#ACQUISITION

[blueprint-9376]

10.05.2025 [😊]

📓: 책장 정리하는 날/ The day I organized my bookshelf

[atomiccollectionanchorme]

Star Trek: Enterprise

Star Trek: Enterprise - Season 1 Episode 19 "Acquisition"

[yarn-o-palooza]

MASSIVE BAG O’WOOL!

It’s washed/carded! I have amazing luck and my fellow spinning guild member is the best. 😭😘

[affairsmastery]

Mexican President Claudia Sheinbaum has urged Google to reconsider renaming the Gulf of Mexico as the "Gulf of America," following an executive order by US President Donald Trump. The change applies only to US-based users, while the historical name remains elsewhere.

Mexico argues the US cannot unilaterally rename an international water body beyond its territorial waters. Google defended its practice of following official government sources but has yet to respond to Mexico’s concerns. Playfully, Sheinbaum quipped that Mexico might request its own renaming—suggesting "Mexican America" as a counterpoint to the move.

[ragpicker-and-poet]

[sshbpodcast]

Character Spotlight: T’Pol

By Ames

We’re continuing through our Enterprise character spotlights with a much more likeable character than last time: the ship’s resident Vulcan, T’Pol! And though she starts out mostly as eye candy for the 10-year-old boys watching (kinda like Seven of Nine), the sub commander really grows into something more than just a cat-suited female (also kinda like Seven of Nine!). Over the four seasons of the show, Jolene Blalock really nails the “Vulcan nuance,” as we’ve dubbed it, and becomes a character greater than the sum of her voluptuous parts.

She may spend most of the series making suggestions that go unheeded, bearing the brunt of Archer’s xenophobia against Vulcans, and being exploited for the sake of the viewers to ogle her in the decon room or performing Vulcan neuropressure, but the hosts of A Star to Steer Her By really grew to appreciate T’Pol’s presence. The Vulcan Science Directorate has determined you should read on below and listen to this week’s podcast episode (tractor beam to 59:08) for more on our logical first officer!

[Images © CBS/Paramount]

Best moments

I’m the sanest one here! After T’Pol warns everyone not to go down to the planet until they’ve scanned it (amateurs!) in “Strange New World,” everyone on the away mission inevitably goes crazy on pollen. But she keeps her wits about her and manages to not get shot by a batshit hallucinating Trip. Instead, she concocts a clever plan with Hoshi to survive the storm and save everyone.

Tractor beam > grapplers While Archer is racial profiling the Vulcan crew of the Ti’Mur all over the place in “Breaking the Ice” and assuming they’re there to spy on the Enterprise, T’Pol is busy keeping rational and logical, as is her wont. She eventually convinces Archer to swallow his pride and ask them for help when they need the use of Vulcan tractor beams over their miniscule grapplers, which suuuuck.

You have the power to control the waves We really don’t get enough scenes between Hoshi and T’Pol, but when we do, they’re always lovely together. When Hoshi is stressing out while on the Klingon ship in “Sleeping Dogs,” our Vulcan friend doesn’t hesitate to share some meditation techniques with her. And in “Vox Sola,” we see more of T’Pol’s awkward way of showing affection for the ship’s cunning linguist.

My mind is my mind, my thoughts are my thoughts There’s a lot of negative things we can say about “Fusion” (and we will in just a moment, so don’t despair), but none of those things can be laid at the feet of T’Pol, who’s the only person acting on her behalf for most of the episode. I shouldn’t have to say it is good for women to stand up for themselves because “no means no,” but this is the world we live in.

The Science Vulcan Directorate has determined that time travel is not fair T’Pol’s in a rough spot again in “Shockwave” when the Suliban have taken over the ship in Archer’s absence. They interrogate the poor woman for a while, and she holds her own somehow, and clings to her logic that time travel should absolutely be impossible. And after torture, she’s able to jump into the crew’s plans to re-commandeer the ship!

As usual, Vulcans are immune to the anomaly of the week In typical Vulcan fashion, T’Pol does not suffer the obsessiveness that plagues all the other crew members when they study a trinary black hole system in “Singularity.” So it’s up to her to rescue the rest of the characters from themselves (or from Phlox, in the case of Mayweather) by knocking everyone except Archer out cold and saving the day!

An AIDS allegory a few decades too late While a lot of “Stigma” doesn’t hold up today because its AIDS allegory feels like too little too late, everything T’Pol stands for in this episode rings true. Even while every man on the show is telling her what’s best for her, she firmly states that anyone with Pa’nar syndrome should be treated as justly as she is as someone who was forced into a nonconsensual mindmeld.

