#~3K words of story

[peargreen-jellybean]

too fuckin long, so sorry about that, but enjoy a 3k word count poolverine hurt/comfort ficlet from the prompt idea i posted

my writing skills suck a bit and i wrote this on my phone but i did my best. enjoy

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Logan’s woken up in alleyways, face down, with clothes torn from a brawl he instigated and the glass bottles he’d fallen onto. Sometimes, if he’s lucky, he wakes up slumped over a table in the back of a bar because the owner was too afraid to tell him to leave.

Afraid of his claws or just his name.

The buzz of alcohol never stays long, even with high proof liquor, but the tiredness of a fucked up life still lingers for awhile more after several bottles of booze.

So waking up exhausted isn’t new. It's about the only way he’s woken up for a long time.

And that’s what Logan expects, slowly coming back to consciousness.

Exhaustion. Some hard surface. Hopefully most of his clothes intact.

One eye begrudgingly cracks open.

Yup, definitely a little fucked up. His joints ache deep into the bone and his head is cotton-y.

But… Nothing feels hard or sharp beneath him. In fact, he feels… comfortable.

Huh.

Turning just a bit, he finds his face buried in softness. It smells lived in; skin, spilled food, a hint of… gunpowder? And, after a moment, he hears the soft sound of music- too quiet to be bar music but not muffled enough to be from a building he isn’t inside of.

Huh.

“Mmm.” Using his forearms, Logan props himself up just enough to leave the softness and get a look around him.

Not an alley. Not a bar. Not even a cheap, seedy motel.

A house- er, an apartment more likely. And he’s sprawled, a moment ago face down, on top of an old couch with a blanket over him and pillow under him. Neither the couch nor the general space is all that large, he’s practically spilling off the furniture, but everything feels warm and lived in. Home-y, if a little messy.

There isn’t anyone else here- the living room, a good guess- but noises, once he registers them, coming from an adjacent room says he isn’t alone. The soft music seems to filter through from there as well.

Logan flips himself over, a bit too groggy to be elegant about it, and rubs the sleep from his eyes. The feel of gritty grime on his face, more than he usually gets after a night drowning in alcohol, confuses him.

And then-

His head slumps back into the pillow and he groans. “Fucking hell.”

The TVA. The Time Ripper. The Void.

The red spandex-ed asshole who stole him from his timeline.

… Who, after everything, took him home, here, introduced him to his blind roommate- Althea, if he recalls- and offered him a place to stay and sleep for a while. And, vaguely remembering being too tired to shower, who also gave Logan some clothes to sleep in.

Groaning, only half heartedly after remembering the comforts offered and taken, Logan pulls back the blanket and, likey for the first time, actually checks to see what he’s wearing.

A gray, “I eat cement” T-shirt and blue, rubber duck shorts.

Yeah, that seems about right.

He huffs, but sits up to get his elbows onto his knees and scrub more of the sleep away from his face. Instant regret again. Both he and Wade- battle worn and disgusting- had forgone a shower in favor of just near instantly passing out. He is fucking gross; dirt, blood, and god knows what else covering him in a disgusting layer.

Logan feels a pang of shame for getting onto their couch with this much dirt and sweat coating him- maybe he can wash the blanket and pillowcase as an apology- but a clattering from the room with the music recatches his attention. The volume of whatever song is playing- a woman singing, pleasantly raspy- increases afterward.

Too interested to ignore whatever’s going on, Logan gets up to stand- with only a small groan, thank you- and, after a quick, satisfying stretch, slowly pads over to the doorway. Nothing outright sounds or feels dangerous, but from his experience and especially after the past few days, the need for caution can’t be shaken.

He must still not be fully awake, because the smell hits him only a few creeping steps from the doorway; pepper, eggs, something a bit burnt.

Food.

God, he didn’t realize how hungry he was until now. Even the burning smell is appetizing.

Popping his head in, the sight inside startles him awake completely.

With “I <3 hot dads” shorts, a red apron, and fucking crocs on his feet, Wade shifts around in front of the kitchen counter, swaying to the song he has playing from a radio somewhere. The place is a complete mess of egg shells and plates, but the table has a, rather large, plate of scrambled eggs, another plate of half burnt toast, and an assortment of other breakfast items. The smell of coffee also hangs in the air. And for the first time, maybe since knowing the man- and when he wasn’t unconscious- Wade is happily content not saying a word. He simply turns a toaster, with a fucking butter knife stuck into it, this way and that, and shakes it like he wants information from it.

It’s jarringly warm, and domestic.

Logan is again thrown for a moment.

When was the last time he woke up to clean clothes- even though he himself is gross as hell- the softness of a pillow, to the smell and sight of another person cooking breakfast in a kitchen?

Ever?

That sounds pathetically sad and incorrect, but in the doorway, watching it happen in real time, Logan feels lost and a bit raw.

Lucky for him though, Wade is still an annoying fuck and pulls him from his thoughts.

Like he sensed the presence of the other man half lingering in the doorway, Wade looks back at him and smiles wide. All bright teeth. No mask.

“Well, good morning Peanut! Did ya sleep well? I don't know about you but I think being torn apart and put back together finally got rid of the knot in my back. God, I slept like Al after she goes through waaay too many little baggies.” He motions over to the table with his chin. “I made some eggs and toast if you want. A true triumphant heroes’ breakfast! Hopefully you like them both a bit overdone. And there’s a pot of coffee over there.” He gestures to a machine on the counter now. “You can literally just drink from the pot if you want. Caffeine does not work on me, funnily enough. We don’t have creamer but there’s milk in the fridge and sugar next to the coffee maker…”

Wade goes on to babble about everything and nothing and, while Logan cannot count the number of times he’s wanted to stab the man for not shutting up, he can’t find the want to be actually irritated.

Not in the face of food, and coffee, and just… comfort.

Speaking of…

Logan clears the lump in his throat. “Thanks.” It’s all he can think to say, but he means it, even with the rough rumble of his morning voice.

Which Wade seems to find fascinating.

“Holy shit! How the fuck does your voice get even deeper? God, you would make a killing as a erotic audio book reader. Millions probably.” Wade flashes a flirtatious look before he turns back to the toaster and continues to mumble to himself, or perhaps the broken machine.

Logan huffs, but the call of coffee is stronger than his need for a comeback. The whole pot is grabbed per the offer, the sugar too, and now standing in front of the table he finds himself hesitating. No spots are occupied and nothing says ‘preferred seat’, but Logan can’t help but pause. ‘Make yourself at home’ feels like the unsaid, unfamiliar offer he can’t accept as easily as the coffee.

It feels too easy- another pathetic thought- and he can’t help but feel like he isn’t awake yet, and the reality of a cold, pavement bed will greet him if he gets too comfortable…

“Stupid fucking piece of metal crap!” Wade hisses, followed by the sound of the knife stabbing into the toaster.

Nope, probably not a dream. Logan is not a creative enough person to come up with something like this.

God, so just… sit, you fucking moron.

Picking a chair facing away from the toaster killer, Logan sets the coffee pot down- on a mat he also picked up, he isn’t an asshole- and settles in.

He feels awkward, like a kid at his first sleepover, but the eggs are there in front of him and his stomach is starting to growl. Awkwardness can wait until after a few bites, at least. There’s a lack of something important on the table though. After a quick glance around the plates and cups, and not finding anything, he looks over to Wade who seems to be completely brawling with the toaster now.

Wincing at the sight, and before he can rethink his decision, Logan clears the remaining sleep from his throat and uses that to draw the other man’s attention.

