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#I’ve never really been one for posting art and things but my life has significantly improved since I stopped doing this completely
quibbs126 · 10 days
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I’ve just been drawing this today because I’m bored
I don’t think I can have free days anymore, because I end up feeling brain dead during them and can’t work on the schoolwork I know I need to do, and by the end of the day I feel guilty about wasting the day despite literally not being able to do anything actually productive
But anyways, this. I mentioned Fantasy Life earlier today, and I have a save file where put Ceres from Evoland 2 in Fantasy Life. I actually originally made this save file some months ago, but I never really played it, leaving it once I found the first save point I could
I only realize now this is like that time I put Descole into Stardew Valley. Hm
I still haven’t gotten much of anywhere in the game, I only just started the Carpenter story. And to be honest, I’m not sure I want to continue because I kind of just want my own character in Fantasy Life, but also I don’t know how to make that. So maybe I’ll just continue with Ceres and see where it goes, or I’ll just delete it
But out of boredom, I wanted to draw her from the game regardless
So the design here is what she looks like in the game, or as close as I made it. For various reasons, including the fact that I can’t add horns or non-human skin tones to my character, or have bicolor hair, I made some changes. Her hair probably also isn’t the most accurate hair I could have given her to her original, but I think it looks good on her
Also as you may notice, I don’t entirely know how I should draw her, whether I should be closer to the game or my style
I’m debating whether in my drawings I should stick to the Fantasy Life skin tone or give her the blue she canonically has. I flip flop on which I prefer
I only realized when I was looking at my other Evoland 2 art how wildly different this color palette is, and it’s probably significantly brighter. I mean for this I was eyeballing the colors from my 3DS’s screen, while I color pick from the Evoland 2 sprites, so maybe that’s a factor
Edit: I am now seeing it on a computer screen, and it looks even more different. Like that hair straight up just looks blue, I can't see any purple
But yeah, I really didn’t know what Life to give her when I made her, I just picked Carpenter because I haven’t done that one in a while. Maybe Alchemist would have been best, but I really don’t know. It doesn’t help that Ceres doesn’t have much of a personality I can make a decision based on. Though in all fairness, I’m not entirely sure what I’d make the other characters either
I’d say Fina either Woodcutter or Hunter, Menos probably a Paladin? (Just not for Castele specifically) Kuro I’d say Mercenary or potentially Alchemist works (though in terms of weapons Menos and Kuro should probably switch), and for Velvet I don’t really know, maybe Miner, Alchemist or even Magician? I don’t know, as far as I can remember, nothing fits cleanly with “archaeologist”
But anyways, maybe if I continue with this, I can basically make up my own personality for Ceres, so I should continue, but I don’t know if I’m motivated enough to do so. We’ll see. Take this in the meantime I suppose. It isn’t much of anything, but it is a thing
Oh also one more thing I forgot but can’t fit elsewhere: I think the storyline idea for Ceres here is that she ended up here post-Evoland 2, but she doesn’t really remember getting here at all, thinking she’s just been in Castele her whole life, until she starts slowly realizing things don’t add up. She isn’t from this game though, especially since I don’t think demons exist to explain why she’s blue
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devotion-disorder · 10 months
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HI OMG now that i have ur attention (kinda) w the last ask about dol can i just say that ur blog is one of my favs FR FR!! your artstyle is perfect i wish i was U!!!! smooch smooch smooch chuu chuu chuu x1000000000 chuus i hope you have the best day of ur life everyday!! and that little kylar chibi is so cute :3 in the time that i’ve sent that ask he has since kidnapped me!! <33 i ignored him the entire time though bc why would he do that!! (he’s cute but i can’t let him get out of hand) and i escaped dw :3
okay and note about dol; UR SO RIGHT i love the grind of getting money it’s so rewarding!! i’ve became a little sexy spa girl to entice customers into givang me monay…. ohohoho. but now idk what to do with all of it, what do you spend money on other than baileys weekly payments?? i avoid giving them money HEHE ( but i do pay them once a month though so robin doesn’t get shanked))
love u love u great artist and author and everything!! multitalented starshine!! + + + + + Love
also. what’s Hades… ahaha… ur my game plug
omg anon you are being too nice what the FAWK....im jus your game plug.............asudhaiudhawiudawhiad😭😭😭😭 <- im morphin into this emoji in real time. sentencing you to ten thousand smooches NOW
i also loved to grind for cash in dol LOL but it was mostly just for the millionaire vrelcoin achievement. because theres nothing i love more than meaningless achievements in viddy games😔then once i got it i just spend it on literally anything because money just becomes a non-factor lol
but also thanks for giving me an excuse to talk about Hades. you will regret this. under the cut cause da post is long:
Hades is an indie roguelite game released a couple years ago! and literally I cannot find a single bad thing to say about this game im being serious rn. The storyline? Fucks. The music? Fucks. The art? Fucks. The characters? I need to fuck everyone so bad. The gameplay? I've never been more addicted to dying. and this game is fully voice acted like WHAT?????
