#I think technological advance can be one specific advance

[imissthembutitwasntadisaster]

Wait I think I'm changing my entire inklings challenge

[evilminji]

Okay but? We of the DPxDC? Are COMPLETELY Sleeping on DPXBNHA?

And not even for the Main Plot Shenanigans!

Just?? It has ALL of DC's super powers? But MORE OF THEM. And like 80% of the population has um! Danny can?? Finally achieve his DREAM of being???

JUST SOME DUDE™!

Yeah, he's in Japan. That's a bit of a learning curve. And YEAH, there was a cataclysmic war like a few centuries back that sorta... fucked everybody up. No one wants to talk about it. There may be mass graves and Never Forget memorials. But?

On the SURFACE!

This place seems utopian!

No ghost hunters! Advanced technology! Robust social services*!

Wait... what was that asterisk? What do you mean "corrupt shadowy government organizations"? What do you MEAN "Immortal Supervillians"? NO SPACE PROGRAM!?!? AaaaaAAAAAAAAAAH?!?!? I'M IN HELL!!! This is ACTUALLY THE BAD PLACE, THIS IS HELL, OH GOD NOOOOOOO-!!!!!!

Cause see?

There are SO MANY REASONS he'd end up there?

Think about it! Wish that he lived somewhere his weird biology wouldn't exclude him from becoming an astronaut? In Quirks having Bnha Japan EVERYBODY has weird biology! Y'ain't special! You could TOTALLY be an astronaut!..... if we HAD those! We do not. Shut down that program during the Quirk Wars and never really started it again. (And somewhere, Desiree LAUGHS)

Or MAYBE? Things are getting a little hot on the ground? Bit TOO spicy. The Family Fenton and Friends have fallen back, behind the barely holding shields. Not even the Mansons considerable political maneuvering could stop the inevitably of human fear and blind unthinking hatred. Money can't buy everything, in the end. There is only ONE(1) way out.

Through the Zone.

Plan: Strangers In A Strange World is a go.

They're all Limnal enough to fake it. Sam with her plants. Tucker with his technology and persuasion. Jazz with her limited empathy. Their parents with their... well, weirdness. And with a touch of ghostly assisted meddling? Well, they've always BEEN there! Haven't they?

And that's not to MENTION the random 4 year olds with no control! JUST coming into their powers! With all those big emotions in tiny bodies? Startling events and tantrums? Villian attacks? What could THEY possibly hope to do to control or guide that fresh new power? It does what it does and the rest of us are just along for the ride!

If Danny happens to be minding his business and gets accidentally kidnapped by a VERY distraught 4 year old? Well, that's hardly the KIDS fault, now is it? They're FOUR! That is basically a toddler! Tiny child! They are upset, confused, and didn't mean to do ANYTHING. He's a hero. And Heros don't blame little kids from accidents, no matter HOW stressed it makes them.

No, the curse like a sailor INSIDE their head. Like an ADULT.

Just? Imagine~☆

The slow transition from *starry eyed shoujo sparkles* "This is SO COOL~!" to "huh, that's... kinda weird. And Sus. Weird Sus. Maybe nothing... oh! A distraction!" To "okay, this KEEPS happening, that was shady. You all saw that right? You realize that's not NORMAL, right? That that's fucked up? Not cool?" To "oh god, oh God, OH GOD! I'm in HELL! This is actually HELL! I'm trapped in HELL!!! WHAT THE FUC-"

Like? This kid LOVES space. LOVES the stars. And this is one of the few Superhero Cannon that SPECIFICALLY MENTIONS that IN CANNON? Thanks to Quirks? As in Superpowers? That VERY THING got fuckin SCRAPPED. Gutted. Consigned to be a relic of the past so they could all focus on punching each other Real Good.

He would weep BLOOD. Chew the WALLS. The LEVEL of unhinged this child would unleash? Not as Danny Phantom... but as DANNY J. FENTON? Beautiful. Vaguely psychotic. Definitely doing the Fenton Name proud. God, the NOISE HE WOULD MAKE would be inhuman and yet somehow? Come entirely from his human half.

They👏 Would👏 Hear👏 BOSS👏 MUSIC👏

I don't even know if he'd CARE about the main characters. They'd be tangential at best. The man would be in a one man war with I-Island over their lack of space program and hoarding of scientific progress. Probably living out of an abandoned building or forgotten subway station. Just? The MOST bedraggled, feral genius to ever haunt Japan.

As opposed to the REFINED feral genius. Who is Nedzu.

I bet Danny stands outside his school at one AM waving his scientific papers at a camera and YELLS. Like a deranged lunatic. Mismatched slippers and a "haven't slept in a week" crazed glint in his eyes.

He's Nedzu's new best friend. They GET each other.

And, yes, Nedzu COULD let him in... but it's faster to just let him yell and read the papers through the camera. Who CARES if they both seem insane! Let's shout about advanced physics and engineering at 1 am! Over the speakers!!! Oh? You need to physically SHOW me the notes? Well I COULD unlock the gates... OR just wait for you to finish scrambling up the walls like a feral Racoon, to then throw yourself OVER them.

Either, Or.

I'm just SAYING! We are SLEEPING on this! There is so, SO much fun to be had! Danny breaks rules and minds! His outrage over injustice and the complete lack of SPACE! His protection instincts going BUCK FUCKIN WILD. The INDESCRIBABLE hate boner he would have for Mr. "Lemme just rip parts of your soul out so I can collect your powers like pokemon cards" AfO.

There? Is SO MUCH, guys. SO MUCH!

@hdgnj @the-witchhunter @babbling-babull @hypewinter @nerdpoe @lolottes @dcxdpdabbles @mutable-manifestation

[wilwheaton]

Hey man, I could use a few talking points to help convince a friend that Musk is horrible. I'm reading 'Think Again' by Adam Grant (good read btws) and he says to help convince people to come to your viewpoint that it can be good to have 2 or 3 strong points instead of 10 mixed points. The counter argument I get from people about Musk being good is that he did spacex and tesla, and without him we'd be decades behind. Maybe, but I don't have good ammo. Please help as I get too angry tobe critical

Well, listen, the fascism, the transphobia, the chaos, and the unwavering support for autocrats all over the planet really ought to be enough to outweigh anything else, if you ask me. It sounds like you know some people who got excited about the companies he threw money at, and they are having a tough time updating their feelings due to current events. Or maybe they share his values and don't want to admit that.

But I'll try to offer some simple facts.

He did not do engineering with Tesla or SpaceX or even PayPal. He is a fraud. He walked into these existing businesses, where people had done actual work and engineering, threw some of his Apartheid money at them, and took credit for their work. He claims, over and over again, to be a founder of these companies, and that's just straight up a lie that is easily disproved.

He literally did nothing except throw money at people and take credit for their work. Look at every Tesla up to the (chokes back laughter) Cybertruck. Those Teslas look like cars, because they were designed by engineers. Look at the Cybertruck. When you stop laughing at what a joke it is, know this: that's what happens when Elon Musk is in charge. It's like a ten year-old with some crayons drew it on a menu at Denny's.

All of the things his weird fans claim he made possible, are things that would have happened, and were in the process of happening, without him. He literally did nothing to advance the technologies or engineering. In fact, SpaceX whistleblowers have told reporters how they had to keep Musk occupied with bullshit, so they could do the real work without him fucking it up all the time with his incompetence.

But even if he were telling the truth, even if the myth were fact, it would not outweigh the damage, the pain, the chaos, and the suffering he has inflicted on millions and millions of people, all over the world with his lies, his spread of misinformation, and his incitement of angry incels.

Also, don't forget, when Ukraine was trying to defend itself, he turned off Starlink access when they could have decisively ended Russia's aggression. A lot of people have suffered and died as a direct consequence of that action, which he took to support his buddy and fellow autocrat, Vladimir Putin.

That's more information than I think your friends will be willing to hear. Studies indicate that people who are heavily invested in the myth of a person will fight hard to hold onto the myth, and reject truth and facts, because it's so jarring to them. Musk has built a cult of personality, and maybe your friends are stuck to it.

I'd gently encourage your friends to consider one key fact: he has lied about his entire origin story, he has lied about his contributions to Tesla and SpaceX. He lies about everything, except when he posts on Twitter like a 12 year-old edgelord, because that's who he is, emotionally.

Finally, and this is for you, specifically: if your friends insist on supporting a fascist, a racist, a misogynist, or a bigot, because they think rockets are cool, maybe it's time to look for new friends.

I hope this helps.

And fuck Elon Musk.

[staff]

We Asked an Expert...in Herpetology!

People on Tumblr come from all walks of life and all areas of expertise to grace our dashboards with paragraphs and photographs of the things they want to share with the world. Whether it's an artist uploading their speed art, a fanfic writer posting their WIPs, a language expert expounding on the origin of a specific word, or a historian ready to lay down the secrets of Ea-nasir, the hallways of Tumblr are filled with specialists sharing their knowledge with the world. We Asked an Expert is a deep dive into those expert brains on tumblr dot com. Today, we’re talking to Dr. Mark D. Scherz (@markscherz), an expert in Herpetology. Read on for some ribbeting frog facts, including what kind of frog the viral frog bread may be based on.

Reptiles v Amphibians. You have to choose one.

In a battle for my heart, I think amphibians beat out the reptiles. There is just something incredibly good about beholding a nice plump frog.

In a battle to the death, I have to give it to the reptiles—the number of reptiles that eat amphibians far, far outstrips the number of amphibians that eat reptiles.

In terms of ecological importance, I would give it to the amphibians again, though. Okay, reptiles may keep some insects and rodents in check, but many amphibians live a dual life, starting as herbivores and graduating to carnivory after metamorphosis, and as adults they are critical for keeping mosquitos and other pest insects in check.

What is the most recent exciting fact you discovered about herps?

