#He’s 15 which is about the age I watched it at but just because I did doesn’t mean he needs to lmao

[vidavalor]

The Devil Takes The Hindmost

The Big Damn Post I've promised for ages on all the stuff suggesting that what we're watching in S2 is Aziraphale's mental health crisis leading to his fall...

...with a focus on a religious concept that intersects with secular ideas about mental health-- The Devil Takes The Hindmost-- that was unintentionally mentioned by Mrs. Sandwich and might be what's going on in The Final 15.

Plus, a look at the possible purpose of The Whickber Street Shopkeepers and Traders Association in the story and a dive into the symbolic role in Aziraphale's story played by Muriel... the most adorable Angel of Death anyone's ever seen.

@ao3cassandraic @komorezuki @kayleefansposts @masnadies -- This is basically what I was starting to talk about the other night, if you're interested. @ochre-sunflower -- the meta I mentioned.

TWs: suicide; depression; PTSD; negative self-thoughts... It's optimistic by the end but it's a look at some darker stuff in the story so please take care.

In GO S2, we have a lot of stressors building and overlapping for Aziraphale, with each episode adding new ones, all boiling hotter and hotter until we reach the The Meeting Ball. There, everything stops for the arrival of Shax at the door.

When she turns up, all the other plots cease to be relevant in the moment because the whole story's stakes upon her arrival now come down to a single, pivotal question:

Are these demons going to get into the bookshop?

On the surface, in our plot, Shax, Eric and the smallest number of completely ineffectual demons that a redemptive Furfur could get away with sending without looking like a traitor 😉 are interrupting Aziraphale having turned his first pass at hosting the monthly meeting of The Whickber Street Shopkeepers & Traders Association into a party.

Why is he doing that? For a dizzying number of reasons. So he can try to protect Gabriel by getting Maggie and Nina together and try to be part of his community by using the party to get Maggie and Nina together which is also so he can protect Gabriel... but, let's be real, it's really all so he can dance with Crowley...

Our heads are spinning as much as Aziraphale's is by this point and it's exhausting just to try to recap everything he's dealing with by The Meeting Ball... which is why it probably isn't surprising that all of that story just stops when the brick goes through the window and Shax is at the door. Because, symbolically...

...this is an anxiety attack.

Shax and the demons are Aziraphale's inner demons and they're trying to force their way past the threshold to take control of the bookshop the way that darkness can consume a person...

...as they're trying to take control of the bookshop that is what, symbolically?

Aziraphale, yes.

Aziraphale and Crowley. (And, as we looked at recently, also Maggie, on account of her family's history with it.)

Why this bookshop attack that is a metaphorical anxiety attack at this point in the story?

Because a lot of what Aziraphale wants out of life was happening before the demons that represent his inner demons showed up at the party.

For the first time ever, Aziraphale was no longer compartmentalizing his worlds and hiding parts of his life from people. He had Maggie and Gabriel under the same roof-- his human and angel families together. He had neighbors over and felt brave enough to call himself one of them by hosting the meeting. He was impacting the society around him in a big way by unifying Whickber Street's black market with its "legitimate" front by inviting Mrs. Sandwich to join the group. He was helping Maggie and Nina fall in love.

Most importantly, there was what the whole thing was really for: having all that happen with Crowley there, too, and everyone knowing they are together. Being able to dance with him and be a couple openly like everyone else. This Jane Austen cotillion coming out ball for ladies Maggie and Nina is really a coming out party of sorts for Crowley and Aziraphale. This is like the Christmas party of Aziraphale's dreams here. The one he's never, ever been able to have.

It's a wonderful thing when people who are in a great deal of emotional pain decide they've just had enough and want to break free of their misery and allow themselves to work towards being happier.

It's just a very delicate period because it can go either way, in a hurry. One minute a person can be thinking they're on top of the world and starting to live the life they've been dreaming of but the next minute find themselves freefalling emotionally. This is especially true of people who feel they have to present as cheerful and optimistic for everyone else and who hide their pain behind a smile.

They are some of the most at risk of their lives becoming like the Salinger short story about trauma and suicide referenced in S2-- "A Perfect Day for Bananafish"-- in which a man suffering from PTSD is believed to be fine by himself and those around him, has a nice day at the sea and chats with a symbolic daughter-like character and then, unceremoniously, goes to his hotel room and shoots himself dead.

As Maggie shows us during The Meeting Ball when she parallels Aziraphale's struggle, people get tired of being afraid and want to live-- want Nina, who is coffee, which is freedom-- but they can overdo it, if they're not careful, and wind up taking steps backwards.

Sometimes, the thrill of feeling like they might be on the edge of something good can cause someone to go too far, too fast, and, without the right support, they can find themselves going faster than a rollercoaster-- and right off a cliff as a result.

These people might look at their inner demons and think they're fine, now, actually, and that the darkness doesn't frighten them at all and they're all over their negative stuff-- all good now. No problems here.

Problem is that, sometimes, in the process, they might realize they're lying to themselves when they suddenly tell those inner demons that they can come in and say all that pathetic shit to their face... before they're really ready for that. Maggie, paralleling Aziraphale here, shows that with Shax during the bookshop attack. Not the best way to deal with inner demons, that.

And one person's inner demons can be an unintentional trigger for others, which is one of the things that started off Aziraphale's mental health crisis boiling up into a breakdown earlier in the season.

Aziraphale was already having a terrible week and then he projected his own issues all over his adopted goddaughter when she was having a moment and wound up accidentally saying something about himself that she took to mean about her and that came out sounding incredibly hurtful in a way that Aziraphale didn't mean for it to be. He then sought to make it up to her by finding a way to make her romantic dreams come true but was, all the while, silently berating himself for not having handled it flawlessly in the first place.

And when that got mixed in with trying to *checks Aziraphale's S2 list*... Jesus...

...recover from PTSD, manage all the anxiety and depression that comes along with it, deal with the fallout of his relationships with his abusive family, save his losing it brother from a religious cult/fascist regime trying to kill him and figure out why he's lost his memory, assuage his guilt over the memory-wiped angel that he feels he failed to save that showed up at the door, figure out wtf to do with the bookshop/embassy he's never wanted to run but that has become the M-25 that he's built and is now stuck in and that just reminds him that he hasn't any family to pass it onto, and, most importantly?

Tell his partner that he would like to live openly with him in the a little cottage by the sea in the South Downs...

I mean, by the time Mr. Vacuum showed up and suggested that Aziraphale add to the list that this week also be the first time he's ever hosted the monthly meeting of the business organization of the street he's basically founded but doesn't let himself really feel like he belongs to?

Sure, Mr. Carpet. Sure. Bring it on. Why not, at this point?

But Mr. Vacuum's idea actually caused Aziraphale to think he had the perfect solution-- continue to do what he was doing all week and combine this shit together! Protect Gabriel by tying him to Maggie and Nina and solve Maggie and Nina through the Whickber Street meeting and, well, if he's going to make it romantic for Maggie and Nina, well...

...maybe this is how Aziraphale can solve his biggest problem-- finding more of a way to just be forever near that one, particular person who makes everything okay.

So, by the time we get to The Meeting Ball? Aziraphale is pretty much losing his damn mind.

The heebie jeebies that Crowley gets in the street? It's not the low-rent demons. He knows what they feel like. He can't identify it but the thing that is really, really wrong is Aziraphale himself, in a dark reverse of Aziraphale feeling Crowley's love in S1.

Thousands of years of feeling a lack of enough control over his life have basically led Aziraphale to snap. Parts of it are very funny. Gabriel dressed up as Liberace circling with temptation trays of vol-au-vents is as hilarious as it is loony. Miracling the room so that everyone speaks like it's the 19th century causes a lot of humorous scenes, especially with Mrs. Sandwich... but is also a horror show. Justine loses her ability to speak English well and others have trouble understanding one another. It's like a zanier, more comedic version of Aziraphale's parallel antichrist, Adam, taking over The Them and deciding how, when, and if at all, they could speak.

It's a person in Aziraphale, who is normally very kind to others but not really to themselves, whose pain and anger have built within them to a breaking point and caused them to take that out on others and become, for a moment, almost the exact kind of person from whom he tries to protect others.

During this part of the season, Mrs. Cheng and Mrs. Sandwich have some dialogue that I think might be the whole rest of the season's plot in a nutshell. It happens here:

Mrs. Sandwich being unaware that "seamstress" is a 19th century-era euphemism for a sex worker means that she doesn't realize that she actually is, on one level, telling Mrs. Cheng what she does for a living. Her frustration is coming from the fact that Mrs. Cheng also doesn't know this euphemism and so thinks Mrs. Sandwich is a literal seamstress-- someone who sews and mends clothes-- and not a figurative/euphemistic one. While that and the rest of this scene is worth a whole deep dive in and of itself, it's not the bit I want to focus on here. That bit is what Mrs. Sandwich says as she gets increasingly upset.

Keep in mind as we look at this that the person who is the literal seamstress in this scene is not Mrs. Sandwich. It's the person whose magic is inhibiting her speech-- so, who is speaking, in a roundabout way, through her-- and who is the one changing everyone's outfits as they come through the door.

The seamstress really of note here is Aziraphale.

In the midst of her frustration, Mrs. Sandwich is trying to curse in 2023 terms but they are coming out in 19th century-era equivalents and this means that she says the following things when cursing:

She insists that she's not a godforsaken (abandoned by God; left to Satan) seamstress, that she's not a benighted (taken by darkness) seamstress, and, finally... while probably trying to say "what the hell"... winds up saying the whole season's plot in response to Mrs. Cheng asking her the also rather meta question of "what, in short" the problem is in that moment.

What, in short, is the plot?, asks Mrs. Cheng, on a meta level.

What the fuck is going on in this story?

To which Mrs. Sandwich replies:

"The Devil take it."

The curse "The Devil take it"-- meaning you give so little about something or someone that Satan can have it-- comes from a religious teaching (that works very well from a secular perspective, too) known as "The Devil Takes the Hindmost". It's this teaching that I think is extremely important to S2 and is arguably around what the story is structured.

This teaching argues that people who are excessively self-sacrificing are putting themselves at risk of being taken by darkness/Satan because of the cumulative effects of the anger, anxiety and depression that comes of denying that they are people with wants and needs of their own for too long.

It's about the people who go beyond kindness. It's about those who don't see themselves as part of the pack of people and think that the world isn't for them. They believe that their needs and wants don't matter as much as the need to prove to themselves that they aren't a horrible person-- which they do, in their minds, by denying themselves a full life of their own.

Sound familiar? It should. It's Aziraphale to a T.

Why are these people in "The Hindmost" for Satan to take when they're not terrible people?

Because they fall to the back of the pack of humanity.

Because they are left open to the darkness because they do not allow themselves to have what they work so hard to help others make for themselves.

The pain of that eventually renders them as bad off emotionally as those they counsel, or worse. The more they deny themselves, the more that pain builds and it can push them down dark paths.

They're in "The Hindmost" not because anyone left them behind, exactly, but because they've shut out the people around them.

They aren't letting people in.

It's about here that we can bring up that Good Omens is built around doors and all of S2 is basically about getting in the bookshop that is Aziraphale. It's here that we can mention Shax-- the darkness-- repeating demands to Aziraphale, to Crowley, to Beez to be let in. It's here we can mention The Final 15 and the world's most depressing kiss-- the literal embodiment of "let me in" as a theme-- and the horribleness that followed.

So, if S2 is The Devil Takes the Hindmost and he's headed Aziraphale's way the whole season with a large oat milk latte with a hefty jigger or dash or whatever of almond syrup and the job (the Job...) offer from Hell to tempt him, then we're watching (for now) the last days of the angel Aziraphale because a fall is a form of death.

It doesn't mean it's the end entirely because, as Gabriel discovered, everything goes down but flies? They go up.

Flies are the product of letting someone in and not shutting out the love and care you need. That can only be done through accepting, at least for a little while, that you are allowed to be a person and deserve to be cared for the way you care for others. If a person does that, they can fall but they'll have what they need to get back up and to help them stave off future falls.

Letting people in and talking to people about how you feel-- figuratively: feeding your fellow ducks your frozen peas and listening to theirs--- is how we all defeat the darkness together and make it so that Satan never shows up at any of our doors.

Yes, it is, Crowley. Would have been helpful if you had mentioned any of your own Hell-and-Book-of-Life frozen peas at all to anyone but the audience all S2 but this meta isn't really directly about you so you get a pass for now 😂 Back to your partner...

So, this The Devil Takes The Hindmost stuff? Almost immediately after Mrs. Sandwich says it, the story begins to have the characters literally act it out.

Shax is The Devil in that she's a devout diabolical minister of Satan so she's representing Satan at the door.

First up? Gabriel.

Gabriel mirrors Aziraphale's excessive self-sacrificing. It doesn't matter to him that he just met most of the people in the bookshop an hour or something ago. If that angry mob outside wants him for who fucking knows what reason as this poor bastard can't remember anything 😂 then Gabriel is happy to throw himself on his sword for them.

In reality, no one in the shop should have let Gabriel go out there alone. The whole point of "The Devil Takes The Hindmost" is that if everyone looks after each other the best that they can?

There won't *be* any hindmost.

There will just a pack of people who are all keeping each other safe from the darkness.

Jim is ultimately fine to tussle with Shax, though, because that is the part of the teaching that he exemplifies.

Gabriel has been protected. He's not completely fine-- who ever is, really?-- and he's still not really over this current bout of depression but he's safe from Satan and the darkness.

He's safe because he has Beez, Aziraphale, Crowley, and his new friends on Whickber Street.

Gabriel has a pack and is allowing himself to be part of it. As such?

The Devil can't touch him. Shax can't recognize him and sends him back inside. Gabriel is not in The Hindmost because he's been hidden, safely, by his group.

Gabriel goes back to the middle of the pack where he spends the rest of the attack, helping Aziraphale fight off his metaphorical inner demons by way of aiding Maggie and Nina to save the bookshop.

It's the next to the door, though, who is not so lucky, and gets to be the first example of The Hindmost.

From the way, way back of the pack that has formed of the humans, Gabriel, Crowley and Aziraphale in the middle of the bookshop pushes forward our beloved Mr. Brown of Brown's World of Carpets.

The President of The Whickber Street Shopkeepers and Traders Association-- the Gabriel of the humans-- feels it's his job to sort out this mess... only he has even less clue as to what's going on than Gabriel did... and he's much, much more vulnerable.

Mr. Brown tells Shax that he doesn't know why she is "interfering" with the people in the shop, unknowingly using the word used in religious circles to talk about The Devil coming after people. Mr. Brown is a guy at real risk here. Going into the circle and getting discorporated if you're not prepared? Facing The Devil at the door without preparation is the same, terrible thing. Mr. Carpet has no idea wtf he's up against here and his motivations for going to the door are the heart of The Devil Takes The Hindmost.

What does our lionhearted Mr. Brown do for a living? What is he, symbolically?

He sells carpets, right? What are carpets?

