#Character Development

[deception-united]

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)

[luna-azzurra]

Weirdly Healing Things to Do When You’re Feeling Creatively Burned Out...

Write a fake 5-star Goodreads review of your WIP—as if you didn’t write it. Go ahead. Pretend you're a giddy reader who just discovered this masterpiece. Bonus: add emojis, chaotic metaphors, and all-caps screaming. It’s self-indulgent. It’s delusional. It’s delicious.

Give your main character a Pinterest board titled “Mentally Unstable but Aesthetic.” Include outfits, quotes, memes, cursed objects, and that one painting that haunts their dreams. This is not about logic. This is about ✨vibes.✨

Make a “deleted scenes” folder and write something that would never make it into the book. A crackfic. A “what if they were roommates” AU. The group chat from hell. This is your WIP’s blooper reel. Let it be silly, chaotic, or wildly off-brand.

Interview your villain like you’re Oprah. Ask the hard-hitting questions. “When did you know you were the drama?” “Do you regret the murder, or just the way you did it?” Bonus points if they lie to your face.

Host a fake awards show for your characters. Categories like “Most Likely to Die for Vibes,” “Worst Emotional Regulation,” “Himbo Energy Supreme,” or “Best Use of a Dramatic Exit.” Write their acceptance speeches. Yes, this counts as writing.

Write a breakup letter… to your inner critic. Be petty. Be dramatic. “Dear Self-Doubt, this isn’t working for me anymore. You bring nothing to the table but anxiety and bad vibes.” Rip it up. Burn it. Tape it to your mirror. Your call.

Create a “writing comfort kit” like you’re a cozy witch. A candle that smells like your WIP. A tea that your characters would drink. A playlist labeled “for writing when I’m one rejection email away from giving up.” This is a ritual now.

Design a fake movie poster or book cover like your story is already famous. Add star ratings, critic quotes, and some pretentious tagline like “One soul. One destiny. No chill.”

Write a scene you’re not ready to write—but just a rough, messy outline version. Not the polished thing. Just the raw emotion. The shape of it. Like sketching the bones of a future punch to the gut. You don’t have to make it perfect. Just open the door.

Let your story be bad on purpose for a day. Like, aggressively bad. Give everyone ridiculous names. Add an evil talking cat. Write a fight scene with laser swords and emotional damage. Just remind yourself that stories are meant to be played with, not feared.

[literaryvein-reblogs]

more words for characterization (pt. 4)

Age

adolescent, afresh, ancient, antiquarian, antique, big, childish, crude, doddering, elderly, fresh, full-grown/full-fledged, green, hoary, immemorial, infant/infantile, junior, late, medieval, mint, modish, new, novel, older, old-fashioned, originally, outdated/out-of-date, passé, quaint, refreshing, secondhand, stale, state-of-the-art, undeveloped, up-to-date, well-preserved, youthful

Appearance

adorable, aesthetic/esthetic, artistic, beautiful, comely, crisp, dapper, decorative, desirable, dressy, exquisite, eye-catching, fancy, fetching, flawless, glorious, good-looking, graceful, grungy, hideous, homely, irresistible, natty, ornate, plain, pretty, refreshing, resplendent, seductive, spiffy, striking, stylish, ugly, unbecoming, willowy, with-it

Genuineness

abstract, actually, alias, apocryphal, apparently, arty, authentic, baseless, beta, bona fide, circumstantial, concrete, contrived, credible, deceptive, delusive, dreamy, ecclesiastical, empirical/empiric, enigmatic/enigmatical, ersatz, ethereal, factual, fallacious, fantastic, far-fetched, fictitious, foolproof, fraudulent, good, hard, historical, honest-to-God, illusory/illusive, imitative, indisputable, invisible, just, lifelike, made-up, magic/magical, make-believe, matter-of-fact, metaphysical, monstrous, mystic/mystical, mythical/mythological, nonexistent, openhearted, ostensibly, paranormal, physical, positive, pretended, quack, quite, realistic, right, sincerely, specious, spurious, supernatural, synthetic, tangible, true, unearthly, unnatural, unthinkable, unvarnished, unworldly, valid, veritable, wholehearted/whole-hearted, wrong

Movement

ambulatory, brisk, clumsy, fleet, fluent, frozen, gawky, graceless, immobile, indolent, itinerant, leisurely, lifeless, liquid, lithe, maladroit, migrant/migratory, motionless, moving, nomadic, oafish, passive, pendulous/pendent, portable, restless, roundabout, sedentary, slow, speedy, static, vibrant, winding

