#(the things they are saying are all incorrect)

[street-smarts00]

in omnia paratus

Spencer Reid x fem!reader

Summary: Spencer's been on the fence with his feelings for you. Due to his past traumas he’s decided to keep his feelings hidden. Until you’re caught in a dangerous situation at work

WC: 3.5 k

A/N: I am SO SORRY this took so long. I’ve been sitting on this for two months because I was being a perfectionist and had writer's block. Thank you so much to the person who requested this idea and I hope ya’ll like it! beta read by @whats-yesterday00

Tags: Hurt/Comfort, Angst, Fluff, Protective!spencer, Friends to lovers, age gap (25 and idk 33 or 34), during season 9 (sadly no post prison Reid, I refuse to watch the show after Derek & Hotch leave), Maeve is implied 

Warnings!: mentions of murder, stalking, gunshot wounds, hostage situation and incorrect info about hostage situation cause Idk I'm not in the FBI

Everyone knew Spencer Reid had a soft spot for you. Well, everyone except for you. 

Since the moment you met you’ve been on his mind. 

“Do you know how old she is?” 

“No, how old is she?” 

“25!” Penelope squeaked before being shushed by Rossi. 

“Wow, she’s gotta be the youngest person to ever be in the BAU. Well, second to genius over here,” JJ commented while pointing to Reid. 

“That’s if she gets the job,” Morgan added. 

They were all crowded around the desks in front of Hotch’s office. The blinds were cracked and they could just barely make out the woman seated across from their boss for an interview. 

Due to the increase in caseload after Alex joined, Hotch made the request to add an additional member of the team. After interviewing a few people that didn’t pan out, he heard quite a bit about you from your supervisor saying how well you’ve done with the FBI and you’d be an exceptional fit for the team.

Then of course Penelope looked up everyone who was interviewing with Hotch. You being her most recent victim. 

“How long has she been with the FBI?” Alex questioned. 

“Three years,” Penelope answered 

“What? Did she join right after college?” 

“Not right away. She graduated early and got experience with law enforcement first.” 

Spencer sat at his desk quietly while everyone was peering into Hotch’s office. Not to say he wasn’t nosy as well. You were already behind the blinds when he arrived for work. 

“Oh they’re shaking hands! That has to be a good sign,” Penelope cheered. 

Morgan turned to the window, “It’s definitely not a bad one.” 

Her eyes widened before loudly whispering, “Oh no they’re leaving. Disperse.” 

She scurried off in her heels towards Derek’s desk while he followed behind with a grin. JJ, and Rossi averted their eyes from Hotch’s office and found Alex’s desk far more interesting. 

All while Spencer’s attention was brought to the woman led down the stairs by his boss. It felt like his heart stopped beating when he saw how beautiful you were. He was brought back to earth as Hotch introduced you to the rest of the team. 

“This is Dr. Spencer Reid,” he gestured to the man sitting at his desk. 

You offered him a small wave and a kind smile, “Nice to meet you.” 

It became quite obvious you two would get along very well. From very early on conversation flowed incredibly well between the two of you. There were very few people that he felt were easy to talk to because of his niche interests and the way he would ramble spitting facts left and right. 

But he never had to worry about saying the wrong thing or talking too much with you. You often were a content listener or you would even match his passion on certain subjects. Most were topics Spencer already knew about. 

When you first met Spencer you didn’t know the Dr in his name meant he held 3 PhD’s or that he was quite literally a genius. 

So you were often telling stories or facts you found interesting that he already knew. In fact, almost every “fun fact” you brought up, he knew about already.  

But he never interrupted you. He always was listening intently to what you had to say. Like he was hearing about it for the first time. 

At some point you learned of his eidetic memory and how vast his knowledge was. It was during a case where you found out and mentioned it to him. 

“Reid, remember when we were at the harbor and I mentioned that thing about sharks?” You hesitated, “did you know that already?”

“Yes,” he guiltily admitted. 

You partially deflated suddenly feeling that the whole tangent you went on was pointless. “Why did you let me go on and on if you already knew?” 

His eyes softened, “because I wanted to hear you talk about it.” 

That was when his feelings started to peek through. As the months went on it only grew and grew. And you were none the wiser.

To the average person, it might not seem like much. Perhaps you were just good friends. But to a team of profilers (and best friends) it was painfully obvious. 

It was almost painful the way he looked at you with a longing in his eyes. Or when his gaze immediately turned to you to catch your reaction or smile. 

It was obvious by the way he found any excuse to bring you up in conversation. Or how in conversation with you he would mirror your mannerisms and lean closer to you. 

As well as the things he remembered about you or the little things he did for you. Like the countless coffee cups he bought for you from his favorite coffee shop before work. And when he saw you struggling to find something or open something he was always right there to help. 

Spencer Reid had feelings for you. Feelings so deep that he couldn’t pull the roots out even if he tried. 

