#For the most part they fit those roles pretty well too

[kennys-parka-jacket]

Always hilarious when people complain about fanon!craig being overly macho while fanon!tweek is the twinkiest twink that has ever twinked. My guy, they were literally assigned seme and uke roles in canon. What did you expect

[wabblebees]

BEE the people demand to know. how was ur audition

DUDE i just got notified im called back!!! for tomorrow morning!!!!! im SO fucking excited omfg,,, and like. Even More Nervous ghdjsk

i dont think i did *terrible* or anything but i def walked out of the room afterwards just... Not Feeling It lmao, but it was still so so much fun -- gOddddd i fucking missed musicals+singing WITH PEOPLE. i even got to use my low range and sing with the tenors😌💕 ((whiiiiich. turned out to be the part with the most fuckery lmao, so i hope i didnt embarrass myself too badly as the... perpetually loudest mf in the room lmao))

the movement call was the part i was most nervous abt for tonight ((since i am patently Not a dancer)) and ngl it was. Rough. bc we'd been standing around for hours doing music and my knees were NOT pleased with me even wearing my braces

but!! callbacks tomorrow are doing solo singing, which i feel much more confident about, and!!!!! i got called back for the part im hoping for AND two parts i was *totally* not expecting!!!!! so im definitely okay with how it went:)<3

[shiraishi-kanade]

An Shiraishi is always trying to be someone else: a short and messy analysis on how Vivid Street (unintentionally) messed her up

You know, I kind of have my own issues with the "Wishing to the Blue Sky for Your Happiness!" event, but a lot of my criticism of it boiled down to "huh, it's kind of weird how they gave An this insecurity out of nowhere, she didn't struggle with being herself before. Seems to be a reach just so Shizuku could have a role."

But that was before the Vivid Old Tale, and boy I'll admit I was very wrong.

The relationship between An and Nagi are... Very interesting, to say the least.

But there's no doubt that An absolutely idolizes Nagi. Sure, there's been this line about An always wanting to he a musical like her father, but we also know that for the most part, it was Nagi who taught her to sing, as well as Nagi who acted as An's mentor figure in a more emotional way.

In a way, An won the lottery. She was born into a family that loves her, into a community thay loves her, and just so happened to be talented and passionate about something that community values most. However, that talent has left her little to no space to actually... See herself as someone outside of it.

Now, none of this is actually necessarily negative by default. Having high expectations to one's children isn't necessarily bad either; with the right approach, it can make them grow and want to grow. We've also seen this happen with Touya in his childhood, which us another neat parallel.

But, unlike Touya, An has been very comfortable in her role, precisely because of her talent and being able to reach the very high bar raised for her. That comfort just... never made her reach out to something other than the place and the future she was already familiar with, because she never needed to. She was Ken's daughter and she was talented and everyone in town loved her and she promised to be the better than her dad and everyone took her seriously. What else could she possibly need?

In a way, An had her dole cut out to her before she was even born.

And then there's Nagi.

Yes, Nagi is An's role model. But there's more to that than just An looking up to her.

More than just being taught by her, An actually picks up Nagi's mannerisms, forms or speech, and even moral values (pretty much the entire point of Vivid Old Tale).

An saw, too, how much Nagi meant for the people of Vivid Street. She wanted to mean as much for them, too; rather, she already did mean as much, but she needed to be someone to justify being loved. It's not necessarily a conscious thought process but more of a subtle one: if you notice your community loves some traits of you more than the others, or values some aspects of you more, you start to lean more and more into them in order to fit in and be accepted.

For An, those particular traits were being talented, being Ken's daughter, but also... Being very similar to Nagi.

Them acting "like sisters" has been highlighted over

and over

and over again, even by people unfamiliar with Nagi, well into An's teenage years.

And it's not exactly... A complete coincidence on everyone's part. At one point, Nagi openly states she wants An to be like her, to be able to see things from the same perspective. At least to some extent, some of the actions Nagi takes to make that happen are completely deliberate.

So An tries to be like Nagi. This is both a conscious effort on her part and something that just... Is sort of a hidden force that shapes her into who she is. If you watch Nagi and compare even the way she talks with people of the town to the more mature, somewhat-grown up but not quite there yet An we have today... There's so many similarities it's uncanny. An is still much more hot-headed and impulsive, but that caring, considerate side of her shines through even more than before.

An doesn't try to deny or hide that, too. In fact, she's actually pretty proud of it.

(Whether Ken lied to her to make her feel better or if that expression was just a reaction to being reminded of Nagi passing away & the masquerade that followed after that, we'll never know.)

But here's the kicker: there's so much of Nagi in An it's hard to pinpoint where Nagi-san's traits end and An's own personality begins, if it even does. Because of how early has everyone decided on An's future, and because An never did anything to even hint at wanting to do something different (which she didn't! Sometimes people want to continue their family's legacy and that's completely normal and fine - again, she just got really lucky, both with her talent and supportive surroundings), An subconsciously kind of accepted that being like Nagi is... Just who she is.

That comes with taking on Nagi's part in the community, too. In the same way Nagi took care of everyone in town by helping them out at events, so too, does An - just to a much lesser extent, by going out of her way to keep in touch with everyone, going to events, and helping at a cafe, too.

But An doesn't purposely mold or change her personality to be like her role model, too. This is important: An doesn't wear a mask because she doesn't need to. In her mind, she already is like Nagi, or at least, she's on track to be, without doing particularly anything different. Because they're just so similar they're so close and practically behave like sisters, and because An grew up singing in the town exactly like Nagi did, and because she loves the town just like Nagi did - what else could An possibly need to do except get better at singing and get more grown up?

You know, to reach that mature and down-to-earth side of Nagi that we often see in the past?

That side?

Yeah.

Now the Shizuan event's conflict isn't so out of place, is it?

But anyway, back to the point.

Because of Nagi wording things the way she does and because of people on Vivid Street making such a point of their similarities, An naturally assumed she would eventually become like Nagi. This is why, even aside from Kohane's improvement, aside An's abandonment issues, Kick It Up a Notch is a giant slap to the face for An, as well as her wake-up call.

Kohane taking on Nagi's mantle before An was able to, or potentially ever could, isn't just about singing - it's an attempt at An's entire sense of self, just as well as her place in the world, and on the smaller sense, her hometown, too.

Because if An is not Nagi, she doesn't belong.

Because An never knew how to do anything but sing. Because becoming like her family, like Nagi, was the only option she ever imagined for herself ever since she was a child.

And if An is not Nagi, then who the hell is she?

[this post was very much inspired by @the-one-that-weeps 's An analysis post, who kind of put this much more eloquently than I could! Go check them out.

All translated lines that aren't taken from the wiki transcripts are by lozybug on YouTube!]

[sordidmusings]

Switching Up Roles - Part 1/2 (Buggy x Reader)

A/N: So the request got insaaaaanely out of hand cuz I can't shut the fuck up about this stupid clown 🙃 In the future I gotta have requests ask for headcanons, full fic, or headcanons with drabbles in the future so I can put a cap on my brain lol I had also been wanting to write Switch!Buggy learning to embrace the sub part of himself. I wanted to get part of it out and the set up cuts off pretty cleanly here. There is a taste of smut in it, but it stays with the style of the exposition for the most part instead of really delving into it.

Word count: ~1760 (The draft is at 8100 rn 🧍🏻‍♀️)

Warnings: afab!reader (no pronouns), switch!reader, switch!Buggy, NSFW, p in v, creampie, they're like probably too into each other, Buggy leans towards opla Buggy, I have a propensity to just keep sentences going man

I hope you enjoy a taste and thank you for your patience 🙏🏻

Part 2

~ ~ ~ ••• ✦✦✦ ••• ~ ~ ~

You’d always had a hunch about Buggy. It started with little things like how his grunts and moans would sometimes slip in and out of something more whiny and breathy. How the look in his eyes would turn from something rabid and devouring into something desperate and uncertain. Maybe he was just more comfortable using the whole range of his voice than most men. Maybe that look just came from the insecurity in him that you were constantly trying to wring out with every lingering hug and reassuring whisper.

Speaking of those, he drank them up like an addict. Now, it’s not like you think it’s abnormal to enjoy soft touches and sweet words; everyone wants those from their partner in one form or another. The thing is, Buggy seemed to hang on those words with extra ardor. He’d focus on you like nothing else existed. He’d twist and turn both himself and his comfort zone in order to receive them. Whenever he accomplished something, whether it was as big as defeating a new enemy or as small as making a new joke, he would turn his face to seek you out like a plant’s leaves reaching to feel the sun. He’d go to you whenever he was uncertain. Difficult announcements were made with you within arm’s reach, vital decisions were made with you sitting thigh to thigh, and battles were fought with the two of you back to back.

Despite his status as captain, Buggy was always following you. Of course, he was the one in charge, the one who gave orders, but you were the one for whom he would change those orders or redirect his path. When you entered a room, he was the one to go to you. It was only on rare occasions that he’d order you to him like an owner would a dog. His calls for you were greetings, that is if he wasn’t getting up to lead you in himself. Buggy did know how to demand but he preferred to handle you with invitations. 

Even so, you were well versed in Buggy leading you to touch or lay where and how he wanted. The extending months of your relationship have been filled with the two of you pushing and pulling at each other, empty of any thoughts and aims other than the need you had for each other. He has growled out commands and desires, expecting you to do just as he asked and he fit the role of manhandling you into a compliant sub very well. There were times when it seemed to be just that though - a role. Not every time; the more starved for your body he seemed, the more he’d take you just how he wanted. Now that you were months in and the pent up “what if”s were easing into the new joy of deep connection, his need for your body settled to hunger while his appetite for connecting to You became insatiable. Being able to allocate more time to exploring each other let latent behaviors break through the frantic way that you two tried to consume one another. Buggy had always aimed for your pleasure, hitting steady bullseyes, but now he was consciously seeking it and looking for new avenues to sate you and file them away for the future. He gained the clarity to observe while he was flooding himself with you.

You also noticed that with this change of pace came his need to chase your movements. You don’t think Buggy was even aware of the way he would lean his body towards you no matter the time or place, the way he would follow your lips whenever you pulled away, or the way his body would seek out your hands and happily mold to their movements like you were an artist working with clay. There was the way he seemed almost relieved when you would guide him. It appeared that he savored the time to unload the responsibility of decisions onto someone else but he had never known anyone he could trust to give him that peace before.

You understood that need. The rush you got when you only had to think of pleasing him and then hearing him tell you how good you were at doing just that? It was euphoria all on its own. It had you feeling like you knew in your core that you were doing something right and that you were making your love feel good - feel proud and happy. While you enjoyed partaking in it yourself, you had no problem taking control to give that to Buggy. Honestly it was a dynamic that was sounding tastier by the day. Seeing him act out of need for your direction and approval made you crave it more each time. You were eager to see him when he loses himself in the role of being what you want. You’re positive he’d take to it well; all you want is him after all, but now that he’s given pieces of himself to you, you want all of him. You want him to expose his needs to you, right down to the core of his desires, so that you could feel the thrill of holding that trust and vulnerability. You want to prove to him that he is always safe with you and that you can fulfill all that he wants and more.

One night a few weeks back, you got the final evidence you needed to feel confident labeling him as a switch like yourself. It was one of the few times Buggy was letting you ride him when he was close (he seemed to be embarrassed of the way it would pull out higher pitched moans from him, no matter how you complimented them), and he had let himself fall further into acting without thought than he usually would beneath you. His typical grapple with composure was replaced by him melting into bliss, leaving you a Buggy who was slack-jawed, glassy eyed, and trembling. You could still feel some hesitancy in the way he kept making his eyes focus on you even when they wanted to roll back or the way he would reign in his volume after a particularly (and deliciously) loud moan. His hands still went through the motions of guiding your hips, but this time your hips were pushing into that heavy grip instead of his hold directing the bounce and grind of your body on his.