This doesn’t really answer your question, but did you know that tadpole arms usually develop inside the body and later burst through the body wall fully formed? I learned about this as a Master’s student many years ago, but it still blows my mind. What’s curious is that this apparently does not happen in some of the species of frogs that don’t have tadpoles—oh yeah, like a third of all frogs or something don’t have free-living tadpoles; crazy, right? They just develop forelimbs on the outside of the body like all other four-legged beasties. But this has only really been examined in a couple species, so there is just so much we don’t know about development, especially in direct-developing frogs. Like, how the hell does it just… swap from chest-burster to ‘normal’ limb development? Is that the recovery of the ancestral programming, or is it newly generated? When in frog evolution did the chest-burster mode even evolve?

How can people contribute to conservation efforts for their local herps?

You can get involved with your local herpetological societies if they exist—and they probably do, as herpetologists are everywhere. You can upload observations of animals to iNaturalist, where you can get them identified while also contributing to datasets on species distribution and annual activity used by research scientists.

You can see if there are local conservation organizations that are doing any work locally, and if you find they are not, then you can get involved to try to get them started. For example, if you notice areas of particularly frequent roadkill, talking to your local council or national or local conservation organizations can get things like rescue programs or road protectors set up. You should also make sure you travel carefully and responsibly. Carefully wash and disinfect your hiking boots, especially between locations, as you do not want to be carrying chytrid or other nasty infectious diseases across the world, where they can cause population collapses and extinctions.

Here are some recent headlines. Quick question, what the frog is going on in the frog world? 

Click through for Mark’s response to these absolutely wild headlines, more about his day-to-day job, his opinion on frog bread, and his favorite Tumblr.

✨D I S C O V E R Y✨

There are more people on Earth than ever before, with the most incredible technology that advances daily at their disposal, and they disperse that knowledge instantly. That means more eyes and ears observing, recording, and sharing than ever before. And so we are making big new discoveries all the time, and are able to document them and reach huge audiences with them.

That being said, these headlines also showcase how bad some media reporting has gotten. The frogs that scream actually scream mostly in the audible range—they just have harmonics that stretch up into ultrasound. So, we can hear them scream, we just can’t hear all of it. Because the harmonics are just multiples of the fundamental, they would anyway only add to the overall ‘quality’ of the sound, not anything different. The mushroom was sprouting from the flank of the frog, and scientists are not really worried about it because this is not how parasitic fungi work, and this is probably a very weird fluke. And finally, the Cuban tree frogs (Osteocephalus septentrionalis) are not really cannibals per se; they are just generalist predators who will just as happily eat a frog as they will a grasshopper, but the frogs they are eating are usually other species. People seem to forget that cannibalism is, by definition, within a species. The fact that they are generalist predators makes them a much bigger problem than if they were cannibals—a cannibal would actually kind of keep itself in check, which would be useful. The press just uses this to get people’s hackles up because Westerners are often equal parts disgusted and fascinated by cannibalism. 

What does an average day look like for the curator of herpetology at the Natural History Museum of Denmark?

No two days are the same, and that is one of the joys of the job. I could spend a whole day in meetings, where we might be discussing anything from which budget is going to pay for 1000 magnets to how we could attract big research funding, to what a label is going to say in our new museum exhibits (we are in the process of building a new museum). Equally, I might spend a day accompanying or facilitating a visitor dissecting a crocodile or photographing a hundred snakes. Or it might be divided into one-hour segments that cover a full spectrum: working with one of my students on a project, training volunteers in the collection, hunting down a lizard that someone wants to borrow from the museum, working on one of a dozen research projects of my own, writing funding proposals, or teaching classes. It is a job with a great deal of freedom, which really suits my work style and brain.

Oh yeah, and then every now and then, I get to go to the field and spend anywhere from a couple of weeks to several months tracking down reptiles and amphibians, usually in the rainforest. These are also work days—with work conditions you couldn’t sell to anyone: 18-hour work days, no weekends, no real rest, uncomfortable living conditions, sometimes dangerous locations or working conditions, field kitchen with limited options, and more leeches and other biting beasties than most health and welfare officers would tolerate—but the reward is the opportunity to make new discoveries and observations, collect critical data, and the privilege of getting to be in some of the most beautiful and biodiverse places left on the planet. So, I am humbled by the fact that I have the privilege and opportunity to undertake such expeditions, and grateful for the incredible teams I collaborate with that make all of this work—from the museum to the field—possible.

The Tibetan Blackbird is also known as Turdus maximus. What’s your favorite chortle-inducing scientific name in the world of herpetology?

Among reptiles and amphibians, there aren’t actually that many to choose from, but I must give great credit to my friend Oliver Hawlitschek and his team, who named the snake Lycodryas cococola, which actually means ‘Coco dweller’ in Latin, referring to its occurrence in coconut trees. When we were naming Mini mum, Mini scule, and Mini ature, I was inspired by the incredible list that Mark Isaac has compiled of punning species names, particularly by the extinct parrot Vini vidivici, and the beetles Gelae baen, Gelae belae, Gelae donut, Gelae fish, and Gelae rol. I have known about these since high school, and it has always been my ambition to get a species on this list.

If you were a frog, what frog would you be and why?

I think I would be a Phasmahyla because they’re weird and awkward, long-limbed, and look like they’re wearing glasses. As a 186 cm (6’3) glasses-wearing human with no coordination, they quite resonate with me.

Please rate this frog bread from 1/10. Can you tell us what frog it represents?

With the arms inside the body cavity like that, it can basically only be a brevicipitid rain frog. The roundness of the body fits, too. I’d say probably Breviceps macrops (or should I say Breadviceps?) based on those big eyes. 7/10, a little on the bumpy side and missing a finger and at least one toe.

Please follow Dr. Mark Scherz at @markscherz for even more incredibly educational, entertaining, and meaningful resources in the world of reptiles and amphibians.

[theplotmage]

How to Get Started with Worldbuilding for Fantasy Writers

Hey fellow writers!

Worldbuilding can feel like a Herculean task, but it’s one of the most rewarding parts of creating a fantasy novel. If you're getting stuck, Here are some tips that have helped me, and I hope they’ll help you too!

Start with the Basics

Geography

- Map out the physical layout of your world. Think about continents, countries, cities, and natural features like mountains, rivers, and forests.

Climate and Ecosystems

- What are the climate zones and ecosystems like? How do they shape the lives of your inhabitants?

Create a History

Origins

- Dive into how your world came into existence. Are there creation myths or ancient civilizations that set the stage?

Major Events

- Outline key historical events. Wars, alliances, discoveries, and disasters can add so much depth.

Develop Cultures and Societies

Cultures

- Craft diverse cultures with unique customs, traditions, and values. What do they wear? What do they eat? How do they express themselves through art?

Social Structure

- Define the social hierarchy. Who holds power? What are the roles of different classes or groups?

Establish Magic and Technology

Magic System

- Set the rules and limitations of magic. Who can use it? How does it work? What are its costs and consequences?

Technology

- Decide on the level of technological advancement. Is your world medieval with swords and castles, or does it have steampunk elements?

Design Political and Economic Systems

Governments

- Create various forms of government. Are there kingdoms, republics, or empires? How do they interact?

Economy

- Define the economic systems. What are the main industries and trade routes? How do people earn a living?

Build Religions and Beliefs

Religions

- Develop religions and belief systems. Who are the gods or deities? What are the rituals and holy sites?

Myths and Legends

- Craft myths and legends that influence the culture and behavior of your characters.

Craft Unique Flora and Fauna

Creatures

- Invent unique creatures that inhabit your world. Consider their habitats, behaviors, and interactions with humans.

Plants

- Design plants with special properties. Are there magical herbs or dangerous plants?

Incorporate Conflict and Tension

Internal Conflicts

- Think about internal conflicts within societies, such as class struggles, political intrigue, or religious disputes.

External Conflicts

- Consider external threats like invading armies, natural disasters, or magical catastrophes.

Use Maps and Visual Aids

Maps

- Create maps to visualize your world. This helps you keep track of locations and distances.

Visual References

- Use images or sketches to inspire and flesh out your world.

Stay Consistent

Consistency

- Keep track of the details to maintain consistency. Use a worldbuilding bible or document to record important information.

Feedback

- Share your world with others and get feedback. Sometimes fresh eyes can spot inconsistencies or offer new ideas.

Let Your Characters Explore

Character Perspective

- Develop your world through the eyes of your characters. How do they interact with their environment? What do they know or believe about their world?

Be Flexible

Adapt and Evolve

- Be open to changing aspects of your world as your story develops. Sometimes the best ideas come during the writing process.

Worldbuilding is an ongoing journey, and it’s okay to refine and expand your world as you go. If you’re stuck or need specific advice, drop a comment or message me. Happy worldbuilding! 🌍✨

Feel free to share your own tips and experiences below. Let’s build some amazing worlds together! 💫

By the way, if you’re looking for a tool to help you keep track of all your worldbuilding details, check out my worldbuilding bible on Etsy! It’s designed to help you organize every aspect of your world, from geography and cultures to magic systems and conflicts.

I poured my heart into creating this, and I hope it inspires you as much as it has inspired me. Writing is such a beautiful journey, and having a structured way to keep your ideas organized can make all the difference. So go ahead, dive deep into your imagination, and let your creativity flow. You’ve got this! 💖📝

Happy writing, friends!

[cy-cyborg]

Tips for wring amputees: its ok if your amputee can't repair their own prosthetics

There's a trope in fiction for amputees to always be these mechanical geniuses who can make and repair their own prosthetics, endlessly tinkering away and improving them. This isn't a particularly trope, and i dont think its harmful or anything, but in reality, prosthetics are REALLY, REALLY complicated, and a lot of amputees cant do their own repairs. And thats ok. Like, prosthetic creation and repair is way, way harder than I think people expect. Well outside the skillset of your standard mechanic, handy man or craftsperson.