We can stop the film if it’s disturbing your conversation I do find it annoying every time Archer forces T’Pol to do things outside her comfort zone just because she’s Vulcan, but this little moment is cute. It might just be because of how damn obnoxious we find Phlox sometimes, but watching her tell that Denobulan sycophant to shut up during a movie in “Horizon” was all of us in that moment. Phlox, Shut Up.

Every day is exactly the same Even though it’s kind of an alternate timeline, the T’Pol that we see in “Twilight” does some very commendable stuff. Sure, there’s taking command of the ship when Archer is incapacitated, but there’s also resigning that commission to take the most thankless job there is: taking care of memory-less Archer for years on end and explaining life to him over and over.

There’s a human expression: You gotta give ‘em that hawk tuah We get another alternate T’Pol in “E²” and she’s just as compelling as “Twilight” T’Pol. The older, wiser T’Pol is astute enough to see the flaws in her son Lorian’s crazy plan and provide her younger self a better, just as crazy plan. Add that to the literal self-reflection she shares about getting over her trellium addiction and learning to love Trip and it’s all great stuff!

Blood is thicker than plomeek soup This is one of those complicated episodes, so you’re going to see “Home” on both lists, but let’s start with the good. We’ve got to respect T’Pol a bit for sucking it up and marrying Koss even though they’d called the engagement off (not to mention that she has a thing for Trip). But it was to save her mother’s reputation and get her reinstated at the Academy, so that’s nice of her.

Her name is Elizabeth We don’t get a lot of T’Pol with baby Elizabeth in “Demons” and “Terra Prime” but what we do get is heartbreaking. We’ve really got to give credit to Blalock and Trinneer for some beautiful acting when a doomed Human-Vulcan infant is thrown in the mix, especially in their final scene of “Terra Prime,” which is utterly devastating.

—

Worst moments

You were only there for three days and you couldn’t restrain yourself While Vulcans throughout Enterprise are typically bitchy and blunt, it seems a bit illogical how T’Pol jumps to the conclusion that Trip must have acted ungentlemanly during the course of “Unexpected,” resulting in his getting pregnant. This before he’s been able to tell a word of his own story. That’s just rude, T’Pol. Get all the facts first, then make your judgement.

Don’t blame the victim We’re not victim blaming T’Pol for what happened to her in “Fusion.” No, we’re blaming the writers, who did a bad bad thing in this episode that we largely loathed. For some reason in Trek, the writers treat it like a requirement for the sexy lady character to get mind-assaulted, and to treat it as sexually as possible, and we’ve been fed up with that since Troi and Seven.

Oo-mox always makes the list! I will always put oo-mox on the bad list, because too often it feels like sexual degradation. Lwaxana does it. Crusher does it. Jadzia does it. And in this parade of women performing mild sexually-implicit acts on Ferengi, we see T’Pol perform oo-mox on Krem in “Acquisition.” It’s just disgusting how the writers keep falling back on making this gross joke over and over.

The spy who neck-pinched me We learn in “The Seventh” that T’Pol was an operative for the Ministry of Security, which is idiotic enough on its own. She also sides with Archer on what to do with Menos, which is never a good idea, after the resurfacing of some wiped memories of all the messed up shit she did. Worst of all, the writers forget about her spy training and foist it off on Reed being in Section Thirty-fucking-one, but we’ll cover that later!

Pon farr also always makes the list Almost as much as I dislike oo-mox, I dislike pon farr. We already covered this in “Blood Fever”! It’s yet another device to sneak sexiness into episodes, but it is in no way consensual. Blame pon farr all you want, but for all of “Bounty,” we’re subjugated to watching T’Pol run around in her underwear trying to rape Phlox just to titillate the teenaged boys, and that’s disgusting.

I don’t believe it, now my pants are chafing me Like our last Enterprise spotlight, most of the bad moments are coming from season 3. This is when we’re subjected to countless instances of T’Pol engaging in Vulcan neuropressure with Trip, which is NOT her job. Relenting to Phlox and doing this was bad enough, but did she really have to trick Trip into it in “The Xindi”? And why did she HAVE to be topless for it?

