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#But I am very conscious that I am making A Lot of art and talking A Lot and I'm very conscious of annoying people
magpiesketchins · 5 months
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✨art✨
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egcdeath · 3 months
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sealing the deal
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pairing: patrick zweig x reader
summary: you and patrick make a few unique business proposals to each other.
word count: 7k
warnings: succession au – tomshiv dynamic (pre-failmarriage), proposals (business and romantic), fluff, a little angst, mentions of a dad being very sick/almost dying, lots of exposition/background on the relationship, art cameo, a little domesticity, established relationship
author’s note: you don’t have to know anything about succession to enjoy this fic! i’ll explain everything that you need to know. if you’re a diehard succession fan i can’t promise that everything will be completely faithful to the source material but it definitely takes a lot of inspiration from tom and shiv’s dynamic.
i wanted to give a HUGE thank you to my succession anon who gave me so much help and guidance for this fic and basically ended up being my co-author for this fic! i hope you all enjoy :)
It wasn’t always easy loving the youngest son of the owner of a multi-billion dollar media conglomerate. 
In fact, most of the time, it was quite the opposite. 
Even without Patrick working in his family’s business, it always felt a little bit like you were in a competition for brain space and time with his family and career, and you were losing. Badly. 
You weren’t exactly sure that you knew what you signed up for when you first met Patrick—connected to each other by a mutual friend you went to business school with, whom you’d begged to try to set you two up for career advancement purposes more than anything else. 
“You know that guy you keep asking me about?” your friend asked you after taking a hefty sip from the drink the bartender just passed her. 
“Patrick Zweig?” you asked, not bothering to pretend like you didn’t know who she was talking about. 
“Yeah!” she laughed like it was the funniest thing in the world. You weren’t sure where she was going with this subject, but you were intrigued by her mention of the man and her apparent entertainment at the situation. 
“What about him?” you asked, perversely curious as to why she was bringing him up now. 
“I invited him to come out with us tonight!” she laughed once more as she divulged this information, as if it wasn’t shocking news to you.  
“What? What the fuck? Why didn’t you tell me before!” you practically yelled at her over the sound of loud music and other bar patrons. You suddenly felt very self conscious. If you’d known you were going to meet Patrick Zweig tonight, you would’ve put yourself together, rather than coming straight from work to the bar. 
“I wanted to surprise you!” she continued with her giggling at a situation that you did not find nearly as humorous. “Oh my god. I wish you could see your face right now.”
“I hate you!” you laughed, thinking that maybe this was some sort of prank. “You’re joking, then?”
“No, he’s really coming. He just got back from D.C. and wanted to meet with me. I asked if my hot friend could come along and he was like, ‘Obviously!’”
You groaned aloud. This wasn’t how you intended to make your first impression on him.
“Okay, well, what’s his type?” you asked her, hoping to get a bit of insight before you were launched right into what might end up being your first date. You were sure that you would make a good impression if you showed up as you were, but you wanted to be better than good. You didn’t want to be just another forgettable notch on his bedpost.
“I don’t know,” she sighed, taking a sip from her drink. “Hot? A nice ass? A little mean? Isn’t that every guy’s type?”
“You’re not taking this seriously enough for me,” you replied. You wanted to have a strategy going into this. You would’ve appreciated at least a small briefing before meeting someone so intimidating. 
“I am, you just check all the boxes already. Just be yourself and I’m sure things will work out fine,” she assured you. 
Her assurance was well warranted, considering that things worked out far better than fine. In fact, your friend was overdue for a fruit basket—one that you would be paying for with Patrick’s credit card as you sat in the dining room of your shared penthouse apartment, after you wrapped up a day of work in the skyscraper that was his father’s corporate headquarters. 
At the time, you had a slight idea of who he was, but you had an even better idea of who his family was. Anyone who owned a television would be familiar with his family’s corporation—from the causal channel surfers who passed one of their many news channels during their search for the newest episode of The Bachelor, to the thousands of people with their logo burned into their device screen from the hours they spent with their eyes locked on the 24-hour stream of borderline propaganda. 
Beyond his impressive family, you’d heard whispers and rumors about Patrick for a long time. Between headlines in gossip magazines and stories from your mutual friend, you learned that he’d entered the political world as an attempt to make a name for himself outside of his family name, but struggled to be taken seriously for many years due to the less than stellar reputation that came with being a Zweig.
Although, rumors about his career were just the tip of the iceberg. Gossip about his tumultuous relationships—if they could even be called that—and history of partying far too hard often ran wild, making you believe that your initial meetings with Patrick would be nothing more than a few hookups and sweet talking yourself into a new job. After all, there was no better pillow talk than an elevator pitch. 
At first, your plan seemed like it was right on track. You ended your first night together in the early morning, finding yourself in Patrick’s apartment for hours. Your night hadn’t really ever ended, with the two of you leaving the bar together, having some of the best sex of your life in a bed that felt a little bit like laying on a cloud, then proceeding to talk for hours until it was time for you to go back to work. You smiled to yourself as you sat in the backseat of Patrick’s car, exhausted from the long night and a little uncomfortable in yesterday’s clothes, but mostly enthusiastic after your surprisingly eventful night with the man. 
It was a strange turn of events from what you initially expected. While you couldn’t be too sure what you were getting yourself into when you learned you were being set up on a date, you assumed that Patrick would be like any other rich asshole you’d gone out on dates with, who got what they wanted from you, sent you off on your merry way, then never spoke to you again. You quickly discovered that he was unlike anyone you’d ever been with before. 
Patrick seemed to be full of surprises, and the fact that you were going on multiple dates with him in the first place was one of those very surprises. You hadn’t expected to go on any more than three dates before you asked about working for his family, securing yourself a job, then leaving him alone. 
What took you by even greater surprise were the dates themselves. What started as an intimate dinner in one of the most exclusive restaurants in the city ended with you at a terrible 24-hour diner, treating Patrick to his first slice of cherry pie as you talked into the wee hours of the morning. 
Your subsequent dates went similarly, with the two of you talking endlessly about anything and everything. Patrick was someone full of surprises—he was far from the rich asshole you expected him to be, and more like a knowledgeable politics nerd with a lot of money. 
You talked for hours about big things, like why Patrick decided to pursue a career as a political strategist and what brought you to New York City, but you also found it easy to discuss small random things with him, spending an extended period of time discussing how you named your cat, and debating on the best restaurant in the city. 
You always thought of yourself as being somewhat agreeable and friendly when it came to conversation, but your discussions with Patrick took you by surprise. You weren’t sure you’d ever clicked with someone the way you clicked with him, and it made you as excited as it made you nervous. 
By the time you worked up the nerve to ask Patrick about working for his family, you were already beat to the punch. The two of you were tucked into the booth that you’d recently declared as yours in the same diner that you seemed to be spending all of your all-nighters in, reclining comfortably in the particularly uncomfortable seats. 
“Do you like the business side of things?” Patrick asked you, stirring a flattening Diet Coke with a straw. 
“It’s fun,” you dismissed. “It’s less fun going to work on a half-hour of sleep.”
“Shut up. You love it,” the man across from you laughed, an admittedly very handsome half-smile on his face. “I mean it though. Do you like what you’re doing?”
“It pays the bills, I guess. I like the work, but I’m not huge on the company. All the politics and the instability with layoffs lately… It isn’t exactly ideal.”
“Would you ever work for my family?” he asked. “I mean, you’re just wasting potential elsewhere. I really think they could use someone like you on their team.”
“Seriously?” you asked, partially surprised at the proposition, but mostly surprised that you weren’t the one to ask in the first place. Across the table, Patrick listened to you intently. “I mean, If they’d have me, I’d love to work for them.”
“My dad mentioned something about them looking for some new blood. I can put in a good word for you, if that sounds interesting to you.”
“Is this because I showed you the joys of a slice of diner cherry pie?” you joked, trying not to let on just how overjoyed you were about this opportunity. 
“You got me. And now that you mention it, we should probably order another slice,” he suggested, going along with your joke. “You’re smart and you clearly know your shit. Besides, I’m mostly doing it for myself. It’ll be nice to have someone around at company Christmas parties who can actually keep up with me.”
“Well, thank you,” you replied calmly, though you were doing somersaults in your mind. “I look forward to drinking eggnog and singing Mariah Carey songs with you.”
In retrospect, you recognized this action as the first of his many wordless declarations of love. You later learned that Patrick did everything he could to avoid talking business with his family, as it was clearly a sore spot for everyone involved. Realizing that he’d gone out of his way to get you a job had been an even more kind gesture than you knew at the time. 
While you initially expected your fling to taper off after Patrick fulfilled his end of the business deal he didn’t even know he was facilitating, your relationship did nothing of the sort. In fact, his favor seemed to have the opposite effect on your bond. 
Before you knew it, the two of you were courting each other like lovesick Jane Austen protagonists. In another shocking turn of events, Patrick ordered flowers to your doorstep each morning and took you on lavish dates, while you began to take four-hour long train rides to and from D.C. each weekend to visit him, and frequently sent him rambling love letters. 
While you hadn’t expected for your relationship to unfold the way that it did, you genuinely loved Patrick. You loved the way his eyes crinkled when you told him something stupid that he’d laugh at, or how he leaned in to whisper something judgmental in your ear about someone you mutually disliked during family events. You loved the way his hand felt in yours and the way his mind worked, which he frequently displayed to you while discussing his latest political strategy. You even loved when he minced words to describe how he felt about you, knowing that though the word ‘love’ might never leave his lips, his actions spoke far louder than his voice ever could. 
It just so happened that you loved his proximity to power, too. 
While his money and power might have piqued your interest initially, it didn’t change the fact that the two of you quickly clicked. You had a natural chemistry, with you matching Patrick’s flirty words and actions with ease. It also just so happened that you entered each other's lives at the perfect time, with you in dire need of a career upgrade, and Patrick in need of someone unafraid to show him more affection and care than he was willing to give. 
Though he wasn’t the best at communicating his feelings, you quickly became a tenured professor in Patrick-ology. You were certain that this played a role in why Patrick liked you so much in the first place—being somewhat emotionally stunted, he needed someone who could understand his thoughts without him having to explicitly say every detail, and you did exactly that. 
This skill worked out surprisingly well for you. You gave him the love and understanding that he’d been looking for and missing for all of his adult life, and you got to reap the benefits that came with being in a relationship with someone in one of the most powerful families in the world. 
Despite your more humble beginnings, you quickly became familiar with luxurious items and activities. You also quickly learned that no matter how prepared you thought you were for that level of wealth—you weren’t. You couldn’t even begin to count the amount of times your unfamiliarity with certain norms left you as the laughing stock of the family. 
But it wasn’t all corner offices in skyscrapers and helicopter rides. During the honeymoon phase of your relationship, it certainly felt like it, but the cracks in your foundation became more and more evident every day. 
The thing was, as much as you two cared about each other, there was a family shaped shadow that loomed over everything that you did. It was clear that you were an outsider in Patrick’s family. Coming from an upper-middle class Midwestern background, you were often made to feel like you were a stupid gold-digger, only staying around your boyfriend for power, rather than love. At times, you wondered if his family knew what love was at all. 
The love, or lack thereof in Patrick’s family was what shocked you most of all. It was no secret that his father was unnecessarily cruel to all of his children, but particularly to his siblings trying to work their way into more serious positions in the company. Patrick somehow managed to dodge that particular flavor of cruelty, with him very obviously being his father’s favorite and working outside of the family business, but the emotional scars his father left still lingered. 
But his father’s presence didn’t just loom over him, it was beginning to loom over you, too. Not only in the extreme intimidation you felt when having to interact with him, but in the small acts of callousness Patrick showed you throughout the course of your relationship. 
It began as small things, things that bothered you less the more you got used to them. Like how he always seemed to unconsciously belittle your work, not even bothering to seem interested in the recaps you gave of your day before he launched into a story of his own about the candidate he was working with. Though you tried your hardest to fight through your smaller pet peeves with him, Patrick’s inability to be straightforward about his emotions felt like the cherry on top of an already painful sundae.
Regardless of all of the flaws, bumps, and roadblocks in your relationship, you promised to yourself that you would be in Patrick’s corner, no matter how ugly things got or how poorly he treated you. Not only out of your own self-interest, but out of your love for the man, and the knowledge of how difficult his upbringing made certain things for him. 
Which was why when you got the call from Patrick that something had gone terribly wrong with his father while coming back from his birthday celebration, you didn’t hesitate to rush to the hospital, encouraging your driver to speed all the way to the building. 
When you arrived, he and his siblings were in disarray in a way you’d never seen before. His father, who was typically a presence that towered over everyone in the room, was reduced to an old man hooked up to a number of machines. His older sisters, who were always either waiting for the moment to swoop in and make a crude joke or waiting in the wings to discuss the next business strategy, paced back and forth endlessly, clearly feeling the pressure of their sick father.
Patrick sat alone on an uncomfortable chair, peering helplessly into the observation room. It was rare for you to see him with his feelings written so openly across his face, even after years of being in a relationship with him. That concerned you.
You made quick work of walking over to Patrick, whose tensed-up shoulders slightly dropped as you took a seat next to him. Though he wouldn’t ever tell you this, you knew that your presence made him feel more supported and a little more safe, though you being or not being in the hospital clearly wouldn’t have an impact on if his father lived or died. 
“Hey,” he greeted you, immediately squeezing your hand. “Thanks for coming,” he said weakly, as if he was fighting off a new round of tears. In that moment, you so desperately wanted to take some of his emotions for yourself, knowing that Patrick hated feeling any feeling, let alone such negative feelings to such a serious degree. 
“Of course, honey,” you reassured him, running what you hoped would be a grounding hand up and down his arm. “Is there anything I can get you? Coffee? Water? A snack? I saw that burger place you like on my way over.”
“No, nothing right now,” he sighed. You inspected him cautiously, knowing that he wasn’t exactly one to always say what he meant. “Really,” he assured you, though you didn’t completely buy it. 
Since he wasn’t in the mood for more material items, you decided that the best course of action was a little affection. He wasn’t always the biggest fan of receiving affection in front of his family, but you figured that in a time where he was uncertain if his father would live or die, he would appreciate a little outward support. 
You laid your head on his shoulder and angled your body closer to his. Not expecting any response, you were surprised when Patrick kissed the top of your head. “I’m glad you’re here,” he told you quietly, his voice barely above a whisper, as if he’d be in trouble if someone overheard him. 
You held his hand as the two of you sat for hours, only getting up to stretch your legs or take phone calls from friends with insight on other high-end medical facilities that might be able to better accommodate Patrick’s father. 
You did your best to give Patrick his space when he needed it, as he floated between two of his siblings—one of which was focused mainly on the future of the company, and the other in a state of denial about the state of her father—then back to you when he could no longer stand the chaos of his sisters. 