Style

adorable, baroque, becoming, black, bold, brassy, cheap, class, classy, contemporary, country, cultural, dashing, dowdy, eat high on the hog, exquisite, featureless, flamboyant, floral, flowery, formless, futuristic, garish, gay, glamorous, gorgeous, grand, graphic, hot, improvised, informal, innovative, kinky, loud, lush, luxurious, mean, meretricious, modish, neat, new, obsolete, old-fashioned, orderly, ornamental, ostentatious, outdated/out-of-date, palatial, picturesque, plush, posh, prevalent, quaint, refined, resplendent, rustic, scruffy, sharp, simple, sleazy, smart, snazzy, spiffy, spruce, stately, state-of-the-art, stylish, swank/swanky, tacky, tasteless, tousled, two-bit, unbecoming, unworldly, up-to-date, vogue

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary. Writing Resources PDFs

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary

[literaryvein-templates]

Writing Worksheets & Templates

will update this every few weeks/months. alternatively, here are all my tagged Writing Worksheets & Templates

Chapter Outline ⚜ Character- or Plot-Driven Story

Death & Sacrifice ⚜ Magic & Rituals ⚜ Plot-Planning

Editing: Sentence Check ⚜ Writing Your Novel: 20 Questions

Tension ⚜ Thought Distortions ⚜ What's at Stake

Character Development

50 Questions ⚜ Backstory ⚜ Character Creation

Antagonist; Villain; Fighting ⚜ Protagonist & Antagonist

Character: Change; Adding Action; Conflict

Character: Creator; Name; Quirks; Flaws; Motivation

Character Profile (by Rick Riordan) ⚜ Character Sheet Template

Character Sketch & Bible ⚜ Interview your Character

Story-Worthy Hero ⚜ "Well-Rounded" Character Worksheet

Worldbuilding

20 Questions ⚜ Decisions & Categories ⚜ Worksheet

Setting ⚜ Dystopian World ⚜ Magic System (AALC Method)

Templates: Geography; World History; City; Fictional Plant

References: Worldbuilding ⚜ Plot ⚜ Character ⚜ Writing Resources PDFs

all posts are queued. send questions/requests here.

[mist-the-wannabe-linguist]

Character asks!

These are more focused on the background stuff rather than the usual "what would the character do in XY situation" kinds of asks. I've been looking for something like this for quite a while and in the end decided to make my own. Feel free to use, go wild, enjoy

What was the original thought that led to the creation of this character?

How long was the process before the character reached its final version? (or a version that would be clearly recognizable as the character?)

What was the first thing you decided on, the character's name, appearance, personality or their role in the story?

And reverse, which one of the four things did you struggle with the most?

How did you choose their name and why? Was it simply based on vibes or is there any specific meaning behind the name? Are the reasons behind their name different in- and out of universe?

What was the thought process behind their appearance? Did you go mostly for the aesthetic or are there other reasons they look the way they do?

What is an aspect of their appearance that you like the most?

What is the origin of their personality? And let's be honest - how much of it is projecting?

How big is their role in the story? Do they make a frequent appearance or are they a character with little "screentime" but big influence? Or are they just a favourite background guy?

What is their main character arc in the story? Where do they start and how do they develop? Do they get a happy ending or is their story a tragic one?

Is there any existing character from other media that your character resembles? Was the resemblance intentional or was it a coincidence?

Do you have a playlist for the character? What songs do you associate with them and why?

Do you have a voice claim for the character? What do you imagine the character sounds like?

Do you have any quotes tied to the character, either from the story itself or from another source that fit them?

Have you ever made a moodboard for them?

Is there any memes or running jokes associated with the character, both in- and out of universe?

Are there any motifs or symbols associated with the character? How are they represented, in their design, personality or in some other way?

Does the character have other characters connected to them? Do you have a family tree and "offscreen" connections made up for them or do they exist in a vacuum purely for the purpose of the story?

What is your general favourite thing about the character? What is your least favourite?

Bonus question: share any additional thoughts, art, favourite scenes, anything you've been waiting for a chance to ramble about

[choshashio]

12 Writing Exercises to help develop your character and their voice.

Editors note - There's a lot of boring writers drivel. So, to spare you from the headache if you're not interested, your characters individual voices and personalities are important for engaging stories and interesting plots. You can skip down to the end for the exercises.

Think about the people you know, the people you love. What's one thing they have in common, besides the obvious? They're all uniquely different. Everyone in the world is different in some way, even in media. Books and movies all have unique sounding characters that are different from each other. In Harry Potter, for example, All of the characters have their own voice, even the Weasley twins are different in their own ways.

Complex and unique characters that sound different, interact and speak differently, make for engaging books and dynamics.

I don't know anybody who would want to read a 50,000 word novel about two boring characters, who're exactly alike, and talk in the same monotonous tone. You can have a character who is "boring." who speaks monotonously and still have an interesting novel that people would read.