He didn’t know what to do with his feelings exactly. He hadn’t felt this strongly for someone since … well for a while. He was terrified of history repeating itself. 

He couldn't lose you. He’d seen first hand what this job did to him, what it did to Hotch. Their loved ones ripped away from them too soon.

So for now at least, he kept his feelings to himself. 

Well, until your last case. 

The BAU was called in on a case that just turned serial. They found the unsub to be a man named Mark, who started killing because his girlfriend cheated on him. The first two victims reminded him of the man she cheated with. When that didn’t satisfy him, he hunted down and killed the other man. 

Now the team and SWAT was stationed outside a bus that Mark was holding hostage. He stalked his ex-girlfriend and tracked down the new city bus she took. 

The officers couldn’t get a clear shot of him because of where he was standing and he kept using the passengers as shields. Rossi was currently on the phone with him trying to make negotiation terms and get some of the people off the bus. Mark however was incredibly stubborn and didn’t want to let his leverage go. 

So Rossi asked about the children on the bus and if Mark would be willing to let them off. They were met with silence on the other end of the phone, contrary to his previous behavior where he loved to hear himself talk. 

After a short pause the phone spoke. “I’ll only send out the kids if you send in an agent.” 

Rossi shifted his weight and crossed his arms. “Are there any other circumstances you’re willing to send out the children for?” he asked. 

“Nope,” he said with a pop at the end of the word. 

A look of concern was quickly exchanged between Rossi and Hotch. While their faces didn’t reveal much, their eyes spoke volumes. 

“How about this,” the unsub continued. “I’ll send out their moms too.” 

Rossi’s eyebrows furrowed slightly at the eagerness to comply from the criminal. “You’ll send out the children and their mothers if we send in one of our agents?” 

“I promise.” 

Rossi returned his eyes to Hotch who stood rigid and tall with his arms folded. He was met with an approving nod before returning to the call. 

“Alright, we can agree to those terms.” 

“Oh and agent Rossi?” Mark perked. 

“Yes?”

“Send in a girl.”

There was a tension that quietly branched out between the agents listening to the phone call. 

“Why do you want a woman?” Rossi asked, clearly changing the dialogue used.

“I’m losing too many ladies sending out these moms. I want one back,” he replied with a cockiness to his voice. 

Ross confirmed they could send in a female agent. Almost immediately after the unsub hung up, you volunteered to be the agent going on the bus.  

“I’ll do it.”

Spencer’s head shot in your direction. “No you're not.” His voice was laced with concern and a hint of demand.  

“Reid-”

“He specifically asked for a woman. We don’t know what he’s planning, he’s devolving.”

“And I’m willing to take that risk to make sure those kids are safe,” You defended yourself. 

You turned to your boss waiting for his thoughts. Hotch knew you’d been exposed to enough high tension scenarios to know what you were doing. But just like any member of his team, he silently hesitated, worrying for your safety. 

He took a breath before meeting your eyes again. “Send her in.” 

Right before you were led to the bus, Hotch took off the holster on his ankle and handed it to you. “Some extra protection in case something happens.” You couldn’t hear the concern in his voice, but you saw it clear as day in his eyes. 

You made your way to the bus and saw through the window Mark holding a gun to the driver and telling him to open the door. You stepped on and the doors closed quickly behind you. The unsub took a long look at you, panning up and down. 

“Well how about that. Aren’t you a beauty? He said with a cheeky grin. 

You tried your hardest not to look disgusted with him. Instead you kept your composure and spoke with courage and a confident demeanor. 

“You this flirty with all your hostages?” you asked plainly.

As he gazed down at your legs his eyebrows furrowed and lips pursed. He bent down and with the gun in his hand, pushed away the bottom of your pants leg. When he saw the gun in the holster, he tsked. 

“You always carry this much dead weight on you?” 

He stood back up and put his hand out, “hand it over, I told them no weapons.” 

You reluctantly took off Hotch’s holster and placed it in the unsubs hand. Your one line of defense was gone. 

The longer you were on the bus, the more anxious Spencer got. He knew you were an exceptional profiler, and you had enough experience and skill to handle yourself in situations like this. 

But that couldn’t stop the ache in his stomach or the fact that his heart rate could power a car by now. 

He stood closer to the bus now to get a clearer view of the windows. They managed to successfully get the children and moms off and to safety, but you weren’t safe. Spencer figured you were trying to negotiate with the unsub, but that was going nowhere. This was confirmed when Rossi tried calling him again but every call was ignored. 

This unsub was stubborn as hell. He knows he trapped himself, but didn’t want to back down. At least he didn’t want to go quietly. 

Spencer was talking with the rest of the team trying to devise a plan when the gunshots were fired. The team immediately ran back to the cacophony on the bus. 

More shots were fired, he didn’t know where from. He didn’t care. 

He just needed to get to you. 