Well, they're rugs, for one thing. They're found in every business and home in existence. They are necessary for living and also an example of having comfort in your life. (They're also walked on and taken for granted, like our Mr. Brown is quite a bit.) You pick out carpets on your own or with the people with whom you are making a life-- and they tend to symbolize that life.

We see, in 2.06, the shot highlighting the lotus flower carpet that Crowley and Aziraphale have in the bookshop, that they use to cover up the Heavenly circle in the floor-- the one they put Gabriel on to do the protection miracle. It symbolizes the life Crowley and Aziraphale have made together to which they've now let Gabriel in.

What else are carpets? In Good Omens' use of language, they're also cars and pets. Rugs, cars and pets... three of the most common things owned by people living a life on Earth, with the word own itself in Mr. Brown's name.

Brown's *World* of *Carpets*... this dude is, symbolically, everyone.

He's life itself.

That's why it's Mr. Brown who gets taken by the demons and, later, saved by Crowley and left in the care of Mutt, who is human magic-- the character who symbolizes the wonder and mystery and joys of being alive.

Mr. Brown-- an extremely common name for a man whose pain is extremely common. He's lonely. He's overlooked. He's the president of this group of apostrophe and Christmas lights-obsessed, irritating and wonderful, typical, human people because he's unflappable and no one else wants to do it. No one else will do all the boring work and hear all the complaints the way he will and he's made that his role and he hates it. In that way, he's the Beez of Whickber Street-- as desperate for appreciation as Aziraphale. He's Burbage and Shakespeare, wanting an audience that isn't sleeping, drunk, or flirting their way through Hamlet. He's Crowley and Aziraphale:

Mmm, good job... Oh, do you really think so?

Mr. Brown of Brown's World of Carpets is a professional carpet salesman. He spends his days selling everyone what they need to make lives of their own but his own life is far lonelier and smaller than he would like it to be. He doesn't have a partner or true friends, just the people of the group into which he's struggled to really fit, despite running it. He's nerdy and awkward. His over-the-top, affected manner of speaking belies the fact that he feels like he's jiggery pokery, through and through. If I took Mr. Brown's name and profession out of this paragraph, I could be describing Aziraphale just as easily, but for the fact that Aziraphale does have Crowley, if not in the open way he wishes for. Because of that, Mr. Brown being taken by The Devil is also foreshadowing the end of S2 for Aziraphale.

Like most, Mr. Vacuum has got some surprising resolve-- some unexpected moxie-- but, fundamentally, this man has spent S2 showing that he is one more papercut away from a nervous breakdown.

So, when he tries to prove his worth to the group by putting himself at risk, it's excessively self-sacrificing. While there are some titters of alarm and warnings to him not to leave the pack, the one who objects the most is Crowley. Mr. Brown, though, doesn't let Crowley in. He doesn't recognize him because it's partially to look good in front of Aziraphale that Mr. Brown has jumped to the front of the pack. It's his loneliness, his lack of his own life, his need to be part of the group and appreciated. His need to be the hero.

Only, Mr. Vacuum is what happens when you aren't prepared for the darkness and you haven't let anyone in to help you. Shax, realizing that Crowley has been lying to her about the threshold by the way that all the humans have been backed into the living room, tests the theory and Mr. Vacuum gets taken by The Devil.

The Devil Takes The Hindmost.

Mr. Brown went from the literal hindmost of the pack inside of the bookshop up to the front to self-sacrifice excessively, got taken by Satan, and then, in a darkly amusing turn, got tossed back through to the hindmost of the pack of demons outside. He's also near the back of the line for coffee the next morning at Nina's.

If The Devil can come for Mr. Carpet, we see, he can come for anybody. Now this lingering and malignant sense of unease we've been feeling throughout The Meeting Ball tips here into real horror.

Crowley is up next to evacuate the rest of the humans in the shop. He's going to walk them all in a pack past The Devil. They go out in mini-groups within a larger pack. He tells them that they need to all stick together and mind each other, not the demons.

If they do that, they live. If they don't, they won't.

It becomes that simple because it is that simple.

Crowley doesn't just tell The Whickbers how to do this, though-- he leads them out. Because he's one of them, too... but really also because this is all a metaphor for Aziraphale's mental health breakdown getting going and what happens when you are having an anxiety attack or a depression episode?

What goes out the door?

The things that keep you alive, right? The good stuff in life. That is defined differently for everyone but a lot of it overlaps for many of us. Many of those things are what The Whickber Street group characters stand for in the story. Aziraphale owns the land for most of Whickber Street so, in addition to being characters in their own right, all of the members of The Whickber Street group represent Aziraphale.

They're all the things he loves the most-- his reasons for living, and what helps keep the darkness away for him. This is really why, symbolically, neither they nor Crowley (symbolically, love) can be present in the shop when Aziraphale is melting down at his worst.

Crowley leads the pack out with Mrs. Sandwich up front. He is allowing himself to be part of the pack here. He might be supernatural and the group human but it doesn't matter. They're all people and there's more to it than miracles. Crowley can't face the darkness on his own-- and neither can Mrs. Sandwich. Neither of them should have to. So, they don't. They choose to be each other's friends and let each other in and they're both better for it and so is the rest of the pack. This is an example of how to deal with darkness in a positive way.

Crowley trusts Mrs. Sandwich in general but for this task, in particular, because who knows best how to deal with the darkness?

Survivors of prior run-ins with darkness, that's who. His fellow "fallen woman", Mrs. Sandwich, has got her hat pin and his back and Crowley has hers.

So, out the door of the bookshop that is Aziraphale goes love, friendship, sex, romance, healthy communication, human magic, community, food, music, and so much more... because not taking care with our mental health issues rob us of what we love.

Left in the shop? Maggie and Gabriel-- Aziraphale's past and his family... and Nina-- the possibility of freedom (her American-themed coffee shop) and what's left of Aziraphale's hope for the future. Nina's decision to stay symbolizes Aziraphale hanging onto some hope.

After Crowley and The Whickbers leave and Maggie accidentally lets in Shax, the demons have gotten in and are advancing. Without those who are no longer in the shop and with Crowley missing, Aziraphale's anxiety ratchets up and the demons-- his inner demons-- gain ground. The goal becomes keeping them from getting into the residence floor upstairs-- to the place to which Aziraphale has let hardly anyone in. The parts of himself that are not public-facing or for acquaintances but only for those he allowed himself to get close to. Maggie and Nina can be on the landing up there. Gabriel can stay in the guest room. They're family. Only Crowley is allowed free reign in the whole of the bookshop.

For the first time, we have an angel not named Aziraphale teaming up with humans to fight for a place on Earth. The start of the 'all of us versus all of them' that Crowley foreshadowed as still to come at the end of S1? It isn't some big battle for the planet. It is a battle for the life of a single person in Aziraphale because every person matters.

It's The Commander of The Heavenly Host rooting around the upstairs rooms of the bookshop collecting all the fire extinguishers bought to help Crowley deal with his trauma that he can find to supply his troops-- the human Maggie and Nina-- on the front lines.

It's Aziraphale's loved ones coming together to fight to save the bookshop that is, symbolically, Aziraphale himself.

Ultimately, though? Crowley, Gabriel, Maggie and Nina can help hold off the demons that are symbolically Aziraphale's inner demons but it's ultimately going to come down to Aziraphale and Aziraphale alone whether or not these demons are going to overrun the bookshop.

We reach the point where Aziraphale has to choose-- is he going to let the demons take him over or is he going to send them back? He decides, in this moment, to blow up his halo.

We learn that Aziraphale's halo isn't divinity floating atop his head-- it's a tight, hard band around his mind. It's mental health issues, in physical form. He is in visible pain and breathing shallowly as he struggles to take it off. If you took away the halo from the picture, it's visually very much like someone having an anxiety attack. He uses it to discorporate the demons-- to send his inner demons packing.

Well, almost all of them...

Shax, the one that voices his darkest inner thoughts, remains. She's unconscious for awhile, lying dormant on Crowley's couch.

Aziraphale tells Maggie and Nina that he thinks blowing up his halo might have "just started a war" and, symbolically, it did.

Because when you blow up your halo, it can work for awhile but if you still aren't able to address the underlying, fundamental issues at the root of why you have a halo in the first place, those dark thoughts will come back.

Those demons are coming back and, sure enough, Aziraphale's bookshop is full of plenty of voices by early the next morning. While he won The Battle of The Bookshop, he loses The Battle of The Bananafish the next morning.

While Aziraphale stopped the attack on the shop-- his anxiety attack-- with the halo, we learn the next morning that then something else happened the prior night that we didn't see that is affecting the rest of 2.06. We hear about it from Aziraphale after Satan shows up in this bit here:

What's this, now? Aziraphale doesn't want to chinwag with The Metatron because they already chatted the night before and our angel doesn't think there's anything left to be said. Our angel says he's made his position quite clear.

So, The Metatron got on the circle thing zoom after Aziraphale discorporated demons with it and blew up his halo and, by that point, Aziraphale had had enough.

Aziraphale told The Metatron, in so many words, to go fuck himself.

This is really what Aziraphale is trying to say when he tells Crowley that he "did the thing with The Halo." Yes, he literally blew up his halo to discorporate the demons and stop the bookshop attack but the halo is his the weight of all of his cumulative trauma from Heaven... which makes it also, symbolically, The Metatron. Aziraphale blew up his ties to Heaven by telling off The Metatron. He told off the floating head hanging over his head as part of blowing up the halo crushing his mind.

So, Aziraphale then spent the whole night assuming correctly that, if you yell at Head Office, he's going to tell Satan that you're fair game.

Aziraphale doesn't want to fall. He doesn't want to be a demon-- not because he thinks of them as lesser beings because he doesn't think of them that way. Because being a demon is a terrible existence and Aziraphale would rather not have his soul be owned for all eternity by his partner's assailant who is also, literally, The Devil. He's a hard pass on that and had a plan to have Crowley help him avoid it.

Satan and other events made sure that he and Crowley couldn't communicate what they were thinking and feeling to one another openly from the time that Crowley left the bookshop with The Whickbers through the end of S2. If they had been able to and if Crowley had any idea what was truly going on, things would have been very different. The story is Aziraphale's fall, though, so it has to be bad for now to improve in S3.

Because it's Satan at the door with the coffee, he uses Crowley to identify him as The Metatron to everyone else and, so, has convinced Crowley that he *is* The Metatron and that Satan is nowhere in sight. Crowley doesn't see Aziraphale's fall coming, as can be the case with many people-- even those who know of the mental health challenges of those close to them.

Crowley thinks that the biggest threat to Aziraphale in The Final 15 is The Book of Life-- and, I suppose, in a symbolic way, it is.

The Book of Life-- in the way that Crowley thinks it exists-- is not real. It's his and Beez's anxieties from when they were angels manifested as a ghost story to tell more impressionable angels. Yet, as a concept? It kind of is sort of exactly what Aziraphale goes through in S2. He feels erased into non-existence by Heaven already and he's fighting for his life.

Right, so, a hundred years ago lol, I mentioned that Muriel is key to this idea. Let's look at how their presence is highlighting Aziraphale's issues and ushering him closer to death/falling.

While two angels with memory issues show up at Aziraphale's door in S2, Gabriel is a tale of hope while Muriel is a cautionary tale.

If your memories are "all your you"-- your sense of self, formed through your history-- then, while Gabriel was preserved in The Fly, the example of what can happen without one?

The horror show of a total and complete, catastrophic loss of a sense of self? So... death?

That's Muriel.

There is an angel named Muriel in some Western Christian traditions who becomes a figure called The Abaddon, which is The Angel of Death. The Abaddon factors into different takes on Revelations and apocryphal Biblical stuff. There are several different ideas on who The Abaddon is, though my understanding is that their role as The Angel of Death who brings souls to their final judgement is pretty universal throughout.

In some traditions, The Abaddon is seen as the antichrist. In others, it's Satan. In S1, Good Omens played around with some characters seeing the role of The Abaddon in these ways during Armageddon: Round One through how the Satanic nuns referred to the antichrist baby and Satan as "The Angel of The Bottomless Pit", which is the descriptive phrase given to The Abaddon in multiple different religious writings.

In other religious traditions, though, The Abaddon is thought to be an angel of Heaven or a trio of angels of Heaven. It's these ideas that I think Good Omens is playing with in S2 with, I feel, the heavier emphasis on the true Abaddon being the one most frequently referred to that way-- Muriel. Also supporting the idea of Muriel as Death is that there is also that a character in Salinger's "A Perfect Day for Bananafish" with that name. Muriel is the one set to inherit the main character's wealth and property after he kills himself at the end of the story.

So, how is our lovebug Muriel The Angel of Death?!

For that, we have to look at what a fall is.

Consider that The Metatron can tell Satan that an angel is fair game but, in order for that angel to actually fall to Hell, they have to fail to resist Satan's temptation. What the show is subtly saying is that every angel who is a demon is not just an angel who got caught out saying or doing something that threatened The Metatron's power but, also, an angel who was also already falling into despair and, so, couldn't resist Satan when he came to claim their soul.

The literal fall that happens-- the "freestyle dive into a pit of boiling sulphur", as Crowley called it-- is a symbolic thing that happens after an angel has been unable to resist Satan and, so, is now considered by Heaven and Hell to be a demon.

If you consider that the way the literal fall has been described-- going off a cliff; the parallels to Gabriel nearly jumping out a window-- all of these are images of ways that people sometimes kill themselves. Heaven and Hell come at angels and demons from a place of abuse that pushes them towards suicide. Even in S1, it wasn't straight out murder that Crowley and Aziraphale faced-- they were both forced into what, to Heaven and Hell, would have seen as committing forms of suicide. Crowley getting into a bath of holy water; Aziraphale stepping into hellfire.

So, we're saying that the physical fall happens after an angel has already fallen, and that, in order to fall to Hell, an angel has to have already first fallen into despair.

If the show wants Aziraphale to fall in the Heaven/Hell sense of it, he has to have a mental health breakdown and I'm reminded that the opening credits of this show are Crowley and Aziraphale walking the Earth with all of their history layering up behind them and following along with them and then they go up and up and up on a track in S2 and stop just prior to?

Falling off the edge. The literal fall is what we've stopped just short of but, all along so far, we've been watching the fall in progress build.

The reason why we've never been "shown a fall" on Good Omens is actually because the whole story to date is Aziraphale's fall. It doesn't even really start with S2-- it started long, long ago. It also, though, really kicked into gear just prior to the start of S2, as is noted a bit in this moment here:

Nina asks if everything being weird started the prior week when the power went out and Aziraphale replies:

Trauma is like that. It can be things that happened in your metaphorical 2500 BC that are coming back to bite you in your 2023 AD. It's cumulative. It builds and pushes. You can go and go and go and then, one day, your power just goes out. Your energy to fight is just gone and a storm is brewing. A series of events can push someone who is in an already vulnerable mental health state towards a full on fall into despair and that is what I think S2 is fundamentally about.

S2 is a suicide narrative. Our Clarence Aziraphale is going a bit George Bailey. Even as, on the one hand, he's taking big steps forward to claim more of the life he wants, it's the underlying trauma that he hasn't yet been able to fully deal with that is making him also, at the same time, begin to quietly wonder if those around him would be better off if he were not in their lives.

