#I know he doesn’t want me just because we had a jokey joke

[delulu-4-lewlew]

So on Friday, I’m semi sure one of the workers at my train station was flirting with me.

Here’s the story, there’s a tldr at the bottom and in the tags, however I’m probably making a mountain out of a molehill.

My monthly train ticket ran out today, so after work, I go to by my ticket before I go home for the month. Now, I already saw him serving someone else and was hoping he’d serve me, because he cute anyways and he’s served me before, and he does.

I say my lil say in order to get my ticket. This is the interaction:

Him: “Do you want it to start tomorrow?”

Me: “Sure, why not.”

Him: “Well, are you going in tomorrow?”

Me: “No?”

Him turning screen, “Well on you going in on the 7th?” (Sunday)

Me: “No.” Me doing that ‘I know what you’re getting at smile’

Him: “Are you going in then?” (Pointing to 8th)

Me: “No. It’s a bank holiday.” (My small brain forgetting that people still work on bank holidays)

Him: “So your ticket can start there.” (Pointing to the 9th)

Me: “It doesn’t really matter to me, it’s neither here nor there.”

Him: “I’m just trying to save you money.” Please bare this in mind, he has that cheeky chap smile going on.

Me: “How though? It’s still the same price, just starting later”

Him: “Ok. Looks like you got too much money.” Now, this slightly triggered me because my parents also say this whenever I buy anything and the fact that he thought that I pay for a £600 train ticket out of my own pockets?! Insulting

Me: “ Well, my company comps it so it doesn’t matter when I buy it really.”

Him: “Ahhh.” Bit of a pause. “What company do you work for?”

Me: Dumbly tells him the actual company I work for and the industry because I can’t make up lies on the spot when I’m kiki-ing it up with a cutie.

Him: “I’m gonna call them up. Let them know of what you’re doing.”

Me: “Go ahead. I’m not stopping you.”

Then he goes into the professionalism, “would you a receipt” blah di blah di blah. Gives me my smart card, tells me to have a good weekend and sends me on my way.

TLDR: I’m now engaged. The ceremony is next month and you’re all invited

[fangirleaconmigo]

On the topic of book scenes that were changed, one of them that interests me is the scene where it seems Geralt and Yen have died in The Last Wish. In the book, the mayor of the town starts to go on about how it’s so sad that Geralt died but don’t worry they’ll build him a statue. This greatly angers Dandelion and he yells at the mayor. In the show, Jaskier is the one who’s like “This is so sad, but don’t worry I’ll write the greatest ballad for Geralt!”. The complete change of the personality of the same character is what interests me. I love reading your analysis, so I was wondering if you have any thoughts on this. I know the change was probably for comedy purposes and that this is pretty insignificant, but to me, Dandelion’s reaction in the book just really screamed such a deep love for Geralt so I found the change a bit disappointing.

The Last Wish vs Bottle Appetites - Dandelion's reaction to Geralt's 'death'

Hi Nonny! Thanks for the ask. You sent this to me so very long ago, you may have completely moved on. BUT I figure if you aren't still interested, someone who follows me might be, so here I go:

Your ask is about a compare/contrast the book vs TWN scene where Geralt is presumed dead, and we’re comparing how Jaskier(Dandelion) react to his possible death, and how much emotional weight the scene is given.

I'll start by summarizing, but just a note: Dandelion does something in the books that I don't know how to interpret and maybe you (or anyone reading) can give their thoughts.

Ok, we’ll start with the show.

Bottled Appetites

In the show, the mayor and town dignitaries are not in the scene where Jaskier thinks Geralt is dead. It is just him and Chireadan looking at the building. Things are quiet, and Jaskier assumes they are dead.

"Are you sure they were up there? This can't be happening. This can't be happening."

I gotta say, Joey Batey, sells the emotion here. He has the most expressive eyes. He could do just about anything with any material, I think.

"Why did Geralt go in there, it doesn't make any sense...to save a mad fucking witch, why?"

It cuts away to Geralt and Yen. When it comes back to Jaskier, he is on his knees, assuming they are dead. Here is what he says:

"What am I supposed to do now, hm? It wasn't supposed to go this way. I'm going to write you the best song, so that everyone remembers who you were, what we did, everything we saw. And I will sing it, for the rest of my days. "

That is what you means as far as it seeming like he's giving up rather quickly. As he speaks, most of the camera work is on Chireadan, who goes to actually look whether they are dead. Chireadan stands in front of the window. At the end of his speaking part, the camera is back on Jaskier for the punchline.

"He always said I had the most wonderful singing voice."

And that’s the jokey joke. It references the b plot of Geralt feeling bad that he called Jaskier’s voice a ‘pie with no filling’. When Jaskier is hurt, Geralt says that he doesn’t want that to be the last thing Jaskier remembers.

Clearly, that would not be the last thing Jaskier remembers, because he will just change it to suit himself. It's a little of the ol’ Dandelion impenetrable ego performance.

And that is the 'piercing' of the dramatic moment you referenced.

But then Chireadan comes back.

"They're alive."

And Jaskier is like...

"Bollocks."

They go look in the window together, and see them having sex. Chireadan pulls Jaskier away.

The Last Wish

In the books, it's quite a different set up. 

Dandelion is with the Mayor (Neville) and Priest of Rinde (Krepp), while Geralt fights with Yen in the building. 

The reason for this reflects what I think is the biggest difference between the two stories-Yen.

Much like in the show, Yen did send Geralt to beat up the townspeople who are against her. (the tone is quite different, and the show doesn’t show it, but the basics are the same)

However, Yen does not want Geralt to get into legal trouble on her account, so she sends Dandelion back through a portal, and asks him to use his last wish to help Geralt.

Dandelion drops back through the portal.

“Innocent!” yelled the poet in a clear melodious tenor, sitting on the floor and looking around, his eyes vague. “Innocent! The witcher is innocent! I wish you to believe it!”

So now Dandelion is with the mayor and the priest, and Geralt goes to help Yen against Dandelion’s advice. Like in the show, Dandelion advises against it.

“Geralt,” said Dandelion, ‘you’ve gone stark raving mad! Keep away from that bloody strangler!”

And look, he has a point. He’s basically like, she is choosing this. She wants to do this. She used us both against our will. She is powerful and terrifying (the subtext being, why would she need you. If she’s dead set on this shit, then let her do it)

But of course Geralt goes. He is already falling for Yen. I think in the books it’s more clear as to why. But that’s sort of beside the point of this post. (At some point I want to do a compare/contrast Yenralt.) 

But anywho. In the books, Dandelion is with the mayor, the priest, and Chireadan and they are watching the building from a safe distance.

Dandelion is distraught.

“What’s happening there!” Dandelion, clinging to the wall, strained his neck, trying to see in the downpour. “Tell me what is happening there, damnit!”

Then as the house begins to fall, 

“Why did Geralt have to go in there?” groaned Dandelion. What the hell for? Why did he insist on saving that witch? Why? Chireadan, do you understand?”

Of course, Chireadan is in love with Yen, so he understand perfectly.

Then, Dandelion is terrified Geralt will die. He is upset, he is wailing.

“Are they both going to die?” wailed Dandelion. “How come, Krepp why? After all, the witcher--Why by all perfidious and unexpected plagues, isn’t he escaping? Why? What’s keeping him? Why doesn’t he leave the bloody witch to her fate and run away? It’s senseless...It’s suicide. And plain idiocy!”

The mayor is not so distraught.

“It’s his job, after all,” interrupted Neville. “The witcher is saving my town...if he chases the demon away, I’ll reward him handsomely...”

Then Dandelion cuts him off. 

Dandelion snatched the hat decorated with the heron feather from his head, spat into it, threw it in the mud and trampled it, spitting out words in various languages as he did.

Now, I believe that spitting in one’s hat is considered something for good luck, and in some cultures is meant to ward off evil spirits. Dandelion looks down on superstition as is quite explicitly atheist, yet he resorts to it the minute he’s desperate on Geralt’s behalf.

(If I am reading that correctly. It could also be an expression of antipathy for Neville for all I know. Maybe someone else can comment, I'm just guessing)

And then Dandelion realizes something. They explained to him that Geralt actually has the wishes, but then it dawns on him that Geralt could use it to save himself.

“But he’s...” he groaned suddenly, “still got one wish in reserve. He could save both her, and himself! Mr. Krepp!”

The priest explains how difficult that would be. Then the house ‘explodes’ and the djinn escapes. The mayor and the owner of the house rejoice. The owner of the house has previously said that he has good insurance, so he says ‘what a wonderful ruin’. Dandelion is not so happy. In fact he is distraught, understandably. He sees that the house has fallen and he is afraid they are dead.

“Dammit, dammit!” hollered Dandelion...”it’s shattered the entire house! Nobody could survive that! Nobody I tell you!”

The mayor jumps straight to the same conclusion, but it significantly happier about it.

The witcher, Geralt of Rivia, has sacrificed himself for the town,” mayor Nevills said ceremoniously. “We won’t forget him. We’ll revere him. We’ll think of a statue...”

Dandelion does not react well to this. This is the part you were referencing.

Dandelion shook a piece of wicker matting bound with clay from his shoulder, brushed his jerkin free of lumps of rain-dampened plaster, looked at the mayor and, in a few well-chosen words, expressed his opinion about sacrifice, reverence, memory, and all the statues in the world.

I kind of wish the book had spelled out exactly what he said because I think it would have been amazing. But Dandelion tears him a new asshole and tells him where he can put the statue. We just don't get to hear the exact words.

Then it grows quiet. Dandelion is still afraid they are dead, but decides to go look to make sure.

By all the gods,” muttered Dandelion, “what silence...they’re dead I tell you. Either they’ve killed each other, or my djinn’s finished them off.”

Notice he still calls it 'my djinn', I think because he found it. He clearly is ready to blame himself. But then they go take a look at the ruins. They start to hear noises.

“Yennefer’s alive,” said Dandelion suddenly, straining his musical ear. “I heard her moan. There, she moaned again.”

And like in the show, Chireadan looks through a broken window, seeing Geralt and Yen having sex.

“Let’s get out of here,” he said quietly. “Let’s not disturb them.” 

Chireadan is heartbroken, because he loves Yen.

Of course Dandelion is curious and doesn’t want to be put off (as always).

“What are they doing,” Dandelion was curious. “Tell me damnit!” The elf smiled very, very sadly. “I don’t like grand words,” he said. “And it is impossible to give it a name without using grand words.”

I think because of the involvement of the mayor, showing the way they see the witcher (useful, but highly expendable) next to Dandelion (that’s my friend, motherfucker) is interesting. I like that Dandelion tears him a new one.

The moment is definitely moved past much more quickly in the show, though to be fair they have a lot less time.

But what does everyone else think? If you’ve got this far, please share your thoughts! Which version of the story do you prefer? And what was the hat spitting all about?

[showtoonzfan]

You know a Helluva Boss scene is about to make you cringe when it pulls out the Sad Piano Notes™️. It never stops feeling like a lazy, artificial attempt to tug on the viewer’s heartstrings; it makes me want to vomit.

It’s so fucking hilarious every single time. The way we go from a goofy fight scene to immediately the sad piano keys and Blitzo changing his asshole demeanor—having puppy eyes towards his sister, all of a sudden acting soft and caring, is the EXACT tonal issue the show has had for a long while now. Viv certainly loves to acknowledge the “bad faith” critiques but never the actual valid ones lol, I would pay to see a twitter thread on her explaining why the tonal shifts are so bad and out of place.

It also is bothering because the moment Blitz comes across his sister, he’s just being cocky and sassy so we can have their back and fourth jokey banter. You’d think after finally finding her, he’d approach her more softly, but instead it’s all jokes and he also blames HER that she never reached out or anything, despite the fact that he himself bursted back into her life and knows that she doesn’t fuck with him….and yet the episode (as expected) suddenly portrays him as an uwu baby who cares about her and just wanted to catch up and be kind to her. And thanks to the shitty writing not filling us in on what he did to her or simply leaning more into how hurt Barbie is at the sight of Blitz, more people are going to sympathize with him rather than her, who’s portrayed as a greedy bitchy drug dealer.

[saturn-sends-hugs]

OK, finally writing out my thoughts for ep9 (cause MAN AM I EMOTIONALLY DRAINED RN 😭)

Honestly this is gonna be more of a character deep dive of how they’re all functioning post ep8 but HERE WE GO

(spoilers under the cut)

First off, oh. my. god.

I’ve seen some people saying that episode was filler and to that I say WHERE. Did you see all that character development??? Like yes we didn’t get a big Empire plot or anything but like??? Hello???

This episode was SO important for so many reasons:

First off, Echo is gONE AAAAAA 😭😭😭 Was i devastated? yeah, maybe, a little bit, but i was fully expecting this episode to just brush past that and it DIDN’T.

I feel like much of the time Echo seemed almost unnecessary (stick with me here). You have this elite clone squad with all these enhancements and skills, so what are they gonna do with this fifth member? This always felt like a theme for me, especially in fics, that Echo would feel like an extra and struggle to find his place in the squad (Which isn’t true, he’s very necessary, but until now that’s been hard to see).

After Crosshair leaves, it changes a bit. The Batch is used to working with only four members, so although losing Crosshair obviously shook them, they held together (in part because they had to focus on Omega and other things). So here, Echo can step in and fill Crosshairs role somewhat as lookout or copilot or whatever, and he always backs up the others in their roles as well.

Echo is a good friend to Wrecker, able to joke around in ways Hunter (as the leader) and Tech (just not jokey in that way) can’t. He’s there for Hunter as Corporal; second in command and just generally another leading figure (like in season one when Hunter is captured and he leads the Batch through Kamino). Echo backs Tech up in pretty much every way, like just generally knowing what Tech is talking about and how to help (copiloting, ship maintenance, brother handling, etc). And of course, Echo is so so good with Omega. He teaches her to use her bow, he knows how to be a bit more disciplined than Hunter while still being super attentive and sweet, he is simply Mom™️.

And then he leaves.

Not gonna get too deep into that because we all know his reasoning, but while I expected this episode to focus on the Batch working without him, I didn’t expect them to show us how they struggle once he’s gone. Because holy shit they do.

Obviously, Omega is most noticeably affected. She’s struggling with a part of her family, someone she never wanted to think of leaving, being gone now. But the others are struggling too, and that’s only making things worse. Wrecker and Tech are fighting, which although she’s somewhat used to that, this time they’re not stopping. Hunter isn’t doing anything about it either, and none of them are saying anything about Echo being gone. She’s thrown off, no one is acting like themselves (because they’re missing Echo too although she can’t see it yet), and oh right, THEY JUST LOST THE MARAUDER.

But now for the others.

The minute they stepped off the Marauder in this episode, they felt wrong. And none of them really mentioned it or outwardly showed it that much, but they missed Echo too.

Wrecker was off. He’s stuck with just Hunter, Tech and Omega now, and he’s being affected by all their emotions. In the past, Crosshair was who he could joke around with, a role Echo filled afterwards. Now, Hunter and Tech just don’t fill that role, and while Omega might normally, right now she’s definitely not feeling up to it. He’s sensing the tension there, and everyone’s emotions are just setting him on edge, so he’s getting rowdier, more argumentative. He doesn’t mean to be, but he’s upset and he’s struggling.

Next, Hunter is doing what he always does: trying to move on. He’s not ignoring it per se, and I’m not the best at understanding Hunter, but it seems like he’s just trying to keep the team going. And again, it’s more of a challenge without Echo. The fights that used to spark up, Echo would help handle. Or better yet, they wouldn’t be real fights because Wrecker and Tech wouldn’t be so on edge. Hunter is struggling to keep them on track without him, especially with so many other factors at play (Omega being upset, new dangerous mission from Cid, Marauder is gone, how much more can go wrong wait no Mr Filoni please don’t answer that).

And of course, Tech misses Echo. Yeah, he seems really cold and uncaring in this episode at first glance, but OMG that is the furthest from the truth. I honestly think Tech is struggling the most without Echo to fill in that fourth role. Tech always tends to want everything working smoothly, and without the help of a fourth member, Tech is really stretching himself in order to accommodate. And on top of that, he just really misses Echo. When Omega tries to call Echo, Tech immediately knows he won’t respond because his comms are off. And why might he know that?? Well to me it seems like Tech already tried calling him, probably long before Omega did 🥲

Tech in this episode is just at the end of his rope. He’s way less lenient than he might normally be with Echo around, because now he feels like it’s on him to almost be that “second in command”. Normally, Tech can just focus on his work and let the others handle themselves/each other. So when Wrecker drops the case in this episode, normally Tech would trust him to have it handled, and they’d all move on. Instead, Tech takes the case himself. To me this is pretty familiar cause ahem autism, which is a very fitting trait for Mr “I process things differently but I still feel just as much” Tech to have. I struggle to let people get things wrong, and at this point, on edge and pushing himself too hard, Tech is so over it that he decides the only way to get it done is to do it himself.

