#yeah... this got away with me

[shotmrmiller]

ghost getting himself a cute, soft girl he doesn't talk about much but is clearly obsessed with and price just thinks it's nice he's finally settled down, approves of the home he's made for himself, definitely approves of the one he's taken for himself.

soap asks kyle if he's seen you and he says, "yep. lovely bird he's got tucked away in her little dollhouse. makes great food, too." soap swears there's a subtle shift in his tone when he says "lovely", a hint of something deeper that flickers in his eyes for just a moment. soap simply sucks on his teeth, letting it slide. (although he knows that kyle's always been one to appreciate the good things in life.)

interest gnaws at him, a persistent itch he can't scratch. price likes you just fine, as does kyle. well what about him? he decides to bite the bullet and goes to simon with a knot between his brows, the corners of his lips tugged downwards. they've shared clothes, bullets, beds. if the other two got to meet you, why can't he?

"ya can come over for dinner on tonight. she'd 'ave my neck if she didn't formally meet ya anyway."

soap then asks, out of genuine curiosity more than anything else, if simon would have kept you in the dark from him hadn't he brought you up himself.

"ya meet 'er when i want ya to, boy, and not a moment before." the tone he takes is unmistakeable. his words are a command, not a suggestion, and soap instantly knows to not push further.

soap nods. "ah'll be there."

"course ya will. she'd be terribly disappointed otherwise."

yeah, he'd hate to have that.

soap sits in the living room, the soft glow of the lamp casting a warm light over the cozy place. with a full stomach and an unfastened belt, nursing a glass of kentucky. he can't remember the last time he ate that well or that much.

maybe it's the alcohol that loosens his tongue, or the fact that he wishes he also had a sweet little thing to keep at his side just like simon's doing with you now, but the thoughts he's been mulling over all evening since he first saw you tumble out of his mouth.

"while ah can attest to yer taste in sweethearts, can't say much about your alcohol. bourbon, LT?" he says, chest warm.

simon's arm tightens around your hips, fingers splayed possessively over your thigh. he shrugs, completely unbothered by the backhanded compliment. "can't be perfect in everythin', can we, sergeant?"

soap's cheeks burn furiously hot when you come to his defense with a smack of your palm onto simon's chest. "be nice to johnny. he's got a face that make up for some of his other flaws."

the teasing lilt in your voice unashamedly gets his southern blood pumping. he can't help it if certain things stir when someone as pretty as you look at him like that. soap swirls the amber liquid gently in the glass while keeping his limpid eyes on you, not even trying to hide the fact that his gaze hasn't wavered since your cheeky little comment.

you then whisper something in simon's ear, your cupped hand not even half the size of his head and soap has to rearrange himself from the outside when your teeth catch your bottom lip. simon looks up at you then, eyes heavy and half lidded, and a smirk plays at the corners of his mouth.

"'m not sure, love. you'll just 'ave to ask 'im yourself. go on."

you open that sweet mouth of yours, but simon cuts you off with a decisive wave of his hand. "no. you know how to ask for things."

your reaction to that is visceral, and you're on your knees faster than his alcohol-muddled brain can comprehend. don't look down 'er shirt, don't look down 'er shirt, don't-

"johnny, will you touch my pussy?"

he splutters at your question, completely taken aback, but it seems you're not done just yet.

"hands to yourself, sergeant. tha' not all."

you pout at simon, one that earns you a look that promises consequence, but do as he says.

"will you touch my pussy, johnny? pretty please?"

[good--merits-accumulated]

today we are thinking about tragedies

specifically, tragedies compared between my dps fair folk au/the italian renaissance au. this was bc i was writing the fair folk au today, and a lot of it is taking on this weird tragedic bent - and out of those two this is the one with the happy ending! what is going on????

but i think i know why. the fair folk au is just full of characters who believe wholeheartedly in the inexorable hand of fate. like, when todd swears fealty to neil? the only reason neil lets him do that is because he thinks he'll be dead within the month! he's convinced he'll follow the fate of all his family, to die in battle. and on his part, one of the biggest takeaways todd gets from the fairy realm is that of the dominance of nature; it giveth, it taketh away, etc. and so he is always half-convinced that as the only human here one day the earth will simply reject him like a foreign body and he will die... it's a miracle he's survived this long anyway.

