#I just don’t want to exist anymore

[charliethinks]

i want to die.

[jondoe279]

atp i genuinely doooon’t care if the old guard two is the worst thing put to film i just want to see the best character of all time (andromache the scythian) and her loser henchmen and everyone’s favorite girl nile freeman again

[mycological-mariner]

First day of Pride and I just want to shine a light on all the trans people who are unable to transition, especially those who aren’t fresh faced university grads. Those who don’t live in a supportive or even just accepting home or community. Those who aren’t well off, those who aren’t good at or popular enough to crowd fund. Those who can’t afford transitioning. Those who can’t even transition socially or need to stay in the closet for your safety. Those who rely on benefits or unforgiving jobs to just pay the bills. Having to hear day in and day out you’re just GNC, that your pre-transition body is “ugly” and the ways you can express your gender are “cringe.” Every trans person who’s been told they aren’t “trying hard enough”. Those trans people who won’t even get to imagine transitioning for years.

I see you. I love you. You’re so undervalued and under appreciated in a world where being a white, well off 20 year old on HRT and getting surgery is more common to see than people who work full time and just don’t have that privilege. It sucks, so much. But you are loved and you are seen.

Happy Pride Month to trans people who aren’t where they want to be. The world is better with you in it. We all need each other.

[yourlocalgrass]

Listen. Listen. Hear me out ok.

I LOVEEE Thirteen, Mephisto and Raphael ok, I would die to date any of them.

But the thought of them becoming dateable, as much as I want to date them… not so much, honestly… gives me constant anxiety, like… big time.

I mean the devs couldn’t even handle the SEVEN main love interests in S1 or S2. I mean cmon who doesn’t know how Asmo and Beel were the devs obvious least favourite. There are times where all the brothers get a kiss except Beel or Asmo.

And then when 4 more characters entered the intimacy system, they handled them really good actually, amazing even. S3 was great imo, for the new dateables that was. But again, half of the brothers were forgotten to be love interests. But, they did do the new dateables good.

But then, by S4 they all literally reverted back to being side characters again and not dateables from what I could see.

Diavolo seemed the exact same as he was in S1 and S2 except maybe in one romantic scene with him. Solomon was only playing the role of a teacher and almost nothing more. If you played S4 without S3 context, you wouldn’t have even guessed that they were a dateable. Same goes for Simeon (even though almost the entirety of S4 was centred around him) Barbatos just became a more romantic dateable so, we did get one kiss by the end but… felt really rushed.

And don’t forget before we had the spotlight events how bad, cliche and repetitive the events were? Because we had to make sure we kissed all of them (except luke ofc) so an entire event chapter was dedicated to making sure we spend time and kiss all of them. And then even then there were characters who weren’t kissed or got fair time and treatment.

Finally, in Nightbringer, during S1 Solomon had a lot of spotlight for once and some Diavolo, while Simeon didn’t even exist. When it came to S2, we got Simeon spotlight but Solomon and Diavolo just went -poof- and vanished just like that.

Don’t forget that every near to end of a season, we kiss all the dateables right? And for some very weird reason, we kissed every character, but you know who we didn’t? Diavolo. And what’s even more weird is that, there was no reason not to because we’ve already kissed him previously, and the scene was in perfect timing for an MC option to kiss him, we talked to him, but just didn’t… kiss him? It’s just so… confusing.

Oh right, don’t forget how the brothers went through their special arc or whatever you’d like to name it, with MC who’s helped the brothers through and through of course, so we get to kiss them each at the end, except you know which brothers didn’t? Asmo and Beel. That’s right. Even in Nightbringer the devs never changed. Well, actually, they got even worse. You know who else didn’t get a kiss? Belphie, who we know isn’t the fandoms favourite brother, so of course… no kiss either… that’s now another brother who the devs are starting leaving to the side.

So, the entire game is a current mess and if Solmare couldn’t handle 7 love interests properly, and added 4 to the mix, which upturned everything into chaos, adding another 3 into the dateables section… is it reeaaalllllyyy a good idea? I mean to let the devs handle them…

Again it’s not like I don’t want them to be dateable but just like… how are they going to handle it? You know… considering they actually can’t handle it?

There will have to be more romance in the story, or people would complain, they’d have to fit 15 characters in, and they can’t make the lessons short, which they already do, there’s a chance we’ll get to kiss some while others won’t even get screen time, Thirteen, Raphael, and Mephisto can’t be set to the side during events either otherwise there would be complaints, and there’s no way writers won’t get tired of writing Devilgrams for 15 characters so other characters will be bad, while others who always get the top will have a decent Devilgram story. I bet the writing for almost everything will go into mess…

And that’s my only problem cus I love them and I do want them to become dateable but I also want the game content to be good even though it’s… not… really. Ok ngl it’s already a mess. And that’s just something I feel very anxious about when thinking what’s gonna happen when there are more dateables…

[kierancaz]

Listen I do not ship Jon and Damian.