Having different characters who come together to create funny, interesting, or weird dynamics makes for a readable piece. Take your monotonous character, by themselves, they're kind of boring. They're not engaging to follow. But, introducing different characters to come and interact with your "boring" character, creates funny and memorable dynamics.

Think the anime Saiki K, or Veronica Sawyer from Heathers. If you took only those two characters, and stripped away all of the background characters, they wouldn't make for very interesting stories. Saiki would be happy, living his days in peace and quiet. Veronica would just be a normal edgy high school girl. But if you bring the side characters back, you bring the story and their conflicts back. Saiki goes back to being annoyed by his weird and goofy friends, wishing for peace and quiet. Veronica goes back to being tormented by JD and the group dynamic in the Heathers clique.

These stories utilize background characters to create conflict in their main characters' lives, and makes fun and interesting stories and dynamics with them.

Without further ado, here are 12 exercises to help you develop your characters, and get you thinking.

Ask your character what they want, and have them monologue about it.

Think about who, in your life, does your character remind you of.

Ask yourself, What does my character want, and what does my character need? How do they conflict with each other, and how does this affect my story?

A good exercise to help you write characters interacting, and practice dialogue is to do the ABCD exercise. 

The ABCD exercise is writing a full page, or 500 words, of dialogue between two characters, character a and character b, talking about what they think character c thinks of character d. Then, write another page depicting how character c actually interacts with character d.

Write journal entries from the pov of your character.

Think about your character's habits, nervous tics, or tells, and write out a page where they do those things.

Think about something your character holds dear to them, and give the item a backstory.

Think about how your character interacts with other characters, and write a page for each interaction. 

Think about a belief or opinion your character has, and write a page of dialogue, where your character is explaining their belief, and why they believe in it, to another character.

Write a page about your character reminiscing, or talking, about a cherished memory from their past, or childhood.

Write a page of dialogue about character a telling character c about character b, whom c has never met before, what kind of things do they say? What do they think of b? Then write another page from character c’s point of view, what are they thinking? How do their thoughts of b change? What do they think of character a? How do they imagine character a and b’s relationship?

Write a page about a character being forced into a situation with their greatest fear. Then, if you want to go a step further, write a page of the same thing, but introduce another character that the first holds dear to them, or wants to protect.

[imastoryteller]

20 Ways to Show Anger in Your Writing

Here’s a list of 20 signs of anger that writers can use to show, rather than tell, a character’s emotions through physical, verbal, and internal reactions:

1. Facial Expressions

Clenched jaw or grinding teeth

Narrowed or glaring eyes

Lips pressed into a thin line or curled into a sneer

2. Body Language

Fists clenched tightly at their sides

Tense shoulders that rise or square up

Puffing out the chest or stepping closer to confront

3. Speech Patterns

Voice lowered to a dangerous, icy tone

Shouting or raising their voice suddenly

Speaking in short, clipped sentences

4. Breathing Changes

Heavy, rapid breathing (nostrils flaring)

Sharp inhales and audible exhales

Holding their breath as if trying to stay in control

5. Sudden Physical Movements

Slamming fists onto tables or walls

Pacing back and forth restlessly

Pointing a finger or jabbing the air during speech

6. Uncontrolled Gestures

Shoving objects off a desk or knocking over a glass

Finger tapping or knuckle cracking

Wrapping arms tightly around themselves

7. Temperature and Flushes

Red face, neck, or ears

Visible veins on the neck or forehead

Breaking into a sweat despite the situation

8. Eye Movements

Eyes darting or rolling sharply

Avoiding direct eye contact out of fury

Staring someone down with unblinking intensity

9. Words and Tone

Cursing, insults, or verbal jabs

Sarcasm sharpened to hurt others

Accusations thrown in frustration

10. Breaking Personal Space

Leaning in closer, looming over someone

Pointed steps toward another person to intimidate

Physically turning away to dismiss or avoid conflict

11. Physical Reactions

Throwing objects or breaking things in rage

Punching walls, doors, or inanimate objects

Shaking hands or trembling with pent-up anger

12. Posture Shifts

Back stiffening and chin lifting defiantly

Shoulders jerking or twitching

Rigid stance as though ready for confrontation

13. Inner Thoughts (for internal POV)

“I could feel the blood boiling in my veins.”

“The room seemed to close in on me.”

“My pulse thundered in my ears.”

