#Also sickness mention

[mushbeast]

just a psa that my heron print is available for preorder as my first large print (12 x 24") !!!!!!!!!!!

i have 20 listed, but will place the order once i reach 10 sales! i'll keep everyone updated via email. i'm very excited (and nervous) to finally get some larger prints happening for everyone ♡

i'm only shipping to CA & US at this time. i apologize to international customers, but i do have the digital rendition available worldwide too :-)

[artsekey]

Reminder to get your COVID booster when they're available. I kept putting off my next dose because of my schedule, and I've been out with COVID for eight days now.

Posting the symptoms I had to inform others as COVID is constantly evolving:

Day 1 (3 or 4 days after exposure): started as a feeling of "imminent sickness" in the back of my throat. I otherwise felt 100%.

Day 2: Extremely tired. Congestion. Limited all contact.

Day 3: 101 Fever. Congestion. Extremely tired. Couldn't make it through lecturing my class (remotely). Began medicating with Theraflu (acetaminophen). Tested positive for COVID with the fastest and clearest positive test I've ever seen.

Day 4: Fever between 99 and 101.5. Cancelled all activity. Spent all day in bed. Extreme congestion. Extreme aches & chills at night. This day was absolutely miserable. My friend brought me soup. I cried about it. Continued with Theraflu. Considered going to the ER due to severity of symptoms.

Day 5: Intermittent low-grade fever at 99.8. Congestion continued, coughing and sneezing began.

Day 6: Fever cleared. Coughing & sneezing intensified. Tested again as per CDC recommendations: still a strong positive. Began taking Robitussin (cough syrup only, no acetaminophen).

Day 7: Coughing worsened significantly. Lots of liquids, lots of Robitussin.

Day 8: Today! No fever, no cough, some slight congestion remains. Once again tested positive for COVID-- with a weaker positive this time! I expect I'll be back to normal by day 10, but... trust me, if you're going to get your "booster" through a needle or ten days of this, choose the booster! As a reminder, you can order up to 4 free COVID tests at the end of September through HHS.gov!

[lgbtiwtv]

god. god. the significance of the diary pages about claudia’s assault being torn out raggedly by Louis, clearly in a fit of guilt and anguish and trauma, vs the diary pages about louis mourning lestat and regretting killing him being removed with surgical control and precision. by armand. this wasn’t a heat of the moment action it was deliberate and calculated and I can’t stop thinking about it

[screebyy]

Part 6: The Summit Prev | Next (Soon™️) | Start

Two parts left! sorry to end on a lil cliffhanger of sorts. also sorry i'm going to continue to be very mean to jolyon. also also sorry i will not be finishing this before tfs launches lol 🥲

ID below cut like and subscribe etc

Panel 1: Wide shot of Crow and Jolyon sitting on a rock on the summit of a mountain, looking down at the dreaming city below. The sun is starting to rise over distant mountains, and the dreaming city is covered in taken essence, with black taken orbs hanging all around it. Jolyon is leaning forward with his arms crossed and his elbows resting on his knees, while Crow is leaning back on his hands. Jolyon: “Thanks for doing this with me.” Crow: “Of course. It’s been… really nice, catching up.” Jolyon: “Yeah…

Panel 2: Close up of Jolyon’s hand from the side. He is curling it into a tense fist where it’s resting on his bicep. Jolyon: “... Can I ask…”

Panel 3: Close up of Jolyon’s face in profile. He is staring straight ahead with a pained expression on his face as he speaks. Jolyon: “Why now?”

Panel 4: Side view of Crow as he turns to look at Jolyon. He has a curious expression on his face. Jolyon (offscreen): “A few years ago… I heard about what happened, with Savathun. That you had remembered your past life.”

Panel 5: Side view of Jolyon. He is turning away from the Crow, and his expression is not visible. Jolyon: “When you didn’t reach out… I guess I just assumed you hadn’t remembered me.”