Edit cause damnit tumblr didn’t save for some reason but basically up until now, we haven’t truly seen how much Echo does for this squad. Yes obviously we’ve seen that they all love and appreciate him, but now that he’s gone we’re truly seeing how important he is, and I just think that’s so so good to see!!! He’s not just the Mom that keeps them from fighting, he’s also just a genuinely necessary and important member with his own role in keeping this squad together.

Basically, ECHO YOU BETTER GET BACK HERE RN I STG—

(no but really, they genuinely do need him 🥲)

So yes, Echo left and the Batch needs Mom back. But it’s not just because Echo was the responsible one with brain cells (although thats also true), it’s also because he is genuinely a necessary part of this group, not just an honorary member to fill in space for Crosshair. We saw in this episode what happens when you take him out of the equation, and it was bad. That right there made just me happy because despite him being gone, it was very clear that nothing would just be “fine” without him, and the batch needs him way more than he probably thinks 🥲🥲🥲

Ok uh I didn’t mean for that to be so long bUT LISTEN, I just think there was so much to that episode and I could talk abt it for HOURS, THEY NEED THEIR BROTHERRRR

[derekscorner]

KH Fandom Miscommunication

Come, sit, let’s have a serious look over this. Don’t you find it jarring that a series based in Disney magic only ever spawns talks of echoed opinions or fierce talks of hate?

We all have fell pray to it and I’d go as far as to say I’ve had a very bad stint in it in previous years. You can’t say you like something without a swarm of hate on why you’re wrong nor can you criticize it’s writing without being told you’re wrong.

And before someone takes time to screenshot an old post of me during my awful faze or one of my meme/jokey posts let’s just take a moment to sit and really think about this conundrum.

I criticize KH all the time yet I keep posting things because most of my longer posts are a critical talk about why I dislike something. I don’t generally expect responses but I still throw them into the void to get them off my mind. (like this one)

When I do this I rarely get responses and when I do it’s just short echoed replies or just simple replies about why I am wrong. Which some topics dont really leave room for longer responses but the point is I dont usually see people on any site give a genuine answer from critical thought.

For example, if I asked you why you liked KH Days or it’s leads I’ll usually get a response of some sort of head-canon. If I’m lucky, a short response like “I find them cute and/or tragic”.

To some extent that simple feeling is fine as an answer but if someone is going to debate with me (because subjective does not seem to exist in the fandom vocabulary) don’t tell me you think they’re expertly written because of what ideals you push onto that character.

The most recent example was someone trying to discuss with me what sexuality they put on Xion which baffled me. I wont name the person, they were just being nice, but this idea still baffled me. Why? Because:

1) Xion has the body of a 14 year old with the mental experience of one year.

Her initial body didn’t even have a true face. So it’s very hard for me to imagine she’d have any semblance of that aspect of life figured out. One day she might but I highly doubt she does at this moment in time.

She’s lucky she even got a body back to experience life beyond her initial year.

2) When I ask what you like about so and so from Kingdom Hearts I want to know what, within the written story, that this character experienced, made you think that way.

Head-canon, lord forbid fanon, is something we all have but what you saw online or added in your head isn’t from the actual story. It’s not a factor when giving critical thought to the writing.

Even I will reblog Xion fan art or manga panels despite hating the DS game Days because the manga and artists add something the games do not. It’s drawn/done well and I’ll reblog it but that won’t be a positive point I add to my view of the game itself.

3) And the final issue this causes is admission. You’re telling me that you only liked this thing after adding ideas you liked to that thing.

That’s an indirect admission on your part, to me, that your initial take on the story wasn’t as positive as you remember it. You’re having to support your opinion with added fluff not found in that story to begin with.

The best example of this is Terra. I’ll make jokes but at the end of the day Terra and the BBS cast is given writing that makes their intelligence questionable.

Yes, you can infer or speculate that Terra’s trusting nature is due to his sheltered life but Terra himself never hints this. The writing doesn’t have to tell me verbatim that he is too trusting. If anything show is better than telling but do keep in mind that the story lacking this nuance is what adds to the “terra is stupid” view.

His initial mistake with Maleficent is understandable. That’s the first mission. It’s entirely possible he’s naïve but I won’t get that impression when Terra rarely feels like he learns from his misadventures.

And this is me giving a realistic look at Terra. I can’t speak highly of his middle story but his initial mistake and the death of Eraqus are two aspects in his story that’s actually done decent and makes his actions shortly after believable.

The Issue

If you’re still reading then you likely think I’ve rambled into a tangent but no. I mentioned these things because that’s something I expect to see when I hear someone telling me why they love or hate something KH related.

You think I’m wrong about Terra? Okay then tell me why based on what you saw in BBS. I may not agree but I’ll respect critical thinking. 

You think I’m right about Xion? Fine, tell me why you agree. Don’t just respond with “lol Nomura sucks ass remove him from office”. I may not necessarily disagree with your sentiment but I will not accept that as a point about why you, or me, are right about Xion compared to someone who likes her character.

Saying “nomura sucks” doesn’t tell me why you disliked Xion. I can tell you why I didn’t in long or short form but it’ll be based on the Days game I experienced. I will also always end any Xion criticism (a serious one mind you) with the undertone that I liked the manga.

I genuinely love the personality and humor the Kh manga gives the cast because I feel the games and their writing do not add the same level of humanity to them. This does not make my issues with the game writing better but rather gives me an example of how good it could be.

And I expect this civil thought in turn. If you want to joke I’ll shoot the shit with you all day but if you’re wanting a serious talk you’ll find yourself muted or losing my participation the moment you drop some tribalism like “it sucks and you’re wrong because Nomura sucks” or “you’re wrong. you’re just a hater that should quit playing the game if you hate it”.

Such responses aren’t responses. What they are is childish anger because you feel personally slighted. Acting this way doesn’t fix anything and it’ll only pollute the area you hoped to discuss it with others in.

You can’t even say “Kingdom Hearts” on twitter or a forum without a flood of why Kh3 was written by God himself or why it was so bad it should cost an old Japanese man his job.

Worse, you risk the chance of running away everyone but the five who agree with every word you say which doesn’t help you grow as a person. That just builds a bucket that you’re shouting into and hearing your echo shout back.

It’s all sad to watch and it’s even sadder knowing I was no better for it ages back. I even risk it now because I genuinely get annoyed when any level of thought is brushed off by someone just saying I hate so and so and replying constantly hoping for a conflict.

We all fall victim to it and it is just so very sad....it also makes me wonder if our generation and later is losing the capacity for critical thought thanks to social media and the internet but that’s a topic all it’s own.

Bye now. 8D

[itsclydebitches]

RWBY Ice Queendom Recaps: “Red, White, Black, Yellow”

Hello, RWBY fandom! It feels good to be back.

Technically I never left — still answering the occasional ask, just finished up "The Girl in the Tower" recap — but between the extra long hiatus and my continuing obsession with Our Flag Means Death, it feels like I've been out of the RWBY loop for a while. I wanted to start this post with that acknowledgement because I had assumed that's why I didn't realize that Ice Queendom had dropped the first three episodes. Sure, I got an anon asking my opinion of the reboot (AU? Rewrite? We're all a little unclear about that still), but I had thought that was just in preparation for the July 3rd premiere. So imagine my surprise when I did a bit of googling last night — just in case — and found a new trailer, then a three episode sneak peak, but it weirdly wasn’t on First, but it was on Crunchyroll, and (at the time) it was set to drop on YouTube at 1:00pm today, but only for a short period? Some fans had clearly seen the episodes already, yet there wasn't nearly the amount of posting I'd expect for a community-wide, anticipated drop, and official information seemed to be scarce ... but surely my confusion was simply a result of me taking a semi-break from keeping up with all RWBY info, right?

Ehhh...

This is an excerpt from MurderOfBirds’ tweet thread (URL posted at the end of the recap, in case tumblr is still being weird about links) and, if you've been in the RWBY community for any significant length of time, you'll understand my shock that he of all fans was calling RT out like this. To be honest, I don't have much to say beyond, "This is happening"? From what little I've gathered, fans seem to have enjoyed the IQ premiere — or at least, they haven't called for a salt and burning yet — but RT's relative success in that regard doesn't suddenly erase all the other problems surrounding RWBY as a franchise. RTX planning remains a mess, communication about upcoming projects is shoddy at best, RT's company culture is continually under fire, worries about Volume 9 and the upcoming video game haven't disappeared just because we've had little reason to discuss them lately, etc. Regardless of what we think about IQ as a story, it's coming into a tumultuous IP — to put it mildly.

Again, I fully acknowledge that I haven't been actively seeking out every bit of RWBY info lately, but the fact that I, someone who is generally working to keep up with the story, had to suddenly scramble to figure out how and when and why a big chunk of the new installment was releasing now is... not great. And apparently I'm not the only one who feels this way.

That said, let's get into the story proper. In case it's not abundantly obvious by the title, I've decided to keep these recaps separated by episode, despite 1-3 releasing as a single hour of content. You all know I can write enough for each, even with a lot of this plot being repeated. No sense in giving you all a dissertation to wade through lol.

Let's do it!

We begin, as we did originally, with Salem's voice-over telling us how the humanity of today came to be.

(Oh yay, a nice het-centric creation myth. Look, I really wasn't joking about being obsessed with OFMD right now. After months of canonical queer pirates, I'm feeling a little salty towards RWBY's version of queer rep. I won't get over it, sorry, but I promise I won't bitch about it too much.)

(Actually wait, one more point: I saw a post here — which I’ve now lost — where the author didn't seem terribly enthusiastic about IQ, but they said they'd forgive it if Blake and Yang made out in every upcoming scene and like yeah, joke-y posts are jokey-y, I love them, but AS IF. If IQ confirms Bumbleby I'll just straight up die of shock. You all can @ me in the afterlife.)

(But oh god can you IMAGINE if IQ confirmed the fandom's biggest ship before the webseries? Chaos. Calamity. An actual, defensible position for IQ being better. It would be a complete disaster, yeah... but potentially an entertaining one.)

Anyway, back to the plot. We go through a version of our opening speech and, frankly, I don't think the actress playing Salem sounds nearly as menacing as Taylor does. I've always cared more about the characters themselves than the actors playing them, so I don't have any big opinions on the casting here. This is just a little acknowledgement that, had I been watching IQ prior to RWBY, I never would have gone, "Oh, this is our villain" like I did during the webseries’ opening. At least not until the end of the episode when we get the more threatening dialogue. Regardless, the animation more than makes up for that, showing us not merely the paper-like history of humanity, grimm, and the rise of their combat capabilities, but far more visceral images like a man collapsing amidst a field of flames, very nearly succumbing to them. That sells the idea of humanity almost crumbling back to dust.

But then, “The smallest spark of hope brought forth a great light” and humanity discovers capital 'D' Dust, which allows them to maintain and spread civilization despite the grimm. Salem says that it was through their “power and ingenuity” that they secured it and I'm like... really? Because the animation just shows an almost-dead guy stumbling upon a glowing rock in the ground and presumably thinking, "Hey, that might be useful." Not sure there's much power and ingenuity in randomly finding a magic mineral lol.

With the history lesson out of the way, we find Ruby at Summer's grave with... a military-like march soundtrack? It's an intriguing choice and, combined with Ozpin’s introduction + Weiss' AU design, I'm curious to see how much this story will feed into RWBY's (badly managed) anti-military themes. Though introducing our simple soul protagonist with that vibe doesn't seem like a great start...

What is done well is the character work in this scene. Actually, that's something I want to praise about the episode as a whole: IQ is very good (so far) at developing the cast and the world, something it absolutely has over the original RWBY. Remnant feels lived in, the characters' stories are better intertwined — helped by making this episode a combination of the trailers and “Ruby Rose” — and I actually feel like they have internal lives they're living, rather than just existing as archetypal puppets under the Rule of Cool's strings. Sure, RWBY gets better at that as time goes on — I wouldn't care about the early Volumes like I do if the characters didn't feel engaging to me — but IQ nails it right from the start.

Case in point, Ruby isn't just staring at a mysterious grave that was added last minute because hell, why not. She's really talking to Summer, telling her all about how Yang made it into Beacon Academy and that she "always said she wanted to be a huntress." Such a small line of dialogue and yet suddenly Yang’s motivations better align with Ruby's. Rather than being the party girl just out for a good time (the club scene doesn't even make it into this episode, if it shows up at all), Yang always wanted to be a huntress, specifically — just like their mom. It stabilizes Yang's career path and helps sell the idea that one primary, personal conflict is how Ruby will break away from her sister's shadow: she's talking to Summer primarily about her "sis," she wants to be a huntress just like Yang, she's kinda jealous that Yang is already on her way — a nice detail that makes Ruby feel like a legit person with complex emotions — Tai is worried about his youngest standing on her own, and meanwhile Ruby is asking her mom, “What can I do to be more like [Yang]?” Frankly, this scene sells the idea of Yang raising and influencing Ruby far more than the entirety of Volumes 1 and 2 did. We can see how Yang has become the mother figure that Ruby is desperate to emulate, even as she says she also wants to follow in Summer's footsteps. From Yang and Tai talking about Ruby like they're the parents waiting on their wayward child, to the hug where Ruby is positioned more like the child as Yang holds her and looks to Summer —

I feel like the show has visually told me that Yang helped raise Ruby, episodes before we get to that talk with Blake. Sure, they're absolutely still playful sisters — and Yang calls Summer "Mom." No Raven complications just yet — but IQ changes the dynamic slightly, making Yang come across as more mature and, consequentially, more of a mentor figure for Ruby. Yang is someone Ruby needs to eventually step away from in order to forge her own path.

Also, love that they give them the exact same wink. Again, they're close and we can see Ruby mimicking some of Yang's mannerisms:

However, this is perhaps as good a time as any to admit that I don't really like the character designs? Outside of their normal outfits/distinguishing features, of course. I mentioned weeks back that I find their eyes to be creepy as hell and though I realize now that's a visual staple of the creator's... it doesn't change that I think they're creepy lol. Worse, there's something very doll-like about the models that makes my skin crawl. It's not too bad when we've got a fight sequence going on, but when Ruby is just standing there with her unnatural eyes, glossed lips, painted cheeks, kinda shiny skin like she might be made of porcelain...

Yeesh.

I don't know. I'm assuming this is purely a me problem (no doubt born from too many horror movies in my youth) and not every shot is bad! But some definitely make my brain go, "Nope, nope, nope, NOPE" in a very Uncanny Valley kind of way.

I mean sure, the animation quality is undoubtedly better, but original Ruby just looks more... real to me? You know? Does anyone else get that?

Yeah, I can't explain it well. It’s fine. Just don't let IQ!Ruby into my room at night, please.

We cut to Weiss standing before the garden monument — which I've only now realized is kinda weird. Who gives a snowflake wings? —  and she's approached by Klein who is, for all intents and purposes so far, a totally different character. There's no sign of his semblance (no real loss imo) and he's far more formal — deferential — towards Weiss than he’s ever been in the webseries. Gone is the chaotic, buddy-buddy dynamic they had and in its place is the far more common “Play-by-the-rules butler has a soft spot for the young mistress, allowing for a bit of parental love to shine through.” Think Carson with Lady Mary. Or even Alfred with Bruce. Though I’m personally a big fan of this character type—I’m an absolute sucker for love pushing up against class/social expectations/job formalities—this is a case where IQ arguably moves backwards. Rather than introducing a bit of depth like we saw between Ruby and Yang, we’ve reverted to a far simpler setup. Which, I want to emphasize, isn’t necessarily a bad thing. I don’t think Klein is important enough to necessitate that creativity when being a fond, long-suffering butler serves the story just as well. It’s just an observation that they have stripped him of what made him stand out from the butler crowd.  

He tells Weiss that the “arrangements” have been made and they walk together to the ballroom where her final test is to take place. On the way we spot a day-drinking Willow from behind and the shot reminds me a bit of the comic panels:

and we also run into Whitley, still leaning smugly against the wall like he did in the webseries. This time though I’m reading him through the lens of the kid he is, rather than the scheming, Jacques Jr. that both stories seem to be going for. See: Whitley smirking from the shadows while Weiss walks through beams of beautiful light, finally settling between the pillars in the full sun. It’s not subtle.

