#He was disappointed in her

[anna-scribbles]

last one i promise(<—lie)

[emkini]

Currently thinking about 18/19 year old Toph getting thrown in some random podunk fire nation town’s one-cell jail and being like “hey I’m broke as hell but I’ve got a friend who can bail me out can I make a call” and then 2 hours later Fire Lord Zuko himself slams open the door yelling “WHAT THE FUCK DID YOU DO THIS TIME YOU SHIT” 

[ipostmysimpingstuffanonymously]

You can't tell me she wasn't the cool babysitter for at least some time

[ulltraviolences]

if I had a nickel for every time hunter schafer played a character who had a close relationship turned psychopathic with a man who terrorized everyone around him I’d have two nickels .. which isn’t a lot, but it’s weird it happened twice

[skylersprompts]

DC x DP Prompt *16*

After he got crowned, Danny started to clean up in the Ghost Zone. One thing he found was an empty lair. An elegant room full of books with a fireplace and comfy armchairs. A ghost was tied to this place, but he never saw them. But he still could feel that the lair was tied to someone, what meant that the ghost didn't end to exist.

It took some time, but Danny was able to follow the bond from the lair to the ghost. He found himself back in the mortal realm and his first thought was that the ghost got somehow stuck here.

So the plan was to find him and bring him back to the zone. Except as soon as Danny made the plan, he should have known that nothing ever goes according to plan for him.

The bond lead him to a young man with black hair that had a white stripe in it. And the man was very much alive, but also didn't seem to be possessed. But he also absolutely felt like the lair.

Invisible Danny followed the guy around and he found out quite a few things.

His name was Jason Peter Todd.

He lives in Gotham.

He is the vigilante/crime lord Red Hood.

He came back from the dead as a revenant.

He got dipped into some corrupted ectoplasm.

He had sever anger issues because of that.

So... Danny made another plan. Jazz had told him about emotional support dogs, because she liked to work with them. And Danny was pretty sure that it shouldn't be to hard to train a ghost dog to do all of this.

It was a nightmare to train Cujo, but after almost six month he was positive that it would work. He took Cujo with him to Gotham and waited till he had a moment where he got Red Hood alone.

The first thing that happened after he made himself visible but not tangible, was that Hood shot him. Like, rude. But because of that he was here.

"Hello. My name is High King Phantom of the Infinite Realms and I am here to give you your prescribed emotional support ghost Dog. His name is Cujo!"

[nicollekidman]

buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).

and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???

meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.

and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.

[justaz]

percabeth hang with the kanes rather frequently and can’t help but fall into the parental role toward them. percy already had the idea of his and annabeth’s kids looking and acting like the kane siblings but when he sees annabeth admonishing them for doing something stupid and them going “yes mom” all sarcastically, it really drives the point home.

[macdenlover]

we don’t acknowledge enough how dee used to be a pageant winner when she was a kid and how much damage it did to her. she worked her ass off and got recognition for being pretty and talented at a young age and it was the only source of self esteem she could garner in a family that constantly berated and talked down to her. she sought after that external approval because it was the only way she could prove everyone around her wrong. her dream of being a performer didn’t come from a self-aggrandizing delusion— she genuinely showed a lot of potential when she was younger. but she went through an unflattering puberty and her spinal condition got worse and that natural talent she had as a kid plateaued way too early. the “former gifted kid” dilemma. she slowly lost the thing that promised her that she was good, but she was so desperate to keep holding onto it that she tried anyway. again and again and again no matter how much people made fun of her because it was always about proving them wrong. but after a while she couldn’t jump anymore without anticipating the way it feels when she hits the ground face first. self-sabotage became her way out, choosing to rather live in the fantasy of her own unrealized potential and blaming those around her for her lack of success, than having tried and crashed again. she’d rather buy lottery tickets over and over and never scratch off the numbers than to see that she lost. that self-sabotaging behavior bled into other aspects of her life too, from friendships to relationships to therapy. her own short lived success is what made her grow into embodying the cycle of failure.

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[grimstrawberry]

If I don't make light of everything, I'm gonna explode.

[howtowhumpyourhiccup]

If you think about it, Hiccstrid is an angry couple. Except, Hiccup is angry with himself and Astrid is angry with the world.

[thetimelordbatgirl]

Okay, it being confirmed The Trickster is apart of just a fucked up god family tree is funny because all those gods have faced the Doctor in holy shit situations, and then you got Trickster sitting at the end of this family reunion dinner like, "...Well I kinda faced him...but I didn't fight him...and lost to Sarah Jane and her children....again..."

[spectral-snippets-and-drabbles]

A Martyr From the Ashes

For everyone in the fandom saying saying that Danny thinks Martian ManHunter is cooler than Superman, we don't really see it all that much in writing.

I'mma try and fix that...

~•~•~•~•~•~

The Martian Book of Legends held the heroic tale of Saint Da'han'yul Fen'tuun of Mars, a sickly albino priest of a small town that held marriages, sermons regarding life and how it should be enriched and lived to its fullest, and specialized in funerals that used cremations with fire, a feat thought to be physically impossible by the masses. As people saw him look into the flames without fear while others cowered, rumors spread that the young man was blessed by H'ronmeer himself, the Martian God of Fire, Life, and Death.