When he got a decent view through one of the windows that hadn’t shattered he saw you. Your hand over arm in pain but still standing in front of the civilians to protect them. The unsub stalking over to you, gun in hand and smacking you over the head with it. You slammed against the chairs and fell to the floor. 

Spencer's face paled. He swore he was going to throw up. 

Through the fog of his mind Spencer saw Morgan escorting Mark off the bus, his hands now behind his back in cuffs. 

He rushed past them, clambering through the door and up the stairs to get to you, calling your name. 

“Reid?” he heard your small tired voice through the crowd. 

He followed it to you, laying on the ground struggling to open your eyes and clutching your left arm. 

He crouched down to your level with a gentle hand on your uninjured arm. 

“Hey, I’m here. I’m right here,” he comforted. 

“My head hurts,” you mumbled.

His eyes softened, “I know. I think you might have a concussion, you need to go to the hospital.” 

You slowly started to fade out of consciousness. Spencer’s heart dropped and his hand moved from your arm to your face. 

“No no no no stay with me okay?” he caressed your cheek with his thumb.

“Stay with me sweetheart,” he consoled.

Your eyes stopped struggling to stay open and finally made their close. His other hand rushed to your pulse point as he called for a medic.

Time seemed to stand still while Spencer sat next to your hospital bed waiting for you to wake up. He couldn’t leave your side. He didn’t want to. 

You were okay. You were laying in the bed in front of him. But of course in his mind he ran through all the possible scenarios of how things could’ve gone worse, how things could’ve gone better. What would’ve happened if you didn’t have your gun taken away, or if the unsub got angry that you tried to bring a gun in. What if he didn’t lose his cool and start firing. What if you never went inside in the first place. 

And with all of those possible scenarios, the same thought plagued him. 

He was wrong. 

Before he was too scarred from past traumas to reveal just how much you meant to him. Not wanting to repeat the past and lose yet another person he loved cared for. 

But now, after seeing you in danger right in front of him, now he was terrified at the thought of you never knowing. He was now more scared you would never know how much he loved the way your nose crinkled when you smiled. How he thought the sound of your voice could cure any ailment he had. How he admired your strength and desire to protect others. How you could light up anyone's mood by just being you. How he could listen to you for hours, even if you were lecturing him on things he’d known like the back of his hand.

To him it was a whole new experience hearing it from you. 

Spencer was pulled from his thoughts as you stirred awake. He saw your eyes adjust to the bright fluorescent lights ahead. He quickly got up to dim the lights for you. 

When he returned to his seat you smiled at him, “hi.” 

“Hi,” he smiled back.  

“How are you feeling?” 

You sighed. “Like shit,” you complained with a hint of humor. 

“The doctor said you have a minor head injury, bruised ribs, and the shot to your arm thankfully didn’t break any bones.” 

“Fun,” you said sarcastically. 

A moment of silence passes between you two. He doesn’t exactly know what to say. How do you casually tell your friend and coworker you have a crush on them? 

There is no casual way. 

“You called me sweetheart,” you broke the silence. 

He furrowed his eyebrows, “What?” 

You fidget with the blanket, “earlier, when I passed out on the bus. You called me sweetheart.”

He searches his mind for the memories of the day. When he finds the memory he realizes in the heat of the moment the term of endearment slipped out. 

He wasn’t aware you heard it. 

“I did,” he confirmed as his ears flushed.

“Why?” you asked curiously. 

He didn’t know how to tell you that he’s wanted to call you that for weeks now. So instead he settled with-

“It just … felt right.” 

“Oh,” you replied quietly.

Spencer tensed up at your response. 

“If I crossed the line-“ 

“No. Of course not,” you interrupted with a comforting voice. 

The corners of your mouth lifted and cheeks dusted pink. “I thought it was sweet. You don’t normally say stuff like that.”  

His heart warmed at your confession and a smile spread on his face. 

“You thought me calling you sweetheart was sweet?” he lightly teased.

“Shut up,” you chuckled, rolling your eyes. “You know what I mean.” 

Your laughter was cut short by a sharp pain in your abdomen. You bit down on your lip and gripped the side of the bed in pain. 

The reality that you were injured on the job was rushing back to him. 

He licked his lips, his nervous unconscious habit. 

“I was really worried about you.”

“I know.”

“No, you don’t,” he interjected. 

“The entire time you were on that bus I was sick to my stomach. Terrified that something bad was gonna happen and it did,” he started to ramble. 

You leaned closer to him. ”But I’m okay Reid.”

“You still got hurt. He shot you for christ sake!” his voice raising in pitch and volume. 

“Reid-”

“He lashed out at you! You could’ve died!” 

“Spencer,” you said firmly, pulling his attention towards you. 

He never heard you say his name before. No matter how many times he said you could call him Spencer, you still called him Reid. Hearing his name fall from your lips was like the consistency of honey.

You placed your hands on his face caressing his cheek. His golden eyes meet yours. 