This is one of a couple split-screens in our opening episode and though it’s a technique the webseries has made use of recently (think the Team RWBY vs. Ace Ops fight), personally it’s something that I think should be used sparingly. Like here, do we really need to get Klein’s reaction and, in the process, see the awkwardness of Weiss with half a face? Or, in a moment, a shot of her boots?

Next to the contrast of Weiss and Whitley, which actually serves a narrative purpose, these just feel unnecessary. Technique for the sake of technique.

We also get a shot of the family portrait as Weiss passes by. Nothing detailed unless you pause the episode, but it's a glimpse of that supposedly picture-perfect family right before we see it unravel. Whitley questions Weiss’ ability to pass this test, she tells him to just watch her do it, and then we get what I think is a damn solid line:

“I’ve always watched you, my fearless, foolish sisters."

We’ve got the story introducing that there's a third sibling before we see Winter at the test. There’s Whitley's quiet admission that yes, he's been watching them (looking up to them) for, presumably, years. Also an acknowledgement of those complicated emotions tied up in their choice to not just become Huntresses, but to use the career as a means of escaping their father's abuse when he, someone without combat skills, can't follow them. Is it foolish then, or fearless? Depends entirely on whether you have that option to begin with. This is a Whitley who, right from the start, feels like a kid struggling under an inability to follow in his sisters' footsteps, despite how the animation paints him as the shadowy antagonist, with the concept of paths and having to carve out your own tying in nicely with Blake's story.

Weiss arrives at the test where both Winter and Jacques are waiting for her. It puts them on fairly even footing — both watching this dangerous battle with detachment, both taking up the same position on opposite sides of the room — despite the fact that verbally Winter is more supportive of Weiss than Jacques has ever been in his life. Still, that parallel combined with Winter being "too busy" when Weiss leaves for Beacon and her cold approach to training her in the flashback makes this version of Winter seem far less welcoming than the original. “The powerless return to dust. That is the law of this world” she tells Weiss after she fails to defeat all of her summons (as seen in the Volume 5 short) and while that is a very cool line that hints at how Remnant's history has influenced the peoples’ philosophy, it’s also a damn bit more dismissive than Weiss promising to do better and Winter saying only that she hopes she can — she'll need it to escape. I can't imagine this Winter playfully batting Weiss' head and demanding information about the friends she's made.

I do want to emphasize that Weiss' entire story is much clearer for the audience though. We're told exactly who all these people are (at least in relation to one another). We've established that Weiss is undergoing a test to get into Beacon. We have a line about Klein releasing the grimm, right on the heels of our intro explaining wtf grimm are, and oh look, now she's fighting it. All of "Red, White, Black, Yellow" flows together more smoothly than the trailers + "Ruby Rose” do, meaning there's no mad scramble to, say, explain to the community that this is a flashback, Weiss got that scar during her fight—look, there’s a bit of blood—she’s singing on her father’s orders, yeah idk why exactly it’s just a thing she does, mhmm the fight is a test to get into Beacon, etc. I didn’t come into RWBY until Volume 3, but I remember finding old posts that worked to clarify the iffy canon of our trailers (and, indeed, acknowledging that some details like Ruby’s strength against the grimm remain in the realm of “Not canon, actually”) as well as explaining what precisely happened in each. None of that is necessary here. The only thing the scene doesn’t clarify is how a suit of armor is also a grimm, but failing to get into the possession abilities is small potatoes compared to the potential confusion we started out with.

Yet despite the obvious benefits of that clarity, the fight itself is just… fine? Don’t get me wrong, there’s nothing bad about it—except, perhaps, the weird glyph sound effects that I personally hate—yet even following much of the original choreography, I didn’t have an emotional investment in this fight like I did the White Trailer. I think a great deal of that comes down to the music. Though I’ve always agreed that the soundtrack is a huge part of RWBY’s personality, I didn’t realize quite how much of the emotion it carried until it was gone. The generic battle music of IQ just can’t compare to hearing

Mirror, mirror

Tell me something,

Who’s the loneliest of all?

…I’m the loneliest of all.

while Weiss is framed in front of the broken moon, expression stony, this epic moment inter-cut with her future self belting this lament, all right before she drives through the knight and lands, perfectly confident in her victory.

IQ!Weiss technically has the same combat beats of the original fight (with the exception of the knight’s sword nearly crushing Klein??), but it’s a completely different vibe. IQ!Weiss feels frantic at the end to me and her getting to coldly demand the Beacon reward from her father is a one-up moment that doesn’t jive with, say, Weiss later trying to muster up a fake smile in the elevator to convince her family that everything’s fine. She feels too confident, like she’s already won against Jacques and RWBY!Weiss’ journey (marred as it was by Volume 8) isn’t even on the table anymore. And, you know, maybe it’s not. Though the changes are subtle so far, this is already a very different version of Weiss. Personally, I prefer the theme of loneliness in the original: Weiss standing as the knight is obliterated behind her, bloody face fading into someone who, despite this victory, is still left standing there, alone on stage, performing for her father. She won the battle, but is still fighting the war.

(Gotta love shots like this though. The size difference! The scale! The seemingly insurmountable challenge!)

With a red leaf that looks a lot like a rose petal flying by—nice—we transition to Blake who is…

…Naruto running with Adam?

alksdfjalsjfa okay, cool.

Their section is pretty similar to the Black Trailer, though this time around Blake’s decision to leave feels like it’s really coming out of left field. I mean, she questions whether they’ll be fighting actual people, but Adam reframes that around Blake’s courage and there’s no visual cue from her that he’s wrong about that. Then we get a seemingly sweet moment where she doesn’t even look at the Atlas soldier behind her, knowing Adam’s got her back

and though she’s clearly not happy about Adam crashing the train when there are people on board, Blake doesn’t have that much of a reaction to it. She just walks over to the next car and severs the connection, leaving the audience with Adam’s supremely awkward line, “Are you betraying me? Betraying the White Fang?”

Easily the worst part of the episode for me 😬 You know you haven’t written a scene well when a character has to spell things out in the most heavy-handed way possible.

To be honest, I’ve always found the Black Trailer to be the weakest of the bunch and I don’t think IQ has succeeded in improving on it. If anything, I think having Blake sneak away while Adam is busy with the mech, only for him and the audience to both realize she’s on a different, separated car works better than… this. I suppose neither version really sells me on the idea that this was a breaking point for Blake and if it wasn’t, why leave now, right in the middle of a mission? Compared to the clarity of our other stories, Blake’s remains lacking in some respects.

We get to Ruby’s Dust shop robbery and, given that we’ve just gone through two of the trailers, I’m a little disappointed that the Red Trailer wasn’t included. Certainly it’s the least plot connected of the four and yes, they’ve done away with Yang’s too, but Ruby taking out a horde of grimm under a shattered moon is the defining image of the franchise—at least for me. It’s not just what IQ decided to cut out though. Like Weiss’ fight sending a very different message thanks to the time spent on clarifying her test and its consequences, the development of Ruby’s character pre-robbery means that we’ve lost the appealing surprise of who she really is. What I mean is, outside of the Red Trailer, the moment Ruby turns—tiny, bright-eyed, sporting headphones and a weapons magazine—is our first introduction to her and that particular image contrasts wonderfully with her kicking that goon to hell and back. I mean sure, we already know how such “surprises” work (especially in a combat webseries. It’s not really a surprise), but I still love the (supposed) shock of this child being cornered, but then turning around and kicking ass.

That doesn’t happen in IQ precisely because the show does a better job of developing Ruby beforehand. We’ve already watched her tell Summer about how she might be getting bad grades, but she’s an expert with weapons. She’s already visited a weapons store before popping into the Dust shop.

She’s already gushed over the weapons magazine and even quoted from it, rather than that existing purely as a background detail for the audience to catch. Hell, we’ve already seen Crescent Rose, at least in its compact state, which makes the robbery “reveal” no longer a reveal at all. There’s no, “Oh cool the vulnerable kid is actually a badass fighter! And she’s got a scythe!!” reaction because the show has established that as a firm part of Ruby’s characterization. We know about Yang and Beacon and Ruby’s long-term combat goals. This

just doesn’t have the same impact anymore.

It’s the same with Zwei. Do I love seeing my favorite pupper right in the first episode? Hell yeah. Have we now lost the opportunity to introduce him through the mail—another iconic RWBY moment? Also yeah.

Which, again, is not automatically a bad thing. This isn’t a case of “Choice A works, but Choice B doesn’t.” Although IQ’s timeline is arguably a more productive way to write a long-term story, in inevitably comparing it to the webseries, I can’t help but notice that we’ve lost a certain absurdity and, well, fun that’s a part of RWBY’s charm.

(That’s an awesome shot though. Love the lighting.)

So Ruby works her way through the goons—a combat sequence I quite enjoyed. Very liberal on the crunchy faces. Looked painful—and Roman runs through most of his original lines. This time he does comment, “Semblance? A Beacon Academy student?” when Ruby busts out the window, which both hints at the fact that semblances might be comparatively rare (remember that Roman doesn’t have one) and, by extension, highlights Ruby’s innate abilities. The fact that Roman assumes she must go to Beacon implies that only someone two years older than her could pull that kind of control off. Ruby, as the talented protagonist, has managed this early.

Roman throws his smoke bomb, runs up the building, Ruby follows him… calls him a thief even though technically he didn’t take any of the Dust with him lol. While they’re on the roof, Tai, Yang, and Zwei arrive on the scene, having grown worried when Ruby failed to return home at a normal time.

(Why is that clock so cool and why don’t I own it.)

Again, IQ does a really great job of fleshing out the world and the characters’ relationships, especially in just 20 minutes. I love that Ruby was out looking for a present for Yang (still bitter we never got to see what she bought her in Volume 6), that Yang and Tai have this conversation about Ruby’s growth, Zwei is being used as a bloodhound to track her, the fact that yeah, of course there are other civilians about and the police were called on scene.

Personally, I think there’s a nostalgic charm to RWBY’s shadow people, but it’s still true to say that animating actual characters responding to situations goes a long way towards making your world feel lived in. 

Also, can I just SHOUT FROM THE ROOFTOPS that Tai is out looking for his daughter? I never cared about his character much until post-Volume 3 when the fandom started dragging him for… well, everything. How dare you make a joke your daughter clearly loved. How dare you tell her the truth in an effort to keep her from losing another limb—or her life. (Which, I will always point out now, happened! Yang stupidly jumped in front of Ruby, just like she stupidly charged Adam, and Neo killed her!! You have a ranged weapon, Yang, oh my god—) How dare you fail to follow one kid while the other is at home with severe depression. How dare you not follow both when [checks notes] you’re not a part of the primary plot. Tai really went the way of Ozpin and Ironwood (pre-Volume 8 Ironwood, anyway) where potential mistakes are declared unforgivable sins and… that’s it. You’re Remnant’s #1 Worst Dad. Sucks to be you.

So hell yeah, good on IQ for reminding everyone that Tai, even an AU Tai, is of course worried sick over his missing kid and will do whatever he can to help her. Double kudos for managing that alongside a slight increase in mom!Yang energy.

Glynda (my beloved) shows up and does her thing. Cinder never comes out to fight them, but we still see her piloting the airship, which is interesting. At least, it is to me given that I’d assumed going into IQ that a lot of the larger plot-lines would be dropped in favor of the new story: the White Fang, Cinder’s lust for power, even Salem herself. Obviously that’s not the case, so now I’m wondering if IQ is like an interlude type story? We get a mostly-the-same Volumes 1-2, then a totally new adventure, then the implication that the characters go back to a version of the original tale with Relics, Maidens, la de da? We’ll have to see.

After Ruby DOESN’T ask for Glynda’s autograph (tragic) and she’s getting her lecture while Tai and Yang wait at the station, Ozpin shows up to… salutes?

That’s a choice.

You know how I was saying that Whitley’s characterization feels more in line with where he’ll end up several Volumes later? Well, Ozpin’s characterization feels more in line with where the show says he ends up several Volumes later… even though they never actually wrote that. Meaning, this is an Ozpin introduction that actually implies an ulterior, morally gray motive. This is a guy that does feel sketchy to me.

Let’s tally the details.

Ozpin arrives at the station—now overtly a police station and not the ambiguous closet of the webseries—and is saluted by everyone there. He doesn’t wave the formality aside with discomfort or anything, but takes it as a given. If I didn’t know better, I’d think that was Ironwood walking into the room.

He still gives Ruby cookies, but this time we see that he didn’t arrive with them. Meaning, he must have made one of the officers scrounge them up which, while still potentially just a nice gesture, feels like it has more potential for manipulation. More “Do the work for me so I can look good to the kid” rather than, “I heard Glynda had you in her clutches and brought cookies from home to soothe that :D”

Ruby never gives her passionate speech about wanting to help people like her parents taught her to and how Beacon is her plan to do that. So although the fandom has long assumed that Ozpin invited her partly due to her Silver Eyes—an assessment I agree with—that motivation feels far more prominent without Ruby overtly wanting to come. At least, she doesn’t tell Ozpin she wants to come. Now, instead of making Ruby’s wish come true (with the added benefit of assisting Ozpin’s war) Ozpin offers a place seemingly out of the blue, still putting some focus on Ruby’s combat skills, far more on those special, Silver Eyes. This feels like a recruitment now, not a benevolent gesture towards a family friend’s kid.

Going off of that, there’s no playful banter between Ozpin and Glynda about Ruby getting in early. This Ozpin has very little of the kind, fatherly energy of the webseries.

Finally, we see Ozpin talking to Tai afterwards and though Tai is quite taken with Ruby getting to skip two years, it’s not like Ozpin is asking his permission here. Sure, sure, we could get into the question of how much agency Remnant kids actually have—Blake’s parents are cool with her going off to Beacon after being missing for a time, no one is looking for Oscar, etc.—but the point is that twice, once before meeting Ruby and once after, Ozpin has the chance to offer Tai this opportunity for his daughter, but very overtly does not. He says that he will be speaking to Ruby. He says that she will be attending Beacon. He’s in control here.

The combination of this creates a far less approachable, more calculating Ozpin. AKA, the kind of Ozpin that RWBY failed to write, but the fandom insists is there in an effort to make the fury in Volume 6+ make sense. I’m not sure how I feel about it? On the one hand yeah, I’m glad to see IQ setting the stage for future reveals. This is an Ozpin who really might be puppeteering this war in a way the cast can be justifiably disgusted by. Yet on the other hand, it doesn’t feel much like Ozpin to me. Though small changes have been made to all the characters, they still feel like themselves (Klein being the exception). Ozpin though… there’s no interest in Ruby’s passion, no teasing Glynda, no intimacy with Tai. Seriously, go back and watch “Ruby Rose.” We’ve got Ozpin’s dad-like concern over Ruby using one of the “most dangerous weapons every designed,” his clear fondness for his “dusty old crow,” offering the cookies only after Ruby has explained herself a bit and her actually eating them (comfortable in his presence/trusting what he gives her), the eye-twitch when she talks with her mouth full, fond smile as Ruby gushes about her uncle, laughing a little at her karate chops, “adorable girl,” the very stern “You want to come to my school?” which forces Ruby to clearly state her own goals and desires (that oh so conveniently align with his), THIS

I mean, Ozpin is a dad. I feel like that’s a very crucial part of his characterization. He’s a romantic who settled down, had kids, does the stupid voices while reading his beloved fairy tales… and then his life went to absolute shit. He’s an exhausted dad who is still fighting because he believes wholeheartedly that the world is worth fighting for. He’s exactly the kind of guy who would bring a talented kid cookies and let her skip two years, all while ensuring her happiness benefits humanity somehow.

This guy feels like a creep—and that’s not just because of the weird doll features.

So good for the fandom, finally has a legitimately suspicious Ozpin to embrace? Yay IQ laying the groundwork for future plot-points? But as my favorite character, I wish we had Ozpin back. Especially since he’s only existed as an extension of Oscar for the past five Volumes, one everyone uses as a punching bag.

Maybe his characterization will change in the upcoming episodes? :(

We near the end of “Red, White, Black, Yellow” with a bit of additional worldbuilding slapped onto the trailer content. Weiss learns from Winter that there are hard rules to their totally-not-magic system—“Your Aura can only take a direct attack once or twice at most. The moment you’re hit, you’re finished”—and that’s reiterated by Glynda to Ruby: “Is your Aura strong enough to stop every bullet they fired?”