It was a stressful scene, and one that was clearly too much for your boyfriend, who went back and forth between wanting to be glued at your hip, and wanting to be left completely alone. You’d seen Patrick stressed in the past, with him chatting your ear off as he waited for his candidate’s election results, or as he prepared to give a speech at an event, but you’d never seen him like this. 
He almost seemed fragile, like one wrong word or action might break him. It frightened you to see him in such a state. Again, you lamented not being able to take some of his pain for yourself. 
In the time that you waited without any word from any doctors, a few gears began to turn in your mind. Life was so fleeting, which was proven by Patrick’s mighty father falling so seemingly easily. Really, it could’ve been any of you sitting on that table with tubes and monitors attached to you. If it were Patrick who was sitting on that gurney, you would be an absolute wreck. If he somehow died, you also wouldn’t technically be a widow, despite your long-term relationship with the man. 
All of it made you wonder if you should just bite the bullet and propose to Patrick.
Sure, it wasn’t the best timing ever. Sure, you’d always imagined yourself being on the receiving end of a grand proposal, especially from someone like Patrick. But maybe he would appreciate the gesture—giving him a distraction to take away some of his pain, and giving him one final grand milestone with you while his dad was still alive. 
To a lesser extent, being married would provide you with certain protections you didn’t have while you were only his long-term girlfriend. Obviously, you didn’t want to think of anything bad happening to your boyfriend, but accidents and tragedies could happen at any point, and it was better to be prepared than to be sorry. 
It felt right that you might be able to join his family during a time where he was losing a family member. Not only for his sake, but because losing their patriarch meant unprecedented instability in his family. You wanted to be sure of your spot amongst them, after you’d grown used to the privileges that came with being Patrick’s girlfriend. 
You fidgeted with the ring on your middle finger, a family heirloom passed from generation to generation onto you. It was no expensive piece of jewelry, and it certainly wasn’t an engagement ring, but it was incredibly meaningful to you—a symbol of your family, which was extremely important to you. Patrick knew just how much you valued the ring and exactly what it represented to you, so in turn, you hoped that if you gave it to him, he would understand how much he meant to you. 
Getting up from where you’d been sitting for far too long, you began to pace the hallways of the hospital, wondering about the timing of your now imminent proposal. As you shuffled through the sterile building, you surprised yourself as you came across your partner. 
“Patrick!” you said with a start after unexpectedly catching a glimpse of him. 
“Hey,” he greeted unenthusiastically before beginning to walk right past you. 
“Wait,” you grabbed onto his arm before he could fully walk away, encouraging him to look right at you. It was now or never, and the words were on the tip of your tongue. 
“I’m sorry, I really don’t have time for this right now,” he dismissed, his voice monotone and listless. 
“You do, though. Patrick, listen,” he didn’t look like he was in the mood to talk, but was prepared to listen to you anyway. You knew you only had a few seconds to pitch your proposition before you lost him, so you spat out your words rather than beating around the bush. “Let’s get married.”
“What?” he looked at you with brows drawn in confusion. It wasn’t exactly the ideal reaction to your proposal, but then again it wasn’t much of a proposal. “Right now?”
“Obviously not now, but… soon?” as you spoke, you began the process of slipping the ring off your middle finger and attempting to present it to him in the palm of your hand. Sure, it wasn’t the most romantic or put together proposal, but it felt right to be offering him such a grand and personal gesture while everything else was going sideways in his life. 
“I know it’s probably not the best time, but I thought that maybe I could make things a little better with your dad and… I don’t know. I love you. I want to spend the rest of my life with you. If something ever happened to you, I wouldn’t want to wonder about what we could’ve been and-” you rambled on before you were interrupted with a sigh. 
“Honey, you can’t just make my dad dying better,” he rubbed his temple exasperatedly, then looked between you and the ring you were presenting him with. “If you wanted to make me feel better, you should’ve just brought me coffee.”
You frowned at him, knowing that you’d offered him that very thing earlier and he turned you down. You wondered if your communication would ever improve—or if it even needed to improve, since this proposal was going so poorly that you’d probably leave the hospital single. 
“You’re right. I’m sorry,” you closed your palm and put your hand in the pocket of your jacket, fully prepared for Patrick to tell you to fuck all the way off. It had been stupid for you to think that Patrick would appreciate such a grand gesture during such a terrible time. 
“Wait,” Patrick stopped you, now reaching for your arm. “My answer isn’t a no, it’s just… I don’t want this to be the memory. Of course I’ll marry you.”
Doing all the work of getting your hand out of your pocket, he grabbed the ring you presented him with to further prove his words and slipped it on his ringer. It only fit halfway down his finger, but he kept it on regardless. 
“Really?” you said, suddenly perking up.
“Duh,” he replied, looking a little shy as his cheeks turned a light shade of pink and he briefly looked away from you, as if his feelings were so strong that he couldn’t even manage to look you in the eye. 
You couldn’t contain your excitement at his answer, jumping and squealing a little bit as you pulled him into an overly enthusiastic hug. You heard the familiar sound of Patrick laughing quietly in your ear as you squeezed him. Though he always seemed to hold back his emotions, you knew that he was just as excited as you were to be promised to one another.
You pulled him into a soft kiss, draping your arms around his neck, holding him as close as you could until he inevitably pushed you away. 
Patrick surprised you with how long he was willing to embrace you, clearly in need of a little bit of comfort after such an emotionally exhausting night. You surprised yourself when you ended up being the person to pull away. 
“Should we go check on our family?” you asked, not bothering to hide your excitement around finally being in. 
“I just need a second,” he told you, glancing down the hallway before pulling you into yet another embrace. He pressed his face into your hair, soothing himself with your scent and presence. You rubbed circles into his back and muttered something about him taking all the time he needed.
You were interrupted by one of Patrick’s sisters, whose voice called out your names down the hallway. “When you two are finished with your snuggle-fest, the doctor has news for us.”
“Wait, what?” Patrick pushed you away quickly, his tune changing in an instant.
“Good news, I think. But move your asses. C’mon,” she directed, already turning away and Patrick quickly following her. 
If you were experiencing an emotional rollercoaster, you couldn’t even begin to understand how Patrick was feeling. Finding out his dad was sick, being proposed to, and immediately hearing more news about his father in the span of just a few hours must’ve felt unreal. 
You sat quietly and observed from the sidelines as a doctor took them into their father’s room and filled in the siblings on the state of him. They all seemed to share a collective sigh of relief, and though you couldn’t hear the exact news from where you were sitting, you knew that it must’ve been good. 
When Patrick came back to you, he had a hint of a sad smile on his face. “Ready to go?” he asked you. 
He didn’t need you to ask twice. You were more than prepared to escape the too-bright lights, sickeningly sterile scent, and the feeling of sadness that seemed to be hanging in the air of the hospital. 
Your driver was a welcome sight, with him giving you a quiet greeting as the two of you got in the backseat of the car. As he drove, Patrick reached for your hand, which you gladly gave up to him. 
In the following minutes, Patrick crept over further into your space until he sat directly beside you, leaning his head on you with his eyes closed. The long day was surely taking its toll, with the anxiety of his dad being in such dire straits, and the excitement and confusion of you proposing to him. 
His sleep was well earned. You pressed a gentle kiss to his forehead, then closed your own eyes, letting the soft sound of the early morning city traffic lull you to sleep. 
In the following days, you could tell that something wasn’t quite right with Patrick. At first, you chalked it up to nerves around his father’s health, but that didn’t seem to be it. Typically, when Patrick was really anxious about something, his silence on the elephant-sized topic gave him away. While you’d heard quite a bit about the state of his father from him—whether it was an update sent to him by his step-mother or an actual visit to the man—you hadn’t heard a peep about your engagement since the day after you got engaged. 
On the other hand, you were struggling to keep the news to yourself, despite the request of Patrick. You wanted to scream the announcement from the rooftops, but in the early morning after you returned from the hospital, Patrick made his position very clear: Wait a little while for things to blow over before you started telling people– your friends and family included. 
Despite the fact that he wore your ring every day since the day that you’d given it to him, something about his behavior told you that it was that very ring that was giving him so much internal conflict. 
In the past few years of knowing Patrick, you learned that he was a bit of a control freak. You wondered how out of control it made him feel for you to be the person to propose to him. Part of you wondered if you should’ve even proposed in the first place if it was going to be an issue. Maybe you should’ve let him do things on his own timeline, rather than making him feel nervous or insecure in your relationship.
But at the same time, Patrick initially seemed rather entertained by the idea of you getting married. In the morning after your engagement, he couldn’t stop referring to you as Mrs. Zweig. At the desk of your brand new office, given to you after a serious promotion, you found a box of expensive chocolates with a note fondly referring to you as his fiancé. As you laid next to him in bed that night, he pulled up the profiles of three separate wedding planners and asked you about your preference in people. 
It almost felt like his feelings on your engagement were constantly fluctuating between being excited to be with you forever, and being terrified of that very commitment. Things weren’t made any better by Patrick’s professional-level ability to dodge questions, especially questions related to how he genuinely felt. 
“C’mon, you know how I feel,” he replied to you after you directly asked him over breakfast. He lifted his mug casually, subconsciously putting space between the two of you. 
“Pat, I don’t. That’s why I asked,” you forced out a laugh, though the situation wasn’t exactly funny to you. If Patrick didn’t want to marry you, you didn’t want to force him to do so. 
“But you always know how I feel,” he said with a bit of a pout and a whine—what you called his ‘let me get away with it’ demeanor that he often used with his family—before setting down his coffee and standing up. 
“Not this time,” you explained, standing up as well and abandoning the plate of half-eaten eggs in front of you. 
“You’ll figure it out,” he dismissed your concerns and stepped close enough to you to hold your face in both of his hands. 
“Love you?” you asked, hoping that if he could confirm that at the very least, you might have a better understanding of what was going through his head. 
“Of course,” he said genuinely, though he didn’t offer you any parroting of those words. Instead, he dropped his hands from your cheeks and kissed one of them. “Have a good day at work, okay?” 
“Yeah. Thanks,” you tried not to look as annoyed as you actually felt as you made quick work of grabbing your work bag and leaving. You needed some time to make sense of it all. 
The situation only became more complicated as you sat down in a conference room, mentally preparing yourself to make your first big presentation as the newly vetted Head of Parks and Cruises division. You cared greatly about what your peers thought about you, so you couldn’t deny the nerves running through your veins. 
These nerves only increased when you caught a glimpse of Patrick from the floor-to-ceiling glass windows of the conference room, shaking hands with people on your floor and clearly making cordial small talk. 
You desperately hoped that he was there to wish you luck on your presentation, and not to pick your conversation from the morning back up. You bitterly thought about how he couldn’t have picked a worse time as he waved at you from the window. You stiffly waved back, not exactly in the mood to be interrupted right before a big presentation. 
“Hey, if I don’t make it back for whatever reason, you can do this presentation, right?” you asked quietly, leaning into your newly-hired assistant’s ear. 
“Wait, what?” he asked you, brows furrowing. “I don’t know, I haven’t practiced or anything, and-“
“Perfect,” you replied, not listening to a single word he was rambling out. “Just read off the slides. You’ll be okay.”
You didn’t bother staying to listen to Art ramble in your ear about how he didn’t know what he was doing. Hopefully, he wouldn’t be the one presenting, and if he absolutely had to, he’d probably be fine. 
You shut the door behind you, politely waving at one of your co-workers as they entered the conference room. You made your way to Patrick and stood with your arms crossed against your chest, trying to strike a good balance between showing him how agitated you were, and not trying to further agitate your fiancé, who seemed to be in a particularly fragile mental state lately. 
“Hi honey, is anything important going on?” Patrick asked once you stood across from him. 
“Actually, yeah. Is there any way we could chat a little later? Like maybe an hour or two?” you suggested. “I can block some time off on my calendar for you and everything.”
“I’m sure whatever it is isn’t more important than this,” he glanced over at the conference room as he spoke to demonstrate his point. You wished you could explain to him how far that was from the truth.
“What is it?” you asked, your patience beginning to grow thin.
“You’ll have to see. Come with me?” he offered. 
“Patrick, I’m in the middle of a meeting!” you whisper-shouted, trying to keep your voice down and your body language mostly neutral, so your colleagues couldn’t observe how much you were freaking out as you talked to your partner. 
“It hasn’t started yet,” he dismissed casually. “They’ll be fine without you. I won’t be fine without you.”
You eyed him suspiciously. 
“Please,” he added, as if you’d ever be able to say no to him—though you were pretty tempted to do so. 
“Fine,” you gave in with a small, soft sigh. That didn’t deter Patrick at all, who seemed uncharacteristically excited as the two of you sat in the backseat of his car. 
“So where are we going? Or, what are we doing?” you asked, trying to ignore the terrible feeling in your gut that you felt about leaving your meeting. 
“It’s a surprise,” Patrick said coyly. “It’ll be more fun than that meeting, though.”
“I’m sure,” you replied, looking out the window. You hoped that whatever romantic gesture Patrick planned would be worth losing the respect of all of your peers. You wondered what you could tell them that would make your absence seem acceptable. Family emergency? It wasn’t exactly a lie. It wasn’t quite the truth either. 
When your ride stopped and you stepped out of the vehicle, you were surprised to find yourself at the diner that you spent the majority of your first few dates at, splitting pieces of pie and talking each other’s ears off for hours. 
“Craving some cherry pie?” you asked him curiously. Obviously, this seemed like a task he could’ve handled on his own, coming to the diner himself or having his driver buy and deliver him a whole pie, but you figured that maybe he was simply in the mood for some nostalgic comfort. In the midst of such chaos, you would be happy to give that to him. 
“It’s been too long,” he shrugged before grabbing your hand.
Patrick led you to the booth that you declared as yours all those years ago, and began to chat your ear off like normal. While you wanted to think about work, it was surprisingly easy to forget about the real world when you were in such a nostalgic place with him. 
The two of you ordered your old usual order, only enhancing the feeling of nostalgia as you shared a plate of painfully average pancakes and a slice of cherry pie.
“Ew, what is that?” you laughed after you bit into something hard and gross. “This fucking place,” you muttered, looking for a napkin that you could spit out whatever it was that you almost just consumed. 
When you glanced down at the napkin, you were shocked to find what looked like a metal ring covered in cherry syrup. “Oh shit. Do you think this belonged to someone?” 
Once you looked up, you were shocked to find Patrick holding a black velvet box, one that you’d seen before nearly a year ago as you deep-cleaned your shared bedroom, one that you chalked up as a gift for his mother or a friend. 
“Patrick?” you asked, clearly confused. He parroted your name right back to you and opened up the box, showing you one of the most beautiful rings you ever laid your eyes on. 
