart but um YEAH THAT HAPPENED and the grief was written so well I cannot stress this enough. I loathe in movies and shows when they skim past traumatic deaths and just act like the grief is just non existent and this show does an incredible job at showing that it is VERY MUCH STILL THERE and it makes people out there who are struggling feel a little less crazy and that's so beautiful
i've been a benrius enthusiast since day one and honestly at this point i just hope everything goes well for them moving on. brooklyn's death and Darius coping with her grief was done SO SO WELL and honestly okay as much as i love sibling-type dinostar i think rewatching scenes with the lens that he was in love with her just makes it hurt so much and it's just. yeah. it's written well.
I will say that I think the story could have gone on without Darius confessing his love to Brooklyn, and the scene where Kenji asked Darius about the voicemails could have been used solely as a chance to highlight grief. another way the scene could have gone was if kenji sifted through the voicemails and just heard Darius's voice shatter in a way he's never quite heard it or listened to darius blame himself and that could have been a moment for kenji to realize that grief isn't something people should deal with alone, that *he* shouldn't deal with grief alone
regardless i really do think the idea that Darius was in love with Brooklyn was done really well. I don't know a better way for kenji to have figured out the truth, and for that I am grateful :D!! I hope the hardcore shippers don't get too mad though 😭
also I absolutely loved the lady with the whistle. she's cool. her character design is terrifying and the way she treats the dinosaurs reminds me a of a queen that is very fond of her workers like 😭 she's cool but also i would never want her within a 100 mile radius of me
the found family in this show is actually. yeah. it makes me cry because it's just done so well because it doesn't idealize perfect relationships. there are awkward moments, there are sad moments, characters still feel broken and alone despite having people who've actively said that they'd go to the moon and back for them. it's realistic and it's written beautifully
I think Darius might actually be the character with The Writing ever. his grief and his nostalgia, his awkwardness and fascination with learning and his kindness are all things that exist together and I am so so grateful for that. he's allowed to laugh and make jokes while feeling constant, looming guilt. he is fascinated with learning while also struggling to feel like he deserves to be happy, he enjoys learning about dinosaurs while also being terrified of them on the worst days. he feels guilty and feels like a bad person. but he's loved and he's cared for. can you tell he's my favorite now because
enamored with yasmina and sammy as always. they are just the girlfriends ever and i love so much how openly they communicate with each other. sammy apologizes when she makes mistakes, yasmina doesn't hold it against her. they're always at each other's sides and their love isn't conditional. i love them SO MUCH
okay sorry im making this about darius again but this guy actually is The character ever. I don't think I've ever felt so seen in a character and i just yeah the writers are incredible because all of the characters are written to feel relatable, and if not that, to feel real. it was just a huge comfort to me to know that okay im not crazy for feeling this way because of a character, who was written and animated by dozens and dozens of creators was allowed to be written this way, i'm not messed up in the head, im just processing emotions and it's okay that I need help for that
THIS SOUNDS SO CRINGE I AM SO SORRY
but yeah i. i love this show.
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sadokasochism · 5 months
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I am destroyed over the whole god/worshipper dynamic and have no idea how to adequately put it into words.
I mentioned in another post that Mizi could not fathom Sua ACTUALLY dying, or comprehend what death really meant, and attributed this to her relatively comfortable and sheltered life as the pet of Shine. She was not taught to conceptualise death as a loss, and she never faced any opposition to that world view. From what we know, she might have never really known true, lasting pain or loss before the end of Round 1.
However, her reaction could also be due to her placing Sua on a pedestal as her personal god and universe. She viewed Sua as her absolute everything, and why would any faithful worshipper believe their god could be killed? Only, while Sua was everything to HER, that perception did not carry over to their captors. Mizi's love and devotion was not enough to save Sua. Forces stronger than them both took her away like she was nothing.
How must Mizi have felt, having her perception of Sua as the centre of the universe shattered that way? Coming to the violent realisation that Sua was just another human, and that humans are indeed that vulnerable and disposable? That Sua could now only exist in memories and in the visions that haunt her? That Sua is not a god, but a ghost?
Now we look at Till's perception of Mizi. Again, in an earlier post I mentioned the tragedy of Till falling for someone who did not have a reason to leave. He had a lot of blind faith in Mizi, and it could be said that he idealised her as a paragon.
It's not hard to see how he reached this point. The poor kid had not been shown a lot of kindness in his life, and so meeting someone who was genuinely good and so full of joy must have had a huge impact on him.
However, his faith is still a blind one, but in a different way to Mizi's blind faith in Sua. He is happy to endure any amount of horrible treatment and does not expect anyone to help him. He doesn't resent Mizi for being so close to their captors, for her dreams stopping at Alien Stage. He doesn't resent her after he gives up on his chance at freedom and is subjected to who knows how many more years of pain and torment at the hands of their captors (Not that Mizi is at fault, Till made his own decision that Mizi likely never even knew about).