Cue me CACKLING at, like, every single RWBY fight ever. Will IQ do what the webseries couldn’t and actually stick to its own rules? We’ll have to see…

Blake is off in a… barn? Some isolated place with a bag of supplies now. She gets her admission notice from Beacon and I have to wonder when she took that exam. Was it before she left Adam, thereby making her leaving him feel a little less random? Was it after her escape and she’s been, what? Just running through grimm infested territory since then, popping into Beacon once for a quick test? Why didn’t she ever go home?? Yeah, there are still aspects that don’t quite add up for me. Regardless, Blake gets teary and says that now she’s really able to follow a “different path.”

Klein sends Weiss off with faith that she’ll carry on the legacy of Master Nicholas Schnee and, after Ruby tells Tai that she’ll make a ton of friends at Beacon (that’s a change in characterization), we finish with them all boarding the same transport. We then get a really lovely moment where both Weiss and Blake stare at their reflection on opposite sides of the ship, mustering up a smile.

Watching OFMD grow as a fandom these last few months, I’ve gotten to see a lot of people question certain fandom trends that have popped up, including asking, “Wait, people ship that?” Ignoring for the moment that you obviously don’t need a reason beyond, “I like it,” we can usually pinpoint why fans end up liking that particular duo (or trio). The important takeaway here is that it doesn’t take much—at ALL—to spark that interest. This moment is a perfect example of that. Blake and Weiss are set up to parallel and contrast one another. One is the rich heiress harming the faunus. The other is the (right now reading as) poor faunus fighting the heiress. They’ve got that Romeo and Juliet potential—two houses not meant to join—and yet we also see, right here, that they’re so much more alike than either will initially believe. They’re separated now, haven’t yet met, are literally on opposite sides of the transport, and yet they both go through the exact same motions of sighing in relief at making it in time, catching sight of themselves in a reflective surface, considering who they are, and then smiling. There’s so much potential there! We in the RWBY fandom know that Bumbleby and White Rose are the two heavy-hitters, but right now Weiss hasn’t met Ruby and Blake hasn’t met Yang. I guarantee that if IQ were its own show and we were waiting a week for the next, totally original episode, fans would be all over Monochrome as the primary ship. It would have sunk its teeth into the community from that alone and even if IQ went the way of RWBY, splitting them up and starting numerous moments of other shipping potential (Weiss slowing coming to care for Ruby, Yang opening up to Blake, etc.) there’s a good chance that Blake/Weiss would have hung on like whoa, just from this moment and a week of theorizing alone. Never doubt the power of fans to imagine up the most epic romances from a single, thematically loaded shot.

We’re given our first glimpses of Jaune (vomiting), Nora (hanging onto Ren), Ren (suffering, but he likes it), and Pyrrha—taking up most of the screen as Salem says that “even the most brilliant lights eventually flicker and die.”

I can’t go through this again 😭

At least that’s a WAY better introduction for Pyrrha than being Jaune’s background, quirky girl...

And, of course, we end on a close-up of Ruby as Ozpin talks about small sparks and simple souls igniting the most change.

(I’m sorry she looks so creepy here hOW IS THAT NOT A MURDER DOLL??)

So, just to summarize, there's really good character work throughout this episode. Not only are the introductions tighter and better interwoven with Remnant's worldbuilding, but IQ does a decent job of setting up future themes, conflicts, and — if the plot circles back to canon — foreshadowed events like Pyrrha’s death. Basically, this is what happens when you take your story through another draft. This is RWBY with an eye towards what did and didn't work the first time around.

Yet for all that praise... I have to admit that a certain spark is missing. Yes, the animation is so much better, but as said, there's something charming about RWBY's janky movements and shadow people. Yes, the characters' introductions fit more neatly into the story-world now, but it was exciting to get individual action trailers, unsure at first how they would develop into a plot-driven narrative. No, there's no reason to waste time on silly things like Jaune being Vomit Boy, but the lack of stupid humor in this premiere makes me feel like a crucial part of RWBY is missing. There's no disappearing cookies, or Ruby being chill about Yang kicking men out of club windows, or karate chops, or (and this is a real travesty imo) a cringey "Can I have your autograph??" towards Glynda. Maybe it's that we're nearly a decade out from the original air date and tastes have changed, or maybe it's just straight up nostalgia on my part, but for however good IQ is so far, it doesn't feel like it has the same heart that RWBY did — and I don't think it's capable of recreating that. RWBY was a specific storm of Monty + 2013 + the appeal of a group of fans doing something fun in their basement over something objectively "good," and who knows what else thrown into the mysterious pot of success. You literally can't recreate that, especially when so much of RWBY's fanbase are adults now, unable to return to their teenage years — or even just the eight years younger version of themselves if they were adults the first time around — and the headspace of when they first fell in love with the story. That doesn't make IQ bad by any means (and it may well get its own fanbase of first-time viewers). I really enjoyed this first episode... but I enjoyed it in the way I enjoy lots of other well-made, but kinda generic anime. Without it already being a RWBY story and without RWBY having caught my imagination back when it did, I don't think I would have gotten hooked on IQ in the same way. The premier is good, arguably far, FAR better than "Ruby Rose" ever was, and yet, whether due to time, nostalgia, or something else entirely, RWBY still feels like it comes out on top. It’s just got... something that IQ lacks.

Not that it's a competition, of course, though certain members of the fandom seem to believe quite strongly that it should be. More because they’d like a built-in reason to drag anyone with a criticism of IQ/RWBY than because they actually believe two versions of a story can’t co-exist.

But I digress.

With that, we've completed "Red, White, Black, Yellow"! At a measly 6,000 words, no less. (I’m apologizing now for the inevitable typos. It’s past 1:00am now and I can’t read through this again...) As is abundantly obvious, these recaps take a long time to write and this sneak peek has, quite unexpectedly, dropped the equivalent of three weeks worth of RWBY content into my lap all at once. Normally I'd have no problem buckling down to write the next episode, but I have a number of fic commitments at the start of July that I can't afford to ignore. So writing time will be going towards those, first and foremost, with me continuing to work on Ice Queendom on the side. I hope to have the next episode recapped in the next few days — at the latest — but that depends entirely on how kind the writing Gods are to me this week.

So stay tuned and, as always, thanks for reading! <3

MurderOfBirds' Twitter Thread: https://twitter.com/MurderofBirds_/status/1540414268457340928

[the-lonelybarricade]

I totally stole this from one of those writing prompt blogs, but can you do Rhys and Feyre going to couples therapy together as a joke when they only just met?

Okay my love, I literally just finished writing this and haven't actually proofread it. It was meant to be silly and jokey but ended up being a bit more serious than I intended, but I'm a sucker for fake dating tropes so maybe I'll continue their story at some point. Anyway here's a modern Feyre and Rhys going to couples thereapy together (whilst not actually being a couple):

Feyre was absolutely determined to prove Nesta wrong. Usually her sister’s grating comments didn’t penetrate Feyre’s hardened demeanor at home, but something about their stint yesterday had thoroughly gotten under her skin. Nesta had a talent when it came to barbed words, so it was the casualness with which she’d said Feyre was boring and predictable that had kept the words ringing between Feyre’s ears. They lacked the usual bite and venom that was characteristic of Nesta, and somehow that made them impossibly worse.

Was Feyre a creature of habit? Sure. But she had always been content with her quiet, unassuming life. They’d grown up poor, with little luxury, and as a little girl Feyre had always believed all she’d need to be happy was paint supplies and enough time to get lost in a blank canvas. Feyre had that now, and she was happy. She spent almost every day in her studio, a paintbrush in one hand and a coffee mug in the other. And that was fine. She may not spend a lot of time with other people, but that was fine.

Routine is fine. Being focused on your career is fine. So why did the implication that her life is stagnant rile her up so much?

Feyre couldn’t articulate what, exactly, had bothered her so much, since she was perfectly happy with the current state of her life. Yet the next morning she’d woken up, vowing to take a day off and spend the whole day being entirely unpredictable.

She was going to pull a Jim Carrey in Yes Man. She was going to seize this damn day. And any voice in her mind that pleaded her to stick to her comfort zone was going to be diligently ignored.

When she set out to get her morning coffee, she ducked into the first cafe she came across without checking the reviews. And instead of ordering her usual chai latte, she asked the cashier to make her their favorite drink. She sat at a booth and sipped it experimentally. It was sweet and tasted of caramel; she decided she quite liked it. So far so good.

She sat wondering what brave venture she should do next, something that would be worthy of telling people about. Something so brash and crazy and unexpected Nesta would eat her stupid, truthful words.

“Mind if I take this seat?”

The voice was like smooth velvet. Feyre glanced up to meet a pair of eyes that were such a deep, peculiar shade of blue they almost looked violet. She was momentarily stunned speechless, which caused the impossibly handsome stranger to lift one of his perfectly groomed brows in question.

“Of course,” Feyre answered, her mouth feeling a bit dry. She quickly took a sip of her coffee to quell this strong reaction her body was having to this man.

She’d been expecting him to take the chair to sit elsewhere, but he slid into the chair at her table, directly across from her. Feyre spared a cursory glance around the cafe. Customers milled about, but there were plenty of empty seats strewn here and there. It was far from necessary to share a table with a stranger.

Her interest piqued, Feyre turned her attention back to this strange, alluring man.

“I’m Feyre,” she said, sounding much more confident than she felt. But today was about branching out of her comfort zone. Making the first move with an attractive man certainly qualified.

“Rhysand,” he answered with a charming grin, extending his hand into the space between them. Feyre accepted it with a mirrored smile, for a moment marvelling at the way his hand completely enveloped hers.

Feyre cleared her throat. “So tell me, Rhysand, what brings you to this table in particular?”

The way he wrinkled his nose was unfairly endearing. “Call me Rhys,” he said. “I only really use Rhysand in a business setting. And I chose this table in particular, because I saw a beautiful woman sitting here and was feeling especially forward.”

Feyre laughed in surprise. “Forward, indeed. Well, Rhys, I have spectacular news for you.”

“And what’s that, Feyre darling?” the suggestive tone to his voice sent shivers down her spine and instantly those warning bells in her mind were blaring. This man was too handsome and he was a complete stranger.

“I’ve decided to do something completely stupid and spontaneous today, and you’re officially invited to join me.”

Rhysand grinned, his eyes flickering with mischief at her proposal. She supposed that should be concerning, too, but she felt her pulse quicken. “And what stupid, spontaenous thing will we be doing, darling?”

Feyre leaned back, trying to regain composure by taking a too casual sip of her coffee. “I haven’t decided yet. I’m open to ideas.”

Across the cafe, a man stood up so quickly his chair tipped over with a loud thunk. Rhys and Feyre both whirled their heads at the commotion.

“This is why we need to go to therapy together!” the woman across from him screeched. “You can’t control your stupid temper!”

“I don’t have time for this shit,” he growled. “I’m not going to sit there for an hour so you can manipulate some dumb bitch into agreeing with you!”

“It’s not about sides,” she groaned. “I want to work through this with you!”

Feyre felt a tug of sympathy at the desperation in the woman’s voice. She could feel her pain and frustration second-hand, having been in similar shoes herself.

“Fuck this,” the man grumbled, storming for the door.

The woman followed after him. “Our appointment is in 10 minutes! Please, let’s just try it.”

The door swung shut behind them. Feyre watched the couple continue their walking argument down the city pavement, gesturing wildly with their hands.

Feyre sighed. “Man, that poor woman. It sounded like she really wanted to work things out.”

“That guy sounded like an absolute ass, maybe it’s for the best,” Rhys said. Then, his eyes lit up and he turned to Feyre with a slow, conspiring grin. “It does give me an idea, though.”

“What’s that?” Feyre felt a bit intimidated by the roguish expression on his face, even if it did make her feel breathless.

“Well, I do happen to know there’s a psychiatrist's office right above this cafe. If I had to guess, that’s where our friends were going to have their first session. And from the looks of it,” he nodded towards the couple, who were now striding in opposite directions through the city, faces flushed with anger, “they won’t be attending.”

“And your point is…?”

“Let’s go in their stead. Make a game of it. First person to break character loses.”

“And what does the winner get?”

“Well, if I win, then I get to take you to dinner.”

Feyre considered for a moment. Dinner with a handsome man certainly didn’t sound like losing to her. “If I win, then I get to use you as a model.”

“You’re a photographer?” His brows rose in interest and Feyre summoned all her will power not to blush. Since when was she bashful about her career?

“Painter.”

Rhysand grinned. “If you win, you can use my body anyway you wish, Feyre darling. Nude would be best.”

And that was how Feyre had ended up in Dr. Suriel’s office, Rhys by her side on the sofa. It was perhaps the most adventurous thing she’d ever agreed to.

“So, Mr and Mrs Mandray. Apologies, I didn’t get your names on the forms.”

“I’m Feyre, this is my husband Rhys,” Feyre answered, thinking it lucky they didn’t have to guess at the mysterious couple’s forenames.

“It’s a pleasure to meet you Feyre and Rhys. What brings you to my office today?”

Rhys immediately slipped into his role of the concerned husband. He placed his arm around Feyre’s shoulders and tugged her close. Rhys opened his mouth, then shut it, glancing at Feyre hesitantly.

“My wife and I have been getting into a lot of… disagreement lately,” Rhys answered carefully, and already Feyre thought this was going much better than it would have if the actual Mr Mandray had turned up.

“My husband,” Feyre said flatly, channeling her inner Nesta to put venom into the word. “Is insisting on painting our house purple.”

“I see,” Dr. Suriel says, assessing the displeasure on Feyre’s face. “And I’m assuming you want to paint the house a different color.”

Feyre pressed her lips into a thin line. “See, that’s just the problem,” she said, crossing her arms. “That’s exactly the color I would want to paint our house.”

Dr. Suriel frowned. “So you do want the house to be painted purple, as does your husband. Am I understanding that correctly?”

“No,” Feyre sighed. “He wants to paint the house blue, but is insisting we paint it purple, because he knows it’s what I want. This bastard refuses to be anything but accommodating.”

“We’re going to try to refrain from name-calling in my office,” Dr Suriel said calmly. “So, Feyre, you are clearly unhappy that Rhys wants to paint the house purple. What color would you paint it?”

“Blue,” she answered. “I know it’s what he secretly wants to paint it.”

“She doesn’t see the hypocrisy in what she's saying!” Rhys complained. Then, he turned to Feyre, looking impossibly serious. “Darling, I know you want to paint the house purple, and I already told you I’m fine with it.”

Feyre groaned. “I don’t want to paint the house purple! I want to paint it blue.”

“You’re only saying that because you think I want to paint the house blue.”

“Do you?”

Rhys hesitated. “No.”

“Don’t lie in front of our therapist,” Feyre said with narrowed eyes. “We promised to tell the truth while we’re here.”

“Then you tell me the truth, Feyre. Do you genuinely want the house to be painted blue?”

Now it was Feyre’s turn to hesitate. She could see the corner of Rhysand’s mouth twitch as she did so. “No. I mean yes! I do!”

“It sounds like at the heart of this argument, you are both ultimately concerned in pleasing the other person, is that fair to say?”

Feyre and Rhys glanced at each other, then nodded in agreement.

“Do you think there’s a color you could both compromise on, so that you don’t feel as if your partner is the only one making a sacrifice in this decision?”

Feyre met Rhysand’s brilliant violet eyes. In truth, she’d blurted the color purple because she’d been thinking about the color of his eyes. She'd never seen eyes that color, and they were wonderfully vivid. Feyre was lost thinking of painting a world in a monocrhome of violet, like a city that lived within his gaze.

Feyre realized she’d been momentarily swept away, snapped out of it by the humor that washed behind those starry irises. She blinked back the haze and tried to think of an answer to the question.

“Mustard yellow?” she proposed.

Rhys pursed his lips in mock consideration. “Mustard yellow,” he agreed with an emphatic nod of approval.

Dr. Suriel blinked in surprise. “All right, well I’m pleased we could solve that issue. Is there anything else you’ve been arguing about?”

“Yeah, actually. My wife,” Rhys gave Feyre a pointed glance. Somehow, despite being strangers, hearing Rhys refer to her as his wife sent waves of pleasure jolting through her. She felt her stomach flip on itself. “Isn’t satisfied with our sex life.”

Feyre instantly flushed at such an accusation, however fabricated.

“Is this true, Feyre?” Dr. Suriel turned her eyes towards Feyre and she shifted uncomfortably at having to make up stories about her sex life with Rhys. Making Feyre imagine rolling in a bed with him was certainly his goal, and she’d lie to say it wasn’t affecting her. Rhysand looked absolutely delighted to have made her squirm. Fine. Two could play at his game.