“Do uh, do you got a fork or somethin’?”

“Ah fuck, that’s what I forgot!” Wade sets, or slams really, the toaster down and moves over to a drawer, then rooting through it. “Didn’t run the dishwasher either and all the good forks are in it. Fuck…” He mumbles something else too, but lets out a triumphant ‘ha!’ when he pulls out two forks, one a little more bent than the other.

He skips, almost, over to Logan and presents the utensils. “Here you go Peanut, pick your favorite!”

Grabbing the more bent fork, Logan nods a silent thanks and begins slowly transferring eggs from the larger plate to one of the smaller, empty ones. Wade, satisfied with the choice, simply sets the other fork onto the table and goes back to the counter, and that damn toaster.

But before brawling again, he calls back, “Help yourself to as much as you want Babygirl! You deserve it for all your sexy hero work!”

Logan huffs again but grabs one of the toaster’s victims, once he’s gotten a fair amount of egg, and takes a bite of the slightly over cooked toast and just… enjoys.

The moment is pretty… nice.

Warm food. Morning sun from the window- god, he doesn’t even know that time it is. Wade isn’t quiet, hardly ever is, but he’s not overly inane or loud right now.

It’s all… good.

So… What does it?

An old memory, like deja vu, from another place and time with other people? The still lingering, ghostly sensation of his own body shredding and healing, just below his skin? Wade grumbling at the counter over the broken toaster, like a strange picture of domestic living?

It could be anything, everything.

But all he knows is that it’s twisting into something else. Something darker, and sharper, and cold.

Logan starts to tremble in his seat and the fork in his hand damn near snaps in his grip. The bite of food in his mouth tastes like blood- no, it is blood. He’s bitten into his tongue. His heart is racing, and something is tight in his chest, too tight and still tightening. Crushing.

Air isn’t breathable. His lungs won’t let it in.

Whatever stupid song is playing now is muffled by a white hot pulsing between his ears.

… He knows this.

Panic.

This is panic.

Of all the times to break, after days of one problem after another, pain after pain, this is when it happens? Now? While he’s sitting in Wade fucking Wilson’s kitchen, wearing his worn-soft clothes and eating at his table and listening to some soft song on the radio?

Yes, it is.

Pathetic.

Fucking pathetic.

He can’t focus anywhere anymore- it’s too much, too overwhelming, too fucking stupid to reason with- and burning nausea is creeping up his throat.

He’s spiraling. He’s breaking. And he can’t find the fight to beat himself out of it.

Perhaps that’s the reason he doesn’t hear the increasingly desperate ‘Logan?’s behind him or the quick footsteps moving towards the table.

He does startle, however, at a sudden touch to the side of his skull, making him gasp.

His claws gouge the surface of the table and knock over a half-filled water cup but, remarkably, they don’t thrust into the sudden presence pressing to his side.

It takes a good minute to process the situation, much slower than it usually takes him. But he feels the warmth of another person and the pressure of a hand on his head and his head is bent at an odd angle-

Wade, his mind breathes. This is his scent- gunpowder, spandex, and his own strange, unique smell. The touch to the back of his skull is his hand and the press to his cheek is the exposed skin below his shirt.

He’s cuddling him.

Uh-

And because it’s what he does best, Logan rages.

“The fuck are you doing?!” Logan snaps, and he yanks his head back from the other man’s grasp. Or, at least, he tries to.

“Eeeasy Peanut,” Wade hushes, not relinquishing Logan’s head. It's easy to forget the teasing, ridiculous man is incredibly strong. The battle lasts all of two seconds, and Wade’s stubbornness takes the victory. Logan’s cheek presses back to his hip and stays there under the weight of his hand.

“Easy, easy, easy…” Wade mumbles. He hesitates, only for a moment. “Vanessa did this… when shit got really bad.”

He’s quiet. He doesn’t elaborate. He doesn’t have to. The meaning and weight of the softly spoken words are enough.

There’s a growl starting to rumble in his chest and while he wants to fight against Wade harder- he doesn’t need sentimental crap or, god forbid, pity- Logan takes a breath just long enough to pause here in the moment, and let’s himself feel.

Wade’s hand is cradling his skull and his fingers are threaded through his hair. The weight of them is firm, but not crushing. No, they’re gentle. And they press his cheek and temple into Wade’s side, where the dip of his waist is. Even at the odd angle his neck is bent to, the shape of the dip fits to his face near perfectly and, if obliged to stay here, he would be comfortable. Wade’s body heat- much like his own, running high due to constant cellular regeneration- seeps into him. Into his skin, and then his flesh, and then his bones, settling deep into his chest.

All of it, it… helps.

The revelation startles Logan.

The weight and solidness of Wade is grounding; constant, steady pressure. His warmth slowly relaxes the painful tightness behind Logan’s ribs. Even his smell- showered now, likely before he started cooking, still strange but not unbearable- settles his mind just because it’s there.

Wade… is anchoring him.

Maybe he really should fight this harder, or be annoyed at the coddling, or pissed just because he’s being handled at all, but Logan can’t keep a grip on any of the feelings. He can’t stop the calm that pulls him in and brings him down. It’s so- He’s feels so-

…

… When was the last time he was held?

Not fucked by nameless faces, or hanging on to another person for dear life, or punch near through the stomach- Held.

Was it before- God does it hurt.

… Was it before, when he had his fellow mutant friends and family? Before that?

After?… Definitely not.

Warmth, gentleness, nothing of the kind was what he deserved afterwards. He could never reward himself with something he never showed, and no one offered it to him regardless.

Logan shudders, his breath likely teasing Wade’s skin but, if the other man feels it, he blissfully leaves the fact be.

Wade- warm, solid, annoying as hell Wade- who breaks his train of thought, unaware of it. “Better right? When Vanessa first did this, waaay back in the storyline, I fucking melted like a kid’s ice cream. It’s like the guilty, trauma victim’s morphine.” He pauses, and there’s a grin to his words now. “I also ate her out that first time, but we can wait to do that until the second mental breakdown session, Babygirl.”

Yup. There it is. Asshole.

But Logan just, non-committedly hums, although it's more of a grumble. Yeah, Wade will probably be insufferable after this, smug and a whole new level of too comfortable touching him, but right now, right here, he’s calming.

He’s- something Logan can’t quite name. Or at least, he’s unwilling to.

Call Logan weak, call him pathetic- because he truthfully is, just below the storm in his skin- and like hell does he actually deserve this, but he’s gonna savor it for as long as he possibly can.

Seconds pass, or maybe hours, and the gentle massage of Wade’s fingertips to his scalp continues during it before his hand slides away from Logan’s hair onto his shoulder.

The loss of that contact against his head is disappointing-a private thought- but when Wade shifts like he’s about to move away the disappointment quickly morphs into panic.

He isn’t ready to let go.

He isn’t ready for Wade to leave.

With pure, unthinking action, Logan latches onto the fabric of Wade’s shorts just below the hip he isn’t leaning against. He fists the material into a ball, like he’s afraid the other man will just disappear if he doesn’t hold tight enough.

Like he really is going to wake up, and be alone again with only the memory of coffee and warmth.

Embarrassment quickly reddens his face once he understands what he’s done but, instead of releasing Wade, Logan turns his face into his hip to hide. Clenching his eyes shut for extra precaution.

Weak. Pathetic.

Wade is quiet, his hand hovering above Logan’s shoulder after it was started off but, just as Logan is about to relinquish his hold of the man- he can't bear the unnerving stillness of him- Wade surprises him again.