and then BECAUSE all of them believe so much in the trappings of fate, these little omens start popping up everywhere. ravens on todd's windowsill. a shadow in the shape of a cross on the throne room floor. after he swears fealty to neil todd accidentally cuts himself on his blade, turning the oath into a blood covenant, an action that he sees as an omen of death. (sidenote; this scene actually marks the second time i've written a scene where someone licks blood off their fingers and it's a reference to the bible. ffs. something needs to change)

anyway the point is that both of them are convinced that the worst is yet to come, so the worst starts popping up around them. the eye sees what the heart feels and all that. you only see that which confirms your worldview. so then when they get their happy ending, when neil's father dies and none of them follow him and the land accepts todd as one of its own... it absolutely blindsides them. like, all the elements of tragedy are there! they're ready to be mixed! and then suddenly this one guy is so full of endless love and devotion that he turns it into a victory instead. (which is again playing into mythological themes - the love between a fairy and a human being enough to literally rewrite the story...)

so how does the renaissance au measure up to this? well, very simply, the renaissance au is about how TWO men hold endless love and devotion for todd - and how he holds endless love and devotion for everyone around him - and how none of that is enough to stop fate from getting them in the end anyway. and it's also about the decayal of love and devotion - see todd's naivete and optimism crumbling after years at the mercy of milanese politics - see andrea's desire to be a heroic saviour of the people crumbling as he evolves into the same kind of tyrant he deposed. and really the difference is simply that everyone in the renaissance au sees what fate has in store for them and starts kicking and screaming to get away from it... yeah, it's a whole self-fulfilling prophecy kind of thing. (interestingly this also shows up in the environments of both aus, which i didn't recognise until now; the fair folk au takes place during night or these murky times, twilight and sunset - and the renaissance au is almost always set during the day - todd dies with the midday sun streaming through the windows of the duomo di milano. you become what you avoid!)

so. tl;dr... what?????? i don't know, this got away with me. summary: the fair folk au gets a happy ending because the love and the devotion is enough to overcome fate; the renaissance au is a tragedy because the love and the devotion were never enough to even counter fate, but you already knew that, and you tried to do it anyway. somewhere in there there's a theme on how supernatural evils are forgiving and malleable but man-made evils are immutable and vicious. good things only come to those who accept!

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[sinnabee]

You do moons ass Mondays right

so do suns ass Sundays

your wish is my command, anon

everyone say hello to sun ass sunday. but of course, as the rule goes... suns out? guns out. >:3c

i will be barring the castle doors and fortifying my defenses in preparation for the uprising, but no, i am not sorry for this

[diazsdimples]

HC: Tommy has a cat who doesn't like many people, but she always demands cuddles from Buck.

Anon, you sparked a Thing™️

Tommy tells Buck he has a cat fairly early on in their relationship. She's his baby, as he calls her. He's had her since he came out to L.A, having adopted her from a shelter a few months into him working with the 118.

One of the first selfies Buck receives is of Tommy lying on his bed, and the cat curled up protectively on his chest. She's a tabby with a dusting of white around her nose that makes Buck wonder about her age. The way Tommy talks about her makes her sound like a kitten, fresh from the womb, but Buck suspects she's probably around 13-14 years old.

When Buck goes to Tommy's apartment for the first time, he warns him about her. Buck can tell Tommy's a little nervous with the way he keeps glancing back at the lounge as he talks, as if he's expecting the cat to give him some big lecture about bringing a boy home without her express permission.

"Now, don't take it personally if Luna ignores you. She hates pretty much everyone," Tommy says as he kisses Buck's cheek and drags him inside the apartment.

It's a nice place, pretty much exactly what Buck expected from his boyfriend (is that what they are now? Boyfriends?). It's full of trinkets from Tommy's life, but it isn't cluttered - a perfect mixture of clean and chaotic, exactly like Tommy himself.

Tommy keeps his hand on the small of Buck's back as he guides him through to the lounge. Buck likes the way Tommy touches him. It makes him feel safe, grounded, as though Tommy could catch him if he falls.

Tommy' s got a couch not too dissimilar to Eddie's, but a deep maroon rather than blue. And there, right in the middle and nestled among a mess of blankets that Tommy has clearly set up for her, lies the person (creature?) in Tommy's life that Buck has been the most anxious to meet.