Panel 6: Side view as Crow looks at Jolyon with a mournful expression. Crow: “I…”

Panel 7: Crow turns forward again, looking down at the ground with a sad expression. Crow: “I’m not sure I did, at first.” Panel 8: Flashback of the Radiant Accipiter, idling in empty space. Crow is visible through the windshield of the ship, he is hunched over in the pilot’s chair with his head in his hands while glint floats beside him. Crow (Present day): “He was so far gone at the end - whenever I tried to think about his life, it was like a bomb going off inside my brain.”

Panel 9: Close up of Crow looking down past the camera. He is clutching his face with both hands, one hand is tearing desperately at his hair while the other is covering his cheek, nose and mouth. He has a horrified, distant expression on his face, and a tear is running down his cheek. In the background, a cracked surface shows many scenes from Uldren’s rampage. One fragment shows a close up of Uldren’s eyes as he turns towards the viewer with a hateful expression. Black rivulets of corruption are flowing from his eyes like tears, and the sclera of his corrupted eyes are black and seeping into the iris. Another fragment shows several dead corsairs lying on a stone floor in pools of blood. Another fragment shows a close-up of Cayde-6’s face, staring up at the viewer defiantly. His face plates have been badly damaged. The final fragment shows a close up of Uldren’s hand holding the Ace of Spades hand cannon, with smoke coming out of the barrel. Crow (Present day): “Nothing made sense, all I could feel was… what he felt. The things he did…”

Panel 10: A wide shot of Crow lying in bed, bundled up in his blanket. The room is dark, and a window is open, with bright sunlight shining in through the curtains. Crow (Present day): “But eventually…”

Panel 11: A close up of Crow holding Glint with one hand. Glint’s eye is closed, and he is humming gently. Crow (Present day): “I was able to start picking up the pieces.” Panel 12: Closer shot of Crow lying in bed. He is clutching Glint against his chest with one hand, rubbing his shell gently. With his other hand, he is holding a golden ring on a chain. He is staring blankly at the ring with a sad, tired expression. Crow (Present day): “To put together who he had been before.” Panels 13, 14, 15, and 16: A sequence of fuzzy, incomplete memories. The first is a shot of Jolyon in his uniform, from his waist to his chin. Most of his face is not visible, but he seems to be scowling. He is partially obscured by a misty, dark blue background. The second memory is a shot of Uldren lying back in green grass on a sunny day, eating raspberries. He is looking to his right, at someone just offscreen. He is laughing lightly, and looks peaceful as he holds a raspberry up to his mouth. The third memory is a shot of Jolyon’s dark blue Supremacy rifle leaning against a wall, next to where his green cloak is hanging. The fourth memory is a partial shot of Uldren resting on his hands and knees above Jolyon, who is not visible. Uldren is shirtless, and a golden ring is hanging from a chain around his neck. Jolyon’s hand is reaching into frame, holding the ring in his palm where it hangs. Uldren is smiling down at him warmly. Crow (Present day): “You were… A puzzle that took me a long time to figure out. A face I couldn’t quite name, a feeling I couldn’t quite place.”

Panel 17, 18, and 19: Another sequence of memories, which are more clear than before. The first panel is a head-on shot of Uldren, staring up past the viewer with a confused, strained expression. The scleras of his eyes are black, and the corruption is starting to seep out of them. The second panel is a head-on view of Jolyon, staring down at Uldren with an intense, searching expression. The third panel is of Uldren, who is looking away to scratch at his right eye with the heel of his hand. His hands are cuffed together at the wrist, and he looks frustrated, and distracted. Crow (Present day): “When it finally came together, And I realized how terrible he had been to you… I was too ashamed.” Panel 20: In the present day, Crow is leaning forward, and staring distantly down at the ground, while Jolyon watches him talk. Crow: “To let himself fade away like that, to forget you, while you were standing right in front of him…”

Panel 21: Close up of Jolyon as he looks away, and stares sadly into the distance. His brow is furrowed and he looks conflicted and tired. Crow (offscreen): “I didn’t think I could face you, after that. I didn’t think you’d want me to.” Jolyon: “...”