People who make and repair prosthetics are called prosthetists. To become a prosthetist, most countries around the world today require you to have completed a bachelor's degree in specifically in prosthetics and orthotics, which covers not only how to make a prosthetics (and orthodics) but a great deal of medical knowledge, physics, how different forces impact "non-standard" bodies, the additional biological wear-and-tear that comes with being an amputee and so much more. This will qualify you to do the job of fitting/making the prosthetic socket (the part that attaches to your body) and putting premade components together to make a functioning device. On top of this, many prosthetists are also expected to have artistic skills, sewing skills, good physical strength and dexterity, IT skills, and more recently, knowledge of 3D modelling and printing.

You want to make all the high-tech components the prosthetists put together to make the full prosthetic? The requirements for that vary country to country, but most will require at least some level study in the field of engineering and/or medicine, on top of what was already required for the prosthetics course.

The reason for all this is because even "basic" prosthetics are extremely finicky, and messing up one thing will have a domino effect on the rest of the body, especially in more complicated prosthetics. It can also result in people getting severally injured if anything is even slightly off. many leg amputees for example end up with spinal issues due to extremely minor issues with their prosthetic that weren't caught until years later, and by then the damage had been done.

Some amputees do learn to do basic repairs. This is most common in places like the US, where a visit to the prosthetist can cost hundred to thousands of dollars (depending on your insurance), but it's also quite common in rural parts of countries like Australia, where cost isn't an issue but access is due to vast distances between major cities. I was personally in this category; as a kid, my nearest prosthetist was 6 hours away. My prosthetist was able to teach my dad, who later taught me, how to do some of the simple repairs, but we still needed to go in every few weeks for the more complex stuff (Kids prosthetic need more adjusting than adults because they're still growing. Also I was rough on my prosthetics and broke them a lot lol).

But even after being taught how to do repairs and having my prosthetics for 20+ years, I only ever did these sorts of repairs to my below-knee prosthetic. I will not do any repairs of any kind to my above knee leg, which is much more technologically complex. Every time I tried, I made it worse to the point where the leg was unusable. I just leave those repairs to the guy who went to university to learn how to do it, and sometimes even he needs to send it off to someone with even more specialist knowledge when it's really badly messed up lol. Last time that happened Australia post lost the package. Not really relevant to this post, I just find the idea of it being sent to the wrong place by accident hilarious, it was one of my more realistic legs too so someone probably had a heart attack when they opened that package lmao.

Anyway, back on track lol.

This isn't even touching on the fact that on some more advanced prosthetics, many features are actually locked behind a security barrier only prosthetists can access. My prosthetic knee has an app on my phone I can pair it to, that allows me to change certain settings and swap between certain modes for different activities that tell the leg to change its behaviour depending on what I'm doing (e.g. a mode for running, a mode for cycling etc). but most of the more in-depth settings I can't access, only my prosthetist can, and he can only gain access to those settings with a security key given to him by the manufacturing company that requires him to provide proof of his credentials to receive it. I don't really agree with this btw, something about being locked out of my own leg's settings makes me feel a bit of an ick, but it's set up like this because people used to be able to access these settings and they would mess with things to the point their leg was virtually unusable. Because altering one setting had a domino effect on all the others, and a lot of folks weren't really paying attention to what they were messing with, all their prosthetists could do was factory reset the whole leg, which causes some issues too. Prosthetic arms are often similarly complex, as I understand it and have similar security barriers in place for more advanced arms. I don't know for sure though, so take that with a grain of salt.

All this to say these are incredibly delicate, finicky and complex pieces of equipment. There's nothing wrong with having a techy amputee character who can do their own repairs, but in reality, that is pretty rare, and its ok to have your character need to see a prosthetist or someone more knowledgeable than them. It's a part of the amputee experience I don't see reflected very often in media. In fact, the only examples I can think of in fiction (meaning not stories based on real people) where this is reflected are Full metal alchemist.

technically I think Subnautica Below Zero also mentions prosthetists are a thing in that world, but its a very "blink and you'll miss it" kind of thing...in fact I did miss it until my last playthrough lol.

[txttletale]

Can you elaborate on what you think would be the minimal needed changes to fix what you see as an issue in Civ? Civ has done fairly large shifts in some mechanics before, and "civ like" is still an interesting game space that can scratch certain itches

yeah i mean as i said, the baked-in racism arises from a certain set of core assumptions that i think lock it into that position, which are that civ is a

1) symmetrical

2) 4X

game about

3) 'real world civilizations' (deeply loaded terms ofc but that's how civ envisions them)

4) trying to 'win the game'

5) with a global

6) and transhistorical

scope

so, in its role as a symmetrical (1) game with victory conditions (4), civ as a text has to take positions on what constitutes a 'successful civilization'. as a (2) 4X game this definition also has to include some variation on the profoundly loaded eponymous Xs, 'explore, expand, exploit, and exterminate'. furthermore, as a (1) symmetrical game with a global, transhistorical (5, 6) scope, it has to necessarily create a model of what 'a civilization' looks like and apply it to every 'civilization' it wants to include, at all points in their history.

this all kind of naturally leads into civ being a game in which the colonial european imperialist powers are the default 'civilizations' and all other cultures are basically just like them -- a game where technology progresses linearly and innovations are made in the order they were in european imperial history -- a game where all cultures fundamentally work in the same way and hold similar values, a game where all religions are based on christianity (i mean, just look at civ vi's system, where every religion has a 'prophet', 'apostles', 'missionaries' and 'inquisitors'), a game where not only do cultures have teleological overarching 'goals' but where these goals are shared and these goals are fundamentally based on imperialist visions of 'victory'.

to drill into some specific examples: you can't play a game of civilization without founding cities. you will constantly be founding cities. when you're playing as 'the mongols' or 'the cree' or 'scythia', this makes no sense! these were peoples who historically had rich culture, science, arts, and certainly a notable military history, but were (to varying degrees, at varying times in their history, i don't mean to create a new and similarly heterogenous absolutist category here) nomadic!

similarly, to advance in civilization you must invent 'the wheel'. 'the wheel' is necessary to many later innovations, while of course the andean peoples represented by the playable 'inca' never made significant use of the wheel because the lack of suitable pack animals and environmental factors meant that it did not, in fact, prove a suitable tool for transporting large quantities of heavy goods. for an even more glaring example, a lot of early military technology is locked behind 'horses', which is pretty absurd considering that several of the game's playable civilizations, in the real world, developed plenty of military technology despite living on a continent without any horses!

so having established what i mean by 'the issue', which is that the game's core assumptions lock it into imposing a eurocentric, imperialist vision of 'civilization' onto cultures where it doesn't make sense, here's a few different jenga blocks you could pull out to resolve it:

SID MEIER'S EUROPE

the pillar you knock out here is #5. keep the game engine and core assumptions just as founded on eurocentric imperialist societies as they are now, and just make it about european empires doing imperialism. now, i think we can immediately spot some problems in there -- how are we going to represent the rest of the world? after all, this kind of just creates a situation where, either as NPC factions or as outright exclusions, all other cultures in the world are deprived of any meaningful agency in "history". this one just kind of gives you a new problem and also from a gameplay standpoint results in a game that just Has Less Stuff On It. i think this is a bad one

SID MEIER'S ELYSIUM

now here's one you can get if you knock out pillar #3. keep the same assumptions and gameplay and transhistorical global narrative scale, but remove the 'real-world' aspects. you can get real silly with it and add fantasy stuff to it, or you can be a relatively grounded 'our-world-but-to-the-left' situation. now to some extent this already matches a lot of the features already in civ games: after all, unless you specifically load in a 'true start location earth' map, you're usually playing on a strange parallel world with semiplausible but wholly original continents! now, you also need to get some fucking Nerds and Geeks working at your company to build out your fictional world, or you'll just end having pointlessly pallette swapped a bunch of factions that are now just Schmance, Schmina, and the Schoman Schempire, and not really have avoided the issue. but if you do that, and invent a deep and rich fictional history to riff on, then you could create something really cool and incorporate alt-tech or fantasy or retrofuturistic elements or all sorts of cool shit.

the downside of this is that it makes your game less accessible and appealing to a lot of people. a big part of (at least the initial) appeal of civilization is pointing at the screen and saying 'hey i recognize that thing!'. it is instantly more accessible to someone who isn't super invested in strategy or fantasy dork shit to say to them 'you can be BRAZIL and nuke FRANCE while at war with CHINA and allied to BABYLON'.

more importantly than that, i think some parts of the historical theming (because let's be honest, it is ultimately theming, i don't think civ is interested in 'history' in any serious way) serve a pretty load-bearing role in the game's information economy. it's a pretty tall order to ask a player to remember the unique abilities of dozens of factions and unique wonders, and the historical background makes it a lot easier. e.g., it is a lot easier for a player looking at wonders to remember 'the pyramids need to be built on desert' or 'broadway will help me make more culture' than it would be for them to remember the requirements/effects of 'under-eusapia' or the 'wompty dompty dom center'. i think this is one of the number one things that, if subtracted, would meaningfully create something that is no longer 'sid meier's civilization'.

SID MEIER'S ALPHA CENTAURI

now if you cut out #3 and #5 and #6 on the other hand... sid meier's alpha centauri is not technically an entry in the civilization franchise, but i think most people correctly consider it one. it has similar 4X gameplay to the series, and its (very bad) spiritual successor beyond earth was an official entry. instead of 'civilizations', the playable factions are splinters from a colony ship that fell into civil war as soon as it landed, each one representing a distinct ideology. now, y'know, this doesn't mean it's free from Some Problems (the portrayal of the Human Hive in particular is some of the worst apects of 90s orientalism all piled together) but i think they're problems it's not at all locked into by its design!