But if dc is trying to convince us that they wouldn’t work as a couple they are doing a horrible fucking job at it.

Also literally what the fuck is the dc timeline right now bc I’m literally so confused bc on one hand we have like the new Wonder Woman series which is like far enough in the future for Lizzie to be either a teen or young adult and Damian is Batman and Jon is Superman but then we also have the Batman and Robin series where Damian literally just started high school so like wtf is this Dawn of Dc reboot doing and where are we.

Whatever the fuck happened in Future State is lowkey like bothering me now even tho at the time I was really happy bc we got Yara (which I’m still happy about bc I love her and I want more stuff with her in it) but also I feel like jumping ahead in the timeline was a bad decision bc now it’s all fucked up and weird.

Ngl I haven’t really read the new Wonder Woman series, I started it but didn’t get too far bc I was reading on my phone and there were just sooo many text boxes I wanted to wait until I can get it in graphic novel form. But I see pages from it and stuff (of Damian and Jon raising Lizzie) that are like 5, 10, idk years in the future bc we’re watching Lizzie be grow up and it just makes me go ??? Bc Lizzie is going to be a permanent character (I’m assuming) but they’re just kinda skipping over all of her life ?? And also fast forwarding Damian and Jon’s ??? And if they’re gonna keep with Damian and Jon raising her then they NEED to be fast forwarded in their stories for Lizzie/Trinity to exist. I think Lizzie has had a comic before this (I remember casually comics made a video on it) but Lizzie was a full adult and Damian and Jon were already Batman and Superman so like. Idk the only way Lizzie seems to be able to exist is by cutting out years of story from Damian and Jon and also as someone who doesn’t want Damian to end up as Batman it’s kinda like with Lizzie’s existence it just kinda seals it in stone that Damian is going to be Batman.

[pepperpixel]

The adventures of goofball mcchucklefuck part 2!!!! Aka more art of myself / evil me!!! This time featuring! More art of me going to bars! Me singing karaoke for the first time! A sketch page from when I started dating somebody off of hinge! (That didn’t end up actually going anywhere… but the arts still cute lol) and at the end me!!! Realizing my ass kicking boots were not made for walking!

Also featuring a spidersona version of myself I designed right after across the spiderverse came out… cuz I was obsessed. W that movie. And also specifically w the spot. And needed to make a version of me to shower him in love n affection lol

[chrollohearttags]

“how can somebody so blessed wanna slit their wrist?” meg, sister I felt that one a lil tew strong.

[quietwingsinthesky]

the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?

to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.

[ambeauty]

I wish y’all would let platonic vs romantic relationships die. Why is it a competition? Why does it make a difference? And why is it the fandoms problem when romance is celebrated more than friendship and not the creators of the media?

There’s so many shows that I’ve watched that got me hooked for the romance but I ended up loving the platonic/familial ships better because they were better developed. TVD looking at you. Quite frankly, there’s a huge lack in the quality of romantic content that’s even available.

So I don’t understand why there’s this sense that there’s a war on the platonic/familial relationships when that’s really most of what we see and what’s the most thoughtful in regards to television these days.

[the-hilda-librarians-wife]

so howd you like it what are your thoughts

Anon, I hope you don't mind it but I'm going to use this ask as an excuse to do my Full On Rambling post about my honest thoughts. I'll try to keep is as coherent as possible, but I can't actually guarantee it :')

Also putting it under a cut because some of it is going to sound negative (as I said, I want to exorcise any critiques I have so I can go back to Vibing asap) and I know many people (undestandibly!!) won't want to read that, and I don't want to burst anyone's happy bubble :) . And also because of s3 spoilers. Bear in mind that it's not a rant post, I still had tons of fun with the season. But since I'm going to be talking about the things I enjoyed forevermore and gonna try to keep all my 'didn't really like this :/'s contained in this post, it may come out sounding like I enjoyed it less than I truly did. Here we go, get ready for some Thoughts

-> Content

Okay, listen. This season was fun. I had a nice time watching the newest shenanigans. New characters (with one notable exception) were a joy to watch (yes, even the thing. We're in a toxic situationship) and I was greatly amused by their adventures; most of them kept me on the edge of my seat.