In the game you play as Zagreus, son of Hades, and youre trying to escape from your house because you hate your dad and also to find your mom. but theres also tons of other characters with their own sub-plotlines AND there's a dating mechanic. there's honestly so much goddang content and the writing + voice-acting is totally solid!!
i'm not much of a Gamer™ myself and im usually pretty shit (or mediocre at BEST) in action-heavy games, but even i found hades to be super enjoyable :oo it did took some getting used to in the beginning, but after getting the hang of it and because of the game's natural progression it does get significantly easier. I think the game is really well-balanced, and no matter what weapon or boon you use its still really fun.
if i remember correctly back when the trailer dropped it caused quite a stir on twitter/tumblr because it looked so good. And guess what!! they're making HADES 2 BABEY!!! but that comes out in early access next year i think.
so yeah. check it out if you want! or maybe later if you have finals. because I will admit that sometimes.....when i couldve been drawing or doing something productive. i was not. because i was playing hades. so um. sorry guys.
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chaoticbuggybitchboy · 6 months
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I want to know :3
:D
My favorite poem is Antigonish by Hughes Mearns! It’s featured in the Magnus Archives and it is lodged in my brain forever. I’ll probably make it its own dedicated post but it talks about a man who isn’t there, with the writer wishing that the man who isn’t there would go away. It’s a lovely little poem and especially as someone whose psychosis manifests primarily as delusions, I simply Vibe with a poem about something you know isn’t there but terrorizes you anyways.
And yeah! I have taste -> color synesthesia!! For the first 10 or so years of my life I thought you could teach colors to (color)blind people using foods. It’s kind of a weird thing to try and talk about because really the main way I know that my experience of the world is different from most people’s is that language just not built for the way I experience taste. I’ve thought of trying to do some sort of art based on my synesthesia but ive never been able to figure out exactly how since it’s really difficult for me to separate taste and the colors. I also experience ‘shrimp colors’ that don’t exist in a way humans can visually experience. Like orange and green at the same time, but not grey or speckled; the color simply does not exist.
There’s also almost no correlation between visualcolors and tastecolors. Por ejemplo, carrots (orange food) taste like a desaturated forest green. The only real trends are that the more artificial a food is, the more likely it is to match color wise; and that water will lighten and desaturate things.
Also it’s difficult for me to sort of quantify since I have no other frame of reference, but it does have a lot of effects on my life. Since color tends to overwhelm any ‘normal taste’, that’s what most of my favorite (and least favorite) foods are based on. I dislike carrots because it’s unpredictable whether they’re green or brown and I don’t like that neither of those are orange. My two favorite foods are grape koolaid (it’s so purple and I like purple; I also never water it down because then it’s Purple and I can also taste sour) and salt & vinegar chips (the vinegar covers any colors).
Water is always white or a very very light grey. This does affect what water I will drink because I avoid drinking water that’s sort of tinted warm colors. Doesn’t vibe right.
And the way I describe foods is almost always color based, since that’s the main way I experience it. This has deeply confused and mildly frustrated anyone trying to learn anything applicable to their own experience of food. I have no idea what other people taste, especially since colors tend to overshadow anything else. I’m pretty sure I experience spiciness and saltiness normally though.
And as mentioned earlier, it seriously impacts my sensory issues. Tastes are doubled (I guess?) and any after taste lingers for ages. If the water im drinking is significantly tinted it builds up in my mouth and is Bad (I had to pause writing this to refill my water bottle with my house filtered water instead of the water fountain from my school since that water is reddish and my water is only very faintly teal). Also since all taste is doubled-ish I am basically always aware of the fact that my mouth has a taste and a color. Which kinda sucks.
Also I think this is an adhd thing but I have a hard time describing colors unless I’m actively tasting something because I have a word based brain and the colors are something that completely upends the English language’s way of describing the senses. That’s sort of why I always describe it as being a one way link and say “taste to color synesthesia” rather than “taste color synesthesia”, because I don’t taste anything when I see colors, I just experience colors when I taste something. I think if it went both ways I would be a very different person and would likely have meltdowns much more often but that’s pure speculation.