SID MEIER'S THERMOPILAE

by cutting out #5 and #6 -- making a civ game about a particular time and place in history you could achieve something much more richly detailed in mecahnics while also being able to handwave a lot more homogeny into it. giving the same basic mechanics to, say, every greek city-state in the peloponnesian war is far less ideologically loaded than giving them to every 'historical civilization' someone who watched a few history channel documentaries once can think of. it also lets you get really into the weeds and introduce era-and-place-specific mechanics.

the scale needs to be smaller conceptually but it doesn't really have to be smaller in terms of gameplay -- just make maps and tech trees and building more granular, less large-scale and more local and parochial and specific. this also gives you the advantage of being able to do the opposite of the last two options and really lean hard into the historical theming.

if this sounds like a good idea to you, then good news -- old world does something pretty similar, and it's pretty good! worth checking out.

SID MEIER'S LOVE AND PEACE ON PLANET EARTH

what if we take an axe to #2 and #4? instead of putting all these civilizations into a zero-sum game of violent expansion, make it possible for several civilization to win, for victory goals to not inherently involve 'defeating' or 'beating' other factions. now, that doesn't mean that the game should be a confictless city-builder -- after all, if you've decided to be super niceys and just try and make your society a pleasant place to live, that doesn't mean that the guy next to you isn't going to be going down the militarist-expansionist path. hell, even if all you want to do is provide for your citizens, a finite map with finite resources is going to drive you into conflict of some kind with your neighbours in the long run.

to make this work you'd have to add a bunch of new metrics -- 'quality of life', for example, as a more granular and contextual version of the 'happiness' mechanics a few games have had, or 'equality', game metrics that you could pursue to try to build an egalitarian, economically and socially just society where everyone is provided for. after all, why shouldn't that be a goal to strive for just as much as going to mars or being elected super world president or whatever?

SID MEIER'S DIVERSE HISTORICAL CONTEXTS

ultimately, all cards on the table, if i was made god-empress of The Next Civ Game, this is the option i'd go for: jettison #1 as much as practically possible, introduce as much asymmetry into the game as you can. some civilizations keep the established settler-city model -- others are nomadic, building their units in movable 'camps' -- maybe the 'colonial' civilizations, your USA and Brazil and so on, can be like the alien factions from the alpha centauri DLC, only showing as NPCs at the appropriate point in the timeline when other civs are colonizing other continents, or putting you into an accelerated-forward version of the game if you choose to play as one.

you could combine this with a more interesting version of humankind's civ-choosing system, where you lock certain civilization choices behind specific gameplay events. this would let you do crazy shit with the balancing -- imagine an ostrogothic kindgom civ with crazy strong abilities and units that you could only choose to play as if your capital is overrun by barbarians, or a hungarian civ that requires you to have started as a nomadic civ and invaded somewhere, or a soviet union civ that requires you to lose a revolution, or a usamerican civ that requires you to split off all cities on a foreign continent from your original civ -- you could add so much variety and so many new and bizarre strategies into the game with this!

as for the universal aspects of tech and the narratives of linear progression contained within, there are lots of approaches that already solve this! stuff like stellaris' semi-random branching tech paths, or endless space 2's circular tech web, could allow civilizations to take tech paths that make sense for them, rather than imposing one single model of 'technological progress' on the wole world.

obviously there's limits to this, right -- civilization isn't going to be a detailed historical materialism simulator any time soon. but i think abandoning the idea that every faction has to play fundamentally the same and introducing some severe asymmetry as well as choices that you can make after starting the game would work wonders to wash out some of the racist and colonialist assumptions built into the game's foundation, while also (imo) creating a more fun and interesting game.

[evilwizard]

I do want to say, my views on AI “art” have changed somewhat. It was wrong of me to claim that it’s not wrong to use it in shitposts… there definitely is some degree of something problematic there.

Personally I feel like it’s one of those problems that’s best solved via lawmaking—specifically, AI generations shouldn’t be copywrite-able, and AI companies should be fined for art theft and “plagiarism”… even though it’s not directly plagiarism in the current legal sense. We definitely need ethical philosophers and lawmakers to spend some time defining exactly what is going on here.

But for civilians, using AI art is bad in the same nebulous sense that buying clothes from H&M or ordering stuff on Amazon is bad… it’s a very spread out, far away kind of badness, which makes it hard to quantify. And there’s no denying that in certain contexts, when applied in certain ways (with actual editing and artistic skill), AI can be a really interesting tool for artists and writers. Which again runs into the copywrite-ability thing. How much distance must be placed between the artist and the AI-generated inspiration in order to allow the artist to say “this work is fully mine?”

I can’t claim to know the answers to these issues. But I will say two things:

Ignoring AI shit isn’t going to make it go away. Our tumblr philosophy is wildly unpopular in the real world and most other places on the internet, and those who do start using AI are unfortunately gonna have a big leg up on those who don’t, especially as it gets better and better at avoiding human detection.

Treating AI as a fundamental, ontological evil is going to prevent us from having these deep conversations which are necessary for us—as a part of society—to figure out the ways to censure AI that are actually helpful to artists. We need strong unions making permanent deals now, we need laws in place that regulate AI use and the replacement of humans, and we need to get this technology out of the hands of huge megacorporations who want nothing more than to profit off our suffering.

I’ve seen the research. I knew AI was going to big years ago, and right now I know that it’s just going to get bigger. Nearly every job is in danger. We need to interact with this issue—sooner rather than later—or we risk losing all of our futures. And unfortunately, just as with many other things under capitalism, for the time being I think we have to allow some concessions. The issue is not 100% black or white. Certainly a dark, stormy grey of some sort.

But please don’t attack middle-aged cat-owners playing around with AI filters. Start a dialogue about the spectrum of morality present in every use of AI—from the good (recognizing cancer cells years in advance, finding awesome new metamaterials) to the bad (megacorporations replacing workers and stealing from artists) to the kinda ambiguous (shitposts, app filter that makes your dog look like a 16th century British royal for some reason).

And if you disagree with me, please don’t be hateful about it. I fully recognize that my current views might be wrong. I’m not a paragon of moral philosophy or anything. I’m just doing my best to live my life in a way that improves the world instead of detracting from it. That’s all any of us can do, in my opinion.

[rbbrbikerthorp]

A Tribute To Helmets

I grew up during the Apollo space missions, and whilst I didn't show a particular interest in NASA's exploits, I received a kid's space suit and helmet as a present. I vividly recall how different things sounded when I put the helmet over my head. I think that was the point when my kinky fascination for helmets began.

From my childhood, I remember watching an episode of the early Flash Gordon series (in monochrome) where Ming places a helmet on the head of one of his dissenting subordinates. Once the helmet was strapped on, the man became compliant, passive and drone-like.

At that moment I realised that something designed for safety and protection could also have very nefarious uses. Combined with visual and audio stimulation, the helmet could also contain electronic circuitry that can disrupt the natural processes in the brain. Helmets could also contain syringes, which can deliver chemicals and other substances directly into the head to suppress and indivual's throughts.

So here is my AI tribute to the Helmet, and how, when placed on the head it can strip away emotion, knowledge, purpose and individuality.

This man in his early twenties was just starting out in life. He had dreams of being successful, having the perfect suburban life - wife, kids and the kind of home people dream of. He had just agreed to join a multinational conglomerate, and as part of his induction he was required to take a medical. So on the appropriate day at the specifed time he turns up for what he thought would be a routine appointment.

On arrival, he was taken into a private room. He was asked to disrobe and was given a set of leathers and boots to wear, which, despite all his reservations he put on.

Once the leathers were zipped up and boots were on his feet, he was escorted to a room where a lab assistant placed a full-face helmet onto his head. He was then taken into a room filled with tech and video screens. The technician typed some commands into a computer and the helmet activated.

Isolated wearing the helmet, he was subjected to audio and visual stimulation; stripping away his own throughts and identity. Replacing it with a predetermined 'template', which the company would deploy as necessary. Thoughts of family, kids and friends replaced with absolute loyalty to the company.

'Physical' completed, the company has deployed him 'into the field'. Now a biker, his primary objective is to ride around and recruit candidates to join the company.

Meanwhile...

Some scientists are about to record the disruptive effects of their advanced helmets on three 'volunteers'. Once the helmets are fitted the volunteers will follow instructions and head to drone processing.

Elsewhere, two cyclists have been given new 'aerodynamic' helmets for a week to try.

Affixed to their heads, they will have no desire to ever remove their helmets - ever.

Sticking with a sport theme, the new coach has provided the team with revolutionary and technologically advanced helmets. These not only offer superior protection to the head, but also allow the coach a direct interface into the players' minds. It's going to be a successful season for this team.

There are worried faced amongst this army platoon - and they should be worried.

They will follow the General's orders to place the helmet on their heads. When they do their individual thoughts will become suppressed as they turn into droned soldiers. No more briefings, no reliance on old technology like radio transmissions, which can be hacked into by the enemy. The helmet will ensure all orders issued by the commanders are transmitted directly into their brains.

There are changes afoot in civilian life too. A new force for law and order is being created. One by one members of the police force are invited to undergo a routine medical.

Soon they will all be fitted with helmets; permanently connecting them directly to the company network, with orders transmitted directly into their brains.

There is to be a zero tolerance of crime - even minor misdemeanors. So they begin to 'clean up the streets'.

Chavs and scallies are rounded up and each one is fitted with a helmet...

Once the work of the helmet is done, a new 'drone' is sent out onto the streets as a 'recruiter' for the company.

They're also recruiting in colleges and universities...

And back in the boardroom, the executives are monitoring progress of the company's plan.

Each member of the so-called 'C-suite' has been given a helmet to allow speedier decision making and negate the need for laptops, smartphones and video screens. Directly connected to the company's network through their helmet, they follow the instructions fed directly into their brains - following them to the letter. After all each helmet ensures they are exemplary servants of the company.

Hope you enjoyed my AI tribute to the helmet. Depending on the feedback I might do a second helmet blog.

Oh, in case you were wondering which is my favourite helmet, it's my Arai Corser, pictured below.