Green-blooded with envy We promised you last time lots more moments from “Harbinger,” so here we go. Vulcans wouldn’t typically find it illogical to be jealous of other people, but that doesn’t stop T’Pol from getting all jealous when Trip starts hanging out with Amanda Cole. It makes her look like a petty, whiny teenager all episode long. Green is apparently not a good color on you, T’Pol.

I just don’t like being compared to a lab rat Oh look, more examples from “Harbinger.” The Tri’Pol shippers get their moment when the two of them hook up, and who can blame them? But having T’Pol pull the rug out from under Trip the morning after is just cruel and tactless. She claims (if you can believe her) that she was just curious what intercourse with a human was like, as if she were just checking it off a list. Next!

I’m sorry, Captain, I can’t obey that order Another episode that ranks among some of the worst of Enterprise is “Hatchery.” Everyone except Archer is perfectly content to let the Insectoid babies die, and T’Pol disobeys when captain orders the crew to help save them. She doesn’t even know the captain is compromised yet! She just doesn’t think he’s committing enough war crimes, evidently, and mutinies about it!

Big green monkey, everyone’s a junkie Again, no victim blaming here; addiction is a serious condition, and kudos to T’Pol for eventually getting help from Phlox. But. The writers fail T’Pol’s logical character in making her a trellium-D junkie, as is revealed in “Damage.” You want to explore an addiction plot? Fine, then make it make sense for her character. Have her seek to build her immunity. Have it be to relieve pain from turning zombie in “Impulse.” Chasing the dragon doesn’t work for a Vulcan.

You brought me sixteen light years just to watch you get married to someone you barely know A second ago, we were giving T’Pol credit for marrying Koss to help her mother unsully her reputation (which was neither of their faults to begin with, mind you) in “Home,” but it’s also just plain sad to watch her have to acquiesce to being blackmailed into a marriage she does not wish to be in. And to have to treat Trip like he’s dog meat is also painful to watch! Tri’Pol shippers, unite!

You’re wondering if I’ve been having any daydreams about you? Speaking of the Tri’Pollers, they get a smorgasbord of Trip-T’Pol material in “Bound,” most of it juvenile as hell. Ever since they got together in “Harbinger,” T’Pol has been dancing around this “do you like me” bullshit like a teenager (or worse, like Shakaar in “Crossfire”) and it gets so frustrating. Why can’t the Vulcan just be upfront about this stuff? Why is she in high school?

—

It is only logical to end the blogpost here. Make sure you’re following along as we keep the Tri’Pol ship chugging along next week, when our spotlight swings to everyone’s favorite Floridian! Also keep watching along with our watchalong of Discovery over on the SoundCloud or wherever you podcast, do some Vulcan neuropressure with us over on Facebook, and remember to wear a hat whenever gallivanting around in the past!

[spocks-husband]

The fact that the canon reason that the Ferengi aren't seen in TOS is bc Jonathan Archer scared the fuck out of them so bad that they didn't come back for like three generations

[destielmemenews]

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[askagamedev]

in light of the microsoft closings, a lot of people saying that getting acquired by a bigger company should be considered a death sentence for small studios. one thing I never understood is why are studios sold? I understand the owners want to cash a check and get out of the anxiety crisis it is running an indie studio but is it that unreasonable to refuse it? does it cause other consequences most people arent aware of?

Honestly, the decision to sell to a publisher is primarily a question of stability.

Independent studios live and die on their ability to secure contracts regularly, year in and year out. This process is a constant grind, requiring the studio leadership to maintain good relationships with publishers. Financial situations are never super stable, they are often feast or famine when there are tons of opportunities that your studio can't possibly field and then there are lean times when finding work can be difficult. It's especially difficult because there's almost no way that an independent studio can bank the kind of money they'd need to keep everyone paid for any extended period of time without securing a new contract to keep the lights on. There's also the disaster of having so many opportunities that the studio staffs up in order to handle more, only to get caught in a lean period where there isn't enough work to keep everyone employed. In lean times, the independent studio is left to fend for themselves while the publisher-owned studio gets higher priority when the publisher is considering project assignments. And there's always the issue of IP ownership - often the publisher is the one who retains the rights and the studio is work for hire. There's very little room for error when running an independent studio.

If the studio is owned by the publisher, there isn't a need for securing contracts anymore. An internal studio almost always has priority over an external studio for being assigned a new project. The internal studio can focus on developing games and technology. They don't need to worry about securing IP rights anymore, since they're all owned by the same company. It's a huge reliever of stress from studio leadership to know that there's more of a safety net, even if that safety net is not perfect. When lean economic times hit, everyone suffers - including the internal studios, as we have seen. Large companies will often shed staff during bad times but have a higher overall survival chance than small ones.