Quick but gentle, Wade cups the back of Logan’s head and neck, turns ever so slightly to the side, and presses Logan’s forehead to the cushion of his stomach. And just lets the other man stay against him, as he rubs his head and shoulders.

Logan cries a small sound he’s never heard himself make before- something wounded, and relieved, and ragged- but he can’t be bothered to care. Not right now. He releases his death hold on Wade’s shorts and wraps his arms around the other man’s thighs, as flush against him as he can be in their current positions. His hold might be too tight, edging on painful most likely, but Wade doesn’t complain. Doesn’t do anything except this… hold him.

Thank you, thank you, thank you…

“Of course, big guy. Whatever you need.”

Ah, he said that out loud.

… He’ll care about that later. Logan will be pissed, and embarrassed, and in denial at some point, but it’ll all be later. When Wade isn’t cradling him or murmuring soft words. When he isn’t cooking warm food or listening to music on the radio.

When he isn’t making him feel like, for the first time in a long time, he’s allowed to have kindness.

Fucking… Wade.

[silvermoon424]

Eternal Erina

Left by @chommission, right by @linyu3u

An anon innocently asked me to talk about my OC Erina's final form, Eternal Erina. Unfortunately, it's impossible to actually explain her deal without also explaining the story of my story/paracosm. Which is, uh, LONG AND COMPLICATED.

For anyone who doesn't want to read the massive incoming infodump, the main plot of my story/paracosm revolves around Erina and her journey from a frightened, troubled child into the savior of her people (mages, aka magical girls and magical boys). That involves becoming a goddess, a concept, and a universal force. So like Ultimate Madoka, basically. If the design didn’t tip you off, my story is HEAVILY inspired by PMMM, lol. 

The details are hidden under this Read More. If you end up reading it, I'd LOVE to hear your thoughts!!

Order and Chaos

So basically, magic and life (especially sapient life) is governed by the Rule of Cycles, a mostly benevolent being/law of nature. It is opposed by Chaos, who governs black/chaos magic but cannot create true life, only shadows of itself or People of the Cycle that have been corrupted. Chaos hates RoC because it's envious of RoC's creativity and ability to create life, not to mention that Chaos used to be a part of RoC at the beginning of the universe and wants to once again be one with everything. 

Mages have existed for billions of years, all across the universe. Where there is sapient life, there is magic. Mages are born when they resonate with the Rule of Cycles and are granted a wish/miracle. But if they fall into despair or fail to replenish their magic they will become Wraiths, beings of Chaos (again, like magical girls and Witches from PMMM).

Also, if you couldn't tell by the names, the Rule of Cycles and Chaos are basically Order vs Chaos personified. This is inspired by the Stars arc of Sailor Moon and the ultimate villain Chaos.

Also, RoC and Chaos can't fight directly without damaging the fabric of the universe and/or causing mass destruction, so they manipulate beings and create proxies to fight a proxy war. Erina, my main OC, is the RoC's chosen champion and can tap into it directly. Chaos doesn't have a champion (yet) and mostly just sends out powerful extensions of itself, although it does also have corrupted People of the Cycle at its beck and call.

Also, in my paracosm, the RoC was created by an even greater being that created the multiverse who's since basically fucked off and doesn't intervene at all. Soon after the creation of the universe, billions of years ago, Chaos split off from the RoC and they've opposed each other ever since.

The Philosophy of the Cycle and Unnecessary Suffering

However, even though the Rule of Cycles and Chaos are opposed, they are inextricably bound together. Just like as the darkness needs the light to create shadows, the light also needs the darkness to shine more brightly. 

In other words, without evil, we couldn’t truly comprehend good. Without sorrow in the world, there would be no compassion. If we never lost anything, we would never truly appreciate what we have. And so on. The Philosophy of the Cycle- the path that mages spend years walking- is making peace with the fact that sorrow/evil/suffering will not only always exist, but is in fact vital to the very foundation of the universe. 

With all that said, even though suffering and sorrow are inevitable, we must try to diminish it in any way we can. Making peace with the foundations of the universe does not mean totally accepting it the way it is and sitting by passively while bad things happen. Because not all suffering-or even most suffering, one could argue- is inevitable. A lot of suffering is due to unjust systems, systems that need to be torn down and replaced with something better. 

You know, unjust systems like the current mage system.

In my story, being a mage isn’t an immediate death sentence like in PMMM; many mages go on to live full adult lives. However, the death/corruption rate is still around 1/3 to 1/2 of all mages. So even if you don’t succumb to Chaos yourself, you are essentially guaranteed to know and love someone who will or already has.  

I haven’t sat down and figured out how the mage-Wraith system came about; all I know is that it wasn’t always there and is the result of  tampering. It’s been in place so long that there are only a scant few records talking about the before times, but there is evidence it didn’t always exist.

Also, Wraiths aren’t the only Chaos Beings around; mages also fight Demons. Unlike Wraiths, they are mere extensions and creations of Chaos and did not used to be sapient. There are enough Demons around to support the mage population’s need for purification, once again proving that Wraiths are unnecessary and cruel.  

 Some cycles need to be broken. Enter Daenerys.

The Oracle

Daenerys aka Dany (yes, named after that Daenerys!) comes from a noble family of oracles who once reigned as the monarchs of a country of mages before it was destroyed. Dany is the most talented far-seer ever born and, after seeing a vision of Erina as a goddess whose ascension broke the cycle that turns mages into monsters, has dedicated her life to ensuring that future becomes reality. Even the wish that turned her into a magical girl was in service of her goals: she wished to be the fount from which a true hero would be born.

(idk where else to put this, but another major plotline of my story is a government conspiracy. Countless children with psychic powers and/or the potential to become mages were kidnapped and raised in a top-secret research facility. Dany was one of the first victims of this program due to precognition being a very rare ability. Dany (not a mage yet) was deep in despair when she had her vision about Erina. It gave her a reason to live and keep going, which is why she’s so dedicated to Erina and her mission)

Twisting and weaving the threads of fate, Dany carefully manipulates things to ensure the future she saw. She does whatever she can to add onto Erina’s karma (which, like in PMMM, determines how powerful a mage is). Dany also became a mage years before Erina, so a lot of this happened when Erina was still completely ignorant of what fate had in store for her.

Erina’s Entrance

I truly cannot give as much background as I want on Erina herself because this is so fucking long already lol, but I’ll give the main points of her background:

Her mother died about a year after giving birth to her, and she was then raised by her grandmother until she was 5. After her grandmother suddenly died, she was put into the foster care system.

The main story starts when Erina is 12. I’m literally not even gonna try explaining all that goes on lol, but the important thing is that she comes under the care of a young man named Eric who becomes her adoptive father.

Again, due to reasons I won’t get into now, Erina was nearly driven to suicide due to despair (she has C-PTSD and was at a point where she thought the future was bleak). The love and care Eric showed her gave her hope and made her want to keep going, and she is left with the strong desire to inspire hope in others the way he did in her.

Flash forward a bit and Erina becomes a magical girl, using her wish to save Eric’s life in a dangerous situation. She immediately and wholeheartedly embraces her role as a magical girl, seeing it as a way to help others and inspire hope like she so dearly wants to.

Erina finds herself in a found family with fellow mages Luna, Rhae, Iris, and Flora (the other main OCs of my story). She also formally meets Dany and becomes close with her. She also becomes friends with lots of other people (including many mages) and has a lot of fun experiences.