14. Displacement of Anger

Kicking objects on the ground (chairs, trash bins)

Storming off abruptly or slamming doors

Snapping at someone unrelated to the cause of anger

15. Temperature Descriptions (metaphors/sensations)

Heat rushing to their face or spreading through their chest

A cold sensation washing over them, signaling restrained anger

Feeling fire “lick” at their insides or their temper “ignite”

16. Instinctive Responses

A growl or grunt escaping their lips

Baring their teeth as if instinctively defensive

Ripping or tearing something in their grip

17. Silence as a Weapon

Pausing dramatically before responding

Refusing to speak or meet someone’s eyes

The ominous quiet just before they explode

18. Physical Sensations

Muscles twitching or vibrating under the skin

Heart pounding visibly at their throat or chest

A bitter taste in their mouth or nausea from anger

19. Reactive Behaviors

Interrupting others to correct or attack

Dismissing concerns with a quick wave of the hand

Throwing out ultimatums like “Don’t push me!”

20. Lingering Aftermath

Hands trembling after the initial outburst

A headache, buzzing ears, or lingering tension

Regret or shame slowly replacing the heat of the anger

These signs can be layered together to create realistic and powerful depictions of anger, whether it’s smoldering beneath the surface or erupting violently.

[heywriters]

Details That Convey Intimacy

Developing fictional relationships that feel authentic takes more than dialogue and grand gestures. Every detail below can be used to show platonic, familial, agape, or romantic love depending on context.

cooking a meal for someone, bringing them food, or spontaneously sharing a snack

sharing body heat/warming someone with outerwear like jackets and scarves

fanning them with something if overheated

getting a cold/hot drink for them

offering to carry something, whether it's heavy or just a jacket, to lighten someone's load or free up their hands

more below the click!

changing the subject of a group conversation that will be personally discomforting to someone in the group

making sure to include someone in a group conversation, especially if it's a topic they have special knowledge of

waiting for someone to catch up when the rest of the group has walked ahead

remembering preferences/allergies ahead of time when preparing/ordering food

planning trips, whether in a pair or as a group, that provide something positive for every individual to enjoy

procuring personal healthcare items like sunscreen, moisturizer, lip balm, pain relievers, or a snack and keeping them on hand for that friend who frequently needs them

making room for someone in a crowded vehicle or on public transit

making room for someone under an awning or in another limited space to help them avoid bad weather

warning or wordlessly covering for someone with a wardrobe/cosmetic malfunction

remembering a small luxury someone mentioned they enjoy, and getting it for them the next time it's convenient

running an errand for someone to make their day easier ('importance of errand : depth of relationship' ratio should be explored)

escorting someone to safety in a sudden unsettling event

escorting someone who is drunk, sick, infirm, injured, or emotionally compromised

asking if light, noise, or other sensory factors are bothering someone and taking steps to make them more comfortable

getting gag gifts for someone to show you reciprocate their sense of humor or quirky self-expression (not everyone does this, not everyone appreciates it, and some people predominantly express love through humor and gag gifts; works well with some characters more than others)

holding someone's hand or arm as reassurance, especially when they are afraid*

using their body to block someone from wind, rain, or heat

picking up a dropped item, or carrying a train or other dragging garment for someone else

returning a recognizable possession to someone who may have lost it

This is an inexhaustible list as humans have many ways of showing love for each other. If you are writing spec fic with non-human characters, you can play with variations on these by remembering three core values the "lover" has to consider:

physical comfort of others

emotional comfort of others

social reputation of others

I'd add "sensory comfort" though I think it's tied to physical and emotional comfort.

Please do not try and force any of these into the mold of the misogyny-based "Love Language" trend. Human emotions and expressions of love are diverse and endless.

*While hand holding can be construed as romantic, in reality it varies. Some cultures do not see this as romantic, and some individuals only mean it as a sign of support or compassion. Same goes for long embraces and kissing, both can be done platonically and of course naturally between close family members or friends.

---

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[physalian]

How To Make Your Writing Less Stiff 5

Movement

Dredging this back up from way back.

Make sure your characters move, but not too much during heavy dialogue scenes. E.g. two characters sitting and talking—do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them…

Gesture

Wave

Frown

Laugh

Cross their legs/their arms

Shift around to get comfortable

Pound the table

Roll their eyes

Point

Shrug

Touch their face/their hair

Wring their hands

Pick at their nails

Yawn

Stretch

Sniff/sniffle

Tap their fingers/drum

Bounce their feet

Doodle

Fiddle with buttons or jewelry

Scratch an itch

Touch their weapons/gadgets/phones

Check the time

Get up and sit back down

Move from chair to tabletop

The list goes on.

Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t—what does that say about the both of them? This is where “show don’t tell” really comes into play.

As in, you could say “he’s nervous” or you could show, “He fidgets, constantly glancing at the clock as sweat beads at his temples.”

This site is full of discourse on telling vs showing so I’ll leave it at that.