Suddenly, it made sense why he asked you to come out with him, interrupting you in the middle of the day to take you to a diner where you shared so many memories. Sure, he could’ve waited until you got off work, but you figured he was thinking about your conversation from the morning and wanted to do something that would show you how much he truly cared about you. He’d always been better at bigger gestures than verbally sharing his feelings, so part of you remained unsurprised. 
“I first fell in love with you here, so it only felt right to bring you back here to ask you to marry me?” he explained, not breaking eye contact with you. He was never one for a soapbox when it came to sharing his feelings, so his proposal was short and straight to the point. Though, you wondered if he had more words prepared that he simply couldn’t get out. Based on the speed of his leg bouncing under the table, you knew that Patrick was nervous out of his mind—despite him already knowing what your answer was. 
You recalled what Patrick told you in the hospital about not wanting your proposal to be the memory—the memory you told others about when you shared the news, or fondly recalled to your kids in ten years when you reminisced on your love story. 
If accepting his proposal now, and acting like his proposal was the only proposal made him feel better, you didn’t see any reason why you wouldn’t fully lean into it.
“Oh my god!” you exclaimed, genuinely being surprised at the offer, but playing up your excitement for the sake of your nervous fiancé. “Of course I’ll marry you, Pat.”
Patrick broke into a toothy grin, his excitement contagious to you. “Give me your hand,” he directed, taking the ring out of the box. 
He slipped the ring onto your finger, and it somehow looked even better on your finger than it did in the box. You looked at it in amazement curling and uncurling your hand to look at the ring from all of its angles. 
“It’s gorgeous, Patrick. Thank you,” you told him earnestly as you looked from your hand to him. You weren’t surprised by the quality of the ring or even that he found something that you liked so much. Growing up with lavish gifts constantly being given as an expression of ‘love’ made Patrick pretty damn good at giving you gifts. As for the other expressions of love… he wasn’t the best. But he was very obviously trying his best for you, and you loved that about him. 
In some ways, your proposals felt like the perfect encapsulation of your roles in your relationship. While you offered Patrick a ring with little monetary, but high emotional value, he gave you a ring that was probably more expensive than you could ever fathom, that didn’t have the same emotional ties that your family heirloom of a ring did. 
Beyond the appearance or symbolism behind your rings, and despite your very different proposals, you were ecstatic to be engaged to Patrick. It only felt right that after years of loving the man, you two were finally making things official in the legal sense. 
As you peered at your shyly smiling fiancé, you couldn’t help but break out into a grin yourself. You underestimated just how exciting it would be for you to be starting a new chapter of your relationship. 
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haru-dipthong · 6 months
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The difference between あのー and えーっと
As I touched on in my japanese goncharov post, it’s amazing how much novel research, entertainment, and art are locked behind a language barrier. Even though as english speakers, we are privileged to have many things translated into our language, it’s a simple fact that most things will not be translated into most languages.
I am a huge fan of ゆる言語学ラジオ, a japanese podcast about linguistics. The hosts recently released a book, 言語沼, which goes into detail about some of the subconscious rules native japanese speakers follow but aren’t consciously aware of (an english equivalent might be that adjective-ordering rule we follow e.g. big brown cow, not brown big cow). I’m finding it fascinating, and I wanted to discuss some of it here in english, because I think people learning japanese would find some of these things really useful. It’d be a shame if this knowledge stayed stuck behind the japanese language barrier when the people who would find it the most useful can’t speak japanese fluently enough to read it!
The book talks about how most Japanese people will think of 「あのー」 and 「えーっと」 as having the exact same meaning - they’re both “meaningless” filler words. Despite their belief that they’re the same, those same native speakers will subconsciously only use あのー in one particular type of situation and 「えーっと」 in another, and even feel confused or annoyed if they hear another speaker use one in the wrong context.
So what’s the actual difference? 「えーっと」 is used when the speaker is taking time to remember or solve something. For example, the following exchange is very natural:
Person A: 7 x 5は? Person B: えーっと、35だ
This makes it a pretty versatile filler word! You can use it pretty much anywhere. Another example would be when you’re talking to yourself, trying to remember where you left your keys.
えーっと、鍵どこ置いたっけ?
On the other hand, あのー is much more specific. It can only be used when you’re taking time to figure out the best way to phrase something. For example, when you’re trying to get a stranger’s attention.
あのー、ちょっといいですか?
In contrast, if Person A was addressed with 「えーっと、ちょっといいですか?」by Person B, they’d feel it was rude because instead of considering how to say something, B is considering what to say, which gives the impression that they hadn’t even figured out what they needed to ask before addressing Person A.
This gives 「あのー」 a more ”polite” feeling than 「えーっと」, even though neither is actually more polite than the other. They’re just used in different circumstances.
Let’s quickly look at the example with the lost keys again. If you replace the filler word:
あのー、鍵どこ置いたっけ?
It is very unnatural. The authors of the book jokingly say that it sounds like you’re talking to a ghost, because 「あのー」 is only used when you’re figuring out how to phrase something, and you wouldn’t worry about that if you’re talking to yourself.
Also, did you know even japanese children properly use each filler word in the correct situation? Despite almost all japanese people (even as adults) being unaware of this rule, they’re subconsciously abiding by it even as children - just from listening to their parents follow the same rules!
It really is amazing how good your subconscious mind is at acquiring language, and how terrible your conscious mind is at it. If you’re not already, I highly recommend integrating a lot of simple language content (e.g. youtube, kids shows, etc) into your study routine - listening to people talk is simply the fastest way to become fluent in your target language.
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choccy-milky · 17 days
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A few months back, I asked if it was okay to write using Clora and Seb. Finished the work - thought I'd lost it on my hard drive and a virus scan located it.
Not sure if it's sad or happy, but the basic premise of it is Clora getting frustrated/upset at Sebastian and Sebastian comforting her, Sebastian getting upset at a predicament Clora's in and Clora comforting him, and them both getting frustrated/upset and having to comfort each other.
If you'd rather I didn't post it, that's fine too, but just wanted to test the waters and double check that you'd be okay with it if I gifted it to you via AO3, or see if you wanted a sneak peak of it before posting it.
OMG im so happy you were able to find it and recover the work you did!!😭🙏 AND YES OF COURSE YOU CAN POST IT AAA I CANT WAIT TO READ IT!! you can DM it to me first if you want, but i also dont mind if you post it straight away on ao3!! IM LOOKING FORWARD TO IT SM AAARGHHHA💖💖💖IT SOUNDS ANGSTY WE LOVE THE HURT/COMFORT I HOPE MY HEART CAN HANDLE IT🥺💖💖TY AGAIN FOR USING CLORA AND SEB AND TAKING THE TIME TO WRITE SOMETHING ABOUT THEM😭
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@sunshine-goblin AAA THANK YOU!!! im honoured its your fav fanfic AND ALSO THE LONGEST YOUVE READ BAHAHAA fr, when you say its as long as four books in lotr it rly makes me realize how insane i am😃👍 aw IM GLAD I COULD INSPIRE YOU TO DRAW MORE AND WRITE AS WELL😭 I was curious so i creeped you and everyone go look at their HL blog @sunshines-legacy your MC is so cute and so is your art🥹💖 as for tips on writing a longfic and brainstorming and motivation and stuff, my motivation was my brainrot and unhappiness with the canon story/ending LMAOO, and looking at the story of the game and playing around with what i was unhappy with/what i WISHED could have happened instead, was a lot easier than just coming up with plotlines from scratch. but something i highly recommend is just OUTLINING and making a timeline, one of my fav parts of writing was just putting on some cafe ambience in the background and doing stream of conscious type word documents where id just barf ideas and then worry about making it pretty later....like look at how many versions of the same chapter i have BAHAHA or like different renditions bc i couldnt decide if id wanna keep a scene/what order, so id make a timeline and keep smoothing things out until i was happy with it and whatnot
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brainstorming is defs my fav part of the process and the most helpful part to me. just getting a blank document and writing stuff you want to happen without worrying about how it connects to the story, and then a lot of the times as i was doing that id just keep going and it would kinda tie itself together/id come up with a solution as i was writing / once the ideas kept flowing. so basically : TIMELINES AND OUTLINES I VERY MUCH RECOMMEND, but very low pressure and barebones ones. for example, this is what my outlines/brainstorming look like
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its honestly just me talking to myself LMAO, and a lot of the time ill interject and be like "OH YEAH AND THEN THIS CAN HAPPEN" as the ideas come while im writing BAHAHA. its a super fun process and honestly nothing feels better than just getting hit with that flash of inspo, and since its all very low effort theres no pressure to actually write well and its just a chill fun time AND GOOD LUCK WITH YOUR OWN PROCESS / WRITING💖💖💖it can be difficult but HOPE U HAVE FUN TOO💖💖
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@a-little-lysdexic WAIT REALLY?? LMFAOO OMG THATS CRAZY....SAME BRAIN...🤝🤝...that would trip me up so much if i were you omg BAHHAHA but aside from having similar tastes in names, IM GLAD YOU LIKE MY ART AS WELL, TYY💖💖💖
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THANK YOUUU im glad you're liking it!!! and that its taking over your life BAHAHA💖💖 the video you're thinking of was by @silverxstardust for chapter 13 of my fic, and you can watch the video here! (AND TY AGAIN TO SILVERXSTARDUST FOR DOING THIS!)
youtube
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daipeanutsaiban · 2 months
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Hello! Um I know it's been a few months since you said people could ask you more questions on your tgaa thoughts, but I was hoping to ask about your baskerzieks and genshinxwife ones. Like how they met, or what their last in person convos went like before each couple separated/died, etc, bc I really adore your Lady B & Mrs. Asougi designs! They deserved first names 😭
Also I'd love to hear your genklint/ville thoughts too if you care to share those!
ALSO I wanted to say you're 100% correct that if Kazuma & Klint ever actually met good ending au Kazuma would think he's the most annoying person alive. It's funny if genklint is platonic or romantic too, it's like Herlock Sholmes is right there and instead Kazuma thinks his dad's bf (best friend OR boyfriend lol) is significantly worse. Something something hating your parallel
Anyway no pressure, and sorry if you aren't looking to answer more questions at this time!
HI i love to yap and to yap about dgs especially so you're good haha <3 i'm the kind of person who needs to be asked tbh bc i tend to be self conscious/doubt myself so questions are always super appreciated 🥹💗 this post got LONG so i'm going to put it under a break to spare anyone who's just here for art or trying to look at memes during their lunch break
TL;DR: klint and primrose were engaged as kids but it was broken off upon his parents' death, it was renewed when he earned prestige as a prosecutor; their last conversation was when primrose forced him to confess his crimes to her but she'd started having doubts months ago; in my favorite hc, gkv never pursued one another beyond dropping hints here and there but because i am bisexual i also want them to have fun; genshin and yukari met by chance as teens and genshin had to convince his father to let them marry each other after finding out she was pregnant; he could never say his last words to her because writing about the professor's identity could've endangered her and kazuma.
first of all thank you so much, it makes me so happy when people enjoy my designs and characterizations for lady baskerville and mrs asougi!! for clarity, i'll be calling them by the names i gave them in this post, primrose and yukari respectively.
klint and primrose's engagement was decided by their parents and they met as children- i think they were probably feeling awkward around each other for a while since children don't really care about such things (right..?) and primrose actually chose to spend her time reading when her father would take her to visit, and she might've even been more interested in talking/playing with barok because there wouldn't be the daunting idea of an engagement looming on the horizon lol. eventually, she and klint do grow closer and come to consider each other friends thanks to him putting in a lot of effort to make her feel welcome and also have more fun (she finds him boring- i characterize klint as having been a very serious and dutiful child, though he does play with and dote on his brother).
when the van zieks parents die in my hc, losing their life in a fire specifically, primrose's father chooses to cancel their engagement because he doubts klint can suitably provide for his daughter- a cruel but logical decision as klint is just fourteen years old with no backing or achievements. as an aside, the fire is declared to be an unfortunate accident but klint silently believes it was premeditated- this incident contributes to him considering prosecution as a career. out of care for his brother, he never brings up this idea to barok.
still, primrose is a very clever child who's acutely aware that her father's doting is a form of control (such as making her wear beautiful, white clothes to easily find out if she's been sneaking out, which i think i talked about before), and she insists on meeting klint either at his estate or in the city while they both (and occasionally barok) wear disguises/common clothes. the latter option allows them to meet people outside of their social caste, and to develop a sympathy for them from an early age which also contributes to klint's growing bitterness towards other nobles. throughout his struggle to be taken seriously by these men in spite of his age, primrose continuously encourages him and even spies on her father's meetings with other gentlemen to then report to him, and this continues in their adult life with her reporting rumors and "gossip" from other ladies about their own husbands (with perhaps dire consequences in the long run, haha...)
primrose has ambitions of her own, though, many of which are philanthropic in nature and stem from guilt at being born in a wealthy household to a father who does not care about people other than his own. they are difficult to achieve as an unmarried woman (or even as a woman in general), as her father would never greenlight her ideas, and as such she becomes enraged with klint when he allows the engagement to be dispelled due to believing she would ultimately "be happier with someone else" when it would effectively condemn any ounce of freedom she could have. from primrose's perspective, klint is the only candidate for marriage because he actually respects her and understands her as a person.
their engagement was eventually reinstated following klint's multiple achievements, chiefly when he made a name for himself as an extremely prolific prosecutor and primrose's father couldn't really object to it (ha) anymore. when i researched, i learned that men in the victorian era would commonly get married in their thirties once their careers were established, and i especially like that for this couple because it means that genshin could've attended their wedding. (it's also amusing to picture klint pitching him as the best man while primrose is firmly in barok's camp and they have a silly spat about that, haha. but ngl i prefer genshin as their best man because it was tradition that the best man would drive the married couple to their month long honeymoon directly after the ceremony so. he could stay behind a little while if you catch my meaning. teehee)
on the topic of genklintville, my ultimate preference/personal "canon" is that they never outright acted upon their romantic or sexual interests in one another although the tension was clearly there. but like any bisexual on the internet, i like to indulge a little bit, as shown in my previous paragraph hehe. i like to imagine a kind of kinship between genshin and primrose as they are interested in similar literature and share a similar sense of humor as well (chiefly teasing klint- in a deadpan manner for genshin). klint and primrose tend to dote on genshin in a way they think is discreet, because they can sense his loneliness at being apart from his family even though he generally doesn't voice it, but as we all know genshin isn't a fool and it leaves him quite flustered haha. genshin also relates to klint in the way that they are both heirs to something "greater than them" (the asogi clan/the van zieks heritage) and sometimes yearn to break away from it which might contribute to why genshin left for london if the first place. i'd like to add that if i draw genklint without primrose present, it's taking place with her knowledge and consent, though them being pushed to cheating due to increasing stress or suchlike circumstances is an interesting angle- it's just not something i see myself making at present. though now saying that has made me think about the ways it could be fun to explore the way klint's lying and gaslighting keeps piling up, so what's one more lie? so i'd be interested in reading a story that would attest to his guilt from committing the act and his gaslighting towards not only his wife but also to himself, hmm. the best way that i can put it is that if i'm to explore gk without the v, she must be a relevant character because i'm not about to discard a canon female love interest to focus solely on the yaoi lmao.