Even though the feeling of his cock splitting you open and rubbing deliciously from your clenching entrance to the deepest stretch of your cunt left you struggling for thought, you were determined to keep an eye out for his tells that he would try to flip you back over. Whenever Buggy blinked some focus back into his eyes, you leaned down and captured his panting mouth in sloppy kisses. His eagerness to feel your swollen lips and teasing tongue made it easy to kiss his mind back into a blur. When he planted a hand down and sat himself up, you tightened your core to clench down on him and changed to the heavy grinds that made him weak with the way he could feel every hot, plush inch of you gripping him. He fell down to his elbow, but when you followed him to nibble at his ear and fill it with moans, he lost all his strength and collapsed back on the bed.

You kept at it because you needed to cum on top of him. The promise of a body shaking orgasm always came to you in the squeeze of your thighs around his waist, the grind of his pelvis on your clit, the way you could change your angle to have the head of his cock massaging whichever spot felt the most electric in the moment. It took hold of your mind with the way you got to look down on him spread out beneath you while he looked up at you with that desperate face. You could see how steeped he was in pleasure and need from his furrowed brow and shining eyes. Buggy always fell into the most beautiful, incoherent mess when you were the one leading him. His long blue hair spread out wildly, the few strands sticking to his face bringing out his pink flush. His gorgeous eyes, highlighted by stripes of blue makeup and long fluttering lashes, glistened up at you. His painted red mouth looked all the more tempting with how his kiss-wet lips parted for him to gasp in air and breathe out moans.

With little warning, Buggy sobbed out an overwhelmed, “Fuuu-hah-huuuuck,” and the next thing you knew strong hands yanked you down and he trapped you close in an iron grip. His forehead dug into your neck and his humid breath tingled down your chest. All you could feel, hear, smell was Buggy - so much burning skin, jumbled curses, lingering sea salt. His hands scrambled on your back, pulling you closer like he needed it to live, and amidst all the sensation you felt his cock pressed tight into you, twitching heavily with each wave of hot cum it pumped into you. It shoved you immediately far over the edge and you curled into him, squeezing and shaking and grabbing and gasping. You got what you were promised and your body shook, letting you get extra jolts of friction against his still pulsing cock.

The come down was slow and lethargic with the two of you molded to each other and unwilling to leave the moment behind. Your breaths eventually slowed while you both enjoy giving and receiving little trailing touches. Your brain was high from the intense orgasm and the building joy that you can finally open the door on this aspect of your relationship where Buggy lets himself submit.

That is, until he ruins it. 

Both of you were too tired to say much of anything through the swift cleanup and release to slumber. You didn’t think anything of it, because it wasn’t the first time it happened. You did start to catch on to Buggy’s avoidance when he would find convenient ways to dance around the topic or disappear when you were leading up to it. It became unquestionable when he started to run out of clever escape routes. The final straw was when you approached him with an “I wanna talk about the other night” and he did a 180 with a panicked “forgot some captain stuff for the thing” yelled back to you. So you let it drop. For a time.

You spotted your opportunity just over three weeks after you’d dropped the subject. Buggy continued to slip around you for almost two of those weeks, approaching you with the same caution a child would when entering a haunted house on a dare. He held the same nervous excitement and insatiable curiosity too. The whole time, you pretended that you hadn’t noticed. You were well practiced in the art of playing blind; Buggy wore his emotions on his sleeve whether he wanted to or not, and he loved that you would let him pretend some of it didn’t happen. Even though he knew you sometimes played it to your advantage and still let most of your comments and cackles out during his outbursts and foibles. He just paid you back for those with his own tricks and teasing and all’s fair in love and war.

You knew not to strike right away. You needed to reaaaaally let him settle back into normalcy between you two so that The Incident wasn’t on his mind. Not that you’d been able to get it out of yours; you were endlessly replaying the memory of him being seized by instinct and impulse so violently that he clung to you like he could never be close enough while you made him cum so hard that his dick felt like someone was jolting a toy inside you. Whether the imagery came to you on purpose or involuntarily, it always had you squirming and looking for some way to get off.

Today had been especially filled with that memory, but luck was on your side, finally ready to reward you for your patience. Buggy had been getting a bit exhausted recently, prepping the crew, the ship, and everything on it for a risky raid happening next week. It would be the culmination of a few months planning, and he had been running himself ragged making sure that everything would go smoothly. And, when it didn’t, there was a backup plan and at least two more backup plans for that one. 

He had been seeking rest from you more than interaction the past few days - falling asleep almost immediately after getting back to his room late, giving you long hugs where he’d close his eyes if only for a minute and let you hold up some of his weight, scarfing down his food so he could power nap with his head on your thigh while you finished your own meal. If he was doing something that only needed one hand, he’d send the other to you so he could have the comfort of your touch and the pick me up from feeling your occasional squeeze on it. He had to find and stop you the time you decided to massage his overworked hand, because the relaxing feeling had him zoning out through full conversations.

All that to say, the man clearly needed someone to force a break on him and take care of him. Just as clearly, Buggy was needing that care from you so much that he was allowing himself to seek you out in ways that he (wrongfully) feared would annoy or drain you. His exhaustion outweighing that sea-sized insecurity of his was the cue you’d been looking out for. If he really didn’t want to be submissive to you then that’s fine, but you’d be damned if it was just his own negative self-talk keeping the two of you from feeling that way again or from bonding even closer with another dynamic to exchange trust and affection. After all, that act of trust being met with affection is one of the best ways to chip away at his self-doubt and self-loathing.

~ ~ ~ ••• ✦✦✦ ••• ~ ~ ~

More to come - hope you enjoyed 🤍

[redbleedingrose]

Rhys in grey sweatpants, I had that image put in my head now I want to spread the gospel 🧎🏻‍♀️🧎🏻‍♀️

Just him with his sleep hair and voice in nothing but his grey sweatpants 😮‍💨

UMMMMMM

Rhysand is totally the best dressed of all the males in the night court and possibly Prythian.

Only Eris rivals him in the clothing department and I stand firm on that statement.

He just knows what gets you going. He knows the colors that suit him and he is not afraid to work it.

I feel like for the most part, Rhys really plays the role of high lord well. And he dresses the part too.

All of his clothes are freshly tailored and laundered. He never really wears the same outfit twice. And when he meets you???

He makes sure that you have all the clothes that you could ever want or need. He also insists on matching most days. You basically are THE moment in Prythian, everyone who isn't you wants to BE you. And it is all thanks to Rhysie's impeccable fashion sense. All your clothes make you look like the star of the night, pun not intended.

And all of your shoes and jewelry he has designed for you? Don't even get me started. Each outfit needs its own individualized look and feel and vibe. And he makes sure that is there for you. He is always there to help you put together your look.

Playing dress up for him is sooooo much fun. He has you doing twirls in your dresses and gets on his knees to help you put your heels on. He kisses every portion of your exposed neck whenever he clasps on your necklaces for you. You are treated like an utter princess around him, never having to lift a finger beyond your desire.

He also loves to help you with your earrings. And he is so gentle with it too. His pretty violet eyes focusing on your ear lobe as he ever so carefully puts in your earrings. He makes sure that they don't feel to heavy or cause any irritation to your ear as you are sensitive to different kinds of metals. When he is done, his eyes focus back on you with this look of utter pride that you are his. You are his mate. His high lady. His everything. And he is just obsessed.

You are lucky if you can make it to ANY event on time because this male will find any excuse to show you just how obsessed he is.

Back to Rhys' fashion sense...

He really rarely wears clothes that are "lounge wear." TBH, I feel like he started moreso a little after meeting you because he sees what it does to you.

Rhysie is the kind of male who can look good in practically anything. But in lounge wear??? send freaking help he is the hottest male to have ever EXISTED!!!

His gray sweatpants are one of your favs on him. He is always wearing it with a tight black or navy blue t-shirt that clings to his chest and shoulders and biceps. You can basically see the outline of his abs whenever he wears those shirts (which you will be riding later so help you gods).

And omg just think of all of his tattoos exposed on his corded forearms. And think about those muscles flexing while he fingers you speechless.

Anyway, poor rhysie needs to replace his sweatpants any time he wears them because they always end up stained from you riding his thigh.

But he knows that.

Thats why he wears them, slutty smug bastard. The smirk any time he pulls them out and surprises you by wearing them is enough to know that he knows exactly what he does to you. And he is proud of it too.

His formal clothing is not to be forgotten.

His tight fitting dress shirts where he leaves the top two buttons open so that you can see his smooth tan chest underneath??? The dark swirls intricately peaking out and climbing up his neck??? The small silver chain he wears??? The one that has your name engraved over and over, all along the metal because he belongs to you??? Because he knows that every part of him, his heart and soul, is all entirely owned by you???

The only ring he wears is his wedding ring too.

Sigh, I need a Rhys.

This was terrible but I love Rhysand so you are gonna get my unhinged thoughts about him always.

[sunshine-jesse]

Ashley Graves Did Something Wrong

TCOAL plays a lot of fun games with the ways it makes you perceive events. From the title screen itself, to various pieces of official art, it primes you to accept certain narratives surrounding the game. Namely, the one that Ashley is very not good. She is, in fact, very bad! And it's pretty easy to see why- many of her actions fit neatly into the mold of an abuser. She's controlling, she tries to deflect blame, gaslights Andrew into making him take the blame for things she pushed him to do to begin with, and harasses other women to ruin his relationships with them.

It's all so easy, and makes so much sense. Case closed.

Right? Well, no. But actually yes! But actually, it's not that simple.

Y'see, as I said, the game establishes this framing from the get-go. It introduces us to our, uh, heroes and tells us in no uncertain terms that Ashley is bad and Andrew is a non-entity. It sets this framing intentionally so that many players will engage in a little quirk of human psychology called…

Confirmation bias!

I'm sure we all know what that is, right? Well, for those who don't, it's when we start with a bias towards something- or an idea of how things SHOULD be- and view every piece of evidence as confirmation that said bias is correct. The game, very blatantly, does this with Ashley's actions by priming us to see them as part of an abuse dynamic, with her as the primary abuser. And, indeed, it's not too hard to dig into Andrew's behavior and figure out that he, too, is fucked up and awful and come to the conclusion that their relationship was mutually fucked up and abusive. I did that in my last two essays, so I won't cover that ground again here. With this, it's easy to think that they bring out the worst in each other and that any relationship they have would be toxic, fucked up, dark, and every other word or phrase that describes the same idea, whether it makes them happy or not.

… But what if I told you that this, too, was an intentional misdirection?

So. Let us, for a moment, completely remove the framing that their relationship is toxic. Let us remove the framing that their relationship is abnormal or aberrant. Let's even remove the framing that either one of them is responsible for the harm of the other. I'm not arguing that any of this is not the case. Please, for the love of god, do not think that I am, if only so you can take the rest of what I have to say seriously. What I'm doing is trying to examine the two of them free of as many preconceptions as I can, using nothing but textual evidence and inference to figure out why Andrew and Ashley treat each other the way they do.

I will later examine why they MIStreat each other too, but first comes the reasons they treat each other well.

I'm going to start with Andrew, because, despite being the more complex of the two, it's actually pretty easy to figure out why he treats Ashley the way he does based on what he says. Let's go all the way back to the earliest known incident between the two in the story, where the two of them were at their most, uh, "pure," for lack of a better word: The cupcake scene.