Epithets

In the Sci-fi WIP that shall never see the light of day, I had a flashback arc for one male character and his relationship with another male character. On top of that, the flashback character was a nameless narrator for Reasons.

Enter the problem: How would you keep track of two male characters, one who you can't name, and the other who does have a name, but you can’t oversaturate the narrative with it? I did a few things.

Nameless Narrator (written in 3rd person limited POV) was the only narrator for the flashback arc. I never switched to the boyfriend’s POV.

Boyfriend had only a couple epithets that could only apply to him, and halfway through their relationship, NN went from describing him as “the other prisoner” to “his cellmate” to “his partner” (which was also a double entendre). NN also switched from using BF’s full name to a nickname both in narration and dialogue.

BF had a title for NN that he used exclusively in dialogue, since BF couldn’t use his given name and NN hadn’t picked a new one for himself.

Every time the subject of the narrative switched, I started a new paragraph so “he” never described either character ambiguously mid-paragraph.

Is this an extreme example? Absolutely, but I pulled it off according to my betas.

The point of all this is this: Epithets shouldn’t just exist to substitute an overused name. Epithets de-personalize the subject if you use them incorrectly. If your narrator is thinking of their lover and describing that person without their name, then the trait they pick to focus on should be something equally important to them. In contrast, if you want to drive home how little a narrator thinks of somebody, using depersonalizing epithets helps sell that disrespect.

Fanfic tends to be the most egregious with soulless epithets like "the black-haired boy" that tell the reader absolutely nothing about how the narrator feels about that black-haired boy, espeically if they're doing so during a highly-emotional moment.

As in, NN and BF had one implied sex scene. Had I said “the other prisoner” that would have completely ruined the mood. He’s so much more than “the other prisoner” at that point in the story. “His partner,” since they were both a combat team and romantically involved, encompassed their entire relationship.

The epithet also changed depending on what mood or how hopeless NN saw their situation. He’d wax and wane over how close he believed them to be for Reasons. NN was a very reserved character who kept BF at a distance, afraid to go “all in” because he knew there was a high chance of BF not surviving this campaign. So NN never used “his lover”.

All to say, epithets carried the subtext of that flashback arc, when I had a character who would not talk about his feelings. I could show you the progression of their relationship through how the epithets changed.

I could show you whenever NN was being a big fat liar about his feelings when he said he's not in love, but his narration gave him away. I could show you the exact moment their relationship shifted from comrades to something more when NN switched mid-paragraph from "his cellmate" to "his partner" and when he took up BF's nickame exclusively in the same scene.

I do the same thing in Eternal Night when Elias, my protagonist, stops referring to Dorian as "it" and "the vampire" instead of his name the moment they collide with a much more dangerous vampire, so jarringly that Elias notices in his own narration—the point of it being so explicit is that this degredation isn't automatic, it's something he has to conciously do, when everyone else in his clan wouldn't think twice about dehumanizing them.

—

Any literary device should be used with intent if you want those layers in your work. The curtains are rarely just blue. Whether it’s a simile with a deliberate comparison or an epithet with deliberate connotations, your readers will pick up on the subtext, I promise.

[writing-chats]

ultimate character development template

basics

name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:

emotional depth

attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:

personality

mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:

habits

bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:

appearance

defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:

relationships

who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:

backstory/background

primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:

progression

why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:

[aventurineswife]

Thinking of something silly:

Reader being one of the “Four Beauties” of the Xianzhou, and some people are malding when they choose to leave and join Dan Heng on the Astral Express.

Some rejected suitor: “All those nobles, all those wealthy merchants, those Preceptors, those Cloud Knights, those authorities in the different commissions — including the Ten-Lords Commission — AND THEY CHOOSE THE CONVICT!?!?!???!” 😭💢💢💢💢💢💢💢

What can Reader, Dan Heng has everything they could ever want and none of the other suitors could ever really give (which is genuine love, affection and quality time)~ 🤭

More Than Titles, More Than Gold

Summary: As one of the "Four Beauties" of Xianzhou, you were once sought after by nobles, merchants, and powerful figures alike. However, you make a shocking choice to leave it all behind and join Dan Heng on the Astral Express. This decision is met with anger and disbelief from the suitors you rejected, who can’t fathom why you would choose a "convict" over them. But to you, Dan Heng offers something none of the others could: genuine love, trust, and quiet companionship. Together, you choose to face the future, free from the expectations of a society that never truly understood you.

Tags: Dan Heng x Reader, Romance, Angst, Slow Burn, Character Development, Redemption, Self-Discovery, Emotional Healing.

Warnings: Mild language, Mentions of societal pressure and judgment, Implied emotional trauma, Mild angst.