He sees Mizi's innocence and ignorance to the cruelty of their reality as something wonderful instead of a character flaw that prevents her from saving herself or her loved ones.
Sua has the same issue, seeking comfort and bliss within Mizi's brightness instead of acknowledging the cruel reality of their world. Maybe she felt sharing her perspective with Mizi would dim Mizi's bright spirit, and so she was more than content to wait out the clock with her god.
Maybe Sua felt that meeting Mizi, loving her and being loved by her in return, was nothing short of a miracle after the life she had lived before Anakt Garden. Maybe she felt in light of that, aspiring for something like freedom or a long, long life of happiness with the person she loved the most was asking far too much. The time she got with Mizi was already a miracle, why expect or demand anything more?
If Sua was afraid of Mizi losing her brightness, no wonder she was so affected by Ivan's lecture about becoming a source of trauma for Mizi after her death.
Ivan's view of Till as his god is a bit different. He is similar in that he doesnt seem to demand his devotion be reciprocated, he just wants his god to acknowledge him as a person, as someone that is at least PART of Till's universe, if he can't be all of it.
He is also very willing to become a martyr for his god while expecting nothing in return but Till continuing to live. He acknowledges Till as vulnerable and falable in a way that Till doesn't with Mizi, and Mizi didn't with Sua. He knows damn well that while Till is the centre of HIS universe, their captors certainly do not hold Till in that same regard. He knows that love and devotion in a vacuum does not save anyone.
Which is why he was always the one to free Till, to try and escape with him, and why he pulled the stunt he did in Round 6. Ivan knew that actually making an impact in this world required personal risk and sacrifice, because their captors don't give a fuck if you're in love or if that other pet-human they're about to kill means everything to you.
Till knew this too, but his idealised version of Mizi is too perfect to be broken and beaten down by this world the same way the rest of them have been. So he's still shattered by Round 5, seeing how far Mizi has fallen and then not knowing if she's alive or dead, but knowing for sure she is far out of reach. I wonder, did he regret not running away with Ivan at that point? Did he wonder what all those years of suffering were for, if he was just going to end up losing Mizi anyway? If this world was able to break her too, no matter what he did?
Mizi is gone and changed forever, and nothing he did could stop it. His love and devotion and sacrifice wasn't enough. He failed his god.
In Round 6, Ivan is faced with the same thing. His god has lost his fighting spirit, is changed forever, and Ivan's love and devotion wasn't enough to save him. The last thing he can give is his life, and hope that will be enough. Just like Sua. But he was never Till's god, was never even part of his universe, he probably won't even leave a ghost behind. So, the choice is obvious, really.
They're all so desperate for hope and connection in this lonely, painful existence that they make a person their entire universe, and then are repeatedly crushed when they are shown again and again that their soul-consuming love for one another is seemingly meaningless in a world that views them as infinitely disposable.
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hazelnut-u-out · 7 months
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Rick and Morty does an awesome job at highlighting generational trauma cycles. The fact that Beth adopted Rick’s parenting style and approach to marriage (and even IDOLIZED him/the abuse) without realizing that her biggest character flaws come directly from him is super interesting.
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I honestly think splitting her into two different versions of herself— one who chooses to be more like her mother and one more like her father; one who stays and one who leaves— was a good choice. As someone who relates a lot to sentiments like ‘my parent idolizes their parents/I’m angry with my parents for what their parents did to them/when I’m angry with my mother, but then I remember she’s just a girl’, the Beths are a powerful representation of not only what I see in myself, but also an experience of motherhood I have little insight into on my own.
With all of their parallels, I like to think Beth has moments where she— like her father— says to herself, ‘Holy shit… I’m a terrible mother.’
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I’ve never thought about it before, but Beth truly resents feeling ‘trapped’ in motherhood. She views it as something Jerry did to her instead of something she also partook in. I’m not saying that Jerry didn’t do that intentionally, but I am saying that Beth made choices there, too, and it’s unfair of her to hold contempt for her children (mainly Morty) because of that.
It makes me wonder what her relationship with Diane was like. Diane might have felt like Rick trapped her into motherhood and then took a backseat, too. Did Diane resent Beth for taking away what her life could’ve been? Did Diane blame Beth for her decision to be a mother?
On the other side of the coin, we have Morty. He’s like his dad in a lot of innocent ways, but that concept terrifies him because he’s seen the malice behind that harmless facade.
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Part of him hates his mom for never wanting him— for never caring for him or protecting him— but that’s a part of himself he buries. He knows, at the end of the day, his mom is just a girl who desperately wanted her dad to love her.