(ok, here's where the negativity begins. Please don't take me for someone who wanted everything to be done for Their Specific Standards or who thinks they know more than the professional and extremely skilled team that was behind the series. I'm just throwing around thoughts about how I feel, but in the end, the only thing that matters is that Luke Pearson and the team got to tell the story they wanted to. If that was achieved, I'm happy regardless)

However, I couldn't help but think that some of it felt... like it was "thrown" at us, in a way? To be fair, I think most of the negative points I'll discuss in this post are a consequence of this season being 6 epsidoes short of what the writers originally planned because, as I've mentioned before, I do think the show's writing is great and that the team puts their heart and soul into making this the best cartoon possible. Anyway, what I mean is that at times I thought the episodes seemed so worried with delivering all the information they could that a lot was left behind and some stuff didn't really tie together with the rest.

For example; I still cannot understand why aunt Astrid and Anders had to be these big surprises that had never been mentioned before if Hilda, the character who we see this world through, already knew about them? Don't misunderstand me, I am well aware that these nitpicks of mine are subjective and only my personal opinions that may very well simply be a consequence of not understanding what the writers were trying to achieve. I just feel like Johanna's family and Hilda's father are topics that have been discussed so at lenght in the fandom, precisely because they'd been so carefully skirted around in the previous seasons, that the reveal that nothing really dramatic had happened (between Johanna/Astrid and Johanna/Anders, at least) feels anticlimatic to me. It just feels (again, to me, personal opinion) that if this was going to be the case all along they could have mentioned these characters before, and it would have made the narrative make a little more sense.

(This is especially true to me in Anders' case. Bc it felt to me like they had been trying to highlight how irrelevant Hilda's dad was to the story in the first seasons by not bringing him up at all, by not even pointing out his abscence. But I can't really see the point in that if you're gonna bring out the man either way)

Ironically, at the same time I felt like some of the arcs were a tad overachieving, especially the Johanna's parents one. I just felt like it was Too Much Too Quickly, which once again is likely because of the season having been shortened. I feel like if they really wanted to do that arc, and that way, it would have been helpful to cut some other storylines so they could begin fleshing out this one earlier. They way it was done I just personally (can you tell I'm terrified of being taken as a hater?) felt like there was no time at all to get either used to the idea of Johanna being half faerie nor to get attatched to her parents. Like. I know the episode was the season's emotional peak, but it just didn't hit me the way I know it should.

Not sure if this was a me problem, but I felt like the audience wasn't given enough time to process what had even happened when they got stuck in the fairie island, nor to even consider that they'd truly be stuck there forever, much less to fully process the sacrifice Johanna was making when she left it with Hilda. I didn't get to get attached to Johanna's parents or to the dynamic they have with their daughter. I didn't suffer the way I wanted to when I saw them having to part ways, because I couldn't become invested in their bond when I was still trying to wrap my head around what their backstory even was and pay attention to the action heavy scenes that were to come.

What I'm gonna say here is way meaner than the people behind the show's writing deserve and I know, I can absolutely tell it isn't the case because you can see some of the foreshadowing once you have the benefit of hindsight, but it felt to me like some of Johanna's backstory was written for shock value alone. Which, considering the previous components of the season that I have already mentioned felt underwhelming, was even more jarring.

Another thing is that I feel like a lot was sacrificed in order to do these overachieving arcs. This maaay just be the side character lover and change hater in me, but I do feel like in order to present to us all these new concepts that would be necessary for the backstory to make sense, we were deprived of some elements in Hilda The Series that are arguably what the show does best. It felt like they all but scratched all of their previous stories, characters and components to switch them up for new ones. Pikablob has said it better than me, tbh.

However. I do feel like saying that none of the fears I had for the season came true. No character feels ooc, no one was left with an incomplete arc, and though I can't see how Anders contributes to the story, if he had to be there I feel like the way that was it done was the right one.

-> Pacing

Frenetic. Run for the hills kind of thing sometimes. Which, once again, I can't bring myself to believe was the writers' fault, not when they had other 6 episodes planned that they didn't get to do. I absolutely understand that they had to condense everything they wanted to show us into half the runtime. But it did become an issue (to me) when instead of the trademark Hilda Idyllic Tranquility I usually feel while watching (even plot and action heavy content like TMK), I felt like I was watching a completely different cartoon. Carmen Sandiego, or something like that (please note that I do also love Carmen Sandiego). Many times it just felt like there was no breathing space, which isn't necessarily bad when done well, but I hadn't gone into the season prepared for that.