now for genshin and yukari, or genyu for short as i like to call it in my head (lol)... there's a lot to cover here too 😵‍💫 some of this, particularly the stuff concerning ayame, is still undecided on but i thought the more context the better!
to understand their dynamic, it feels important to state/repeat my headcanons about the asogi clan aka genshin's immediate family beyond her and kazuma, which were mentioned here. but to summarize, they are very patriarchal, strict, and the type to suppress their emotions. genshin is his father's illegitimate child, and his real mother is... hm, well, she won't ever appear in my art because it's suitable for her character, but she's a high ranking courtesan, aka "oiran", and therefore pregnancy/being a mother could bring shame to her and likely ruin her livelihood, because they are meant to project the image of being unattainable both in appearance.. and price. her disappearing for some months to a year wouldn't be all that suspicious as few men can even afford to meet her.
because the oiran brings the House where she works good money, they help her cover up her pregnancy and her son's existence by sending him to live with his father as soon as possible. once, genshin tries to visit his mother, but he is turned away. in short, his first experience was to be abandoned by someone who was supposed to love him. i think this backstory also serves to give reason to his name (written with the kanji 'shadow' and 'truth') because he is a truth meant to be hidden by the government. if you think about his father giving him that name, it becomes quite sad and implies shame for bringing his son into the world. i think it would also justify the personality i like for him, which is more reserved and serious than how i portray the rest of the visiting trio (with a boisterous but ambitious seishiro and a downtrodden but shy and earnest yuujin), and with a greater disposition for being suspicious... which is naturally a good thing for a detective.
genshin's father's wife lost her life to an illness some years prior to genshin integrating into the asogi clan, which is why he sought comfort from the oiran. to avoid unsavory rumors and to preserve both women's reputation, syoma (genshin's father) forbids his son from venturing outside of the house - paralleling primrose's childhood, which they could bond over later in life - until he turns a certain age. he's the dark sheep of the clan, to make it short. it's by sneaking out as a child that he meets seishiro, and then yukari who is accompanying ayame.
as an aside, i want to add that while syoma holds misogynistic beliefs, he still feels a sense of responsibility so he does eventually pay off the oiran's debt in the end- not that she's particularly grateful since he led her on and made her promise not to abort his child without ever planning to marry her. not a great guy, but def a fun character to write. those are things genshin deduces in his teenage years, and he swears to never become like his father.
as for yukari, her family history is also nebulous, and i don't know if i even want to establish her circumstances before meeting ayame and genshin because i like the meta irony of those details remaining unknown to us just as they were unknown to those around her outside of how she is tied to other people. ayame's friend, genshin's wife, kazuma's mother- never her own person. she reaches a breaking point during genshin's absence, but i won't go into detail about that for now because it's part of a long project of mine. what i can say about her is that she does housework for ayame's family in exchange for room and board, but she's not categorized as a servant because ayame cherishes her, a privilege that makes her feel awkward at times.
genshin fell for her due to her frank and joyful approach to life which was so different from the outlook he was raised on, and she piqued his curiosity with her unusual and often "silly", but free, behavior. he has the utmost respect for her, which is why as much as i like gkv and think it could work in a modern au with yukari's inclusion/approval + rapid methods of communication, i think realistically genshin wouldn't have the heart to start anything with someone else when she is waiting for his every letter so far away. he wouldn't be able to read the expression on her face, and she could easily lie about being okay with it.
in this wikipedia article about marriage in japan in the edo period (1600-1868), it reads: "Members of the household were expected to subordinate all their own interests to that of the [household], with respect for an ideal of filial piety and social hierarchy. [...] Marriages were duly arranged by the head of the household, who represented it publicly and was legally responsible for its members, and any preference by either principal in a marital arrangement was considered improper."
you might've guessed where i'm going with this, but genshin's father had already chosen a wife for him, and that person was ayame, who is from a 'good' family. obviously that marriage didn't go through with yukari becoming pregnant at 18 or 19 (!!), and syoma capitulated to genshin's request that he be given permission to marry his girlfriend which only further strained his relationship with his father further. as for ayame, she was fortunate that the man she was interested in was studying medicine, and therefore struggled less for her family to accept yuujin as her husband. but for yukari, although she knows genshin doesn't love ayame, there's always that nagging feeling that she was the "wrong" choice. after all, she has to witness the interactions between genshin and his family every day, and her presence is often the source of tension. her only rock after ayame's death and genshin's departure is her son, who starts rejecting spending time with her as he grows older because, well, he's a teenager (something i want to expand on in that project i mentioned).
in yukari's case, she was never able to read her husband's last words as even writing about the professor's identity could endanger hers and kazuma's lives, but perhaps genshin had promised he would briefly return at the half-way point of his stay overseas and then ended up having to break that promise by choosing to investigate the professor killings before eventually losing his life. yukari's feelings of helplessness were confirmed as the truth in her eyes then.
as for primrose and klint's last conversation, it's been sitting in my wips for a while LOL. i def think she had her suspicions, and when she finally gathered her courage to confront him, he broke down and told her the truth. i've revised this comic and especially its dialogue so many times that i don't even know if i like it anymore, please pray for me 😅
It's funny if genklint is platonic or romantic too, it's like Herlock Sholmes is right there and instead Kazuma thinks his dad's bf (best friend OR boyfriend lol) is significantly worse.
this made me laugh LMAO honestly kazuma would be so petty about it meanwhile i feel like he'd get along super well with the man's own wife 😂 i also think that as an adult kazuma would admire his father less and even be a bit of a tsundere lol, but yeah in a No One Dies/Good Ending AU(tm) he'd probably resent genshin a little for leaving him and his mother, whose struggles he witnessed firsthand for ten years. hell, maybe he does resent him in the current circumstances even if it's not the dominant emotion when it comes to his father, it of course being grief... still. lord van zieks get your paws off my dad!! 🙄💢 also if genshin starts reciprocating the attention kazuma might start killing LOL
...this answer is now well over 2000 words and i still feel like i'm leaving things out i feel CRAZY omg. autism diagnosis unnecessary atp lmfao.
also just found this in my #yukanotes i should've just copy pasted all this augh. i love yukari very much she is extremely dear to me. 😊💗
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thanks again for your questions I'M SORRY IT'S SO LONG....... i DO love to yap 🥹🥹💗
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shakingparadigm · 3 months
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I'm glad we have someone like you in the fandom and that you started a youtube channel too. It feels less lonely I guess! Everything you post (theories,art,informations,jokes) is in my opinion so interesting,creative and detailed. I don't really send asks but I really had to tell you that I appreciate all of this,not what you simply post,but create too! I believe after Alien Stage will end,I will miss your posts about it but I'll have a good time remembering the days before a round was dropped,where we all assembled there to scream in fear (AVENGERS... ASSEMBLE LOL) and I'm sure I'll continue visit even if you'll talk about something else,with Vivinos content here and there if qmeng and the team will post about it etc!
One thing that makes me more conscious about ''IvanTill tragedy'' is that... Ivan loved the idea,the meaning,he had of Till,because he never got to be seen by him,got to express himself and be something for Till,which means getting to really enter Till's world. So I think at some point he asked himself ''What do I love'',which led him to the circle of reasons we deduced from their backstories,reason of the words chosen in the official art,where he says ''shallow feelings''... but they weren't shallow at all... And I think this is so sad,that he could not feel the depth in it,or understand his emotions... It's so sad we don't have a glimpse of Till's pov... Thank you for reading this until the end,I'll silently return in my den :)
Sorry this turned into such a long and awkwardly sentimental post,,,, ;;
Thank you....!!!
I'm really happy that you think of me so nicely, even if my posts and speculations are off the mark... or if the things I make are truthfully not very good. Even if they're mediocre at best, I still put a lot of my heart into them. I've always had a lot of things to say, but I never really opened myself to speaking about them until earlier this year. It feels really nice and comforting to share everything and be responded to with the same level of enthusiasm. I keep repeating myself when giving my thanks, but it's just because I will always be grateful to everyone I've talked to so far. That will never change. Thank you for taking the time to send me an ask! It really means everything to me. Let's focus on enjoying ourselves and anticipating what's to come! Even though Alien Stage is bound to end, we're still only halfway there!
I genuinely would like to thank you for your support. I wouldn't hold it against you if eventually you lost interest in my blog later down the line, but the fact that you'd still want to visit even if I end up switching to other things is so kind. I can't put down everything I'd like to say in a way that sounds coherent, and I undoubtedly am making this a bigger deal than it has to be, but from the bottom of my heart I'd like to thank you and everyone who has been so so kind to me. Truthfully I'm still unsure about whether or not I even deserve it, but I want you to know that I appreciate everything. I remember everything, too. Right down to the first few people who shared their thoughts to me back when I first started this blog!
I'm sorry if I seem like a bit of a downer, or if I seem less active lately? Less present or something like that. There's a lot that I've been going through lately (to add on to that my damn house flooded. yikes. currently staying at a friend's right now), and it honestly worries me to think about a lot of things, not to mention all the asks that I haven't been able to answer yet... I'm so sorry. I'll get to them eventually, I promise! They mean a lot to me and I want to do them justice with an answer, but some days I just can't find it in me to put thoughts into words.... once again, I'm so sorry. I don't want to make it seem as though they're a burden or anything, though! It's genuinely the highlight of my day to receive one.
Your perspective on Ivan and Till is worded so wonderfully. It truly is tragic that Ivan views his feelings as shallow, especially when in reality they're so complex and all-encompassing. Someone who loves so fervently and desperately (obssessively) actively denies themselves something as simple as the validation of their own feelings. Ivan viewed so lowly of himself until the very end, believing that he was never able to mean anything to Till (You don't care about me is such a devastating line). Ivan's emotions are complicated on purpose, his character was designed with the intention to confuse. It's stated that only Ivan himself can truly know what he's feeling, but even then he is an unreliable narrator and is too deep in the throes of self-loathing to allow himself any mercy. Constantly at war with himself, even just moments before his demise.
Ivan is described to have the most flawed personality out of his peers ("twisted"). The fact that he hones in on this aspect of himself to the point where he cannot see himself as anything of worth to the people he cares about is so profoundly sad. A flaw within itself, the perfect recipe for self-sabotage.
Till's perspective on Ivan is desperately needed, even if it wouldn't make a difference to the present circumstances. When speaking of Ivan's feelings for Till, VIVINOS mentions that one cannot simply move on from such deep-seated and long lasting emotions in just a short time. Surely Till would share this sentiment, right? Constantly overwhelmed by his own heart, wouldn't Till mull over the feelings that drove Ivan to sacrifice? Wouldn't he dwell on the impact that Ivan has made on his person? What form does Ivan take in Till's memory? One cannot move on from feelings like this so easily, and although Till didn't feel for Ivan in the same way, it's undeniable that he at least felt something.
So far (iirc), the only official statement of Till's feelings towards Ivan is that Till found him strange (and vice-versa, but Ivan was fascinated and attracted to Till's "strangeness" while it seems that Till was... less so...). Although it makes sense that Till is so protective of his true feelings, it would be nice for his thoughts on Ivan to be expanded upon, just for some semblance of closure.
(Sorry if this went off-topic.... or if my answer ended up being off again haha but thank you genuinely for the ask. I appreciate it more than you could ever know).
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angeart · 9 months
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[hhau] — the ribbon
I almost forgot to talk about the ribbon-
Only one person asked about it, but i am very easily convinced to give in to hype and rambles. i love being excited about things i enjoy, and i love sharing them, so thank you for being interested!
This is about the hunted hybrids au, where both mine and @linkito's art features a dark ribbon tied around Grian's pinkie:
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[art 1] [art 2] [art 3]
(I'll admit it should be tied in a bow, even though i draw it loose—)
So what is this ribbon?
It comes to play early in the story. Just after Scar finds Grian and saves him from the hunters. Grian's in a bad shape. He's exhausted, hungry, dehydrated, and he just lost a lot of blood. He's in a world of pain, after being viciously attacked and almost killed, terrified and barely conscious.
Scar needs to keep him alive, no matter the cost.
Grian needs water.
Scar doesn't have water.
But he knows where to find it.
Except going to get it means leaving Grian alone, and— He can't. He can't. (He has to.)
Hopeless, desperate, aching, he soothes Grian, brings back the memory of something simpler, woven with promises of returning soon. (They're just on a sleepover. He's only going to fetch him a glass of water. It's okay. It's okay.) And he leaves something behind.
Something for Grian to hold onto.
Something to remind Grian that this happened. That Scar was here and he will be back. That he isn't alone.
Scar undoes the ribbon around his neck. And he puts it in Grian's weak, uncomprehending hands. (The fingers twitch and try to curl around it anyway.) (It feels important.)
He asks Grian to hold onto it for him, and he leaves.
Now, Scar makes it back safely. But Grian's dizzy and dazed and confused, and he feels the ribbon slipping, and he panics. (He was told to hold onto it.) (He needs to hold onto it—) (It falls out of his grasp so easily and he can't do a thing to stop it—)
Scar catches it, tells him it's okay, he's back, he's here now, thank you for keeping it. And he considers putting it back around his neck, but... It no longer feels like something just his. It feels like it turned into something else.
A tether. A lifeline. A heartstring.
And Grian needs it.
So he ties it around Grian's pinkie, in a loose but secure bow, for Grian to have it near and to feel it without fearing losing it. And Grian keeps it.
---
Here's some out of context rp bits that feature it, just to drive home what it really means for them in this wretched, hopeless world:
Grian:
Black ribbon rests securely wrapped around his finger, a piece of Scar’s attire, a piece of, maybe, his soul. A tether. An anchor. A lifeline.
Scar:
He watches the black fabric shake with the same tremors that plague Grian’s reach, fragile like he is, and Scar resolves that he must have done something right, that he’s not a failure, that he didn’t ruin everything if Grian still wears the ribbon around his finger. They still have the connection, the tether from one brittle heart to another.
Grian:
The ribbon tingles against his skin, a strip of fabric that seems to be a manifestation of the tether Grian feels stretching away from his weak, wounded heart, leading him straight to Scar.