People spoke about how Da'han'yul turned down all attempts at courtship, for he had decided to dedicate his life to bring light in the darkest times to all lives in the name of his God. He was a thing of beauty with a gentle soul and shy demeanor, even the Red and Green skinned who had still held a firm belief on the caste system could not deny his charm. How the terminally ill Martian carried on his mission with a smile, nobody knew.

However, tragedy struck on the day that should have spelled the beginning of the end for the Martian people. A parasitic species had invaded the Martian Homeworld and was causing untold havoc. As civilians fled from the threat and prepared a counter offensive, it was Da'han'yul Fen'tuun who charged into the danger headfirst to save his people from becoming prey.

As others pleaded for him to run away, in a great bright flash of light, a gigantic Martian loomed over the enemy emerged where the ill Martian stood, coated in flames in a form they've never seen before with a halo and body that burned a haunting green.

The deafening silence still held as the enormous creature brought a massive fist on the giant pale walker that was destroying homes. A wave of its hand sent a wall of green flames raced towards the foot soldiers, reducing them to ash while his people and buildings were not harmed in any form without an ounce fear of these fires the creature used to purge the enemy. Within the hour, the threat had been neutralized and peace was brought back to the red planet.

As the Martian people looked to the titan, they knew. H'ronmeer's had chosen his most loyal servant, Da'han'yul, as the avatar of his wrath to smite those who would bring his people harm. The people hugged and wept tears of joy and cheered for the priest and H'ronmeer for saving them, but the tears soon became tears of sorrow.

The giant groaned in pain as he fell on one knee as it began to crumble into ash before the people's very eyes. Like a flame, Da'han'yul Fen'tuun had burned his brightest when life needed him most, and now death called to him as it slowly extinguished it to give him peace. With a final message, he pleaded to his people to come together as one and to not see one another as lesser or greater than, but as equals who can help one another in the darkest of times and the hardships yet to come. With his final moments gone, a final telepathic embrace was given to all before he fell silent for the last time.

The massive pile of ash that were his remains was brought back to his little village and made into a beautiful garden of ash in the temple where the newly titled Saint made his home in, where it would be made a holy site that many would come to give their thanks and pay their respects for H'ronmeer' and his champion alike.

And for centuries, peace was held before it was shattered by Ma'alefa'ak, who unleashed the Fire Plague to take vengeance on his people for his inability to experience the psionic way of life that was the norm. His smile as his people screamed in anguish was knocked off his face in the most literal of terms when a Martian struck him down and had him by the throat.

A Martian with eyes burning in anger as Ma'alefa'ak failed to break free and was being beaten severely for his crimes against the people of Mars. A Martian made entirely up of ash and green embers.

Saint Da'han'yul Fen'tuun had returned, if only for a moment longer. And he was not happy.

Quickly, one by one across the planet, the martians set ablaze burned a gentle green that healed them. In this miraculous act of divine intervention, not a single Martian had lost their life. Most were now unconscious with labored breathing being heard.

J'onn watched on as his brother screamed in agony as his body burst into green flames as a pool of ash began to swallow his brother whole. Before disappearing entirely, Da'han'yul told him the punishment his brother would be facing.

"Ma'alefa'ak's psionic abilities have been awoken. He will be sentenced to become a living flame until he has lived the collective life span of all that he has tried to extinguish."

J'onn was too stunned to speak. With how long a Martian can live, it was the equivalent of telling him his brother would be suffering for an eternity. It seemed unethical, but he knew his brother had dug his own grave the moment he saw the reanimated remains of Da'han'yul Fen'tuun's ashes take swift action.

"Everything will be ok now, J'onn. Go to your family and tend to them.

"Da'han'yul...Thank you. I'm sorry I wasn't there to help you when you were still alive." J'onn solemnly uttered as he looked to the ground, unable to look at his deceased youngest brother.

"Nonsense J'onn, it's not your fault...The caste system...it–"

"I could've done more! Instead I saved myself instead of being there when my brothers needed me most!"

"J'onn...you were just a child."

"It makes none of it right!"

He was right in that aspect, but it still didn't feel right. Ma'alefa'ak' was ostracized by society, was treated like a freak of nature for lack of natural gifts and he wanted to burn society to the ground in the most literal of terms because of it.

While Da'han'yul, the forgotten youngest brother, was treated horribly for being albino and treated cruelly. He contracted a deadly disease when he separated himself from the family to live in isolation with other albinos that made him sickly and cut his life expectancy down severely. Knowing what befell him, seeing him struggle to move and hold down food at times while J'onn and their parents did nothing.

These tumultuous emotions sat in J'onn for so long. The way he wanted to go and help them both, but the fear of association and social punishment for merely being seen with his brothers made him cry when he younger for being so weak willed. It wasn't until their parents bragged about the sacrifice their forgotten child had made, the sone they purposely scorned made him snap.

"J'onn, promise to keep my message alive for me. Help our people become whole again."

"Of course, brother." Is what J'onn tells him as he watches his little brother vanish again for a third and final time.

[kiivg]

.“I bet your dance card was full tonight, ey, Reid, or did the young Charlotte keep prospective sweethearts at bay?”.

[drew-winchester]

It's not really good art but after playing the campaign for TWW I really wanted to sketch this.