Doppelgangers: The Other “Me”

It’s soon revealed that Erina’s magic has created a purifying barrier around the city she and her friends live in; instead of becoming Wraiths, mages who exhaust their magic will instead summon Doppelgangers (YES I LOVE MAGIA RECORD AND IT’S OBVIOUS). I’ll try to explain the Doppelgangers and their relationship to the overall lore:

Doppelgangers are actually symbiotic organisms from another dimension that attach onto the souls of sapient beings because they themselves lack souls as well as self-awareness and consciousnesses (although they do have intelligence).

Doppelgangers are normally benign, but they respond to their hosts' emotions and can turn into Wraiths if overcome with despair. Again, this did not always used to be the case. It’s implied that Erina’s magic is shielding the city from the effects of Chaos, and therefore Doppelgangers cannot be corrupted.

All People of the Cycle (intelligent life) have Doppelgangers, but only mages have the power to manifest them in our dimension.

Doppelgangers are also manifestations of the host's soul. As such, the host might be self-conscious of their Doppelgangers or outright reject it if they don't like what they see. In turn, the Doppelganger might keep trying to force its user to confront their own demons or flaws in an attempt to help them (basically, sometimes a Doppelganger can be a really intense therapy session lol). 

A Doppelganger is a reflection of its user, and accepting one's Doppel is an act of self-love and self-acceptance. Doppelgangers themselves LOVE their hosts and are unquestioningly loyal to them. However, more than the host’s words, the Doppelganger obeys their heart.

If the host rejects their Doppelganger, the Doppelganger will still come out in the automatic purification field. The mage just won't be able to control it. Outside of the city, they'll turn into a Wraith unless they come to terms with the Doppel and are able to summon it. 

Dany hopes to expand the purification barrier across the entire universe. She plans on doing this by having Erina resonate with the Rule of Cycles once again and be granted a second wish.

The vast majority of mages are only given one miracle. However, mages who have accumulated exceptional amounts of karma and are judged to be worthy are capable of being granted a second wish. This is why Dany has been working so hard to build up Erina’s karma. To help her with this goal, Dany creates a group called the Weavers of Fate.

Oh... It’s a Cult

Yep, the Weavers of Fate are pretty much a mage-based cult based on their belief in Dany’s visions and Erina’s future as a goddess. But can you blame them for latching onto hope when their fate is so dicey? Dozens (and later thousands) of mages work to assist Dany in her goals.

The Weavers of Fate embrace and revere Erina as their messiah, sometimes making her uncomfortable because she just wants to live a normal life with her loved ones. But as the story goes on, Erina becomes more and more convinced that she needs to embrace the role if it means saving her fellow mages.

Side note: at a certain point in the timeline, the existence of mages becomes public knowledge. There’s a lot of sociopolitical drama that I won’t get into here.

Dany’s Changing Priorities

A few years into the timeline (after a LOT of things happen that aren’t relevant to this writeup), Erina shockingly and unexpectedly dies in a climatic battle against Chaos. Dany is utterly devastated and, in her grief, resonates with the Rule of Cycles and makes a second wish (by this point, Dany has wracked up TONS of karma herself). She wishes for a chance to redo things, and is given the ability to go back in time. She can only go back in time at the static rate of a few months, but this gives her enough time to plan ahead for the climatic battle.

Well, long story short, Dany goes through several time loops, failing each one, and gets more and more traumatized each time. Yes, she’s literally Homura but better off in a few ways. Anyway, Dany learns that Erina’s ascension to godhood is not guaranteed; with the more karma she accumulates, she is more and more likely to become a Wraith. And not just any Wraith, a Wraith that could easily destroy the entire world (and later, even the galaxy).

After years of single-mindedly pursuing her goal, Dany decides that all she wants to do now is protect Erina and her other friends. She’s done with being a pawn for cosmic forces greater than her. She feels immense guilt for putting Erina on a pedestal and putting her through all this, as she now deeply loves and cherishes Erina as a friend... or maybe something more than a friend.

Except oops, she’s already done so much at this point that she’s completely screwed over the chances of them all having a normal life. With every reset, things just get worse. But she refuses to give up, continuing to hold out hope even in the face of overwhelming odds.

How It All Ends

Dany finally reveals everything to Erina, expressing her regret and asking for Erina’s forgiveness. Erina says there’s nothing to forgive, as she wouldn’t change the life she’s lived and the experiences she’s had for anything.

The climatic final battle begins. Wraiths from all over the world descend on the city where the story takes place, overriding the purification barrier and causing mass death and havoc. Erina is forced to sit it out due to the dangers of her dying or becoming a world-destroying Wraith, like Dany has seen happen so many times. A lot of the main characters die fighting, and Erina is left devastated.

Despite all that, Erina affirms her belief in hope and her desire to give it to mages- her people. The way she sees it, mages are being punished for believing in hope and wanting a better life, and that is unacceptable. She remembers a dear friend who became a Wraith, along with all of the other people she’s known and cared about who suffered the same fate.

She knows what she has to do.

She has an emotional conversation with Eric, her adoptive father, and thanks him for setting her down this road. Despite his pain and reluctance to let her go, he gives her his blessing. Erina says goodbye to her remaining friends and loved ones, thanking them for showing her how beautiful the world is. There are a lot of awful, terrible things in the world, but the good things it has to offer are enough to make it worth fighting for. Erina knows this better than anyone.

Resonating with the Rule of Cycles once more, Erina makes her second wish: To have the power to grant the promise of “tomorrow” to mages. She ascends to godhood, and the purification barrier becomes a universal law of nature (much like Ultimate Madoka). Unlike Madoka, however, everyone remembers Erina and knows about her sacrifice.

Time restructures itself, and because the Wraiths that killed everyone no longer exist, the people who died in the final battle are resurrected. Erina’s friends and family- ESPECIALLY Dany, who is absolutely guilt-ridden- deeply mourn her loss, but vow to keep protecting the world she loved and cared so much about.

🩷 The End 🩷

I Lied, There’s More

Okay, so that’s the ending of the main paracosm. However, there’s a sequel! I have not spent nearly as much time on this as the main story so a lot is very sketchy. I’m just gonna list out my main ideas:

A little while after the ending of the main story, an alien union/federation/whatever makes first contact with Earth; they were also saved by Erina's actions and want to return the favor by helping humanity out.

Stuff Happens but I don’t know exactly what yet lol. I do know there’s a lot of space battles because that’s just cool.

Erina eventually comes back into her physical form because Dany is in danger (I imagine it's a situation similar to Rebellion; I haven't hammered out the details yet though). There are also Chaos machinations, which could be catastrophic for the universe.

She manages to save Dany and also connects with Chaos itself, making it realize it needs to chill out. Like it can still be Chaos but not so extra.

Erina with her loved ones, also getting to meet the new characters. She is sad about needing to leave them again, but knows her duty is more important.

However, the Rule of Cycles is very grateful for all of Erina’s help; after all, she ended Wraiths and managed to get Chaos to calm down just a bit. The RoC asks Erina if she wants to live out the rest of her natural lifespan in the mortal world. She says yes, because there's nothing she wants to do more than live her life with her friends and family, in the world she loves so much.

I imagine the system her wish made is still in place because, like Madokami, she's both Erina the individual and Erina the force of nature. It’s not great to have Erina the individual missing, but since it’ll only be for a few decades the universe can cope.

In the ACTUAL, FINAL ending, Erina becomes a teacher for young mages. Erina, Dany, and Iris (a main character whose relationship with Erina is also a major theme) officially become a polycule. LOVE FUCKING WINS!