“Y-yes, well,” Feyre stuttered, the burning in her cheeks condemning. “I keep telling Rhys that 16 orgasms in a session is excessive. He’s much too generous a lover and he never lets me give as good as I get.”

Feyre felt satisfied with the way Rhysand’s face went crimson.

Dr. Suriel’s brows rose. “This seems to be a common theme in your marriage. Rhysand, would you say that you’re often prioritising Feyre’s desires over your own?”

“I think Feyre sorely underestimates how much pleasure I take from satisfying her desires,” he answered, his eyes flicking to Feyre with enough of a sensual promise that her heartbeat turned staccato.

“Rhys, it sounds as though your generosity is part of the way you express your love, is that safe to say?” Rhys nodded. “And Feyre, it seems as if you have trouble accepting your husband's generosity, both in and outside the bedroom. Do you feel that’s a fair statement?”

“I-I suppose so.”

“Sometimes people have trouble accepting their loved one’s generosity when they feel like they aren’t giving something in exchange. It can be hard to accept that kind of love when we don’t feel like we deserve it. Do you feel like this could apply to your situation?”

Feyre blinked. This was meant to be a gag, something daring and experimental. She hadn’t expected to be psychoanalyzed by Dr. Suriel, or at least for her analysis to hit so close to home.

Rhysand shifted forward on the sofa. “Is this true, darling?” he asked, sounding concerned. He took Feyre’s hands in his own, brushing his thumb along her skin as he met her gaze. “I think you deserve the world.”

She would almost think he was being genuine if she hadn’t met him only an hour ago. Feyre marked the conviction on his face, those burning pools of earnesty in his eyes, and marveled at what an incredible actor he was.

Somehow she ended up blurting part of the truth. “My family life growing up was kind of tough and I’ve never really known what unconditional love was like. I think a part of me still believes it's something I have to earn.”

“That sounds like it must have been very hard, Feyre. But it sounds like Rhys loves you very much, and that this is an issue the two of you can overcome together. When you feel the instinct to reject his generosity, try to remember where that message is coming from. And Rhysand, try to keep in mind that this is something your wife is still working through, and be patient if she feels more comfortable giving you something in exchange. This is her way of expressing love, too. At the core of your issues is both of you thinking about the other person, try to remember this when a breakdown in communication occurs.”

Somehow they’d lost control of their therapy session and were receiving actual therapy, which wasn’t part of the plan at all. But somehow, despite not actually being married to Rhysand, what Dr. Suriel said was reassuring.

Feyre turned to Rhys and smiled. “I think I understand better, now. You’re free to give me as many orgasms as you want, honey.”

Rhys grinned fiendishly. “And I’ll let you reciprocate in whatever way you feel comfortable, darling.”

Dr. Suriel clasped her hands together in approval. “Excellent. I think so long as the two of you take measures to accurately communicate your needs, you’ll find these breakdowns will occur less frequently. And that’s it for our time today, but I am happy to have the two of you back any time.”

Feyre walked out of the session hand-in-hand with Rhys, feeling a bit dazed. It had certainly gotten more serious than she’d expected, but perhaps her judgement had been misplaced in thinking therapy could be anything other than serious, no matter how joking the complaints.

“Well, that was certainly stimulating,” Rhys quipped once they’d left the office.

“And it seems we’re at a draw, considering neither of us broke character.”

“You do play my wife convincingly well,” Rhys practically purred, “perhaps I’ll let you take up the real role, if you feel so inclined.”

Feyre laughed. “I’m expecting a few other offers to come through. Give me a few days to look over the applicants, then I’ll get back to you.”

“Okay, well how’s this. I’ll give you my number, you can wait until all those applicants come back to you, and once you’ve decided that I’m clearly the obvious choice, you can call me.”

Feyre smiled as she pulled out her phone and handed it to him to insert his number. “You do make a very convincing husband. Perhaps I can hire you for weddings and Thanksgiving dinners?”

“Real husband, fake husband, a partner to do spontaneous, outrageous things with. You call me, and I’ll be whatever you want me to be, Feyre.”

It was perhaps the strangest and most generous offer she’d ever been given. When they parted ways, Feyre thought that she’d certainly filled her quota for an interesting story to tell. And maybe, most likely, she’d be calling that number very soon.

[rishi-eel]

thinking (yet again!) about the differences between the bad batch story reels and the season seven arc and like... some changes just blow my mind because all it did, really, was make the bad batch less likable.  

lets star with the whole “reg” thing. if i remember correctly, in the originals “regs” is said twice. the first instance is by crosshair when taunting jesse in the LAAT. the second is said by hunter: he tells tech (who’s hacking into the cyber center) that he and wrecker are going to “go get the regs” (i.e. rex and jesse). that is, hunter only used it among his squad when the others were not present (much like how cody informs that the bad batch are defective clones out of earshot. these words are descriptors, but there’s also an offense associated to being referred to by them). the idea that hunter has restraint referring to regular clones this way in their faces connects, i think, to how hunter was a tad more apologetic to jesse in the original script. “he means regular clones. don’t take it personal. it’s just that we don’t always follow protocol” carried an actual sense of hunter trying to convince jesse that it’s nothing to do with him.   

it’s interesting, i think, that in a context where you have clones and defective clones, that the bad batch (as defective clones) would find a way to talk about other clones in reference to themselves in a way that normalizes their own existence. it also introduces the idea that the bad batch experience a level of disconnect, and even animosity, in regards to other clones. all that can be conveyed by only using the word twice. the season seven episodes added three more instances, and in all of them the bad batch members comfortably throw the word around the clones who “are regs.” the sense of separateness (which, again, was already established/achieved by using it just two times) is only made stronger (thus more needs to be done to portray a sense of reconciliation or coming together. the reels succeed this to an extent because that barrier wasn’t built up as high). 

so yeah in the original... wrecker didn’t say “we always get shot down when we travel with regs,” he kept quiet as he helped people out of the wrecked gunship (in fact, wrecker lost a lot of subtlety going from the reels to the final eps, which i’ll get back to). hunter didn’t fake-compliment rex with a “not bad, for a reg”! and oh boy crosshair’s comment implying that echo is worthless and expendable because he’s a “reg”... yeah that was not in the reels either. in fact, not only does crosshair not call echo a reg, the meaning of his original dialogue was completely different.

in the original, after hunter voices his suspicions echo might be dead, crosshair suggests that if alive echo could be cooperating with the enemy, making him a traitor. rex takes this as an attack on echo’s character and crosshair explains that no, he’s not intending to insult echo, by saying: “oh i don’t blame him, if i were left for dead, i wouldn’t be so loyal.” and like!!!!! that’s such a radically different line of dialogue because crosshair seems to blame rex for having left echo behind, actually. if you betrayed the republic to survive, or even out of spite, i don’t blame you even if you now present a threat to myself and my family, is such an interesting, empathetic sentiment. and that contrasts with the lack of regard given to rex, making it read like he’s condemning rex for leaving someone behind. crosshair doesn’t seem to understand, as an experimental commando clone, the pressures rex as a legion captain is under, because he’s seen a less expandable (they’re a specially trained four man team, if one dies that’s 25% of the unit gone. is there a replacement for that member? you get the idea). so you’ve got a clash between different povs, but also crosshair being shown as having a set of morals, chief among them being that you do not leave anyone behind. so remember when rex says to move out and crosshair goes “commander cody is in no position to move” yeah i’d say that’s crosshair making sure cody isn’t being left behind. when crosshair saves anakin? that’s because he saw anakin go off on his own and followed him. because you don’t leave people behind. and like... the idea that yeah crosshair is an asshole. he’s unpleasant and that’s deliberate. he doesn’t care if people like him and he’s not trying to be liked. but that he values the lives of other people and looks out for them? that makes an interesting, flawed and multifaceted character. that got lost in the dialogue change because its no longer suggested that crosshair holds these values.

as for what i said earlier about wrecker: he lost subtle, nonverbal moments through the addition of lines that are either anticlimactic or only serve to make him seem loud or ditzy in an exaggerated fashion. he didn’t laugh when the LAAT came down. he was quiet as he helped people out of the downed gunship (no comment about regs!). he didn’t say “boom” when the ship exploded in the background after he flipped it over (the difference? a character moment that’s actually cool and impressive vs something that’s corny). when wrecker comes to crosshair’s aid by picking rex off of him, there was no quippy one liner. there was no need for anything to be said for it to be understood that wrecker is acting as a barrier and it trying to intimidate rex. when he’s afraid to get onto the elevator? that’s conveyed visually through camera angles and through hunter picking up on the fact that he’s scared. he doesn’t scream (if you can call a comical “aah what is that thing oh no its going to get me” a scream) when the organic decimator almost gets him. when they walk across the pipe? wrecker doesn’t whimper or talk to himself for comfort. he is scared of heights, that’s already been established, but he’s also a grown man and a soldier like he’s keeping that to himself? like we see wrecker hesitating to walk on the ledge but doing it anyway because he has to. in a piece of dialogue that was cut, tech said “does anyone want to know the odds of us making it across alive?” to which wrecker (who’s you know already having a bad time) interrupts with “don’t even think about it, tech” (if ur curious, this exchange was replaced with: wrecker: “keep walking tech!” tech: “that’s fine, but if you fall don’t take me with you” which???? uuh weird exchange). also, the fact that wrecker was mostly dealing with his fear silently means that when hunter tells wrecker to hold on because they’re almost there... that’s because hunter knows he’s scared and is checking up on him. basically... any kind of serious moment was cheapened by having wrecker talk in them. now i don’t want to say that DBB is a bad voice actor, but his expertise is making animal noises. he’s not able to do a realistic, deep voice, meaning that whenever wrecker talks he kind of sounds like a joke. it’s fine when wrecker is actual being lighthearted and jokey, but otherwise? the emotion just does not come across as genuine, which breaks the stakes or weakens credibility.  

and god the whole plot point about the bad batch being suspicious of echo was nonexistent in the reels. the “don’t worry, echo says he’s got a plan”/”that makes me feel so much better” exchange between rex and tech is in the original, but tech’s sarcasm isn’t from doubting echo’s allegiance, it’s because they’re planning to land on admiral trench’s ship and echo having a plan (that he himself doesn’t know) doesn’t exactly soothe his anxieties. rex acts like tech’s being a big joker and playfully shoves him, telling him to get on board. which is an interesting interaction because these characters are kind of starting to bond?? as for tech and echo, they kinda become nerdy friends really quick. like when tech warns echo not to send the signal right away because he first needs to make it look like it’s coming from skako minor, echo’s like “oh yeah good thinking tech.” and when echo figures out a way to shut down all the droids at once tech is impressed and lightly shoves his shoulder. again there is none of that “oooh maybe echo’s a traitor maybe he’s with the techno union” shit. like i understand that the writers wanted to up the stakes but it falls flat because the idea of echo being a traitor isn’t credible. it does not seem like an actual risk or possibility. so all it did was make the bad batch seem like assholes, cutting away at some very nice character moments.   

ok this is a long post and you might ask yourself “but tumblr user rishi-eel, why do you care so much about the story reels, this stuff isn’t canon now” and there are a couple reasons, first, i think it managed to tell a better story overall. so the question is: why is that? because you would expect that writers reworking the plot would add improvements and not downgrades. and to be fair, the s7 episodes had a bunch of upgrades, but not when it came to the characterization of the bad batch. another thing to consider is that changes were made in the context of setting the bad batch up as future protagonists of their own spinoff series (something the original arc was not intended to do because there were no plans for a bad batch series). were the characters made flatter and more archetypal to add to marketability? was the reg/defective clone rivalry (and dichotomy, even) amplified because this separateness serves a narrative in which the bad batch are heroes and the other clones villains?  

[arvinsescape]

Fight the good fight

Summary: You’re doing an interview for an upcoming movie and get treated with less respect than your male co-stars and they aren’t having it.

W/C: 1.9K

Warnings: Mentions of stress eating and struggles with food.

A/N: Please note that i have in no way intended for this to come across in a negative way in terms of weight. I have struggled personally with stress eating and i understand the unhealthy relationship that you have with food in the end and that is what i am talking about. I think everyone is beautiful, no matter what size or shape you may be, it’s what’s on the inside that counts!

You’d been in the spotlight for a long time. You’d started your acting career at the age of seven and had a really successful career. You were 23 now and had naturally moved into more adult themed films. You’d been really lucky to be cast alongside Tom Holland and Timothée Chalamet in an upcoming thriller. You were playing Holland’s love interest who ends up getting stalked by Chalamet’s character. You were really lucky that you got on so well with the two, the theme of the film could be quite difficult, and it was good to be able to have a laugh with your co-stars afterwards. During filming you’d developed a special relationship with Tom, you’d had to do a lot of scenes together that required the two of you to spend a lot of time with each other and getting to know each other inside and out. You’d gotten closer and naturally a real-life love relationship happened.

You were doing press with your co-stars and you’d been in interviews all day. To say you were tired would be putting it lightly. The day hadn’t gone so bad, some interviews better than others. You’d gathered this as soon as you turned 18, the questions shifted from being about the film to being about you and tended to be quite sexist in nature. You’d learned to deal with it over the years and some interviewers weren’t so bad, you’d not put up with it too much today. You were hoping that this final interview would run smoothly, and you could get into bed, cuddle up with Tom and sleep the night away.

“I can’t wait for this last interview; I love my job, but press can be so tiring!” Timothée said as he stretched his arms over his head and yawned. You were all sat in position, waiting for the interview to start, you were situated in the middle of them.

“Yeah, I can’t wait to get back to my hotel room.” You agreed.

“Do you guys wanna borrow some of my energy, I have loads spare.” Tom laughed; he was always the more energised of the three of you. This pulled a laugh from both of you as the interviewer started. He seemed nice enough, but you’d been sat there almost five minutes before he actually addressed you.

“So Y/N? How did you find getting to play alongside Tom Holland and Timothée Chalamet?” Here we go. Although you didn’t mind answering questions like this and they were quite tame in comparison to some questions, it was more the fact that at this point both Tom and Timothée had been asked more direct questions about their parts in the film and you hadn’t. You hoped this wasn’t going to go in the direction you thought it was.

“Yeah, it was amazing! They are both lovely guys, it was an honour.” You answered in a polite manner. Maybe you were tired and read too much into the question.

“So did you diet for the film Y/N?”

“Not really.” You laughed, not entirely sure were this was going.

“Did you work out at all?” Again, where was this going?

“Not really. Not more than I usually do.”

“Well I just thought maybe you had been doing. Your legs looked great!” Here we go. You cleared your throat before you answered.

“Is that what you took away from watching it?” You teased, trying to keep the interview light-hearted.

“Well no. But it certainly was a standout feature of yours.” The interviewer laughed. Tom and Timothée didn’t, they knew how much questions like this annoyed you and it made them feel uncomfortable. You were here to promote a movie.

“I’ll remember that for my next film. When the director says he’ll pay a load of money for a dialect coach, I’ll just tell them not to bother. People will be more interested in my legs than my acting!” You answered in a jokey manner, this pulled a laugh from your two male co-stars.

“No no! I mean your acting was amazing Y/N, don’t get me wrong! But I feel like a good body deserves a compliment, that’s all!” The interviewer tried to joke, this made you uncomfortable.

“Timothée your acting was amazing but maybe you should have worked out more with me, your arms looked smaller than mine.” Tom joked as he too tried to shift the attention away from talks of your body. Timothée quickly catching on as he feigned upset before laughing and flexing his arm.

“You wish Tom, you wish.”

The interview continued on and whilst you got no direct questions about your acting or your role the attention wasn’t on you or your body. Until it was.

“So Y/N? You’re 23 now, right? Have you thought about having a family?” You groaned at the question.

“Yeah, I want a family but when the time feels right.”

“Of course! You wouldn’t want to prematurely end your career I suppose?”

“Why would that end my career. Loads of actors have children and carry on acting.” You fired back. You really hated this question because you could guarantee that if either of the boys were asked this question, it would not be followed up with insinuations that it would be career ending.

“Well not many women.”

“If you believe that, I’ll assume you’ve not done much research.” You shot back. You were visibly annoyed now, which didn’t go unnoticed by the males either side of you.

“I don’t think Y/N has to answer that! She answered your question about a family so maybe we should leave it at that, yeah? It’s Y/N’s life and I think she should be left to live it as she wants.” Timothée defended you. The interviewer shrugged but left it at that. Tom had tensed slightly at the exchange but ultimately kept quiet. That wouldn’t last long as the interviewer brought up his next question.