Grian:
So with a tattered heart beating painfully against his bruised ribs, he swallows down the guilt of what his wings will do to both of them, and he makes his decision.
Tired and sore, he lifts his hand up, reaching out to Scar. The ribbon falls from his hold as he uncurls his fingers, left to dangle in the air and shadow his motions, still tied around his finger just the way Scar is tied around his weak, traitorous heart.
---
(Yeah i think a tether is a good word for it, clearly. Mhm. That's what it is. A very important little strip of fabric, that once used to rest against Scar's pulse point, soaking in the beats of his heart, now given to Grian for safekeeping <3)
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suniverseastro · 2 years
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ASTROLOGY OBSERVATION #6
Teachers who have Leo/5th in Sun/Moon/Mecury/AC often come up with and help new fun games in their lessons and children often love this.
Mercury Pisces/12th may have difficulty expressing their thoughts, their mind often has difficulty focusing on imperatives, they are cheerful communicators, humorous, fond of art, but after a period of activity, they need some alone time to recharge
Mecury Aries talking to Mecury Sagittarius = lol really really entertaining, mecury Sagittarius love to speak all their thoughts honestly, frankly with different themes and stories in the world and Aries mecury likes new things, they are comfortable, fun, honest communicators
Aspect Moon-North Node in the synastry chart can talk about the predestined relationship in this life of two people
Mercury Virgo: they are really detailed, analytical, have moral standards, they think a lot about everything, this helps them to be more delicate in handling problems with others and things that require precision. They could be easily stressed, may criticize themselves and others when they do not achieve the perfection they want
People with the Ascendant who have many difficult angles may have difficulty finding love because they feel self-conscious about their appearance, they have many obstacles when approaching others, so their love story may be late
The position of Pisces and Virgo both needs encouragement. These 2 signs both have their own low self-esteem, Pisces is often sensitive, dreamy and easily overwhelmed by their surroundings, their mind easily strays from the material world, or daydreams and is very spiritual creatures. With the influence of Neptune, dreams, intuition, high sensitivity, cosmic energy that makes Pisces' energy pick up waves, combined with the extension from Jupiter makes them want to learn about everything things happen in the spiritual world and find answers, they easily dissolve into energy fields so their own identity can also be challenged causing them to become confused know " Who am I?"
Virgo are quite discreet, careful people, they also often hide their shortcomings, they always try to make everything more perfect, so they tend to put pressure on themselves, thinking that they are not always good enough, they may always be dissatisfied with themselves and others
+ So encouragement with these 2 signs help them raise believe in themselves, encourage them, help them stabilize their spirits, and have faith in them will help them feel more confident.
The position of Sagittarius and Gemini, they need people who stimulate the mind, talk, open, interesting entertainment, give them their own space.
+ Sagittarius is quite independent. They love to have fun, travel, explore and learn. They seem indifferent and it is true that they are less interested in outside bullshit and trash on social media. They like to hang out with friends, spend quality time with their loved ones, sometimes they are sad and lonely but that often keeps it to themselves.
+ Gemini love to talk and debate a lot of different topics, they are good diplomats, is the sign affected by Mercury makes them feel like the thoughts running through their heads make them need to expend energy this by talking to someone. When they are stuck with a problem, it is easy for them to think too much, leading to imbalance
+ Both of these signs are passionate, freedom-loving, laid-back, fun to be around, they can be intimidating and scary when someone hurts the people they love They need help too. A solid fulcrum to help them relax, always ready to be by their side and encourage them
An interesting thing is: Sagittarius likes to feel secure when being with Cancer
In big 3, if 2-3 positions all share the same quality, it will make them feel confused and conflicted with themselves (sun square / opposite moon) or what others feel about themselves (AC square/ opposite Sun/Moon)
The air sun seems easier to approach and get to know strangers but they can be very cold. If you don't communicate with them regularly, they will automatically withdraw from the relationship
The Libra Sun is actually quite difficult to identify, they can be pleasing and transforming themselves to harmonize with others, love to be complimented and impressed by their appearance and fashion sense. they may take a long time to think before making a decision. In a love relationship, they can stick around and watch their partner often, they want their partner to share everything with them, communication is important with air signs
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wolfofcelestia · 5 months
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Welcome! Now that this blog has been fully converted into a Zayne loveblog, I've finally decided to make an actual introduction.
─── ・*☆・゚: 𝓣𝓱𝓮 𝓑𝓵𝓸𝓰𝓰𝓮𝓻
My name is Elara (she/her). I am an adult and will be posting adult content. Minors, blank blogs, art theives, and toxic people will be blocked
Most of what I write here will be about fictional boys voiced by Satou Takuya
Most of my analysis posts are usually very stream of conscious-y because I never stop thinking about this stupid ice man
⚠️ Sylus warning: He will appear on my blog as well but don't expect all my posts about him to be fluffy. He is the object of my sadism and I will talk shit about him and write about him in a masochistic role.
─── ・*☆・゚: 𝓣𝓱𝓮 𝓦𝓻𝓲𝓽𝓮𝓻
I write when my brain allows me to. Most of what you'll see here are short clips of dialogue, headcanons, scenarios, and scenes in the style of LADS's social media posts. These snippets tend to be comedy, fluff, smut, angst, and occasional dark content
Got a request? Feel free to drop an idea in my askbox. No guarantees it will get filled, though
─── ・*☆・゚: 𝓣𝓱𝓮 𝓨𝓾𝓶𝓮𝓳𝓸𝓼𝓱𝓲 💙❤️🩵
This blog is my self-indulgent yumejoshi (self-insert) safe space, with my F/Os being Shokudaikiri Mitsutada and Rei.
I am extremely sappy and sentimental. Also extremely thirsty. I am parched. Dehydrated. I just have a lot of feelings for these boys. If you have a problem with that, feel free to block or unfollow me. You don't need to be in my space.
─── ・*☆・゚: 𝓣𝓱𝓮 𝓦𝓮𝓵𝓬𝓸𝓶𝓮
Thanks for stopping by and reading this far! There's more information about my name and Rei under the cut below for the curious.
Feel free to have a look around and interact with me whenever you like! I’d love to hear what you think of my ideas.
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All of my writing can be found in my blog directory.
Quick tags:
─── ・*☆・゚ Zayne, Dawnbreaker, Foreseer, Master
─── ・*☆・゚ Scenarios, Headcanons, Poems
─── ・*☆・゚ Vampire AU, LADS Soundtrack, Zayne Tier Lists
─── ・*☆・゚ Hunter's Diary, Glint Photos
─── ・*☆・゚ Zayne Favourites, Sylus Favourites
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─── ・*☆・゚: 𝓣𝓱𝓮 𝓦𝓸𝓵𝓯 𝓸𝓯 𝓒𝓮𝓵𝓮𝓼𝓽𝓲𝓪
A rough translation of my Saniwa username: 天狼星
This is the star Sirius, which roughly translates to "heavenly wolf star" in Chinese/Japanese.
I wanted a daimyou-style title for my saniwa self-insert, so it turned into Wolf of Celestia.
Don't be fooled by the name, though. I'm actually just a smol wet puppy burdened with feelings for boys who don't exist.
─── ・*☆・゚: 𝓣𝓱𝓮 𝓜𝓸𝓸𝓷 𝓟𝓻𝓲𝓷𝓬𝓮𝓼𝓼
“Elara” is the name of one of Jupiter's moons. In Greek mythology, she is a mortal princess with an unfortunately lame story. But I liked the sound of the name so I kept it.
The pronunciation on wikipedia is EL-ara. I also accept el-ARA.
─── ・*☆・゚: 𝓣𝓱𝓮 𝓑𝓻𝓮𝓪𝓴𝓮𝓻 𝓸𝓯 𝓓𝓪𝔀𝓷
You may have noticed that I call him Rei in some posts and Zayne in other posts. Sometimes even in the same post, like this one. This is a very deliberate choice.
I first learned of his existence from Satou Takuya retweeting one of the promo videos for the game before it was released, so even before Day 1, I knew him as Rei. (And I was downbad for him without even knowing a thing about him.)
He is still Rei to me and always will be, but for ease of communication, I call him Zayne.
Long story short,
I call him Zayne when:
I'm referring to his character in general
I'm writing something meant for the rest of tumblr to reblog or engage with
I call him Rei when:
I'm referring to "My Rei", the Rei in my game, and the F/O of my yume ship.
─── Usually used in personal posts about my sappy feelings, not really meant to be engaged with
I'm referring to the character who is voiced by Satou Takuya and speaks Japanese.
─── Usually used to comment on SatoTaku's voice work specifically
─── ・*☆・゚: 𝓣𝓱𝓮 𝓒𝓸𝓵𝓸𝓾𝓻𝓼
In my scenarios, I usually put dialogue and emphasized words in certain colours
MC is red because… put simply, that’s my colour
Zayne is always blue
Foreseer is always purple
Master is always green
But because tumblr is mostly in dark mode and I’m too lazy to add colours that aren’t on the default options, Dawnbreaker is usually red
Because if he were to choose a colour, it would always be hers
The only time Dawnbreaker isn’t in red is when MC is in the same scenario. In those cases, Dawnbreaker is the default text colour, relinquishing his colour to her
Because he would choose to be empty if it meant he could stay with her for just a little longer
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That's all for now! I'll keep this updated if I need to add more links or information.
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Final note: Yes my whole aesthetic is space and stars. Yes, my main is 10000% Rei LMAO I am so sorry Seiya
Dividers by saradika-graphics, cafekitsune
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rachelillustrates · 5 months
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My top 7 Faerie stories/worlds atm 🦋
**Note, I am super dupes aware that I haven't read/watched everything, so please feel free to reblog/comment with recommendations!**
Faerie is the pulse of my heart, and my mind/spirit/etc. spends a LOT of time thinking about it, SO here's the most resonant of depictions of the realm/faeries themselves in my current opinion (and why).
(And not in any particular order:)
Elfhame, @hollyblack 's "Folk of the Air" series and all related books
Arda, Tolkien's "Lord of the Rings" and all related adaptations
"Suitor Armor" by @thepurpah
Studio Ghibli's take on spirits in Japanese folklore
Brian and Wendy Froud's take on Faerie
"Fraggle Rock"
"Tock the Gnome," by myself!
Thoughts:
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(Art by Rovina Cai, from "How the King of Elfhame Learned to Hate Stories")
I feel very much that Holly Black gets the lushness and richness of Faerie, plus the trickery of it, and that level of dangerous beauty - what attracts humanity to it, etc. How everything is in extremes, too, but also how parts of it echo the human experience - both in terms of courts, but also in terms of the heart, and the emotional impact of intense circumstances and intense feelings.
I am, admittedly, not all caught up yet since I haven't read her earlier works, but of course I recommend starting with "The Cruel Prince" and reading forward from there (the more recent "Stolen Heir Duology" having an extra special place in my esteem)!
(Also special shoutout to the fact that there are Nisse - Gnomes! - in the recent books, AND that her take on Redcaps is absolutely Orcish 💚)
(Also also, cw: Changelings. They can be a triggering/upsetting subject, considering how our concept of them as humans seems to have come about. She does make pretty heavy use of them, but not in the ways that one might expect, and always from a very emotionally-centered space - not a humans-abusing-potential-fae space.)
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So, Tolkien - yes, I am including the world of his works in this because even though he considered them religious and specifically-denominational, he took SO MUCH inspiration from folklore and faerie tales (do not even get me started on what got edited out of "The Silmarillion" istg) that Arda is not wholly Christian, from my Faerie-worshiping queer-ass faerie perspective thankyouverymuch. Not to mention what is being done in fandom with the faerie-races, especially the Dwarves and the Hobbits, AND what recent adaptations are opening up with the Orcs!! Obviously, his take on Faerie is a much more literally-grounded reality - they exist in the Earth-based world (as if Faerie has bled into what we expect Earth to be), they have magic (at least the Elves and Dwarves do) but it's both somehow super ethereal and super physical at once. And divinely connected, since the biggest magic in Middle-earth (or any part of Arda) comes from the lesser Gods - the Valar, and the Maiar who serve under them as well as from Big Sky Daddy Eru, but we're not talking about him right now. So that, to me, really speaks to the spiritual nature of Faerie too - which is always always always personally interesting to me, and Jrrt's take on the fae was absolutely foundational in my budding concept of them, before I even really thought about who they are in a conscious way.
I don't know where to recommend starting, since I got into the world through the Jackson films, first, and I wouldn't change my experience for anything because it's given me SO much. But in fandom, shoutout to the works of @conkers-thecosy (read her fics here!) as well as "A Long List of Happy Endings" by vicious_summer and "The Mushroom Mine" series by @chrononautintraining for Dwarf Stuff - and "Splint" by HelenaMarkos for Orc Stuff. Plus, as much as I know it's divisive, "Lord of the Rings: The Rings of Power" is - again - doing wonders about the Orcs AND doing very well by the Dwarves too, in my opinion, showing them as a fully realized and thriving people (though Dwarf women should still have beards, Amazon!! And there seems to be some confusion around how the name of Durin functions...)!! Available to stream on Prime, here.
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"Suitor Armor" takes place in a world that appears very similar to medieval Earth, and as such the worldbuilding itself doesn't feel very specifically Faerie - yet. However, with the main character having significant ties to the fae, and with the story still having space to explore their culture once the tale takes the characters there, I have faith that we are gonna see more of this take on Faerie specifically soon. In the meantime, what we have seen so far - how faerie magic works, how they relate to each other, etc. - rings true for me, and is lovely to behold, especially in the face of the tragedy around their circumstances in the Big Plot.
Free to read here (and coming to bookshelves in 2025!!).
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As for Studio Ghibli - Miyazaki's take on the spirits of Japanese folklore - which are absolutely Faerie - was SO formative for me growing up. I don't have anything else to say about that except that he's right!!
I recommend "Princess Mononoke," "Spirited Away" and "My Neighbor Totoro," particularly. All available to stream on Max right now (but buying physical media is better, and they're very likely available to rent other places, too).
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Brian and Wendy Froud's work has, of course, also been absolutely formative for me - especially when I started getting into Faerie properly. Their work doesn't require much commentary either - they're just correct 💗 Nothing I've experienced has ever contradicted what I've read in their books, and I feel like their work really, really gets the energy of the fae and the liminality of their existence. And that there is kindness, and light, as well as danger.
I recommend "Trolls" and "Faeries' Tales," to start with, and of course the quintessential "Faeries" by Brian Froud and Alan Lee, which started it all.
(Also, considering what's below, special honorary shoutout to their work on "The Dark Crystal." Definite overlap there and absolutely counts.)
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Obviously there's some crossover with The Muppets here, considering they come from the same studio, BUT if we're looking at just "Fraggle Rock" on its own - absolutely. Though a very different take than those mentioned above, if you're looking for the whimsy and delight at the heart of the fae, the Fraggles have it.