If you made it this far: THANK YOU FOR READING MY STORY, both the story itself and your interest mean more to me than anything!!! 🩷🩷🩷

[hogletthe2nd]

DSMP fanfic writers please do not let being “in character” consume your thoughts it destroys your writing TRUST ME

[cherryfennec]

opened docs after a while and forgot how much lore i actually wrote, (power-up or general world building) and even though some of these are old i was actually kinda cooking with half of these untitled files and there's no way im letting them go to waste

an honorable mention to my unfinished fic draft with almost 3k words atm about mario, luigi and the chaos heart that i made november last year and forgot about since

[kacchanot-fucking-deal-with-this]

i was just trying to write a cute fic about bakugou touching izuku's hair and it's already double the intended word count and only about halfway finished

[lordmaddie]

I'm in the Wrong Eventuality, Aren't I?

This has been heavily inspired by @haeanotnon ‘s Your First Meeting with their OC Oberyn as an NPC in Enderal. They’re really cool and you should check them out at once! So here’s mine: Meeting, Romancing, and/or Killing the Marksman in your Enderal eventuality: The Marksman will be randomly encountered in any non-questline interior dungeon before the quest Forgotten Homeland, Part I has been started. Enemies around his spawn location will die so he won’t engage in combat with them. He will walk into the Player Character either from around a corner outside the PC’s view, or appearing out of the shadows of an unlit area. You are forced into dialogue upon encountering him. The Marksman: Friend or foe? >> Friend! The Marksman: Wise choice. Now, if you don’t mind… You’re forced back to the entrance of the dungeon. If you attempt to re-enter, a message will appear: “He’s still in there.” You cannot re-enter the dungeon until an in-game day has passed. If you return, you will find all of the enemies dead and all the valuable loot taken. > (Stall) The Marksman nocks an arrow. The Marksman: Best answer quick, [boy] / [Mydame], else you won’t like my choice… You may select one of the other dialogue options, or: >> (Continue stalling) The Marksman: So be it. [Combat starts] >> Foe! The Marksman: Bleed for me. [Combat starts]

Read the rest on AO3!

[lavender-gloom]

when the angsty book you’re writing has a moment of fluff

[deadn30n]

DEVOUR DIVINITY; DETHRONE GOD.

𝘢 𝘭𝘪𝘵𝘦𝘳𝘢𝘳𝘺 𝘢𝘯𝘢𝘭𝘺𝘴𝘪𝘴 𝘰𝘧 𝘓𝘶𝘰 𝘉𝘪𝘯𝘨𝘩𝘦 𝘪𝘯 𝘮𝘺 𝘚𝘝𝘚𝘚𝘚 𝘹 𝘏𝘰𝘯𝘬𝘢𝘪 𝘚𝘵𝘢𝘳 𝘙𝘢𝘪𝘭 𝘤𝘳𝘰𝘴𝘴𝘰𝘷𝘦𝘳.

who is Luo Binghe?                    Luo Binghe is the famed protagonist of Proud Immortal Demon Way, a novel within a novel. if you are unfamiliar with The Scum Villain's Self-Saving System, this statement may be a little confusing. to summarize, Proud Immortal Demon Way is a web-novel series written by Airplane Shooting Toward The Sky involving a young prodiginous child and his scum teacher. this prodigy, known as Luo Binghe endures years of misfortune, abuse, humiliation, and torture at the hands of his ‘shizun’ Shen Jiu ( Qingqiu ) until one day, his teacher attempts to kill him. an attempt that ends ultimately unsuccessful, and kick-starts Luo Binghe's rise to power for revenge as he realizes his true heritage as a heavenly demon. from this point on, Luo Binghe wields all forms of weaponry at his disposal to enact revenge on those who wronged him, later becoming emperor of the three realms after using his demonic sword Xin Mo to split the skies and merge heaven, earth, and the underworld as one.

this is the version of Luo Binghe i write.

The Scum Villain's Self-Saving System       is a novel that follows the story of Shen Yuan, PIDW's most avid reader  ( and hater )  when he unexpectedly dies in a rather comical turn of events, and is transmigrated into the body of the scum villain, Shen Qingqiu. in order to avoid the gruesome fate with which the original scum villain endures at the hands of Luo Binghe, Shen Yuan-turned-Shen Qingqiu embarks on a journey to change the course of history and prevent the protagonist's heart from blackening.

how did Luo Binghe get here?                    at the age of 55, well into his reigning years between the three realms, he is unexpectedly poisoned by an unnamed demon seeking to usurp him. while the poison ultimately fails to kill him, it doesn't knock him unconscious and send him to a world who's name he's long since forgotten. after waking in this strange place and gradually making sense of things, Luo Binghe is consumed with rage by such a betrayal, and takes it out on       every living creature in the realm. nothing survives. this is his first transgression against the cosmos, putting him on the radar for several organizations, as the world he thoroughly exterminated was under the IPC's explicit ‘’'protection'''. no sooner had he awoken in this place, did he make himself into an enemy to all.       this thrilled him. 

after some deliberation and a trail of IPC bodies behind him, rather than try to find his way back home to escape pursuit, Luo Binghe sees this unknown universe as a chance at       a new life. he would never admit it out loud, but over the years he'd become increasingly dissatisfied with the life he made for himself. even after liberating himself from every ounce of opposition that ever stood in his way,       it didn't feel like enough. his memories still haunted him. his mind remained in pieces, barely glued together by his arrogance. Xin Mo's voice continued to whisper to him from the shadows in the darkest corners of his consciousness, attempting to break him down. weaken him. destroy him. something was missing, and this unexplored place was the piece he'd been looking for.

furthermore, as his travels continued to take him to new and exciting places, he had a chance run in with Elio  ( @resolutepath )  whom offered him a unique opportunity to relieve himself of that which tortured him, in exchange for pledging loyalty to the stellaron hunters.       he agreed without hesitation.  a chance to lift the shackles of his past and liberate all that continuously tormented him was a chance too good to pass up. thus, Luo Binghe became a stellaron hunter.

what does he do currently, when not engaged with stellaron hunter activities?                    primarily, Luo Binghe will embark on solo journeys to various worlds not previously explored, always seeking power. though his life in his home world has come to an end, Luo Binghe is still an Emperor at heart and cannot resist the promise of new and unusual powers to be obtained. to be mastered. anything that can aid him in his exploits in this place. if he happens to find something that catches his interest, he will employ the necessary tactics most familiar to him in order to obtain it, no matter the cost. Luo Binghe is nothing short of cruel, ruthless, duplicitous, merciless, and violent.      it's rare that he should show kindness or compassion toward anyone if they aren't a Stellaron Hunter. but if you're lucky, he might just grant you a painless death. he does have a tendency to go much easier on women, but his playboy years have long since passed him, and his harem of countless wives forgotten in his pursuit for freedom of mind.

some important points you will want to take into consideration;

Luo Binghe often flirts a lot to get his way. this does not necessarily mean he's interested in you. it's merely his way of lowering one's defenses and pulling the wool over your eyes. he's good looking, he knows it, he once had women tripping over themselves just to sleep with him; he will employ every tactic to take advantage of you, no matter how vile it might appear.

to date, the Stellaron Hunters are the closest thing to family to him. he may not show kindness to many, but his loyalty to the others runs deep in his veins. it's extremely difficult to get close to him, but they have managed to accomplish this. they are one of the only exceptions to his callous nature; if a stellaron hunter is in danger, he will step in to protect them without hesitation.

at present, Luo Binghe prefers to use Xin Mo while on missions, but does still posses his original sword Zheng Yang. despite Xin Mo gradually eroding his mind, he prefers the demonic blade over any other weapon.

he still posses all of his powers, but lacks the infalliable protagonist's halo that made him immune to things like death or serious injury, as was written by Airplane in PIDW. having transmigrated into HSR by body, soul, and mind, he retains everything from his memories to his powers. he is extremely strong. not god-mod strong, but he isn't weak. i won't be dumbing him down for any reason.

book 4 of SVSSS contains a short story involving Luo Bing-ge  ( the one i write  –  this is his nickname )  crossing over into the world of Luo Bing-mei  ( the version of him witnessed throughout the entirety of SVSSS )  using Xin Mo. bearing this in mind, i also believe that Bingge can technically return to his old home at any point by using Xin Mo to tear a hole in the fabric of space. however, as previously mentioned, he harbors no desire to return, so he doesn't.