This is why the most dangerous character in S2 is not Satan or The Metatron.

It is, quietly, Muriel.

How so?

Because when people begin to have more frequent suicidal thoughts, their reasons for living that usually keep them going begin to change to being more of a list of obstacles that are preventing them from death. As a person falls into depression to a point that they begin to feel like maybe everyone around them would be better off if they weren't there, they begin in their minds to try to "solve" the problems that are keeping them from dying. They try-- not always super-consciously-- to set things up in such a way so as to convince themselves that their ties to the Earth will be neatly resolved with minimal bother for anyone else and, more importantly, that all their loved ones will be set up to be fine without them.

People in despair can-- and will-- come up with what are, objectively, absolutely bonkers rationales because, ultimately, they want coffee but they are in such despair that they thinking about ordering death.

Muriel's arrival means that Aziraphale then basically has a solution to every obstacle in his mind in such a way that he clears a path straight to taking his life. They help solve two of his "obstacles": Crowley and the problem of the bookshop.

Muriel is dangerous because they show up at the door with the same curious, upbeat, enthusiastic personality and sense of wonder at the magic of the world that Crowley both loves in Aziraphale and needs in his life.

Muriel is also who can take the bookshop. They're an angel who needs an escape and who loves books and Earth. They're perfect for it. Aziraphale is also horrified to realize that Muriel doesn't recognize him and what the implications of that are and he feels guilty about not having saved them somehow. They begin to represent his self-determined failures and giving them the shop would be, in his mind, making some of that right.

To Aziraphale, Muriel is the cheer and hope that Crowley needs in his life and they've taken to each other like ducks to water, which is then also coming after Aziraphale has subtly been pairing up his partner with the also-immortal-and-traumatized archangel with whom Crowley has much in common and whom we are told in S2 that Aziraphale knows that Crowley finds attractive.

Shax pops up throughout to help show some of Aziraphale's dark thoughts about himself.

What are you, Aziraphale? Crowley's emotional support angel? The one who went native? Do you need more big, human meals, Aziraphale?

The comments in Edinburgh that are not really about the car. It's really more like Aziraphale calling himself "an old piece of junk" and thinking Crowley deserves the chance to get an upgrade to someone better. Gabriel's good-looking and has been through much of the same as Crowley. Muriel is upbeat and makes Crowley smile. Crowley having friends who are supernatural is a great thing but, under the surface, it's also leading Aziraphale to create an inner narrative where he's telling himself that he's replaceable in parts by Gabriel and Muriel and that he wouldn't be leaving Crowley alone if he were to take his own life.

Aziraphale is telling himself that maybe the best way to love Crowley is to make it so that Crowley doesn't have to deal with him.

What did Crowley say about his stars once? The first time they met?

Six thousand years-- that's nothing.

Engine won't even have properly warmed up by then.

Crowley's borderline-immortal. He'll live forever. Six thousand years is a blink of the eye to them. He'll get over me, Aziraphale is telling himself, and find someone worth spending eternity with.

Aziraphale didn't see a path towards death until Muriel's arrival because he didn't fully have a solution to the bookshop and Crowley. That's what makes that adorable moppet of an angel the deadliest character in S2.

The reason why Muriel leapfrogs over every other character and makes it down to the last, pivotal minutes of Crowley and Aziraphale's story in The Final 15-- in a part of the story where even Gabriel is gone-- is because Muriel is death.

It's because this is all about whether or not Aziraphale is going to take the freedom of coffee from Mr. Six Shots of Espresso and live or whether he's going to take the false freedom of the lies he's telling himself from Satan and die.

Is he going to try to take his own life or is he going to find a way through this time, as he has before?

"It's just you and me, Aziraphale." What a statement that is.

It's both true and a complete lie.

Crowley and Muriel are both still in the room when Satan says that so, objectively, it's not really just him and Aziraphale... except that he is controlling Muriel and Crowley in different ways. In that way, it really is only Satan and Aziraphale left by this point. It's down, by that point, to just whether or not Aziraphale is going to live and since Satan is here for him, it's not looking great.

Satan is the embodiment of Aziraphale's life or death choice here and that choice, in many ways, is the only two other beings left in the shop at that point.

It's Crowley or Muriel. It's life or death.

Satan also as Aziraphale's darkest thoughts, really... as Aziraphale's internal dialogue playing out.

What about my bookshop? he asks himself.

Really: What about my life?

Muriel, replies Satan... replies the darkness... replies Aziraphale to himself.

You could entrust it to Muriel.

They need an escape. You'd be doing them a great favor. You'd be sacrificing yourself for them and redeeming yourself for failing to save them. It'd make what you're thinking of doing noble, actually. It'd make it okay. It'd make you a good person.

Aziraphale struggles, right? He almost doesn't do this. He almost says he thinks he's making a mistake because he knows he is. It's just that his every conflict has come up all at once and overwhelmed him.

Even still, the darkness has him pretty solidly-- but not completely-- until this moment right here:

Aziraphale is no fool and he's questioned the idea that this is The Metatron; he's actually trying to tell Crowley that he thinks it's Satan for much of That Scene in the bookshop and to get Crowley to see it and help him, in case it is. Aziraphale hopes he's wrong, though, because he wants it to be The Metatron because he thinks that is the way to fix things but it's not and he knows it, deep down. He doubles down because he's embarrassed, because he feels foolish and afraid and like he has nothing to offer Crowley without the power he thinks he lacks.

Satan's temptation, though, ultimately works because of the final of the death by a thousand cuts here in the whole "Second Coming" moment.

After Satan gets Aziraphale to leave the shop with him to head to Heaven, he, as The Metatron, flatters Aziraphale a bit. He says the things that Aziraphale has always wanted someone in Heaven to say to him. He tells Aziraphale he's needed and that they specifically need and appreciate who he is-- an angel who knows how things are done on Earth. It's validating who Aziraphale is and who is he proud of being in the way that Aziraphale has always wished would happen.

Aziraphale is hurting so much that he starts to wonder if maybe he was wrong about all of this. He was pretty sure before but, maybe, just maybe, he was wrong and he wants to be wrong because then it means maybe that he'd know who he is. Maybe it would mean he would no longer have to be an angel who goes along with Heaven as far as he can because Heaven would be finally starting to see the light.

Maybe this isn't Satan. Maybe it really is The Metatron. Maybe all of this is real. Maybe he can go to Heaven and take this job and really have the power to protect Crowley and they won't have to be afraid anymore.

Then, Satan drops the bomb. He fires the killshot.

He lets Aziraphale hear him say "we call it 'The Second Coming'" while pretending he didn't mean for Aziraphale to hear it.

This is the moment that Aziraphale knows it was all a lie.

He knows for sure who that is now. He has gone from being 98% sure to a full 100%. He knows that it's not The Metatron but Satan holding open the elevator.

Satan had to tell him, as it's the only thing Satan has to do in some form at the end-- because it has to be Aziraphale's choice. Satan sure as fuck doesn't have to be fair about it-- and he definitely wasn't-- but it's at this moment that Aziraphale knows with absolute certainty that there isn't a job offer.

How could there be if The Second Coming is on the table? They'll never put Aziraphale in charge of Heaven with Armageddon as the agenda. He's the angel who stopped it the last time. It means that Aziraphale knows for sure that, if he gets into the elevator, he's effectively killing himself, because this is all to entrap and kill him, not to promote him.

Satan sets it up so that the final things Aziraphale is thinking about when he makes the choice are that there is no chance that Heaven will ever improve and that they're going to do Armageddon again and just keep doing it until it happens and it's all hopeless and Aziraphale will never have the power to protect Crowley and they're going to just keep living this nightmare forever and he's been doing this for thousands of years and he can't take it anymore.

People who are suicidal are stuck in cycles of their lives they feel they can't get out of and that's exactly what Aziraphale is reminded of in the moment before he gets into the elevator.

He doesn't want death-- he wants coffee.

He wants Crowley, standing appropriately in front of Give Me Coffee or Give Me Death, with the coffee art and the blues and greens of Earth all around him. The canopy plants in the backseat. This is what Aziraphale wants but he just doesn't know how to get there anymore and the darkness wins out. The villains always win a battle at this part of the story or else there's no plot left going forward and there is a forward because it's Aziraphale. There are ways back from this but that's for S3.

Give Me Coffee or Give Me Death, as we know, is substituting the word coffee for the word liberty in the original quote and that's exactly what happens in Aziraphale's decision to get into the elevator. The truth is revealed-- there is no job, which makes him feel like there is no way to ever be free while living. He's exhausted by fighting the same battles, over and over, with no way to escape in sight, and takes what he thinks is the freedom of not suffering anymore.

He chooses the false freedom of death over the true freedom of living-- Satan's coffee over Mr. Six Shots of Espresso in a Big Cup-- because Aziraphale loves that espresso more than anything but he struggles to love himself. He thinks, in that moment of despair, that the best way to love Crowley is to set him free by leaving life.

It's the Job minisode foreshadowing all of it and going back to the start of his story for the end.

It's nothing important, Aziraphale, don't worry...

Just your kids, your house, your businesses, your money, your neighbors, your street, your car, your books, your friends, your community, your Earth and the love of your life.

Just all the love and magic of the world.

Just all your you. Just your life...

When the first shot of the season was the skies sweeping down towards the front of the shop door... and the final shot of the shop in S2 is The Angel of Death-- Muriel-- entering it alone, claiming it and closing the door? When the light goes off in the bookshop window?

When Aziraphale-- after running around with a paralleling clipboard for half an episode-- leaves a note on the dash for his wife, like International Express Delivery Dude did in S1? When his "I love you, Maud" is the car playing Crowley "A Nightingale Sang in Berkeley Square"? That's when we can see why Death appeared to Aziraphale at the end of S1 and has been headed his way since.

Satan's temptation, yes, but executed with the help of The Angel of Death, who helped push Aziraphale into the lift with The Devil and not towards Crowley and The Bentley, where Aziraphale's love has always been willing to give him a lift, anywhere he wants to go.

In a show where people are symbolically what they profess that it is that they do-- midwifery/cobblering, conjuring, "seamstressing" and so on... all of those things are positive. They're about helping others and loving the world. With that in mind?

Go back and look at Muriel's arrival at the bookshop again...

What is adorable is, also, a fucking horror movie of a declaration:

Muriel is a human police officer.

Friends... that's Death.

Muriel is the only one with a horrible self-declared profession. They're not helping birth ideas and babies and art and mending everyone's pain. They're not a working, professional magician helping to develop the street. They're not a healing seamstress. They don't sell old films and records and books. They don't feed anyone at their restaurant or sell musical instruments to nourish their lives. They aren't the best guy on the block-- Mr. Brown and his World of Carpets, giving people what they need to outfit a life of their own. They're the not a member of The Whickber Street Shopkeepers and Traders Association-- like their paralleling Jim becomes as he begins to regain the will to live.

Crowley is worried about caring for Gabriel being too much for Aziraphale but it's really Muriel that is a walking trigger for him.

Gabriel is a character people think is a villain who is really a lovebug; Muriel is a character people think is a lovebug but who is, symbolically, the worst possible thing to ever show up on your doorstep.

Gabriel is saying books are keen and hot chocolate is amazing and live, live, live, live, Aziraphale...

He's the part of Aziraphale's mind that is trying to save himself while Muriel is the part that is luring him towards death.

Muriel is saying the best part of a cupperty is to look at it, Aziraphale.

It's not for you. You're an angel. You aren't supposed to want to live your own life. You aren't supposed to have wants and needs at all. Even if you go into that back room to be with Crowley alone and try to shut me out, I will break down the door and come after both of you before too long is up.

Muriel is cosplaying Earth's most invasive and violent profession and they're so sweet about it that it tends to bury the eeriness of their arrival. In Muriel, Aziraphale is confronted with his paralyzing perfectionism, his negative self-worth, his rampant imposter syndrome, and his excessive self-sacrificing-- all at once.

All his negative feelings are here at the door in the form of this fun house mirror version of himself-- a cheery and also clinically depressed angel, who is actually cosplaying humanity the way Aziraphale always feels like he is, even if he knows at the core that he's every bit as human as the billions on Earth.

The world is for the professional conjurers, for the humans, for everyone but Aziraphale, in his mind. He is supposed to be above needing any of it. He is supposed to never be angry, anxious, tired, depressed, hungry. He isn't supposed to need the home and books and music and food and sex and magic that he lives for. This angel isn't supposed to be a member of The Whickber Street Shopkeepers and Traders Association but he founded the street, let alone the group, and he'll die trying to host a meeting because nothing makes him feel more himself than when he lets himself be a part of the world.

Muriel's presence worsens his depression spiral, which we've seen is what happens when the negative thoughts get to be too much.

In S2, he goes a sherry-and-stomach-settling-drop diet. He doesn't eat the eccles cakes. He doesn't slow down and enjoy much of anything. Part of the joy of the ox rib scene is that Aziraphale isn't really enjoying himself that much in the present in S2 and it's the only thing like it in S2. Aziraphale, in S2, has put himself and his demon on half-rations and talks about his frozen peas to his fellow duck less. He goes back and forth between trying to self-care (Shostakovich and going to the Gabriel statue and brief moments of flirting with Crowley) and self-neglect (the entire rest of the season lol). Mix in too many additional stressors like what S2 had and it goes from the anxious period of fasting in 1967 to the cause for big time alarm that is S2.

Intellectually, Aziraphale knows that mindful human living is prescriptive. He saves Gabriel by starting to teach him what he knows about it. There's always been a little voice whispering at Aziraphale, though, that it might be right for others but that doesn't mean he's supposed to feel or need those things. He should be above it because that, apparently, would make him the good person that he doesn't often believe he is. His feelings aren't even about being an angel in the Heaven sense so much as in the human anxious perfectionist sense, in that he's excessively self-sacrificing because he doesn't fundamentally believe he's a good person.

There's nothing wrong with being as kind and generous to people as you can. It's when you're doing that while also not acknowledging that you are a person with wants and needs at the same time that you can self-sacrifice yourself right off a cliff as a way of trying to convince yourself that you're not a bad person.

You can deny yourself the life you want out of the excuse that it's your purpose only to care for everyone else but it's not really virtuous. It's a form of self-harm.

What hurts so much about S2 is 1941 because the minisode then gives us Crowley and Aziraphale slaying demons left and right. It gives us what a good day looks like in a whole season that is, otherwise, a series of bad days mixed with things that are also not within their control that then lead to the worst, possible ending.

We see, really, how good they are at caring for one another. The kiss scene is made infinitely more painful by us having seen in the 1941 minisode another conversation in the same spot in bookshop when Aziraphale was struggling with these same issues that went so very differently.

Crowley is very good at gently reminding Aziraphale that, not only is he wonderful, but that he's a person, too, and that everyone feels like they are jiggery-pokery sometimes. Everyone struggles with the voices of others and themselves trying to judge them and how that impacts a sense of self. That fighting through that to be able to live and love is, unfortunately, a pretty common experience of being a person.