Panel 22: front view of Crow and Jolyon sitting side by side. Crow is leaning forward heavily, looking down at the ground with a grim, slightly frustrated expression. Jolyon is turning slightly towards Crow, though he is not looking directly at him and is expression is sad and distant. Jolyon: “What changed your mind?”

Panel 23: Close up of Jolyon’s face. He looks slightly surprised and is looking directly at Crow, offscreen. Crow (offscreen): Petra.

Panel 24: Shot of Crow as he hunches away from Jolyon, rubbing his right arm self-consciously. He is glancing out of the corner of his eyes back at Jolyon with an uncertain, guilty expression. Crow: “Last week, hunting Riven’s eggs took us… Somewhere that reminded me of you.”

Panel 25:  Close up of Jolyon as he watches Crow out of the corner of his eyes. His brow is slightly furrowed, and he looks uncertain.

Crow (offscreen): “After we got back, I asked Petra how you had been, and…”

Panel 26: Close up of Crow. He is smiling lightly, staring down at the ground with a distant, soft expression and blushing faintly. Crow: “She talked some sense into me. Reminded me that I shouldn’t just assume you were better off never knowing me. That I at least owed you the chance to make that decision for yourself.”

Panel 27: front view of Crow and Jolyon sitting side by side. Crow is turning back towards Jolyon with a soft smile. Jolyon is also looking at Crow, smiling faintly. Crow: “I guess… some things haven’t really changed, right?” Jolyon: “Ha.”

Panel 28: Close up of Jolyon’s face from the side. He is staring straight ahead again, smiling faintly. Jolyon: “Right…”

Panel 29:  Jolyon looks slightly down, his smile has fallen and his brow has furrowed as his expression grows distant. Dark, scratchy marks are bleeding into the edge of the panel, fading out the edges. Jolyon: “...”

Panel 30: extreme close up of Jolyon’s eye, squeezed shut. Dark scratchy marks surround the panel, creating a chaotic background and bleeding into the panel. Voice offscreen: “Jolyon…”

Panel 31: A younger version of Jolyon turns towards the camera from the side, with a confused expression. His hair is pulled back into a bun, and he is wearing a light green sweatshirt. The background is faded purples and blues, and Jolyon is outlined in surreal surreal shades of pink and purple. The panel is outlined by dark scratch marks, spiky thorns, and black flowers outlined in vibrant shades of pink, purple, and green. The text bubbles appear to be glitching out, with scratchy fragments coming out of them. Voice offscreen: “Why’d you do it?” Jolyon: “What?”

Panel 32: Shot of Uldren sitting on a rock, from behind. He is leaning forward, resting his hands on his knees, and staring down at the ground. His hair is falling over his face, and his expression is not visible. The surreal lighting continues in this panel, and Uldren is outlined in pinks and purples with the panel being surrounded by dark scratch marks, spiky thorns, and black flowers outlined in bright colors. Uldren: “Why did you come with us, Jol?”

[dol--blathanna]

Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.

Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.

And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.

Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).

(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).

Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?

Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.

And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?

Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.

Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.

Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.

Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.

[johnslittlespoon]

i just finished the prologue of the mota book and i don't know how i haven't seen a single post talking about how after john and gale's stalag reunion, they were then separated for another four months.

my heart is aching so bad. imagine being reunited (after almost three weeks, oct 8–26th) and having that tiny feeling of 'everything is going to be okay' and then being ripped apart again for four fucking months. 120 more days of not being able to be at each other's sides.

[dafry-shenanigans]

I have no idea wth is happening but i want in-

Randy: Uh... Is he okay...?

Jake: Yeah don't worry, he'll be fine... I think...

[cursedzucchini]

DC x DP prompt #5

This is so dumb but Danny is Bruce's uncle.

And not in the Danny is old or whatever, no, my dude is 15 looks like he's 13 and when he was running away from home, he met this really really old lady which looked at him, looked at his wounds and went "aight I'm adopting u"

Danny thought she was a ghost and this was her obsession, so imagine his surprise when it turned out that not only this lady was alive, but also supposedly from very influential family??? Danny wasn't sure Abt that one, bc he himself never heard abt these "Waynes" like that just sounds weird, but hey. It made the lady happy so.