Binghe is unique in my crossover in the way that while his story directly intertwines with the crossover versions of Liu Qingge, Shen Qingqiu, and Yue Qingyuan, he does not originate from their world. these three are dead in the original story of PIDW, and only survive in SVSSS due to Shen Yuan's meddling into the storyline. he knows they're alive here  (  and have transmigrated to HSR from their own world respectively  )  and originally planned to kill them, but ultimately later abandoned this desire for reasons he keeps to himself.

for shits and giggles, i made him a foxian because fuck you that's why. i'm tossing fox ears and a tail on the evil creature because it's funny to me ok don't perceive me. besides, if he was native to HSR, he would've been born on the luofu as one anyway yeehaw

when it comes to his involvement in certain worlds

Belobog                    he really has no reason to be here if i'm being honest, so i won't bother with this one unless he happens to interact with someone from that place.

Xianzhou Luofu                    he happens to be a wanted man here for various reasons that include murder of important officials, kidnapping, theft, and the slaughter of numerous cloud knights. there's a hefty price on his head, as well as an execution order, but it doesn't stop him from showing up anyway. he enjoys coming here and stirring up trouble, especially for Liu Qingge and Yue Qingyuan, who both currently live on the Luofu. 

Penacony                    he hasn't spent an extended amount of time in this place simply because it didn't interest him. he personally thought the construction of a world where you needed to dream to interact was exceedingly stupid and saw it simply as a rather stupid way for humans to outrun their everyday troubles. he's visited, but always in disguise and never lingering for long.

Amphoreus                   ( for the sake of plotting, we can pretend he's able to slip in here )  if he had a chance to visit, he would undoubtedly make a nuisance for himself and interfere with the Flame-Chase Journey in order to steal Coreflames. his thirst for power would drive him to hunt Chrysos Heirs, even try to kill them if it comes down to it. he's fascinated by the power of titans, and naturally wants it for himself.

he does have a few unique relationships in the HSR world at present, which i'll list below. please note that for the romantic relationships, they are exclusive to that version of that character. it means i won't ship with any other versions of a character.

Jing Yuan  ( @vainrot );  touted as his precious lover in their storyline, Jing Yuan is one of the very rare few who can tame him and keep him in line. due to an incident in the past involving a severe qi deviation that left him stuck in his 15-year-old body for a few weeks, Luo Binghe now calls Jing Yuan ‘shizun’. this is because during this particular instance, he lost all of his memories and hallucinated Jing Yuan to be Shen Qingqiu, his actual teacher, throughout their day to day life. in order to protect him in such a vulnerable state, Jing Yuan accepted this temporary position and cared for him until he returned to his normal self. afterward, Luo Binghe's already fractured mind had shattered further due to the fragmented memories of Jing Yuan now mixing with Shen Qingqiu, and it took nearly three years for him to recover. this was not Jing Yuan's fault. once Luo Binghe was at peace with everything, their love story began, and Luo Binghe soon fell for Jing Yuan to the point of an almost obsession.

Sunday Oak  ( @avaere  );  a fellow Stellaron Hunter in their shared universe with whom Luo Binghe grew especially close to, developing an unhealthy attachment alongside his affection. Luo Binghe is excessively protective of Sunday despite the halovian being perfectly capable on his own, and refuses to allow Sunday to dirty his hands whenever they're on a mission together. he has confessed his feelings to him several times, and their relationship is still in it's developing stages.

Kafka  (  @starspurn  );  another fellow Stellaron Hunter, and someone Luo Binghe highly respects. his knowledge of her is very little, but finds that thus far  –  he thoroughly enjoys being around her in any capacity. he's never once turned down an opportunity to go on a mission with her, and will sometimes seek out opportunities to sit down and chat with her. she's as enigmatic as they come, but he finds that exciting, as in his mind, it's boring if people give too much of themselves away too quickly. she's a puzzle he'd like solve, and hopes one day to be close.

Blade  (  @yingren  );  yet another Stellaron Hunter he's involved with, but someone he considers as a very good friend. like Kafka, Luo Binghe regards Blade with an immense amount of respect as Blade was the one person who actually set him in line during the years he was acting cruelly toward Jing Yuan. Blade is also extremely talented and impressively strong; both things which Luo Binghe deeply admires about him. he doesn't get to spend a lot of time with Blade, but he does look forward to finding more time to do so.

Fugue  ( @afugue  );  a beautiful foxian woman who earned his respect by standing up to him when no one else could. she is one of the only people that's ever laid a hand on him and been allowed to survive, but it's because she did this that he decided not to try and kill her. in the past Luo Binghe was always met with people bending the knee, so it was an unexpected but pleasant surprise when she not only didn't do that, but also fought him when he tried to cause problems. therefore, she's earned his respect and he likes her a lot.  (  even if she might not like him that much, he's ok with that )

Aventurine  (  @altarfates  );  the prey that became a coveted jewel. Luo Binghe initially approached Aventurine with the intention of probing his mind for information on the Nameless, as the other version of Shen Qingqiu was among them. they struck a deal that would work in both their favours, and Luo Binghe feigned loyalty to Aventurine with the intent to betray him later on. this, however, did not come to fruition as Luo Binghe later developed feelings for Aventurine and began to pursue him for more reasons than just information. the two eventually became irreversably entangled with one another in a deadly dance of passion and lust, while still continuing to use each other for their end goals. there's never a boring day when it comes to spending time with Aventurine, as Luo Binghe always says.

Luocha ( @gildedlys ); is actually still in development, but know that they're going to be gay as hell.

[noisytenant]

rereading my own writing is crazy..... its like wow i did that

[tojiscrack]

after doing some reconsidering, ive reached a conclusion.

megumi is pissing me AWF.

for the record!! this does not mean i am team kamo now, i am still apart of the #kamoisover party, BUT. megumi…. please… MAKE A MOVEEEE.. even if she doesnt know it, just one PLEASE BRAH 💔💔

ive been giving my megumi funko pop glares all day since ive come to this conclusion btw, he needs to man up right neow

you know what this reminds me of? 😭

the dude-bros on twitter getting pissed off at megumi for not doing anything 😀

‘even if she doesn’t know it’ — i think megumi would rather jump, ngl 💀

nah i’m jk. i have a few things planned for him. he has 0 game but we’ll see how it goes :)

p.s. the funko pop is representative of canon megumi, don’t give him the stink eye, the poor bean 😭☹️

liar, liar megumi is who you should be pissed at 🙂‍↕️💞

[ellitx]

Currently editing old chapters of illusory sense before i post the new one, and the urge to merge some of them is strong. Some are so short that i could easily combine them, but it’s obvious i was delaying the reveal chapter while waiting for the ludi harpastum release and some venti lore drop

[sleepless-in-starbucks]

'man im not even sure if this idea will be long enough... guess ill be ready to pad' <- man whose story idea is absolutely long enough and is, in fact, too long

[ethanscrocs]

Short Story: The Princess With The Broken Heart

[lastweeksshirttonight]

Lee is re-watching Sherlock for some fucking reason - Season One

I'm well aware that the crossover between "currently popular and loved British comedian in the US updates, thirst, and accoutrements" and "BBC show that went so off the rails that people now like to pretend Andrew Scott's breakout role was the Hot Priest in Fleabag" is limited, but weirdly, returning to Sherlock was one of the few things that was keeping my brain somewhat grounded and whirring during Work Hell.