Leyley was supposedly a problem child. She was neglected by her parents, disliked by her friends, and had nobody else but Andrew to rely on. She got nothing- absolutely nothing- from anyone else. And so, Andrew decided to celebrate her birthday, by buying her the cupcakes she wanted, by giving her what she lacked from others. By providing for her, and taking care of her. All he wanted was to make her happy, more than anything else. And, as Nina learned the hard way, at the expense of everyone else.

He doesn't lack empathy, per se. Andy just loves Leyley more than he loves anyone else by such a wide margin that his desire to provide for her overrides his fear of consequences… until those consequences threaten to separate the two of them.

That is a very Gender Roles thing to do. More on that later.

So. Ashley. Everyone's favorite disaster. Why does she treat Andrew the way she does? What does she provide for him? Well, isn't it obvious? She, too, wants to provide for him. Remember, she wanted the lemon cupcake because she thought it's what HE wanted. She also does most of the chores around the house. She prepares food, cleans the house, and does their laundry. She also provides for his non-sexual physical needs by offering him comfort whenever he needs it. It makes her feel useful. Wanted. Needed.

Ah, another very Gender Roles thing to do. See where I'm going with this?

The two neatly fit into a standard husband/wife relationship in a lot of ways. It's THE platonic ideal of such a relationship, actually! They make each other happy and provide WHAT THEY THINK the other really wants. It's really cute and perfect! As long as you ignore all the bad.

ignore all the bad …ignore all the bad… But we obviously shouldn't ignore all the bad. That would be ridiculous.

What I want to do is, instead, examine where the bad comes from, and why it's there. With the abuser/abused dynamic in mind, it's pretty easy to come to the conclusion that a mutual desire for control and power over the other is the sole determining factor. It's arguably the Central Theme of the game, and maybe a big part of what Nemlei is trying to convey. But, like, why should it end there? Why should that be where the analysis ends? There's a reason for everything.

They don't want to control each other for its own sake. They don't want to control each other solely to cover their own insecurities.

So why?

Ashley, first. She's obviously an insecure little monster, having never received the validation that she needs to really come into her own as a person. She keeps seeking it. Keeps trying to provide for Andrew. Keeps trying to make herself useful. Now, let's look at her calls towards Julia:

"DO YOU THINK YOU'RE BETTER THAN ME!? Just because you can fuck him and I can't?"

Ah, wait, hold on a minute.

"You think that's love?! Are you fucking delusional?? Cumdumpsters like you are just that."

Where does that wording come from?

"He will never love you. Not like he loves me. I am the only one. I am everything."

She doesn't need validation just for the sake of her insecurities. She needs it because she needs Andrew to be happy, and in her mind, she's the only one who can provide it. She knows him better than anyone else. She can see how happy she seems to make him, and that nobody else can do what she does. She knows, beyond a shadow of a doubt, that she makes Andrew more comfortable than anyone. She knows how important physical affection is to him. She can feel it. She doesn't lack empathy towards his plight or feelings; she has more of it than anyone, actually!

But Andrew, crucially, never seems to provide her any validation for this, even though she knows better. That's why she's so insecure.

"But wait," you might say, "didn't he, literally, fucking kill for her?"

Yes. But he always tries to place the blame on Ashley or use her as a scapegoat, when he was the one who pulled the trigger. He never accepts even the smallest amount of responsibility. And if a man can't even take responsibility for the violence he inflicts on others, what does that say about him? What does it say about how much he actually cares? oh. more gender roles. huh.

In Ashley's mind, that validation isn't validation because he didn't do it to prove he cared about her. He did it to shut her up. And… he never says anything to the contrary. He refuses to. All his validation is depressingly, overbearingly conditional.

His words always come with a caveat. They're always said in spite of something. They lack warmth. They lack kindness. They lack affection. She is never, ever given a key to lock the door to her insecurities…

…even though Andrew obviously has that key. He just refuses to give it to her.

But why?

Society! :D

There is something so fundamentally, obviously wrong with the way Andrew feels towards Ashley. She is a tar soul. A pariah. So horrid that her parents don't want her, so obviously bad that even demons don't want her. And yet Andrew, in spite of everything, still wants her. He wants to take care of her, when society tells him not to bother. He wants to protect her from other men, and even from herself. It manifests as jealousy because…

He, too, thinks the only one qualified to provide for Ashley is himself, because he was the only one who ever had. Violence comes so naturally to him that he takes it for granted. He kills for her, threatens to physically assault her when he thinks she's putting herself in danger.

It's so second nature to him that he thinks it should obviously be enough. But it isn't. His violence is so second nature as to be passive. It's non-committal. And what Ashley wants is committment.

But because of how society views Ashley, and how the world would view a romantic relationship between them, he can't truly commit to her. He can't give her the validation she really needs, because everything and everyone has told him that it's wrong. That she's wrong. And all his parents ever taught him is to be afraid of how others will react to that wrongness.

hey look, a man fearing the commitment a woman wants from him! more gender stereotypes!! I wonder what this game is trying to say!!!

Maybe I'm crazy or something. Maybe I'm just looking into it too deep. But I don't really care. I don't care if this is the intended reading, and neither should you. The fact of the matter is that most of the things that define them as toxic are not their fault. Most of the reasons they mistreat each other come from without, rather than within. The only reason they can't love each other is because the world tells them not to. Because it expects them to fill certain roles, to be certain people.

But Ashley can only ever be herself.

Maybe someone who's an actual expert on this subject matter could weigh in and give a true feminist reading. But me? I'm just here to point out patterns. I'm just here to point out facts. And one of those facts is that, to the world around her, Ashley did something wrong: She was born.

The Steam reviews of this game are fucking funny, but a lot of them say one thing that couldn't be further from the truth:

"I can fix her!"

No, you can't. She's only 'broken' in the context of her environment.

But in the words of another analyst:

It's madness to expect tar to behave like water.

So cut them some slack! They might finally succeed in a world that wanted nothing more than for them to fail. It's not our right to take that away from them.

[pathetichimbos]

Well, guys, a single person told me I should make this into a post, and so now you're all getting another fabulous take on Thomas Hewitt I've been looking for an excuse to talk about.

Question: 'Do you think realistically would it be hard to get into a relationship with Tommy?'

Short Answer: Yes! And no.

Ha, you really thought there'd be a short answer to this? No, let's dive in.

Thomas, on the surface, is a very awkward, to himself kind of guy. He doesn't like stepping out of his comfort zones, and he hates change. He thrives on strict routine, and isn't one to do something without being told. (ex: he doesn't take initiative at the slaughterhouse, he does exactly as he's told and doesn't stray from those rules)

He has an extremely strong sense of familial bond and ties to his family, he wouldn't betray them for anything, (and yes, that includes you too). It's a huge cultural things in small towns. It doesn't matter who your family is or what they've done. It's true ride or die mentality.

Considering these things, if you want to hope to have a relationship with him, you're gonna have to take up their lifestyle. Every part of it.

If you've ever been to an old southern woman's house, you know how insulting it is to refuse food. It's practically the same thing as spitting on their shoes and slapping them in the face. If you refuse a home cooked meal, especially when you're still considered a 'guest' in the house, you will end up on their bad side.

And Thomas is a Mama's boy, through and through, if his mother doesn't like you, he doesn't like you.

And that mentality is only doubled for the Hewitts. Their family has starved, and if you've ever struggled for food, you understand why they won't let it happen again. I could go into a whole in depth analysis on the Hewitt family and their cannibalism, but let's get back to Tommy.

Thomas doesn't trust people easily. It's in their family, in his blood. The Hewitts (especially after they start murdering people) are suspicious and unforgiving people. People will often assume that they became isolated after the town died out and everyone left, but in reality, they were isolated long before that, as Luda Mae, Hoyt, and even Monty (though much less than the other two) wouldn't tolerate Tommy's mistreatment and abuse.

And as for Thomas' personal distrust, I can almost guarantee there were several times people would pretend to be his friend or even go as far as 'asking him out' only to immediately burst into laughter and mock him the moment he got excited.

Now, he's much more closed off and distrusting of strangers kindness and friendliness.

...But, he's a huge romantic.

He absolutely loves the idea of having someone to love.

His favorite books Luda Mae would read to him as a child were the princess stories. He would dream of being the prince charming, saving the princess from the retched beast so they could get married and live happily ever after.

But, as he got older, he started believing he was better fit for the role of the filthy monster that never falls in love.

Packaging all this up into one neat present, you get a pretty clear idea of what kind of man Thomas is.

So, how does one actually end up in a relationship with him?

It's simple! In the most complicated way possible.

First, is actually meeting him in a none murderer-victim setting, because once you hit that area, there's really no going back. If he's told you're next, you're next.

He's going to be really suspicious of you, no matter what you do really. Even if you do become 'friends', he's a rather anxious man, and he's going to have doubts for a long time.

You're going to have to get on everyone's good side. Like I said before, he cares deeply about his family and their opinions, and being around them and accepted by them is a non-negotiable. And I don't just mean Luda Mae, I mean everyone, including Monty and Hoyt.

Speaking of Hoyt, that will have it's own ground rules as well.

Thomas, despite being a big hunk of a man who could easily toss around someone twice Hoyt's weight, is not the man of the house. Hoyt is like a father figure to him, and he looks up to him. Well, not in every way, but you get the picture.

He isn't going to take well to you bad-mouthing Hoyt. Of course, he doesn't care if you want to rant about the man's annoying presence sometimes, but it depends on how close the two of you are and what you're saying.

If you try to accuse the man of being abusive, or not caring about his family, Thomas isn't going to like it. Hoyt is a mean hothead, sure, and by today's standards, most people probably would consider him abusive to a certain extent, but this is a small southern town in the 1970s.

Hell, most of the 'abusive' traits Hoyt show are still practiced in small towns to this day, and are considered normal behavior. Again, I could go into a whole spiel about Hoyt's character and actions, but I'll get to the point.

If there is one thing true about Hoyt, it's that he cares about his family. Every action he takes is in their interest, and he'd put his life on the line to keep them safe, including Thomas. Hell, he protected Tommy as a kid just as much as Luda Mae did.

So, yea, really any bad talk about his family is going to get you on his bad side.

But, let's say that you follow these rules, and you mesh well with his family and him, how long will it take for Tommy to actually catch feelings for you?

...Pretty much almost immediately.

Thomas is reserved and untrusting, yes, but he catches crushes faster than a Tommy-hater can catch these hands. (for reference, that's really fast)

He's a sweetheart, and eager to be loved and accepted, so the irrational, romantic side of his brain eager hops on the Y/N train the moment you show him any real affection.

But as for actually loving you? That's going to take a really long time.

Luda Mae always raised him on the idea that love can't exist without trust, and he takes that to the extreme. He literally won't consider a relationship with you until he can completely trust you with his whole heart.

And once that trust is earned and the two of you become 'official', that's it. He's in it for life. In his eyes, you're the only one for him, and he takes that belief to heart. So it is extremely important that you only enter the relationship when you're 100% ready. He won't understand the concept of needing a 'break', or time apart. Once you're in it, you're in it, and if you ever leave, there's no coming back, and Thomas will leave your life entirely, with the rest of the Hewitts shunning you as a result.

Because of this, it's also important to remember that there really is no such thing as 'harmless' flirting with Thomas. He doesn't understand the concept of friendly flirting. He's either going to assume that you're mocking him or that you actually do have feelings for him.

Communication is a huge key with this man!!! He doesn't pick up well on hints or social cues. Be up front of and honest about you're feelings or he will have no idea how you really feel, and it'll only cause heartbreak and confusion in the long run.

...Well. Now that I've practically made a How-to Guide on romancing Thomas, I think I'll call it here. Good luck on attracting your local Hewitt boys. See y'all in the next one.

[raven-at-the-writing-desk]

Rook, Ortho: Princess Power

BRUH 💀 Go figure, giving the guy obsessed with beauty two of the least flattering screenshots in his background frames… But hey, his groovy is very different from everyone else’s so far! ^^ Very relaxed and peaceful.