Tommy makes a chirping noise with his lips and Luna's ears perk up. Slowly, as though her very bones are creaking, she untangles herself from the blankets and hops down from the couch with a quiet "brrrpp". She stretches deeply, ears flattening against her head and eyes screwing shut, and the look of pure bliss that crosses her face is enough to capture Buck's entire heart.

Buck looks at Tommy for guidance as Luna gingerly walks over to him and looks up at him with big, beseeching eyes.

"Go on," Tommy prompts, giving Buck a small nudge with his elbow. "Let her sniff your hand."

Buck crouches and stretches out his hand towards Luna, offering her the backs of his fingers.

"Hi Luna," he almost whispers as she eyes him suspiciously. "I'm Buck, your dad's - uh - friend."

Tommy scoffs from behind him. "I think we're well past the friend stage, Evan."

"I didn't know - I'm sorry - I'm your dad's boyfriend," he corrects, looking back up at Tommy with a raised eyebrow.

Tommy nods, looking pleased. "Much better."

Buck just about leaps out of his skin when a wet nose touches his hand, and he turns back to see that Luna's moved closer, and is sniffing his fingers with interest. He holds stock still, remembering Tommy's words about her crotchety temperament and not wanting to frighten her, lest she bite him, or worse, run away.

Luna continues her sniffing, tiny pink nose moving minutely as she inhales, and then, much to Buck's shock, she rubs her whole face against his hand, with what can only be described as a smug purr.

"I-" Buck begins, looking back at Tommy with wide eyes. Tommy himself looks a little stunned, clearly thrown by his cat's rare display of affection.

"Huh," he says, crossing his arms over his chest and looking down at Buck and Luna with a deeply fond expression. "She's never done that before!"

Luna sits back on her haunches and gives a loud, croaky yowl, as though she's been a chain-smoker for most of her life. She nudges her head against Buck's hand and meows once again.

"I think she wants you to sit down," Tommy says, barely concealing his laughter at Buck's bewildered face. He takes Buck gently by the arm and gives him a quick kiss before directing him to the couch.

"I thought you said she hates everyone?" Buck questions, almost numbly as he allows Tommy to push him onto the plush cushions. The moment his ass has touched the couch, Luna leaps up beside him with a pleased chirp and climbs into his lap.

"She does," Tommy grins as he pulls out his phone, taking a quick snap of his extremely confused boyfriend and even more contented cat. "Clearly she has good taste."

Luna's purring is reaching volumes previously unknown to man, drowning out all other noise in the room as she begins to make biscuits against Buck's thigh. Her claws are sharp and needle-like, pricking into Buck's skin but he's too stunned to do anything more than mutely pet her silky fur.

"Wh-what do I do now?" Buck asks, looking at Tommy for guidance. He'd been expecting to possibly see a streak of Luna's fur as she raced across the apartment to hide under Tommy's bed - her favourite place apparently - but now here he is with a whole ass cat on his lap, one who apparently loves him and hates every other guest Tommy's ever had over, and Buck really has no clue where to go from here.

Tommy chuckles and reaches over to scratch behind Luna's ears before leaning forward and capturing Buck's lips in a soft kiss, his fingers gently caressing Buck's chin.

"Stay there, I'll go get us a beer," he says as he pulls away, and leaves Buck in the lounge with Luna. She's curled up completely in his lap now, tail tucked over her paws, and every so often she tilts her head up towards him, demanding scritches that he is more than happy to provide her with.

Tommy returns with two beers and hands one to Buck before flopping next to him on the couch, looping an arm around Buck's shoulders.

"I guess you've gotta stay forever now, Luna's not gonna let you leave," he jokes, and something twists in Buck's stomach, making him a little giddy.

He really likes Tommy - hell, he might even love the guy - but receiving the seal of approval from his cat is probably the biggest step in their relationship to date. Well, it really isn't but is sure feels like that. Like he's being welcomed into the family.

Buck sighs happily and rests his head against Tommy's shoulder, a small shiver rushing through him as Tommy noses his hairline, his lips brushing ever so gently against Buck's temple.

"Yeah, I guess I do."

[strawberri-draws]

"Innocence died screaming, Honey ask me, I should know. I slithered here from Eden; Just to sit outside your door"

-From Eden, Hozier

aka: au where they grow old in the dungeon together in their monster forms.

[juicywizards]

modern day saint sebastian

[haveihitanerve]

Dad How Do I but with Bruce Wayne.