“I’m alright. I’m still here,” you consoled. 

“But if-“

“Spencer.”

“Please,” he pleaded. “It’s important.” 

You nodded your head, signaling for him to continue. He gently grabbed your wrists and brought your hands in his. He took a deep breath before he decided to spill the thing that had been eating away at his heart. 

“I have feelings for you. I have for a long time. Almost as long as you’ve been at the BAU,” he started. 

With your hands in his he started tracing his thumb over your knuckles. 

“If we don’t have work I count down the days until I can see you again. When I do see you I desperately want to see you smile, see you happy. And if I’m the one that causes that smile, it makes my whole day. That’s why I never interrupted when you talked about something I already knew. The way your face lit up when you talked with such passion was the highlight of my day.” 

“For months I was scared of my feelings and I kept them to myself. I was too scared to admit how much I liked you because I-” his hold on your hands tightened.

“I know what it feels like to lose someone. This job takes so much from us; I never wanted it to take you.” 

Spencer let out a breath he didn’t know he was holding in. 

“Today I realized it would be more painful if I went the rest of my life not telling you, than having even a fraction of a moment with you.”

A moment of silence danced between you two. Your head reeling from his confession, heart beating so hard you could feel it in your bones. Your palms sweaty from holding onto Spencers, but still neither of you let go. 

The silence was deafening, plaguing him. 

“Please … say something,” he begged. 

Your lash line was collecting tears that you simultaneously tried blinking away. Your eyes found his tie less intimidating than his gaze.

“I never thought you would like me back,” you said with a soft tone. 

Spencer's cheeks turned red as his heart started melting. “I do.” 

You brought your eyes back to his. That precious smile on his face was infectious. 

“Listen,” you squeezed his hands. “I’m not going anywhere. So you have as much time with me as you want.” 

Spencer's eyes softened at your words. He raised your hands and placed a loving kiss on your knuckles. 

The two of you were too lost in eachother to notice the footsteps towards the room. 

“Hey, I found some Jello for her if she-” Alex abruptly stopped once she noticed what she walked into. 

You both awkwardly pulled your hands away from each other; you fiddling with the hospital blanket, him rubbing his palms on his slacks. 

“So, feeling better?” she asked hesitantly. 

“Much,” you answered, still a bit flustered. 

“Good, good to hear,” She tried not to sound too smug, but the small smile on her face said otherwise. 

She raised and shook the jello container in her hand. 

“I’m gonna leave this here,” she placed it on the table. “I’ll be back in a bit.” 

“Thanks Blake,” you thanked as she left. 

Once she was gone you quietly giggled and mumbled “oh my god,” under your breath. 

“You know, she kept teasing me asking when I was going to ask you out. And don’t even get me started on Morgan,” he chuckled, shaking his head. 

Your jaw dropped and eyes furrowed. “Did everyone else know but me?” 

He pressed his lips in a thin line, “pretty much.” 

“I must be a shitty profiler,” you half joked.

“Absolutely not,” he said in the most comforting voice. He brushed the hair that had fallen in front of your face behind your ear. 

“You’re an amazing profiler.” 

You smiled that smile he loved so much. The one where you couldn’t hide your joy and your nose crinkled. 

“So, how do you think you’ll spend all those moments with me?” you inquired with a bit of a teasing tone. 

“Doing anything sweetheart,” he answered seriously. He looked at you with awe written all over your face. “I'm ready for anything with you.” 

“in omnia paratus” - ready for anything

Tag asks: @adrienneleclerc @ladybirdbeetle7

[julietsf1]

Post-Race Snuggles - Franco Colapinto x Reader

Summary: After an intense Singapore GP, Franco’s idea of the perfect cool down is snuggling up in his girlfriend’s lap; very fluff <3

warnings: possibly incorrect Spanish?

AN - I can't keep lying to myself I think I am not just on here to read anymore lmao, this one is just 1k but I have another longer story coming tomorrow or so! enjoy my lovelies

----------------------------------------------------

The sticky warmth of Singapore’s night air clung to me as I sat in Franco’s motorhome, waiting for him to return. I flicked through some post-race coverage on my phone, knowing how drained he must be after a race like that. The screen showed him smiling during the interviews, but I knew better—Franco’s green eyes gave away just how tired he was.

When the door creaked open, I glanced up and saw him there, looking utterly exhausted, his brown hair messy and damp from the heat. His race suit was unzipped, hanging loosely around his waist. Franco didn’t say anything—he didn’t need to. He walked over with heavy steps, wrapped his arms around me, and buried his face into my shoulder.

“Hi there.” I laughed softly, reaching up to run my fingers through his hair. It was fluffier than usual, curling slightly from the sweat and humidity. “Tough day?”

He let out a low groan, not bothering to lift his head. “Si…” His voice was muffled, and I could feel the exhaustion in the way his body leaned into mine. “So tired.”

