#I love seeing people's interpretations of his original form

[artjiayi]

Jade's worst nightmare 🌊

That's definitely the most detailed illustration I've ever drawn and it also took me a while to finish it. I procrastinated because I was going out of my comfort zone and I was so scared to mess it up... but I overcame it because the lore behind this drawing meant a lot to me.

About this illustration, I wanted to focus on Jade's sensitivity through the world surrounding him, especially on land. I wanted to break the twisted picture we all have of him and show his vulnerability. I also wanted to express a duality between his sea life and life on land. His eel form is a reminder of where he originally comes from.

To me, Jade looks like an unbreakable wall: he basically smiles all the time and he always seems to hide his true emotions. Although Jade tends to do some questionable things (let’s be real), I do believe that behind that wall, there’s an unusual but very touching sensitivity.

What I adore about Jade is the fact that he doesn't fear people's opinion about his hobbies and nothing can stop him from doing them, no matter what. He has a deep connection to everything related to nature so to me, he enjoys quiet places and being alone. Therefore I strongly believe he's an introvert and needs those moments disconnected from any social interactions.

Even though Jade appreciates solitude, he also needs to connect with people from time to time. There was a sentence he said during Vargas Camp that literally broke my heart:

"I'm envious that everyone else has someone to converse with. And here I am, all alone."

To me, that proves he's actually looking for deep connections with people so that he can be himself without being judged at all. Even Floyd and Azul find his interests weird and they're pretty harsh about his club. I know the octatrio has their own dynamics but still, Jade deserves to have a buddy who shares the same hobbies as him.

Anyway, I could write so much more about Jade but that's basically how I see him. My interpretation is probably a bit biased because of the love I already have for him but whatever. Thanks to it, I was able to imagine what could be his worst fear as he always seems so untouchable at first sight. I love shady Jade but sensitive Jade is what I need right now.

[luna-lovegreat]

Twilight and Legends relationship

...I love it

**in this post there's a lot of stuff I didn't notice before. I'm gonna resist the urge to write an essay on each point, and attempt to leave most of it up to the reader's interpretation**

Ok ok there's a ton of stuff here, starting with early character scenes

They're like the rest of the chain: They fight together and talk. Legend is close to Hyrule, and Twilight to Wild and Time.

We see some things Twilight and Legend have in common. One is their dislike of Hyrule knights, and-

As seen in the Gerudo clothes scene, both Twi and Leg like to mess around with pranks and have a lot of snark... wonder what would happen if they worked together

But there's something really important about how Twilight views Legend:

I wasn't aware this was before looking closely at their interactions but... Twilight didn't originally like Legend. This is shown a lot later on- in his facial expressions and words towards Legend. But from the start he didn't like him much, and here's why:

From the start, Jojo says this- Twilight judges Legend's actions as too harsh since his mannerisms come across as picking on someone. (Also Sky you are so so pure and cute 10/10 most huggable Link)

Legend is abrasive because he's had so many adventures- he's hardened to the point of being sharp. But it's wonderful that that character can still be so loved- his heart is good (hero duh)

Twilight has always been a big brother. It makes him well loved (rightly so). Jojo says he knows people can change- for good or bad. But because of his past Twilight doesn't like people picking on others "not even a little". It's complicated- we see it affect Twilight's attitude towards Legend a lot.

Anywho moving on to the plot

Wolfie, Aka twilight

Dark mirror stuff happens, and Legend finds out Twi's Wolfie- as we all know. But he can't just. Acknowledge it of course. He's gotta probe and tease, asking pointed questions (snark snark snark)

And in his attempts to be certain about the Wolf stuff, we were blessed with:

Bunny Legend

Welp. That investigation did not go as planned.

Animal forms:

Bunnies are soft, but Legends actions are not. He is guarded and sharp yet his form shows how sweet his true heart is

Wolves will love/protect their family yet are fierce, they have fangs and will fight. The root of who Twilight is is his kindness and family

Also (sarcastic) good job to Four and Wild for being SO SUBTLE with their emotions when Legend's asking questions hinting he knows Twi's secret

Legend: asking questions about the secret shhh

Four and Wild: Are having a freaking heart attack about it

Twilight: starts ranting about goats

...

Once Twilight gets over the shock of Legend like. Absorbing his crystal. He... well, looking at the harshness in his face and words, this is where Legend's attitude and his past with Colin being bullied biased him against Legend.

Look at his face in each panel through the progression- Twilight is more and more confused thinking legend is not who he thought he was...

And Twilight certainly sympathizes/relates to being hurt by losing someone he loved (in whatever form the relationship took)

And WHY is it always girlfriend trauma with these boys of COURSE it's girlfriend trauma that brings them together NOT SHARING A SPIRIT AND LOVE OF SWINGING GLORIFIED METAL NO THEY HAVE TO BOND OVER RELATIONSHIPS GONE WRONG

Twilight then thinks well that's a good reason to be pretty changed because from the start Jojo said he'll always understand people changing...

So they go, and make legend human again (with pink hair) and Legend is... surprised. And grateful...

Another few defining moments:

Legend's dialogue thanking him is the real start of them connecting like in Leg's original character description "the most reliable, you want him on your team"

And again Twi's face, Twilight is looking at Leg differently throughout this- contemplating to be honest. Considering...

And remember when I said these two both like to prank? Well the second they have a shared experience and get back to camp they immediately team up and start barraging Warriors with snark

Heaven help the chain when these two are on the same side

Legend has never been close to people outside of the few he's accepted as his (love him and hyrule's bond). After this? Twilight's one of his people. There's much more expression of caring and closeness towards Twilight- something we don't see with many.

And then, well, Twilight nearly dies. And Legend, he cares

Bunny boys puppy dog eyes are gonna kill me someday

Twilights pretty injured, he really doesn't see/remember all these moments showing how much Legend wants to help

And then we have this moment

this moment

Matters so so much

Look at Twi's face. Look at his surprise, realization, and acceptance- this is when he realizes- when he sees how much Legend cares for him

Twi woke from his deathbed for his family

and then in the next few updates it's really cute- he just is barely recovering and legend is just... beside him. Staying by his side

Animal forms later development:

Legend's bunny form is soft- but he is still not totally soft. Looking at Legends actions and facial expressions towards the others, while he's definitely closer to Twi now, he's still the snarky boy we know and love.

Twilight's Wolf form is loyal and loves family: Once he knows legends heart? Full on pack love.

And WHY were they so very intent on petting each other

Legend: I'm gonna go try and pet the wolf since I think he's my dude yes good plan

Twilight: I KNOW THIS IS WEIRD BUT IVE NEVER PET A RABBIT BEFORE LET ME TOUCH YOU

...

Here's a few random parallels of them to chew on because I love parallels (them snarky snarking each other, then some brother love parallels)

The thing with these two is their character bonding and whatever is not all sweet and lovey like some of the others. They have some REALLY sweet caring moments with each other. But snark plus snark equals double snark, meaning them together is the weirdest mix of kindness and teasing you've ever seen

And although at the beginning they were pretty harsh towards each other, it makes their getting closer and learning their similarities all the better.

[darklinaforever]

So ! I need to say that !

Hades & Persephone's relationship is canonically a loving and quite healthy relationship in the context of Greek mythology which represents a form of balance for the world through the cycle of the seasons. Persephone is not a victim of Hades either... Anyone who has studied Greek mythology can actually explain it to you.

That's a bad vision of the original myth due to a too modern interpretation. It's not the modern era that romanticizes this basic relationship. This was already the case in Greek times...

It even seems to me that Hades and Persephone were often represented on the vases given to newlyweds (pretty crazy, since Hera was literally the goddess of marriage) because they were always described as having a loving, supportive and harmonious marriage.

And if you're looking for a real culprit in the union of Hades & Persephone, there's literally Zeus, who authorized the marriage between the two after Hades came to ask him. Hades didn't kidnap Persephone as soon as he saw her. He first asked to his father, Zeus, for her hand in marriage, as in the Greek traditions of the time.

In some versions of the myth, it even seems to me that Aphrodite is the one who provoked Hades' love for Persephone by sending Eros to plant an arrow in her after being upset by a refusal. But for now, I'm not sure of Aphrodite's real involvement.

But regardless, in the original myth, the one blamed is actually very clearly Zeus. He is the one, once again, having authorized the kidnapping of Persephone, which in Greek traditions translates into an engagement, and who has caused the whole messy situation with poor Demeter.

As for the grenade episode, it doesn't seem to me that we can know the original version. So the whole "Hades forced Persephone to eat the pomegranate" thing is also bullshit.

There doesn't even seem to me to be any indication of Persephone having been mistreated in any way by Hades in the myth. It's again bullshit.