We're in uncharted territory here. You're gonna learn a bit about the things I do when I'm not tracking John Oliver obsessively. I am nervous about this but hey, I'm guessing most of you knew I don't solely live and breathe John Oliver. (I know. I have multitudes. This is a shocking revelation. Please take time to process it.)

Firstly, a content note - there's going to be discussion about queerbaiting and queercoding villains, and the beginning of this goes into some of James Somerton's absolutely disgusting claims about the AIDS crisis. This post will only be focused on Season One, as that's all I've finished at this point.

Let's go.

(above image sourced from Writing Tips and Memes)

My sudden re-emergent hyperfixation started because of the hbomberguy takedown of James Somerton, weirdly. I don't follow many YouTubers - I like Bright Sun Films because he goes urban exploring, something I've always wanted to do but have never managed to make happen, and also Todd in the Shadows, whose Trainwreckords series is very well-done and expertly researched. Seeing that name, you might know where this is going. Todd dropped a video about James Somerton, who I had never fucking heard of and now wish I'd known about before, so I could scream bloody murder about what an absolute fuckwad he is.

(I don't want to get too in the weeds here, but the things James asserted about WWII, Nazis, and the AIDS crisis are so vehemently offensive that I'm still struggling with them. Claiming that only boring gays survived the AIDS crisis in particular is so vile that I have gotten anger flashes thinking about it almost daily since hearing it.)

Todd recommended watching all four hours of the hbomberguy plagiarism video, and I ran that in the background while working about two weeks ago. Eventually I had to stop doing that because the plagiarism revelations were so distracting and shocking. Todd's video was even more of a goddamn mindfuck, and even the smaller, less offensive things have taken up far too much space in my brain. Californians, does anyone at all deify Bob Iger??? Like... what the goddamn fuck??? Bob Iger????

After watching one hbomberguy video, the algorithm did its thing, and gave me a video called "Sherlock is Garbage and Here's Why". Posting it here for posterity:

Because my brain works in mysterious ways (-cough-ADHD-cough-), watching this... made me want to rewatch Sherlock.

I initially saw Sherlock for the first time thanks to someone I met in my last year of college, 2012. At the time, Michael (a nickname) was my neighbor in the dorms; over the past ten years, she's become one of my closest friends and a true rock in my life. One of the first things we bonded over that I introduced her to was the San Francisco Giants and the ghost I will always be chasing, Tim Lincecum; one of the first things we bonded over that she introduced me to was BBC Sherlock. The show was in the early months of its extended hiatus after Season Two, at the height of its fandom, and we were both completely obsessed. I read all the Doyle stories, took in a truly wild amount of fanfiction, wrote a not-very-popular AU fic, became part of a strange inter-dorm ARG based on Sherlock orchestrated by Michael... it consumed a huge part of our lives.

When Season 3 dropped, I almost stopped watching after "The Empty Hearse". I don't want to get into why it offended me so much before we get to a Season 3 post, but just know my enthusiasm severely dampened there. The rest of Season 3 I think of with blase emotions, especially the ending, which I found just dumb, save one part of it. I recall going to see The Abominable Bride in theatres with my mom (and maybe Michael?), and I think I liked it fine - aside, again, from the ending. But I had no interest in a Season Four, and when it dropped, Michael's long rambling phone calls describing the absolute shitstorm of a plot cemented that I was never going to watch it again.

Until now.

I definitely don't think the hbomberguy video is perfect. His insistence that Doyle canon never had Holmes pull answers to cases out of his ass is... something, lol, as is his opinion that changing the solution to certain puzzles in A Study in Pink disrespects the original canon. (Bro, these stories have been retold a bajillion times, they need to mix it up to keep it interesting.) But he put a finger on something that I'd wrestled with regarding Sherlock for a long time - that the show's writing often teased something big and new and conclusive in the horizon, but almost never delivered. That wasn't an issue in early days when there was less invested in an increasingly convoluted mythic story, or when they weren't fully blowing off the resolutions to cliffhangers, but the flaw in writing a story where you promise something huge on the horizon and never deliver should be obvious.

The first season doesn't trade much in that idea, and going back to it was something I found exceptionally enjoyable!

Before I watched:

I remembered bits and pieces of "A Study in Pink" and the whole plot in summary.

I truly didn't remember anything about "The Blind Banker" except that I found it fairly 'yellow peril'-y when I saw it in 2012.

I mixed up huge chunks of Season Two's "A Scandal in Belgravia" with "The Great Game" in my head and somehow forgot the main plot thrust was Moriarty kidnapping people and strapping bombs to them.

I genuinely forgot Sebastian Moran was a character basically hallucinated into existence by the fandom and didn't appear in the show at all until a brief appearance in Season Three.

In a way, it was like I was watching the show for the first time all over again. My partner also watched the first season with me, and it was interesting to get his thoughts on the show as we watched.

To start, his favorite character is Mycroft. Watching Season One, I had to agree that Mycroft has a depth of character that I'd forgotten about. Mark Gatiss plays him perfectly, aloof and smarter than you but unsure of how to deal with his natural feelings of concern and fear for his oft-spiraling, danger-seeking younger brother - and how those feelings magnify with the influence of extreme danger-seeker (at least in this season) John Watson. The show wants you to believe so badly that he's Moriarty in "A Study in Pink", which I don't think works even if you know he isn't Moriarty - there's a warmth to Gatiss' Mycroft that, even while he's doing incredibly ominous things like shutting off all cameras in a busy intersection, still comes through.

My favorite character is Moriarty. I haven't mentioned this very much here, because why would I, but my favorite character type in media is "theatrical abject shithead". It's why I cosplay Bakugo from My Hero Academia and loved everything about Akechi in Persona 5. Hell when I was a kid, I told teachers that when I grew up, I wanted to join Team Rocket. I love the theatrical shitheads. And boy, is Moriarty some sort of theatrical shithead. I don't DISAGREE with hbomberguy pointing out that, as written, Moriarty is a complete mess of a character, a queer-coded literal terrorist with no motivations besides "I did that because I'M CRAAAAZY!"... but he's my queer-coded literal terrorist, ok? I could write a whole paper on all the harmful stereotypes inhabiting this version of Moriarty... but I can't deny that the flamboyance and violence pulsing just beneath the surface of Andrew Scott's performance was the beating heart of that show for me. Sure, Sherlock and John, at least early on, were a compelling duo, but the show was at its best with Moriarty pulling strings for inexplicable reasons in the background. I love him.

(An aside: watching Sherlock made me remember how hilarious it was to see basically every major actor from the show in one of my favorite movies of all time, 1917, to the point that I actually kinda laughed in the theatre thinking about it.)