“Y/N? You have had a struggle with food I’ve read?” The question threw you off guard, yes, you’d recently been open about your battle with stress eating and your unhealthy relationship with food, but you weren’t prepared for the question. Usually you were prepared beforehand, and the interviewer would tell you if they were bringing it up, it was sort of a requirement of yours. You glanced at your manager off screen who looked as shocked as you felt.

“I’m sorry I don’t understand the question. It’s not relevant to the film that I’m here promoting.” You answered carefully.

“No, no of course but you seem to be doing better now than you were a few years ago.” He pushed. Tom tensed further, he knew about your past struggles, and how much talking about it unprepared upset you. “There was a period of time where you were quite big.”

“Erm. I’m really sorry but do you have any questions about the film? I’m not comfortable talking about this.” You shuffled uncomfortably in your seat, Tom’s hand shot out to your thigh in comfort, he knew you were getting anxious.

“I was just wondering if you had a problem with that part of your life. You know being bigger?”

“Listen. It’s not that at all. I have no issue with people’s weight, if that’s where you’re trying to go. I’ve talked about this and I absolutely believe that people should be whatever size makes them happy, we are all beautiful just as we are, and I genuinely believe that. What I talked about is the dangers and struggles I had with food. Yes, I was bigger, but my issue was not with my weight, it was with my unhealthy relationship with food and what I was doing to myself through that.” You answered, you felt frustrated, uncomfortable and you were beyond tired now, just wanting to get out of the interview. You took a deep breath before you spoke. “Look, can we just move away from this?” You pleaded.

The interviewer threw his hands up in defence. “Alright, alright. I was just asking.”

“You weren’t, though were you?” Tom’s voice startled all of you. “You were trying to make it sound like she has an issue with bigger people, which as she has spoken about extensively, she doesn’t. You were pushing her into answering a question she didn’t want to answer. You brought her weight up for no plausible reason, I think it’s you who has the problem with bigger people, if I’m being honest. So what she was bigger? She looked as beautiful then as she does now, as all women do. It’s because of people like you that women struggle with body image and it’s not fair, it has to stop.” Tom ranted as his face went red, he was annoyed you could tell that much. Your heart soared that he was defending not just you, but all women.

“You have been consistently rude to her. I don’t think I’ve heard a single question directed at her that was to do with the film. I hate that men like you think it’s okay to ask women these sorts of questions. You commented on her diet and working out as well as her intentions for a family and if it would harm her career. Why? I’ll tell you why. It’s because she’s a woman and you think it’s okay, you seem to think that she doesn’t deserve the respect of being asked the same questions that men do. It’s not right and it needs to stop, she has worked just as hard as us to make sure this film is as good as it can be and she deserves the respect, as all women do.” He finished as he grabbed your hand, stood up and left the interview. You in tow, completely in awe of him.

“Yeah man. Do better.” Timothée said as he followed, leaving the interviewer shocked and humiliated.

Tom took you backstage. He dropped your hand and took a deep breath before turning around to face you.

“I’m sorry I jumped in like that. It’s not that I don’t think you can handle it, I’m just so sick of men like him. I know that you can handle people like that, but you shouldn’t have to and that was the point I was trying to make I guess.” He sighed as he pinched the bridge of his nose.

“It’s alright. I’m happy you did. Thank you. it’s nice to know that women don’t have to fight this fight alone and yes, I could’ve handled it but in a way I’m glad it annoys you as much as it does me. I think it will be important for the younger women in your fan base to know that you stick up for women and hold them equal to men. It’s an important message.” You said as you hugged him and kissed his chest. “Thank you, I appreciate it.”

“It just makes me sad that you have to put up with this kind of thing.”

“I know. But hopefully we can make a change. We need to keep fighting the good fight.”

You stayed like that for a while before pulling apart and making your way back to your hotel room. It’d been a long day, but you were glad you had your co-stars there to defend you. Glad to finally be snuggled up in bed with Tom.

[gayofthefae]

I think one of the reasons I never got super attached to Mike and El is because we never really see them being friends. I just made a post about loving Lumax because they’re so clearly friends underneath and it made me think about it. We actually have hardly even seen them interact when they aren’t making some battle-plan (I acknowledge that this is in part because she has powers and is often preoccupied with using them to save everybody and therefore being a big part of these plans).

Season 1 - I remember being bummed when they went romantic because Mike taught her about friendship then asked to be something other than friends with her. Throughout this season, he brings her food and has her help about Will. They have some interactions of him teaching her like what his dad’s lazy-boy is and her saying she doesn’t judge him for getting bullied but most of it is about her helping them find Will and avoiding the lab, etc., aka more plot-centric stuff. Throughout this season, the show (specifically Mike’s friends) feels the need to tell us he likes her/that there’s something between him. (not that we wouldn’t have figured it out, the way they do it is just so direct and it was a choice by the writers). So their only non-plot interactions are teaching her about things and, as Dustin or Lucas puts it, he ‘just likes her because she’s the first girl to not think he’s gross’. She also is a hero by nature; she saves them because she wants to not just because she can. (That is really nice and lovable and not to be disregarded but this post is focusing how they interact/would without the plot)

Season 2 - We just don’t see them together until they reunite, which is more emotional, then about Hopper, then the plot again, but not so much one on one interaction. (And the dance is just they dance and then kiss the end)

Season 3 - They’re dating now. But they don’t hang out. They just make out. Mike sings in a goofy way for a second then El endearingly shuts him up and they keep kissing. Then they fight, breakup, focus on the plot, there are a few moments like “I need you to trust me” but that isn’t so much the banter-y conversation I’m going for (again, it’s nice it just isn’t the topic of this post). Then they have that m&m scene which is like...two lines where he extends an olive branch by offering her an m&m. Then it’s back to plot

Then the “I love you too scene”: Mike reassures her that her powers will come back, he says they should visit then berates himself for sounding “like a 7 year old”. She says she ‘likes presents too’ (these are very simple things to relate on, guys. Especially for people who have been dating for months). Then she addresses his ily and we later see them hugging but overall that’s that for season 3.

Season 4 - They write letters. That’s nice, but I can’t really categorize that as conversation here since we don’t see any of his (but it is implied he corrects her spelling? not saying that’s a bad thing she does appreciate him teaching her things and always had it was just an interesting thing to include). Also, the letters seem pretty factual: school is good, Will is painting, is my spelling better? (makes sense in indirect conversations like letters, just a comment). When he visits is the most we have seen them just...hang out and talk, I think. He brings her flowers and kind of rambles about the colours, they talk about “burritos for breakfast?” “trust me”, they go to the roller rink, then the focus of the scene shifts to her lying to him and the tension of Will knowing she’s lying. We don’t see many other conversations here and it’s mostly just them following along with each other.

I think the best example of what I’m looking for between them in the whole show is probably the pineapple pizza scene. We’re gonna disregard the ily buildup moment and just skip to the banter. It is sweet and jokey, I love the “you’re giggling because I look really cool” thing, then Argyle joins and they joke about their disagreement on pizza and *lovingly force feed him*. This is definitely what I’ve been going for that we have not had much of up to this point. 

(I will note, though, that I find it interesting that the scene that shows their compatibility most and arguably for the first time for real is used to drive Will’s storyline of being in love with Mike and it pushes him to the following scene between him and Jonathan)

Most of what we’ve seen of Mike and El has been them telling us, the audience, that they love each other rather than showing us. I’m not saying they don’t have a good relationship or aren’t friends, they clearly are, just that we don’t get to see enough of it for me to fall in love with them as a couple. Part of why I want them to be friends so badly is because so much of their screen time is dedicated to telling us they’re in love. If it wasn’t, maybe we could have more screen time of them just loving each other and enjoying one another’s company.

[thetaekookcloset]

Saw in on taekookchats people talking about the taekook vlive with Jin and Hoseok. It reminded me of a pretty damning moment. Where Jin claims everyone goes home while he works out. The way Tae immediately was like hold up, jk doesn’t come home and wanted an explanation right at that moment. Jin even tried to defend him saying he stays to work on music. Tae still needed to hear it from jungkook mouth and was stating his ass down till jk finally budged and defended himself. This spoke volumes (1)

(2) why would you be so concerned and quite clearly accusatory towards your friends whereabouts? That’s not friend behavior. He straight up disregarded the fact that a whole vlive was still in session until Jungkook explained himself. He was serious and ready to go back n forth about it. It reminds me of that perilla leaf moment where Tae admits he would have start a light fight with his partner about it lol.

Yeah honestly that moment was SO weird to me in the V Live with Jin and Hobi.  Mostly because, as you said, it was sort of out of place.  It definitely gave me the feeling of witnessing a recurring argument -- like there was more to that than what we saw because it’s a conversation that’s happened before.  Definitely more like couple behavior than friend behavior in my opinion too.

I think it’s funny that you link that to the perilla leaf moment because the one in the V Live had sort of a serious tone to it, I thought, whereas the perilla leaf thing was so hilarious.  I finally watched the MBTI Lab episodes this morning, so I finally saw that whole scene in the context, and I love how Tae and JK launch into this whole drama that they concoct together, it’s so funny.  What stood out to me in having the context, though, was how serious JK actually was lol.  I had thought, before watching the whole thing, that they were mostly just joking around, but no -- JK was adamant, he was not backing down from his stance or listening to any arguments against it haha.  And Tae seemed to not only embrace that but to have expected it.

So yes, I agree with you.  I think both moments give a little bit of a peek behind the curtain.  With the first, we don’t really know what it means, but it seemed sort of serious, and with the second, the tone was jokey but also seemed to be pointing at something real.  And I think both point to the different kind of relationship that Tae and JK have with each other versus the others.  They were clearly not on the same page during the first moment, and they were the only ones on the same page during the second, but both were definitely particular to them.

[fuck-customers]

I’m 18 working my first job as a front desk assistant at Shmoliday Shminns. And dense as a brick, too. This Guy and his friend came in to check in— both old enough to be my father— and started joking around with me and my manager.

All good things, no problem, he asked for a beer.

So I had never opened the beer freezer before (bc i’m not allowed to touch the beer since I’m 18) but my manager asked me to try, bc when I’m by myself, I’ll need to be able to open it. I couldn’t get it open, so i stood back next to The Guy who tapped me on the shoulder and winked at me. Said it was ok I couldn’t open it or something. I did some fake bows and said I’d be here all week. He offered to buy me a white claw and I was like “haha sure if you’re paying for it!” And my manager was like, “She’s on the clock.” I remember she said it a little weirdly but I didn’t think anything of it, and I was like, “yeah and i’m 18, I can’t drink!” And he was like, “Ooooh.”

I just smiled, he paid for his beer, he told me about hooch? Which I’m still not sure what it is. Jail beer, or something. Anyway he left, I was like “Haha, wow!” And I guess he heard me because he CAME BACK and was like “wow bc of me or bc of other things?” And flexed at me.

We laughed it off and went back to work. Eventually he came down for a few more beers, but I was occupied checking other people in so he just made inappropriate jokes with my manager. Something about doing a pound of coke and how I “get it” (no idea what i got).

Now his FINAL beer is when things kicked off: he started talking about where to get weed (we’re a non smoking hotel) and mentioned he had been stopping other residents in the hotel to ask about it. Which, when you’re in the hospitality business, is not a good thing!! We’re humoring him. He looks at me, looks me DEAD in the eyes, and says “my BLACK friends call me one hit wonder/one and done when I smoke” and I’m like. ????????? I’m black, which makes this significant, I was like haha what the fuck? But i just smiled at him. Then he goes “as long as my wife doesn’t call me that!” And winks at me AGAIN... then goes back upstairs. I hadn’t caught on at this point bc i thought he was ribbing me bc i was new, and also he mentioned his wife twice, so I was like “oh he’s just friendly!” I know it’s stupid but I don’t have much experience with men, let alone men like three times my age.

He goes back upstairs, but comes back again. I start checking in this one family who showed up a little but after him and The Guy turns around and starts asking this one guy about weed!!! I’m trying to hurry and get this family checked in so The Guy can go sit down and eventually he starts talking to my manager again; he makes a joke, and while I didn’t hear it, I knew it was inappropriate because everyone made a face and laughed awkwardly. I finally check them in and they leave.

He leaves too, and my manager and I start laughing about him. I’m like “wow, can you imagine if he really went to a dispensary and was high?” And she said, “yeah, and he started asking me about you, and I had to be like, dude, she’s 18!”

Turns out he was flirting with me the whole time and I couldn’t see it. Put the whole interaction into a different perspective. Apparently when I was checking in that one family, The Guy started flirting with her (which is normal behavior for him, he’s jokey like that) but kept? Asking about me?

I was gonna do a property walk but I wasn’t sure I wanted to run into him while he was drunk. Hell, dude easily was like 1.5x times my height and had like 100 pounds on me. I trust he wouldn’t do anything bad, but apparently my manager didn’t know he would say stuff about his black friends, and I don’t know him at all, so uh. What a way to end my last night of training. He’s just staying for one night, but he is a regular so uh, I’ll probably run into him again over the summer.

Now I’m anxious about my behavior. My other manager said people would flirt with me but I didn’t believe it... now I don’t want anyone to misconstrue my kindness as interest. Especially when they’re like my dad’s age...

[redroomwidows]

Wildest Dreams | F.W

SUMMARY: They’re in a war, everyone’s life is on the line and Fred doesn’t want Y/n to forget him.

WORD COUNT: 1.6k

WARNINGS: fluff, but then angst. canon character death...not described, but there’s some grief. 

A/N: This is my second piece for @gcdric​’s Taylor Swift writing challenge! This fic doesn’t follow the song as much as Mr. Perfectly Fine did, it’s very much a looser interpretation of it. I hope you enjoy nonetheless! 

fun fact! I’ve never actually written for Fred before, so this may be really ooc. I’m apologiding in advance lol but hopefully it’s not too ooc!

Fred Weasley x fem! reader

‘Say you'll remember me’

It was quiet. 

Silent even. Usually, this would worry Y/n, but today, today it was calming and was a reminder that neither her nor Fred were in imminent danger. Their shared bedroom had rays of sunlight beaming through the curtains and Y/n almost blamed herself for not shutting them properly when she first woke up because of the light on her eyes. Almost. Because when she rolled over, she realised the sunlight let her see Fred’s sleeping face and let her admire the bronze and gold mixed amidst the ginger of his hair.

“Mornin’ love,” he croaks and Y/n smiles slightly, of course he wasn’t actually asleep

“Morning,” Fred slowly opens his eyes and raises an eyebrow slightly

“Were you watching me?”

“Maybe,” 

“Weirdo,” he tries to stay serious, but a wide smile breaks through and he scoots closer to his fiancé, snuggling into her shoulder “What were you thinking about?”

“Hm, nothing,”

“So, you were just staring at me?” Fred knew when she was thinking, he always had.

“Fine,” Y/n sighs “I was thinking about how pretty you are,”

“Pretty?” Fred raises his head from her shoulder and looks her in the eyes “You mean handsome,”

“Nope,” she pops the p “pretty,” then kisses his nose, something she knew he hated.

“No, handsome,” he insists

“Pretty,” Y/n sings and Fred raises his hands up in a tickling motion

“Say I’m handsome,”

“Pretty,” she repeats and starts laughing even before Fred’s touched her, and when he does and starts moving his finger around, she laughs louder, kicking about “Stop!”

“Say I’m handsome!”

“Freddie!”

“Say it!” he keeps tickling her and when she starts to struggle to breathe, she shouts out: 

“Fine! Fine! Handsome! I was thinking you were handsome!” he stops and Y/n lays still for a moment, breathing deeply and Fred watches, his elbow squashed into the bed as he holds his head in his hand. 

Eventually, Y/n regains her breath and leans in to whisper in Fred’s ear “Pretty,”. He doesn’t tickle her this time, just smiles fondly as she giggles to herself, staring up at the ceiling. He’d let her have this one, in fact if he himself wasn’t so stubborn, he’d let her win every time. He liked her like this, calm and happy, unable to keep a smile off her face. He wanted to see her like this forever.

“Let’s run away,” 

“What?” Y/n turns to Fred, eyes still glassy from his ‘attack’

“Let’s run away,” he repeats, but he can tell Y/n is still confused “leave here and find a cottage in the woods or something,”

“Fred… are you being serious?”

“Yes!” Fred smiles and excitement floods his voice “Bill and Fleur did it, why can't we?”

“We’re not Bill and Fleur,” Y/n says in disbelief, not sure if Fred was joking or not “they have a baby on the way, your future niece or nephew,”

“Yours to,” Fred gestures to the ring on her left finger proudly. He’d proposed their first year out of Hogwarts, Molly had said it was too soon but when Death Eater attacks became more frequent, she was happy to see her son so happy. She also knew Fred wouldn’t listen to her anyway. He loved Y/n L/n and he would marry her anywhere, anytime. But soon preferably. He adored the idea of being able to say ‘my wife’ and he wanted to call her Mrs Weasley and come up with a whole new branch of nicknames for her based on her new status. But he had to wait, he could do that.