Cbjssbjsjskendb new tidbits about pre-Pomefiore Rook?? He used to cut his own hair with a knife and focused on keeping his bangs out of his line of sight… and he wasn’t as confident about his style (mood). It’s also interesting to know that he started doing ballet on Vil’s recommendation, and that has helped a lot with his posture, working out muscles he doesn’t normally use, and appreciating the art of performances. We love Pomefiore out here breaking gender norms 👊

A Tale as Old as Time.

Rook drew out a longing sigh, gently easing into the quiet of the museum. The soft sound lingered, coiling around his fingers like thread from a spool. It, too, did not wish to part ways with the stunning beauty laid out bare before it.

A fair maiden was framed in shining platinum. Hair black as ebony, lips as red as the rose, and skin as white as snow... Truly, she was the fairest in all the land.

Her graceful frame was folded, kneeling on the forest floor to greet the woodland creatures that had gathered. The pale yellow skirt of her gown spilled out, blue bodice and puff sleeves fitted well by her figure. Her face round and gentle, in spite of the high collar encircling it, crowed by a petite red bow.

Here was pure innocence, a young girl reveling in nature.

“Beauté,” he marveled—to no one in particular, but such beauty warranted verbal acknowledgement.

“It seems that this painting has captured your interest, Rook Hunt-san!” a voice chirped. A neon blue light emanated from the darkness, accompanied by the silver flash of metal.

“Bonjour!” Rook greeted Ortho. "I must confess, I have been enchanted by this particular work of art! The brush strokes, masterful! The composition, immaculate!! The subject—oh, how it makes my heart quiver with nostalgia!! I am a man close to being moved to tears!!”

Ortho curiously glanced at the girl and her animal friends. No strong emotions arose within up from him. Perhaps he did not feel as much, or perhaps Rook felt too much. “Is there a sentimental experience or memory you have related to this painting…?”

“Oui! It is a tale as old as time.” Rook gestured to the snow white young lady. “They say that this maiden was a princess forced to flee from her home country, as a hostile presence threatened her life. She retreated into the woods and found comfort in a humble life there. Her tenacity is most admirable!!”

“Tenacity… That’s the value that Pomefiore was founded on!” Ortho, floating overhead, beamed at Rook. “I understand why you would like that story. It has a good moral that sticks with you.”

“That is the beauty of telling tales! They inspire those who hear of it, ensuring that the spirit of the story is never truly extinguished.” The huntsman’s eyes held a keep glint to them. “Tell me, Ortho-kun. What do you believe makes a princess?”

The boy blinked. A split second, and he had already input the term into an internal search engine, the formal definition loaded up to recite.

“Prin-cess, noun. The daughter of a monarch or wife to a prince. A woman having sovereign power.”

“An efficient, succinct answer!” Rook applauded, his cheer never faltering. “However, my desire is to know your interpretation. In Ortho-kun’s own words, what makes a princess?”

“My own…?” The words stretched, unsure, on his tongue. Ortho hesitated—seeking, processing, and analyzing. Rook’s heartbeat sounded where there was the space for the boy to think.

Then, finally, Ortho spoke.

“From what I’ve observed in movies and books, the princess is a pop culture icon. She’s usually presented as a role model for little girls. Someone who is beautiful, dainty, and composed, wearing a pretty dress and a glittering crown."

A pause. Ortho assessed Rook’s hard-to-read, bright expression.

“… Is that closer to the response you were looking for, Rook Hunt-san?” he asked.

To this, the third year’s lips quirked. “There is no correct or incorrect answer! I was curious to see your perspective. Everyone holds one that differs, lenses of all designs and colors with which to see the world through! You have my most heartfelt thanks for sharing your view with me.”

"Oh, I see! You're collecting data from a variety of sources to compare to a standard." The android (literally) lit up from within. "Let me ask the same back! Rook Hunt-san, what do you think makes a princess?"

"Mon dieu! You've set my own trap upon me," Rook teased.

The Beautiful Queen, the Fair Maiden, Vil, his peers... So many fragments of beauty in his collection. Plucked, collected, hoarded.

He ran a finger along his chin, contemplating. The thoughts assembled like a collage. Ideas taken, cut up, and pasted together into a new, glorious artwork.

"A princess can be many things," Rook declared with certainty. "They are a princess to their very core, even when their power is stripped from them or they are dressed in only ashes and rags. What defines them is not royal heritage or political influence, but the strength of their character, their values and virtues. They are not bound by a singular trait, but are aspirations to all in their own ways."

Ortho's eyes swelled. "Eh...? That's so broad! By your definition, anyone could be a princess—even you or I!”

The huntsman threw his head back and laughed. "Broad it may be, but I am of the opinion that we all have it in us to live up to the title~”

He indicated the woman in the platinum frame. Ortho’s gaze obediently followed. "Even without a kingdom to call her own, she remained kind-hearted rather than turn to cruelty. That is why she was, and always will be, a noble soul. A princess who puts out good into the world.”

“Rook Hunt-san…”

“Ortho-kun!” Rook dramatically extended an arm to him. He was practically sparkling in the dim room. “I, too, endeavor to put out as much beauty as what is gifted to me! That is my one true calling as the Hunter of Love: to not only seek out beauty, but to cultivate and to contribute to it!”

Ortho silently stared. Nii-san did warn me that Rook Hunt-san could be eccentric, but… maybe there’s some meaning to be found in it.

Cutting through the numbers and the formulas that governed him was a fuzzy warmth. Not the familiar jolt of electricity that powered his circuits. It was too wild, too unpredictable.

Something undeniably human.

Ortho let out a giggle. "Hehe. Then you must be a princess too!"

Rook's mouth formed a small "o". Unsubtle surprise—or perhaps purposefully exaggerated. "Me? Whatever makes you think that?"

"Strength of character!" Ortho parroted mischievously. "I've never met someone as uplifting as you are. Rook Hunt-san is the type of person that sees a princess in everyone."

The boy lowered himself to a few centimeters off of the ground, pretending to dip into a curtsey. "Your majesty!"

"Fufufu. You're quite charming yourself, Princess Ortho-kun!" Rook bent into a deep bow. "Most clever in all the land, computing complex problems in the blink of an eye!”

Upon straightening, the third year laid both hands over his heart. He lifted his head toward the painting of the fair maiden in the forest. A serene smile at his lips.

It was as if he was pledging his allegiance, making a vow. A worshipper at the altar to pray.

“May we all live happily ever after,” Rook whispered raptly, “like the princesses of old.”

Forever and ever.

[cynicalalpaca]

I should post this here too, shouldn't I?

Explanations under the cut

Astarion: Thief of Blood.  Along with the obvious fact that he steals literal blood, his initial plan is to manipulate the player into liking him, “stealing” a bond with them for his protection.  And that was basically his m.o. for 200 years.  If he Ascends, he would turn into a Lord of Blood

Shadowheart: Maid of Heart.  I imagine that she’s spent most of her life inverted as a Bard of Mind, allowing her mind to be destroyed by the Sharrans.  The Maid of Heart is, well, made of their own identity.  It’s a creation class, and Shart is spending the rest of her life creating herself.  If she became a Dark Justiciar, she would remain a Bard of Mind

Gale: Mage of Light.  The active understanding class and the knowledge aspect fit the resident nerd of the group, don’t you think?  He’s probably the smartest party member (in terms of academic/theoretic knowledge) and uses that knowledge to power his magic.  In addition, Light is associated with relevancy and acknowledgement and boy oh boy was he desperate for Mystra’s.  If he becomes the God of Ambition, he would turn into a Lord of Light

Lae’zel: Prince of Breath.  I know the general understanding of Prince is that they destroy the aspect, but I understand them as also being able to destroy through use of their aspect.  Lae’zel is destroying Vlaakith’s empire by freeing the githyanki people and leading a revolution.  Maybe a bit of a stretch, but I was trying to avoid overlap for the origin characters.  I could also see her as a Knight or Prince of Blood

Karlach: Knight of Rage.  She’s a berserker, she fights by utilizing rage.  And the popular idea that Knights start out lacking in their aspect is pretty apt too, she’s an extremely positive person while Rage is all about more negative emotions.  I think she might ghost her inverted class- Rogue of Hope- but never fully inverts, just toys with distributing hope and positivity.

Wyll: Heir of Hope.  I fully admit Wyll kinda got the short end of the stick as he was the last character I did, but I do think it fits.  Heirs passively manipulate or inspire their aspect in others, and Wyll fights for the people as the Blade of Frontiers, inspiring Hope in those he protects.  I could also see him as a Blood aspect, as so much of his story deals with his bonds- to his father, Mizora, Baldur’s Gate and the people of the Coast

Minthara: Maid of Doom.  This is where I stopped caring about overlap lol.  Minthara is your most “evil” companion and one who approves of killing people in your way.  Doom was a pretty clear choice for her, being the Aspect of death, but also dealing with systems and authority, like the Cult of the Absolute and her place in its hierarchy.  As for her class, Maids create their aspect and make it a core part of themselves.  Minthara has been surrounded by death and hierarchies her whole life, having been born to a high ranking noble house in Menzoberranzan, leading to them being a very core part of her being.  I can also see her vacillating wildly between Maid of Doom and her inverse, Bard of Life, because she’s just that chaotic.  They both deal with death, but the Bard is a bit more passive about it, allowing others (the Cult, the player) to take lead on the killing

Halsin: Knight of Breath.  Again running with the “Knights lack their Aspect” theory, Halsin starts the game lacking the freedom he desires.  He’s literally imprisoned by the goblins, but he’s also constrained by his role as Archdruid, almost toying with his inverse of Rogue of Blood.  He craves the freedom of nature and jumps at the opportunity to gain it.  You could also argue wildshape is a form of freedom (both of form and of self) that he uses to fight.  There’s also his talk of polyamory and how he doesn’t want to be tied down.  Freedom is a recurring thing with the guy

Jaheira: Witch of Life.  Life is a pretty clear choice for a druid, as Life deals with flora and fauna.  Witch is the active manipulation class, and Jaheira is introduced manipulating plants to hold the player.  Additionally, she’s shown nurturing life by caring for various children in Baldur’s Gate, sorta like how Feferi took care of various marine animals

Minsc: Knight of Hope.  Okay this was the hardest one for me because I don’t fully get Minsc.  I’ve only played BG3, I don’t know him from any other games or comics or whatever.  But from what I do know, he was obviously one of the more offensive and active classes and Knight seems to fit him best.  He utilizes Hope- usually in the form of others’ trust in him- to fight.  Without that trust, he wouldn’t be as effective, he always fights best with his companions.  He’s also just a happy, up-beat guy, and Hope is largely focused on positive emotions

Boo: Lord of Doom.  BOO DECIDES THE FATE OF ALL.  HE HAS ULTIMATE SAY OVER LIFE AND DEATH

[evillemons]

WHAT A RELATIONSHIP WITH JUNGKOOK WOULD BE LIKE (JK pt. 2)

~ based on his ideal type as described in part 1, continued into part 3. Masterlist here.

• I do imagine JK as having gone through a fuckboy phase before finding “the one”, taking home random women that came onto him frequently. HOWEVER, if he really likes someone, he would revert back to the shy, slightly intimidated romantic cutie that he is on the inside.

• He really would be obsessed with her and think about her all the time.

• Would attempt to woo her with flowers, romantic dates, moving furniture into her new apartment (drooling over this visual), and being excessively eager to help with anything she needed.

• He wouldn’t stop until she fell for him (think of the Seven music video).

• He’s aloof and unserious on the outside which may cause her to feel reluctant in the beginning, but she would inevitably give in to those big, sparkly, adoring eyes and polite demeanor.