This is not new for Aziraphale. It's so very old, stirred up hardcore in S2, now that it's been four years since Heaven contacted him. Aziraphale doesn't know that it's because Gabriel is trying to protect him. He thinks he's so inconsequential that Heaven couldn't even be assed to send someone to formally fire him and take the bookshop embassy that, despite being something of an albatross around Aziraphale's neck, he's also really proud of having built.

Aziraphale wants Heaven to fuck off but he also feels embarrassed by the fact that Heaven could fuck off so easily and that he feels like he doesn't have a friend there to speak of after thousands of years. He is ashamed of it needing to be Crowley who gets them a contact for info in Shax because he sees it as more dangerous for Crowley to need to be in contract with the demons and as a failure to protect him-- the thing that's at the core of Satan's temptation at the end of the season. (Also why Crowley is trying not to tell him about Shax taking his job and his conversation with Beez, which is a huge mistake but it's coming from a good place.)

Surely, Aziraphale thinks, if he hasn't fallen and he's still an angel... if he still is one, he's not really sure, as what is a non-working angel?... then, if he were good, there'd be some angel up there who would still be talking to him. He knows Heaven isn't good, exactly, but not all of the angels are terrible. As anyone who has ever had to go no contact with an abusive family knows, the illogical doubts that creep up can make a person think that maybe they're the wrong ones. At your worst, you can wonder: if the whole family thinks you're wrong, are you really right? Aziraphale knows he is right but it gets complicated.

Add to that the stress of worrying that something will happen to Crowley every time he goes out the door (part of Aziraphale's own trauma for millennia, made worse by 1827), and Crowley's PTSD exacerbated by the fire in S1, and Aziraphale's negative self-thoughts are being triggered even worse than usual. He's blaming himself for them not being safe, when that's not fully within his control... which, in Aziraphale's mind, is the whole problem and an example of how he is failing Crowley.

This is all long before Gabriel shows up at the door and the season gets started with a series of events that then worsen Aziraphale's state of mind. By the time Muriel shows up at the door, these negative kinds of thoughts out in full force in Aziraphale and Muriel represents them.

Muriel might be cute as a button and, as a character in their own right, being used left and right by Heaven, but it doesn't change the fact that Muriel is, symbolically, a mashup of the human and supernatural cops trying to kill them that Crowley and Aziraphale have been outrunning their whole lives.

The Angel of Death is a cop because of course they are, right? What other group of people has been existing to entrap, imprison, torture and kill people for eons?

From the book: If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends.

S1 was summer. It was the nightingales.

S2 is the lingering doom of preparations for Christmas lights. It's the days getting shorter and colder. The nightingales have flown to warmer climates. Because this is Good Omens so the season of Aziraphale's fall is set in the season of... well, the fall.

The good news is that, both literally and metaphorically?

Summer is always just around the corner.

[andromedasummer]

i ended up having a like. 30 minute conversation with some of those "freedom convoy" people. was at the bus stop. they were wearing trump hats. i ended up roped into the conversation because i was so taken aback at seeing one in public i was just. staring at it. ive never felt more depressed about someone elses life and beliefs than when i talked to them.

[nerdie-faerie]

It seems to really be hitting my mum just how young she was when she had me in light of her upcoming birthday

[theamazingannie]

Greatest thing just happened: my sister asked me for show recommendations. My time has finally come

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[going-to-ikea-for-the-fries]

It's a Match! || 141 x Reader

[ Chapter 13 ] || [ Chapter 15 ]

Pairing: Gaz x Reader x Ghost || 141 x gn!Reader Words: 1.6K~ Summary: While overcoming recent heartbreak, you decide to join Tinder in search of a rebound. Your friends advise to just Swipe Right indiscriminately... What happens when 4 soldiers from the same squad match with you? a/n: this is purely self-indulgent. I wanted them to kiss.

Click here to see some fanart of this chapter by my lovely moot @xxshadowbabexx.

Chapter 14: (B)romance?

After that conversation, things got slightly easier. You found yourselves talking about random things, Simon showed off a few bandages from fresh injuries he got just this past week on a mission…

And almost an hour after they arrived, you were all sprawled from the couch and over the coffee table, watching one of the original Scream movies, much to Ghost’s delight and your displeasure… Which soon switched and turned into your and Gaz’s pleasure and Ghost’s dread.

“Look, it’s you.” You pointed at the TV for the fifth time in the row every time Ghostface was seen.

“I hate you.” Ghost groaned playfully. “Kyle, why’d you tell ‘em I wear a skull on the job?” He scoffed.

“You’re the one wearing it and you wanna blame me?” Kyle quipped as he cocked his brows. He had his arm draped over your shoulders and he used his hand to nudge Ghost on the shoulder.

“It’s making me look bad, mate, it’s the principle of the thing!” Ghost retorted as he snaked his arm between your back and the back of the couch, nudging Gaz’s exposed side with his own finger.

It was the first time that Gaz had ever heard Ghost call him, or anyone, mate. It would’ve made him smile, if the bloke wasn’t poking him.

“Oi! Watch it!” Kyle complained as he squirmed a bit against you.

“You ticklish, Garrick?” Simon quipped with a mischievous glance.

“Will you two stop it? I’m trying to watch the movie!” You scolded them, nudging them both with your elbows, causing them both to squirm, though Ghost’s squirming was much more stiffening than wiggling. “Childish…” You added.

“Not childish.” Simon retorted. “I’m 3-fucking-4.” He replied.

“You’re what?” Kyle asked as his head turned sharply to look at Ghost. “I thought you were 40.”

“You thought I was as old as Price is?” SImon asked as he turned to look at Kyle too.

“No wonder you look young, I thought you looked good for your age because of the mask and not being in the sun all day.” Gaz explained.

“Oh. My. God. Are you two having a moment right now?” You asked them, making them both turn to look at you with wide eyes. “Your little bromance is interrupting the movie.” You quipped with an impish smirk on your lips.

“Oh, we have a ‘bromance’, is it? You wouldn’t talk like that if you had my tongue down your throat like a few weeks ago.” Simon asked with a look in his eyes that said he did not appreciate the joke. But that just made you start giggling and biting your nail.

“Wait, you’ve kissed?” Kyle asked in surprise as he bounced up a bit and turned to look at you both.

“Yeeeees…?” You replied with a sheepish reply.

“So you’ve seen what Ghost looks like?” Gaz added.

“Noooo…?” You added as you casted Simon a glance, which only made him chuckle behind his mask.

“I said I’d let ‘em in due time.” He explained for you as he gave you a little squeeze.

“So, you’ve gotten drinks, eaten dinner, played videogames, had a movie night, slept together… All with the mask on?” Kyle asked, flabbergasted.

“Well, no. I took the mask off to sleep.” Simon replied.

“YOU TOOK THE MASK OFF TO SLEEP?!” You shrieked a bit, which only caused another grin to form on Simon’s face, his brown eyes crinkling smugly.

“You were asleep. It would’ve stank up if I slept with it on, I’m a mouth breather.” Simon replied.

“Ew, a mouth breather.” Gaz quipped, making you both laugh.

“I guess we’re just… not gonna watch the movie, huh?” You remarked as you glanced over at the TV where some blonde was screaming bloody murder.

“Guess not.” Gaz replied and shrugged a bit. After a beat of silence, he glanced over at the two of you again and narrowed his eyes. “How was it?”

“Hm?” You asked with a cocked brow.

“He means the kiss.” Simon replied as he nudged you with his shoulder, his arm lightly squeezing at your waist.

You scrunched up your lips sheepishly and shrugged. “It was good…”

Gaz and Ghost shared another look over your head, silently communicating between one another while stealing glances at you.

“Just good? And here I thought you’d liked it.” Simon remarked in mock offense.

“Right? I was going to say that doesn’t sound very convincing.” Kyle quipped.

“I-” You hesitated and sighed. “Will you two stop that? I know what you’re doing! Don’t fucking bully me!” You scolded them and you immediately noticed the smirk on Kyle’s lips, which you knew Simon was mirroring.

“Maybe I owe you a repeat.” Simon quipped as he shot Kyle a look and then looked down at you.

“A repeat?” You asked in shock as you blinked lightly. 

“And I definitely owe you one for comparison.” Kyle added.

“But…”

“But what? You talk that big game and act like a brat this whole time, trying to embarrass us…” Simon trailed off. “I think it’s time we get payback.” He added.

“Only if you’re okay with it.” Kyle interjected.

“Of course they’re okay with it.” Simon added and glanced down at you.

Sheepishly and with very warm cheeks, you found yourself nodding, not quite knowing the mess that you were about to get yourself into.

But, then again, when are you going to have the opportunity to have two blokes wanting to kiss you at once? Mia and Leah would kill you if you didn’t take the opportunity.

Simon’s warm, calloused and rough hand grabbed reached up to cover your eyes and after a second, the other clamped around your jaw the same way he had done weeks ago. You could hear Kyle’s breath hitch behind you, a sign that Simon had taken off his mask.

Then, Simon’s lips crashed into yours, his tongue already pushing its way inside. Once more, your tongue found the metal of his barbell piercing, the cold and hard texture drawing a whimper out of you as Simon dragged it over your own tongue.

You could feel Kyle’s warmth next to you, his arm slightly tightening his hold on you so you wouldn’t escape Simon’s kiss. Your hands gently grabbed onto Simon’s forearms, fingers digging in as the kiss left you light-headed.

After a moment, Simon pulled back, fixed his mask back into place, and uncovered your eyes. “So?” He teased when your eyes adjusted to the darkened room, illuminated only by the blue light of the TV playing the movie.

“Hm.” Was all you could reply with, a stupid little sound that didn’t at all convey how good the kiss felt. But it made Simon laugh, open mouthed, belly laughter, his head falling back over the edge of the couch.

“Cat got your tongue? Oh, wait, no, it’s me.” Simon bragged and you could swear he had a massive shit-eating grin on his stupidly kissable lips.

“Let me check.” Kyle replied and his own hand snaked to grab you around the neck. Before you had time to register it, your head was being dipped back and his lips were against yours.

Unlike Simon, Kyle’s lips were thick, warm, smooth… His tongue was a lot wetter, probably a consequence of Simon’s throat being permanentely dry from wearing the mask too much.

Now that he was so close, you could feel everything. The way his fingers gently rubbed at your pulse points on your neck, the scent of coconut oil that emanated from him, the light prickling of his goatee against your skin, when Simon’s was completely shaved clean…

Simon’s hand snaked down to your thigh and rubbed it lightly as you lost yourself in Kyle’s kiss, your hand grabbing and softly tugging onto his purple jumper.

You were the one that broke the kiss with a gasp for air, your eyes snapping open and finding Kyle looking at you with a mischievous glint in his eyes as he licked his lips. “So?” He echoed Simon’s earlier question.

Looking away, you sunk back on the couch and scoffed. “I hate you both.” You grumbled, making them both laugh.

“Damn, I didn’t think I kissed that badly.” Gaz quipped playfully.

“I sure as bloody hell don’t.” Simon replied. “I think they just have poor taste.”

Crossing your arms, you glared at them both. “Yeah? Well… If you’re both such great kissers, then why don’t you prove it?”

The two men looked over at you with raised brows and blinking away their shock at the suggestion. Then, they glanced at each other and seemed to be communicating wordlessly again.

“I’m fine with it.” Gaz quipped, humourously.

“Makes no difference to me.” Ghost replied. “C’mere, Garrick.”

Before you even had time to say you were joking, Simon tugged up his mask with one hand, enough to reveal his jawline and mouth, while the other wrapped around the back of Kyle’s neck with more aggression than necessary.

It was the first time you got to see a snippet of Simon’s face and his jawline was just like you had expected. Harsh, sharp like diamonds, free from any type of hair, and riddled with rough scars and a Glasgow smile carved from the corners of his mouth.

Their mouths collided so harshly that Kyle’s eyes doubled in size before he let go and closed them. Your eyes widened as well as you watched them locked in a kiss that was more passionate than I think any of you expected it to be.

As they pulled away, Ghost pulled down his mask again and glanced over at you, while a very shocked Gaz stood perfectly still, eyes widened and mouth left hanging open… Before he shook himself awake from his trance. “You have a piercing?!”

------------------------------------------------------------------------------

taglist (CLOSED! not adding anyone else, sorry!): @daisychainsinknots , @bunnysdaydreams , @iite-cool , @lahniu , @pagesfalling , @tapioca-milktea1978 , @live-love-be-unique , @thelaisydazy , @littleghosthunter , @bossva , @emotion-no-hot-yes-hotel-trivago , @chamomiletealeaf , @ghosts-hoe , @kariiiel , @ltbarnes , @irregulardongyoung , @spacelia , @hayleybarnesx , @infpt-zylith , @frescoisnotinthemilitary , @leeeenistop , @lucienbarkbark , @zombie-freak

@severenswife , @enarien, @agoodmoviekiss , @l0lziez , @whos-fran , @greatstormcat , @openup-yourmind , @neoarchipelago , @sodavrr , @cutiecusp , @lilliumrorum , @c-nstantine , @kneelforloki , @comeonatmebruh , @codsunshine , @waiting-so-long , @captainquake42 , @gazspookiebear , @mynameismisty , @reap3erslov3 , @reaper-chan666 , @poohkie90 , @kitwithnokat , @stick-the-dumbass , @mothsdrabbles , @justanerd1 , @thesinsoflust , @thriving-n-jiving , @blckbrrybasket

[bainutwater85]

can i get nsfw headcanons about any naruto characters? your choice !!

characters: gaara, kiba, kakashi, shikamaru

cw: cum, anal, vibrators, dick sizes, fem reader with fem parts

a/n: hope u enjoy! also i’m writing for them during the time naruto and hinata got married (?) i know they were like 19-23 or 24

GAARA !

when you two are alone: he likes when you lay on him n he rubs your back inching his way down to you ass, rubbing it and kneading it in his hands.

twerk on this man, give him a lap dance i swear to god he won’t be disappointed by anything you shake. his eyes will be wide and he’ll have the biggest smile on his face, if y’all are drunk and doing this then you’ll definitely be fucking wherever you are at. Most likely will come in his pants..

his balls are tight and full, not big but average size for his age. Loves when you just lay next to him and invade his space then slipping a hand in his pants to massage his balls; especially when he’s cramping there to.

he’s not much of a sex guy but definitely prefers dry humping over the real dick in the ass thing, if yknow what i mean. you 2 just get the grind on..slow and sensual. & by dry humping— he’s not humping you like a wild animal, just dragging his boner across your leg/thigh. You do the same..just without ur panties (^_^)

Don’t get me wrong..he’ll have sex and release his load in you or on you a few times— he just has a..in between sex drive (?) basically: sex isn’t always on his mind unless you propose to it and if he’s having a rough day (which is almost everyday & barely resorts to sex to get relaxed) anywayss. With that being said i really feel like he likes to take sex slow so your foreplay will last about 15-20 mins and another 20 while he’s kissing every crack and creavice of your body.