Bruce who teaches life advice- showing kids how to tie a tie, how to tie their shoes, braid their hair, teaching young adults to do taxes, to surf, the best lawyers to hire when in trouble, how to avoid scams, he educates the less fortunate on the best places to get free food, where to go in Wayne Enterprises for a hot shower and some toiletries, how to eat at formal functions so the higher elite have one less thing to criticize them on. He teaches people how to do card tricks and make your niece laugh by pulling out a quarter from behind her ear, teaches moms how to rock their baby to sleep properly, teaches teens to do front flips and cartwheels and calculus, educates them on how to write job applications and two weeks notice letters. He teaches people to sew, to cook(alfred helps) to assemble an IKEA shelf, how to work a lawn mower, and all sorts of different things. And when his son dies… Bruce uses his account to share his grief, his story, shares everything about Jason, what a delight he was, how awesome he was, how much he loved to read and school… and then one day, he gets Batman to join a video. And the hero is stiff and everyone can see the exhaustion, the anger and sadness in his joints, his movements, radiating off him. But he sits down heavily into the chair Bruce Wayne had previously vacated… and begins to speak. He tells the story of Robin, his young child sidekick, who just like Jason Wayne, was murdered by the Joker. He tells everyone how his little boy tried to save Jason Todd, and how they both perished in the aftermath. He tells people about his grief, his anger, and why Batman is suddenly harsher and hurts more. “Because I hurt more.” he confesses quietly, and the people finally get to meet the man behind the mask (figuratively) and truly get to see who their hero really is. The account’s popularity skyrockets, and soon Batman is a lot more common to be seen, teaching people how to defend themselves and handle the Batarangs he knows they collect after he fights. Nightwing shows up too sometimes, teaching more elegant flips and tricks and they demonstrate their workout together, and a few months later, Batman shyly introduces his new Robin, same messy black hair as the one before, but slightly smaller, and theres something… more behind those lenses in his mask. But the kid is soon a fan favorite, making sarcastic comments and countering Nightwings witty remarks, and the people get to see a new side of Batman, get to watch as he rolls his eyes at them, as he uses them to teach people how to disguise themselves, ways to use clothes to stem blood, tie tourniquets. 

Then Red Hood returns. And a kid in Crime Alley catches him cursing at his jacket because a button fell off and he cant get it back on. “Um! Mr. Red Hood sir?” the kid pipes anxiously. Red Hood turns to him, angry, but the kid doesn't back down and just goes “You should watch ‘Mr. Wayne How Do I: Sewing’ it'll help.” and then he scampers off. And Jason is pissed and even more angry because of course while he was dead Bruce decides to become a father to everyone in Gotham. But he watches the video. And it helps. And… well, its one of the older videos. And Jason finds another old video. The one about… the one about his death. It shouldn't make his anger lessen, shouldn't make him cry, shouldn't bring him to Bruce’s doorstep where he reveals himself and they hug and cry and catch up and cry some more… but it does. 

Gothamites are a little surprised when their local Crime Lord appears on the channel, standing right next to Batman. Surprised, but pleased. Because Batman looks happy in a way he hasn't in a long time and well… Red Hood watched out for them too. And now their two protectors are working together.

[dreamofbecoming]

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

[carnivalcarriondiscarded]

Does

Does Barnaby

Does Barnaby tell the others to get off his lawn when he's angry

psh, who do you think he is, an old man? he'd Bark, like any lively young dog

[shirecorn]

Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.

The guys from the fake gameplay trailers for a predatory mobile app are my blorbos

[chickenoptyrx]

....I just wanted to draw gators :T at this point these 2 are more 'a representation of my last 2 brain cells' then they are actual characters 😅

[whoopsimasecret]

So there's an implication in s1 that Levin is Garroth's kid right? And he doesn't remember Levin's mother? So how do you think he felt when he came out of the irene dimension and saw a mirror looking back at him? Do you think he flinches to see Levin sometimes because he's looking more and more like Garroth every day, and in turn, Garroth is looking more and more like Garte? Do you think he despairs at what it means, that he had a love and a family ripped from him so harshly he doesn't even remember them. Do you think he looks for Matilda, 15 years too late, only to find she had perished long ago at the hands of Zenix.

Do you think he looks back and despairs, that all of the suffering that has befallen his loved ones, he alone has been the long, twisted, common thread?

[blanketforcas]

something about jokes and truth [x]

[redrobin-detective]

Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.

My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.

I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.