I'm making this post because I've had yet another person explain to me that Persephone is a victim of Hades and that our modern age romanticizes the relationship between the two.

"Yes. Like Persephone gets bastardised. Persephone was Hades's assault victim. People try to "modernize" her by making her want Hades (all while making Demeter to be in the wrong). Mina was Dracula's assault victim. People try to "modernize" her by making her cheat on Jonathan for Dracula."

Except no. Persephone is not a victim of Hades in the context of Greek myth. That's a stinking modern vision. Kind of ironic, when you argue that it's the modern view that stands in for the real version of Persephone being a victim of Hades when... well no. It's the modern era that makes Persephone a victim of abuse at the hands of Hades, (this all reminds me of how people make Rhaenyra a victim of grooming in her relationship with Daemon) while that is not the case in the context of the original myth. As I explained above, this interpretation is modern bullshit. And it is very important to transcribe the myths in their ancient context to understand their various messages, otherwise you will miss the point.

But I won't elaborate further because @cthonisprincess has already explained it very well. I invite you to go and see these reblogs below which detail the whole affair of Hades and Persephone in much more detail :

I even recommend this video :

My god, I can't believe that in 2024, people are still at the stage of demonizing Hades, even though he is one of the rare decents gods, and still claiming that Persephone is an assault victim of Hades... This is a shameful distortion of the original myth and a real bastardization of the goddess Persephone.

Also... we're literally talking about a myth. The goal of a myth is to be reinvented according to the times. So what does it matter that there are adaptations of the myth that differ from the said myth, or rather from the biased vision that some have of making Persephone a poor victim of the evil Hades ?!

@aleksanderscult

[nautilusopus]

okay FIIIIIINE i'll throw my hat into the Goncharov ring

Been a while i've done a proper movie breakdown, may as well be this one.

Rather surprisingly (but perhaps not too surprisingly given the unexpected renaissance of things like the original Dracula and Breaking Bad on this website out of seemingly nowhere and with very little prompting), I'm seeing a lot of new people suddenly interested in Martin Scorsese's seminal film classic Goncharov, originally released in 1973. Obviously a movie like that doesn't make it coming up on 50 years without generating a lot of discussion about the different ways the movie resonates and why, but coming into it in 2022 there's been so much cultural cruft that's collected around Goncharov that (similar to stories like Fight Club and Scarface) it's a little hard to parse what it's actually about with all the mythologising that's gone on around the characters.

Those movies, in one way or another, are about portraying the downfall of their protagonists -- Fight Club's after ironically creating another system of control and dehumanisation and becoming what he sought to destroy, Scarface's after being consumed by the wealth and power he's amassed. A lot of people assume it's that kind of story, because aren't most well-loved movies? However, I think this is ironically an assumption made because of the genre of film it is. All the people that aren't going, "OMG Goncharov is so cool and badass and fucks bitches," are going, "WOW I can't believe Goncharov is a cautionary tale about power corrupting," and in the process people miss that Goncharov is first and foremost about loss, in all its different forms.

I'm both kind of surprised and frustrated people miss this, given how utterly pervasive the movie is with its clock symbolism -- it's the one thing everyone remembers about it, it was in all the tie-ins. I dunno, maybe that got funneled back into the theory where they're meant to reinforce how Goncharov is just a mortal man at the end of the day, which is fine I guess, but the movie overall becomes a lot clearer when you interpret it through the lens of, "These things are gone and you can never get them back; clocks don't go backwards."

One of the most fascinating things about the movie is how every character embodies a different kind of loss. I'm gonna ease into this and start not with Goncharov but with:

Rybak, who is usually associated with loss as we typically think of it, i.e. the loss of loved ones via death. This comes up all the time, either in his trust issues (why he's being such a prick at the wedding), in the card game (he never bothers to bet much money, knowing he's bad at poker, and still loses all the same). Rybak is terrified of loss, cannot manage it, and ultimately is punished by losing what few people he had left and then being spared by Lorenzo who deems him punished enough, and is forced to survive, to grapple with what his life is now without them.

Goncharov's is actually more subtle, and it's loss of small, insignificant things as a result of the larger losses he believes he's processed. This is something that's frequently contrasted against Rybak. The pawn shop going under is actually a microcosm of this whole thing. Goncharov anticipates that this is obviously going to lead to financial issues for him, plans accordingly to deal with this, and... it works! He's saved! Except that means card games can't be hosted at his place anymore, given it's burned to the ground. Does this matter, in the grand scheme of his life? No, of course not. Poker night still gets had all the same. But it is different now, and always will be. Little things like this continue to add up, until something as insignificant as a towel -- a towel that never should have been in his room, but Sofia is no longer there to drop off his laundry and chat with him -- is ultimately the final nail in a coffin built of insignificant splinters, each one an imperceptible change underneath the much more larger, noticeable story beats of things like grief.

Otto is the big obvious one I'm not gonna linger on: loss of his youth, moments in the past that he wants to redo but can't. Most people at least seem to have gotten this one.

(This is also what the clocks get associated with a lot, which again, doesn't NOT make sense but also if it were just for this one character that, while thematically important, was honestly just a side character with limited screentime and only two scenes, would they really be all over the movie before Otto's name is even mentioned?)

Sofia's a bit abstract, and is the loss of self -- of the familiar anchors we have to who we are, what we think our core principles are, our place in society, who we want to be to our loved ones -- and by the time she dies she is rendered utterly unrecognisable to herself, and is horrified by it. She grieves herself the same way Rybak grieves his wife (even gets a direct visual callback via the way her face is lit when she's burning Lorenzo's check). You see echoes of this in Goncharov as well, but while Sofia is grieving the person she used to be, Goncharov is grieving the world around him (even though really, it's the same world it always was -- time keeps ticking on, one second per second, and neither one of them can ever un-fire that gun).

Lorenzo, tragically, gradually loses his freedom (and maybe in a parallel world would actually be the protagonist of a movie where he chokes on his own hubris like everyone seems to think Goncharov is GRUMBLE GRUMBLE). As he comes into his own more and more by his family's legacy, he is afforded fewer and fewer options about what decisions he can even make. Arguably he was doomed from the start, but the further he clings to power as a means to freedom, the more it drives him to destroying everything he ever (thought he) cared about. The tragedy of his character, and what makes him a good villain, is that he can clearly see what he is doing to himself and he absolutely hates it (his walking out early at the wedding is a tacit admission of this), but his absolute refusal to accept loss, to accept grief and pain and all the awful shit that comes with the human condition, is what causes him to toss aside every out he has because if he has enough CONTROL over his situation, surely he will never have to lose anything ever again. But, really, he already has.

I dunno. Goncharov is one of those movies that is great, and everyone seems to realise it's great, but nobody ever really puts into words why, and that's how you get Fight Club fans lmao. And it sucks because the actual discussion around the movie beyond "it's another hubris story but REALLY GOOD guys" is so much more fascinating and a much more earnest emotional truth that just never gets talked about.

[y-rhywbeth2]

In your post about Durge's sudden normality you mentioned implied SA in the tags; would you mind elaborating on that? I don't remember seeing any implications like that, but I know I missed a lot of details in my first run. (Obviously if you would mind feel free to ignore this.)

Naturally this is going under a cut for discussion of rape, sexual exploitation and incest:

Some of it is mostly me reading into things and frowning, but Bhaal being able to violate Durge sexually and the intent of sexual exploitation (regardless of Durge's will) is canon and it does lend credence to the idea.

Durge is obligated to breed, and Bhaal can and will force them to; the original version of the feral ending in the dialogue files involves him forcing them into a state of sexual hyperarousal and forcing them to mate with a gnoll, in the same way he can force the urge to slay on them. Bhaal's intention there is to see if he can breed more monstrous Bhaalspawn. Some of the dialogue options are just Durge screaming in horror.

Durge has no memory of the actual rape; Bhaal forces them to spend the entire time thinking about him: "Your memory of last night's act is absent. In the moment of mounting, your mind emptied itself, and you could think only of Bhaal."

And knowing that, when I saw "I love you father. I'm a good [child], a good, good [child]" in the released version I had to go sit down for a bit.

We know that Durge is expected to have kids - it's a mortal sin that they haven't. It's also vague whether they tried or not pre-amnesia; they're described as "failing" not refusing, it could've gone either way. Durge may already have been exploited. Even if they don't disappoint Bhaal in game, this "duty" remains. It's not just the Tribunal making shit up; Sceleritas is your direct liaison to Bhaal, and he makes this clear to them as Bhaal's Chosen too.