⤴︎ i also feel like he’s big into role play. Like yes, i’ll be the princess and you’ll be the evil big bad wizard that needs my love and touch. Or yes you can be the UPS guy and i can be the mom of 2 college and highschool kids during the summer waiting for my dildo to arrive because me and my husband divorced a few months ago

he don’t lick pussy he SUCKS pussy. he don’t give you fast kitten licks he will head straight for the clit and suck on it like a pacifier and rub it when he’s done.

his cum has an easy flow and isn’t too thick but he spurts out a lot. Also average size with an average girth, 6.4 inches at best🙌🏾

KIBA !

biggg ash, GIRTH && LENGTH WISE. i’d say 6.6 at least. n he lovesss it when you whine and tell him it don’t or won’t fit & try to push him back a bit by his abdomen or run. just for him to grab you by the hips/waist and start pounding into you

unlike gaara he will dive in and lick your pussy clean. sorry not sorry, he has no pussy eating technique and does what he saw a man do on a porno he seen when he 12 years old. yeahhhp

why fuck one hole when you can fuck 3? we all say in usion. He’s an anal god & prefers the butthole than the vagina or mouth.

speaking of mouth..he likes a little teeth on his cock, not a lot tho😗 cause it “tickles” he says.

Guys..he does not have breeder balls..i’m sorry :(. They aren’t small they just aren’t as big but they don’t sag either..they’re TIGHT. tight like if he was to go soft rn his ball sacks would be a futon for his penis

also has bad ball cramps and whines so much when you can’t or won’t help him with it. But “its fine” he says, just don’t beg for any dick post- shark week 😒. && to top it all off he is a MASTER MASTURBATER. when he got with you he stopped watching porn and used his imagination with you being the the source of material.

sleeps bare butt ass naked with his balls all out jus free ballin like we’re in the paleoithic age💀

ass eater ass eaterr. he don’t care if you ain’t shower this morning he wants to go in and down. He’s a free and wild man when it comes to sex, LITERALLY.

whines the most and hates to admit it but he just can’t help how tight you are. Like you wrap around him just right and it makes him come on the spot sometimes

they don’t mind a bush or fuzzy peach. But kiba is the one to cry when you shave or get a wax down there 😗 the others don’t mind if it’s hairy, a little hair never hurt them and plus “we grown” kakashi, kiba and SHIKAMARU say in harmony 😭

+ all of the character listed above

KAKASHI !

always and i mean alwaysss has to have a hand on your ass and tits. it’s not even in a horny or sexual way— he just wants to squeeze and feel the squish of your body. Unknowingly massages them to and you don’t even point it out, then he’s moving his hand looking down at your nipple like “why is it hard?” man you just gave top tier massage that could clear migraines and cramps.

his dick is big and he knows ittt. Sitting on his lap is enough for his dick to go in ‘up mode’ he will nottt back down or let YOU back down when you tease him and try to leave him by hiself with a hardon, no ma’am..you’re gonna finish what you started.

never fully gets naked when you two are having sex. his shirt is off, pants down and his dick coming out the deisgined hole of his boxers. Your bra over your tits and panties pulled to the side.

he lives in the country and rural era of konoha so yes you suck his dick and he eats you out on his back patio, what about it?

doesn’t want you having any dildos, he doesnt know why it makes him so upset you need a FAKE cock to make you cum when you have him. The only sex toys he’ll allow is a vibrator and butt plug. Speaking of vibrators, he so fascinated by the way your plump pussy lips move when you use it😫

preps you all the time, you two could’ve been fucking since the day you got together, he’s still gonna prep you either way cause mans is BIG. he’s more of a shower than grower tho 😗

6.7in when soft and 7inch hard. His girth isn’t wide..it’s more on the skinny side but he reaches places better with the size and length. Once you cried so hard and almost reached your breaking point when his thrust kept getting deeper and slower cause he was hitting the entrance to your cervix and lord was it painful yet pleasing at once.

his balls are average but they sag, not low but they got some weight to em on the inside 😭

SHIKAMARU !

wants to makes movies with you and has made movies with you. But it’s premium tho so only you and him only see it.

always and i mean alwayssss has a hand in your panties or on your thigh. You two would be chillin in the living room, the floor or in the bed (most of the times the bed) and he’ll just sneak his through and just rub your clit. he doesn’t finger you just rubs you slowly, occupied with his phone and your pussy while he’s just strolling through social media and getting you off all at once.

fav position is most likely doggystyle. Why? because if you both are getting your freak on and wanting to watch something..you can do both.

lazy sex..need i say more? he’s got you laying on top of him with his dick barely all the way inside you and giving half ass thrusts while you both are half away and naked at the crack of morning

hates pulling out, says it ruins the good feeling when you’re about to cum. Naw sweetie he just wants to be a dad of a cheerleading team. He might wanna be one and done or 2 kids but the way he cums inside of you..😗 it says otherwise. he doesn’t even pull out till you guys wake up, and if he did so you can go pee and get it out your system— he’s gonna ease way back in and go to bed like that 😭

another sagger and shower but not a grower. He’s average, length and girth. 6.6 hard and 6.6 soft. It’s just limpy yknow?.

also sleeps naked well semi-naked. but you? oh he makes you strip down to your socks and earrings. he wants you skinned down to the toess. He only sleeps in a bare of boxers and time out time he uses rhat as his advantage. won’t even take them off to pull his dick out. he either slips it through the hole of his pants or over the hem of the boxers. Somtimes doesn’t even take it out himself and gets you to do it by grinding it agaisnt you or pulling you closer to it.

cums a lot and cums whenever and wherever tbh. on your face in your mouth, wipes it off for you tho. One thing he lovessss to do is slap his tip on your lips or cheeks he just loves slapping his cock all over your face anyways

[fumiliar]

CAN WE PLS GET OLDER BF TOJI HEADCANNONS PLS PRETTY PLS 🙏

(LOVE YOUR WORK BTW!!!)

TYSMM! i hope you like it!😵‍💫

✎...toji is in his late 30s (he lives!) and reader is in her early 20s. megumi is a toddler and he keeps him.

you were the one who chased older bf!toji, you manifested this man. ever since you met him in your apartment gym, you've been trying to get close with him. you started to gym when he went to the gym, asking him for help to carry the weight because you were inexperienced. slowly but surely, you started to develop a relationship with toji, talking to him when it was unrelated to exercise.

older bf!toji who was scared to ask you out on a date. you were so young! he on the other hand, was a widow, a single father and 15+ years older than you. he could've been your father! all these thoughts subsided when he saw you waiting in front of the gym for him. "hi toj-" "date?" he blurted out, leaving you blushing and shocked. "sure toji." that night, he couldn't stop gushing over you to his toddler megumi.

older bf!toji who told you upfront that he was a single father, a widow and looking for a serious relationships on your first date. not wanting to cause any other misunderstandings, he's old, he doesn't have time to play games. he doesn't have the time to fool around, he wants a serious relationship, someone he can lean on, importantly someone who megumi can lean on.

older bf!toji who did not understand why such a youthful person would want him. the stress of his job and raising a child alone has manifested on his appearance. while you, were the epitome of youth in his eyes. the days where you could've been partying in clubs, you spent playing with megumi. he could not wrap his head around your actions.

older bf!toji who barely uses social media. not due to his age, but he's too busy with his life. his only socials are his facebook(good 4 u). you had to teach him how to make an instagram account, and to this day he still doesn't understand how it works. his insta only follows you, with one post, which is also a picture of you.

older bf!toji who's always 'reluctantly' accompanying you, reluctantly watching chick flicks with you, reluctantly accompanying you shopping and holding your shopping bags, reluctantly holding your purse. he's always reluctantly doing stuff, but he ends up doing it anyways. why? cause he loves you. there's a certain joy inside him he hasn't felt since his wife's passing. he secretly enjoys doing girly things with you, just to see the happiness on your face.

older bf!toji who never wants you to feel like megumi is your responsibility. though he wants you to be there for megumi, he doesn't want to burden you with his own struggles.

older bf!toji who stumbles over his feet when he first saw you with megumi. for the first time in his life, he saw megumi like someone from the first meeting. megumi was constantly giggling, smiling ear to ear. without toji realising, his expressions had mirrored his son, like father like son.

older bf!toji who's scared of his future. he's always on the brink of death, with the risky nature of his job. he wants to grow old together, but hesitation takes over him when he realised that in the end, it would just be him growing old.

older bf!toji who has the worst taste in clothing. literally horrendous, when you see his wardrobe, it's just multiples of his tight black shirt, his weird poofy pants and some workout clothes. his other clothing was horrible, some shirts having holes as big as your fist. ever since you've seen that, you've decided to go on a shopping spree for him, along with getting him and megumi some matching clothes.

older bf!toji who hasn't had the time to take care of himself properly. taking care of megumi was such a hassle making him forgot about himself. when you pamper him with skincare nights and face masks, he literally gets addicted. every time you offer to do a face mask or to do his skincare, he dashes to lay his head on your lap. he's still too shy to ask for it, but you can tell how much he likes it. his wrinkles slowly going away with every touch of your hand, as if he's finally let his guard down.

[luvyeni]

SECURITY CAMERA ,, 한지성

pairings ‎⸝⸝⸝ perv!jisung x fem!reader wc. 2.1k+

genre. smut

𓄷 includes ... sub jisung, perversions, unprotected sex, oral ( m. receiving ), public sex , overstimulation, idk man jisung is weird , but like so is reader.

request. han jisung smut🗣️🗣️🗣️🗣️

「 authors note 𖹭 」 not my favorite but i hope you like it.

❪ masterlist! ❫

jisung hated his job as the cashier at the cafe; he didn't like how he had to interact with people all day; the teenagers who order drinks that took 10 minutes to make, the older people complaining to him about princes he has no control in , the small children who don't need coffee in the first place — he hated it, but someone needed to pay his bills.

that was until you walked into the cafe a few months ago , looking for a job which you got; and his life from then on his shifts got ten times better — not only did he get a promotion to manager , which not only gave him a good pay raise , but he got to move to the back where he no longer had to interact with the outside population.

not only that , but you also made his shifts much better, he liked to watch you through the screen, and the way you interacted so sweetly with the customers, even the horrid ones. not to mention you were always so nice to him , even when you were having a bad day, you still would come to the back and have a conversation with him before returning back to the front , where he would watch you some more — and some days if he was lucky, he'd get a peek of your panties when you would bend over to get a cup or to pick up dropped change on the floor.

he still remembered the last time he jerked off in that back room; watching you, he felt so disgusting afterwards , you weren't even doing anything, it was late at night and you were cleaning up the cafe with a coworker and he was going over the books in the back , he so happened to look at the camera , it was a warm day and you wearing a tank top, one that showed off your boobs and a mini skirt that was too short , he could've dress coded you but he didn't get paid enough and he didn't want you to see him as a loser — but if you caught him doing he did you'd probably think he was anyway.

you were just so pretty and he was thinking with his cock; and before he knew it he was palming himself , cumming in his pants , heavily breathing as the post nut clarity hit him. he quickly locked up the back , wishing you and the other worker there a good night as he ran out the door , covering himself , eyes to the ground in shame.

he couldn't look at you for a week; not only did he feel guilty, but because he wanted to do it again; and it wasn't that long until he did it again, and then again— until he no longer felt guilty about doing it , he couldn't stop himself , he needed to do it , not a shift went by where he didn't touch himself watching you through the cameras.

“i don't know, i think he's pretty weird.” your coworker said , it was a 15 minutes to closing , so you were wiping down the tables. “who?” you asked, you were never one to gossip but it was a slow night , not many people buying coffee at 9 pm and you were bored. “jisung.” your other female coworker said. “he stays back there constantly , and when he does come out it's just to grab a coffee and stare at yns boobs , it's creepy.” she said. “what , my boobs?” you questioned. “he's never looked at my boobs.” you said. “has he?”

“of course you'd like the creepy manager.” your male coworker said. “i don't think he's creepy , he's just a bit anti-social, it's quite cute.” you smiled , your friends rolled their eyes. “leave him alone , he's nothing but kind to everyone , he lets you come in even though you obviously haven't passed a drug alcohol test since even before you were the legal age , and you; he spends 30 extra minutes each week to put in your hours because you're too lazy to do it yourself , he even puts in hours that you're late just so you won't take a pay cut.” you defended the boy.

“look at you defending him , what you got a little crush on him?” you scoffed , rolling your eyes. “i don't have to like him to know he's not a bad person , or a creep.” you said , walking away to finish cleaning the tables.

“we're leaving , are you coming or are you gonna wait for your boyfriend?” they stopped as they walked out the door. “shut up.” you rolled your eyes. “i guess that means she's waiting , let's go.” they exited the store , you walked over locking the door.

you began to count the money from the counter , humming the music that was playing from the speakers — then you heard it , your name coming from the back. “huh?” you turned down the speaker , thinking you misheard , but you heard it again , this time much louder. you put the money down , following the noise; until you got to the manager's office. “y-yn.”

you put your ear to the door; he wasn't just saying your name, he was moaning your name. “jisung?” you pushed the door open , your eyes widened at the scene. “yn.” his eyes widened at the shock as you watched the boy desperately try to pull his pants up. “what are you doing?” you asked ,even though you knew what he was doing , you literally caught him with his cock in his hand , you looked at the computer then back to him. “were you watching me while doing that?”

his first thought was to beg for your forgiveness , and that's what he did. “y-yn i'm so sorry , i didn't mean to — you didn't mean to jerk off while watching me , what? wipe tables.” you interrupted , the boy lowered his head. “you felt comfortable doing this , have you done this before?” he didn't say anything but it answered your question. “you have.” you said. “im sorry.”

“that's all you have to say? im sorry.” you scoffed. “i defended you when they called you a creep , turns out you are one.” he felt a pit in his stomach , he felt guilty , he really did , but he was also still really fucking hard. “sh-shit.” he cursed , feeling his cock twitching in unbuttoned slacks. “i really should report you for this.” his eyes widened. “calm down i won't turn you in perv.” you closed the door , behind you.