It wasn't a problem that was all around present, though. I do want to point out that imo "The Giant Slayer", "The Laughing Merman", "Strange Frequencies" and even "The Forgotten Lake" still felt like Hilda to me. Which is where I realize what the main issue I had with the season was. That a lot of it just felt like a different show.

-> ~ vibes ~

I am bringing back the disclaimer that if the team told the story they wanted to, then good for them, I'm pleased as can be. I do enjoy that the series played with some different concepts. The musicality and colours in The Laughing Merman, for example, were absolutely delightful to me. Seriously, I want an entire Hilda musical now.

But some things I just couldn't help but feel were so disconnected from the previous feel of the show that it felt to me like they didn't belong. You can sum the rest of this post up by saying that season 3 would have been one of my favourite ever cartoons if it had been its own thing. But it's not, so I can't help but compare it and try to understand how all of the installments work when together.

The faeries, for example. I was so excited when I saw the trailer and knew it was going to be one of the plots, because I thought it was going to be another adventure of the day type of thing that would span over three episodes max. And listen, I've talked about how much I love Celtic folklore, and maybe this is just my consistency loving brain being annoying, but it felt a bit... clashing? that this season was based on tales and creatures and treaditions that weren't the scandinavian ones that inspired the rest of the series. It just felt like a major shift in tone that I don't really understand (once again, me problem, may very well be a skill issue on my part & I'm not saying they shouldn't have ventured so far just bc I didn't quite vibe with it). It just feels a bit off to me, knowing that Johanna's backstory was likely planned from the start, that there wasn't any celtic lore at all in previous seasons to make this sudden detachment from nordic folklore feel less out of the blue.

You know that joke that Disney movies like Aladdin and Raya take concepts from different cultures and smash them together like they're not completely different? I felt to some extent (bc OF COURSE Hilda is much better researched and has a lot better quality than that /gen) like they did that this season. But with white people. Which, fair, I can appreciate the irony.

Back to the topic of bold storylines, I understand what the Hilda team did with all the Johanna backstory. I understand that it's something that everyone wanted to see soo bad and they wanted it to be great (and it was). The thing I got stuck on is just that it ended up changing the vibe of the show to me. Whereas previous seasons feel like "slice of life in a magical place", I felt like this time I was watching a magic centered fantasy. Especially when they got into trying to explain the origin of magic and everything. Which is ironic, because I enjoyed the concept a lot and will explore it in the future, but it still felt like something that I wouldn't have expected Hilda the Series to tackle. Like there was a giant shift from folkloric to fantastic that isn't bad, but it is different and I hadn't been prepared for that lol.

God, I feel like I just wrote all of that and just to be A Bitch. I just wanted to get these thoughts out but I don't expect you guys to agree or anything. I genuinely liked watching this season, and I will continue to reiterate this in the future. And even if it doesn't beat s1 or s2 in my heart, I'm still grateful we got a final season at all, and everyone who was involved in it deserves all the praise <3

[atopvisenyashill]

HELLO pls pls share ur aegon and carl thoughts 😭😭😭 but only if u want to..

okay because the lil fandom joke is they’re both the last man standing right? they get put through insane physical injuries - aegon suicide swan dives TWICE and lives, carl gets shot in the face - they outlive most of the other characters in the story, and live through it with cockroach like luck until the very ending of their conflicts, left physically scarred by what they’ve been through, with nothing but a daughter they can’t connect with and a world that is already forgetting about the danger & horror aegon & carl have just lived through. and before they can really figure out what the good thing to do is, the story ends.

i think there’s a lot to be said for how both of their violence is enabled as children for different reasons. obviously talking mix of shows & comics/books here but we get alicent, viserys, & criston (probably otto too tho we don’t see that as much) modeling abhorrent behavior, and rick, shane, to a lesser extent lori, all modeling Heroic Violence, then smothering aegon and leaving carl unsurpervised so when they start acting out the violent behavior they’ve had modeled, no one tries to stop it from continuing. aegon is enabled by the fuedal society he lives in, carl’s by the apocalyptic breakdown he’s living through. To see the world as Us vs Them and to react with violence at any threat to Us by Them.

the main difference here being that both lori & rick are vastly superior parents than alicent & viserys are, and carl’s violence & callousness scares the shit out of them (rightly, he’s out here murdering unarmed kids!!!) and carl is eventually in a place (like a literal place, the prison specifically) where other adults (again vastly superior parents & people than the ones aegon is with) like hershel, maggie, daryl, tyrese, and glenn, are all at least attempting to keep an eye on him while rick loses his mind and lori, ya know, dies.