We know that if Durge won't kill then Bhaal will force them to, and we know that he can force them to have sex too. It's entirely possible that Durge's only say in this is to either fuck partners they chose or have them chosen for them (as we all know, Bhaal has zero respect for his kids' bodily autonomy or desires past his use for them, and Bhaal wants more babies.)

At the very least, it doesn't seem to be a major part of Bhaal's plan for Durge yet, so Durge may have dodged this specific form of abuse for now.

Bhaal has also done this to Sarevok, it seems, who would probably have killed himself back in BG1+2 if he could see what would happen to him in his future.

Knowing that Bhaal has no issues inflicting sexual arousal on his own kids, those scriptures you find that explicitly refer to the pleasure he bestows on his followers when they kill as "erotic" unfortunately have little reason not to be applied to Bhaalspawn. It would also explain the necrophilia if Durge has been conditioned to see killing/corpses as sexual.

Not quite the same thing, but the thing where people think Durge fucked the Netherbrain is actually from a remark by Bhaal in the journal update, where he makes a crack that "That slimy thing in the Moonrise called you its fallen star. It was very reverent [...] apparently [you're] good at playing with tentacles."

That's not inherently sexual, but knowing that Bhaal is willing to sexually exploit Durge and that the fandom had already interpreted it as sexual, I did kind of stare at it in horror for a bit.

[schemmentisbranzino]

A Liking for Riding - Part 1

Note: This is based off an anon i got requesting a story similar to this. I had to delete the original post because it was not showing up on the melissa x reader tag :( if you see this post know i know its not fully fulfilling your request, but i’ll get there! If you would like to keep reading <3

Warnings: None

************************

You thought you were going to have a pretty chill teacher planning day. Without the kids around, you were going to have time to grade their work and start planning your future lessons. Turns out Ava had other plans. You hear her loud voice over the intercom: “Hello teachers, fortunately for you, you will have to be spending some time with me today. The district is mandating we do some team building exercises. Should be fun. Can’t wait to get all the tea. Meet in the lounge room in 10 mins.”

“Oh no” - you scoff and start putting all your stuff away, you weren’t planning to spend time with anyone today, specially not with that certain redhead you havent been able to stop thinking about since the day you put a foot at Abbott Elementary.

You walk out of your classroom and see Melissa and Barbara making their way to the lounge. Barbara gives you a good morning. As polite as she always is. Melissa says hi with a soft smile, sparkling green eyes meeting yours and making your entire body tingle. God, the power she has over you. One 2 letter word and you are already on cloud 9. She grabs you by the hand in order to direct you in the same direction they are going, she lets go a few seconds later but her fingers keep brushing against yours as you keep walking, you look at her and you swear you can see a smirk forming on her face. It is like she knows what she does to you, like she enjoys teasing you, touching you ever so slightly to get a reaction out of you. Is she doing it on purpose? Is it a game to her? Does it inflate her ego? You don’t know and you don’t ask. You enjoy those little moments when she touches you or compliments you. A little glimpse of hope that your love might be a little requited. Why break your heart with the truth? The reality is that Melissa was just being herself and that she had never seen you as more than a friend… but it feels… nice.

You arrive at the lounge and all the teachers are already seated. You are given a paper with all the activities that are going to be done throughout the day and you get exhausted just by reading them. Are you ready to become this close to all your coworkers? Probably not. Just to one, though. And the possibility of spending time with her was enough to make you excited about the day.

You go through multiple rounds of exercises on how to resolve conflicts among your coworkers. As is if any of them were going to work on your people. You already had your perfect coworker dynamic and no textbook advice would ever make Janine to stop meddling or Ava do her job, etc. But it was fun to be there, to see Melissa roll her eyes at everything Ava said and shoot smiles your way as if you were her Sun in that cloudy and annoying day.

At some point, its time for an exercise that requires the teachers to share what their passions are outside of school.

Everyone hears Barbara talk about how her favorite thing to do when she is not teaching her little kids is to go to church and worship Jesus. Nobody expected any other response from her.

Next goes Melissa and your eyes just watch her in amazement as she talks about how cooking is everything to her and her family. Her delivery is quite aggressive but is just so endearing to you. You could hear that woman talk about lasagna and baked ziti all day.

“You are going to drool, y/n” - Jacob whispers in your ear as he notices the way you are starting at Melissa.

You roll your eyes at him and before he can keep saying anything is your time to share.

“Well, outside of work I like to ride” - you state before you even realize the way it could be interpreted.

“I am sure you do” - Ava says poking fun at you in a flirtatious way and everyone laughs, well everyone but Melissa.

“I mean horses, Ava” - you respond annoyed “I have been riding horses since I was much younger, I even have my own horse, his name is Jasper”

“You ride horses? Hon, that is so cool” - Melissa says to you and you can feel your face blushing.

“Oh come on, Im alright” - you say giving her back the most sincere smile of the day

“You didn’t say I was cool when I shared that i have been taking biking lessons, Melissa”

“Well that would be cool if you were 10, Janine”

The rest of the group laughs at the interaction while Melissa shifts her attention back to you.

“So an equastrian, huh?” - she says as she sits next to you, her thigh pressed against yours, making it difficult to concentrate. - “I have always wanted to learn how to ride, when I was younger I used to want a horse so bad, my favorite plushie was a little brown pony, I took it everywhere, I asked for a pony every Christmas for 5 years till I gave up. And if you tell anyone i had plushies i will deny it.”

You don’t quite know what to respond to such an adorable statement. This woman had so many layers, and discovering more of them was your favorite thing to do. From hardcore take no-shit stubborn woman to the softest one that gives you warm smiles and tells you about her childhood plushies.

“Hon” - noticing that you spaced out, she takes your hand in hers and brings you back to reality.

“Sorry, yes, I love riding, i love horses. They are one of the sweetest most loyal animals and I just love being around them. They truly own my heart. Specially my baby Jasper”

Her eyes soften as she sees you talk with such affection and love about these horses.

“Thats so incredible, sweetheart, you are” - she says before she notices that she might be saying too much

“You got any pictures?” - she asks before you have any time to respond.

At this point everyone has cleared out the room and is just you and Melissa in the lounge. You are showing her pictures of your horse and all the other horses you have had, trained or help rehabilitate. Melissa seems to like the conversation and enthusiastically react to all the pictures you show her. You can’t quite tell if this is about the horses or about you, but you are enjoying it.

“You are really sweet, you know” - you tell her as you put your phone down after showing her the many pictures of horses you have in your phone.

“What do ya mean, hon? I just really like horses”

“Just the horses?” - you say before thinking what is coming out of your mouth and once you realize it, its too late to take it back

"Well," Melissa replied with a shy smile, "to be honest, I am enjoying the time we're spending together." She leaned in closer, her eyes locked on yours, as a hint of a blush spread across her cheeks. She hesitated slightly before saying, "I also like seeing you happy."

Her words sent a spark of electricity through you body, excitement and confusion taking over your body.

“What can i say? Spending time with you makes me happy, Schemmenti” - you said trying to seem confident but the close proximity at which she was standing had you feeling weak in the knees.

Melissa learned in even closer. Is she? Is she going to kiss me? You thought to yourself. Your heart was racing and your body trembled with anticipation as you saw Melissa inches away from you. You could feel her breath on your lips, and you wanted nothing more than to kiss her. The tension in the air was palpable. You closed your eyes, wanting to savor every second of this moment.

As your lips were about to touch, Janine barges into the room, “I - I a forgot my coat, sorry, im so sorry” - she grabs her jacket and runs out of the door.

If looks could kill, Janine wouldn’t have survived the one that Melissa just gave her.

“Just Janine being Janine and ruining things” - you say under your breath, clearly annoyed that your dreams did not came true.

“Don’t worry, hon, there’ll be plenty of time for that” - Melissa says planting a chaste kiss on your forehead.

You don’t respond. Confused as to what that might mean. Sure, you are friends and sure you always flirt with each other, but this is different. Melissa has become increasingly flirty and close to you these past few weeks. Her hands lingering longer on your body, her eyes finding you in every room, her sweet words. You thought nothing of it, but after today’s events the hope in your heart grows.

“How about we go to my house and I make you a late lunch?” - she says caressing your cheek with her fingers, a gesture that makes your heart flutter.

“Actually, I can’t. I had made plans to go see Jasper in the barn today and help my instructor with some things. I-“

“Don’t worry, hon, there will be another time” - Melissa says interrupting you. A wave of sadness clearly taking over her face. Her eyes no longer sparkling.

“You can come with, I’d love for you to meet Jasper”

Her face completely lights up, you could see the excitement in her eyes as she agrees to come with you see your horse.