“i-m not a pervert.” you scoffed. “really? normal people don't jerk off to their coworkers.” he kept his head low even as you approached him. “how long have you been doing this?” he shrugged. “ a-a few weeks after you came,” he admitted. “so instead of asking me out with the chance of maybe fucking me , you watch me through the camera while jerking off?” you smirked. “i would've fucked you, all you had to do was ask.”

you put your hands on the arms of the chair , caging him in , your boobs right in front of his face. “see you can't even look at me now, but you can see my tits can't you , guess they were right about you constantly staring at them.” he bit his lip. “touch them.” he finally looked at you. “wh-what?” he stuttered. “do it.” he brought his hands up to your boobs , squeezing them , you bit your lip containing a moan. “feel good?” he shook his head. “s-soft.”

you stood up , lifting you shirt over your head. “pulling your pants down.” he was frozen. “do it now or i'll call HR on your ass.” he quickly got up , his pants falling to his ankles. “sit.” he obeyed , you got down on your knees , your face directly in front of his cock. “wh-what are you doing?” he asked , not like he wanted to stop you. “doing what you obviously wanted me to do.”

you pulled his cock from his underwear, it stood tall in front of your face , his tip a purplish red from his previous endeavors, leaking with pre cum. “look at you , so hard i guess you didn't get to cum.” you kissed his tip. “no fuck.” he sighed. “d-didn’t get the chance.” he moaned as your mouth closed around his length , slowly making your way down his shaft. “oh fuck your mouth feels so good.”

he felt like he was dreaming; you were supposed to hate him , you were supposed to think he was gross — but here you were gagging on his cock in the same room you caught him in. “oh fuck im cum.” he moaned , gripping the arms of the chair. “pl-please let me cum.”

he whined as you pulled away. “why should i?” you stroked his member , slowly teasing him , he couldn't cum like this. “didn't you cum enough by perving on me for the past few months?” he whimpered. “pl-please let me cum.” he begged. “please i-i’m sorry.” you sped up your movements , he moaned loudly. “you wanna cum? cum all over my tits , since you like them so much?” he nodded. “pl-please I'm gonna cum.” his brain was fuzzy. “fuck im cumming!”

he let out a loud moan as he came , covering your upper body in his seed , as you kept going. “fu-fuck , i came.” he moaned , but you didn't stop. “yn fuck I came.” he let out a huff of air as you let him go. “you came so much.” you brought your fingers with his cum on it to your mouth. “you taste good too.” he groaned , his cock twitching once again. “i want you to fuck me.” you stood up , pulling your panties down your legs , leaving your skirt on. “if you get to use me only fair if I use you?”

you climbed into his lap , his cock now hard again standing tall. “pl-please use me.” you cursed as you lowered yourself on his cock. “fu-fuck.” you sat down on him. “yo-you feel good.” he moaned. “so-so tight.” you began to move your hips , holding his shoulders. “y-yn please go faster.” he moaned. “pl-please.”

“fuck you want me to use you?” you began to bounce on his cock. “treat you like a toy?” he nodded dumbly, his eyes rolling to the back of his head. “fuck use me , please use me.” you scoffed. “fucking perv , i bet you thought about this everytime you jerked off back here.” he moaned. “you did , think about me fucking you like this?”

jisung was going crazy; his head was spinning as you were milking him for everything he had. “you're gonna cum?” you pulled him from his daze , there were tears wielding in his eyes from pleasure. “cum for me.” you kissed behind his ear. “be a good boy and cum for me.” that set him off and he came , he threw his head back slamming his hand on the desk next to him as you continued to bounce on his cock.

“y-yn.” he moaned. “yn please i can't cum again.” he was spent, you grabbed his chubby tear stained cheeks. “you can , cum for me again.” he let out a whimper like moan as he came for the third time. “sh-shit i can't go again.” he said. “fuck im gonna cum.” you cursed , as you came , you kissed his needy lips , he chased your lips as you pulled away , making you smile. “cute.”

“well i still thinks he's a little weird.” your coworker said. “regardless if he did ask you out on a date.” you rolled your eyes. “what does he even do back there all day?” you smirked to yourself , before turning back to your coworkers with a serious face. “he does his job , now leave him alone and get back to work.” you ordered , and they shrugged going back to what they were supposed to be doing— you turned around right at the camera , winking.

yeah he was a pervert , but he was your pervert.

©LUVYENI

[bruciemilf]

I know this is a DC blog but I NEED dad Logan. Get that murder teddy bear some kids ASAP.

Fancast + non canon Headcanons ahead.

BOBBY MY BELOVED / 16

“Sure everything in my life is terrible. But at LEAST I’m gay”

Makes pop culture references Logan doesn’t understand. “Logan threw the first brick at stonewall” “what are you SAYING” “he’s an ally”

Can, will, and has gaslight Logan into thinking he’s homophobic just for not letting Bobby do what he wants

Stole a beer from Logan once and they found him drunk crying at 3 am. He calls Logan to apologize about it. “I’m sO sorryyy. You know I love you??” “Go to bed” “noOoo” Logan is next to him.

Has a secret YouTube channel and everyone watches for Logan interactions specifically

Mabel Pines coded

KITTY… that’s his half pint your honor. / 17

Logan is terrified. Why are you such an easy kid. Why aren’t you rebelling? Why isn’t defiance bleeding on your fists?

Why aren’t you clawing and biting and snarling for your freedom? Why aren’t you being a kid? Who do I have to skin-

Daughters are not supposed to exist quietly.

I hc that Kitty’s family is extremely unsupportive of her being a mutant, — but they’re just traditional in general. Specifically she’s petrified of being around/existing along men.

Certified babysitter when Logan’s not around. She’s so big sister.

“guys!1!11!!!! mr. Logan said not to do that!1!1!1”

Logan BEGS her to be a shitty teenager for like 10 minutes. Be bratty!!! Tell him to fuck off! Throw a tantrum!!!! “But I’m not a kid.” “You’re MY kid.”

JUBILEEE daddy’s girl / 15

Problem Child TM

Plays Rock n Roll by Avril Lavigne at 4 am to piss Logan and her siblings off when they annoy her

Grounded all the time but if she fake cries Logan will shamefully relent.

Always puts Logan’s patience to the test because she anticipates him leaving/giving up on her

Foster child with issues. She spent half her life looking for people and the other half being abandoned by them. This won’t be any different.

Except Logan is very good at fighting destiny.

Your honor I don’t CARE Logan is made to be a girl dad!!!!

“On the spectrum. Not saying which one”

STRONG she/they energy

Most affectionate with Logan out of all the kiddos. Her love language is terrible pancake making (Logan eats them anyway) and cat cuddling.

ADHD icon

LAURA (murder baby) / 7

Brings dead birds/mice to her family members (affectionate)

Charles has the bright idea to enroll her in school with the kids. “It’s important for children to socialize with peers their own ages.” “Can’t socialize if they’re all DEAD.”

That meme of the little boy and his father with an arrow in his shoulder

Youngest child privilege

Steals Bobby’s phone and shoot’s hilariously off angle family vlogs. One of them includes her stealing Logan’s motorcycle while he runs after her

[fearthhereaper]

Streets saying Vhagar is drawn to loneliness, abandonment and sadness, which is why she bonds with Laena and Aemond.

Imagine young Visenya feeling all of those things. She's the oldest but she's the one no one really cares about. She's overlooked as a daughter and heir because Aegon is the firstborn son, and later she's overlooked as a wife because she's not as sweet, as feminine, as playful, maybe even as beautiful as Rhaenys.

She overcompensates, takes it upon herself to do everything for the family. She grows into a fierce warrior and dragonrider. She becomes a stern and unforgiving ruler. Protects Aegon, ensures his taking of the throne and yet even all that is worthless when compared to Rhaenys simply existing in Aegon's eyes.

And then a moment of ultimate loneliness and failure when she is incapable, time and time again, of giving him an heir. So when she gives birth to Maegor (maybe even by blood magic as it was supposed) she has to watch as Aenys is favored by his father because he's not just a firstborn but the son of the sister he preferred. Even as her son (just like she had) proves to be stronger, more capable, more dominant than his brother.

And all that time, all those years, Vhagar was loyally at her side. Her first rider's true feelings, the ones only Vhagar could feel due to being supernaturally bonded — they stick with her for the rest of her life. Her bond with Visenya was the strongest because Visenya needed her the most. Even decades after Visenya's death those emotions stayed an integral part of her, it influenced which riders she would choose.

I like the idea of her bonding with Visenya when she was around Laena/Aemond's age, too. (even Baelon was 15 when he claimed her) All those young riders, those lonely children, reminding her of her beloved Visenya. Laena who feels inadequate and rejected by Viserys, as messed up as that is, because it's been drilled into her mind that she needs to marry well even at that young age. Aemond who is forever cast aside because he doesn't have his own dragon, because he's not the firstborn, because he's the irrelevant one of all the kids.

It would explain her being fiercely protective of Aemond the first night they bonded, her killing Lucerys and Arrax because she feels Aemond's life is threatened. Her refusal to kill Laena because that's her little lonely girl.

Just Vhagar being Visenya's only comfort. And as such, becoming maternally protective over her future little riders.

[starry-bi-sky]

Danyal Al Ghul: Incorrect Quotes and Miscellaneous Thoughts

Incorrect quotes-style snippets specifically for my danyal al ghul au here (which i really need to come up with a unique au name for atp). Because I thought it'd be funny. And also some miscellaneous headcanons thrown into the mix. Some context for the au: - Danyal is 5 years older than Damian (so 10 and 15) - Danny faked his death when he was 10. Talia knows and helped him with it. - Jazz, Sam, and Tucker do not know he's an ex-assassin.

-------- Snippet 1

Danny, dryly tapping his temple: I have, as the Americans say, irreparable psychological damage, right here.

Jazz, an older sibling first and foremost: well, it's good that you're self-aware.

-------- Snippet 2

Danny, aged 10, in the American foster planning to just age out of the system: *emanating Bad Vibes. Pure, Little Orphan Tom Riddle Energy*

Jazz, aged 12, coming in to adopt a new sibling with her parents: Him. This is my brother now :)

Danny: ...what

--------

Lilo and Stitch is Danny's favorite Disney movie. He watched it when he was 11 with Jazz when she was attempting to connect with him, and by this point Danny was becoming receptive to her efforts. They had a movie marathon in the living room one night.

Safe to say? It resonated with his little 11 year old heart strongly, and he related very strongly with both Nani and Stitch. He got unexpectedly emotional and hid in his room for the rest of the night. Jazz felt really bad, but it had the intended (but kinda unexpected) effect of him trying to be nicer to her afterwards.

-------- Snippet 3

Dash, aged 12, causing trouble again and getting intercepted by Danny: *scaling up a desk* AHHHHH! GET YOUR LITTLE FREAK, FOLEY!

Tucker: Hey! Danny is not a freak!

Dash: GET HIM TO BACK OFF

Tucker, was the kid Dash was messing with: ....whats in it for me

-------- Snippet 4

Danny, saying some questionably immoral shit: What. Why are you looking at me like that.

Tucker: Bro. I mean this as kindly as possible; what the fuck?

Sam: yeah, I'm with Tuck on this one.

-------- Snippet 5

Danny, ranting about Vlad: if it weren't for the laws of this land, I would have slaughtered him

Sam, painting his nails black: I'm pretty sure you'd slaughter him regardless of the laws of the land -- and quit moving, you're gonna mess me up.

Tucker: we've literally seen you debate yourself about this, Dan

Danny: ...you are correct, but it is the principle of things.

-------- Snippet 6

Vlad: I have experience my child, and the money and power attained through using those powers for personal gain, you say. I could train you, teach you everything I know! And all you have to do is renounce that idiot adoptive father of yours.

Danny, was already contemplating committing a Violence: ....

Danny, internally: I'm going to stab him *turns into Phantom*

--------

Funny contrast I realized between Danyal and Vlad that iirc I haven't pointed out yet is that imo, Danyal doesn't rely on his powers nearly half as much as canon Danny does. He falls back instinctually on his League training, and thus sometimes forgets to use his powers in battle. This was prevalent especially early on when he was still getting used to the whole 'halfa' thing.

He incorporates them more often after a year, but still for the most part relies on his own physical hand-to-hand combat. He trusts those skills much more than he does his powers. I'm not sure where he is on a technical level compared to canon, but just to stay safe I'll say he's similar in power skill as canon Danny. Perhaps a little more finessed than him because his League training would probably have him trying to figure out his powers as soon as possible.

But in summary? Danny is strong in hand-to-hand combat, weak in powerset.

Meanwhile Vlad is the opposite. I can't recall if he even knows hand-to-hand in canon, but it makes total sense to me that Vlad Masters wouldn't because he's so confident in his monetary influence and ghost abilities that he sees no need for it.

And he's kinda got some merit behind it. He's very powerful and has 20 years of experience to experiment and fine tune his powers. He's got bite to follow up his bark. He's perfected long-range combat and his ability to phase through walls makes it impossible to corner him, but if you can manage it, then one good hit could probably knock him on his ass.

So in summary, Vlad is strong in powerset, weak in hand-to-hand combat.

And it casts a good contrast between the two of them in that regard. Danny, as a fellow halfa, can follow Vlad when he phases through walls and is fast enough to land a hit on him. His league training as an assassin, albeit rusty, is still deep ingrained enough in him that he can hold up as a rather veritable threat against Vlad without needing his powers.

But Vlad can force Danny to use his powers more often through use of his own. The duplication is the first thing to come to mind: Danny's fast enough to dispel them on his own without powers, and smart enough that he could figure out who the real one is if given a few minute. But that's not always efficient enough.

Good foils for each other that way. Also Vlad's Plasmius design mimics Ra's juuust enough that he looks like Ra's knockoff loser second cousin no one talks about, which only fuels Danny's hatred.

-------- Snippet 7

Danny, ranting about Vlad for the first time: --and it's only made worse by the fact that the little ingrate resembles a cheap knock-off of my grandfather!--

Sam, choking on her water: he what--

Tucker, doing a spittake: HE DOES?

[artemismoorea03]

DP x DC: If You Take A Ghost Dog to The Dog Park

Cujo was what Sam called a 'Hound of Hell' and she meant it literally. After Danny became the King of Ghosts at the mature age of 15 and 2 days old, Cujo - his "dog" - became a listed Ghost Zone Hound which had multiple other names which included 'Hell Hound'. With Cujo's new found ability he was able to find Danny wherever he went and get him out of any potentially dangerous situation he found himself, as well as carry out orders given to him by Frostbite, Clockwork, Sam, Tucker, Jazz, Elle, Valerie and of course - Danny.

But Cujo was still a dog.

A very excited dog who dragged him all the way to a corner of the Ghost Zone and through a natural portal into an city Danny hadn't visited in person before. Gotham City. Specifically Cujo took him to the Gotham City dog park where he proceeded to try to play with the other dogs in the park.

Most of the dogs seemed hesitant at first until a great dane puppy jogged over and the two started to play together. It was nice to watch considering how little Hell Hounds there were in the Ghost Zone, but on the other hand Danny was in his human form and having a glowing green dog was quickly gaining attention, specifically from the owner of the great dane, a 9-year-old kid with black hair and green eyes.

"What kind of dog is that?" The kid asked.

"Honestly? No idea, he's a rescue." Danny said, shoving his hands in his pockets. "His names Cujo. What's your dogs name?"

"Titus."

"Like the Roman Emperor?" Danny questioned, seeing the surprise on the boys face.

"Exactly. Cujo is the name of a horror movie dog, correct?"

Danny nodded, "Yeah."

"Why is he green?"

Danny shrugged, "Dunno, he came that way." Danny said, then facepalmed when Cujo suddenly took on his huge form and began running through the park with Titus right on his heels.

It wasn't just Titus anymore either.

Suddenly more and more dogs were chasing Cujo through the dogpark as Cujo howled, barked, then turned and bowed occasionally at the other dogs before he finally turned and made a mad dash at Danny.

The kid took a step back as Danny just sighed, bracing himself as Cujo got closer and closer. Then, when he was close enough Danny held out his hand.

"Cujo, stop!"