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‘I love Daddy!’
People talk about how much Morty is like Jerry all the time, but I’ve NEVER seen a post about how similar he is to Beth. (Please tag me if you have, so I can hype it up!) He spends all day everyday cripplingly aware of just how little his parents want him. He feels their rejection and neglect. He buries those feelings to protect them; or maybe because he’s so aware of their disdain for him that he believes they just might discard him if he’s too much work.
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…Sound familiar?
Sometimes I wonder how much of Morty’s efforts to protect Beth from Rick’s actions and people pleasing to make Beth and Rick’s relationship just a bit easier comes from a certain relatedness he feels to his mother’s experience of rejection/abandonment.
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‘Rick, I can handle it if you go, but you’ll break Mom’s heart, and I won’t forgive you for that.’
He loves who some may consider unlovable.
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But, holy shit, is that kid angry.
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Angry at people he can’t justify holding accountable because… Fuck, they’ve been through a lot, too, haven’t they? How could he possibly justify hating someone he could so easily become?
I can only hope we get some more of Rick’s relationship with his parents. I’m dying to know about it.
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amorphousbl0b · 8 months
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Arcane does a fun thing with its narrative Darkest Hour.
Or: yet another post about how insanely smart this show is and how absolutely genius its writers are (and how jealous of them I am).
For the uninitiated, the Darkest Hour is the moment just before the climax in which the heroes are at their lowest point. When the Avengers are scattered and Loki opens the portal in NYC, when the Falcon has escaped the Death Star but lost Obi-Wan, when the Fire Nation is set to annihilate the Earth Kingdom, when Frodo fails to destroy the Ring at the Crack of Doom. The heroes must confront their flaws and change for the better for a happy ending.
Arcane’s darkest hour is, of course, in Act 3. One might place it at the very end of episode 9, and that’s certainly where the story is at its most hopeless. But I’d contend it starts as early as the end of episode 8 and carries on through the entirety of episode 9.
After all, that’s when Caitlyn and Vi have separated, lost all hope, and Cait is kidnapped by Jinx. Jinx’s mind is fully gone and throughout the episode everything falls apart around her. Silco is losing control of his chembarons and may well have lost his daughter, the thing most precious to him, and is only barely keeping his powerful façade in line. Zaun has realized how ridiculously outmatched they are in a war with Piltover and the revolutionary cause has become almost impossible. Viktor has manslaughtered his assistant and may never be cured. Jayce has manslaughtered a child and finally realizes how quickly he’s losing his morals. Mel and her mother are fully separating and she is struggling with her warlike destiny. Sevika gets the absolute snot beat out of her and limps to an empty office without a boss.
So yeah. Lot of personal Darkest Hours going on.
“But what’s the interesting thing?” I hear you ask in my ear. I don’t know why I hear you. Shut up. I’m writing. Are you even real?
Excuse me.
Arcane’s interesting twist on the Darkest Hour lies in part of the trope that I didn’t mention. That’s in the villain.
Most stories with a clear-cut villain have a plot structure something like this:
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Whether things are going well for one side is inversely proportional to the other. During the Darkest Hour, when the hero is at their weakest, the villain is at their most dominant.
Wait… isn’t Silco the villain of Arcane? Not to be too blunt, but he’s having a shit time. Things are falling apart for him just as badly as for everyone else.
That's the trick. Caitlyn and Vi are suffering. Jinx is suffering. Silco is suffering. Jayce is suffering. Viktor is suffering. Zaun as a whole is suffering. There is only one party in the whole story that isn't suffering, that actually is benefitting from this horrid state of affairs...
EKKO AND HEIMERDINGER
Kidding. They're not really a part of this dance. A big part of Arcane's theming is that acting to help people without an agenda is simply more virtuous than fighting for any invariably-flawed nation that innately perpetuates the cycle of violence.
No, the side that is doing fine is the other that is conspicuously absent from my two prior lists. While the characters that make up its leadership are experiencing personal Darkest Hours, the organization itself is essentially on top of the world, having just scored a huge victory and getting set to bring the war to an end before it even begins. I mentioned how poor the situation for the Undercity looks, but not its counterpart.
Piltover.
Wasn't it so that Piltover started this whole mess? Didn't their oppression cause the revolt that orphaned Vi and Powder's parents? Isn't it their actions that drive Silco to ever greater extremes? Isn't it their normalized political backstabbing that causes Jayce to sacrifice his principles because that's the only way to get ahead? Isn't it their corrupt police force that lets Silco operate his drug empire with impunity?
Silco might look the part. He might be the most personally evil character, might be the one who causes the most misery for our main protagonists Vi and Powder.
But structurally, the shining city of Piltover, its political machine, and its Enforcers are the actual villains of Arcane.
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