The bustling city of Xianzhou had always been a place of power and elegance, where its most esteemed citizens made up the fabric of society. As one of the Four Beauties, you were accustomed to being the center of attention, admired by the most prestigious nobles, wealthy merchants, and even high-ranking officials. Your presence was desired by many, your beauty envied by all. However, you had made a decision that sent shockwaves through Xianzhou—one that nobody saw coming.

You had chosen to leave it all behind. The luxurious life, the suitors vying for your attention, the endless celebrations in your honor—it all seemed so empty now. You had found something more meaningful aboard the Astral Express, something no riches or titles could offer. You had found Dan Heng.

He was a quiet presence, always calm and composed, his sharp eyes hiding the heavy burdens he carried. But to you, he wasn’t just a guardian of the Astral Express. He was someone who made you feel truly seen, someone who valued your existence beyond the superficial trappings of society. While others saw him as distant, even cold, you saw a depth in him that was impossible to ignore. His past haunted him, but it made him stronger—more human, and more real than any of the glittering suitors that had once sought your hand.

It wasn’t that you didn’t appreciate the offers from those who had once courted you with admiration and gifts. You had received them, listened to their words, but none of them ever truly touched your heart. They were all so desperate to possess you, to claim you as a trophy. But Dan Heng, with his quiet strength and humble nature, was the only one who understood that love wasn’t about grand gestures or titles. It was about trust, loyalty, and moments spent in silence, side by side, away from the public eye.

"All those nobles, all those wealthy merchants, those Preceptors, those Cloud Knights, those authorities in the different commissions—including the Ten-Lords Commission—AND THEY CHOOSE THE CONVICT!?!?!???"

The angry voice of one of your rejected suitors echoed through the hall, the words laced with disbelief and frustration. You stood at the threshold of the grand hall, watching as a group of your former admirers fumed in their defeat. They had never imagined that you would leave it all behind, that you would choose someone like Dan Heng. The insult to their pride was evident, their faces red with indignation. The realization had not come easily, and their resentment was palpable.

But you didn’t feel regret. You couldn’t.

You caught Dan Heng's gaze across the room. His expression was unreadable as always, but there was a hint of something softer in his eyes—a silent acknowledgment of your decision. He was not the one who needed approval from the world. He had never cared for titles or riches. His life was not about grandeur; it was about purpose. And you had become a part of that purpose.

As you moved toward him, the whispers grew louder, their scorn following you like a shadow. But none of it mattered. When you reached Dan Heng’s side, you stood silently for a moment, feeling the weight of their words, but also feeling the warmth of his presence beside you.

Dan Heng spoke, his voice calm and steady, as always. "Are you sure you want to go?" His eyes flickered with a hint of concern, though his tone betrayed none of it. "It won't be easy, you know. There will be more who will question your decision."

You smiled softly, meeting his gaze. "I've never been more sure of anything in my life."

The faintest smile touched his lips, and for a brief moment, he allowed himself to show his vulnerability. "Then I’m glad you’re here," he murmured.

The other suitors’ words continued to ring in your ears, but their venomous bitterness felt far away. You didn’t need the approval of the world to know what was real. Dan Heng offered you something no title or fortune could: love that was genuine, quiet, and true. He didn’t want to control you, to possess you like a prize. He simply wanted to be with you, to share the silence, the moments, the journey together.

And that was everything you needed.

As the murmurs of anger from your past life faded into the distance, you took Dan Heng’s hand, feeling the weight of your decision settle comfortably in your heart. There was no need for grand gestures or declarations. All you needed was this—being with him, in the stillness of the world, where love was not measured by what others could see, but by what you shared in those moments that mattered most.

Together, you would face the future. The past, with all its expectations and judgments, was behind you. And with Dan Heng at your side, you were ready to create something better—a love that was truly your own, free from the expectations of others.

In the end, that was all you had ever wanted.

[luna-azzurra]

Romantic Gestures for Characters 

❥ The “I Know You” Gesture

Your character remembers something tiny. Maybe their partner always peels oranges but hates the stringy bits. So they do it for them, meticulously. No grand speech. Just peeled oranges on a napkin, handed over like, I got you. It’s not flowers. It’s better.

❥  The “You Matter More Than My Ego” Move

Apologies. Vulnerable, awkward, ugly ones. Not performative, not flowers-as-a-bandage. Just a raw, honest “I screwed up. And you didn’t deserve that.” That’s romance with guts.

❥ The “I Made This With My Clumsy, Lovesick Hands” Attempt

It’s not a five-star meal. It might be an overcooked mess. But they tried. They Googled recipes, burnt a pan, and still showed up with a crooked smile and a smoke-scented apology. Intimacy lives in the effort, not the execution.