Both the original series and the reboot are currently available to stream on AppleTV.
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Okay, and my own! What I'm doing with the world of "Tock the Gnome" is a little bit different - again, we're looking at a realm that isn't free from some of the physical bounds we find on Earth - but in its vast history there is Faerie at its purest, and the characters are on a Big Quest that will be instrumental in restoring the realm to what one would expect of Faerieland (all wrapped up in a body-positive, sapphic-presenting queer romance, btw). My focus is on Gnomes and Orcs, in particular, since the fact that they're also fae is a big part of my message. Recognizing that, as well as recognizing the importance of connectedness between people and the balance of that and personal sovereignty, and how damage to those things might impact the whole of a magical realm.
All pages available to read for free here, across several platforms (with print issues available here).
🦋💗🦋👏👏
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hxhhasmysoul · 5 months
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Did u see these posts: https://linkspooky.tumblr.com/post/744136721881530368/hello-friend-i-thought-id-use-your-post-as-a . https://linkspooky.tumblr.com/post/744086250489774080/so-i-was-genuinely-surprised-last-week-when-we ? Honestly, I think am starting to dislike the Megumi & Killua comparisons more than I ever maybe did the Killua & Gojo ones (like I also saw a comment saying Megumi is smarter than Killua, and I don't think Megumi is dumb, but like how?). I'm not saying Megumi is a bad character, but he is not (imo) better-written or have a better arc than Killua (who has one of the best arcs ever).
P.S: Off topic from me complaining about Killua getting compared to JJK characters (which I was mostly neutral towards doing, but now, I might be becoming a bit less neutral). Great and pretty Palm, LeoPika, and Illumi's art u just reblogged!
The biggest problem with what that person writes is the value judgement. I don’t necessarily disagree with the stuff they say about Megumi, at least they see that Gojou forced Megumi into being a sorcerer and that’s rare. They also seem to acknowledge Megumi’s character flaws, even if I don’t exactly agree with every argument they make about him. And I especially don’t agree with how they compare Tsumiki to Alluka. 
They are right that Megumi tries to use others, Tsumiki and then Yuuji as justifications for his existence. And it’s true Killua uses the people he loves as a crutch because he has no goals of his own, because all his life the goals of others were forced onto him and he’s really lost at the beginning of HxH. 
The difference is that Killua’s relationships with Gon, Alluka and Nanika are very deep, he also grows close with others: Ikalgo, Palm, Bisky and Leorio, there’s clear potential for him developing a friendship with Canary. Killua also projects to some extent onto Gon, and onto Alluka too. But that’s something everyone does. Killua does it to a normal extent, the Gon in Killua’s mind is partially imagined and greatly coloured by Killua’s crush, but Killua quite often actually understands how Gon feels, or accurately reads the situation between them. The things he tells Gon don’t make Gon worse because they feed into Gon’s issues.
He does enable Gon, and he doesn't know how to help Gon after Kite's death, but his presence still helps Gon in those moments. He doesn't make gon better but he doesn't make him worse either, they are just two kids who are in a situation that's just too much for them to handle.
When Killua tries to enforce what he thinks is best onto Alluka and Nanika, Alluka puts him in his fucking place and he very clearly understands what he did wrong. Because he’s capable of seeing Alluka as a real person, he can see past the image of Alluka that exists in his head. 
Megumi’s relationships with Tsumiki and Yuuji are superficial, bordering on parasocial. The things Megumi tells Yuuji make Yuuji contract Megumi’s cog mentality. Megumi acts like he knows shit, how he's very smart and Yuuji buys into that, because Megumi reads a lot and knows long words. And Megumi also buys into that, and thinks he can talk with authority about who's to blame for what. Or which people deserve to be saved.
Megumi barely spends time with Yuuji in an active way, he just passively tags along and frowns and sighs, and he downright rejects Tsumiki and everything she stood for when she was conscious. He’s upset that Yuuji lashes out at Hana because Yuuji is mourning Nobara so fucking deeply. Megumi is taken aback because he never mourned Nobara, he never tried to get close to her, but more importantly, despite him thinking he cares about Yuuji, he has absolutely no clue how Yuuji is feeling. He projects his own idea as to who Yuuji is onto Yuuji. Yuuji the good selfless person who needs to be protected by Megumi but not engaged with, not reached out to. He has no idea who Yuuji really is or how he feels, nor does Megumi care. He never cared what Tsumiki felt or who she really was, and the whole situation with the bridge showed very clearly that Tsumiki led a life of her own and Megumi didn’t even know, and likely it wasn’t a completely pure and uwu life. But to Megumi what matters are his own made up versions of these two people. 
And this is actually okay, these are flaws and they are a consistent characterisation. I don’t like Megumi much but I will defend his right to be flawed, I will defend him from all the Gojou fans who pretend Gojou didn’t make a child soldier out of a little kid. Or who pretend that it isn’t clear that Gojou left Tsumiki and Megumi to fend for themselves in their daily life and just borrowed Megumi to force him to work so the two kids had a place to live and other necessities. And I will defend Megumi from anyone who tries to deny him his right to a fucking mental breakdow.
But what they write about Killua is extremely shallow, the mentions of Gon and Yuuji, and the paragraph about Maki, those are downright upsetting. They show very clearly that they will write whatever needed to prop up their fav. And I really don’t get what drives people to do this kinda stuff.
They honestly undermine their arguments (some very solid) about how nice Megumi’s arc is, because they can’t just argue their case. No, they need to bring another character into it and attack that character. It’s always a foolish thing to do. I get that they might not like Killua as much or think he’s overrated. But Killua was not needed for their argument. Everything they get wrong about Killua weakens their arguments about Megumi. And Killua’s relationships with his close ones really highlight the issue with Megumi’s. And the person never addresses that. 
I think I’ve seen maybe their posts or similar posts about Megumi, not exactly comparing him to Killua, but for example posts about how he’s the true MC of JJK, where Megumi’s fans argued about how complex Megumi is and how there’s nothing to Yuuji. And this person’s posts are just written to prop up Megumi by dismissing and discrediting other characters. 
The JJK fandom is vicious to most characters that aren’t sexymen. Megumi is much more liked in the fandom than Yuuji, but yeah, one can consider him disliked if one compares him to how people are about Gojou, Getou, Nanami, Touji, Chousou, Higuruma, Sukuna or even Kusakane, Shu and Ino. Also as they rightly notice Megumi isn’t overpowered so he gets a lot of shit, something Yuuta never gets. As to Maki, this person clearly doesn’t give a shit about her, so not only they very clearly didn’t pay attention to Maki post Mai’s death, they also have no idea what the fandom says about Maki. 
They also write as if the way the fandom treats Megumi is unique, when Yuuji gets that far more and over everything. Even Sukuna got that just because in the battle of JJK sexymen, Gojou truly is the strongest and his fans are fucking rabid and allergic to canon and the text of JJK. 
Gege’s love for HxH somehow creates the need in the JJK fans to compare the two stories and their respective characters, and I’ve never seen it done right. In this case it really just cheapens what they were trying to say.
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lefaystrent · 14 days
Text
Friendly Neighborhood Criminals Part 5
Fandom: Sanders Sides
Pairings: platonic Patton/Dark Sides
Summary: Patton has never celebrated Halloween before. His new friends find this unacceptable. Que spooky shenanigans.
Ao3 Link: click here
Part 1, Part 2, Part 3, Part 4
A/N: DnDeceit (Hazgarn) asked for Halloween shenanigans. I am here to deliver.
Also, since it will probably never come up in the story specifically, Patton is 20, Virgil 25, Remus 31, and Janus 36.
------------------------------------------------------------------------------
"Turn to the left. Little more. Okay, hold on."
Brush bristles graze across Patton's cheekbone up into his temple. It's a tickle he's gotten used to over the past thirty minutes or so, but reflexively he giggles now and then. It's like eyelashes kissing his skin in little butterfly flutters! So light and calming.
Virgil sits with him on Patton's bed, both of them facing each other. He works with his tongue caught between his teeth in concentration. Colorful palettes of blushes and eyeshadow dominate the space around them, courtesy of Virgil's personal collection. Some of it dusted across Patton's sheets, despite Virgil's best efforts, but Patton assured him that it was part of the fun! There's no way Patton can be upset with Virgil anyway. Not after he's graciously volunteered to do Patton's Halloween makeup!
Virgil's own under eye shadow has been replaced this evening. The eyes are still smokey, yet softer in a blend of purple and silver highlights. Tiny stars and moons are painstakingly painted around his brows and the corners of his eyes, accentuated by glued on rhinestones. Together with his matte, plumb lipstick, Virgil's face looks ethereally beautiful.
He still hasn't told Patton what his costume is. Patton keeps guessing and Virgil gives a secretive smile without letting on either way.
"Is it an anime magical girl?"
"Do I look like I could pull off being a magical girl?"
"I think you could pull off anything, Virge. You're very pretty."
"Aww, it's cute that you think compliments will work on me."
And Patton giggles again just because he's happy. Lately, he and Virgil have been texting and hanging out a lot. He's closer to Patton age-wise, so it's easier to connect on that front. More than that, Virgil possesses a quiet passion about him that is borne from more than a mere desire to produce art. It extends to his friends' well-being with an uncanny attention for detail. Patton has seen it in the way that he worries for Remus and Janus and the gruff ways he checks in on them to make sure they're taking care of themselves.
It's a more unrefined version of the way Janus goes about taking care of people, but no less endearing. Patton wonders if Virgil is conscious of emulating him, if that's where he's learned it. Janus is downright parental, always feeding them and reminding them to rest. Watching them with eyes that know more than what his boys tell him and able to glean the sources of their struggles without them ever having to voice them. It's different than Patton's own parents...
Remus, on the other hand, is akin to a bold big brother in his protective instincts. Constantly teasing, unerring in his acts of affection. Patton has learned in large part to Remus's efforts that touches are not a warning to impending punishment, or that they have to hurt. Remus gives swaddling hugs and cuddles that make you feel safe, and Patton has steadily become addicted to them.
Virgil though, he reminds Patton of his friend Valerie, how they were back in high school. In those days, Patton could forget for a while about home and the fear that waited for him there at the end of each day. When they were together, they could talk about anything they wanted, whether it be dreams or pep rallies or theater club or places they wanted to go. It brought peace of mind and Patton is forever grateful to her.
And now, Patton feels the same about Virgil. He hasn't described his feelings to him yet, not knowing if Virgil feels the same. Also, he doesn't know if he's allowed to have two best-friends. Valerie is still close in his heart, and they text or call most days. But now he's kind of doing the same thing with Virgil, and it feels so easy, and Virgil is so different than Valerie or Patton in the most wonderful way! What is he to do? This is untreked territory!
If a person can have two best friends, Patton would choose Virgil.
"I think that's it. Look forward for me," Virgil commands, sitting down the brush. Patton follows his instruction and Virgil leans from side to side to check the symmetry.
"I'm sure it looks wonderful," Patton insists. "You're really talented."
"Still not telling you."
A laugh tumbles out, care-free. "I wasn't trying that time! Promise! I really mean it, Virge."
"Well, I'm glad that you think that then."
Patton shakes his head. He has found that Virgil struggles when accepting compliments. It's not so...dissimilar from his own predicament. Patton hopes that helping Virgil may help himself one day. Besides, Virgil deserves all the compliments!
"Wanna take a look?" Virgil holds out a handheld mirror. Patton takes it and lets out a gust of breath at viewing the final product. "Wow, Virge. This is... This is just, wow."
Patton barely recognizes himself. The sockets of his eyes are caverns that stretch out into hatching lines, like shadowy pieces of hay. Stitch-work decorates his lips and travels farther than the corners of his mouth. And his cheeks appear concave with the shade of blush, very gaunt.
He looks like a spooky scarecrow!
"You like it?" Virgil asks hesitantly.
Patton sits down the mirror. "Like it? I love it! I could crow all day about it!"
Virgil groans, "What have I done?"
Patton can't wait to put on the rest of his scarecrow costume.
***
Virgil drives them back to the lair to meet up with Remus and so that he can change into his own costume. Patton jaunts into the apartment with a pep to his step, enjoying hearing his costume swish with the sound of hay.
Remus sits/lays on the couch upside down. He's wearing a full-body black and red spandex costume like a superhero but without a mask. There's no make up on his face, but the blood rushes to his face something fierce.
"Why are you guys walking on the ceiling?" Remus asks.
Virgil snorts and knocks him gently in the shoulder with a foot. "Why are you still sulking?"
"I'm not sulking. If anyone sulks, it's you, Incredible Sulk. Mother Sulker. King of the Sulks."
"Yeah, you're still sulking."
"You're sulking?" Patton asks. He kneels down on Remus's other side in concern.
Remus blows a raspberry at Virgil, but answers Patton. "No, I just said I'm not sulking. This is me, not sulking."
"I feel like we've said that word so much that it's not a word anymore," Virgil grimaces. At Patton's questioning look, Virgil explains, "Remus is mad because me and Janus vetoed his costume choice."
"Why? What's wrong with it? It looks fine on him."
"Not this one. He wanted to dress up as Woody from 'Toy Story'."
"Oh, what's wrong with that? That seems pretty wholesome."
"Two words: assless chaps."
"I... I... I'm afraid to ask what those are."
"Please don't. Please just stay pure."
Remus harrumphs to get the attention back on him. "I wanted to get to say 'There's a snake in my butt!' I had a snake prepared and everything!"
"Please, for the love of God, don't explain further than that. I'm gonna go get dressed now, so can you keep Patton company– without corrupting his mind?"
Remus glances over Patton in consideration. "But he looks so corruptible."
"Your funeral if Janus finds out," Virgil says and disappears down the hallway.
Patton remains sitting with Remus who seems unaware that his head is turning into a tomato. He's starting to resemble his costume.
Spurred on by his good mood, Patton initiates physical contact in hopes of comforting him. It's something he's been shy about and only managed with Remus so far, but he's getting better! He pats at Remus's arm.
"If it makes you feel any better, I like this costume. You look super cool."
"Yeah, I do," Remus agrees begrudgingly. "I still wanted to show off my ass, so Deadpool seemed like a good runner up. He's like, my spirit animal, you know? We're ass brothers."
Patton giggles at the zany train of thought. He laughs harder when Remus asks if he'd like a demonstration of how his butt looks in his costume. Remus springs up and strikes a hip-cocking pose, smacking his booty to make it jiggle.
"I know what you're thinking," Remus says, faux-serious. "But I assure you, this dump truck is all natural."
Patton hums thoughtfully, "Yeah, my butt's just filled with hay."
Patton isn't exactly sure why Remus lays on the ground crying with laughter for the next several minutes, but he's incredibly proud all the same.