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[blueprint-9376]

22.10.2024 [😁]

☕️: 카페 가는 날/ I found a new cafe!

[britsyankswheels24]

📅 On February 4, 1922, Ford Motor Company made a game-changing decision by purchasing the struggling luxury automaker Lincoln for $8 million. At the time, Ford was losing market share to General Motors, which offered a variety of models.

👥 Edsel Ford (sitting, left) played a key role in convincing his father, Henry Ford (standing, left), to acquire Lincoln from founder Henry Leland (standing, right) and his son Wilfred (sitting, right). Leland, who had previously co-founded Cadillac before selling it to GM, was a pioneer in precision manufacturing and had founded Lincoln in 1917 to produce Liberty aircraft engines during World War I.

🏆 This strategic move not only saved Lincoln but also helped Ford break into the luxury market, shaping the brand’s future. Under Edsel Ford’s leadership, Lincoln became known for elegant design and engineering excellence, paving the way for legendary models like the Lincoln Zephyr and the Continental.

Transatlantic Torque: Brits & Yanks on Wheels!

[arkus-rhapsode]

Sony wants to buy Kadokawa, what does this mean?

So this is a post I didn't think I'd ever have to make, but I guess I will because it concerns two things I'm invested in: anime and video games. And it concerns how we may potentially be seeing those industries get even more consolidated.

Yesterday on November 19th Reuters reported that Sony was in talks to acquire the massive Japanese media conglomerate Kadokawa. As of November 20th, we see that Sony has indeed sent a letter of intent for an acquisition.

Now look, I know we all tend to see Sony as a video game and technology company first and foremost, and I think that has led to a tendency for reports on this story to frame this story as "Sony wants to buy the parent company of FromSoft, what does this mean for Armor Core and Souls games going forward?" Now I don't necessarily blame gamers from focusing on the game aspect of this purchase, but its massively underselling that Sony is a multimedia entertainment company with plans outside of video games and Kadokawa's holding on other forms of media. For just a taste, here is just what Wikipedia lists as some of the subsidiaries of the Kadokawa Corporation.

As you can see, numerous light novel and manga magazine publishers, anime studios, and even news sites like Anime News Network fall under the umbrella of Kadokawa owned operations. And Sony themselves have been no slouches in the anime industry either. Having bought Aniplex, Funimation, Crunchyroll, RightStuff and more Sony has had a foothold on the distribution of anime outside Japan for quite a while. If this acquisition goes through there is no doubt that this will make their grip even tighter on the anime industry. Basically now controlling all the means of taking a work from the page to the screen to overseas to the merch to follow.

Obviously, I don't necessarily blame video game journalists and personalities for not going this deep into it, video games and anime fans may have overlap, but it's pretty clear there's a level of separation between the two in the same space. However, this focus on FromSoft honestly reminds me of the Microsoft-Bethesda purchase where most people talked about it like Microsoft only bought Bethesda. No, they bought Bethesda's parent company, Zenimax Media, which owns Bethesda and also numerous other studios like Tango Gameworks, Arkane Austin, Obsidian, Roundhouse Studios, and Alpha Dog Games. Note that all those studios except Obsidian saw a closer this year. When dealing with a massive merger/acquisition like this its important to keep in mind the full scope of it.

Kadokawa and its video game sector which includes FromSoft, Spike Chunsoft and recent acquisition of Acquire being purchased by Sony would be pretty rough. Particularly Spike who have made a reputation for themselves as one of the still AA studios that are into developing and publishing niche games like Ai The Somnium Files, Master Detective Raincode, and Mystery Dungeon. So having Sony, who have spent basically the last decade and a half moving towards huge blockbuster AAA games and who have just incurred a massive loss and shuttered a studio like Firewalk after one disastrous game, makes me fear for a lot of the safety of any new company being brought on.

And of course, there's the very real possibility that one acquired Sony will make many of these games these studios make exclusive to their Playstation platform. Or at the very least require a PSN account to access these titles on things like the PC. I know there's a lot of people who like to turn stories of Sony and Microsoft acquiring companies into pissing matches for whoever's team is "winning" by buying up more, but setting aside the console wars nonsense, the adverse effects of the major third party publishers on the industry would be bad for all platform users.