The car ride is about one hour and you are extremely excited but nervous to be spending so much time in an enclosed space with Melissa after what happened earlier. She insists in driving and you happily sit in the passenger seat. You want to relax and enjoy the ride, but a thousand thoughts are going through your brain. You space out thinking about them while you keep your eyes locked on the redhead at the wheel. She is so beautiful, you feel like you want to look at her forever. Memorize her every freckle, every single one of her wrinkles, the shape of her nose. You think about her lips and what it would be like to taste them, to feel them against yours..

“You are staring, hon. What is in that little head?” - she says as she reaches out to squeeze your hand

“About earlier, you were about to kiss me, weren’t you? and you said there’d be more…”

“And there will be more, hon. Don’t get too impatient”

[caesarflickermans]

thg fans, we need to talk about the "rose map".

with TBOSAS, a new Panem map emerged diverging from previous map iterations. Fans have attempted to explain the stylistic difference as either a Capitol map or an in-universe artistic interpretation resembling a rose.

however, this map resembles a popular fan-made map. let's finally address this.

[image id: two pictures of a map. the first map has been made by a fan with its social media links included. the second map is titled "history of panem". the first map has several districts marked in a circular form moving inward toward the capitol. the second map is a similar design with the same shapes moving toward an inner centre. it's red colour makes it look like a rose]

Note the resemblance of the District placements and their shapes. District 4 and its island are especially noteworthy.

the original artist has spoken out today on a reddit post. this is their statement:

Hi, I'm aimmyarrowshigh who created this map, and I just wanted to thank you for pointing out here and when it was originally revealed that Lionsgate stole it from me.  They never contacted me to ask about using my Panem map (even though it is copyrighted as part of The Panem Companion) and did not give me any credit for its use. If they wanted to use it as the TBOSAS map, I would have gladly worked with them to update it to their design specs in exchange for whatever they paid their graphic designers and an acknowledgement in the end credits! I would have been thrilled! But instead, they stole it without any regard, and they're ignoring the Cease & Desist sent by my lawyers. (I am being aided by the legal team at the OTW.)  I am so disappointed by their decisions regarding this issue, from the initial choice to use it without just... asking... or even informing me... to their refusal to admit that they did such a thing. The fact that the graphic design company quietly removed it from IG after Lionsgate got the C&D, yet they still aren't going to give any credit or compensation for its use, is kind of depressing.  I think I can probably speak for any fan artist or meta writer in saying that having one of my crazy ideas made canon is super cool, and if they had asked me whether they could use my map design, I would have said yes AND probably been a lot cheaper than whoever they paid to steal it, just because I would have been so chuffed to see it in the movie. I'm kind of heartbroken that they didn't respect it, or me, enough to just... shoot me an email. You know? I know some people will probably reply and say "it's just a fanwork" or "you made it 13 years ago, get over it" or something like that, but fanworks are made out of pure love for the thing (in this case, THG) and Lionsgate took advantage of my love for THG to earn a little more money directly (on merch) and indirectly (in the movie itself). That's gross, imo. Just because it's a fanwork doesn't mean it isn't the intellectual property of the person who created it -- and especially in the case of something like this map, which exists specifically because it DIDN'T exist in canon at the time I created it.  Anyway, tl;dr: yes, they stole it, and thank you for pointing that out so consistently. 

what to do as fans?

boycott the "rose" map. do not buy the map / do not promote it / raise awareness / share this post.

uplift fan work. support fans / share & credit fan work.

supporty aimmyarrowshigh. buy or talk about the panem companion / share the original map.

[plantsjustwannahavefun]

On Ed and Izzy's relationship

I see the "Izzy was the cunning mastermind manipulator in their relationship while Ed was his helpless innocent victim" take is doing the rounds again...

I honestly just feel sorry for anyone who can't comprehend and appreciate their relationship with its full complexity and nuance. Because it was simply magnificent. S01E04 alone is a masterpiece in character study that encapsulated their mutually toxic dynamic at its peak, and switching the character whose perspective you're watching it from completely switches what it looks like and who seems to be in the wrong. That episode was pure, beautiful, fucked up tragedy. They're both talking past each other. They both refuse to listen. Ed is crying out for help, but Izzy shuts him down. Ed wants to enjoy all those new fun original things on the ship that make him appreciate life again, but Izzy keeps nagging him. Clearly he's just an annoying, mean, insensitive buzzkill, right?

Except the whole time Izzy's terrified they are going to die because they're about to be attacked by the Spanish - something Ed brought upon them with his decision - and Ed seems completely disinterested in doing anything about it. Of course he's not going to indulge Edward playing with a toy ship or have a heart-to-heart in those circumstances. He doesn't insult or mock Ed for being suicidal, he simply points out that they're literally going to die if he doesn't come up with a plan right now. Meanwhile Ed's deliberately withholding crucial information from his own first mate and the rest of the crew, either (less charitable interpretation) for his own entertainment or to flex his skills or (slightly more charitable interpretation) to make a point to Stede.

The rest of it was so masterfully balanced out too. Right up until the point where Izzy betrayed them to the Navy, he didn't actually do anything wrong. Yes, he was still wrong - but so was Ed. Izzy was the "lawful evil". He was the one playing by the rules, while Ed was trying to cheat his way out of having to make a decision. Trying to run away from his problems instead of confronting them head-on (or just crashing into the opposite extreme and trying to violence his way out of his feelings) was literally the major theme of Ed's character. So was his inability to form meaningful relationships without bolting or lashing out the moment he encounters an obstacle. Completely removing this from the equation while putting all the blame on Izzy simply destroys Ed's agency and character depth.

We were literally given a glimpse of his childhood abuse to see where his trauma originated. It wasn't Izzy. Nor was it Izzy who appeared as the embodiment of Ed's self-hatred in the gravy basket. Izzy didn't somehow singlehandedly isolate Ed from forming meaningful relationships with people. He never had this much power over Ed. Their relationship was mutually toxic and codependent, but neither of them was each other's slave, they still had their own mind. We saw Ed constantly ignoring Izzy's advice and his judgment. We literally only saw it work when Izzy had the backup of other crew members and got overruled, and when he struck out at Ed when he was at his weakest and most vulnerable. And Ed wasted no time reestablishing the power dynamic in his favour, where it stayed until they managed to symbolically-and-almost-literally kill each in S02E02. That's what it took. That's how powerful their fucked up toxic relationship was.

That's exactly what I don't get about Ed fans who are Izzy haters (or misunderstanders). They claim to love Ed... and then they strip him of all the darkness and complexity and anything even remotely "unpalatable" that makes him such a richly realised character, and turn him into a cardboard cutout who's so indefensible as a character that the only way they can prevent people from criticising him is by pulling out the racism card. Which is so ironic and absurd because OFMD is amazing at diversity and writing characters equally well no matter what their gender, sexuality or skin colour is. It's also literally a show about one of history's most famous pirates. If someone doesn't want to see PoC characters portrayed behaving violently (even when that violence is shown to be caused by trauma and general pirate lifestyle and not indicative of their moral worth as a person), then OFMD probably isn't for them.

[hamspamandjamsandwich]

Kurama is such a complex character, god love him. The way I see him is: I mean he’s literally actually only Yoko Kurama.

“Oh he’s here. He’s me.”

So we have three personas here: Kurama, Yoko Kurama, and Shuuichi Minamino. While he has these three identities, he doesn’t have three personalities. That is to say, he’s one being, two different pieces that merged.

That’s where shit gets really interesting. My interpretation of this is that the merger came packaged with a human soul and body, and that the human parts are what gives him a conscience and a heart and a moral compass, and things such as. I doubt this is an original idea I just wanted to muse lol.

Shuuichi doesn’t bring a different personality. I think Shuuichi provided the things that make us human and a body. Those things are part of the human soul. Empathy, guilt, love. Yoko was always still himself, it’s how Kurama remembers everything, it’s literally just him. He’s simply changed as a person due to being plagued with humanity.

And that’s such a fun idea to me. Yoko Kurama, the legendary bandit, king of thieves—having personality rehab via the human experience. I think it just changed him the way anyone can change, sorta. He begins to feel pretty shitty about the things he’s done and feels guilty about everything with regards to his mother. All this comes together and makes him…a better version of himself? A better person? And I like that.

there is no Shuuichi outside of an adopted persona/identity for Kurama—like I don’t think he brought anything outside of what comes with nature, genetics, and a human soul (which I personally don’t think is the sum of someone’s personality, just what gives them spiritual life? If that makes sense).

But man, it makes me love Kurama so much more when I don’t think of Yoko as a different self or something that can be abandoned, it’s simply a previous version of himself. The past. So I think his 15 years as semi-human simply gave Yoko some insane character development.