I thiiiink that’s everything I can think of right now, but yeah! Synesthesia! I think I heard the word about four-ish years ago now and literally nothing has clicked for me faster than that did. It took me less time to start identifying with synesthesia than it did for me to identify with any lgbtq+ label. Every time I think about the fact that ‘tasting colors’ is something that people say to mean they’re loopy or high or something and not that they can literally taste colors I have to do a double take. It’s such a seemingly tiny little thing but it’s so fundamental to my experience of the world that I cannot even imagine anything different. What does koolaid taste like if not Color? I don’t know, because all I can taste is Color.
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I don’t keep up with new music nearly as much as I used to. Not even discovering new artists or anything, but even new stuff put out by people I already like, it passes me by more than it used to. Late in 2023, I was shocked to learn two of my absolute favourite musicians had put out new albums in 2022 and I didn’t even notice. For most of my life I’ve found out about new music – both new artists and new albums – via folk festivals and country music blogs. Which is why so much of my music collection is Canadian folk music and American (plus some Canadian) country music.
But I haven’t been to a folk festival since pre-COVID – last year I finally started going to see live music again sometimes, this week I’ll be going to my sixth music gig since last August, which is less than I used to but significantly more than I did from 2020-2023, and it’s been really good. I let myself forget, in the depths of the pandemic, how big a part of my life live music was. I took it for granted most of my life, just going to folk festivals with my dad because that’s what happens every summer. And while I’ve been back to concerts, I haven’t been back to festivals, so I haven’t learned about anything new. And I don’t read country music blogs anymore because I’m too busy reading comedy forums.
So aside from blogs and festivals, how am I supposed to know if even my very favourite musicians put out new stuff? I also don’t do Twitter or anything. And of course I don’t do Spotify. I didn’t really know how Spotify worked until recently, I was just vaguely aware that it’s some demon ruining the music industry so I never looked into it. And I am still not going to look into it! Don’t worry everyone, I still have my principles, I am still horrified by the fact that my brother owns no music files and thinks it’s fine to just rent access to music that he only gets to keep hearing as long as he keeps paying and he has internet access and a corporation chooses to keep it on their platform.
However, my friend whom I moved in with in December uses Spotify, and when I hang out with him in the living room, we listen to music via the TV that’s connected to his computer, and I have to admit it’s convenient. Especially when I started typing in my favourite artists and learned that some of them have entire albums I hadn’t even known about. And, even though I’m pretty sure algorithms are a terrible thing to introduce to art, I have found a few new people I like from that.
I haven’t entirely sold out, though, because I did not sign up for Spotify (I would genuinely never do that, I will draw the line at occasionally benefitting from my roommate using it), I went and bought the albums on Bandcamp. Quick reminder of a thing that I never miss an opportunity to remind people, Bandcamp is the way to buy music where the highest percentage of the profits go to the artist (aside from just handing them money for a CD at a gig, I guess), also it’s the most convenient way to get it for the consumer (one easily downloadable folder with every song on the album as DRM-free mp3s).
I also recently raided the CD collection in my dad’s basement, because there was a bunch of stuff I knew he had and I knew I liked but was somehow not in the music collection on my hard drive. So as a result of that, I have a bunch of new music, and I’ve been greatly enjoying it.
Okay, here’s the actual point of this post, after all that pre-amble: Cody Jinks put out an album one month ago, thanks to the evils of corporatized technology I became aware of it when it was only a month old, I’ve been listening to it non-stop for several days, it’s fucking fantastic. It might be my favourite Cody Jinks album, though I’m aware that recency bias in in play. And I like Cody Jinks’ previous stuff a lot.
I should actually say that this might be my favourite Cody Jinks studio album, because he has a live album called Red Rocks Live and nothing's better than that. It's a solid cross-section of his earlier work so a good introduction, if anyone's interested in getting to know him. Which you should be, if you like his sort of thing. His sort of thing is modern American outlaw country music by a guy who used to be in a metal band. All the best country singers used to be in metal bands (him and Corb Lund).
This live version of his song Head Case is as good as country music gets. Good thing to play for anyone who spouts that claim that country music was only good back in the 70s (it was good back in the 70s, but probably wasn't good back then either if the only thing you listened to was pop music on the radio that incorrectly markets itself as country). My horrible abusive high school coach used to nickname me and any other athletes who struggled mentally/psychologically "head case", and now I play this song whenever I get sad about that, which definitely isn't that often or anything because I'm fine and not still trying to win every argument I had when I was 17. Definitely not.