“Our future niece or nephew,” she corrects, “and you and George have the shop,”

“It’s not even open at the moment,” Fred mutters quietly, knowing Y/n was right, but still wanting to believe for a minute more that they could leave “Please?”

“You know we can’t go…” Y/n takes a deep breath as the somewhat jokey conversation becomes serious “we’re gonna be needed…” she looks left and out the window, holding a hand over her stomach.

“I know,” Fred smiles, putting his hand over Y/n’s “Can’t blame me for being in love with ya,”

“Guess I can’t,” Y/n smiles with him as she remembers the last time he said that to her.

It was their last year at Hogwarts and George and Fred had finally grown tired of Umbridge. They haven’t fully told Y/n the plan, but she knew they weren’t coming back. Fred had minutes to say goodbye before him and George had to set the plan into the motion, and he was grabbing Y/n’s hands so tightly she thought the circulation might never come back.

“Come with us,” he whispers and she looks down, smiling lightly

“You know I can’t,”

“Why not?”

“My parents would kill me,” she laughs and presses a kiss to his lips, whispering into them “You would kill me,”

“I would,” he nods “What are you thinking, throwing away your future for a boy?”

“A ginger one nonetheless!” Y/n gasps, playing along

“Oi!” George shouts from behind a door and Y/n laughs as Fred shouts out to him

“Stop eavesdropping you prat!” shuffling is heard and Y/n gazes at Fred again, trying to memorise his face before he leaves.

“Promise you’ll write?”

“Of course. You can hear everything about mine and Georgie’s experiments and how I came up with all of the ideas” Y/n would laugh, but all she can manage is an amused brow raise

“And you’ll be here for graduation?” 

“Wouldn’t miss it for the world,” he nods “Promise,” There’s a knock on the door, a signal Fred needed to go.

“I love you,” Y/n says quickly

“I love you too,” They share one more kiss and Fred whispers into her lips “Come with me?”

“Fred!”

“Can’t blame me for being in love with ya!” with that, he gives her hands a final squeeze before leaving, giving her a wink as he shuts the door. 

“Y/n…” Fred waves a hand over her eyes “you there?”

“Hm?” she turns back to him

“You alright?”

“Yeah,” she rolls onto her right side so she can look at him properly “You?” Fred seems to be thinking about his answer and Y/n puts her left hand over his shoulder, rubbing soft circles on the soft cotton of his t-shirt “Freddie?”

“We’re gonna be needed,” he repeats her earlier statement slowly “And when we are, something may happen to me...If I don’t make it -”

“Fred!” Y/n’s eyes widen, completely not expecting such a sombre topic to come up on a Wednesday morning, especially after such a somewhat cheery morning “Can we please not, not now?”

“I need to say it Y/n, I need to get it off my chest, I’ve been thinking about it for days,” he had been acting differently, he’d been quieter at dinner and seemed to want to cling to her and George more, talking about going to the Burrow when it was safe to. So maybe that’s why she gave in, or maybe it was the soft ‘please’ he muttered afterwards that he paired with pleading eyes.  She could never deny him, not when he looked like that, so sad.

“Okay,”

“If I don’t survive…” he keeps pausing and Y/n supposes that if she was talking about the same thing, she would do the same “I want you to remember me, I want you to remember us -”

“Of course, I’m going to remember you!” Y/n couldn’t believe he’d think she’d ever forget him.

“I know! I just need you to promise. Promise you’ll remember me and us. Promise me you’ll remember when we used to wake up at god knows when just to watch the sunrise and when the sun used to set in summer and we’d just lay out by the lake. Because you always talked about how it calmed you. I want you to remember how you used to write crap poetry and dramatically read to me and I could never really tell if you were joking or not, so I didn’t laugh and you always thought I was annoyed with you,”

Y/n feels a bit hot in the face at the mention of that, she was just a tad bit embarrassed. 

“Promise me you’ll remember the sunrises, the sunsets, the parties and the snogging but also promise me you’ll remember this, lazy mornings in bed, cooking together and cuddling. And promise me you’ll see me again, even if it’s in a Quidditch portrait at school or photos around the flat, or memories or dreams. Promise me you’ll remember me?”

“I promise,” she whispers, kissing him slowly “But don’t worry about it too much. Neither of us have to worry, because you’re not dying. Not on my watch,”. Fred smiles and in seconds, the subject seemed to be forgotten as he bops his fiancé’s nose and starts a conversation about what their brunch should be.

Y/n remembered that conversation now as she stood in a graveyard, staring down at what would have been her future husband's tombstone where she’d recently placed some flowers, right next to George’s. 

She remembered the sunrises,

“Freddie...I’m too tired for this…”

“Promise me, it’ll all be worth it love,”

and the sunsets, 

“Are you okay?”

“No... but just, watch this with me,”

 the parties,

“You have had far too much to drink,”

“Y/n! I missed you!”

“I just went to the loo,”

“Yeah, but I love you!”

 the snogging,

“Fred...we cannot be doing this here,”

“Shhhh, tell me you don’t get a little bit of satisfaction from doing this in Snape’s classroom,”

 and the lazy mornings in bed, cooking together and cuddling. 

“I love you,”

“Are you talking to me or the pancakes I just brought you?”

 “Y/n, it’s on fire!”

“What?!”

“Joking…”

“You twat!”

 “We should get up…”

“No! Stay here, just a bit longer,”

 She remembered everything. She would never forget and while she may only ever be able to be with Fred in her dreams, she still loved him more than anything. She’d be with him someday, when it was her time to go. 

 ‘Say you'll see me again

Even if it's just in your wildest dreams’

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fred weasley tag list: @peterssweetpea​​ @haphazardhufflepuff

permanent tag list: @wizardwheezes

[michals]

That post reminded me I never actually posted this and it's one of those ‘kind of embarrassing I spent so much time on it but I’m posting it because I spent so much damn time on it’ things.

Klaus and Luther similarities/parallels

So the show doesn’t give us a ton of Luther and Klaus interaction but I think just them being the characters they are they’re really similar and have interesting parallels.

Of all the siblings I think it’s actually Luther and Klaus who are the most diametrically opposed in terms of their place in the Academy and their childhood. Obviously there’s the dynamic between Reggie explicitly calling Luther his favorite and Klaus his biggest disappointment, both of them had high expectations thrust upon them and one excelled and the other failed. But then again Luther was set up to excel and Klaus to fail. For all that Reggie wanted from Klaus he went about it in entirely the wrong way which only hurt Klaus’s abilities, and comparatively Luther’s powers are very straight forward so his training had to be mental in that he became exactly what Reggie wanted him to be.

Basically: Reggie’s abuse had opposite effects on them. Luther was brainwashed and isolated, Klaus was discarded and left to fend for himself. Luther loves/trusts his dad, Klaus hates him. Luther thinks they have a purpose and what they did was worthwhile, Klaus thinks it was all a big joke and meant nothing beyond Reggie’s little experiment. Luther’s at one end of the spectrum, Klaus the other, and everyone else falls somewhere in between.

How they show the effects of their abuse however, is actually more in sync. Klaus has a habit of either ignoring or talking around problems, acting like they’re not problems, or being flippant about them. Klaus acknowledges Reggie’s abuse but it’s usually in a jokey, casual manner, he usually moves on from talking about it quickly without getting too deep. He knows Reggie did a number on them but confronting it head on is difficult. And this is from a character who’s been in multiple rehab centers that obviously include some kind of therapy sessions.

Luther of course outright denies it until he’s faced with it in the worst way, and even then he can’t really get his head around it. One of the first things he did when landing in the 60s was to go to Reggie and expect him to welcome him, even though he doesn’t even know him. And then for all his talk in s2 about having moved on it reads like lip service, it sounds like he knows that’s what he should say, what he should feel, but it’s not entirely working. It’s like he’s just trying to dismiss it to the point where he will literally run away from the conversation. I still think the moment of him telling Sparrowverse Reggie that he’s happy they’re all home and together is a huge sign that he still thinks of Reggie as his dad no matter what.

Klaus and Luther either don’t know how to talk about their trauma or aren’t willing to. Whether it’s that Luther still doesn’t want to face up to it completely or that perhaps he does have the littlest bit of hope that actually Reggie did care and there was/is a chance he might care yet, or with Klaus trying to put the trauma on the backburner so he doesn’t have to relive it or process it in a way that means he won’t be able to drink it away or perhaps be forced to confront the powers that have caused him so much pain.

I also think they are genuinely sensitive. Not in the same way the others are, but empathetic and gentle in ways they never got to explore as children. I think that emotional wounds go much deeper than they let on. They’re always on the cusp of reaching out but not only do they not like dealing with their problems, they were taught not to. If given the chance they’d probably be happy to play support for the others but that wasn’t Reggie’s goal. I can easily imagine Luther as the kind of leader who takes everyone’s plans and thoughts into account and makes sense of it from there, who’s better at dictating than just demanding. And I imagine Klaus would probably be capable of understanding and connecting to his ghosts in a way that helps both him and them if he had been given different training.

Next is how both of them have poor self esteem and what comes across as a passive view of self preservation. Klaus has a very conflicted view of his place within the Academy. Apparently he was regulated to being the ‘look out’ often and wasn’t as active as the others. Obviously this is because of his complicated relationship with his powers and how Reggie treated him within the group dynamic. If he didn’t think Klaus was important (because he wasn’t doing what he was supposed to) then he wasn’t important. Now, having embraced his place as the black sheep of the family, Klaus still doesn’t know where he fits in and often comes across as “useless” (in quotes cause obvs that’s not the whole story, just a simplification).

Just in general he sees himself as an outsider. For all that he’s flippant and casually cocky he’s not actually all that confident in what he’s capable of to the point of not even trying sometimes because he’s convinced he’ll fail. It’s a smokescreen. It goes hand in hand with him not confronting his feelings or trauma, easier to play like he’s confident than to deal with it.

Luther’s self esteem came entirely from his place in the Academy and his father’s opinion and what Reggie made him. Even then his confidence gets shaken all the time when someone doesn’t listen to him or when they argue with him. He too tries to cover this up, Klaus is glib Luther is bossy. Then there’s the whole gorilla body thing, which he is very obviously mortified by. (Side note: interesting contrast in Klaus being usually the least physically covered up sibling and Luther being the most.) He’s wildly ashamed and embarrassed by his appearance. (There’s a whole other point I could make about how Luther only willingly shows his body when he’s being exploited and pummeled – or high – but that’s another post.)

Then Luther’s whole foundation crumbles with the discovery of Reggie’s true nature. He doesn’t have much left after that and then he’s dropped into a foreign world with no one and no way of coping and then Reggie once again lets him down. What’s he do? Gets into a situation that mirrors his relationship with Reggie, lets himself be taken advantage of, does what he’s told to the point of physical harm - because he knows nothing else and the bet is he doesn’t think he deserves better. Then he spends all of season 2 saying that he messed up, he’s not a hero, he’s not a leader and that he has no place thinking highly of himself. Guy straight up doesn’t have any self esteem at this point.

(Klaus also doesn't see himself as a hero even though he was on a literal superhero team.)

And in terms of their sense of self preservation: Klaus obviously has very little regard for his own health and wellbeing. Even if he doesn’t throw himself in front of bullets he’s still drinking and doing drugs to an extreme degree, to the point where they’ve actually killed him. He knows it’s bad for him, he knows it’s dangerous but he doesn’t care. Even with Ben in his ear he continues. When he dies in s1 he’s relieved.

Speaking of throwing one’s self in front of a bullet: Luther does this 3 times that we see. This comes obviously from his protectiveness as a leader but there’s an undercurrent of other people surviving being more important than him getting hurt. And when Five comes to him to say the world’s ending again Luther says he doesn’t give a shit. The Luther from s1 was all about saving the day, s2 Luther is shrugging and saying ‘yeah well, so what?’ and when he does start to care it’s mostly because he’s looking out for Five.

(Sidenote: I realize that my headcanon that Luther is becoming an alcoholic and has an unhealthy relationship with drugs is probably me reading into things but were the show to go in that direction: that they both would find comfort or an escape through substances would be another thing to tie them together and explore how their traumas affected them and what they do to deal with/avoid dealing with them. They’ve become pessimistic about the prospect of answers or catharsis so they look for escape instead.)

(Also also pointing out that the two times Luther was the most candid about his trauma was when he was drunk/high and one of those times was with Klaus – who for the first time in probably a long time, or ever, got to be the shoulder someone cried on. And what a great thematic idea that it’d be the two of them that’d be the most honest and open with each other eventually.)

Bonus item: Luther and Klaus have both died outside of their apocalypse related deaths (pretty sure Allison never actually died in s1 but was close) and in ways that none of the others were there for. Neither of them have talked about it. Maybe it’s because they don’t want to seem weaker than they already are, maybe it’s more of that ‘let’s not talk about trauma, let’s just get drunk’ mentality, or maybe it’s because they don’t think anyone would care. None of the others have really talked to Luther about the accident or the aftermath, none of them have approached Klaus’s addictions as an actual problem. Whatever reason why it would probably do them a world of good to find out they have that in common in the same way it would be good for Luther and Five to talk about their isolation.

They really seem like they should be very different characters in all respects and they really are in a lot of ways but there’s also this laundry list of ways they mirror each other or are similar and I hope the show takes advantage of that.

[do-y0u-have-to-let-it-linger]

EXT. The Roof (Winter) - Sunset

Not Just Attracted to Women!Peter Maximoff x Fem and Not Just Attracted to Men!Reader

Based off of a dream I recently had: Peter and Y/N have a conversation on the roof of Xavier's in mid-December. Peter accidentally lets it slip that he might not be straight, and he is afraid that Y/N will think less of him because of it because this is the 80s. Y/N reveals that she is also not straight, and is saddened by the fact that Peter could think that she could ever hate him- especially for that. She calls him wonderful. Feelings ensue. Also, a touch of Cherik at the end because I give the people what they want.

Warnings: Swearing, Peter cries, internalized homophobia (this is the 80s-ish and Peter uses the word 'queer' in a kind of incorrect and kind of offensive manner, but it was internalized homophobia and not actually intended to be mean to anyone but himself so I forgive him), a touch of angst but mostly fluff, Charles called you two "children" even though you are obviously not, Erik is happy that his son has someone that cares about him the way you do, Peter is insecure but not super blunt about it, Peter has been deprived of being adored his entire life, bad writing, I mention a serial killer twice, historical inaccuracy because the word queer was still a slur so yeah.

A/N: This is literally the first thing I have ever written so please be nice to me, I wrote this instead of an essay. I would love a comment of any kind, even if it's just a heart emoji or something, and constructive criticism would be highly appreciated. Also 'N/N' stands for nick-name.

(Ok, so, full discloser: the format is odd. The bullet points represent dialogue, and the only dialogue is between you two love birds. The first bullet point is Peter, the second is Y/N, the third is Peter, and so on.)

“I dunno, the whole ‘liking people’ thing has always been weird for me.”

“How do you mean?"

“Pppffftt- 'how do you mean,' what are you, Shakespeare or somethin’?”

“Yeah, because that’s the era when ‘how do you mean' would have been a popular term. Ok, what do you mean?”

“Just- when other people were liking people I never really was?”

He was gesturing wildly and avoiding eye contact, as always. He wasn't uncomfortable with eye contact, he just got bored easily in conversations, he needed to keep himself occupied. In this situation that meant staring at the red and green lights covering the rest of the roof, the snowy trees all over the yard, and a holly garland around the gate. Peter wasn't Christian, but man, did he love their Christmas decorations.

“Like… now? In school?”

“Well- yeah… but also when I was younger. And I never liked the right people? Or... liked them in the right way?”

“So you’ve never liked anyone.”

“No, no… I definitely have. It was just… weird! I don't-”

His hands dropped to his side in defeat.

“I don’t think it’s that out of the ordinary. I would tell you if it was. Also, if it was... 'weird', like you said, that wouldn’t mean it was necessarily bad.”

He hadn’t really heard what she said, he was too busy pondering what his next sentence would be. When she wasn't speaking, he was rambling.

"I had some of the normal crap… like in movies when they talk about the fluttery stomach junk. I've had that around a few girls I've been friends with, also that phase with the boy stuff, a-"

“Wait, what phase with the boy stuff?”

“Like- when you’re in middle school or whatever and you're gay for a second.”