• Seriously, who can say no to those puppy eyes.

• I imagine he would like more activity-oriented dates like attending a local fair or hiking. Games together, too, when the relationship is more established (which he would purposefully lose to make her happy (which is saying a lot considering how much he loves to win)).

• I can see him wanting to assume the “traditional” masculine relationship role of paying for dates, picking her up at her door, serving as the protector etc.

• Despite who’s looking, he would grab her waist and sit her in his lap, put his arms around her, or kiss her neck whenever he felt like it (almost a little territorially).

• Lots of teasing and little pranks or jokes.

• Would fall asleep with his head in her lap during a movie after working himself to death all week.

• He can honestly be a little bit of a brat, but is too cute and sweet to stay mad at for too long.

• Weekly gym dates (to which he would probably be in awe of at the sight of her in fitted clothes).

• Jungkook is one pretty man, but god would he be a high maintenance boyfriend.

• He requires a lot of attention and reassurance, and he would no doubt get jealous easily.

• Out of all the members, I see him as the most confrontational if someone came onto her. He might punch someone if he’s really angry.

• God forbid someone makes her cry… prepare to die.

• Arguments between them could get loud and quite heated, but afterwards he would come to her meek and slightly teary eyed, telling her how sorry he is and how much he loves her.

• I’m not sure where he would fall on the spectrum in terms of publicizing the relationship. He would receive the most backlash by fans for sure, but I also don’t think he would care what others have to say if he really loves her.

• Similar to V, there could be potential for an unhealthy dynamic given his lack of experience at “normal” life, so she would need to be patient and mature with him and they would need to be able to communicate well.

• Although he can be a little needy or possessive, when he falls for somebody, I think he would be incredibly sweet, loving, and loyal and want to give her the world.

[miss-atena]

After a while of trying, I ended up uninstalling Twitter again. That app is not for me lmao.

On the other hand, though, I am feeling quirky and want to make a new HCs post of creepypasta. So...

Creepypasta characters soft spots*

Featuring: Jeff the Killer, Jane Everlasting, Nina the Killer, Homicidal Liu, Sully, BEN, Eyeless Jack, Laughing Jack, Laughing Jill, Candy Pop, Jason the Toymaker

* bear in mind I make them a tad bit fucked up in the head, so beware (though it IS Creepypasta)

Tw: slightly graphic canibalism description, mentions of abandonment trauma, canon like control freakiness on Jason's part

Jeff The Killer - expressiveness and not being easily intimidated

Jeff is a pretty... Expressive guy, to not say a huge asshole with a big ego. And even though he might not say it, he does admire someone being expressive. It took him a long time (and a mental breakdown) to start expressing himself how he wanted to. If he meets someone that is expressive be it verbally or physically, he will end up circling around them more often than others.

Hand in hand with that, if the person is not easily intimidated and has the courage to talk him out of his mean comments, he might as well ask to be friends with them. As much as he denies it, he enjoys not scaring someone by being himself from time to time.

Jane Everlasting - housekeeping skills and good music taste

Jane is not the easiest person to get along with. However, if you know how to work a stove, and knows that x product is better at cleaning windows than y, she finds than entertaining. She misses Mary so much, and having someone that reminds her of Mary, it warms her on the inside.

This is more of her being a bit of a nitpick, but she despises having to deal with screamo or those techno songs. She deals with it too much from the others, so having the chance to listen to classic romantic ballads, or some soft Jazz while reading a book, by her fave person's side, and not having a complaint at all? That's a dream. One that seems so far away to her reality, being near so many emos

Nina the Killer - foot on earth and alternative fashion

If you stayed even 5 minutes with Nina, you would understand why she appreciates someone hard on reality. Nina is easily enthusiastic and also impulsive as fuck. So having someone to keep her from breaking the whole house down, or to make sure she doesn't throw someone out of the second floor window, it really helps her out in the end, and she knows it.

Nina, although she is slowly getting better at keeping this down, is still a bit obsessed with Jeff, so alternative styles like emo and her beloved Scene style, it makes her feel like she is right up her alley. She would pick matching fits for you two, and also make a whole blog just for pictures of you two with very 2000s core stuff. Plus: hot topic dates.

Homicidal Liu - respectfulness and good cooking skills

Liu has gone through a lot of traumatic events, all his life. Some he holds the memories, after alter fusion, and others... Not so much. But what he does know is that disrespect towards his person, and what he has gone through, is something he doesn't want to go through never again. So being respectful, in the sense of not narrowing him to DID guy, or to murderer, it makes him genuinely happy.

Liu misses his family, even though it wasn't the best family. It's been 11 years since he lost all his family, so sometimes he will try cooking food that his parents used to make. However he... Is not the best cook. He tries, he really does, but it's not his thing. So having someone put the time and effort to do this small act, of cooking him the food that he misses since a teen, it makes him have butterflies. Plus, seeing his lover in an apron sounds cute in his mind.

Sully - strong morals and dark humor

Sully may share a body with Liu, but he is still his own person, as an alter. And most importantly he is the system protector. It is his role to make sure no more trauma is suffered. So, having a lover that understand that and agrees with him, it is a sight to behold to him. And most importantly, having someone that understands and respects the boundaries he puts, which are many, is important for him.

Now... The system is rather small, and so Sully is a trauma holder alter. But... His method of coping with that trauma is mostly through dark humor. Jokes about his trauma done by him or the body, is the way he knows how to cope and, in his eyes, not turn into a monster like Jeff, which he despises. Having someone letting him indulge in his not healthy but necessary coping mechanism, and even joking around with their own problems, it ends up in a great pair for him.

B.E.N._drowned - Sass, nerdiness and night owl

BEN is not really a human, and although he sometimes can be very human like due to the Moonchildren Souls, the one in control is still the Behavioral Environment Network. So he has the power to be as mean as he wants and not feel remorse. Though as a behavioral AI, he can react in many ways depending what his code finds most fitting. He didn't start liking sass, but after being around Jeff and collecting data to act based on that, besides the souls, he ended up sassy, and enjoys now having sass thrown back at him. It is a familiar environment, which is something he sometimes need.

He is based around on TLOZ, and his souls had that common interest besides other games, so of course he wants a gamer to fit with him. He doesn't sleep, so having someone also be a night owl and stay the whole night spending time with him, letting him learn their functions and behavior, it makes him enthusiastic, as much as malevolent code can be.

Eyeless Jack - Patience and a hard stomach

Jack, different than a lot of the others, didn't want to be here at first. And as such he isn't the easiest to approach, sometimes being plainly reclusive, and others being aggressive. Having patience but still perseverance to approach him at his own time, and let things go in his time, it makes him trust you even more.

Jack, as we all know, is a human eating being. Not sure cannibal is the right term since he isn't a human anymore, but I'll use it for now. As a cannibal, it is not easy to be around him sometimes. He is not afraid to eat in front of others if needed, or to harvest organs out of a human carcass. If you can endure at least the putrid smell of organs and blood, than you will find EJ to not be he worst to be around.

Laughing Jack - playfulness and clingyness

LJ is, as we all know I assume, a clown! So what would I clown like to be around? People who know how to have fun, of course! Playful battering, joking around, a good sense for a performance, this are all things that, summed by playfulness, make Jack feel alive. The feeling of succeeding at making his lover laugh till their cheeks turn red, it is a sight to behold to him, so having a good sense of playfulness makes things a lot easier.

On the other hand, Jack was once abandoned for years in his toy box. He grew to feel lonely, sometimes even around others. Having someone being close to him, even when not the best option to do so, and the feeling of being wanted all times. It does magic to the clown.

Laughing Jill - good sense of humor and optimism

Jill, like Jack, is a big clown lady and as such, she loves to make people laugh and have fun! She isn't the fondest of the more mean plays, but she does love striking jokes around, so having a good sense of humor is the best option of a pair for her!

Although she was made to be happy and make others happy, she can have negative emotions too. But having someone that will make sure to let her know that there is light at the end of the tunnel, and give her the care she gives to others, it is truly special for her.

Candy Pop - chaotic nature and being laid back

Candy is to an extent a genie like entity. And as such, they love to bring chaos, and distort stuff to their amusement. And as such, having someone that matches their personality is what they want. C'mon, who doesn't want to see what can happen if they inflate their head like a balloon? I do.

As such, someone strict to the rules, and someone that wants them to be in line at all times bore them if not anger them. They need some semblance of freedom. Being laid back, doing your stuff when they do theirs, and uniting forces to end get out of trouble, that's love to them.

Jason the Toymaker - size difference and art appreciation

Jason is someone that likes to feel in control of any and all situation. He is a manipulators, so making sure he is the one up top, it's what he wants ever and ever. Having someone smaller than him, it gives him a semblance of control, even if only illusory. It plays in his control freakiness.

As a toymaker, he is an artisan. He loves to create intricate toys, which are pieces of art in itself. Having someone that appreciates it and praises him for it, it boosts his already inflated ego. He might plainly squeeze you for your praises, as a thank you.

That's all I got for now, might do some others plus the proxies on another post.

Reminder that it is cool if you don't agree or like these, y'all can have your own opinions and it is very valid! This is how I like the characters (aka sick in the head).

[aioliravioli-69]

Detective Noir AU

Alright, this au has been sitting around, waiting for me to finish it but chances are, I never will :((

So instead, I'll just post what I have so far

This was inspired by that one comment on the au post the author made(at this point you could consider me a stalker for the amount of hours I've scrolled through her feed💀)

First things first, none other than our main character himself, Detective Hollow!

I made him the detective in this one mainly because I was basing it off of the theory that if there was no heroine the keyholder would simply become the hero instead(don't remember where I read this but I'm guessing it was the webtoon comment section).

I also my have just really wanted to draw him in an overcoat

gonna be honest, I did little to no research going into this AU, the thing I most tried to learn about was the femme fatale so I could get a good view on how to design Buddy

Speaking of the femme fatale:

Seems like someone got caught in the spotlight!

And before you ask, yes, those are pants. Weird ones, but pants nonetheless. I swear, I hate lighting when it's from the front. Frontal lighting can go fuck itself. Please ignore the little help lines I put in

Honestly, Buddy's outfit was probably the hardest part of this one. I wanted him to look slutty, but I didn't want to make it TOO slutty, but I feel like I may have added WAYY too many folds in his pantsuit and I kinda messed up on the overcoat lol. The diamond on his chest was inspired by the diamond on the villainess key more than anything and I tried to incorporate that into his gloves too.

Anyway, have some potential outfit sketches I made:

the two I thought might come off as too slutty and

the ultimate winner of the outfit ideas

As you can see the diamond chest window and fur coat were a mut in this outfit and I'm pretty happy with the end result

Y'all know how the femme fatale usually has to seduce the main character a.k.a. the detective?

Well, y'all know me so have an extra just for you <33

But I'm not done just yet!

Remember how I said that I made Chase the hero because of the lack of a heroine in the story? Well...

I did some more surface level research(and I mean very surface level) and decided to adapt the trope of the girl-next-door archetype for him!!

Don't think it suits him, since they usually just sit pretty and wait for the detective to notice them, but they do have badass roles once in a while and I live for those!!!