I smiled softly, running my hand down his back, feeling the warmth of his skin beneath the fabric of his suit. Suddenly, Franco shifted, pulling back just enough to take my hand in his. His eyes, though heavy with fatigue, met mine for a brief moment, and without a word, he gently tugged me down onto the couch beside him.

With a quiet sigh, he laid back, guiding my body to follow his until I was leaning into him. His head found its way into my lap as he settled in. I felt his hand resting on my waist first, a soft, grounding touch, before it slid down to rest comfortably on my thigh. His thumb moved lazily, tracing small circles, as if he needed to hold onto me even in his tired state.

“You want me to make you something? Mate, or a snack?” I asked quietly, brushing my fingers through his hair, feeling the warmth radiating from his skin.

He shook his head slowly. “No, just this. Esto es todo lo que necesito.” His voice was soft, the Spanish slipping out naturally as his eyes fluttered closed. His arms loosened slightly around my legs, his thumb brushing lazily against my thigh, the lightest touch, as if even that small movement required too much effort.

I chuckled, running my hand through his hair again, smoothing it down where it stuck up in odd places. “You did amazing today. P11! I’m so proud of you.”

A faint smile curved his lips. His breathing started to slow, the tension melting away as I continued stroking his hair. This was my favorite version of Franco—the quiet, soft one who didn’t need to be witty or flirty. Just the one who wanted to be close.

Franco’s weight settled fully against me, his eyes were shut now, his messy curls resting in my lap. His thumb continued its slow, lazy patterns on my leg, the sweet small gesture sending warmth through me. His skin was warm from the heat of the race, his hair slightly damp, and I couldn’t help but notice how beautiful he looked, even when he was this tired. His lashes were long, his green eyes hidden behind them, and his lips, parted slightly as he breathed, were soft, with the faintest smile still playing there.

“You looked so good out there today,” I whispered, knowing he probably couldn’t hear me in his tired state. “Fast, confident… and you know, kind of cute with all that sweaty hair.”

He let out a soft, breathy chuckle. “Most romantic thing you’ve ever said to me.”

I grinned. “Don’t get used to it. I’m only nice to you when you’re too tired to remember.”

His lips twitched into a smile, but he didn’t respond, his breathing evening out even more. The motorhome was dimly lit, casting soft shadows, making everything feel even cozier. The sounds outside—people moving around the paddock, the distant hum of engines cooling down—faded away. It was just us, tangled up in the warmth of each other’s presence.

As I stroked his hair, I could feel him relax completely. His body was fully at ease, and I knew he was almost asleep. He looked so peaceful, his usual spark of energy tucked away for the night. I smiled down at him, my heart full. These moments, after the chaos of race days, were our little slice of quiet, where it felt like the world didn’t exist outside this motorhome.

Franco shifted slightly, nuzzling deeper into my lap. I thought he was fully asleep until his voice broke the silence, soft and raspy.

“Te amo,” he murmured, his eyes barely open, heavy with exhaustion.

My heart skipped a beat. He’d said it before, but hearing it now, with his defenses down, made it feel different. I glanced down, expecting to see him fully asleep, but instead, those green eyes peeked up at me through his lashes, tired but full of something deeper.

I felt a rush of warmth fill my chest. “I love you too,” I whispered, leaning down to kiss his forehead again, my fingers gently running through his hair.

His eyes fluttered shut at the kiss, his lips curving into a faint smile. “Más que a nada en el mundo…” he mumbled, his voice trailing off into sleep, the weight of his words lingering between us like a quiet promise.

I stayed like that, holding him close as he drifted off completely, my hand still in his hair, thinking about how easy it was to love him—especially in moments like this.

[the-way-astray]

okay wait if you don’t mind me asking why don’t you like incorrect quotes?

anon, i swear this was not meant to be this long

my reasons are 100% subjective. over the years, i've dabbled in several different fandoms. and i find that the same incorrect quote format is used to describe relationships between characters in different series that i find to not be alike at all. for example, i've seen multiple of the same incorrect quote formats used for both percabeth and sokeefe, when i don't find the relationships to be that similar to one another at all. it's just that people see one dimension of sophie and annabeth (let's say smart) and one dimension of percy and keefe (let's say funny) and then the entire incorrect quote becomes about that. i find sokeefe and percabeth to be two entirely different relationships with few things in common (which i've talked about), but the incorrect quotes flatten them to those qualities only and i don't like that.

the sokeefe-percabeth thing is just an example, by the way, one i picked because i feel most people i'm talking to would understand it, but i've also seen the same incorrect quote formats used to describe relationships like jurdan or kanej . . . and if you've read tfota or soc you know how drastically dissimilar jurdan or kanej are to either sokeefe or percabeth (and each other). and i find that these indirect comparisons drawn between relationships like this flattens certain characters quite a bit. this is how we get stuff like "sokeefe is basically kotlc percabeth" and stuff like that.