❥  The “I’m Thinking of You Even When You’re Not Around” Habit

A voice memo left in the middle of the day. A text that says, “I saw this book and thought of you.” A saved pastry because “you love those stupid lemon ones.” It’s in the thought, the noticing. The I-carry-you-with-me-even-here of it.

❥  The “You’re Safe With Me” Moment

Middle of a panic attack. They don’t run, they don’t fix. They sit. Hold a hand. Count breaths. They become a lighthouse in the fog. That’s not just romance, it’s sanctuary.

❥ The “Make You Laugh When You Want to Cry” Trick

Silly voices. Bad dad jokes. A spontaneous dance in the kitchen just to make them smile. Love doesn’t always whisper—it cackles, snorts, belly-laughs until you can’t remember what the fight was about.

❥ The “I See the You Nobody Else Gets to See” Love

Noticing the nervous tic they try to hide. The quiet resilience. The softness behind the sarcasm. Your character sees it all and chooses to love them there. Not despite their mess, but because of it.

❥  The “I’ll Go to the Boring Thing Because You Care” Sacrifice

They hate art galleries. Or jazz. Or your character’s weird book club full of PhD students. But they show up. They try. They listen and maybe even ask a thoughtful question. Not because they suddenly love postmodern fiction, but because they love you.

❥ The “Let Me Take Care of You, Just This Once” Flip

Especially powerful when it comes from your fiercely independent character. When they finally let someone in. Accept help. Rest their head on a lap and let themselves be held. Or be the one doing the holding for someone who never asks.

❥  The “I Want to Remember This” Gesture

No, not just a scrapbook. Maybe it's saving movie stubs, or voice recording a partner’s laugh because it's perfect and might not last. Maybe it's writing a poem they'll never read. Romance often lives in what we keep sacred, quietly.

❥ Bonus — The Non-Obvious Public Gesture

Holding hands in public when your character usually doesn’t. Or kissing their partner’s temple in front of their disapproving parents. Or calling them “baby” when it makes their partner smile like a fool. Public affection isn’t about performance, it’s about pride. Claiming someone. Softly, fiercely.

[literaryvein-reblogs]

what are some ways to describe people other than eye and hair color

I am assuming you are looking for physical descriptors. Here are some examples. I may just make a different post on psychological descriptors.

Arms: Long, Muscular, Pudgy, Short, Skinny, Thin

Back: Bent, Hunched, Ramrod Straight, Rounded

Build: Anorexic, Athletic, Beefy, Brawny, Burly, Chubby, Coltish, Compact, Fat, Gangly, Gaunt, Gawky, Haggard, Heavy-set, Herculean, Husky, Lanky, Lithe, Muscular, Obese, Overweight, Petite, Rangy, Reed-like, Scrawny, Skinny, Slender, Slight, Solid, Spindly, Statuesque, Stocky, Strapping, Sylphlike, Taut, Thickset, Thin, Trim, Underweight, Voluptuous, Well-built, Willowy, Withered

Cheeks: Blushing, Bold, Curved, Dimpled, Bold, Curved, Dimpled, Disturbed, Glorious, Glowing, Hairless, High (cheekbones), Hollow, Honey, Livid, Pale, Pallid, Pink, Plump, Puffy, Radiant, Reddened, Rosy, Rounded, Ruddy, Shining, Smooth, Soft, Sun-burnt, Sun-bronzed, Sunken, Sun-tanned, Tanned, Tearful, White

Chin: Angular, Bony, Bumpy, Chiseled, Defined, Doughy, Firm, Protruding, Round, Smooth, Soft, Square, Strong

Ears: Jug-like, Large, Protruding, Tiny

Eyebrows: Arching, Bushy, Emphasized, Near, Spaced, Thick, Thin

Eyelashes: Artificial, Beaded, Beautiful, Blinking, Dark, Dark-fringed, Dense, Dusky, Heavily-fringed, Long, Mascaraed, Sandy, Sooty, Sopping, Tear-drenched, Thick, Uplifted

Eyes: Almond-shaped, Bright, Bulging, Expressive, Frightened, Gentle, Languishing, Little, Luminous, Made-up, Round, Shining, Shortsighted, Smart, Stunned, Thin, Wide, Woeful

Face: Baby, Blood-stained, Bold, Chiseled, Contorted, Dead, Expressionless, Fair, Familiar, Fierce, Flat, Frightened, Furrowed, Honest, Indifferent, Little, Pale, Poker, Pretty, Radiant, Rough, Ruddy, Sallow, Square, Stained, Swollen, Trim, Weather-beaten, Wry