The one Chase has taken on doesn't though sadly :')

I decided to go with Charlie Hollow for this one because it sounded more like something the timid and 'pure'(yuck I know, but sadly film noir movies often prop up comparisons between the femme fatale and the girl-next-door, this being one of them) girl next door would have

Overall I tried to make this one as cutesy as possible because, why not lol

Lastly(I apologise, I made this in a rush because I was running out of motivation)

The distance between Buddy and the detective sure did close QUICK-

Originally I was planning on adding Deacon as a police officer and now that I think about it I could technically fit Prunella in here as well, but I just don't have any willpower left to keep this thing alive

My art blocks been acting up recently and I can't even pick up the pencil without immediately wanting to put it down :((

I wish I could have continued this and maybe I will someday, but until then this'll just stay in my drafts

[justsomeoneintoomanyfandoms]

Headcanons for @chantillymoon

This was really fun to do! I am currently up to episode 261 of One Piece (Water 7) so please keep that in mind while reading. Because I haven't officially met Brook yet, all of my headcanons are based on what I've read in fanfics and a bit of research so hopefully I'm not too far off.

Platonic headcanons on the rest of the Straw Hat crew can be found here!

Fandom: One Piece

Characters: Brook and Usopp x gn! Reader (separate and platonic)

I see Brook as someone who’s always got a song stuck in his head. And he’s going to make it everyone’s problem. But is it really a problem when he actually has the voice for it? Yes. Yes, it is. Especially when you’re listening to him humming the same part of that one song for the tenth time that day.

At the same time, he’s great to have around if you’ve got a song stuck in your head. Brook knows so many songs that you’d be hard pressed finding one he couldn’t sing for you. And if he doesn’t know the song, he’s pretty good at picking up tunes quickly.

Have sore muscles? Those bony fingers are great for digging into twisted muscles and sore spots. Brook may have gone through a lot because of his Devil Fruit but he’s glad he can do something with it to help his friends.

He’s got a surprisingly good eye for fashion…if he had eyes! In all seriousness, please take him with you next time you need to go shopping for clothes. Between him and Nami, you’ll get back to the ship with a whole new wardrobe full of amazing clothes that suit you perfectly.

Whether you’re quiet or talkative, Brook loves just being in your presence. If you’re on the quiet side, he likes the tranquillity of sitting in companionable silence with someone. And if you’re talkative, he enjoys listening to everything you have to say.

Similarly, Brook’s great to talk to if you want to get anything off your chest. He’s a good listener and won’t spread around anything you’ve told him unless he thinks it could harm the crew (even then, he’d most likely keep it secret for a while). He also gives really good advice.

Brook missed out on a lot during his time in the Florian Triangle so he enjoys having a younger friend to help bring him up to speed. That being said, he’s an absolute menace with the way he mixes slag from his era with modern day sayings. Think something along the lines of “oh, they know their onions, they're no noob” and "ok you cad, time to catch these hands".

If you want to learn how to play an instrument or sing, Brook is more than happy to help. He’s had decades of practice and, even though he’s a bit rusty at explaining things to others, he’s patient and dedicated to teaching you.

Everyone has that one artist friend. And Usopp definitely falls into that category. He’s constantly got a sketchbook with him and will draw anything and everything. If you’re also into art, you’ll definitely bond over that.

Will absolutely hid behind you in battle. Whether you’re taller than him or not, he feels comfortable enough around you to chose you as his hiding spot.

Makes up stories about your bravado and wild adventures as well. While the other straw hats might react badly to Usopp telling stories about them, even if they are meant to improve their reputation, he hopes you will react differently.

In the same manner, Usopp would love to practice his pre-battle speeches with you and get some feedback. He’s a theatre kid at heart but he needs someone he trusts to work on his lines with. As one of his closest friends (and someone hopefully less judgmental than Nami), you fit that description.

He is also the perfect person to tell you stories about the other straw hats, especially if you joined later. He’s an entertainer and, even if he exaggerates his role in events, you’re able to piece together their adventures to date.

Much like Brook, Usopp has a good eye for fashion, but more from the perspective of figuring out what colours and patterns go together. If you’re struggling to put together an outfit, he’s more than happy to give you his two cents worth.

Gossip buddies! If you like gossip or have a way of knowing things about people, you, Usopp, and Nami are the designated “gossip squad” of the straw hats. Usopp is always a good source of information, even if he tends to embellish sometimes.

If you have long hair and don’t feel like tying it up, Usopp should be your first port of call. Sure, Sanji’s amazing with styling hair but he’s usually busy in the kitchen and Nami and Robin usually wear theirs down. Usopp has the free time and skills to help you out. Fair warning though, he may get carried away by his creative tendencies.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hey, did you enjoy this? If you like my writing, please consider donating to my Ko-Fi page! This will allow me to make some money off my writing, something I enjoy doing.

ko-fi.com/justsomeoneintoomanyfandoms

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[goingbuggy]

Shanks' Savior Complex

A few months ago, I posted a joke tweet about Shanks’ savior complex and Buggy’s inferiority complex. While Buggy’s feelings of inadequacy are pretty obvious in the source material, Shanks is constantly evading serious analysis because of how little he appears in the manga and how nebulous those few appearances are. So, naturally, I was met with a lot of confusion. (What do you mean by ‘savior complex?’ Why Shanks specifically?) I thought I’d address all that now in one comprehensive, all-inclusive post.

Before I dive in, please note just a few things:

A SAVIOR COMPLEX is a pattern of unconscious behaviors. It is associated most often with self-sacrificial people – those who help others even at the cost of their own personal well-being, mental or physical.

Within the field of psychology, ‘complexes’ are just constructs. My goal is not to diagnose. Rather, this post is a conceptual analysis using the idea of a “savior complex” to better explore Shanks as a character.

Now that all that’s out of the way, let me begin!

For a character who is so significant in the grand scheme, Shanks is remarkably absent for the better part of One Piece. Really. He is so nonexistent, actually, that the first chapter of the manga is probably the most we’ve ever seen from him uninterrupted. This is for good reason, though; Shanks is the catalyst for Luffy’s entire journey. He owes a lot to Shanks: his devil fruit, his life, and even his dream, to an extent. Luffy learned a lot about being a captain from Shanks, and much of his advice – like picking and choosing your battles, for example – Luffy puts to good use later down the line.

So, considering his role as Luffy’s mentor, it’s fitting that Shanks’ character is defined by RESPONSIBILITY. He’s goofy, sure, but don’t let that devil-may-care attitude fool you – Shanks is a knowledgeable pirate, grounded by the weight he carries. His dialogue and actions throughout the first chapter reflect this. When Luffy demands to be taken out to sea, Shanks refuses, claiming he is too young. While the rest of his crew wax poetic about the freedom and joy of being a pirate, Shanks is the one bringing them back down to reality, telling them not to fill Luffy’s head with “crazy ideas.”

Those who know him best seem to agree. “The captain’s just doing what’s best for everyone,” Beckman states. “The safety of the entire crew and ship rests on his shoulders.”

Although Shanks is realistic, he is not a pessimist, and he certainly still values dreams. Let’s not forget: Shanks entrusted Luffy with Roger’s hat. Not only that, he asks Luffy to give it back when Luffy has become a great pirate – not if. Of course Shanks has hope for the future and the new generation. He's just also experienced enough to know the dangers and horrors of the current world, and curbs his own expectations as a result. Yet again, Beckman reinforces this when he talks to Luffy.

The future needs a strong foundation. Anything is possible, including what Luffy wants to achieve, but there are necessary sacrifices to make dreams a reality.

I believe Shanks sees himself as one of those necessary sacrifices.

Oda may not have envisioned Shanks losing an arm in the original draft of the story, but this decision sets a precedent going forward, for both Shanks as a character and the series at large. Sacrifice is at the core of One Piece’s identity; previously, I’ve discussed its emotional significance as an act of love. But sacrifice also serves as the foundation for the new generation. Corazón’s sacrifice, for example, enabled Law to outlive him and change the future. Toki and Oden’s sacrifices enabled their children and the Nine Red Scabbards to change the future. Queen Otohime, Fisher Tiger, Shimotsuki Yasuie… although these characters died without ever seeing the future they hoped for, their sacrifices are the foundation upon which their successors enact change.

And who do we also see facilitating the changing world, ensuring the “new age” succeeds?

Shanks.

Whenever Shanks reappears in the manga, it is usually on the precipice of a dangerous conflict, or at exactly the perfect moment to intervene in said conflict. Take Shanks visiting Whitebeard, for example; here, he attempts to navigate the growing tension between Ace and Blackbeard, which eventually results in the war at Marineford. Although he fails at convincing Whitebeard to stop Ace’s revenge quest, it’s clear that Shanks has a vested interest in balancing the current forces at play, including marines and pirates.

At Marineford, not only does Shanks intervene to stop the war, but he saves Koby, a member of the new generation who will undoubtedly change the future on the marines' side of things. His words also reflect my point about sacrifice as a foundation for change. As he stops Akainu, he praises Koby for putting his life on the line: “The seconds of courage you bet your life on creating, for good or bad, have just now greatly changed the fate of the world!”

This aspect of his character remains consistent in Film Red, too. Even though he has grown to love Uta as a daughter, Shanks still encourages her to stay behind because her singing brings happiness to a world where "peace and equality don't exist." Afterwards, when Uta causes the massacre on Elegia, Shanks shoulders all the blame, effectively hiding the truth to protect her. He sacrifices his own connection with his daughter for what he believes is the greater good. Note that Shanks’ own personal feelings on that decision are never explored or discussed; obviously, Shanks loved his daughter, and it's safe to assume he didn't want to leave her. But he set aside his own happiness and made the hard choice anyway. (Sound familiar? The "savior complex" alarm bells should be ringing in your head.)

Even as an emperor, Shanks sacrifices his own strength, influence, and reputation. His fleet is “notoriously weak.” The pirates within it even admit that they never would have survived this long without Shanks protecting them. This fleet is another responsibility weighing Shanks down, and yet he takes on that burden anyway for their sake. 

We don’t have the full context behind Shanks’ decision at Loguetown either, but it’s likely that his refusal to go Laughtale right away ties back to responsibility, too. We know whatever Roger said to Shanks the day their crew disbanded rendered him to tears. (Did Roger’s answer to his question change his mind?) We also know he regards Luffy as Roger’s successor, and claims Luffy acts just like he did as a kid. (Shanks "crowning" Luffy with Roger's hat also parallels Shanks' moment with Roger visually, placing them in similar roles.)

Given this, it’s possible that Shanks believed he could take on Roger’s legacy, but later realized he would not be the one to change the world. Roger might have even tasked him with finding the “true” successor, who will “turn the world upside down.” (Shanks’ fixation with the “new age” would also make sense in that case.) This is all speculation, but I thought I’d throw it out there anyway, because if this were true, Shanks would have sacrificed his own dream for the sake of the world. (Very fitting!)

But how does Shanks feel about his role in the bigger picture? The short answer: we don’t know, and I think that’s purposeful. Oda consistently draws Shanks looking wistful and resigned when it comes to his choices; although he has severed relationships and damaged his body, not once has he expressed resentment, anger, or sorrow. In fact, he's usually smiling.

Shanks also has his own monologue where he discusses the act of crying.

If you apply his advice to his own character journey, it raises a lot of questions. Does Shanks view his current sacrificial actions as “overcoming” his own tears from back then? Is that why we so rarely see him cry now? Considering how reserved Shanks is in expressing negative emotions, I think it’s possible. His emotional restraint could also be seen as “saving face” for the sake of others – something I’ve discussed before. That is my own interpretation, though, so take it with a grain of salt. 

Speculation aside, Shanks has shown time and time again that he prioritizes the future over his own life. His dedication to/fixation with the "new age," his role as a mentor, how he believes in putting his life on the line and "overcoming" negative emotions... these indicate a pattern of behaviors seen in those with savior complexes. Even if it's at the cost of his own mental/physical well-being, Shanks plans to facilitate the world as Luffy changes it.

Is the "new age" his dream, or did he sacrifice his real dream for the sake of the new age? Does that dream even matter to him, anymore? The reasoning for Shanks' motives is still unknown, but the answer must lie in whatever mysterious question he asked Roger – otherwise, why hide the context for his massive turnabout at Loguetown? Once the curtain is drawn back on that moment, I think we will begin to see Shanks in a new light.