Experiencing being unconditionally loved—the very idea that a relationship need not be transactional—being loved beyond what you can do for them. Being loved for existing, and nothing else. I truly think that his humanity responded well to being loved during the “early childhood development” stage and it gives him a way more stable sense of self than he should have tbh

And much like actual prison (or maybe more accurately rehab or inpatient etc), he has nothing but time and passes it by taking up interests and hobbies. He got to find stuff he enjoys about being human and ningenkai. He already liked plants obviously, but it’s so sweet to imagine him really developing an interest in botany and gardening and keeping houseplants etc. Learning to cook with Shiori and actually really liking it—I mean hey he gets to use some of those plants he’s been growing.

Big reader, obviously. He wants to know everything, and he knows so much already, yet humans keep inventing new shit to learn about, so that works out well. School and education get to be competitive sports that he’s the best at, again obviously. All manner of puzzles, games (tabletop and video of course), mystery books and films; if you can analyze it or crack a code somehow, he’s good with it. A real people-watcher, the disdain for humanity begins to fade over time and observation—they’re not so bad after all.

I like that he grows very comfortable in his human form. He’s pretty and appears to really own that (he lucked out there, huh? Incubated in a human that will be so attractive in the future lol), and I think that being raised by his mother (and perhaps this is some of that aforementioned Shuuichi nature) has him “in touch with his feminine side.” So I imagine he doesn’t miss his Yoko body too much, until he suddenly gets it back for a moment and is reminded of how good it felt to be himself. Good in a sinful, hedonistic way, that is. He clearly doesn’t want to be that way, but 1000+ year old habits die hard, right?

Idk I love Yoko Kurama that’s all folks that’s one of my headcanons or maybe it’s actually canon who knows. I just wanted to muse about my favorite kitsune.

[felassan]

EA site update:

"The Dread Wolf Rises Dragon Age Day 2023 Happy DA Day to our friends across Thedas!"

"[Mark] Dragon Age has always been a franchise about characters. Characters to fall in love with or to learn to loath. Those characters need a place in which to live, to fight, and to love—a place that shapes them and the events they find themselves swept up in. Today we explore the place they call home that forms the stage for everything that you do: Thedas. Corinne and the Dragon Age: Dreadwolf team have created a game that celebrates the rich and varied past of the franchise while crafting new experiences and stories. It has been incredible to come back to BioWare and see all of the progress they’ve made, and I’m excited for some of that world to be shared with all of you today. [Corinne] Thank you, Mark! I fondly remember playing each entry in the Dragon Age franchise, being completely immersed and enamored in the world you all had built. It amazes me to be here now, working alongside you and the team, to bring new stories and characters (not to mention a few returning characters) to all of the fans of the franchise. Dragon Age: Dreadwolf is the product of hard work and love. We know how much this world means to all of you, how these experiences stay with you. We want to get it right, so we’ve taken our time. We're so excited to join in this celebration of all things Dragon Age and the incredible fandom that surrounds it. Within the dev team, we’ve been eagerly awaiting Dragon Age Day as the enthusiasm, stories, charity, and artwork you share motivates us to be our best and create new experiences for all of you. To celebrate DA Day, we’re sharing a look at a few of the in-game locations you’ll explore on this new adventure (and perhaps a little more for those who listen closely). The stage is set. The Dread Wolf is ready to make his move. Oh, and one last thing before I go… In summer 2024, we’ll be fully revealing Dragon Age: Dreadwolf to you! We honestly can’t wait. See you all in Thedas, — Corinne Busche, Game Director & Mark Darrah, Sr Production Advisor"

"You’ve visited the lands of Thedas thrice before in our games and many more times in comics, books, art, and short stories. This time, you’ll be venturing to places unseen and returning to places from long ago. To celebrate Dragon Age Day, we wanted to show you some of those sights. [link to new trailer] We stand on the precipice of change. This is a world brimming with stories and characters waiting to meet you. The fate of this world teeters on the edge of a knife. In past games, you only got to see a slice of the world. In Origins, it was Ferelden—a land ravaged by war and Dark Spawn. In II, it was Kirkwall and its locales—festering with corruption and a dark underworld. And in Inquisition, you ventured across much of Orlais—facing down political intrigue as often as combat."

"This time, however, much more of Thedas is yours to see. The desolate, beautiful badlands of the Anderfels with curtains of distant mountainous spires. The twisting canals and gleaming towers of Antiva, where Crows may lurk in any shadow. The turquoise seas of Rivain with its rushes of greenery and hardy sea-faring people. And of course, there’s more."

"We felt this was best for the tale we wanted to tell this time and we hope you enjoy it as much as we have! It’s allowed us to create many more locations than past games, including both some you’ve longed to go to…and some you’ve never heard of before!"

"To help capture the wonders of Thedas, we partnered with three wonderful artists from our exceptionally talented community and gave them an early look at what you’ve now seen. We’ve always been so fortunate to have such an incredibly skilled community of artists, and getting to work with these three was a true joy! We asked each of them to create a vista of one of the three regions in the video based on their interpretation of it in their own unique styles. Please enjoy their wonderful work, and be sure to send them some love when you check out their personal channels for more of their art!" [link to art]

"Turning our focus to your closest kitchen, if you’re looking for a fun gift this holiday season or want to try some Thedosian dishes yourself, we’ve got you covered with Dragon Age: The Official Cookbook: Tastes of Thedas from our partners, Insight Editions! This project was lovingly crafted by the author, Jessie Hasset, as well as members of our team who have an affinity for the kitchen and a love of cuisine."

"The cookbook features recipes suited to all skill levels, but we know that jumping in may be a daunting task for some. To help you out, we’ve partnered with MisoHungrie, a wonderful YouTuber who specializes in cooking, with a particular knack for video game and entertainment-related dishes. If you’re looking for a place to start on your culinary journey, check out his video and follow along. And be sure to let us know what you think of these Thedosian delights! In addition to this, there are two giveaways you should keep an eye out for! For the first, our friends over at Insight Editions are giving away five copies of the cookbook on their social channels, so be sure to check them out. And it doesn’t end there. For those of you who decide to try your hand at making a culinary delight from the book (including one of the ones we’ve released separately), be sure to follow our own Dragon Age social channels for the second giveaway. Keep an eye out for the opportunity to submit your creation for a chance to win a BioWare Gear Store package, including the brand-new Morrigan romance bundle! Details on that giveaway will be posted next week."

"As we mentioned earlier this year, we’ve partnered with Dark Horse to create a digital package of all their comics for Dragon Age and Mass Effect on Humble Bundle. Visit the Humble Bundle page to find out how our partners are working to support Child’s Play, an organization that seeks to make the lives of children in hospitals more comfortable through the enjoyment of games. There’s no better time than the holidays to bring a smile to someone’s face. BioWare is also supporting a few local charities this month that focus on helping the most vulnerable in our communities via food banks. This includes the Edmonton Food Bank, the Greater Vancouver Food Bank, Les Banques alimentaires au Québec, and the Central Texas Food Bank. All of them provide food to thousands of people each month and rely on kindhearted donations and volunteers. If you’re wanting to give back this holiday season, please consider supporting Child’s Play or donating to your local food banks. Many communities also accept non-monetary donations of canned, dried, and packaged goods, clothing, and other useful supplies. However you choose to support those in need, know that every bit helps and can make a big difference in someone’s life, whether they’re in your community or around the world."

"An insult that he took as a badge of pride. An insult to inspire hope in his friends and fear in his enemies. That is what Fen’Harel, the Dread Wolf, truly is. Not a man who sees himself as evil, but someone who believes he’s fighting for a good cause and is willing to get his hands dirty. This long-awaited chapter of Dragon Age is fast approaching—the time close at hand. We’ll see you next summer with answers to your questions, including ones you have yet to ask. With that will come our full reveal including new trailers, gameplay, and—of course—the long-awaited release date. The Dread Wolf will rise once more and we’ll have much more to share with you as we approach Summer 2024. Please keep an eye on our social channels for all the latest information on Dragon Age: Dreadwolf’s reveal and beyond. Know this, though: The Dread Wolf has not been idle these past years. His reach is far, and soon his plans will come to fruition—a cataclysmic rejoining of magic and realms hundreds of years in the making. Will you be able to stop him? We hope so. Always believing in you,             — The Dragon Age Team"

[source and full post]

[sideblogdotjpeg]

not over it actually . that sol is a clone and what his response to that says about him as a character.

like okay. traditional clone angst shit is like "oh am i real/im not the original/im just a fake copy of someone else/etc etc etc" . and that route of a character arc might have even made sense w sols whole launchpad history - that he self-identifies as a sidekick. but also. maybe that rejection of being the main character is what allows sol to take a different route entirely. swag isnt just his prime clone, hes his "daddyself". sol doesnt really care about being the prime version of himself, he just wants family.