then, once a character has been given a "role" (i use the term loosely) they have to occupy all the aspects that come with that "role". so then they're only allowed to be that "role" in the incorrect quote, even if the quote requires them to say/do things they would never say/do, because they've been slated into that role based on that one aspect. take this quote for example:

keefe has been slated into the role of "one that has a crush on sophie" for the purposes of this particular quote. but keefe doesn't ramble like this. he doesn't like his dad and would never discuss a crush on sophie with him (but this one i'm not that mad about since you could as easily change cassius to ro or something). he doesn't use exaggerated metaphors to describe things and he doesn't speak in purple prose. he does a pretty good job hiding his crush and would never inadvertently reveal it like this. do you see what i mean? because of the fact that the format requires him to be "one with a crush on sophie", he now has to fulfill all the other aspects the format requires, even though they don't apply to him. and it no longer feels like keefe. it flattens him down to this one aspect.

i feel like this flattening aspect of incorrect quotes does have a (very small, sort of indirect) effect on the way characters are perceived in fanon. and i don't like it? it's very weird to me. so i prefer to stay away from it. (best examples i can think of are cardan and kaz, who are both morally gray, but lots of incorrect quotes portray them as hopelessly in love with their love interests or malewives, and while that's true, them being slated into that role for the purpose of the incorrect quote often makes them out to be the kind that would doodle hearts around names in notebooks or blush or be in that sort of cutesy-teenager-with-a-crush kind of romance. and . . . uh . . . yeah, they love jude and inej, but that's like. not at all what either relationship is like. it's just not.)

also some incorrect quotes are so desperate to slate characters into certain "roles", as i call them, that they forsake crucial aspects of the character in the process, or actively make them do/say things that go against something that is a core aspect of that character. and i don't like the way the quote is willing to misinterpret something so crucial to the character for the sake of the incorrect quote exemplifying something much less important like "the funny one" or "the one with a crush on ___".

incorrect quotes also have a tendency to portray what a character actually wants to do, rather than how they would realistically behave, given the circumstances. take this quote (and ignore the weird anti-sophitz-ness for the moment, i'm trying to make a point):

in canon, it's kind of a point that sophie "isn't aware" of her crush on keefe, so to speak. she knows she has a crush on fitz. she may subconsciously want to kiss keefe, but remember, she thinks she likes fitz. so this incorrect quote just frustrates me because that's not what sophie would do!!!!!!! she would kiss fitz. actually, she would get all nervous and blushy and try to worm her way out of it. and if this is a post-stellarlune quote, and she knows she likes keefe, she wouldn't address fitz directly like that??? she would trying so hard not to look at fitz because omg omg omg i have to kiss my new boyfriend in front of my old boyfriend who appears to still not be over me. like the quote requires you to change fundamental aspects of sophie's personality/behavior to buy it. my analysis brain can't handle that. my problem is that i can't enjoy the quote for the quote, because my brain is always instead picking apart how un-character the incorrect quote feels.

having said all of that, i fully understand that anyone who likes incorrect quotes or engages with them frequently knows all this. i don't think you all are stupid. obviously keefe would never say something like that first example i showed in canon. that's understood! the point is to make fun of his crush on sophie. i get it. it's all in good fun. i just prefer not to engage with incorrect quotes because the flattening aspect makes me personally want to scream that the character would never do or say that, because at this point the character doesn't even feel like the character, so what even is the point of the quote anymore??? and then i get stuck in a loop.

and like i said in my original tags, i would never want to completely get rid of incorrect quotes. they're easy to make, fun, easily digestable, and in general sort of a safe way to get started in fandoms. they're the safety net of fandoms, and i think they really are crucial for smaller/more obscure fandoms where nobody wants to do hardcore analysis stuff but people still want to talk about their favorite media. so i think, for the purposes they fulfill, they're alright.

[girlfatherfigure]

What actually happened during the cell saga was not a matter of goku misunderstanding gohan or thinking gohan was exactly like him it was actually goku knowingly setting gohan up at the centre of the conflict with the understanding that gohan would not want to willingly fight and making that choice all the same. It is actually goku making himself into the bad guy because he’s prioritizing victory over what he knows gohan wants—which he is aware is awful from his point of view as a father, but it’s a sacrifice he’s willing to make for the greater good

When goku says this:

He’s really saying “if you want to be able to accomplish these things in the future, then you have to be able to push whatever you’re feeling to the side right now and fight.” He actually cares a lot about Gohan’s preferences and what gohan wants to do with his life—but at this point, he’s telling gohan the battle takes precedence over it all. He’s keeping his composure as he basically sends gohan in blind, because this plan was always his secret weapon; chi chi even tells goku before they leave in front of gohan to make sure gohan doesn’t fight, and goku jokingly brushes her off, neither confirming nor denying it. It’s his calculated final ace, and although he acts like everything is going to plan while his son is literally being beat to death before his eyes it’s piccolo who snaps him out of it:

When he has this entire speech. This is where goku kind of Breaks and freaks out because first of all this entire thing is a gamble—he’s betting the entire world on gohan bringing out this potential that he’s never fully brought out before, and if goku is wrong and that potential was never there to begin with, it’s just going to spell death for his son. Goku ends up being correct about gohan’s strength, but this leads to people saying piccolo was the one who misunderstood gohan—which is also incorrect. Gohan’s thoughts in those moments before he managed to break through the wall and go full power were definitely full of confusion and hurt; after all, he had no idea his father was going to put him up to this. Piccolo tells goku “gohan doesn’t like to fight” which gohan literally confirms here:

And ultimately, while goku does know his son, he overestimated how easily gohan would be able to harness his strength against cell massively. It’s a detrimental mistake that leads to gohan being injured gravely before he transforms, and after gohan finally breaks through that wall, the ego that comes with the power boost and just how mentally broken he’s been with the fight is all wrong—and goku sees that. Which is why he steps in to help for the final time, and… we all know how that ends up, even though again, it is gohan who defeats cell the way goku predicted he would. It just came at a cost much larger than goku was imagining, or maybe he was aware of it and didn’t fully realize the ramifications until it was happening in front of him in the flesh. It’s a big reason goku stays dead—he says he’s the one who keeps bringing danger to earth because of how often he’s targeted, and he never wants to have to see gohan like that again.

[loquarocoeur]

first of all, fuck you for mentioning Max in skirt the first thing in morning, now the rest of my day will be spent thinking about it SECOND of all, I don't understand why people say it's incorrect to say 'Second of all' like, yeah, there's 'All' and this is the second of it!

First of all sorry, but it had to be said, and second of all yes I agree, second of all is a great saying

[neege]

Keep seeing stuff about people being fed up with the idea that Sirius is whiny or cries at the smallest inconvenience, which yes I agree that's very incorrect.

But you know who might be crying at any slight inconvenience???

My overwhelmed, stressed out, tired, in pain, cranky, anxious, keeps-everything-to-himself, friendly neighborhood werewolf!!

Like as a tired, in pain, overwhelmed, anxious girly myself, who ALSO keeps everything under lock and key (tries to!), sometimes I just be cryin

101 horrific things could happen to me in a week, and I'm fine! I'm so cool I'm so fine!! I'm a fortress I'm an island!!

And then my car is almost on empty while I'm running late to work and boom, I'm sobbing and clutching my chest trying to breathe

Like I'm not saying that Remus is a cry baby, and I definitely could see him developing a coldness between graduating and POA (the death of all your friends & the werewolf discrimination will do that to you!)

But I like to think that while Remus still had the comfort of a solid group of friends, he was definitely a "this essay is so bad" crier

Or a "my sweater is too tight at the worst possible moment and now I'm sweating and can't breathe while trying to take it off" crier (not from experience... 👀)

And like it's not about the small inconvenience, it's 100% about the 101 other horrible things going on that haven't stopped making the rounds in his mind.

But the inconvenience is the straw that broke the camel's back, and it's easier to let your friends comfort you over not understanding potions than it is to watch them try to comfort you over something they'll never understand.

Anyway, that's my talk lol

[eff-plays]

What do you think about the claims that Astarion fans who are headcanoning him as being soft and romantic with Tav are just stealing this character trait from Wyll? It's been going on in the fandom for a while and it's frankly getting annoying. I know many people (haters and fans alike) likely never played the game beyond Act 1 and/or think Astarion is like that throughout the entire story, that he's evil and incapable of changing as a character, but saying he doesn't have any romantic moments is just...not true?

Ooooh!! Interesting question and I have opinions on it that are, I hope, a bit more nuanced here as a stan of both Astarion and Wyll.

It's gonna be a bit of a mess to explain though so please bear with me as I try to untangle this conundrum.

I think!! That both sides have a point but are just sorta talking past each other a bit.

Does Astarion display a lot of gentleness and softness toward Tav in Act 2 and his Spawn ending? Yes! Absolutely!! People who deny this or argue that him displaying these canonical traits is "stealing" from Wyll are, in my opinion, incorrect, and are letting their somewhat justifiable personal dislike for the guy and the very justified distaste for how the fandom treats him compared to Wyll bleed into their perception of this specific part of his portrayal.

HOWEVER.

A lot of people who enjoy Soft!Astarion do end up stepping into the same cow plops as the Dom Daddy Astarion stans, in that their equivalent of romantic, soft Astarion is the classic gentlemanly, smooth-talking, chivalrous guy who knows how to woo his lover in the traditional, classic ways. I do not think this is, um, faithful to his character. At all. This is the aspect that some fans, in an attempt to express that Astarion can be gentle and romantic, end up either accidentally or purposefully "stealing" from Wyll.