[autumnwhistles]

Last Life: The Musical – Audition Masterpost and Song Info (1/2)

Part 2 – please check this out too!

Lots of people have been asking me about auditions for this, so I've decided to make a masterpost. Auditions will be opening sometime within the next week – the specific end date will be specified on the audition form, since it depends when it's sent. It'll likely be three weeks from when the form is sent out.

The Process

There'll be a form posted on my blog. Follow the instructions, answer the questions and fill it in.

You don't have to audition for both speaking and singing roles – there will be opportunities to audition for both, and the same character may not have the same person playing both parts. Likewise, you an audition for vocals for one character and speaking roles for another.

For vocalists: There are no set audition songs. This stage is all about me seeing the different qualities of people's voices, and matching them to characters that fit what I hear. You can specify any preferences, but you may not get them – however, if there are characters you really don't want to play, I will honour that. Because of that, please just sing a song or an extract of a song in a style you're comfortable with (if auditioning for vocals). This should be minimum one minute long, and though there is no maximum, it would be nice for it to be around 2 minutes (though you can very much go over). Try to keep it to one form.

If I think you would fit, I may contact you to be involved in the Watcher Chorus as well – there are no auditions for this, however, and you can turn it down (there's a lot of singing).

For those auditioning for speaking roles: this will take preferences into account more, though I will contact you if I'd like you to try out for somebody else. Please find an extract of the role you want speaking – this can be in a video or in a highly in-character fan work, since those provide good material, and record it. You can submit multiple forms if you're auditioning for multiple speaking roles, due to the higher specificity of audition material.

Note that generally, speaking roles are much more minor than singing roles!

If you're auditioning for both, do both – this is pretty self-explanatory.

You must have a good quality mic, or access to one, to audition. Please have access to discord as well, since everything will be done there.

If you need further information, DM me either on here or on discord (songofthesky_)!

This is all for Stage 1 of auditions – to those who I'm considering for parts, I'll contact you a few weeks after the submissions have ended to describe the next steps.

To help people get an idea of what each part entails, a list of songs, their descriptions, and who sings them is under the cut. I've tried to arrange it so the people who are mentioned first are the people that get more lines. Bear in mind not all of them have names yet!

(There will also be a part 2 coming sometime this week with general atmospheres for each character's songs (only those with solos or duets, as this doesn't apply to those in only group numbers). This should also help you get an idea of what each part entails. However please note these are only getting across the atmospheres, not anything more specific – it's generally to help decide if there's someone you don't want to sing than someone you do.)

Finally, the three characters with the most singing and plot relevance are Martyn, Scott and Grian (in that order) – consider this when auditioning!

Act 1:

Overture/Middle of Nowhere: We’re introduced to the Last Life world by the Chorus as players spawn in. Martyn seems to hear something, but brushes it off. [N/A – finished]

Corners of the World: Through Martyn’s perspective we’re introduced to players and their alliances. He meets Scott and Pearl and chats to them for a while, before heading with them to spawn. Martyn, Lizzie, Bdubs, Etho, Joel [sung]; Martyn, Scott, Pearl [spoken]

“Tales: Down In The Mines″/”The Boogeyman”: At spawn, Bdubs narrates his experience with the boogeyman curse. Grian then shows up, narrates his own experience as the victim, and all around the map the players express what they’ve heard about the Boogeyman curse themselves. Bdubs, Grian [sung – solo parts]; Martyn, Scott, Pearl, Jimmy, Scar, Mumbo, Impulse, Tango, Skizz, Etho [sung – make up a player chorus]; Etho, Grian [spoken].

“A(ha)lliances”: The Southlands ally, making a-ha jokes. Meanwhile, Pearl and Scott solidify their alliance via Pearl gifting Scott a life. Martyn, Grian, Jimmy, Impulse, Mumbo, Scott, Pearl [sung]

“You Bet Your Life”: Tango introduces his game, the different attitudes to it showing us different traits of the characters. Tango [sung].

“The Table Song 1″: Now some time into the series, the Chorus updates us on the alliances that have formed: the Fairy Fort, Team BEST, Magical Mountain, Scott and Pearl, and the Southlands. It also chronicles the journey of the Enchanting Table, now in Magical Mountain, and the Southlands’ trip to enchant which ends with Scar’s Boogeyman kill. Chorus [sung]; all players [spoken, very brief]

“Our Will Be Done (Precursor 1)”: Martyn hears a mysterious voice speaking to him for the first time, telling him to give Ren some Nether Wart. He does so. Martyn’s voice, Martyn [spoken]

“Tales: The Three Skulls”: Seeing Martyn a little distracted (and probably sensing some Watcher influence but shh), Grian offers a bit of excitement to him and the rest of the Southlands: he’s come across news that it is possible to raise a Wither, a mystical being of destruction – which they could use to get the upper hand on others should they need it – and that they only need to gather 3 Wither skulls to do so. Martyn is distrustful of his intentions. Grian, Martyn, Jimmy, Impulse, Mumbo. Grian has the vast majority of lines.

“Debts (instrumental with dialogue)”: Martyn extinguishes Ren’s burning tower and Ren tells him of his alliance and pledge to Lizzie, reminding him of his time in 3rd Life. Martyn, Ren [spoken]

“In Spring We Met”: After returning to the Southlands, Martyn thinks about the conflicting loyalties he feels between the Southlands and the remaining ties he feels to Ren, despite it being a new life. As he falls asleep, the voice whispers to him about betraying the Southlands and forming an alliance with Ren to suit its own goals. Martyn [sung] 

“The Table Song 2″*: The journey of the Enchanting Table is further chronicled, coming into Scott and Pearl’s possession, who then sell it to Lizzie for a life each, putting Scott up to the same number of lives as Martyn, 4. Chorus [sung]; Scott, Pearl, Lizzie [spoken]

“Green, Crimson, Gold”: The Chorus informs the viewers about more of Joel’s situation – loosing four lives in a single session after rolling Boogey, chronicling each one. News of a Red name is spread throughout the server, as is the mantra of staying away from and severing ties with all Reds, as they can’t be trusted. Chorus, all players but Scott and Joel (singing); Joel, Scott, Pearl [spoken] 

“Their Dubious Game”: Scott – now on 4 lives after trading the enchanting table to Lizzie – hears the words being said about Joel, and is also reminded of 3rd Life, recalling how despite his partner turning Red early on, this didn’t seem to lead to a change in loyalties, only capabilities. He begins to realise that this was the case for all Reds back then, and begins to doubt the rules all the players somehow ‘know’. Scott [sung]

“A(ha)lliances (Reprise)”:  Time passes, and Martyn grows closer to the Southlands. However, he’s still meeting up with Ren who offers to introduce him to Lizzie and the rest of the Fairy Fort, potentially considering a betrayal. The Voice prompts him to accept this, as they can be useful in its plan. Martyn, Grian, Jimmy, Impulse, Mumbo, Ren [sung]; Martyn's voice [spoken]

“Their Delicate Game/His Dubious Game”: Martyn comes back from a meeting with Ren just in time for a Southlands meeting, in which Grian informs him and the rest of the Southlands that he has two things to tell them – the first of which is that he’s discovered a way to go beyond the borders of the world. They do so, Grian expressing how it is possible (and enjoyable) to break the rules set out for them – Martyn thinks about this. Grian then informs them of his second piece of news, that Scott and Pearl are in possession of a Wither Skull, and expresses his desire to retrieve it, giving the task to Martyn, Impulse and Mumbo go. They do so – however, Martyn secretly intends to destroy it because of how unprepared everyone is for a Wither fight, and possibly because he’s not entirely on the side of the Southlands, either. Grian, Martyn, Jimmy, Impulse, Mumbo [sung]

“[Unnamed Song]”: The three are found out by Scott, and Impulse and Mumbo flee. Scott informs Martyn that Grian also has a Wither Skull, and Martyn immediately gives the skull back, not knowing Grian already had one. The two talk about their distrust of Grian and his desire to bring complete chaos to the server. However, that night (post-song) the Voice informs him that its goal is to watch the server burn. Martyn, Scott [sung]

“Northern Lament”: Joel, still the only Red, is getting progressively angrier about being treated the way he is simply because he’s a Red name. At the bottom of the mountain, he pledges to get some more allies soon. Meanwhile, Scar, at the top of the mountain, is musing about the same things – he’s also alone because of distrust, but part of the isolation is also because he has the highest life count of anyone, at 7. Joel, Scar [sung]

“The Table Song 3″: The Chorus further chronicles the Enchanting Table’s journey, now in the Fairy Fort, where two members – Ren and BigB – are chosen as the Boogeyman. Team BEST visits and Bdubs gives a life to Lizzie in exchange, giving enchanting to everyone free of charge. Ren manages to kill a member of Team BEST, Skizz, but BigB has not gotten a kill yet, and the session is nearly over. He catches sight of his closest ally Cleo by the side of Ren’s pit trap. Chorus [sung]; Lizzie, Ren, BigB, Cleo, Skizz, Bdubs, Etho, Tango [spoken] 

“Green, Crimson, Gold (Reprise)”: Cleo, now Yellow, arrives at Scott and Pearl’s base informing them of BigB’s Boogeyman kill on her, wanting to cut ties. Scott and Pearl accept (song intro). Meanwhile, Joel is getting desperate for allies, now hunting for Yellows to convert to Red with him. Hearing about Grian’s wither skull, he goes to the Nether, where Grian and Mumbo are building a Ghost farm, and shoots Grian off the edge, turning him Red. BDubs, fighting in the Nether, falls and turns Red too. When heading to Scott and Pearl’s base, a Yellow Cleo is killed by Joel’s trap. Chorus, Cleo, Scott, Pearl, Joel [sung]; Grian, Mumbo, Bdubs, Cleo, Joel [spoken]

20. “Friends”: The Southlands are informed of Grian’s death, and, now Red, Grian is to be exiled from the Southlands. He desperately tries to kill Mumbo as Impulse and Jimmy arrive, asking if they can still be friends, while Scott and Pearl mourn the loss of a friendship with Cleo, and Martyn is introduced to the rest of the Shadow Alliance under the gaze of the Moon, giving Ren a life. Grian, Mumbo, Jimmy, Impulse, Martyn, Scott, Pearl, Ren, Lizzie, BigB, Chorus [all sung]

Act 2:

“Walls”: Grian has been exiled from the Southlands, the stone wall he built separating them. In the Snow Fort, Etho and BDubs build a wall to keep them separate until he can gain a life again. Cleo, wanting vengeance on BigB, meets Scott on the other side of his wall, Scott giving her some sugarcane. Post-song, Grian, Joel and Cleo express their desire to gain lives back from Scar. Chorus, Grian, Bdubs, Etho, Cleo, Scott, Joel [sung]; Grian [spoken]

“Their Will”: Martyn relays the aims of the Voice, which he now interprets as the Moon, to the rest of the Shadow Alliance, who agree with it. Martyn, Ren, Lizzie, BigB [sung]

“Die For Me”: In that Shadow Alliance meeting, Martyn asks if there’s anything recent he should know about the Fairy Fort. They tell him the Fairy Fort has burned down at the hands of Cleo, relaying the tale as a flashback (with mainly Cleo singing). Cleo [sung, major part], BigB, Lizzie, Ren [sung, not many lines]; Martyn [spoken]. Functions as a Cleo solo.