but most notably, the thing that carl has that aegon doesn’t, can’t ever have, is a parent who actually parents him. carl’s saving grace, the thing that saves carl’s soul is his stepmother - obviously in the comics it’s andrea but i’ve always found the michonne/rick/carl story line in the show to be superior in this case. michonne who has all this maternal love and nowhere to put it, carl with the desperate need to be a child and no one to look after him. like, michonne literally entering the story holding baby bottles and formula so rick’s child doesn’t starve to death. rick can only trust michonne once carl gives the okay, michonne can only start to love rick once carl accepts her presence at the prison. “if you’re okay then i’m okay.” michonne has to become carl’s mother and best friend before she can become rick’s lover and partner. it has to happen in that order because even though rick is the main character, carl is his reason for existing. and michonne, already a mother, can see that. many people see carl as a tool to get to rick but only michonne sees carl as a child in need of love. but no one ever looks at aegon and sees a child in need of saving or a young adult in need of help. so while carl ostensibly gets to live in the new world and help make it better, aegon has to die because no one ever gave him the tools to ensure he could live. he doesn’t have a michonne. he can’t for the story to work.

there’s also the gender thing too - i tag carl as “carl grimes patron saint of agender children everywhere” i feel so seriously about carl the they/them. aegon’s whole life “being a force fem” but the thing is so is carl’s. aegon is the ignored daughterson being puppeted by his family forced into a marriage he doesn’t want and to have children he doesn’t want all so his family can social climb, but in order for rick grimes to be the hero of the walking dead with this world ending, all consuming, death defying love for his son, his son needs to be the damsel in distress forever. so bad shit just keeps happening to carl so rick can be the hero and rick can grow as a person and carl is beaten down over and over again-until rick has this world built on The Terrible Things He Did For Love and therefore can’t exist in this world of love, and finally carl has to live with the one brutal trauma he can never get over - his father’s death.

because carl isn’t the main character in his own story, it’s rick. and aegon isn’t the main character in his own story, it’s rhaenyra. so once rhaenyra & rick die, they have to keep going to make the tragedy go on because the tragedy is the point. they can’t even be the tragedy of their own stories! because aegon usurps his sister then is left with just a daughter he can’t name as his heir, and rick builds a haven made out of corpses to save his child only for someone else’s child who he orphaned to make an orphan out of carl, and now carl can’t even show his daughter his entire face out of fear and grief.

rick dies and carl’s story has to end soon after, rhaenyra dies and aegon’s story has to end soon after. they are the last man standing but they are not the main character, and they do not get to have catharsis. they just get to be over.

[dreamofbecoming]

thinking about a stoncy dynamic that’s not romantic or sexual or necessarily even platonic, but it used to be all or some of those things, and now it’s like they don’t know each other really at all anymore unless there’s danger, and then they immediately fall into perfect step with each other without even noticing

they don’t talk and they kinda avoid each other socially after they tried out every configuration of the three of them and none of them worked, but the minute a threat appears suddenly they’re flanking each other without having to discuss it. they fall into battle formation without even a glance. they always know where the other two are in a melee, they don’t have to check. it’s instinctive- stay equidistant, fan out, protect the party. one of them loses their weapon and one of the others throws them another, and they catch it and keep fighting. neither one looks, neither one breaks stride. they move around each other on reflex, like magnets.

just battle-hardened kids who are awkward as hell kids but also seasoned warriors who know each other down to their bones, but only in a fight.

something something the only place you fit in my life anymore is with your back pressed to mine and your weapon raised

[echofromtheabyss]

I keep noticing that without exception, almost EVERYONE I know who makes a big deal out of being sapiosexual, is ND/disabled, queer, socially odd, or poor. Sometimes I see this from ND cis het men who are in social worlds that are heavily the white collar brand of anti-intellectual and where hyperconformity (i.e., the uniquely Tumblr/Twitter brand of anti intellectual brain worms) is also a rule among women. I’m a wlw and couldn’t date in this crowd either so I empathize.

I think that most people just assume they will meet a Socially Appropriate Partner and that person will likely be equivalent to them in education/intelligence. Where sapiosexuality becomes a thing is where you are a highly intelligent/self-educated/polymath type of person who has no access to compatible people. AT ALL. The compatible people and activities are walled off behind barriers of class, access, formal education, etc.

Sapiosexual may really mean “I am a smart person, but can’t meet other smart people, and don’t fit into Smart People Culture [i.e., rich, non disabled, straight people].

[kiwisandpearls]

ok im just curious about it so like if any proshippers can answer this question that’d be great

[rateater69]

I feel empty

[aceofstars16]

Getting hit with the sadness again…🫠