The fact that Astarion can and will be soft and gentle in a romance is conflated with how he would express those feelings, in the typical fandom way of "well I like this guy and I like the idea of these things so I will attribute those things to this guy". Which in this case just ends up taking away from Wyll. Like, if you supposedly "like" the idea of a traditionally romantic and smooth character, why are you then assigning those traits to a guy who is neither of those things, when a guy who IS those things gets a suspicious zero of your attention?

Am I making sense?

Astarion IS capable of being gentle and soft with his lover, but he would not EXPRESS it the way Wyll would. And by making Astarion express something he would feel in a way that's more Wyll-flavored, it does raise some flags. If this is the dynamic you're interested in, why aren't you into Wyll more? If you're interested in Astarion being soft, why don't you like him expressing it how he would express it, aka being awkward, goofy, inexperienced, and saccharine? If you love Astarion so much, why are you assigning to him the traits of a different guy?

Why are you taking Wyll's expressions of love to make Astarion more palatable and suited to your tastes? What is it about Wyll that you don't like if his expressions and characteristics fit your preferences more? Ya feel me?

So when some people say that "Astarion wouldn't be soft and romantic, stop stealing from Wyll!" what they usually mean is "Astarion would not express himself this way, and you taking stuff from a Black character and giving them to a white dude is kinda sus and I'm tired of it."

And what Astarion fans hear is "Your guy is fuck and I hate him. Here's me denying his canonical depth and character growth."

You get me??

On that note, I also have some thots on character-swapping in cutscenes, which is slightly related to this. On the one hand, I think it's like whatever, ya know? I've seen tons of gifs where somebody swapped in Solas and Lavellan into the dance at the ball in DA:I. Make your guys do whatever. I even have a scene planned in my fic where Astarion dances with Hiraeth (though not like that, it's a bit more intimate/awkward cuz Astarion is self-conscious and weird aobut it), so I don't think he wouldn't dance with Tav. I just don't think he'd do it how Wyll would do it.

But when you see Astarion and Gale gifs dancing with Tav over and over and over and over, while seeing Wyll swapped in for someone else happens once upon a dream (I've literally only seen Wyll standing in for Astarion in the forest sex scene ONCE), it does sorta ... Leave a taste in ya mouth, ya know? Like if you want a romance with a cute dance scene ... There is already a guy ... You definitely know about him. And while I don't think every individual person who wants to see their OC dance with their love interest is inherently racist for character-swapping, it becoming a trend in fandom that fails to produce the same amount of content for the Black character whose cutscenes they're using is still, uh, yikes. Ya know? Like the fandom loves the cutscene but Wyll's presence in his own content is rare. For some reason.

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[nightlocked-in]

“peeta is bisexual” you guys are losing the vision. peeta isn’t even straight. katniss INVENTED sexuality for him. whatever katniss identifies as, he’s like “yeah, i’ll take that one” no questions asked

[miwiromantics]

Nancy teaching mike how to drive: Okay mike, you're driving and you see Steve and Will on the road; what do you hit? Mike: Steve, definitely, I would never hurt Will Nancy: Nancy: The brakes, Michael, you hit the brakes

[a-dauntless-daffodil]

Charlie @ her gf during hotel battle: "I am looking.. respectfully..."

Vaggie: "Fight now be gay later sweetie~"

Charlie, still looking: "IM TRYING!!!"

[waytooinvested]

Alex: Kara? What's wrong? You look like you're about to cry.

Kara: No, nothing. It's just... something that happened with Lena.

Alex: What did she do? Is she evil after all? Did she cheat on you? Do I need to kill her??

Kara: *sniffling* She just- she-

Alex: Woah, hey it's okay. Take a breath, then tell me what happened.

Kara: We were baking a cake for when Ruby and Sam come to visit. Everything was going great, we were having so much fun, and then I turned round and saw it...

Alex: You saw WHAT Kara???

Kara: The bowl! In the sink! Full of water!

Kara: I'd maybe have understood if she'd scraped it out herself rather than sharing it with me, but she didn't even eat it! She just... washed it up.

Kara: All that lovely cake batter, washed away down the drain like it was nothing. I'm not sure I can ever see her quite the same way after this.

Alex:

Alex: ...you eat the raw cake mix?

Kara: *clutching her heart dramatically* ET TU BRUTE?!

[brawlmetaknight]

to be honest meta knight has been portrayed in so many different ways over the various games, manga, novels, anime, smash etc that you can basically Build A Meta Knight and end up with something completely different than somebody else but all the traits are still somehow official lol.

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[im-still-watching-anime]

sasuke: what the fuck is wrong with you

naruto: look if you’re trying to tell me you don’t like me i’d prefer you just say it

sasuke: i’m obsessed with you actually you mean everything to me

sasuke: but seriously what the fuck is wrong with you

[ancientbygone]

this is your irregular reminder that the lore of sleep token is ultimately what you make it to be. there isn't an objective truth. everyone's story is the right one for their own purposes. love wins