Anyway they part ways, bc the lady only wanted to adopt not care, and Danny decides, hey now that I have a new fam, maybe i should get to know them or something?

Well imagine his surprise when he found out some guy in his fifties is supposedly his nephew and has like bazillion kids.

Idk what happens next yada yada sheniganas happen and than Danny ends up in Gotham. And meets Bruce Wayne. Who obviously sees young child w si gns of abuse, black hair, blue eyes and is immidietly like "aight I'm adopting u" (like grandma like grandson huh)

Only this time, Danny is sure he isn't a ghost, and has a counter argument "u can't adopt me I'm ur uncle" and immidietly flees bc dealing w his problems isn't something he does.

Cue confused batfam or stuff idk, I'm so tired and this is just an excuse for crack

[athina-blaine]

for my money, labru is head and shoulders above other ships involving them simply due to the unmatched yap potential, i imagine them feeding off each other's energy like they're slipstreaming in mario kart until they start going fast enough to break the sound barrier

[extravagav]

Yk I never did truly recover from the sick fic chapter

[effarreturns]

The best way to bond with your little brother after murdering (attempted) and emotionally attacking (accomplished) him, WHILE he was hanging out in his fort (tower) with his gang (teammates).... is kicking his ass in online chess?

Maybe that's just what me and my brothers do, on second thought...

[iindigoeyed]

i imagine felix explained to kagami that he was transmasc and she was like "you can do that? really?!" and then felix lent them his old binder and well, you get it.

bonus:

[f4keplastictr33s]

thinking about flowers’ petal (that came right of blue’s mind via cabeswater) being compared to kisses and they landed right on gansey’s mouth meanwhile the petals avoided adam and landed all around him :/ also adam watching the petals fall bc he’s an eternal observer :/

[annamationsart]

i’m sure someone’s already thought of this but like tma hadestown au when… (ft. low budget doodles)

[savemebeel]

So new update on the blog:

I found out who reported me and silentserenitystreet to Solmare. I won’t be naming them because I don’t want anymore drama and I’m too emotionally drained to wanna deal with them. What’s done is done so I’ll just have to move forward. I know I should be mad but I am just so tired that I just don’t care anymore.

The only thing I really have to say is their actions are very hypocritical and done with bad intentions. All of my edits were simply done for fun and to benefit the rest of the fandom. I don’t not profit off of my edits let alone claimed that i owned any of the art when obviously I don’t. But if I must I will begin to add notes under my edits that I do not own any of the art I’m editing. I will also avoid posting any collab art from obey me unless it’s from their promotional posts. Aside from that I’d rather avoid posting any collab art to avoid anymore strikes.

Sorry for the long post but I feel like it would only be fair to let you guys know why my first blog was wiped off the site. Thank you for reading this.

[alicentflorent]

Comparing Alicent and Helaena’s reactions during the funeral scene is really interesting because it shows us two different trauma responses. Alicent has been taught her entire life to sit there, look pretty and do her duty. We see her look deeply uncomfortable at first but she “stays calm” because in reality she’s dissociating, she’s keeping on the mask that she’s used to protect herself. We know she experiences dissociation when in a traumatic situation because we see it clearly in the marital rape scene and when she’s trying to look after two babies she had when she was still a child herself.

Helaenas trauma response is more clear, while she also experiences dissociation during this scene (we also see her dissociate during b&c and the scene right after in Alicents room) but as the crowds gather and they start to throw confetti helaena is triggered out of her dissociated state and becomes overstimulated and anxious and starts to become visibly distressed but she can’t remove herself from the situation and Alicent attempts to calm her are futile because helaena, being written as neurodivergent, CAN’T just push her anxieties down and put on a mask. It’s gone beyond being able to mask her symptoms. Her discomfort is clear, she’s becoming more overwhelmed and all she can do is sit there visibly distressed. Alicent has been dissociating for so many years and masking her own discomfort that she doesn’t even realise that not everyone can go into that state and not visibly react to trauma they are going through.