im so deeply fascinated by how the concept of clone-dom intersects w the concepts of family. what is a son but a version of you fated to go through all the same patterns of experience you have. what is a brother but a version of you whose choices has led him to a place you could never go. what is family if not enveloped in fear, love, idolisation and rejection. what is family if not a piece of your heart fragile and vulnerable and walking away from you.

anyway. so like. just compare how mothership sees clones (expendable identical bodies) vs how sol sees clones (brad & bron, youll always be a part of me you are me)

like. does that drive anyone else crazy.

and the original point of this post has completely flown away from me but in a feeble attempt to bring it back. my interpretation of sol is like. sol doesnt want to be a hero, he wants a purpose to fight for. he wants people to fight for. he wants to be part of this thing *bigger than he is* to dedicate himself to. and that used to be the mothership corporation, and has now taken the form of his friends and family. its only natural he would have adapted the spore network, as someone so clearly driven by his connections to other people. it makes so much sense he would see his clone identity this way because ultimately he sees himself in terms of his relationships to other people

(and if you want to be insane like i am, then you can think about sol as a child abandoned and alone in a derelict waterpark, so desperate for any kind of connection that it comes to form a defining character motivation for the rest of his life) 👍

[delusionfool]

I'm sorry but if Neil Gaiman dares let Crowley just FORGIVE Aziraphale after this I'm going to do something. I'll lose my mind.

Aziraphale has never once fought for Crowley. He fought for Earth and Life and Love and the 'good in Crowley' he never (visually that is) has loved Crowley for who he is, he makes an effort all the time to remind Crowley that he is good and nice even when Crowley doesn't LIKE it or want him to.

Crowley has in some form accepted his Fall. Aziraphale hasn't, and won't and in all honesty they both are shit at communication and I can see Crowley moving on in a sense, not falling out of love, but eventually just knowing its better for himself to not fall back into what he's been doing for the last 6000 years of pining for Aziraphale, of waiting on someone who in the end might finally choose him, but it might be just too late, and not enough and if that's it, then I think I'd be happy if Crowley got closure, even if it's not what he originally wanted.

Neil Gaiman, make Aziraphale work for forgiveness, do not give it to him I'm begging you

(gonna add this, I know Aziraphale is in an awful predicament and a religious cult and crowley did stuff wrong too, I'm not forgetting any of that this is just my take on forgiveness and how the relationship might end up in go3, not bashing just my interpretation of a very toxic relationship for both people)

[sketchedspiders]

Cotag actually breaks my fucking heart knowing the reality of their relationship and the fact that they could never be able to truly love each other.

1. Their workplace literally steals their mind, body, and soul so they can just become machines that don’t think of or take interest in anything else.

2. It’s the 1970s and they’re both guys; being gay wasn’t allowed anywhere back then.

[Full analysis under the cut + Spoilers]

[Keep in mind some of this is my own interpretations, but it still goes off canon)

Normal Guy literally tells Protag this when he tells him that Coworker was a great help and they got along well.

He gets frustrated by this fact and worries that Coworker is a distraction for Protag. He doesn’t want them to form a relationship of any kind because it would distract them from their work. Immediately after Normal Guy tells him that, he goes on to ask this:

Maybe I’m reaching right now because this question comes up no matter what, but for this it’s important. There’s multiple reasons and aspects as to why he asked this question, but one of them could be the fact that if Protag did feel anything around Coworker, then Normal Guy would know. It’s hard to explain, but think about a racing heart for example. People’s heart rate increases when they’ve infatuated by somebody, and when they see that person do even the tiniest things it makes them flustered. If they become nervous around that person, their breathing may become weird; which is why it brings us to this question. If Normal Guy finds an abnormality in Protag’s body that would prevent him from working, he would wanna know the reason, and if that reason is Coworker, then it pushes him to think their relationship is even more of a distraction to the both of them.

Normal Guy wants all his employees to dedicate their entire lives to the company. He doesn’t want them forming any sort of relationship that’s not entirely business related. If Protag’s heart is in something else, then that would create a multitude of problems. Not even his organs belong to him anymore, so neither of them even get the option to be together fully.

I think it’s also important to note that if you do choose the option to tell Normal Guy that Protag and Coworker did get along, this can lead you to get the bad ending where he literally erases Protag’s entire identity and makes him a different person. It’s wrong for them to be together no matter the circumstance, and their entire lives would be erased, along with their original relationship.

However, if the company did allow them to have a full on relationship, it wouldn’t have worked anyways. They’d be a gay couple in the 1970s, and homophobia was not only rampant back then but it was illegal. People would get arrested, sent to conversion therapy, or even lobotomized for being homosexual.

I’ve been wanting to talk about this for a LONG time, and this is also what pushed me to write “I wish you were born a girl” (yes hi I’m destroymeiloveyou on ao3 I’m exposing my identity for a moment here and if you don’t know wtf I’m talking about then ignore this).

They could be together in private theoretically, but with them being gay and also working at a company that doesn’t even want their employees to have a life outside of work, it’d be near impossible. Both of them would be at a constant risk of losing everything. Although, they already have given up so much for their work, would it even be worth it?

Coworker is already a closeted person with his feelings and such. He puts up a narcissistic front because of how insecure he is. His title means everything to him because he doesn’t have much else. It gives him a sense of security, and he wants somebody else to recognize that because he wants to feel loved. That’s a whole other analysis for later, but taking this into account with everything else, would he be willing to give up the little that he has to give him security for a relationship that was doomed from the beginning?

With how desperate he tries to impress others (especially Protag), and how attached he is to his title as well as his nepotism, his life being turned upside down just like that would be a nightmare. Everybody would turn against him, and no longer would he be the star employee at the company. In reality, he would be just as in denial about his feelings as Protag would be.

Also. ALSO!!! Speaking of Protag, it is heavily implied and agreed upon that Protag has religious trauma because of floor 4. If he did grow up in a strict, christian household, he would definitely have internalized homophobia.

The sight of a cross makes him nervous, meaning he’s probably no longer christian, but it has left a longterm effect on him.

This means that despite how he left his christian past behind, the things he was taught as a kid has never left him.

If his parents wanted him to be a “good kid” and follow God, I think they would’ve taught him that homosexuality is a sin. That’s one of the lessons that have also never left him, and he still stands by it even if hiding his identity makes him miserable.

Although, no matter how hard he tries, it’ll be obvious his heart will never be in the company or christian values. He’s gonna end up hurt and hurting whether he hides his feelings or not, which is just as tragic. He’d feel terrible once he recognizes how he feels about Coworker and I don’t think he’d ever confess. Protag would just suppress his feelings and they would both suffer silently.

If either of them did end up confessing, they still wouldn’t ever be able to truly get together anyways.

So, cotag could be in love, but they would never actually be able to be romantically together or express their feelings at all. They can do the littlest acts, like spending time with each other on breaks, but it’ll never be enough.

It’s not even right person, wrong time; it’s wrong person, wrong time.

I would write WAY more and I’ll probably yap about this later too because I’ve been keeping this to myself for so long, but I have to cut this short for now.

I probably sound like matpat right now with how im reaching with some of this stuff but I don’t care I need everybody to suffer along with me LMFAOO

I hope you enjoyed this and expect way more soon once I have the time because I also wanna write a notag analysis (although it will be just as tragic) and also write analyses on the songs in my cotag playlist

I would add a funny image here but I’ve reached the limit. Anyways if you have any questions PLEASE let me know I love yapping about my cotag interpretations and theories

[thedarkdisgrace]

Thread analysis from my twitter about soukoku & Dazai specific stuff in this DA art since people were interested in my thoughts on it lol reminder it’s my personal interpretations on it.

This is part 2 essentially of the original post. This focuses just on Dazai and Chuuya.

Alright, so I’ll just start by readdressing a point from my other post just for convenience for people who didn’t see the other post. You can reread this or skip down to my newer points. Red thread typically symbolizes those who are destined to be together.

Dazai has the red thread of fate wrapped around his neck. Chuuya has one end & it's wrapped around his wrist, that seems to symbolize he's holding Dazai's life in his hands. It’s also wrapped around the wrist where Chuuya has his childhood scar, the one proving he’s human.

An obvious link to their shared humanity to me, despite they, themselves, not believing in their own. But it’s no surprise Chuuya holds one side of Dazai’s life, we all know they're inexplicably linked & fated. Chuuya is always there to save Dazai & Asagiri said he's the only one who understands Dazai always.