Feet: Athlete's, Big, Flat, Pigeon-toed, Small, Sore, Stinky, Stubby, Swollen

Fingers: Gnarled, Long, Short, Stubby

Finger Nails: Bitten, Broken, Claw-like, Dirty, Hooked, Long, Painted, Sharp, Talon-like

Hair: Afro, Bald, Beehive, Braided, Bristles, Bun, Chignon, Coiffure, Combed, Corkscrew, Corn rows, Cowlicked, Crew cut, Curly, Disarrayed, Disheveled, Dreadlocks, Dry, Flattop, Flecked, French braid, French twist, Fringe, Greasy, Grizzled, Knotted, Layered, Locks, Matted, Messed up, Mohawk, Mussy, Muttonchops, Neat, Oily, Page boy, Perm, Pigtails, Plait, Pompadour, Ponytail, Ragged, Receding, Ringlets, Ruffled, Shaggy, Shorn, Shoulder-length, Skinhead, Spiky, Split-ended, Straight, Tangled, Thick, Thinning, Tidy, Topknot, Tousled, Twisted, Uncombed, Unshorn, Untidy, Wavy, Wiry, Wisps

Hand: Big, Elegant, Small

Height: Big, Knee-high, Medium, Short, Shoulder-high, Sky-high, Small, Tall, Towering, Waist-high

Legs: Amputated, Bandy, Bony, Bowed, Brawny, Bulging, Fluted, Gartered, Gouty, Graceful, Hacked, Hairy, Jagged, Knotted, Leaden, Long, Lower, Muscular, Pitiful, Rickety, Shapely, Shivering, Short, Sinewy, Slender, Slim, Spindle, Stockinged, Sturdy, Thin, Thread-like, Tinder, Tiny, Toothsome, Tree trunks

Lips: Blue, Cracked, Cupid's Bow, Downturned, Dry, Fat, Full, Grim, Large, Luscious, Parched, Parted, Red, Ruby, Small, Smiling, Thin, Wet

Mouth: Arch, Ascetic, Baby, Cavernous, Churning, Compressed, Cooing, Coral, Cracked, Cruel, Delicate, Dumpled, Distended, Dry, Fine, Firm, Frothy, Full, Funnel-shaped, Gaping, Grim, Handsome, Hungry, Insistent, Irritable, Large, Luscious, Munching, Musty, Perilous, Puckered, Querulous, Relaxed, Resolute, Sardonic, Sensuous, Serious, Slobbering, Small, Sulky, Sweet, Tender, Thin, Wide, Winsome, Wrinkled, Yawning

Neck: Bullnecked, Elegant, Long, Short, Swan-like, Thick

Palm: Broad, Oval, Rectangular, Square

Skin: Acned, Alabaster, Albino, Apricot, Black, Blemished, Blistered, Blooming, Blotchy, Blushing, Bronzed, Cadaverous, Calloused, Caramel, Clear, Craggy, Cream, Ebony, Fair, Flush, Freckled, Glowing, Greasy, Ivory, Jaundiced, Leathery, Lily-white, Lined, Milky, Mottled, Nut-brown, Olive, Pale, Pallid, Pasty, Peeling, Pimpled, Pink, Pitted, Pockmarked, Red, Rosy, Rough, Ruddy, Russet, Sallow, Scabby, Scarred, Smooth, Splotchy, Spotty, Sun-burnt, Tan, Wan, Waxen, White, Wrinkled, Yellow

Stomach: Bulging, Distended, Empty, Firm, Flabby, Flat, Heroic, Hollow, Lean, Paunchy, Protruding, Unbounded

Teeth: Artificial, Black, Blunted, Buck, Canine, Chattering, Clenched, Clinched, Compressed, Crooked, Dagger-like, Dazzling, Decayed, Deciduous, Extracted, False teeth, Feeble, Ferocious, Filed, Flashing, Fluoridated, Foam-laced, Fractured, Gap-toothed, Gleaming, Glistening, Glittering, Gnashing, Goofy, Grinding, Hooked, Horrid, Ivory, Jagged, Lacquered, Large, Milky, Mottled, Neglected, Pearly, Perfect, Pretty, Protruding, Razor-like, Sharp, Shining, Short, Small, Snowy, Sore, Spaced, Straight, Sweet tooth, Tender, Tiny, Toothless, Toothy, Ugly, Unrelenting, White, Wisdom, Wolfish, Yellow

Hope this helps! If it does, do tag me or send me a link to your writing. I'd love to read your work.

More: On Character Development

[sparenickel-blog]

The twisted notes from "This is what you are" that are played here are echoed in a way that embraces in the good ending reactor scene when he lets the drifter embody him. It's a beautiful bit of character development, seeing him go from "I don't want to be this" to "This is what I am".

"Entrati! What devils follow you?"

[milton-chamberlain]