“Promises”/“Coal Mine”*: During a Southlands meeting, Jimmy runs away with Martyn’s life. Martyn chases him, spurred on by the Voice. He lies to Jimmy, telling him they can run away from the Southlands together if he gives him back his life. Jimmy expresses his worry about potentially being the first out again in the process, as this has happened before and he is very vulnerable as a Yellow, and agrees. Martyn runs back with his life straight after. Jimmy, Martyn [sung]; Jimmy, Martyn [spoken]. Jimmy has most of the lines – functionally this is a Jimmy solo.

“[Unnamed Wither Theme (Song: Precursor)]*”: During the day, the Southlanders meet Scott, Martyn bringing up the danger of Grian’s Wither Skull as he’s now Red, and they decide to look for it. As Martyn is called away to a Shadow Alliance Meeting, Impulse manages to find it, and entrusts it to Scott. Scott gives it to the Fairy Fort for safekeeping. Martyn, Impulse, Jimmy, Mumbo [sung]; Scott, Impulse [spoken] 

“Tales: The Wizard On The Mountain”: a Yellow Grian rejoins the Southlands, telling them (especially Martyn, as he did not know when this happened due to his absences) how he and Joel got a life back from Scar, who’s now Yellow himself, in addition to Cleo getting one too and rejoining Scott. Grian [sung]; Joel, Scar, Cleo [spoken] 

“The Trial of Timmy”: The Southlands hold a trial for Jimmy about whether he should be exiled or stay in. They will anonymously vote their verdict in a book, Grian campaigning for Jimmy to leave, while the others, minus Martyn, campaign for him to stay. When it is time for them to vote, Martyn votes him in. Jimmy, Grian, Martyn, Impulse, Mumbo [sung] 

“Our Will Be Done (Precursor 2)”: The Voice is angry at Martyn, asking him why he’s still attached to the Southlands when he wishes to join the Shadow, appearing to him and telling him a demonstration is in order... “Lights extinguish/Begin the Slaughter/Our Will Be Done!” Martyn’s voice [spoken]

Unnamed Song: Grian convinces Impulse to help him gather the three Wither Skulls he needs, Impulse musing about how despite the chaos it’ll bring, he wants to stay loyal to his allies. Martyn notices their actions, but doesn’t attempt to stop them, and distracts Bdubs and Etho while the other two take it. Impulse, Grian, Martyn [sung]; Grian, Martyn, Bdubs, Etho [spoken].

“Red, Crimson, Gold (Reprise 2)/The Boogeyman (Reprise)”: As Grian is distracted by this aim, the other members of the South fall to boogeymen, of which there are six of this session, due to the Voice’s promise. Impulse falls to Yellow at Scott’s hands, and Mumbo and Jimmy both become Red, along with many other players on the server, including Lizzie and once more, Joel. Chorus [sung]; Grian, Impulse, Scott, Mumbo, Jimmy, Lizzie, Joel [spoken]

“You Bet Your Life (Reprise)” – Needing a Boogeyman kill, Bdubs kills Tango at Team BEST’s base, leading Tango to rage and Team BEST to fall apart. Bdubs, Tango, Skizz, Etho [sung]; Bdubs, Tango [spoken]

“Friends (Reprise)”: Returning to the Southlands after their mission, Grian, Martyn and Impulse find the South blown up by Mumbo: mourning the loss of the alliance, they mournfully burn the walls in commemoration, while the trust and alliance between Scott, Pearl and Cleo strengthens. Far away, Etho, with Bdubs once again on the other side of the wall, discovers the missing Wither Skull, suspecting the Southlands. Grian, Martyn, Impulse, Scott, Pearl, Cleo [sung]; Etho, Bdubs [spoken]

“[Unnamed Song]”: Martyn and Grian, now the last two Southland members after Impulse is shot by Mumbo in the Nether and becomes Red, mentally comment about their distrust of the other person and about there being something off about them, Martyn due to the Voice’s seeming hatred of Grian and Grian’s apparent apathy to everything apart from causing bloodshed, Grian because he senses something around Martyn (Watcher powers heh) and his relative absence from the Southlands when they were still around, though he does express a wish to protect their last remaining threads of alliance. They express none of this aloud. Martyn, Grian [sung] 

“When Will You Learn?”: Heading back to the Southlands, Grian and Martyn meet Jimmy and Mumbo, who attack them. Grian kills them both, to Martyn’s shock, and shocked himself, tries to defend these actions. All of a sudden, the Voice appears again and a Boogeyman curse strikes Martyn. Prompted by the Voice (seeming to have a specific hatred of Grian) and by vengeance for Mumbo and Jimmy, Martyn immediately moves to kill Grian. They confront each other about their various actions against the Southlands, and their apparent detachment from it, and talk about their suspicions that the other person knows more than they seem about the nature of the games – as the Voice tries to stop Martyn from inquiring further. Grian says he experiences this alongside his friends as a decision when prompted by Martyn stating he never cared in the first place. He wonders if Martyn would understand the situation due to his position; however, he does not know what Grian is talking about and distrusts him. Angry, Grian tries to leave, calling Martyn nothing but a follower, but after a pause Martyn manages to boogeyman kill him, though the kill is attributed to a nearby Joel. Angry, the voices swell around Martyn and he falls asleep. Martyn, Grian [sung]; Martyn’s voice [spoken]

“[Unnamed Wither Song]”/“When Will You Learn (Reprise)”: The Wither is raised by a Red Grian and Impulse in Team BEST’s base. Etho wants to run, but Bdubs attacks it, giving him the courage to attack too – however, Bdubs loses a life to it, turning Red once more. The remaining Greens and Yellows flock to fight it, Scott among the first, as the Reds join in, trying to kill the other players. The Wither is defeated by Etho; Impulse falls to Scott’s hand, dying permanently. Bdubs expresses his faith that Etho will give him another chance to come back, at which Grian laughs at and declines – loyalty gets you nowhere. Bdubs takes Lizzie’s final life as he was promised a life in exchange for killing a Red; he is shot by Grian as he runs to Etho to inform him of this. Etho reacts etc. Full cast apart from Jimmy, Mumbo, Skizz and Martyn [sung]; Etho, Bdubs [spoken].

16. “Our Will Be Done”: Waking up all alone, Martyn hallucinates his friends, before they are revealed as fake, the Voice in their places. He finally snaps at it, asking why they’re doing this. Why are they speaking to him? Why are they hell-bent on killing Grian? What did he mean? Why does he have to follow it when he wants to do the opposite of what they tell him? Who are they – why should he do anything they say? However, they pacify him, promising that if he does what they say, they will bring Impulse, Mumbo and Jimmy back. Martyn concedes. Martyn [sung]; Martyn, Martyn’s voice [spoken]

17. “Scott’s Elegy”: The Boogeyman curse falls on Scott, and though he’s complied with it once before, he makes a pledge not to succumb to it, as he doesn’t want to kill any more allies with so few lives left in the game. He lets himself turn Red. Scott [sung]

18. “[Unnamed Depressed c!Martyn Song]”: Martyn thinks on Scott’s decision, thinking about how he had the willpower to choose what he wanted to despite the consequences and the will of the world, and about his inability to do the same – he’s pushed around by the Voices without enough willpower to say no, and though he wishes to make choices, he cannot. He thinks about Grian’s words. Martyn [sung]

19. “Our Will Be Done (Reprise)*”: In a meeting of the Greens and Yellows, the Voice tells Martyn to place an End Crystal in the centre as a test for Scott: if he blows it up, he passes, if he doesn’t, he fails. Scott chooses not to, and as Scott turns Red, the voices talking to Martyn become loud and angry, commanding him to kill Scott for disobeying them, yet again promising him the Southlands back if he does. While walking around, Martyn loses his first life to a trap at Grian’s hands. Martyn’s voice, Scott, Martyn, Grian [spoken]

20. “Boogie Boogie Boogie (On The Dance Floor)”: The Chorus informs us that it is the last day. Pearl is chosen as the Boogeyman, rigging a TNT trap on a disco floor, turning Ren’s red. The others quickly fall to the Reds, including Cleo. Pearl, Chorus [sung]. Functions as a Pearl solo.

21. “Martyn’s Stand”: Now left as the last Yellow, Martyn decides he is tired of hiding, deciding make a last stand against everyone. At first humming the start of “In Spring We Met” as a comfort, he heads to a mountain and pouring lava down the sides as a beacon for the Reds. However, though he puts up a good fight, he doesn’t manage to take any of them down before dying himself, marking the server entirely Red. Chorus, Martyn, Pearl, Scott, Ren, Joel, Etho, Cleo, Grian [sung]. Every player apart from Martyn only has one or two lines as a solo – the rest is singing as a group.

22. “Battle Royale”: With the Reds having turned on each other, the four survivors – Pearl, Scott, Ren and Martyn – agree to a Battle Royale to decide the victor. Pearl dies early on, prompting Scott to grieve and resolve to win this fight, no matter what it takes. Martyn eventually falls to his own End Crystal. Only Scott and Ren are left, and they fight to the voices of dead players telling them to play the game. After a long fight, Scott manages to kill Ren, partially due to a zombie which he interprets as the world maybe doing something after all for his defiance. He is crowned the winner. However, the Voice does not like this, the Chorus supporting this, and Scott is stricken dead with heavenly lightning. Chorus (now combined with all dead players), Scott, Martyn, Ren, Pearl [sung]

23. “Plainly Spoken [Epilogue]”: All is silence, and yet Martyn opens his eyes once more, to the Voice and the Chorus, now joined as they are the same entity, informing him how disappointed they are in him, and that he is heading closer and closer to the light. As he asks questions, he is cut off, and they say he will forget all that has happened with them as he and everyone else moves into the next game. Up above, the land is now in the state it was at the start of the first verse of “Middle of Nowhere”, and they are revealed to be those that run the death loop. Chorus/Martyn’s voice (as one) [sung in a spoken way/vice versa]; Martyn (spoken)

[gainaxvel3o]

Observations watching My Adventures with Superman Episode 1

- Jack Quaid may be one of my favorite Superman voice actors?! Like so far?!? He embues Clark with a lot of awkward nerd energy I really like, he comes across as very sincere and kind in a way that fits this version. I’ll need to see Clark wear the suit but he has my hopes up. Who knew the way to make Superman appeal to audiences was to make him a kissable nerd?

-Him working at a donut shop and eating three large packages of donuts is friggin’ hilarious. Why be embarrassed, Clark? Lois seems into it.

- I like Lois and Jimmy in this too. Lois’ a go-getter and fun, we’re starting her off as an intern so we can see she eagerly wants to prove herself but also has room to grow. I like that she learns a lesson on keeping her “team” on the know when she risks their careers chasing a story Perry told her not to do. Same things to be said with Jimmy, who’s turn as a conspiracy nut adds plenty of personality to him- that being said, I hope he gets more depths later. Glad to see that him and Clark are roommates in this continuity!

- The animation is pretty nice for the most part. Colorful, flows well, definitely appreciate the anime aesthetic they’re going with. Only thing i don’t like was the CGI robots.

- Did not expect Livewire to be a mercenary so divorced from her origins like this. She plays her role well, but I do find it a peculiar change. Then again, given the previews they’re aiming to have more high tech villains to start with so maybe they felt this was the best way of putting her in there.

- Perry’s fun, but I hope the NEWSKID LEGION stick around. Those kids are such scamps and it’s fun to see Lois try to argue with Flip for the news source.

- While it’s nice to see Clark and Lois have chemistry this early on, I do think maybe the ship tease was a bit much to start with. They just met, just because they’re destined to be together doesn’t mean you should skip out on developing it a bit.

- Superman’s symbol appeared over Clark as he was pushing himself. I think the suit is going to be some sort of hard light projection Clark has to concentrate on making in this version, which I’m okay with.

-The episode is super delightful. I had a smile on my face watching it the whole time, I can’t wait to see more!

Def worth the recommendation, it’s the beginning of a fun series!