The entirety of the first season also is more devoted to actual crime-solving and detective work than I remembered the show being. I think that works strongly in its favor, and as I recall things from later seasons, drifting from that element definitely hampers the show greatly. In particular, while the lazy and uncomfortable Orientalism of "The Blind Banker" is still incredibly glaring, the actual mystery at the core of it is very excitingly tracked and easily followed while watching. The fact that John is treated like an equal (mostly) throughout only enhances my thoughts on that. "The Great Game" is a little more slapdash (and hurt by the fact that the entire Vermeer section would be solvable with a smartphone nowadays), but you can still make connections mentally with most of the cases and deduction/investigation is being shown logically. (hbomberguy cites the Golem as a problematic logical leap akin to some of Season Two's dumbest, and I can't agree. It's a reasonable suspension of disbelief to assume Sherlock knows about assassins and is followed by some more sensible investigation and inspection of the Golem's victim. The sequence of Sherlock fighting the Golem, however, is very, very silly.)

Related to that... the autopsy doctors on this show are fucking AWFUL at their jobs. Like straight-up negligently awful. How in the actual fuck did they not investigate the puncture marks on Connie Price's body? How did they not notice a highly distinctive heel tattoo on three recently-murdered corpses? Is Molly the only vaguely competent person in the mortuary? My partner and I were extremely amused that, while Lestrade and his police force are thankfully shown with much more intelligence than in other Holmes adaptations and BBC!Watson wouldn't think jam is a clue, the writers seem to have shunted the stupidity straight to the invisible autopsy doctors.

The first season also does a good job of making Sherlock seem like an overly intelligent if socially stunted human being, instead of the condescending prickish intellectual Ubermensch he ends up becoming as the show progresses. "A Study in Pink"'s ending being Sherlock throwing aside his deduction of the cabbie's killer when he realizes it's Watson, unconvincingly lying to Lestrade and insisting he's in shock before rejoining the other man and genuinely bonding with him, is remarkably compelling as fulfillment of a promise we get from Lestrade earlier in the episode - "Sherlock Holmes is a great man. One day he may even be a good one." My memory is admittedly faulty, but part of why "The Empty Hearse" turned me off so viscerally was Sherlock's (and to an extent, Mycroft's) insufferable growing smugness, particularly where explaining plans or mysteries to John. We get told often that Watson humanizes Sherlock and that the two have a strong bond throughout the series, but Sherlock gets much more dickish in general as the series progresses. One thing I do remember with stark clarity is that after being utterly chastised at a Christmas party in "A Scandal in Belgravia", Sherlock does visibly treat Molly MUCH better throughout the remainder of the show. So, uh, why did we lose that energy with the show's central pairing?

Speaking of the show's central pairing, the queerbaiting starts SO EARLY on this show. I want to make it clear that obviously the benefit of hindsight and knowledge of how the show ends really colors a lot about the Johnlock relationship now, and as a society, we're more aware of what queerbaiting is and what it looks like, which will obviously alter how I perceive these interactions now. I also want to make it clear that I never really shipped Johnlock outside of just kind of assuming that it would be canon because everyone seemed really convinced of it. (I was an absolute degenerate that shipped John with Moriarty. On top of enjoying theatrical disasters, I enjoy ships with an abundance of chaos and impossibility.) There's some biases at play here.

Even so, we are not far into the episode where John is protesting that obviously he needs a second bed in 221B to Mrs. Hudson, he's not gay! The scene in the restaurant has such an aggressively shippy energy to it (despite Watson's consistent denials) that I actively commented on it to my partner as it was happening, saying "the queerbaiting happens WAY SOONER than I thought!" It's distracting and has aged absolutely terribly. The worst by far is John quipping, after being removed from a bomb vest at a pool in "The Great Game", that people will talk because of Sherlock ripping his clothes off in a darkened swimming pool. Why is Watson's heterosexuality so fragile that he's thinking about gossip rags as he's actively recovering from a near-death experience?!

(Aside: I'm aware that last point is not as effective when you think about the fact that I shipped two characters whose sole canonical interaction was one man kidnapping and forcing the other into a bomb vest. In my defense, a) I love mess and b) John never quips about thinking people will talk because he got kidnapped.)

Moriarty's first appearance in "The Great Game" sees him as Molly's fake boyfriend slipping a phone number to Sherlock, which lead to my partner commenting about how distracting it also was, on top of the queerbaiting, that almost every single person on the show has some sort of deep metaphysical attraction to Sherlock. Those people aren't on the lighting and cinematography team for sure; Benedict Cumberbatch is lit ominously and sometimes demonically throughout the first season, highlighting his antihero and brusque nature effectively. But many, many characters in the show - just in season one, Molly, Moriarty, multiple characters of the day, the Cabbie, and John - are all drawn to Sherlock and his very special brain and his very sharp cheekbones. Signs of a big future problem come through in this way, where the show starts sidelining Watson as our central figure and puts Sherlock squarely at the center of everyone's universe and makes lesbians fall in love with him.

(My partner also laughed pretty hard at how obvious Moriarty's pratfalls were as Molly's boyfriend, noting that the show was pretty bad at hiding who Moriarty was every time it came up.)

Some of the seeds of Sherlock's destruction are sown in this first season, obviously. The big one I haven't touched on is the ending cliffhanger itself. Moriarty has John and Sherlock trapped in the pool, tens of sniper sights trained on them, and says that he can't let them escape. Amazing cliffhanger here! It is not fulfilled on at all, but because Andrew Scott can carry anything on his back (including Spectre, which I cannot start talking about because we'll be here all day), the scene doesn't feel like a total waste and makes you want to hang on to find out what happens later.

But there was so much here that was delightful. All the acting is uniformly excellent, and the overt physical tics that come to define Sherlock's mind palace and mental prowess being showcased are barely evident here. The actual detective work, like I said earlier, is really involving! I don't feel like I figured out the solutions for the mysteries I couldn't recall the answers for too easily and thought Sherlock's deductive reason largely followed and wasn't too obscure. I'm still such a sucker for the show's style - that opening credits sequence is so perfectly put together, the text messages that interact with the scene and at the time made this show feel so fresh and modern to me, filming the character's faces in taxis through panes of glass and obscuring material in "A Study in Pink" to give everything an obfuscating sheen... give me all of it.

The music, too, was something I'd forgotten about and truly ended up adoring. Taskmaster (and The Horne Section's score for it) really owes a debt to Michael Price and David Arnold. So much of Sherlock's score could probably be dropped straight into a Taskmaster episode and I would have to think pretty hard to notice a difference in the show's usual musical palette. I've been eyeballing the vinyl on eBay, to give you an idea of how much I love this score. "The Game is On" is a perfect piece of music, clockwork spinning noises emphasizing the jauntiness of Sherlock as he drags Watson on his latest case before sliding into the more subdued, vaguely ominous thrum of its second movement descending into the madness of the third part, violins shrieking as the action reaches its apex.

Normally, with such a degree of pleasant surprise, I'd be eager to move forward to Season Two. Unfortunately, I know the first episode of Season Two is... a doozy. To say the least. A doozy that may get its own essay because of how doozy-ish it is.

In any case, I ended up really enjoying going back to Season One of Sherlock! Super down to talk further about the show, future write-ups, and my horrible taste in fictional ships and men - shoot me a message, reply to this post, wherever, I'll be here! <3

[cheshitora]

i split my wip in two because i knew how i wanted the ending to come out. the ending so far is at 4.6k words and i havent even added it to the actual story yet