[inbarfink]

So the thing about Tak’s Holo-Disguise is that it specifically might not be an example of Tak using more advanced technology than Zim.

The implication in “The Nightmare Begins” is that Zim maybe also have access to Perfectly Realistic Human Disguises, probably similar to Tak’s Hologram - but he intentionally rejected them because he saw them as too ugly. He deliberately chose his shitty little costume because he thought that was the only one that looked ‘good’.

And these terrible disguises are also pretty consistent with how the actual official Invaders disguise themselves. If anything, Zim’s got the best costume of the lot!

So with Zim dismissing the more realistic disguises as being ‘ugly’ and ‘stinky’ and those being… basically the most common insults he throws at humans. ..I think the implication here is pretty clearly that Zim’s (and the actual Irken Invaders’) disguises are bad because he doesn’t want to look too human because Irken Imperial Indoctrination has taught him every other species in the universe is revolting and so he cannot stand the idea of looking too match like the people he is trying to infiltrate.

So it is interesting that the one Irken who actually uses their advanced technology to actually look like another species is Tak. Maybe she’s just being a bit of a show-off overachiever. So driven by the need to prove how competent of an Invader she can be she decided to suffer through the indignity of Using a Competent Disguise. 

Or maybe there’s sort of an implication that Tak doesn’t really buy into Irken Ideology that much?

Like, obviously, she’s not, like,  some sort of anti-Imperial pro-alien advocate or anything. She’s still trying to gain the respect of the Tallest, she still wants to become an Invader, she is still willing to sacrifice an entire planet in order to achieve her goals. 

I’m thinking more, like, Zim is 100% a true believer in Irken Imperial Ideology. He wants to be an Invader at least in part so he could use his ‘amazingness’ to contribute to the conquests of the Irken Empire. And he legitimately believes the Tallests are superior beings worthy of his admiration. And he legitimately believes Irkens are superior to all other sapient beings in the universe in general and to humans especially.

Meanwhile, Tak’s main goals might just be to gain as much power and prestige as she can - no matter what or who stands in her way. If she lived in a society that valued dentists above all she would’ve become a dentist. But she was born in the Irken Empire, and the most prestigious not-height-dependent position available to her in Irken Society is the one of an Invader, so that’s what she dedicated her life to. Not out of any ideological commitment to help the Empire's conquests.

She tries to gain the Tallests’ favor because she knows she needs them to get ahead in life, not necessarily because she craves their tall, superior approval the way Zim does. She can kill a lot of non-Irkens on her way to ‘greatness’, but it’s more of a general callousness towards other people - rather than loyalty to the superiority of the Irken people. 

That might also explain why she’s the one Irken with the sense of individuality to customize her uniform

And design her own version of the Irken Empire Flag, based on her own look.

Because maybe she’s not trying to serve the Irken Empire, maybe she’s just trying to serve Tak.

[starwrighter]

A DpxDc prompt because I <3 all of you but am too shy to talk in the discord.

The Subnautica au I promised! (I might make two of them)

Okay, so Danny is around 14 or 15 in this. He is still a halfa but the portal has been temporarily closed for plot reasons. So the portal is closed and Danny has no clue what to do now. Due to the portal being closed Danny's grades have improved exponentially enough that he gets an work offer from Altera (ignore the child labor it's the Giw/Altera's shady business practices fault)

Danny is ecstatic because he's finally getting the opportunity to go to space! He knows if he waits the portal will be reopened and he'll never have a chance like this again so he takes it. In less than a month Danny has been trained and is shipped off to the Aurora. He's heading towards planet 4546b with very little information on the planet itself.

The crash happens and Danny doesn't use his powers to save the ship because something around the atmosphere was preventing full accessing his powers in full. Danny scrambles to the life pods and ends up being the only one in life pod five. The whole life pod scene happens with Danny being knocked out by the panel flying off the wall.

He wakes up with the life pod on fire and quickly uses what he can of his ice powers to put it out not realizing there's a fire extinguisher. Danny exits the life pod and realizes that a lot of people he talked to on the ship not even a day ago were probably dead. Judging by his inability to go ghost, he wouldn't be reuniting with them in the ghost zone any time soon.

He is devastated but goes about exploring and trying to find any other survivors. His hope of finding survivors near the crash zone dies when the ship explodes and starts leaking deadly radiation. Danny of course rushes to try and fix this. It's easier for him to get there because he can stay under water for an inhuman amount of time and has a built up immunity to radiation as a halfa.

Now to the DC part of this. Let's stick with only the batfam existing in this universe. The entire batfam are classified as leviathan's. All of them have two forms with one of said forms being semi humanoid mer like appearance. They are still pretty big in this form, think 7-8ft at the smallest (aka Damian) The other form is something I like to call

Big f-ken fish™

Which is full on terrifying reapers (we'll decide what each of the fam specifically look like later) and a lot of them are chilling in the crash zone when Danny is fixing the Aurora's reactor. Danny has not yet been spotted by the reapers.

Now they're already pissed off because a big arse ship just crashed into their planet and destroyed a great deal of it. They don't exactly know what a space ship is but they do know that the technology is advanced and the only thing remotely close on their planet is from the precursors who were a bunch of pricks.

Before the explosion the fam kept an eye on the weird creatures that crawled out of the metal eggs They watch them almost immediately start dying from predators or Kharaa. They were there when the ship exploded and started leaking radiation and killing the local wild life much to Damian's despair.

So the Fam are pretty pissed off at this point and are circling the ship. They immediately noticed when the ship stops leaking radiation and spot Danny swimming away from the reck quicker than any of the other ones that crawled out of the eggs.

Granted most of the other ones from the eggs immediately died and didn't have faces (the wet suits looked weird and Danny refuses to wear them no matter how much easier they would make things >:(

They start watching him because obviously there's something odd about this thing it looks kinda like a much smaller version of their smaller forms. Danny is getting pretty ticked off that his PDA keeps making false alarms of leviathan's. Duke, and tim are the ones monitoring Danny in the safe shallows. Jason and Dick in the crash zone. Barbra and Stephanie in the kelp forest. Cass and Bruce are patrolling the grassy plateaus.Damian is by himself at the quarantine gun/ sunbeam landing sight.

Danny sets up base near the quarantine gun™ because for some reason even though he's not infected he can't turn the damn thing off. So Damian is the only one currently capable of watching him. Damian has a theory that he 100% sure is correct. As a 1600 year old leviathan he's not a baby he's almost an adult and doesn't remember being a baby. This thing crawled out of an egg and is super tiny so it is obviously a baby and a very smart one at that. While it didn't have the claws, gills, tail, or scales they had it was super fast, could freeze things, had super strong hands despite looking dull and frail, it could take useless scraps and rocks and turn them into complex structures. It was obviously a new type of leviathan the ship carrying eggs. Danny was the smallest of the babies but he was also the strongest, and smartest; surviving long enough to have eyes and hair. This baby was young enough that he still needed to surface for air he needed to be protected.

Danny has no clue he's now being stalked by a group of reapers that decided he was their new baby brother/son

[sirfrogsworth]

I have a favorite photo.

It's the one I am most proud of.

It involved a lot of luck, but also required a lot of effort to capture.

I use it as the header for this Tumblr.

It was a foggy morning and I thought it looked spooky. My instincts were telling me I could get a unique image. I dragged out my lighting equipment and had Otis roam around in the yard. I set up my shot in an area I knew he would pass by. I didn't have wireless flash triggers yet, so I was using the little flash on top of my camera to trigger my big flash. But that doesn't work great outside. Typically it is meant to bounce off walls and ceilings so the external flash can see the light. I was trying to use a tiny mirror in front of my little flash to direct the light towards the big flash. But I kept getting the angle wrong and my flash was only firing once every few shots. I also kept missing focus as I was concentrating on too many things at once.

By all accounts, it would take a miracle to get the shot.

I should not have gotten a good shot.

But for one single frame... the fog, the sun, Otis, and my flash all cooperated.

I didn't even realize my efforts had worked until I loaded the files onto the computer. And the second this image popped onto my screen, my jaw dropped.

Up until this point I had never captured an image of this quality before. This was very early in my photography journey and I was still figuring things out. And I think seeing what was possible—what I was actually capable of capturing—that was the moment I was all in. The moment I wanted to be a "real" photographer.

This is the RAW file. The side of his face was a bit dark, but that is why you shoot in RAW. That is recoverable.

This is my original edit in 2013. The biggest thing that bothered me was the ear tips. I always wish I hadn't cut those off.

But thankfully technology has advanced enough that I can give Otis his full ears back.

And here is the remastered 2024 edition...

I used other images as reference to make sure the ear shape and size was perfect. And I also used another image of his Super Otis badge facing forward and comped that in.

Otis has a very specific shade of orange fur and it is very sensitive to editing. If you make him brighter, the orange changes to the wrong orange. If you make him darker, same thing. But I am hopeful I got that lovely orange fur pretty close to his actual coat.

I don't know if I would have fallen in love with this artform without this image. Or without Otis. He gave me so much in his short time in this world. I can never thank him enough for that.

[melanirana]

A Tune and a Drink

singer!reader x bartender!sun/ moon

Suprise! Have a little something. You are a singer in the 1930's and two specific bartenders have caught your eye, just like you have caught theirs.

I even have a musik recommendation for this one. Habits - Vintage 1930's cover and Levitating - 1920s style cover by PostmodernJukebox on YouTube. Check em' out they're really good.

with that said, enjoy

It’s the 1930’s, the era of glamour, fashion, parties but most of all, good music. Big cities are getting bigger, new opportunities arise on all sides, technology is advancing and you are right in the middle of it.

You are known throughout the whole city, not famous enough to be known across states but known enough that clubs and bars fight to have you sing on their stage. To have you bless their establishments with your voice and draw in the people, so these people make their bar The City Bar.

Whenever you agree to sing at their club they make it known immediately. Whether that is through the newspaper, telling their guests who tell it their acquaintances, or hanging papers around the city. 