Virgil walks out in a flowy witch costume complete with crooked pointy hat and buckled boots. When he finds Remus still cackling, he sighs and sweeps at him with his broom until the man can pull himself together.
***
The next step is to pick up Janus.
Patton sits jittery in the backseat of the car. He sings softly along to the radio to the few songs that sound familiar. Remus attempts several times to commandeer the radio only for Virgil to slap his hands every time.
"Driver picks music."
"Then let me drive!"
"Never in a thousand years."
And on they banter over the music. Virgil has always been the driver, and Patton has learned from context that Remus is not allowed to drive anything other than his motorcycle. Even then, the others refuse to ride on the motorcycle with him. Patton has considered riding again with Remus, not remembering much from that one night a couple of months ago when Remus picked him up. Remus has offered too, several times in fact, but Janus and Virgil seem to think it's a death sentence.
They're in the same maroon car as always. Patton thinks that it's Janus's car but Virgil is his designated driver. In the context of them being criminals, Patton has daydreamed Virgil in high-speed chases. But whenever Patton's in the car, Virgil never goes over the speed limit and stops at every red light.
Coming out of his musings, Patton glances out the window to see that they're cruising through a lovely suburban neighborhood. The car slows and pulls up to a one-story house, not overly large. The white garage and front door stand out against the cobalt blue siding. White trim and a white banister around the front porch. Black shingles interrupted by a chimney. A green line of bushes hedge around the side.
It's more unassuming than Patton would have imagined for someone like Janus.
A tall lady in a floor-length white dress and wide brimmed black hat exits the front door and clicks down the driveway in dangerously high pearly heels. Patton blinks and tightens his grip on his seat belt as the unknown woman opens the back door to slide into the car.
Remus wolf whistles. "How much would I have to pay for you to step on me?"
"Honey, I'm priceless," the lady says in Janus's voice.
Patton is suddenly extremely aware that this is not a lady but Janus in costume. His face burns scarlet, and he holds his cheeks in embarrassment.
Janus notices immediately and turns to him. "Everything alright, dear? Your costume is very cute, by the way. Very spooky."
"I didn't realize that was you!" Patton admits. He admires the delicate silk dress. It's long sleeved and Janus's usual yellow gloves are replaced with black fitted lace ones. There's a large black rose sewn into the collar off to one side. And Janus's makeup is pristine in pale foundation, false eyelashes, and fire truck red lipstick.
Janus smiles demurely. "I suppose that's the point of costumes."
"You look really good. I didn't think–" Patton cuts himself off before he says something terribly offensive. Janus cocks a fine eyebrow and sees through him anyway.
"You didn't think I would wear a dress?"
"I... yes? Maybe? I'm sorry."
"You're forgiven. I do tend to wear suits most of the time. I save drag for special occasions."
"There's never a wrong time to dress in drag," Virgil pipes up.
"What's drag?" Patton asks.
There's a moment where they all stare at him, making Patton fear that he said something stupid. But then Remus says, "Okay, we are so watching 'Ru Paul's Drag Race' when we get back home."
Janus gives the most gleeful grin that Patton has ever seen him wear. "Patton, darling, we are going to open up your whole world."
***
Outside the city limits, they reach a sprawling field of pumpkins. Dozens of parents and children and couples and groups of teens in costumes swarm around the pumpkin patch. A line of kiddos mill about at a face-painting booth. Another area offers apple bopping and horseshoe tosses. Further on, tables are set up with various fall themed baked goods for sale.
It's like an October fairytale, or a Halloween Hallmark movie.
"There's so many!" Patton exclaims, gazing out at the ocean of orange vegetables. His fingers press against the car window, and he can hardly drink in one sight before turning to the next.
When the car is put in park, Patton wastes no time in launching out of the car. The evening is crisp and smoke wafts in the wind. There must be a fire pit somewhere nearby. Patton jumps up and down, throwing his arms out wide.
Remus comes over to jump beside him, matching his energy. "Ready to smash some pumpkins, Pattycake?"
"Let's smash all the pumpkins!" Patton squeals, delirious in his excitement.
"But the farmers worked so hard for their bounty," Janus chides. "Maybe limit it to a handful?"
"An-ar-chy! An-ar-chy!" Virgil starts cheering, and well, Janus can't stop the rampant rebellion after that.
Janus watches the three of them run off together, shaking his head with a put-upon sigh. He's not going to spoil their spirits, but he sure as hell is not chasing after them in six-inch pumps through the grass.
A tugging at Janus's skirt pulls his attention downwards. Beside his legs, a little girl in a bumblebee costume gazes up at him imploringly.
"Do you know where the bathroom is?"
Someone save him.
Patton, Virgil, and Remus do not in fact destroy pumpkins. They purchase a few and carry them over to the carving station that's set up. Patton scrutinizes the carving knife, and Virgil takes the blade before he can reach for it and hacks his open for him.
"It's all stringy!" Patton gasps after the top is removed. He reaches in and grabs a handful of pumpkin mixed with pale seeds.
"Guts! Glorious guts everywhere!" Remus whoops as he tosses his pumpkin bits into the air to land back on him in a mess.
"Ay, watch it," Virgil snaps and leans out of the splash zone. Patton, feeling mischievous, picks up a clump of pumpkin and drapes it over Virgil's shoulder. Virgil notices immediately of course and gives him an unimpressed look. "Really, Pat?"
Patton giggles, "I'm just having a gourd time."
The pumpkins are emptied and the real carving can begin. Patton's is a mishappen silly face while Virgil forgoes a face at all. Instead, he works to shape a couple of bats flying over a haunted house. Remus gets halfway through his before Virgil spies what he's making and unceremoniously smashes his pumpkin.
"This is a family friendly event," Virgil warns him.
"Prude."
"I'm not letting you get us kicked out. Think of the child."
"What?" Patton pops his head up. "Where's Janus by the way?"
They eventually spot Janus whiling the time away sitting on a rectangular hay bale. There's a group of kids piled around him in a semi-circle on the ground, listening to him tell scary stories. People seem to be under the impression that he works for the event.
Remus goes to get another pumpkin. Not to carve but to play with the guts again. Patton finishes his carving and does another silly face on Remus's second pumpkin. Virgil finishes his work of art and Patton fawns over it so much that Virgil offers for him to keep it. He's a little startled by the strength of the hug Patton gives him.
***
Following the pumpkin patch, their next stop is a haunted house. It's not a legitimate haunted house, thankfully. It's an attraction where people pay to go through dark hallways and be jump scared by workers dressed in costumes. By the time they arrive, Patton is struck by one important detail.
"How dark do you think it is in there?" Patton asks.
They're standing in line to wait for their turn to enter. It's a popular place with no small budget. There are large pieces of ghosts and ghouls lit up by spotlights. Fog billows out from machines. A few workers dressed in costume walk out from behind curtains now and then to up the anticipation. Patrons who have already gone through come back around to line up again.
"I've never been to one myself," Janus admits, looking to the others for an answer.
Remus waves his hand sideways in the air, noncommittal, "Eh, mostly dark? It depends. In some areas, there can be flashing light or low light. Like a static-y TV or flickering bulbs."
"If it was pitch black, it'd be a tripping hazard," Virgil points out. "Plus, you wouldn't be able to see the monsters trying to scare you. Not that you'll see all of them. They'll try to scare you with sound too."
"Still feeling up to it?" Janus questions Patton. "There's no shame if you want to back out now."
"Are you just saying that because you want to wimp out?" Remus suggests with a smirk.
Janus scoffs, "I don't feel fear."
"You guys already bought the tickets though," Patton says hesitantly. Then, pulling himself up in his overalls, he huffs out air in determination. "Besides, this will be fun! I want to do this with you guys."
If he could sleep in his apartment with a nightlight, he could do this. And he would have the others with him. He could be brave, with them.
Janus scoops up his hand and a bit of the gusto flees him. In its place is warmth and stability.
"If it gets too much, just take my hand, alright?"
The warmth spreads to Patton's cheeks. He hums out a positive and smiles. He scoots a bit closer, and Janus doesn't release his hand so Patton doesn't either.
Remus shows the door attendant their online tickets from his phone, and they all get slapped with wristbands. There are last minute reminders, assurances that the workers are not allowed to touch them and warnings that some of the lights may cause seizures. Patton doesn't think he'll have a problem with the lights, and it's a huge relief that no strangers will be touching him.
In they go into the dark and Patton braces himself by gripping Janus's hand tighter. They bring up the rear with Remus and Virgil leading the pack.
There are whispered voices and random shouts from afar. A growl sounds behind them but when Patton twists around, there's nothing there.
The first major room they come to is not accessible. It's behind a rusty chain link fence. Patton can peek inside to see in the red glow of an exit sign that it's similar to a hospital scene. A lone wheelchair sits empty in the middle and slowly starts rolling about a foot on its own.
"The ghosts of patients' past," Remus murmurs.
Then a figure slams into the fence, causing them all to step back. It's a bloodied nurse, snarling at them.
"Oh, that's such a good costume!" Patton applauds, literally clapping. "The blood looks so real!"
"Thanksssss," the nurse hisses and crawls back down into her hiding spot.
"Not scared yet, Pat?" Virgil asks skeptically.
Patton grins. "This is fun! Let's keep going!"
Onward they walk through more hallways and find more rooms. There's a little living room area where a figure sits in front of a TV illuminated in static. Patton approaches to get a better look and the person comes alive. A zombie with a knife stuck in its chest jumps up and roars at Patton.
Peals of laughter escape Patton even as Janus flinches back. "Ahh, you got me good!"
And the next room features a torture chamber. A muscled person wearing an executioner's hood stands by a crude operating table with a half-covered body.
"Spin the wheel," a deep, gravelly voice beckons and the man points at a stained standing wheel. It features sections labeled as different body parts.
"Ooh, points for interactive," Virgil praises. "Waddya say, Pat? Wanna spin to win?"
"Can I?!" Patton exudes pure enthusiasm and bounces up beside the wheel.
"Aren't you a little too eager?" Janus cautions.
Remus shushes him. "Do your worst, Pattycake!"
Patton let's go of Janus's hand long enough to throw his weight into a spin. It ticks rapidly as it spins and spins until finally landing on HAND.
The executioner laughs menacingly and saws off a hand at the wrist. Red liquid spurts out and an echoing scream comes from all around them as if there are built in speakers. It's gruesome and Janus wrinkles his nose at it. Remus chuckles when the executioner takes the dismembered hand and waves it at them.
"I gotta hand it to these guys, they really go all out," Patton says as they continue down the hall.
"Hand, ha ha," Virgil mock laughs.
Patton lights up, "Oh! Oh! That was a pun, wasn't it? I made a pun!"
"Don't pretend that wasn't intentional."
"But it wasn't, I swear! Oh my goodness!" Patton giggles beside himself, so caught up in his own unexpected pun that he misses the scary ghost lady sneaking up behind them to screech in their ears.
Janus full on shrieks. He stumbles with Patton and backs them away, cursing while Patton is still giggling. The ghost lady cackles and drifts behind a curtain, gone from sight.
Remus and Virgil are doubled over themselves, and Patton realizes they are laughing at Janus.
"Oh my god, you're such a sissy!" Remus grabs onto Virgil to keep from falling over. "I'm gonna start calling you Hissy Sissy!"
Flustered, Janus deflects, "What are you talking about? That was Patton screaming, not me."
Virgil waves his hand at Patton. "Does he look scared in the slightest?"
Patton is in fact still grinning. "I'm just really happy to be here."
Remus claps a hand on Patton's back. "Who knew our little puffball would have balls of steel?"
Patton doesn't really. He's surrounded by friends in a haunted house full of people who worked really hard on their costumes and scare tactics and set designs. These are employees and devotees of Halloween who have come together in the spirit of the season. How could Patton find any of that scary?
The things he's truly afraid of, the real scary bits...he left that behind him.
***
END NOTES
Here are some fun facts about this chapter that I simply could not find a way to work in naturally but still wanted to share.
1. Patton's first costume idea was to dress up as Stitch from Lilo and Stitch. But when Virgil offered to do his makeup, they kind of spiraled into different ideas until Patton landed on scarecrow. If Patton instead went ahead as Stitch, Janus wouldn't have been able to keep a straight face and would have thoroughly gushed about how cute Patton is and fawn over him. Patton would have been overwhelmed by the affection influx and started bawling his eyes out. Shame that didn't happen. :)
2. Janus is dressed up as Lady Dimetrescu from the horror game Resident Evil 8. It's very similar vibes to Thomas's photo shoot of Janus in a dress.
3. There's a pumpkin carving contest at the pumpkin patch. Virgil wins second place.
4. At the pumpkin patch, Janus improvises all the scary stories he's telling the children. It's mostly cautionary tales against society. He's also lowkey distraught to be at the center of attention for so many impressionable youths and keeps glancing to the others for help the entire time, but the others are like, "Eh, he's fine. Totally in his element."
5. Remus introduced Patton to magical girls anime. He started with Madoka Magica. If you don't know, it's an anime that subverts the genre and a girl gets decapitated in one of the first episodes. Patton is appalled but keeps watching because he desperately wants for there to be a happy ending.
6. At the haunted house attraction, Patton ends up leading Janus by the hand, much to Janus's embarrassment. In the background, Virgil gets jump scared so hard by an employee that he accidentally socks them in the face. In a panic, he and Remus drag their unconscious body into a random chair so it looks like the poor person is part of the set design. They quickly walk away like nothing happened. Janus sees it happen, but distracts Patton so he's none the wiser.
7. They all go to waffle house afterwards for dinner. Remus takes pictures with a bunch of people who think he makes a great Deadpool. Virgil chugs down an entire milkshake on a dare. He regrets it later. Patton makes a smiley face out of his waffle pieces and bacon. Nobody comments on it, but it's really precious. Patton does it because he's remembering the pumpkin carving fondly.
8. Finally, they all go back to the lair, pile on the couch, and watch TV while binge-eating tons of candy. They shove piles of candy at Patton just to see him go wide eyed. When Patton protests, Virgil empties a whole bag by pouring it on him. They end up watching scary movies and save Ru Paul's for another day. When they do eventually get Patton to watch Ru Paul's, it is a very enlightening experience for him.
9. Patton passes out during the movie marathon. It's the first time that he spends the night outside of his apartment, and that boy is conked the fuck out in a sugar crash. Remus challenges himself to roll Patton up in a blanket burrito. Patton never wakes up, even when Remus picks his cocooned form up, holds him to his chest, and starts doing his best impression of Golem, "My precioussss."
10. And if you made it this far, you get to find out that while Remus is busy swaddling the baby, Janus and Virgil have a cryptic conversation about their boss. Patton never asked them why they broke into his apartment, but it doesn't matter. It's a waiting game, and they fear whether Patton will come out intact when the other shoe drops.