His phrasing was a joke, but the statement as a whole was not.

“…‘Gay for a second’?”

“…Yeah?”

“Hmmm..."

"Is that- not-"

"I don't think that is... 'normal'... per-say..."

“Oh… Really?”

His heart sunk.

“…Yeah.”

“Huh.”

“…Mhm.”

“…Shit.”

He suddenly looked almost embarrassed. He shifted his posture, seemingly trying to shrink into himself.

“Do you... wanna chat about it?”

Panic started to slowly rise in him.

“Um- forget I said anything.”

“Why?”

Something in him said to go on the "defense". He did not appear as calm as he was intending to.

“I’m not- gay! or anything. I like girls! I do!”

She put her hand on his arm.

“Hey- look at me for a second. We are not in court, and I never 'accused' you of being gay. That would be a very funny reality TV show, but not what is happening right now. Listen, theoretically if you were gay that wouldn’t be bad! And I wouldn’t be… whatever you.. think that I would be? I mean- however you are afraid I would act in a negative reaction to it? I would try to be here for you, and be as supportive as possible.”

He didn’t believe her.

“Ok, sure.”

“Peter.”

“What? You’re going to tell me that you would honestly be friends with a queer person- be friends with me if I was... not... normal?”

She was taken aback by his tone, the word he had used, and the way he said it, felt like a weight dropping on her shoulders.

“Oh. would you… not?”

It was her turn to seem nervous.

“What?”

“Would you- stop being friends with someone for liking someone that they… I don’t know… shouldn’t... would be the word I guess?”

Why, in this situation, was she nervous? Oh. His fear was replaced with guilt.

“No.”

“Ok.”

“So… are you… do you… why were you scared?”

“... Why were you?”

She expected a joke from him, something along the lines of “touché".

“Are you… gay?”

“No.”

Yeah, he didn’t believe her.

“Uh-huh”

“Really, I’m not. I’ve liked boys, but also... I've had feelings for girls. I’m not… straight. So I just want to let you know that it’s okay if you aren’t too.”

“I never s-“

She smiled at him with a bit of pity, she had been there. The self-loathing, the feeling of walking on minefields with so many people in your life.

“You are…”

She paused.

“I am… what?”

“Give me a second I’m trying to find the perfect word.”

“… Okay?”

“Wonderful.”

That was not exactly the word he was expecting. Like, at all.

“Huh?”

“That’s the word. Wait- let me start over. You gotta look me in my eyes as I say it, because it’s gonna be really poetic.”

“Uh… should I be scared?”

“No. Maybe a little. No.”

“… Okay.”

He looked at her.

“You are… wonderful.”

“Oh... Thanks?“

He looked away again, to be honest, he was a bit uncomfortable. He rarely received compliments, especially ones that seem so... genuine.

“I’m not finished, look back at me, just for a second. You are so wonderful- and I will support you as whatever you are! I want you to know that I can- I can barely even think of something you could do that would make me genuinely hate you- like… maybe if you Dahmer-ed people or like chopped up a-“

He found this was amusing, yet disturbing.

“Y/N?”

“Sorry- I just- the fact that you thought, even for a second, that I could hate you… is just-“

“I’m sorry”

“No! Stop it. Don’t be sorry.”

She stared at him expectantly.

“What do you want me to-“

“Take it back! The sorry!”

“How?”

“Say you aren’t sorry”

“N/N-“

“Peter.”

“Ok. I’m, ya know, not sorry.”

“Good. You shouldn’t be”

“You’re weird.”

“Yuh-huh. Says the most likely, from the little information I've gathered, bisexual in denial who also happens to be the fastest boy on earth who had to slow down exponentially to interact with other people who also, also, happens sitting on a roof in the dead of winter with me.”

“What’s by smexual?”

Something about the way he attempted to repeat her words must have been hilarious, he thought, because here she was, sitting in front of him, in a fit of childish giggles. He would smile if he weren't so confused.

“No- that’s not- what I said- it’s… wait!”

“What?”

“You’re tryna get me off topic!”

“Am not!”

“Are too!”

“Am not!”

“Am not!”

“Are t- shit.”

“HAHA! Victory is a sweet dessert... wait is that even the saying? Still, I win you lose, nerd.”

“Ok, okay! go on.”

She was attempting to gather herself to give off a less jokey aura. It was half working, the "am not! are too!" argument a few moments ago made it hard for him to take her seriously, but he could tell it was important to her that he did, so he tried his best.

“You have to look at me again. just for a second.”

“I sw-”

“Just do it? Please?”

His attempt to put up a fight was thwarted by her small "please". He was pathetic.

“Okay.”

He looked at her.

“You…”

“Me… or- wait- I…”

“Are w-“

“Wonderful, yeah yeah. just get to the n-”

“No.”

“… No?”

“When you say it it doesn’t encapsulate it. It sounds silly.”

“Ok little miss ‘you art thou wonderful’, how would you have me say it?”

“I am you wonderful?”

“What?”

“You called me ‘little miss you are you wonderful’ what does that-“

“Ok! Would you just- shut up and call me wonderful one more time, please?”

She looked at him and blinked. That sentence surely came off as less ironic than intended.

“You are wonderful.”

She grabbed his face, in a half-joking manner. Her grab smushed his cheeks and she couldn't help but laugh a bit when she did it. Even though it was clearly a bit, he was still flustered.

“W-“

She shook him a bit.

"Shut up 'cause I'm about to say some beautiful and true shit. You are wonderful. You are wonderful. You are wonderful. You are absolutely, unchangingly, and irrevocably wonderful and there is absolutely nothing you can do about it, Maximoff.”

After saying what she would (in 40 years or so) recall as a painfully John Green-ish statement in her blunt and matter-of-fact manner, she let go of her semi-ironic hold on his pink cheeks. Were his cheeks pink because it was absolutely freezing, or because his heart was beating faster than he had ever (and would ever, mind you) run, you ask? No comment.

“Wow.”

“Wow what.”

“You do say it better than I do.”

“Did you like how I stressed different parts of the sentence each time? I thought that was a nice detail.”

“Wow.”

“So I’ve heard.”

“Wow.”

Did his voice just... break a little?

“Peter?”

“Uh- yeah?”

Was he a little... sniffle-y? She was now very concerned.

“Are you okay?!”

“Oh- um... yeah!”

No! No he was clearly not! He was sniffling!

“Really? 'Cause, you don't seem it.”

“It’s just- I just- wow.”

“Wow, what!?”

“That was just- uh-"

“Just what? It really wasn't that fancy, you seem much too impressed with me. Oh my God, was it terrible?”

“I mean it was really corny but w-“

“I swear to God if you say 'wow' one more time I may have to add ‘use of the word wow too much’ to the list of things that could make me hate you. Right next to the Dahmer stuff. That was a joke. Your use of the word wow is only mildly perturbing. Sorry."

She was panicking "just a bit".

“I’m sorry, I mean I’m not sorry. Sorry. Shit! sorry! I mean I’m not!”

And he was absolutely... full-on crying at this point.

“Peter.”

“Yeah?”

He was looking down at his mittens. Not that this is important, but they were very pretty mittens.

“Look at me, you klepto.”

He didn’t.

“You know- I’ve been hearing a lot of that 'look at me' stuff from you today. I mean- the klepto part is new-“

“Peter.”

“What?!”

He peaked up at her.

“Talk to me. Please, you're kinda scaring me, let me help.”

“I’m not sad!”

“You’re crying!”

“Yeah but not from the sads!”

“… The ‘sads’?”

“You know- when you get sad! It just means being sad! I don't- that’s what Wanda calls it, not me!"

He wiped his nose, tears still running down from his puffy eyes to his reddened cheeks.

“What are you crying from?”

“No one’s ever called me wonderful before.”

“I'm sorry! I did a few minutes ago and you didn’t cry!”

“No! You can't 'sorry' me if I can't 'sorry' you! And- yeah but that doesn’t count!”

“Why?”

“Because it only felt big when you said it the certain way!”

“What way!?”

“You look at me, you grab my cheeks-“

“I'm sorry about that by the way I was j-“

“No! It’s really ok! Do it whenever! I mean don’t do it whene- shut up!”

“I’m not even talking! You're the one talking!”

“You look at me, you grab my cheeks, and you go: you are wonderful.”

“Yeah???”

“No one ever called me that before!”

"Peter, I- well- they- they should! They should! More often! Then the amount that it happens now! I think. In my opinion."

"Or really looked at me like that!”

“Looked at you like what, Peter?”

“Like I was somethin’!”

“Well, you are… ‘somethin'! Whatever that means! And- I think you deserve to be looked at as such!”

“See?”

“What!?”

“You just-“

A strangled sob escaped from his throat. He didn't know how to explain.

“Pete.”

“Ew. I hate that nickname.”

He crossed his arms over his chest like a toddler, trying to completely ignore the fact that he was an emotional wreck.

“Peter.”

“Yeah?”

She opened her arms and gestured for him to come closer. He was hesitant at first- but gave up all the reasons he shouldn't move to be closer to her in exchange for the promise of comfort she was offering him. He crawled over to her and curled up in her arms. The way she held him made him want to cry more. Who does she think she is- holding him like he was worth holding? With her chin sitting on top of his hair? Letting him do that gross cry sob with the spit and the snot into her only winter coat? Rocking him, and shushing him, and petting his stupid, silver hair? She was warm, too! The audacity of this woman.

When Erik brought Charles into his office to grab a chess set, they saw the two in the window. For a moment Charles considered telling Peter and Y/N to get off of the high platform, seeing as the two were the reasons the "no sitting on the roof" rule was enacted in the first place (neither of them were coordinated whatsoever). Charles quickly dropped this notion when he saw the look on Erik's face, Charles could tell it made him so happy to see Peter be held like that, cared for like that. Erik's expression made Charles want to both tell Erik that he is the most precious thing in the world, and make fun of him (look at Mr. Metal, gone completely soft). Possibly he could do both at the same time. But for now, he is just going to pretend he didn't see the two outside of the window, and have Erik grab them their game, go to the living room, and pretend not to have read Erik's mind when he inevitably asks him how he always manages to pick the white chess piece at "random".

[botanicallyinclinednerd]

Moments that highlight the brotherly dynamic between Mordred and Arthur:

1x08: Arthur breaks Mordred out of his cell, telling him not to be scared, he was there to rescue him and return him to his people. He offers his hand and Mordred takes it. They flee through the tunnels.

1x08: Arthur reassures Mordred that Merlin will be there to help them. When it looks like they will soon be found, Arthur draws his sword to defend Mordred if it comes down to it

1x08: Arthur delivers Mordred to the druids. Arthur asks for his name. Mordred tells him his name and Arthur wishes him luck (with dread inducing suspenseful music in the background, gotta love that) Mordred gives Arthur a little smile.

5x01: Mordred keeps Radnor from killing Arthur and Merlin. Mordred helps Arthur to his feet and figures out that he didn't recognize him. He tells him that he saved his life many years ago and Merlin names him. Arthur looks shocked/ confused. Mordred smiles and says "Hello Arthur" the smile drops.

5x02: Mordred brings food over for Merlin and Arthur and Mordred tells Merlin that Arthur saved his life and he owed him a debt

5x02: Arthur does not kill Mordred because "he could not follow us" and "he showed us kindness"

5x02: Mordred stabs Morgana to save Arthur and he carries an unconscious Arthur out of the cave until he finds the knights and passes him over to Percival

5x02: Arthur knights Mordred. They smile at each other

5x05: Arthur and Mordred train. Arthur bests Mordred and helps him to his feet while praising his progress. He gives Mordred advice and seems very impressed and proud of him

5x05: Arthur includes Mordred on the patrol to search for Osgar. Mordred is very enthusiastic and eager. Arthur tells him he earned it and gives him a little slap on the shoulder. Mordred tells Arthur "You won't regret this. I promise." After he leaves, Gwen observes that Arthur has grown fond of him and Arthur confirms this.

5x05: Once Arthur is clued in to the prank the knights are pulling on Mordred, Arthur joins in and poor Mordred is so confused and has no idea he's being messed with.

5x05: Mordred laughs at Arthur’s jokes. Arthur toasts to Mordred and his first successful mission

5x05: Mordred requests that Arthur allows him to go with them to the white mountains. Arthur initially says no, for he has little experience, but Mordred convinces him.

5x05: Mordred jumps in front of the Disir's spear to save Arthur. Arthur is very upset and concerned for Mordred. He holds Mordred's head while Merlin examines the wound. Arthur removes a glove to check Mordred's pulse.

5x05: Arthur sits at Mordreds bed side and is upset when Gaius can't guarantee he will survive.

5x05: Arthur and Merlin return to Camelot and Mordred, alive and fully healed, walks down the steps to greet Arthur with a smile on his face. Arthur is very happy and relieved, grasping Mordred's arm and pulling him into a hug.

5x05: Arthur and Mordred train and Mordred finally bests Arthur in a fight. Arthur picks him up in celebration and Mordred grins

5x09: Mordred was one of two people (the other being Leon) that Arthur trusted with the new levy route. Arthur doesnt tell him why and just asks that he trusts him, which he nods at.

5x09: Mordred finds Arthur brooding and asks if there is any way he can help. Arthur is distracted and when Mordred reminds him that he is always at Arthur's service, he tells him "I never doubted it, Mordred."

5x09: Mordred appears at the top of the cliff with rope and calls down to Arthur. Mordred is smiling and Arthur laughs in relief.

5x09: Arthur fills Mordred in around the camp fire and he apologizes for not confiding in Mordred. Mordred brushes it off saying it was a good thing he hadn't or he won't have followed. Arthur says its good to have Mordred with them.

5x09: Arthur goes to get Mordred saying "I won't leave a knight behind" and Merlin convinces him not to go back because of Morgana.

5x09: Arthur is pleased to see Mordred and clasps his arm in greeting. He says he thought they lost him and Mordred agrees that he thought the same. Arthur questions how he escaped Morgana and he asks him to be serious after he gives a jokey answer.

5x09: Arthur asks Mordred if the Dolma looked familiar and Mordred agrees

5x10: Arthur puts around Mordred's shoulders and leads him away to give him the task of apprehending the sorcerer Gaius tipped him off about

5x10: Arthur isn't happy about the sorcerer getting away but he continues to direct his questions to Mordred, who headed the mission, instead of Leon, the experienced head knight. (Just something I found interesting and I think it points to Arthur still having faith in Mordred despite not catching the sorcerer.)

5x11: Mordred confesses to Arthur that he was the one that helped Kara. He begs that Arthur reconsiders her sentence. Arthur becons for Mordred to get off his knees and puts a hand on his shoulder after Mordred confesses to loving Kara. Arthur looks troubled and regretful as he tells him "you know there's nothing i wouldn't do for you. You're a knight of Camelot. Its a bond we share. But what you ask... this girl, she is a danger..." Mordred vehemently denies this and insists he can change this. Arthur says he can't risk the lives of his citizens regardless of who asks him. Mordred is crying and again begs Arthur to reconsider. Arthur’s voice is quiet and regretful as he tells Mordred that she admitted her guilt and it left him with no option. He apologizes. Mordred leaves, crying and looking numb

5x11: Mordred goes to Arthur's chambers saying he wanted to apologize. Arthur assures him there's no need. Mordred says he hopes Arthur would forgive him. Arthur tells him "I'd never let something like this ruin our friendship." Mordred smiles slightly at that and tells Arthur he will always remember that Arthur took him in and all he had done for him. Arthur says that Mordred has become Arthur’s most loyal of knights. Mordred thanks him, gives him a nod, and leaves. Arthur did not recognize it for what it was: a good bye.

5x11: Mordred begs Arthur to let them go, that he had Mordred's word they would leave Camelot and never return. Arthur remains silent and resilient as he stares back at Mordred.

5x11: Mordred is thrown in a cell and he asks Arthur what hes going to do with him. Arthur doesn't know. He turns and leaves

5x12 deleted scene: Mordred is not entirely comfortable at the prospect of killing Arthur and he says that he believes Arthur to still be a good man and there is still hope for him.

5x13: Arthur is poised to strike a killing blow but he falters when he recognizes his opponent is Mordred. Mordred takes advantage of this hesitation and stabs Arthur. Arthur falls to his knees and Mordred says "You gave me no choice" Arthur surges to his feet and runs Mordred through with his sword. Mordred gives Arthur a deranged smile and collapses to the ground, dead. Arthur looks upset.

Much of Arthur’s dynamic with Mordred through season 5 is very much big brother little brother which makes the fall out in 5x11 that leads to them killing each other in 5x13 so tragic.