“downright heavenly”

“the voice of an angel”

“as powerful as it’s wonderful”

“rich with a beautiful smoky undertone” they call your voice. A bit of an exaggeration you think, you can agree on the smoky undertone but the rest. It must be because you hear your voice every day, when you wake from sleep, when you talk, when you warm up, when you practice when you sing.

But other people only hear you when you sing, it isn’t often it is a special occasion, it is desired it is sought after. To them it means so much and therefore it means so much to you. To sing for people, to lighten their day, to make them happy.

There is barely ever you turn down an offer to sing, it is simply a matter of when you have time again. More often than not you don’t come back to a bar for a month or two, too busy singing somewhere else, writing, or any other reason.

So why is it, that even with such a full schedule, you always find time to come back to sing at one certain high-profile bar named Celestias. 

People wonder. Is it close to home. Do you have a deal with the bar. Does it mean something to you. Is it the celebrities that frequent this establishment. Or is it simply the wonderful view of the river that divides the city, that flows right by the building.

All good guesses, but utterly wrong.

The reason you keep returning is the bar, those how tend to it specifically. Two highly advanced Animatronics.

Metal polished like a brand new 540 K Special-Roadster, but not just a car. Highly advanced machinery capable of many things, but not an industrial machine. Eyes that see, hands that move, mouths that speak, but not human.

The robot pair is truly unique with their circular faces and wonderful colors. One bright as a golden Charleston-dress under a chandelier, eyes so wonderfully bleu they seem to be carved out of the ocean itself with a crown of metallic rays. The other shines like a blue evening gown under a low light, eyes as dangerous and enticing as a ruby with a long silk night cap that looks like it was sewn from the night sky.

Both with crescents that split their faces in the fashion of theater masks.

Both wear high-quality suits, the black of the suits contrast with their color, making their color shine even more and complementing their long limbs. A thick tie sits at the base of their slim metal necks, the end tucked neatly into their suits. The golden animatronic’s tie is a rich scarlet as well as his half gloves that always cover the animatronic’s hands. The blue animatronic’s tie and gloves contrast his counterparts wonderfully with their deep navy blue.

The robots are the bar's pride and joy, placed where everybody passes by, and the reason why they come here. The bar.

You noticed the animatronics the first time you visited, they were hard to miss as the owner proudly showed you them, even when it was from across the room. After that you had no time to pay the two bartenders any mind, quickly surrounded by people eager to meet you followed by your performance only to once again be surrounded by more people.

It was only your third visit that you truly saw them, and saw them you did. In the middle of your performance your gaze wandered to the bar, and what you saw was the golden robot cleaning a glass and looking at you.

You were no stranger to being looked at, your place was the stage after all, but the way the robot looked at you was different from the usual. Almost love-struck in that wonderful half-lidded lazy smile kind of way.

Your response to the animatronic’s gaze was a particular smile while singing a more romantic part of your song. This would have people hiding their faces as they reddened, have them melting on the table they are leaning on, or your favorite, bring a hand to their face as they hide their giddy giggles.

This however was not the response you got from the bartender.

Instead, you got a raised eyebrow and an amused smile, the robot placed the glass below the counter without braking eye contact. “Are you sure?” he said without making a sound. A challenge.

A challenge that you accepted.

For the rest of your performance during any particular romantic part of the song you made sure to let your gaze glide to the bar and exchange look with it’s bartender. His expression had changed ever so slightly from the first time you caught him looking. Still mostly the same but now with a hint of danger mixed in.

You could feel the tension between the bar and the stage rise with each exchanged look, neither of you breaking eye contact during the few seconds you had.

It was the most exciting performance you had in a long while, but it had to come to an end. The night just started and you needed to save your voice for your continued performance later in the night.

Immediately you were surrounded and distracted by people once you started your brake. Even though you couldn’t see the bartender you were pretty sure he saw you. Shortly after you began your brake a waiter came up to you, on a silver platter sat a single beautiful decorated crystal glass. The glass is short and wide like a whisky glass.

A rich orange liquid filled the short glass to a perfect half. When you asked the waiter who sent you the drink he simply said “It’s on the house.” You had ever the slightest hunch from whom it came. When you sipped from the glass the taste of honey sweet and yet smoky whisky filled your mouth, followed by a fruity aftertaste.

You couldn’t help the little that spread on your lips.  

Later in the evening, your performance continued. But this time it was not the golden robot tending to the bar but his blue counterpart. A little childish part of you wanted to make the two bartenders jealous of each other, make them vie for your attention.

While resting the owner had told you more about the robots, how highly advanced they were, how they are unique and that there is no second pair like them, how they work together like a well-oiled machine. “Almost like twins,” he said.

‘Twins’

Maybe you can cause a little bit of a sibling rivalry then.

Nothing too bad, just a little bit of fun.

You didn’t even need to get the robot's attention, when you let your gaze wander to the bar he was already giving it all to you. You went through the whole routine again, you smile at the bartender during a romantic part of the song, he raises one eyebrow in a challenge and you accept.     

And just like his counterpart, he did not break eye contact as the few seconds you had each song ticked by.

This went on for a few songs until his counterpart returned. When you looked back to the bar you saw the two of them talking, the blue one facing away from you and the other blocked by his counterpart. They looked neither irate or iterated, rather they looked natural at least from what you could tell during those few seconds before you returned your gaze to the guest. 

Oh, too bad.

Maybe they figured out what you trying to do and decided to ignore you then. You couldn’t really blame them, even if you did. A fun challenge ended because you wanted some excitement in your life.

When next you returned your gaze to the bar you where meet not by one but two pairs of glowing eyes, both pairs half lidded accompanied by lazy smiles. The two robots have banded together.

Two robots band together against you in order to win this challenge, that is known only to you three. They might have been at a numbers advantage, but if they thought that you were going to let them win they were in the wrong. You were not going to back out just because it got more exciting. 

And so this challenge went on for the rest of the evening and into the night, unbeknownst to the other guests in the large room. 

By the time your performance ended it was well into the night, the sun was long gone and the moon took its place in the sky.

And just like always the moment you step off the stage you were surrounded by people eager to snag all your attention for themselves. You gave them your attention, but not all. Just like on stage, you glanced towards the bar but there were no eyes meeting you.

The bartenders had returned to their duty, now that your performance was over the guests wanted their drinks. Both animatronics hands move at impossible speed around the bar, you were surprised they didn’t knock anything over at the speed at which they were moving.

Your challengers are distracted by their duty so you allowed yourself the be distracted as well.

Not long after a different waiter came up to you, on the silver platter a tall wide decorated crystal glass. It almost looked like a whine glass but not quite, that moment you decided that you’d have to brush up on your glass etiquette. The liquid inside this glass was deep red, along the edge a ring of sugar.

Again as you asked who this is from the waiter said “It is on the house.”

You toke a sip and the sweet flavor of wine spread across your tongue along with a light taste of citrus from the ring around the glass.

That’s when you decided you have to come back and come back often.

And so you did.

Over the following months, you were at the bar at the very least once a month. Every time without fail, after you went on brake or finished your performance, a waiter would come up to you with a wonderfully decorated glass and the best-tasting drink inside of it.

Once, when your voice wasn’t the best to the point where it was hard to miss that you weren’t at your best, a waiter brought you a simple glass, inside was warm milk with honey when you asked who sent it the answer was “The bar.”

Months and months have past, and a good amount of change happened both in your career and in your relation ship with the bartenders.

Career-wise you have taken off. Now recognized and sought after outside the state you were busy going to new locations, meeting new people, meeting contemporaries, and singing your new songs.

You were outside the city more often and longer, but you made it a point to always drop by your bartenders.

Your bartenders, with whom you have not exchanged a single word since you first saw each other. The bartenders with whom your relationship has developed past a simple challenge.

The looks you exchange have not increased in length, which was nigh impossible while you stand on stage, but they have increased intensity.

Their looks are no longer love-struck but devouring. Every time they look at you they drink up your entire being, as if your existence and your existence alone keeps them alive. They now let their eyes wander across your form, you never see them doing it but you can feel their eyes on you.

As their eyes travel up and down your body, drinking it in. The way you move, the way your costume lays against your skin, the slightest of wrinkles in your clothing, the smallest of hairs it doesn’t matter. They absorb it all, like a flower after drought drinking up all the water it can get.

That night when you first noticed their eyes traveling you, you almost lost the challenge. 

When your gaze followed the path it took so many times before, you saw them. Sitting behind the bar counter, leaning on it as they rested their faces in their hands. They had no shame as they showered you with their affection, attention, adoration and anything else they could give you through their eyes alone.

You immediately felt your face heat up and the urge to hide your face but you caught yourself before you looked away. Your cheeks remained a soft shade of pink trough the rest of the night and your singing had a bit more pep in your step.

Not long after you reviled a new song that made big waves and that caused you to become more known. A song about the sun and the moon, how the singer basks in the sun's warm light, how the singer would follow the moon's beautiful light anywhere and never feel alone, how the singer oh so loves the celestial bodies and their wonderful light, how they wouldn’t know how to live without them.

You let the song spread before you visited your favorite bar again, you wanted to play with them before returning the favor of a warm face. And play with them you did. You teased, called members of the audience the sun and the moon, said how the song is devoted to all and everyone. You played up how this song is to remind of the things one easily takes for granted and that whole spiel.

In the corner of your eye you could see how the robots seemed to deflate with each word. It hurt, and a lot more than you expected but you had to do it so it would hit just as hard as their affection.

When the part came where the singer talks about their love for the sun and moon you let your gaze wander before firmly landing on the bartenders, you had not looked to them before this part of the song. You didn’t care to hide your smug smile on your face as you look at your dear bartenders.

And it worked, like a charm.

They went rigid as they listened to the words coming out of your mouth, completely and fully directed at them.