Cujo slid to a stop, ending up less than three feet from Danny, his tail swishing excitedly.

"Cujo, sit."

Cujo sat down, his tail now thumping on the ground.

"Good. Now, Cujo, shrink."

Cujo popped into his small figure and jumped into Danny's arms as he pet him then looked at the kid and other very concerned and confused people.

"Uh... bye." He said, walking away leaving everybody concerned and confused.

---

Damian sat at the Bat-Computer curled up slightly as he tried to find information on what he'd seen when Drake walked in. Drake approached, looking at the computer with a tilt of his head.

"Is that a giant green dog?"

"Indeed. It was able to shift size, was glowing, and is seemingly well trained."

"So.. what you're doing research so you can get one of your own?"

"Don't be ridiculous. I'm trying to find the boy was who had it."

"Why?"

"Because the boy whom was with the dog had rings of glowing green around his eyes. Lazarus green specifically. I suspect a Lazarus pit has opened up within the Gotham Limits and that this boy and his dog are playing in it. If a Lazarus Pit has opened within Gotham we must get the boy into custody and get both he and his dog some help, then we must seal the pit."

"What if you can't find them?"

"Then they'll find us. That green dog and Titus enjoyed playing together and dogs thrive on patterns. The dog - Cujo - had fun at the park so it's only a matter of time before they return to it."

"Huh... if you take a dog to the dog park, he'll want to play again."

Damian looked at Drake with a raised brow.

"I was referencing a childrens book about a mouse and a cookie."

"Leave such things for Todd." Damian said simply, looking at the computer again.

[gatorbites-imagines]

Kinktober day 15

Stu Macher + edging and/or milking

I always love jock reader, so im running with it again this time, hehe.

On another note, I’ve realised lately how I’ve come to really love dark chocolate, which is funny, cuz I remember hating it as a kid.

Kinktober 2023 masterlist

Stu was splayed out on your bed as you did push-ups in the middle of your room, the carpet under your hands rough under your palms from age and whatever abuse you’d but it through during all the time you have lived in this room.

Since everyone had been ordered to stay home because of the killings happening around town, you hadn’t gotten to go to football practice the few days, so you felt lazy and jittery, like you needed to let off the steam you normally got out during practice. You had no idea how long you’d been working out, as your arms and core burned and sweat ran down your shirtless torso, but you still felt like you needed to do something.

At some point, Stu had wandered into your room. Your parents weren’t home, so you assumed he had just used the key hidden under the plant near the door, like you’d shown him. He had sat at the edge of your bed and watched you work out, rambling about his day and about the killings around town, he had even placed his feet on your back like some kind of stool, in an attempt to get your full attention.

But after a while of not getting it, your boyfriend had groaned obnoxiously and thrown himself back onto your bed, kicking his shoes off in the process and splaying out like a starfish. He quickly grew bored of staring at the posters on your walls or humming different tunes he had heard on the radio, so Stu had dug his upper torso under your bed to look for the dirty magazines he knew you kept there.

They were kept hidden, since most of your teammates wouldn’t react well to you being gay, and magazines filled with shirtless or naked men kinda gave that image. You had been so consumed by your push-ups that he didn’t even notice what Stu was doing, the familiar jingle of a belt not even registering in your head.

It was only when he started moaning that you finally noticed, stretching your arms out to push your upper body up enough to look up at Stu on the bed. A snort left you as you saw him, his pants and boxers pushed halfway down his thighs as he lazily jerked off, flipping through one of your favourite magazines. Of course Stu would start jerking off when he didn’t get attention, but you also didn’t wanna give him the satisfaction, it was a matter of principle.

Instead, you switched to doing sit-ups, making sure you grab a look at your lover every time you sat up, letting your eyes linger as his hips stuttered as he rolled his palm over his tip. “You better not finish that” you hummed as you watched his hips jolt in a way you knew meant he was close.

It was kind of a rule that had appeared between the two of you, if the other was around you didn’t get to cum until the other did it for you or told you. You couldn’t remember what it started but the reminder had Stu whining as he forced himself to let go of his hard prick, clenching his hand into a fist against his abdomen.

As you kept up your exercise, you met Stus eyes over the top of the magazine. He hadn’t actually been looking at any of the pictures, instead he had just been watching you as your muscles flexed, as it was better than anything on the magazine’s pages.

Stu kept touching himself, his noises growing more needy as his length started darkening in colour, as you made sure to remind him to stop when he got close. You couldn’t help but push your exercise longer than you normally would, just to watch as his thighs shivered and twitched, or how his hips jumped off the bed into his hand from sensitivity. He was a leaking mess, leaving his hand glistening and slick.

He let out a warbled moan as you got to your feet, a glimmer of hope appearing in his eyes, begging through his noises and half moaned words for you to help him. The moan turned into a whined sob as you started doing lunges instead, a grin on your face as you kept your eyes glued to him and his twitching hands as he seemed to struggle to even touch himself without bursting.

“Come on Stu, you were so confident earlier” you teased, at this point not even taking the workout serious as you almost didn’t want to blink, not wanting to miss the way Stu stopped the magazine on his chest to wrap both his hands around himself. He was squeezing at his base to keep from cumming, the other hand sloppily twisting around the deep red head, shaking gasps leaving him as his head fell back onto the pillow.

You could see his eyes shut as he clenched his teeth, as when you saw a tear running down the side of his face you finally decided to have some mercy on him. With one last lunge, you finally moved up to the bed, crawling up onto the bedding until you were above where he was aching the most.

Stu looked down at you with wet eyes as you batted his hands away, shooting him a heated teasing look before you leaned in, sucking his dripping tip in between your lips. The noise Stu let out sounded almost like you’d shot him, his back arching off the bed in a beautiful bow as he came, his toes curling and fingers digging into the sheets, his entire body twitching and jolting as he choked and whimpered.

It took a while for him to calm down from his release, and the entire time you just kept him between your lips, neither sucking nor teasing him with your tongue, not wanting to torture your boyfriend more than you already had. It was only when he finally went limp onto the bed that you released him, swallowing the white fluid hed spilled across your tongue as you crawled further up the bed, flopping down beside him.

You leaned in, kissing at his cheek and chin, making Stu whine louder as he shoved at your face, laughing as he made comments about you smelling like a school locker room because you were gross and sweaty. After a few more jokes you got to your feet, immediately catching Stus attention as you pushed off your pants and boxers. “Fine, fine. I’ll go shower, I guess you wont wanna join me, if I stink so bad” you hum, turning on your heel and sauntering towards the bathroom, grinning to yourself as you heard Stu almost fall out of bed to follow after you, more than interested in continuing what you had started.

[nthspecialll]

I think we sometimes as a fandom tend to hyper-focus on certian characters' backgrounds simply because we like the character when in reality other characters who might not be as interesting has way better backstories, because no, Javier, Arthur and John are not the only ones with sad backstories

Like why does no one talk about what happened to Leopold's sister? Why does no one talk about young Lenny tracking down and killing folk? Why does no one talk about Javier actually in a way working for the government for a while and the reason why he killed that powerful military man? Why does no one talk about why Dutch is called Dutch and not by his actual first name? Why does no one talk about Bill's worst childhood fear coming true? Why does no one talk about both Swanson and Micah saving Dutch's life or that Tilly is also a murderer?

Anyways here is a full explanation of all the Van Der Linde gang members backstories.

Sean MacQuire

Sean Macquire and his father lived in Ireland possibly with more family but had to flee because the English (who were at the time in charge of ireland) were chasing them. They fled for their lives and they were in Boston for a month before his dad was shot in his sleep, showing the remaining Sean that there was truly no honor or shame in the world.

He was then sent to a reform school, which we all know was abusive and a living hell, so he ran, living as a low-life thief, he was a teenager, when he in a bar somewhere in North Elizabeth saw Dutch and Hosea and liked Dutch's watch. He followed the two into an alleyway and threatened them at gunpoint, however they laughed at him and told him to shoot, so he did, except the two others had noticed him first and taken the bullets from his gun. Sean started crying, thinking they were going to kill him but instead of doing that they gave him a home, a place to belong.

Lenny Summers

Lenny's grandparents as well as parents were slaves and his mother was born on a cotton field and taken away from his grandmother, who hadn't even known she was pregnant, immediately. His grandmother was then told to simply get back to work.

After the civil war, the old overseer kept making advandages towards Lenny's grandmother, to a point that in the end she needed to kill him and just barely escaped being lynched. Lenny's mother never saw the grandmother again.

Lenny's mother later met Mr Summers who was an educated man and taught Lenny to both read and write, however when Lenny was 15, his dad was beaten to death by several drunk men. Lenny stole a gun, tracked and hunted down the men, shooting them and showing no remorse even years later.

Kieran Duffy

Kieran Duffy's father was an Irishman who came to America with a dream of farming. It was there that he met Kieran's mother and not long after having Kieran, they both passed due to Cholera and not shortly after that the stables that he worked at to support himself threw him out. He decided to join the army to support himself but it didn't last long before he quit due to it "not working out well."

After returning from the army, he fell into work with a bunch of unnamed outlaws, though they all passed away, leaving him alone once again.

At some point he ran into the O'Driscolls who gave him a choice, to ride with them or to get killed, esencially forcing him to join them and work as a stable hand for them, though he was at the bottom of the latter simply working with the horses before being kidnapped by Arthur Morgan and joining the Van Der Linde gang.

Leopold Strauss

Leopold Strauss was born into severe poverty in Austria and his family struggled heavily with food. By the time that Strauss was only twelve, his older brother was beating up nightwatch men for whatever cash and food scraps they had on them. By that time Strauss's father had already sold his younger sister Anna, by the age of nine, into bonded labour to be able to provide for the rest of the family.

When Stauss was seventeen he was sent with his uncle to the US due to health problems, however the hellish sight of Brooklyn gave Strauss's uncle a heart attack on the spot, leaving Strauss alone in a forgein country. To survive he began doing illegal money scams and after doing so for years Dutch picked him up.

Tilly Jackson

Tilly Jackson was the daughter of a slave and became an outlaw by the mere age of twelve, running with a gang called the Foreman brothers who kidnapped her but after murdering the leaders cousin after he made advandages on her, she had to flee. She returned to her mothers workplace but found that she had already passed.

Later Tilly ran into Dutch Van Der Linde and as he was already taking care of John Marston and Arthur Morgan, he took her in, becoming just as much as a father figure to her as to the boys.

Micah Bell

Micah Bell was born directly into a life of crime as his father Micah Bell jr was a petty but ruthless and violent outlaw. Already when Micah was 17 him and his father were on run from the law as they had slid Jean and Roscoe Briggs throats and later hung them as well. His father was also his primary partner in crime, however he also seemed to have teamed up with his brother Amos a few times as well, however Amos regretted his past life and started a proper one with wife and children and threatened to kill Micah if he came close.

Micah had several partners in crime later in life, including Joe and Cleet who appears later in the game, as well as a fellow named Norman.

Micah runs into Dutch Van Der Linde in 1898 in a bar as Dutch is trying to sell some stolen goods, however the deal doesn’t work out and Micah steps in to help Dutch and save his life, earning a place in the gang.

Bill Williamson

Bill Williamson, also known as Marion Williamson, was born into an abusive family with a father who lost his mind to alchohol, even going to the point of mixing moonshine with whiskey. Watching this Bill always feared falling in love with liquor and suffering the same fate.

Bill always showed signs of being more of a troubled kid and being sent to a reform school did not stop him from building s solid criminal record as a kid.

Bill would later apply to the military and serve in the 15th infantry, fighting against the native americans before being dishonorably discharged for deviancy and attempted murder in 1892. For a year after he lived rough, truly falling in love with liqour and stealing from people om the side of the roads, one time being robbed himself by a "woman" (likely a cross dresser or genderqueer person).

In 1893 Bill tried to rob Dutch and got angry as the man simply laughed at him, however he calmed down as he was allowed a spot in the Van Der Linde gang.

Daniel(?) "Dutch" Van Der Linde

Dutch's mother was an english woman named Greta and his father a dutch man who lived somewhere near Philadelphia who fought in the civil war and died, which is why Dutch hated southeners.

Dutch's nickname rumors to come from his father's desperate attempt at keeping touch with his ancerstory.

When he was 15, he left home due to troubles with his mother whom he never got along with and simply saw him as a disobedient and troubled kid. He wished for freedom above all so to gain this he started a life of crime and in mid 1870 met Hosea Matthews.

Hosea Matthews

Hosea was born in around 1844 and lived the majority of his earlier life in the mountians, growing to love fishing and hunting. His father was mostly absent, living a life of "sin and debauchery that would make an emperor blush." Hosea saw his dad only about three times in his life but loved him none the less.

He tried to make his way with comedy as a stage actor, however he turned to petty thieft, stealing from his audience and later others in town. He was caught by the sheif stealing a chicken and sentenced to be hanged. Luckiy for Hosea the town folk saw it as a punishment too cruel and a riot broke out which ended with someone shooting the noose around Hosea's neck, allowing him to flee.

Mid 1870 Hosea found Dutch sitting by a campfire and decided to rob him, however found that Dutch had already robbed him. Hosea feared for a moment for his life but it ended with the two of them laughing it off and teaming up.

Molly O'Shea

Molly O'Shea was born into a wealthy Irish family, set up to live a proper and educated life, however she quickly got bored and showed little interest in the life set up for her, so she ran off to America in search of adventure and excitment. At some point she ran into Dutch Van Der Linde and found an interest in him and his life style, only to later genuiently fall in love with him.

Arthur Morgan

Arthur Morgan was born to Beatrice and Lyle Morgan in northen US. His mother died in his early life and he never really got along with his father whom there are rumors was abusive. Lyle lived a life of petty crime and was arrested and executed. Arthur saw his father die and although not having the best relationship, Arthur kept his father's hat and picture.

In 1877 Arthur was 14 and a wild delinquent. He ran into Dutch and Hosea, being picked up and taken under their wing, taught not only the ways of crime but also skills like reading, writing, hunting and so on.

Uncle

Uncle was born in Ohio (insert Penelope Braithwaithe shutter) with the only family present being his parents who died when he was nine and an "uncle" named Jeb whom Uncle hints at being a pedofile.

After his parents death he was on his own and was forced to a new city where he had to care for himself, and from that time to the game start in 1899, we know he has been married at least twice.

Uncle tells many stories of his past such as going to Africa and being worthshipped like a god by the locals, however the truth of these stories are highly doubted due to his tendency to lie. He does tell stories of being a "one shot kid" in his younger days, the truth of these also being doubted, however it may have been his tricket into the Van Der Linde gang.

Susan Grimsaw

Along with Hosea, Dutch and Arthur Susan was one of the founding memebers of the Van Der Linde gang, having run into Dutch during a poker game where both he and she found interest in one another, causing the curious couple and their unruly son to stay in the area a bit longer, paying poker long into the night while Susan sat on Dutch's lap.

Having gotten into a romantic relationship with Dutch, Susan was allowed to join the small group and even stayed when Dutch moved on to Annabelle, now serving as a form of housemother, making sure that people did their work, took properly care of themselves and made camp feel like home.