But it's interesting the other half of Dazai's string is first wrapped around his own wrist before continuing to Aku. This essentially saying Dazai holds his own life in his hands. Which obviously seems super accurate since we know his biggest enemy is often his own mind & the hole inside his chest that he has a hard time filling. It's where his suicidal tendencies come from. But essentially, Dazai's life is held only by Chuuya & then himself and I love that detail.

Moving on. Another thing I found interesting about Dazai in this art (& in DA in general) is that he is wearing an all white suit with a black inner shirt. While Chuuya is in his typical black outer coat & white inner shirt.

I believe this choice serves to emphasize the “yin/yang” of their relationship. The red thread bounds them together while their individual natures complement/complete each other, making them whole. Dazai seems to often see himself/his soul as truly dark by nature even as he lives in the light now, so it seems fitting.

He utilizes his darker nature to *protect* the light now, as he understands the darkness (the villains) that come for those in the light. I touched on that above as well.

Chuuya is the opposite but also similar. Chuuya having a “lighter” soul/heart by nature despite being shrouded in darkness. This is showcased in his fierce protective nature of those he cares for as well as the city he protects. His intense, unyielding belief that, despite all he has been through, people are *worth* suffering for, they’re *worth* protecting.

This in contrast to Dazai when they first met who believed “nothing he could pursue is worth the cost of prolonging this life”.

Chuuya believes people are worth it even while still living in the darkness (which it’s important to note dark doesn’t equal evil, everyone is grey and everyone has a role to play).

But even while living in it, *despite* it, he still holds onto his light. His humanity. Humanity is a consistent theme between Dazai & Chuuya.

They both end up making the other feel human, feel alive. Even their abilities are almost named *for* each other.

Chuuya’s ‘no longer human’ when corruption takes over, until Dazai brings him back to it. (Just to be clear, Chuuya is human. That was confirmed).

Dazai is ‘the tainted sorrow’ that Chuuya is able to awaken from that sorrow with his very nature, his vibrant showcase of humanity. I believe it’s his relationship he was able to form with Chuuya that not only kept him alive (“Chuuya convinced me not to die yet”) but also opened Dazai to the possibility that there *are* people worth it out there. It’s why he was open enough to form his relationships with Oda and Ango.

But despite their struggles, despite their methods even, they both are trying to protect what they can. Both have the capability of acting in the light & dark in equal measure.

Essentially, they’re both made up of different light & darknesses but they end up completing each other.

It’s also interesting they put Chuuya on Dazai’s “good” side. The side Dazai’s see the light with. Kinda shows you how Dazai views Chuuya.

—

Something else about Dazai’s clothes, he seems to be wearing a yellow ribbon on his “darker” side. Which I find very interesting given the yellow wrapped ribbon normally represents suicide *prevention*.

Yellow in Japanese culture also tends to represent courage, which is also fitting, it even used to represent role models.

(This next part I’m definitely reading too much into it but I still found it fun and interesting!)

But moving to the next interesting pieces, Dazai is holding an apple in his hand on his “darker” side. Given Dazai talks about apple suicide (+ being called dead apple) it seems these 2 pieces are at odds with each other.

The apple in this context representing death/suicide while the ribbon represents life/prevention.

But Dazai is holding an apple in his hand on his “darker” side. Given Dazai talks about apple suicide (+ being called dead apple) it seems these 2 pieces are at odds with each other.

The apple in this context representing death/suicide while the ribbon represents life/prevention.

So in this art, is the idea of apple suicide representing a dark irony? Dazai seeing death as good fortune? Or is the apple only representing the more surface level contrast of death with the ribbon being life? I think that’s up to interpretation.

Small side note, Chuuya’s hat being placed over his heart is definitely deliberate. The hat that helps protect his humanity, the hat that helps offer Chuuya some control, sitting atop of & covering his heart makes sense. It’s almost as armor, protecting his “light” as it were.

Now to talk about Dazai being the only one “awake” as it were & the specific eye that’s uncovered.

The fact it's the eye that used to be covered in the PM is an important choice. Especially given the eye that was open with the PM is closed.

Dazai seems to be seeing more of the good now, maybe even is starting to see the true value in light.

However, it's only because of his dark past he's been able to survive & help save the ada multiple times. I believe that's why it's *that* wrist, the wrist helping covering that eye that was open while in the mafia, that is bound by the red thread of fate.

That wrist being wrapped up symbolizing how he partly holds his own life in his hands (along side Chuuya holding the other part). His fate is bound by *both* his sides, the light & dark in equal measure.

Dazai holds one side for his own life because not only is he his own worse enemy but he ironically (sadly) can't live completely without that dark side of him.

It's the part that wants him to end his life but it's also thanks to that side & what he went through that he can survive so well now & help others. It’s allowed him to understand the villains they face. Of course his past is a tragedy, but what we go through makes us who we are. At least he can use it to save people now.

Another point, (this more of a stretch) the overall theme here seems to be fate, since the thread of fate is predominately featured.

Dazai being the only one with his eye open, the only one awake, could also mean he knows something about their fates that no one else does.

Maybe since his “light” eye is open it’s a good thing. But it could possibly even be linked to the book, either that he knows more about the book & what it contains more than everyone else or (& this is a much bigger stretch) that he may even have read/seen briefly a piece of the book

Maybe whatever the reason is part of the real reason he picked up both Atsushi & Akutagawa & formed shin soukoku. Because for all his & Chuuya’s might, they need something *specific* for what’s coming. Something only shin soukoku has & we already know Atsushi is connected to the book.

Plus the thread of fate is linking them *all* together here. Some more connected to each other obviously, soukoku together & then sskk + kyoka. But again, this last part is very much a stretch but it’s just something fun to think about.

I hope all this made sense. Like i said, this is all just my interpretations so take it as you will. Everyone is free to have their own interpretations & opinions. I definitely went a little overboard & went deeper than just the art itself but oh well lol

If you made it this far, I hope you enjoyed my interpretations! Again some are deeper than originally intended & some are much more a stretch but thanks for coming to my ted talk lol

[toaster-trash]

One of the things that piss me off the absolute most about popular academic Frankenstein analysis is the “Victor Frankenstein is sexist” take. Like I know I’ve spoken about this quite a lot before but god damn it’s like people just look at the text and see, “(I) looked upon Elizabeth as mine—mine to protect, love, and cherish. All praises bestowed on her I received as made to a possession of my own.”, and they just immediately go, “Oh! Oh! Sexism! Misogyny! Victor Frankenstein is a sexist! Why does he want to create the perfect man, huh? *gasp* is it because he thinks women are inferior?”

When if those people pulled their heads out of their asses for five minutes and read the rest of that paragraph, “On the evening previous to her being brought to my home, my mother had said playfully, “I have a pretty present for my Victor—tomorrow he shall have it.” And when, on the morrow, she presented Elizabeth to me as her promised gift, I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine (…)” along with the fact that Victor explicitly says he was “about five years old”, they’d maybe consider, “huh, maybe it’s very fucked up of a mother to give her to her son as a gift and spent her entire life basically shipping these two adopted siblings together until, on her death bed, she says, “my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father.” Wow, maybe that’s kind of fucked up. Maybe painting, again, a five year old, who was honesty for all intents and purposes pretty much just manipulated into thinking it was his duty to marry his adopted sister out of respect for his dead mother’s last wishes who died when he was seventeen, as a wife-beating woman hater who reanimated the dead to spite half the human population, is very very fucked up!”

Like I can’t stress this enough – both Elizabeth and Victor are victims here. Of course as the story goes on a bit and Victor is a grown adult man who’s still avoiding his feelings and fucking off across the continent with his buddy pal best friend every five minutes instead of facing his mistakes and emotions, yeah, he is honestly more or less to blame for Elizabeth’s death, but that isn’t misogyny. Avoidance of everything is like one of his integral character flaws.

And I mean if you thought the 1831 republication had some creepy undertones, look at the bloody original 1818 version.

“(My uncle) request(ed) my father (…) take charge of the infant Elizabeth, the only child of his deceased sister. “It is my wish,” he said, “that you should consider her as your own daughter, and educate her thus.”’

So just explicit incest, basically. And again, if you thought Victor’s mother was a bit creepy and pushy in the republication,

“I have often heard my mother say, that she was at that time the most beautiful child she had ever seen, and shewed signs even then of a gentle and affectionate disposition. These indications, and a desire to bind as closely as possible the ties of domestic love, determined my mother to consider Elizabeth as my future wife; a design which she never found reason to repent.”

“………A desire to bind as closely as possible the ties of domestic love?” My brother in Christ you were groomed. Fun fact, I read the 1818 version first and read that in the middle of form class and sat for a good five minutes staring flabbergasted at what the fuck I was reading.

So no, dear God no, nowhere in the text does it imply Victor Frankenstein hates women. I mean honestly it’s kind of shown in the way he talks about the Creature’s Bride that he doesn’t view women as objects and does, in fact, view them as people.