The cheeks of the robots started to glow a bright orange as some mechanism in their face began to overheat, small puffs of steam expelled from their joints as they tried to cool themselves. And just like you, they almost lost the challenge.

Those few seconds felt like hours, hours their eyes were glued onto you before you released them. From the corner of your eye you could see them fanning their face, desperately trying to cool the mechanism in their face and failing.

For the rest of your performance, their cheeks remained a soft warm orange.

And now, here you are.

Sitting in front of your vanity in your brand new apartment right above your favorite bar. The owner had gifted it to you as a thanks for visiting the bar so often and coincidentally bringing in more guests and therefore income.   

Said guests have started to slowly leave the bar below as it is about to close. You can hear the distant chatter of people through your open balcony door. After one more look at yourself in your vanity mirror, checking your makeup and hair to see if it is acceptable to leave your apartment in these conditions, you get up the close the balcony door.

The chatter has significantly lessened since the beginning of closing time. The few people outside must be the last stragglers.

The bar is now officially closed.

When you return to your vanity you catch yourself in the mirror again. Your simple dark blue dress pants reach slightly over your ankle. They blend well together with your black shoes, they are not your highest shoe when it comes to heel shoes but your favorite, they give you just a few inches more.

A light green poke dot poncho hangs from your shoulders, down to your thighs. It's loose and frilly, one of your favorites. It shows enough of your silhouette but not too much, even if that doesn’t really matter since you’ve worn very form-fitting costumes on stage before.

And yet again you contemplate your looks, you have been doing this for far too long. Changing outfits, makeup, hairstyles and changing the outfit again.

You never have trouble picking an outfit for performances before. So why is it that you are struggling now to pick an outfit, your not even preparing for a performance.

You just want to finally actually meet your bartenders.

You have been exchanging looks with them for months, basically flirted with each other back and forth. Hell, you have even confessed each other's love for one another. You wrote an entire song to do it.

So why are you so nerves.

You look at yourself in the mirror for many moments and as the doubts about your clothing start to make their way back in your head and gnawing at your confidence, you all but run out the door. If you change again you’ll never meet the two.

They are already head over heels for you and so are you.

You make your way down the stairs. The staircase is illuminated by small decorative lamps along the walls, their colored glass shades bath the space in a warm yellow. With a rhythmic tack tack tack of your heals you make your way down the stairs.

Once you’re at the bottom you stand in the back hallways of the bar. No simple guest is allowed back here and yet the hallways are equally as decorated as the main floor. You haven’t had time to familiarize yourself with the all corridors, but you know the way to the stage entrance.

The path is well light and as you step on to the backstage, slowly you pass the curtain that decorates the side of the stage, the light just above welcomes you as always. Your heart is beating like insane in your chest and you have to take a couple of deep breaths to calm before you fully step out onto the stage.

The view of this usably packed place, now completely empty is more than a bit strange but that is not what you focus on. You focus on the bar and its lack of attendants. The bar sits completely empty, there is not a single metallic shine of robotic limbs to be seen. To say your heart drops would be an understatement.

Did you miss them, they should be here, they are always behind the bar. Do they just leave once the bar is closed.

Where are they.

As fear begins to pluck at your heartstrings, what if you don’t meet them now, will you ever actually meet them. Are the three of you cursed to only look at each other.

Suddenly a muffled noise from somewhere even further behind the bar gets your attention. You walk to the very edge of the stage and lean over the edge to listen for that muffled noise again.

It sounds like a conversation. And just when you think that it might be them, you see a flash of blue pass by a doorway in the bar’s wall that you didn’t even notice was there. All these months you look at the bar and nerve noticed that it has a backroom, well you were more so looking at the bartenders. But that doesn’t matter now, they are still here, you didn’t miss them.

Immediately your mood brightens by the power of the sun. You hop of the stage as quietly as possible and tiptoe your way to the bar counter. Easier said than done thanks to your heals. 

You are full of energy and nerves, your heart is doing leaps in your chest. You are as giddy as a kid whose dad is taking them to the toys shop to pick out a new toy.

In an attempt to stop the giggle building in your throat you bite your tongue. However that doesn’t stop the stupid smile on your face from spreading.

In on swift and quite motion you sit yourself on one of the bar chairs. You remain unnoticed. On top of the bar counter are two little bras bells, one with details painted in yellow and the other in blue. You have a hunch for what these bells are for.

Past the door, the conversation between the unknowing animatronics continues. You take one deep breath, then you ring both bells at once with a gentle tap of your finger. The sound the bells make is beautiful and light, but your trained ear can hear that one of the bells has a bit more reverb than the other.

The conversation comes to a stop and hear what you think is a synthetic sigh. Then out from the door steps one of your dear bartenders. His rays catch the light from above and give him the appearance of a glowing crown. His wonderful blue eyes don’t meet yours as he looks down to his hands where he works on putting his red half-glove back on his exposed hand.

His had is a wonderful shining chrome, the tips of his fingers are a brilliant yellow.

When he speaks his voice is butter-smooth and honey-sweet when he talks. “The bar is closed for tonight.” He sounds exhausted, like he had to have this conversation often. “I’ll have to ask you to leave-“

He finally looks up and meets your eyes, immediately freezing mid-step. He looks at you wide-eyed, surprised to see you of all people here.

“Oh, if you don’t want me here I can leave again.” You say as you turn on the chair as if to get up. “Ah- No. Stay.” The animatronic blurts out as he steps closer to the counter, one ungloved hand stretch out as if to stop you from leaving.

You lean back on the counter and smile at the sunbot, resting your head on the palm of your hand. “I’ll stay then.”

“Yes stay here.” The animatronic says quietly, sweetly, as he moves even closer. He drinks in your very being like he did so many times before, only closer now.

Your face warms up, about to catch fire. Already you can tell, that if he speaks even more sweetly to you, this will be a lethal encounter.

At least you know the names of your demise, after all the bar owner proudly told you their names during your very first performance.

From behind your Sun his counterpart emerges, his nightcap lazily resting on his shoulder, he is also not wearing his half gloves. Just like his counterpart, his hands are a shining chrome and his fingertips are a deep blue.

“Sun, what’s going on?”

You just about die. His voice is nothing short of heavenly. Deep and lush, simply beautiful. You can feel the vibration of his voice down your spine.

The lunar bot meets your eyes and visibly brightens. “Oh~.” You are deceased. “Finally decided to visit us~.” The animatronic says with a grin, showing his sharp teeth. He steps around his counterpart and stands next to him.

“Oh, you know. I had nothing else to do.” You lean forward, closer to them and fold your fingers together before resting your head on them. Both robots lean forward as well, closing the distance between you even more.

“Plus, I thought things were getting a bit boring, so I thought we make it a bit more exiting.” The smile that spreads across your face is smug.

Both bots raise their eyebrows, just like they did the first time. “More exciting? And how might we do that.” The golden bot asks.

Without saying a word you free your hand and reach for the sun bots face. His gaze follows your hand. Gently and slowly you reach under the bots chin and lift it, from where he was looking down at your hand, to look at you.

“Oh, nothing too big.” You say sweetly.

His internal workings kick into overdrive, the wiring inside his chest becomes louder, puffs of steam seep through his suit and the metal of his cheeks becomes a hot orange. The rays around his face fold back against his head and he stammers something before he wraps his hand around yours and removes it from his face as it is getting to hot.

However, he doesn’t let go of your hand.

Next to him, Moon lets out a dark chuckle and it’s your turn to melt.

“Playing the jealousy game again?” The bot accuses you amused. “It was worth a try. Don’t you think?” You retort playfully.

He chuckles again. His gaze lands on Sun who has slightly recovered from your flirt, now he examines your hand with a loving fascination. You follow Moon's gaze and watch Sun as he gently turns over your hand.

It is only then that you realize how much bigger Sun's hand is compared to yours, his hand completely engulfs your with ease. A few seconds later you realize how much bigger they are in general. Sitting at a bar with a human bartender, you see eye to eye but with these two you have to crane your neck to look them in the eye, even if they are already hunched over.

So lost in your realization, you barely notice the hand that is coming towards your face. Blue fingertips gently tuck a strand of hair behind your ear before tracing your skin and cupping your face.

You can't help but lean into the cool chrome hand and let out a small sigh. You relax as a cool thump softly draws circles on your cheek and yellow-tipped fingers work their way up your arm.

And there you remain for longer, with your dear bartenders, no longer confined to look at you, but now able to touch you just as gently as they looked at you.   

[spocks-kaathyra]

thoughts about the Cardassian writing system

I've thinking about the Cardassian script as shown on screen and in beta canon and such and like. Is it just me or would it be very difficult to write by hand?? Like.

I traced some of this image for a recent drawing I did and like. The varying line thicknesses?? The little rectangular holes?? It's not at all intuitive to write by hand. Even if you imagine, like, a different writing implement—I suppose a chisel-tip pen would work better—it still seems like it wasn't meant to be handwritten. Which has a few possible explanations.

Like, maybe it's just a fancy font for computers, and handwritten text looks a little different. Times New Roman isn't very easily written by hand either, right? Maybe the line thickness differences are just decorative, and it's totally possible to convey the same orthographic information with the two line thicknesses of a chisel-tip pen, or with no variation in line thickness at all.

A more interesting explanation, though, and the one I thought of first, is that this writing system was never designed to be handwritten. This is a writing system developed in Cardassia's digital age. Maybe the original Cardassian script didn’t digitize well, so they invented a new one specifically for digital use? Like, when they invented coding, they realized that their writing system didn’t work very well for that purpose. I know next to nothing about coding, but I cannot imagine doing it using Chinese characters. So maybe they came up with a new writing system that worked well for that purpose, and when computer use became widespread, they stuck with it. 