You can also hear Susan talking to Mary-Beth one time in camp, admitting that she had a fiance once however he went to heaven.

John Marston

John Marston was born in 1873 to an illiterate scottish father born on the boat to New York and a prositute mother who died during his birth. At first John lived with his father who constantly spoke of Scotland and his love for the country, however he was blinded in a bar fight south of Chicargo and later died when John was eight. The true cause of his father's death is unknown however John was told it was a barfight.

John spent a few years in an orphanage before running off and living on his own, at the mere age of eleven commiting his first murder by shooting a man, though he claims it was not his fault.

At the age of twelve John had been caught stealing from homesteaders who planned to have him hanged, however Dutch stepped in and took him under his wing.

Orville Swanson

Swanson used to wrok as a Clergyman but after indulging in the "earthly pleasures", being seduced by alchohol and sex, he lost his family, job and in the end faith, though he desperately tried to regain it.

At some point or another he fell in love with a woman named Margaret, though she was already married, so he simply added bigamy to the list of sins he had already commited. When the two of them were in San Fransisco, the law finally caught up wth them and while she fled onto a ship headed for Shanghai he was stuck and never saw her again.

Under unknown circomstances Swanson came to save Dutch's life and due to Dutch's debt to Swanson he was allowed to join the gang.

Mary-Beth Gaskill

Being a woman of good nature, Mary-Beth did not struggle getting close to her victims after having found herself needing to find a living in the streets. Due to her looks and personality she could with ease fool the richer men into thinking they were saving a poor maiden in need while her fingers slipped into their pockets.

It was through this that Mary-Beth got in trouble with not just the law but her victims as well. One night she had gotten a few foul men on her tail that she ran into the Van Der Linde gang who saved her and asked her to join them.

Charles Smith

Charles Smith was born to a Native Mother and a free African American father, all three of them living fairly happily with his mothets tripe together with a few other free men before the US army chased them away.

They continued to live together but a few years later Charles' mother was captured by the army, leading Charles' father to fall into alcoholism and a deep depression.

At the mere age of 13 Charles left his father and began to live on his own, becoming a supreme survivalist from an early age.

Some point during the late 1898 ran into the Van Der Linde gang in the Grizzlies and joined them.

Simon Pearson

Simon Pearson's family were whale hunters and although Pearson wished to follow in their footsteps it did not go that way due to the whale industry having lessened by the time that he got out of school. Having been forced to look for new employment options, Pearson joins the Navy where he even managed to get stranded for fifty days on a ship filled with plauge, watching his friends and coworkers slowly drop one by one.

After having returned from the Navy Pearson begins to struggle financially and takes a loan, however unable to pay it off loansharks comes after him and it is during one of these attempts at getting to Pearson that the Van Der Linde gang saves him and brings him to camp as a cook.

Abigail Marston

Abigail Marston, originally born Abigail Roberts, was orphaned at a young age and started roaming around bars, scraping whatever few coins she could take from folk before starting a work of prostitution, making an earning by selling her body and at some point running into Uncle at a bar who introduced her to the gang.

Now living with the gang, Abigail still worked as a prositute up until falling pregnant with Jack Marston by John Marston.

Josiah Trelawny

Josiah Trelawny was born in England though he has no memories of his life there, he later imigated to America where he starts working as a conman and trickster. It was during this line of work that he met yhe Van Der Linde gang and joined them bur with a special advandage as he, unlike the others, was allowed to appear and disappear as he pleased, always knowing when Dutch planned to cut him off and return with a big hit.

Josiah has a family living in Saint Denis concisting of a wife and two sons named Tarquin and Cornelius. Just as with the gang, he would disappear on them for months.

Karen Jones

Karen Jones lived as a scam artist in her early years and absolutely loved the outlaw lifestyle and hoped for a bit more which partly drove her to accept the Van Der Linde gang's invitation, hoping to achieve more.

Javier Escuella

Javier Escuella was born in Mexico to a drunkard father who worked for Allende' (a main antagonist in rdr1, a military man) uncle. When he was young he saw his own uncle as well as four other separate men get casterated and fed to pigs for simply suggesting fair wages for their work.

Javier moved on to become a violent and known bounty hunter and revolutionary, fighting against what he saw as a corupt system.

Javier ended up killing a powerful former military man for a woman that he loved, fearing for his loved ones life he fled to America where he knew no english and had no work or food, leaving him starving.

It was in America that he ran into Dutch as they both were trying to steal the same chickens. Dutch took Javier in, fed him, gave him a family and a life, leading Javuer to idiolize Dutch also for his revolutionary ideals.

At some unknown point someone attempted to kill Javier, leading to him having a prominent scar on his throat.

Sadie Alder

Sadie Alder grew up in a harsh envioment and from a very early age learned how to hunt and ride to care for herself, things that Jack Adler fell in love with. The two of them married september 1896, moving to a ranch in Ambarino where they had three happy years of marriage before the O'Driscolls arrived at their cabin.

[hsjazebel]

Desperate part 1*

Word count: 2387

A/n: This is the first part of a series. It’s the first time I’ve written in a long time so I hope you like it! Also I would like to thank @gurugirl for her help which was very important to me!💘

Content Warning: this is a dbf story so if you don’t like these kind of things please just don’t read it! 18+, age gap (15 years), female masturbation - that’s all for this part.

main masterlist | desperate masterlist

You never had so-called daddy issues as you always had a good relationship with your father, but there was something about that man with green eyes that made you feel desperate.

Your father had a large group of friends and they often organized parties and lunches or dinners together, but you never liked these things because there was no one of your age since everyone had younger children and the same age as your sister (so she often abandoned you to be with her friends) and because of this, you found everything very boring.

That is until a new figure appeared in the middle of a barbecue in your backyard: a handsome, curly-haired man with green eyes that seemed to peer into your soul.

You were sure you had never seen this man before because if you had you would definitely remember him given how amazingly handsome he was.

You were peacefully sunbathing on a lounger by the pool while continuing to watch videos on TikTok until your father arrived to interrupt your peace. “Y/n, I wanted to introduce you to someone! Harry. He arrived yesterday from London and as soon as I told him I was having a barbecue at home he wasted no time and arrived. Harry, this is my daughter Y/n!”

As soon as you lay eyes on Harry, your jaw nearly drops. You stand up and offer your hand to the man. “Nice to meet you, Harry.

“The pleasure is all mine. I’m surprised James has a daughter your age.”

You laugh at his joke; it was true many of your parents' friends were surprised when you said you were 23, given that both your parents were not yet 50.

Your hand is still in contact with Harry's and you honestly don't want to take it away, his hand was so big compared to yours and it was so soft and smooth. And then his beautiful voice with his English accent… oh god! You had always had a weakness for the English accent and hearing it on Harry you could say that you would imagine entering heaven like this.

“Let's say that Alice and I didn't wait long to get married and start a family, and she's not that big, she's still my little princess.” Your father's voice brings you back to reality and you feel Harry's hand slip away from yours. “Darling, Harry and I are going back to the others, I'll call you when lunch is ready!” And with that, he kisses you on the head and leaves with Harry not before the man with green eyes says goodbye to you.

After eating you decide to go back into the house to lie down for a while; staying in the sun all day had made you tired and in any case after lunch you always had the habit of taking a nap and the fact that your parents are having a party outside in your garden certainly won't stop you.

You get into the shower to get rid of the chlorine from the pool and also to cool off from all the heat today and finally get into your bed.

There's just one problem: after spending twenty long minutes tossing and turning in bed, you can't sleep, so you decide to do what you always do when you can't sleep: use your fingers to pleasure yourself. You slide your shorts down along with your panties and open your legs. You go straight to your clit because you know it's the fastest way to bring you to release and you start twisting your fingers quickly bringing dirty thoughts to your mind. But the only thing that appears in your head is the penetrating gaze of the English man you met not many hours ago and who is in your garden right now. You start to think about how good his hands would feel on you and how deep his voice would be as he whispers dirty things in your ear. Or how good his tongue would feel on your pussy and how quickly it would bring you to orgasm – because you could swear that man would know how to make a woman feel good. And so within a few minutes, you feel that feeling in your lower belly and you reach your orgasm with Harry in your mind.

You immediately feel tired all over your body and fall asleep soon after.

-

You didn't think you were that tired, but you were wrong because you woke up and the first thing you see when you open your eyes is your dog, Chery, lying on your legs - which you didn't even know how he got into your room seeing as the door was closed - and the alarm clock on your bedside table read 5:32 pm. You get out of bed and go to wash your face to try to remove some traces of sleep. Soon after you dress in a white top and a pair of shorts, pick up your dog, and go down to the living room.

As soon as you enter you notice from the glass doors overlooking the garden that all the guests have now left, but the thing that immediately catches your eye is Harry sitting on the sofa with your dad watching a football match. “Good morning sleeping beauty!” Your dad greets you.

“Mmh good morning,” you greet, putting your dog down and she jumps directly onto the sofa, placing himself next to Harry.

“There will be 5 of us this evening, Harry is also staying for dinner.”

“Yes, your father and I have a lot of time to catch up on,” Harry tells you with his beautiful smile that makes those pretty dimples of his appear that you want to touch with your index; and then those hands with which he is caressing Chery with… oh lord! Those same hands you fantasized about a few hours ago, with his long fingers and - ok maybe you shouldn't have thought so much about your father's friend like that but it wasn't your fault if he looked like a Greek god.

It's your father's voice that brings you back to reality, “I was thinking you could make your own special pasta, that dish is really delicious!”

“Oh, yes of course!”

Harry looks at you smiling and says, “I love pasta! I can't wait to taste it."

-

The dinner goes very well, you hear some anecdotes about your father's life as a teenager and you also discover that he was the most wanted boy at university! “I swear I remember being in the cafeteria one day and I heard this group of girls talking about how sexy James was and I was like what?? Are we talking about the same person?” Harry laughs.

And your father being the touchy man he is replies, “You're just jealous because they were talking about me and not you! If maybe at 21 you hadn't had long hair you would have seen that girls would have talked about you too!"

“Hey don't talk like that about my long hair,” Harry says putting a hand on his heart pretending to be hurt by your father's words.

And the evening continues like this, with constant banter between Harry and your father even when dinner is over and they decide to go out on the patio to drink a glass of whiskey while your mother goes to bed and you and your sister retire to your room.

"So Harry isn't that bad right?" Your sister starts. “If he wasn't Dad's friend I would also tell you to flirt with him.” Your eyelids widen at this statement and she continues, “Oh come on don't make that face, I know you think he’s sexy as hell.”

Well, actually your sister wasn't entirely wrong. “I can't deny he's handsome but I would never hit on him! He's dad's friend, like you said, and he'll be twice my age!"

“Yeah y/n as you say, but I know he has already enchanted you with his green eyes and his English accent! Goodnight and try not to dream about it,” she winks at you and walks out of your room leaving you alone.

You quickly realized that sleeping so much in the afternoon wasn't a great idea because you obviously weren't sleepy now and so you turned on the television to watch a few episodes of Friends while putting on a face mask.

After 5 episodes the tiredness was finally making itself felt so you decide to go to sleep, but you realize that the bottle of water on your bedside table is empty, and since you already know that you will wake up at night to drink, you take the bottle and go down to the kitchen to fill it up and finally, you can go to sleep afterward.

But what you don't expect when you get to the kitchen is to see Harry sitting on the couch reading a book. You remain frozen in your place for a moment, partly out of fear because certainly at this time of night, you weren't expecting anyone up, and also because you weren't expecting to see him.

He gives you a sweet smile as soon as he sees you, “Oh hi y/n! Sorry, I didn't mean to scare you."

“No, don't worry, I just didn't expect to see you here." You say as you walk behind the kitchen island to fill the bottle.

“Oh yes since while your father and I were talking it got late he offered me to stay here for the night and I accepted,” he follows you with his gaze as he closes the book and places it on the table placed in front of the sofa. “Sorry again for scaring you, I didn't think I'd find anyone awake at this hour. By the way, why are you awake?”

You finish filling the bottle by taking a sip and then reply, “I realized my bottle was empty so I came down to fill it. And I could ask the same question to you, why aren't you sleeping?”

"I wasn't sleepy either and I remembered that when I entered the house I had seen a bookshelf and I decided to stay here and read a bit, trying to get myself to sleep."

You approach the sofa where he is sitting, "What book did you choose?”

He takes it from the table and shows you the cover, "Dostoevsky's White Nights, I love this book."

Your eyes widen in surprise, "Oh my god it's my favorite book too! In fact, for the record, that book is mine.”

“So sorry for borrowing it without telling you,” he laughs. “So you like Russian literature?”

“We can say that I love literature in general, especially the classics. In Russian literature I especially love Dostoevsky and Tolstoy," you reply, sitting on the sofa, even if a little far from where Harry is.

“I've never read anything by Tolstoy, maybe I could ask you for some advice.”

“I would be more than happy to help you!”

So you start talking about this and that. You discover that he has a degree in economics and management and has his own company in London. He met your father at the university where they were both doing a master's degree.

“And what can you tell me about yourself? Do you study or work?" At this point, you both had moved a little closer to each other.

“I actually do both. I have been studying fashion marketing in Milan for two years and in the meantime, I work for an Italian fashion magazine!” You've always liked talking about what you study because it's been a great passion of yours since you were little and you still can't believe that you're doing your dream job.

“So you live in Milan? I have been there many times and I love that city as I love all of Italy.”

“Yes, I live in Milan but I always come back here in the summer to be with my family. And I love Italy too, everyone is so hospitable and nice!”

"You can say it for sure! And why did you decide to study in Italy from California? If I may ask,” he asks curiously.

“In reality, I have always liked the world of fashion and when I finished school I was sure of what I wanted to do. Then talking to Mum and Dad I tried to convince them to let me study abroad but Dad didn't seem very convinced, then in the end Mum convinced him and I started looking for a good course of study. I wasn't sure from the beginning about going to Milan but then thinking about it, that is the cradle of fashion and so I made my decision!”

“Wow, I'm really impressed y/n! And can you also speak Italian?”

“Well, I had to learn it to live by it even though my pronunciation isn't that perfect.”

“I also learned Italian during my business trips. It's a frequent destination and I've made a few friends who have taught me something!”

You end up talking about your experiences in Italy until you notice from the windows that the sky is starting to lighten, a sign that the sun will come out soon. Harry notices too and lets out a small laugh when you let out a yawn, covering your mouth with your hand, “Sorry, I think sleep is kicking in now,” you laugh too.

"Yes, you are right. I didn't realize how much time had passed. Maybe now it's time to go to sleep even if soon I think someone in your family will get up."

You nod in agreement with him, "Yes, you are right. I think it's time for bed!” You stand up and he does the same.

“Goodnight or rather buonanotte!” He tells you with the most beautiful smile you've ever seen.

“Buonanotte!” you reply and so you turn and walk towards the stairs to go back to your room, bringing to mind the words your sister had said to you hours before, “Try not to dream about him”. Maybe it will be a little difficult because when you finally get into your bed and close your eyes you see beautiful dimples and green eyes.