“He had sworn to quit the neighbourhood of man and hide himself in deserts, but she had not; and she, who in all probability was to become a thinking and reasoning animal, might refuse to comply with a compact made before her creation.”

My guy basically says “well what are we expecting her to do here, immediately marry you just because she was told to?”

(Just a fun little comparison I noticed there – not to turn the conversation back to my whole “does Victor is gay” theory but I think it is interesting that Victor thinks that, that he does go “well she can’t just be expected to marry someone just because she was told to!” and then suggests to himself that she would probably rather “turn with disgust from him to the superior beauty of man” – interesting, Victor. Like Clerval’s “form so divinely wrought, and beaming with beauty”? Interesting as well that after Victor comes to that conclusion and destroys the Bride, the Creature immediately then kills Henry and only then does Victor finally go “well. I finally have to marry Elizabeth.” Feeling disheartened by sparing her your predicament only to be thrust even deeper into your own, are we?)

But yeah. “Victor Frankenstein is a full-blown women-hating misogynist” takes really piss me off. Another case of “oooh yes let’s cherry pick the text scouring it for anything we can possibly use to turn things back around to the same few analysis points we’ll reuse over and over instead of possibly considering that just because a text is written by a woman doesn’t mean that it’s a massive rant on the patriarchy disguised as a science fiction novel.”

Maybe that’s kind of sexist itself. Maybe women can just write kick-ass gothic horror sometimes. And maybe just because a work definitely has undertones about sexism and misogyny (like, fair enough, a lot of Elizabeth’s character definitely does) that doesn’t mean that the male protagonist wants to kill all women! And surprise surprise as well, works can comment on misogyny and patriarchy and acknowledge that women are treated badly in society and have been in differing ways for hundreds of years, without going “all men are inherently evil and fuck them all”. Bit of a side rant that I won’t go all into here, but just worth mentioning that after seeing this over and over again in media and analysis of media over and over again, hey, misandry won’t fix misogyny. It just makes everything considerably stupidly worse. –your friendly neighbourhood bisexual

[eriophorumcallitrix]

ok so i wanna talk about my biggest gripe with the latest reason for disliking tubbo. this ended up accidentally being a more in-depth character explanation from my/tubbos pov. and boy do I mean the compulsive overexplanation really popped off on this one

(disclaimer: you’re obviously allowed to dislike any character you want, I’m not your mom and I’m just voicing my own view + experiences lol)

one of the biggest criticisms for him im seeing as of the moment is that he’s being annoying. and I completely agree. I think he’s being inflammatory at really awful times. but what I don’t agree with is the lack of discussion about why he’s acting this way. chalking his callousness up to simple neglect or lack of care is a disservice to his character.

my interpretation of tubbos current mental state and how he got here is like this:

tension has been high strung for weeks now due to the egg island workers showing up and harassing people. they’ve killed empanada, and there really does not seem to be shit they can do about it. the federation doesn’t give a shit, the workers are OP as all hell, and tubbo has tried everything in his power to keep sunny and her siblings safe. not even his busted set of armor kept him from getting three-tapped. like tubbo said: “why try if there’s no chance of winning?”

so already, he’s depressed and frustrated with himself for not being able to do a damn thing to keep the people he loves safe.

then we get into his relationships with the people around him. in tubbos eyes, pac and fit are forming a close relationship that he feels is going to leave him behind. pac, fit and Ramon have each other now. they’re family now in a way that tubbo doesn’t seem to be a part of now. I can’t remember if he said this exactly, but it was along the lines of: well now there’s not going to be any space for me [if they’re that close.] his closest friends are moving on without him, and there’s nothing he can do about that either.

now we have a depressed barely-adult guy whose self esteem has TANKED because he feels like there’s no use for him anymore. his friends are moving on without him and the only thing he’s good for is how useful he can be to others.

except for sunny.

it barely took a week for them to get attached to each other, and now it’s them against the world. sunny is all he needs, and tubbo is all she needs. they mean everything to each other, and would burn it all down if it made the other smile. and right now? it’s looking like it’ll be just them against the world until further notice.

but sunny has her friends. she has her siblings! she loves them to death and they love her to death too. she has her accountant bad, her bodyguard fit and driver pac! (if I remember correctly xd) and they’ve got her. sunny can trust them, and has them to stick around for.

tubbo does not have this. don’t get him wrong, he’s incredibly grateful that she’s got people on her side that love her other than him! but this doesn’t come without unspoken jealousy and resentment. not resentment towards sunny, obviously, but definitely some jealousy of her relationships with the others. and possible resentment towards the others for not sparing the same kindness towards him.

this is where I tie back to my original point. the difference between sunny and her pa is mostly communication and trust of others. sunny is willing to communicate and trust others, and tubbo is not.

to start with why tubbo isn’t communicating with others right now: i believe he’s reached the point of emotional shutdown. he has tried his damndest to do what he can to resolve the situation and nothing has worked. this is already something I believe is stressing him out really badly, thus taking up a significant portion of his emotional threshold.

and now he can’t even seek solace or help in his friends because he cannot let himself trust them.

he has tried to give out cries for help in ways that aren’t necessarily straightforward. and he’s also said some seriously worrying things lately under the guise of being jokes. i don’t blame the others for not getting that, but I still can’t help but wonder why nobody’s really thought to look any deeper into it? like don’t get me wrong, tubbo says some completely inane shit sometimes. but has the frequency of these “jokes” and his inflammatory behavior not tipped anyone off at all?

regardless, tubbo feels like he’s tried. he’s not that good at communicating, and even when he is, he may not come off as treating the situation with proper sensitivity. it’s already a struggle to communicate, not even mentioning trying to ask for help. this is a whole other layer to wondering why he even tries doing things “right.”

he already thinks people only keep him around for what he can provide, so thats the only thing he thinks he’s got going for him and he’s barely hanging onto it too.

so as a result of not knowing how to cope with the situations around him and pretty much being extended past his emotional capability, he acts out. he doesn’t want fit and pac together because they’re gonna leave him behind. so he tries to ruin it. it doesn’t work, and they are continuing to move on without him. so he constantly comments on how annoying it is, and in a way, tries to get them to push him away themselves. he just wants a resolution to this hurt he’s feeling, and he wants them to just get “the move away” over already. but obviously that’s not gonna happen.

so he makes insensitive jokes, says stupid shit and does stupid shit too. he lies and blames others. he wants his friends to push him away already and give him a good reason to finally run away with sunny and completely isolate. this is beyond his capabilities, and all he needs at this point is a solid reason for him to finally hit the ground running.

but each day he comes back to spawn, doing everything he can to not completely lose it for sunny. he’s trying his best to keep it together for her, and he can’t let himself be weak. admitting his feelings in the place he’s currently in would end up coming out as a breakdown. and he cannot let the people around him see that. it would be a fatal error to open up when he cannot trust the feds nor the egg island workers not to take advantage of his weakness. and he needs to be there for sunny, to at the very least protect her if nothing else.

so essentially: tubbo is past his emotional threshold and is barely keeping it together. the facade is slipping and the harshness/what people perceive as annoying is continuously slipping out from the cracks.

(with this next bit, this is just me recognizing autistic patterns of behavior in myself + some others in tubbo’s character. i dont actually know if he’s autistic this is just me drawing parallels from my experience. and how I have seen these behaviors be treated within the qsmp fandom. don’t say I’m armchair diagnosing him or whatever for the love of god please)

so tubbo cannot cope with the situations around him, which is resulting in his mask slipping. he’s fully aware that he’s being insensitive and kind of an ass, but he is quite literally past his capability of keeping up with social niceties at this point. and i do think the unnecessary jokes in bad taste are purposefully to get people to either notice something is wrong or to get them to push him away so he doesn’t keep hurting their feelings.

and people getting onto him about communication I think simply do not get how utterly difficult it is to communicate when you have reached the point where you’re struggling to mask. not to mention the danger he could put himself in by being vulnerable to others on top of that. so ultimately, brushing off his fears and character traits as a simple “he could do this but doesn’t want to/is just stubborn and annoying for no reason/for a reason that isn’t good enough for me” is kind of ridiculous. it also reminds me of some things I’ve been told in relation to my struggles with autism, but that’s just me. not that i think people are actually being ableist but i do think some of y’all’s arguments are slipping a little too close to ableist rhetoric.

once again you’re allowed to dislike whoever you want and think they’re annoying, but i would encourage you to think a little more in depth as to why you think they’re annoying.

(and I’m not saying some people don’t like autistic traits that aren’t cute n quirky but… it’s getting a little too close for comfort >_>)