Or maybe the script was invented for political reasons! Maybe Cardassia was already fairly technologically advanced when the Cardassian Union was formed, and, to reinforce a cohesive national identity, they developed a new standardized national writing system. Like, y'know, the First Emperor of Qin standardizing hanzi when he unified China, or that Korean king inventing hangul. Except that at this point in Cardassian history, all official records were digital and typing was a lot more common than handwriting, so the new script was designed to be typed and not written. Of course, this reform would be slower to reach the more rural parts of Cardassia, and even in a technologically advanced society, there are people who don't have access to that technology. But I imagine the government would be big on infrastructure and education, and would make sure all good Cardassian citizens become literate. And old regional scripts would stop being taught in schools and be phased out of digital use and all the kids would grow up learning the digital script.

Which is good for the totalitarian government! Imagine you can only write digitally. On computers. That the government can monitor. If you, like, write a physical letter and send it to someone, then it's possible for the contents to stay totally private. But if you send an email, it can be very easily intercepted. Especially if the government is controlling which computers can be manufactured and sold, and what software is in widespread use, etc. 

AND. Historical documents are now only readable for scholars. Remember that Korean king that invented hangul? Before him, Korea used to use Chinese characters too. And don't get me wrong, hangul is a genius writing system! It fits the Korean language so much better than Chinese characters did! It increased literacy at incredible rates! But by switching writing systems, they broke that historical link. The average literate Chinese person can read texts that are thousands of years old. The average literate Korean person can't. They'd have to specifically study that field, learn a whole new writing system. So with the new generation of Cardassian youths unable to read historical texts, it's much easier for the government to revise history. The primary source documents are in a script that most people can't read. You just trust the translation they teach you in school. In ASIT it's literally a crucial plot point that the Cardassian government revised history! Wouldn't it make it soooo much easier for them if only very few people can actually read the historical accounts of what happened.

I guess I am thinking of this like Chinese characters. Like, all the different Chinese "dialects" being written with hanzi, even though otherwise they could barely be considered the same language. And even non-Sinitic languages that historically adopted hanzi, like Japanese and Korean and Vietnamese. Which worked because hanzi is a logography—it encodes meaning, not sound, so the same word in different languages can be written the same. It didn’t work well! Nowadays, Japanese has made significant modifications and Korean has invented a new writing system entirely and Vietnamese has adapted a different foreign writing system, because while hanzi could write their languages, it didn’t do a very good job at it. But the Cardassian government probably cares more about assimilation and national unity than making things easier for speakers of minority languages. So, Cardassia used to have different cultures with different languages, like the Hebitians, and maybe instead of the Union forcing everyone to start speaking the same language, they just made everyone use the same writing system. Though that does seem less likely than them enforcing a standard language like the Federation does. Maybe they enforce a standard language, and invent the new writing system to increase literacy for people who are newly learning it.

And I can imagine it being a kind of purely digital language for some people? Like if you’re living on a colonized planet lightyears away from Cardassia Prime and you never have to speak Cardassian, but your computer’s interface is in Cardassian and if you go online then everyone there uses Cardassian. Like people irl who participate in the anglophone internet but don’t really use English in person because they don’t live in an anglophone country. Except if English were a logographic writing system that you could use to write your own language. And you can’t handwrite it, if for whatever reason you wanted to. Almost a similar idea to a liturgical language? Like, it’s only used in specific contexts and not really in daily life. In daily life you’d still speak your own language, and maybe even handwrite it when needed. I think old writing systems would survive even closer to the imperial core (does it make sense to call it that?), though the government would discourage it. I imagine there’d be a revival movement after the Fire, not only because of the cultural shift away from the old totalitarian Cardassia, but because people realize the importance of having a written communication system that doesn’t rely on everyone having a padd and electricity and wifi.

[transmutationisms]

being reductive here but i do think the covid pandemic has & continues to expose a very specific strain of techno-optimistic or utopian thinking wrt medical technologies in particular---this idea that you can simply solve a massive socio-technical problem (disease spread) through a solely technical intervention that thus requires no input or cooperation from the average person besides a vague sort of 'pro-science' stance. you see this first with the crowd who thought the 'post-vaccine world' was one in which things ought to immediately 'get back to normal' but you also see it with those who seem to believe that eg a risky recreational event (parties, bars, &c) would be magically transformed in a binary manner into a wholly 'safe' one if only people were to wear masks. in this sort of politics there is no real understanding of risk as being along a spectrum or varying according to numerous factors including people's social behaviours; instead it is a technical problem solved instantly by a singular technical intervention. there's no need then to engage in larger and messier conversations about things like capitalist de/valuation of biopower, or disabled people's right or ability to participate in society. you sidestep the whole issue because you have applied the right technical means to simply dispense with the political problem. obligatory i wear masks when i have to be in public and i am boosted and blah blah but i'm under no illusion this means i can't get or spread covid (or other diseases). but more to my point here, i think this mode of thinking has dangerous consequences for all manner of social theorising that's simply answered with a lazy appeal to technological 'development' or advance---assumed to be something we can magic away if we throw enough money at pharma companies or weapons manufacturers or whoever else. what this ultimately does is stifle political consciousness and bolster the power and epistemological authority granted to institutions tasked with producing and protecting hegemonic forms. and my point here is not 'anti-science' or techno-pessimistic either; again, i am profoundly grateful for many a technological intervention into my life and i will continue to avail myself of them, including medtech. however the fantasy that problems of political and social forms and arrangements can be solved by sufficiently advanced technology is both foolish and dangerous.

[late-draft]

I want to know all of the details of the scifi au like right now, I'm so hooked instantly

Okay let me set the stage!

This is a sci-fi AU, leaning onto (what I've read) the first idea of ATLA; however unlike how it had Aang be from an ancient technologically advanced civilization waking up in a technologically regressed world(?), here the tech that Air Nomads had was forgotten and new one was created and it proliferated.

An important thing to keep in mind is that I intended this AU to be literally made up of iconic, primeval tropes of young audience's shows. I'm currently in a phase where I test how well I'm able to incorporate tropes and make the best use of them, so for this AU, expect it to feel EXACTLY like the thrill of running at 10 PM up to your grandma's CRT TV to watch that amazing series on Jetix you can't get enough of!!!!

~~~

First thing to notice here, the world has a Key Holder for every bending type. Keys are your magical symbols. It's the standard trope in these types of shows, think of them as kids who represent the absolute core traits of their element. Because Aang has to find specific individuals now rather than arbitrarily choosing a teacher, we have a tighter narrative although more trope-y. Aang is the Key holder for Air - every Avatar is always a Key holder for their native element, but can be taught other bending types only by respective elements' Key holders.

As expected, the world is ruled by the Fire Nation's strongest corporation, led by Emperor Ozai. Most of the setting is skyscrapers, huge power cables and mazes of pipeworks. Hakoda is the leader of resistance but he had disappeared two years ago, leaving his two children with a warning to stay hidden and safe below ground. Their secret hideout is pretty safe and cozy. Of course Sokka and Katara would not sit idly forever! Wandering through the underground they discover an ancient cryo pod, the only active one left. When he comes to himself, Aang realizes that he's the last airbender in the world for the past 1000 years.

The Avatar is able to operate ancient spiritual machines that the Air Nomads tended to. Once he learns all bending types, he'll be able to return airbending to the world through a Harmonic Convergence event by activating a huge lionturtle machine. The problem is - nobody knows where this machine is, but the Avatar is able to "listen" for signs of keyholders and machines through an ancient leftover network. Katara and Sokka swear to aid Aang in achieving this goal and restoring balance to the world. Ever since airbenders disappeared, there had been heavy dissonance in the spirit world, creating terrible natural disasters that altered the face of the planet. They're having difficulty finding the Key holder for Water.... the first one they find is Toph for Earth! She joins the gaang in late season 1 :)

In this AU, there's a tradeoff where the element of kungfu fights is reduced in favour of high-speed chases through the metropolis. Aang (14) moves quickly through the city using only his airbending, by running or speeding on his air sphere. The only piece of new equipment he wears are clear plastic goggles that Sokka (18) gave him. And while you might expect Zuko (19) to be chasing them on a red motorbike, no! It's in fact Katara (17) who's a super-skilled bike driver while Zuko and his entourage are on ROLLERBLADES SKATING ACROSS WALLS AND PIPES. Propulsion via firebending! (same thing Azula does in canon, just elevated to skating). Iroh waits for his nephiew to fail each chase and offer him tea, he's just wearing black dress pants. XD Sokka is Katara's genius engineer brother who constantly grumbles and throws sarcastic remarks because he has to fix her bike after every. single. chase! In this setting, Ozai is specifically looking for the Avatar because he could, using unethical means and technology on a trapped Avatar, be able to grant all bending types to whoever he chooses. This would spell disasteeeer. However, it's also implied that in a similar way, he could "fix" anyone...

Some notes:

You can probably feel the conclusions of many things I left blank. This is on purpose.

Zuko absolutely must have to be motivated by a desire to win his father's approval and love, this must not change. I'll introduce Azula in a later post.

The lionturtle as a concept and its effects are made clear and setup from the get-go. The spiritual machines are just a background element that doesn't affect the plot, it's just a goal.

Aang still has a crush on Katara! And it would be brought up a bit more frequently, in order to serve the plot.

Ozai is doing something concrete that's directly related to Avatar's bending, tying him closer to the Avatar as his antagonist.

This AU's setting is as you may have sensed, more mellow at first. It doesn't have a currently active war.

The characters are older because that feels more fitting to me. (I was investigating W.I.T.C.H. show and saw they were basically all 13 and dating and I was like. "Yikes. No")

Help me dig out any VISUAL references you might remember, from shows of the similar vibe. The goal is not to mimic but to add to the characteristic genre.

These screenshots are from OBAN: STAR RACERS and are what I'd associate with the old Air Nomad technology!

Shape Da Future from Jet Set Radio is precisely what aligned perfectly with this AU.

I'll be sharing more details about this AU in future posts, and everyone is welcome to add their ideas and thoughts on it! I wonder what I forgot to mention here…