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philsdrivinglicence · 3 months
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Killing the white supremacist inside you. Easy mode. From one whitey to another.
Disclaimer: I am not an academic or an expert. Just a white person who's life was changed for the radically better during the BLM protests of 2020 who wants to share what worked for them.
Below is a non-comprehensive list of first steps you can take to begin the hard work of unpicking the layers upon layers of white supremacist bullshit baked into you from birth by the culture we live in (even if you grew up progressive or in a big city you are not exempt from this).
I made this list because POC in the phandom have been doing a lot of heavy lifting the past few days. I figured the least I could do is share what worked for me to understand what racism is and how its more subtle forms can manifest.
I hope we can all use the below as a starting point to help make the phandom a less racist and more welcoming place.
(btw I do think we are generally more self ware than many fandoms but as we are a mostly white space we have to keep ourselves accountable as white supremacy is an insidious bastard that will catch you unawares if you let it.)
So. Without further ado.
- read this article
- Read "Why I'm No Longer Talking To White People About Race" by Reni Eddo Lodge (how you choose to source this book I will not judge but consider supporting a local book store)
- Stop being so afraid of being called racist. - Hopefully, if you are engaging in good faith then you already accept that racism is baked into our society. Racist is not a dogwhistle for "evil person". It is a descriptor of very specific behavior that we can all fall into if we don't keep ourselves sharp. So part 2 of this step is -
- Look back on your life and identify a time when you have participated in racism. My go to example is my 14 year old "never met a black person in real life" self, yelling along to N****s in Paris (uncensored, duh) at a house party with a bunch of other white 14 year olds. If you're getting really introspective you'll probably have multiple of these such moments. Sit with them, feel the cringe, think about what you might say to that version of yourself now, how you might have acted differently had you been aware the behavior was problematic. And then forgive yourself. Self flagellation does nothing good, the thing to do now is learn and progress. But you can't know what to change/avoid if you don't have examples to work off of. (This one is lowkey hard mode but worth doing early on so you can see your own progress over time. Also, if the examples you are thinking of were directly harmful you may also want to consider making amends in some way).
- Look at your playlists/album collection. If you don't see many/any POC musicians make a conscious effort to change that. Seek out interviews with your favourite artists and see which black artists have influenced them. Add them to your rotation.
- Do this with youtubers, authors, actors, screenwriters etc, etc. In all forms or art and entertainment, look at what you consume and if you find it overerall skewing white, make an effort to fill it with colour.
(Kill the voice inside you that says "I just prefer - blank-", or "the stuff they make just isn't for me, I prefer stuff I can relate to". This is the white supremacy talking, POC are not a monolith, look harder, you will find artists you connect with)
- Every time a POC points something out to you that seems off to them (I often refer to this as "this doesn't pass the sniff test") before jumping in to defend your fave/point of view/TV show etc. really sit with what they have said and try to consider why what they are pointing out, while not a big deal to you, could be a big deal to them.
Like I said up top, this is a non comprehensive list and is only intended as a starting point.
I usually wouldn't post something like this as I prefer to stay out of discourse but the conversation going on this past few days has really disappointed me. So many people are being dismissive toward POC fans and completely missing the points they are trying to make. So here's my two cents. Hope it's helpful.
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jamethinks · 2 months
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I've mentioned this before but at my core I am a contrarian so I like to think away from the crowd. And so while working on a future fic (canceled) I had to decide what each of the Eden gang would do in school and professionally and how that would aid in the major themes of the story.
For that reason I kind of attached Anya to doing cultural studies even though a more natural progression would be law enforcement. Anya is the child of an immigrant (kinda) and grew in a blended family. Although it's not spoken about in the show itself this does impact Anya's understanding of the world. It starts with an interest in language and linguistics and evolves into a more general interest in culture and cultural preservation. (she's still a spy though lmao)
Similarly for Damian I actually had him doing macroeconomics, his experiences with Anya the Commoner expanding his knowledge and interest in the economy and the long term impact of war on economies. It thrives on his math skills but also relates to his current goal to be a politician as most politicians don't really study politics or political science. Although Economics isn't a very socially conscious discipline Macroecon does to some extent seek to better understand the world and the economic structures that define it.
Becky was a bit more complicated and it plays into her personal conflict between being an ideal Blackbell and doing what she actually loves. Becky loves fashion and art and wanted to go to fashion school but she felt that would be a waste of her skills and brilliance and instead thinks she should follow in her father's foot steps, deciding instead to study business/finance. At the time of the story she had dropped out as she couldn't handle the stress of it all.
The character I really wanted to talk about was Ewen. He wasn't a central figure in the WIP but his career hc was one I had a lot of fun with. Currently he is portrayed as being interested in science and space so astrophysics and engineering may seem like the most likely route but I had a different idea. The 60s and 70s were a big time for the computer science industry as computers were becoming for refined and powerful particularly with the introduction of transistors and eventually microprocessors. It was a new a blossoming science with a lot of potential applications and innovations. It also played a huge role in the Apollo missions and realizing the dreams of space travel. So I thought a more interesting career trajectory would be computer science, specifically CS in space travel and engineering. Again he is still working in space and keeping up with his main interests but now he's working with computers to advance the industry.
Obviously, I personally am interested in computers and midcentury computer development has always been a fascination for me so it is a bit of projection onto him. Like i cannot think of a better time to get into the industry while it was still in it's infantile stage and everyone was just so curious and excited. I also hc that he is into scifi and generic nerdy stuff. Like one storyline i had was them playing an early version of D&D (technically it came out after when the story was set but fuck off), dragging his friends to watch the planet of the ape movies, forcing everyone to do a star trek cosplay, I had a plotline where him and Anya go to Texas to visit the space station. Just making shit up honestly, I don't care he's a nerd now fuck right off.
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hai,,, what r ur sulemio headcanons
OHH I AM SO GLAD YOU ASKED!!!
they are autism4autism this is Very important to understand. suletta stims by swinging herself around miorine stims by being swung around and the distinction is small but IMPORTANT. this also because literally every time i try to write suletta being happy i always imagine her straight up wiggling around with it and i Fully imagine that when they're lying around some nights and cuddling she will just swing miorine around with her while she joyously rolls entirely from one side of the bed to the other on her back giggling and kicking her feet etc etc. miorine is like This is perfect for me I am winning
this also relates to this one tweet that changed me as a person lmao i am of the very firm belief that miorine needs to sometimes be Crushed into a Hug. compressed into a file even. flattened like in a tom and jerry cartoon. and suletta needs to be Holding something all the time. autistic girls who stim by hugging (they are in love). you understand. miorine discovers weighted blankets and her life is changed.
adding onto this they need to be touching All the Time they cannot go anywhere without grabbing onto each other. miorine consistently is like no you dont understand i have to be holding onto her every second of every day or i'll die and for suletta this is just normal behaviour that everyone expects
personally i do Not see miorine as butch (i see the vision though.... i see the vision) but i feel like she would get to earth and start looking into earth history and discover butches and her mind would be BLOWN
EVEN MORE AUTISM!!! miorine has sensory issues regarding clothes and is very specific about the work outfits she wears because otherwise she will have the literal worst day in the world and come home and just Not talk for a 24 hours straight. suletta of course is like. why do you own this blazer anyway it's Evil
they are always talking to each other all the time every moment of every day when they are separated for work reasons LMAO i keep seeing art thats like. work mio vs talking to suletta mio and i think that idea is SO funny. she goes from being your very serious boss to 'affgdhfjdsfggfsgjfgsdh hiii ♥♥♥♥♥♥' the MOMENT her wife is on call and she is So insufferable about it. suletta is equally annoying she will literally get a call and be like 'excuse me MY WIFE is ringing :)' and be on the phone for the next hour telling miorine about her day in excruciating detail (they are going to call again when miorine's meetings end in less than 2 hours). earth house is very divided on whether it's absurdly cute or not (chuchu vs Everyone Else)
miorine and elnora very specifically only get along for the purpose of making suletta happy LMAO they don't hate each other but they are absolutely not at any level of friendship and will likely not be for a very very long time. elnora does help with her work stuff a lot because she's used to the insane machinations of loser capitalists though
speaking of relationships with elnora i think it takes suletta a long time to work through the whole repli-child stuff and it's very important to her that she starts on that separately to spending more time with elnora. she tells miorine about the whole thing (she's been trying to work up the courage for months) and miorine is immediately like. do you want me to punch her for you. i will punch your mother for you. this is great for suletta because she fully thought miorine was going to break off the engagement and everything (there is no basis for this) + she continues to have a lot of identity issues about it as regular life progresses because it turns out that pretending that everything is fine does not in fact make it fine!!
i choose to believe that there is enough space in the cockpit of chuchus mobile suit for them to squish in behind her seat when miorine comes and finds her after quiet zero. suletta is barely conscious but miorine (who is terrified she will just die there and then) keeps talking to her (mostly sobbing hysterically and telling her off for making her think she was dead) and its at this point that suletta asks her if she loves her. (chuchu is very pointedly pretending not to notice and doing her best to tune them out)
miorine, still sobbing hysterically: oh my g-d. are you insane. of course im in love with you. what do you think all of this was about suletta: oh sweet! :3
i have written this scene out and will post it one day i think it's the catradora in me thats like. they HAVE to have a love confession and kiss NOW. i just think itd be so neat if it paralleled their first meeting even more.... miorine helps suletta take off her helmet and kisses her.... do you see my vision
suletta plays the guitar and miorine sings. you agree. reblog.
genuinely though i think suletta would pick up guitar to help with her hands and miorine, who is also getting back into playing piano around this time, gets into the habit of singing along while she's doing things around the house
suletta calls her wheelchair aerial 2.0 and nuno and ojelo help her paint it in aerial's colours. when she moves to crutches they get the holder colours
technically they still have a year of school to go but for most of it suletta isn't able to go to lessons + focusing mainly on her physical therapy and miorine is too busy dealing with the benerit group's funds that for all intents and purposes they're no longer enrolled. miorine's rooms aren't wheelchair-accessible and so they stay in earth house instead until they turn 18 and can legally buy a home on earth. all of earth house subsequently has to third wheel
they don't get married for a little while. mostly because suletta is in recovery but miorine also needs to work up the courage to actually ask. (eri bullies her into taking her with her when she goes ring shopping) eventually she gets around to it after suletta's health starts improving and when she pulls out the ring box suletta is like Oh! and reveals that she literally cut up and made paper rings one day for this specific purpose
their wedding is on earth, to sort of start the official move. miorine pulls some strings to get nika to at least be able to See whats going on + they have the ceremony in a big field not far from their new house. suletta's chair (aerial 2.0) is decorated with So many flowers as per the instructions of the kids in the neighbouring town (who love her + want to be her first students) and miorine absolutely did not get away without getting Flowered too. they both are crying the whole day and neither of them are subtle about it
miorine's hair gets shorter and suletta's gets longer. miorine just wakes up one day and is like I HAVE TO GET RID OF IT
mio fell basically immediately but i think that its only when suletta is in space with el4n that she realises + it clicks for suletta when miorine literally starts a company for her lmao
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kanene-yaaay · 11 months
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The Time
Heya heyaaa
Oof, thing feel really serious when I put a title javagcwwuvwdodj but! It's a proper moment to use a title here, I think. After all, I came to say goodbye.
Yeah, who would think ahfwtwcev
I have been thinking and pondering about this for some months now, since June when That Stuff happened and I had to jump away from here and uhhh it feels corny to say that but a lot of things changed to me and I changed a lot together with everything too.
So, I think it's my time to let this blog go. Not because I feel bad about it now or anything but... I am no longer that attached to tickling to maintain it. It's still cute, playful and comforting, but it is now a part of a lot of other things that are just as cute, playful and comforting to me.
This blog had a good run and I'm incredibly grateful because of it. Six entire years, if I am not mistaken, and I won't delete it anytime soon so the numbers will keep going! For as long as it wants or it is allowed to. All my fics, my headcanons, my rambles and reblogs will stay here because I don't want nor have the heart to delete it. There are such amazing, wonderful and well created arts and stories in this community that deserve all the attention and all the screams.
And! Talking about that! The people! I would like to say the biggest and most heartful thank you that you could ever imagine. Full of big hugs and smiles. I've met awesome people here that I will forever hold dear in my heart. Thank you for the company and the fun and for being so lovely and inspiring to me, all of you. It doesn't matter if we talked for years or minutes, thank you very much. It was so cool! @oliviaischillin1204, @august-anon, @flames-tstuff, @soft--valentine, @honeydew-sillies, @carrie-tate, @trashyswitch, @rosileeduckie, @squeaky-n-blushy, @why-not-a-tickle-blog, @thetickleeraven, @a-fluffer-nutter, @fluffyskies, @just-open-the-fridge-yo, @fluffystuffies, @ijustliketickling, @veryblushyswitch also everyone that is no longer in the community. If you see this, I remember you! Big hug!
And thank you so much for all of you that supported my blog and my work in any and every way. Commenting, reblogging, liking, sending askys about it... It really meant (and means!) a whole lot to me and Def is one of the reasons that kept me creating for so so long and so so much. It was the reason I stopped feeling so self conscious about my English and helped me to try new things and scenarios. Please accept this cookie as a token of my appreciation 🍪 I love to see all of your rambles or just your icon appearing on my notifs.
Also, how could I ever forget the artists and writers that make this community such a fun and colorful space? All the thanks and all the screams and rambles to all of you. Creating is so hard and yet you just come here and do such a wonderful job! How dare! I still think about your creations in my daily life, believe me ahcwgwxwhwcwfcw @ticklepinions, @intheticklecloset, @jettorii, @ssnicker-doodles, @giggly-squiggily, @simplysmilingdrew, @tiklart, @otomiyaa, @verynickelpizzarascal, @fbpanimations and much much more, tbh all the beans that I got shy to tag kjhgfdefghj
Hmmm, I think that this is what I wanted to say. To be honest, writing fics w tickling in it still feels comfortable and cool, so I will probably appear from one year or other to post something and vanish again ahfwtwxwowyq but yeah, can't really say that there will be much interaction besides that. I had that Big Post full of arts and fics that I love that I wanted to post before going but no energy dfghjhgf maybe one day I will finish it and post oh well
Anyway. One of the things that I always tried to bring here was that every creator should have at least one nice comment soooo if ! You think about me or this blog! Consider giving a comment or a quick rb to some artist/creator/blog that you really like, bet it will bring a smile to the bean's face! :D
Okay, okay, enough of rambling. It was incredible. Thank you! Hope you have a lovely week and don't forget to be kind, take care and drink water. Byee <3 <3
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