However, even more worrisome is what will happen on the print entertainment side of things. Kadokawa isn't a small time publisher of works. When it comes to their Light Novel prints they include series like Sword Art Online, Haruhi Suzumiya, Irregular at Magic High School, Classroom of the Elite, Re:Zero, No Game No Life, and even Slayers

There's also Enterbrain, a much smaller publisher known for its cult fanbase and publishing of niche series like Delicious in Dungeon!

Now, all of these series in Japan are typically protected by much stronger creators rights laws in Japan. With the series creators owning their work and not the publishers. But it doesn't change that now Sony will essentially have ownership of their publishing outlets and a seat at everyone of their production committees I regards to adaptations of their work. And then we get into how those products might leave Japan. Yen Press and Book Walker aren't small outlets, they are a big deal in making several of these series legally accessible to non-Japanese readers. Yen Press has even taken it upon themselves to bring over series from other magazines like Oshi no Ko, which Viz Media had failed to bring over for years.

And speaking of Oshi no Ko, this acquisition would mean Sony would now own the studio that makes it, Doga Kobo. Along with Cinema Citrus, the studio behind Made in Abyss, Rise of the Shield Hero, and as I was writing this, just was announced for Star Wars Visions Vol 3. Now lets add onto the fact Sony currently owns Crunchyroll which is one of the three main players in the North American anime streaming and distribution game along with Netflix and Hi-Dive. Sony could in theory now cut out the need to bid for airing certain anime overseas and instead just have a pipeline that leads directly from Kinema Citrus all the way to Crunchyroll's servers.

And speaking of Crunchyroll, we haven't even talked about how Sony has been acting in regards to this one streaming platform. Initially, Sony had acquired Funimation and infamously we had a neck and neck streaming war with Crunchy and Funi, but eventually Crunchyroll would be sold off to Sony where they proceeded to fold Funimation into Crunchyroll's brand. Erasing years of Funimation's own identity and most egregious of all, shuttering the Funimation website which deleted loads of digital content. Especially annoying when one of the perks of purchasing a Funimation Blu-Ray was offering a free digital copy that could be used on their website. So all those purchases? Gone. Hope you saved the physical media.

Crunchyroll themselves have also been no shortage of controversies lately, from the implementations of AI subtitles that are not only inaccurate, but also a pretty transparent attempt to eventually phase out subtitle writers. Then there's the allegations by actors as recently as a few weeks ago that Crunchyroll Studios has acted unprofessionally and illegally with their treatment of staff. But I think the most controversial of all was what happened to RightStuf. RIghtStuf was an anime merchandise outlet that would be shut down after purchase by Sony and then redirected users to go to the Crunchyroll merch store. If that doesn't sound like an attempt to monopolize a hobby, I don't what does.

I know this post has been very alarmist sounding, I legit was shaken when I heard the news, but there is some small silver lining to this dark cloud. Kadokawa hasn't made any decision either which way to go with this intention to acquire. They are capable of doing they're due diligence and seeing if this acquisition is opportune for them or not. Do I think they are going to reject it? I don't know. I'd prefer to not have this go through, but its out of my hands.

Once again, we must unfortunately watch more consolidation in the animanga and video game spaces. Which in the year 2024, we've seen full display of what has happened with the shrinking AA space of developers and publishers as they've been eaten up by guys like Tencent, Embracer Group, Microsoft, and Sony. We've had so many lay-offs and shut downs in this year alone its disheartening. Combine that with how this will effect how many people outside of Japan's accessibility to the pass time that they are passionate about and how this will inch us closer to only a few big players making all the choices for the anime industry is also disheartening.

There's a very tangible future where corporations like Sony own so much of our art and entertainment.

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[affairsmastery]

Trump boldly claims the US will "gain control" of Greenland, asserting the island's 57,000 residents "want to be with us" despite strong Danish opposition. He argues the territory is an "absolute necessity" for international security, suggesting US involvement is crucial for global freedom.

Denmark and Greenland firmly reject the proposal. Greenland's Prime Minister Mute Egede emphasized territorial autonomy while showing openness to defense cooperation. Danish Prime Minister Mette Frederiksen explicitly stated "Greenland belongs to the Greenlanders," with a heated 45-minute phone call underscoring diplomatic tensions. European officials view Trump's interest as "serious and potentially very dangerous."

[haveyoureadthisfanfic]

Summary: "Well aren't you a pair," April says when November returns carrying the newest addition to their team.

Author: @sarapsys