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Anyway, his new album is called Change the Game, and I can't stop listening to it.
It covers the usual themes - sad, angry, drinks too much, would like to stop drinking so much (going a little harder on that last point than some of his previous albums, or maybe I'm just predisposed to notice that these days), and of course the designed outlaw country anthem, in this case it's the title track and it's great. I keep finding new stuff in it.
I often find that my favourite songs on an album change from what they are when I first hear it, but at the moment, the one I've had on repeat the most is:
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And then I listen to the level of guitar going on in this one that's ages ahead of some of the older stuff:
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But I think once the initial excitement of the new album wears off, this song is going to end up as my favourite:
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I was on the bus to work yesterday when I first put this one on and had to change the track, because the bus is not an appropriate setting for being as emotionally moved as I was by a lyric like "Don't waste your days on dreams that don't fill you/Find out what you love, and let it kill you".
Anyway, I might need to start subscribing to some musician mailing lists or something. Because I'm not signing up for Spotify or Twitter but it is nice to actually find out about this stuff.
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I nEvEr GeT aSk GaMe StUfF
✨🦋🌿🎀💝💥💎💌
Geee, alright already! 🤣🤣🤣
✨What's a fic you've posted you wish you could breathe life into again and have people talking about it? (or simply a fic you wish got more credit)
Okay, first things first, I'm pretty satisfied with how all of my fics have been perceived so far, so I can't really complain. 
That being said: Someone who cares is doing significantly less good than Hic sunt dracones, statistics-wise. It is my own emotional support fic and incredibly close to my heart, so I really am delighted about every positive comment I get about it. 
🦋what are you most insecure about when you post a fic?
Erm, everything? Can I say everything? 🤣
I'm literally a nervous wreck after posting, anxiously hitting F5 and waiting for feedback, mind in a constant loop of self-doubt.
What if my characterization is off?
What if the premise sucks?
What if my readers don't like the direction I'm taking the story? 
Aaaaaaaaaaaaaah!!!! 
🌿how does creating make you feel?
So many things!!! 
For one thing, it scratches the brain itch. I’ve always had to create things, as far back as I remember. When I was a kid, my parents could stick me in a corner with some paper and scissors and crayons and glue and wouldn’t hear from me for hours. 
Even during the 15 years that I didn’t write, I always had to be doing something creative. Knitting, painting, drawing, photographing, you name it. It’s an urge that I need to fulfill and I get crabby if I can’t. 
Seeing the end results makes me feel insanely proud and accomplished. It may not be perfect, but I made that! I sunk my teeth into it and saw it through and made this wonderful thing that I love. 
🎀give yourself a compliment about your own writing
How dare you make me say nice things about myself?! 
Okay … I guess my writing does something to other people that makes them want to create their own stuff. People have repeatedly told me that reading my fics kickstarted their own imagination into creating stories or art of their own. And every time that happens, I get so incredibly happy because that is like a god-tier compliment right there! That somebody found my writing so engaging that it made their brain spin off on a tangent and they created something out of it! 
💝what is a fic that got a different response than you were expecting?
Dragons! Dragons dragons dragons dragoooooons!!!! 
The feedback I am getting for this fic just won’t stop blowing my mind, seriously, and every time I think it’s done, you guys hit me in right in the feels again with your gorgeous comments and rec lists mentions and fucking FANART! I am incredibly happy and humbled and awed that people are loving it so much! 
💥find your least kudos'd fic - say something wonderful about it.
That would be Someone like you, which is a little bonus story to Someone who cares. It's a purely self-indulgent little one-shot featuring married Steddie and a baby. This universe is my emotional support AU and I loved visiting the boys again. 💕
💎why is writing important to you?
Wow, where to start? 
Because it's incredibly fun and allows me to completely immerse myself in the story I'm creating. Because I get to be self-indulgent and spoil myself and make the story exactly like I want it to be. 
And because I have met so many amazing, creative, lovely ppl through it over the past few months, who bring me joy and make me smile every single day.
I honestly don't know how I could ever go without it for so long! 
💌share something with us about an up-and-coming work (WIP) that has you excited!
Okay, so I'm still firmly stuck on the demon!Eddie brainworm and fully planning on turning it into a chaptered fic. I'm still figuring out a lot of the specifics, but I've already got some nice twists and details planned. There'll be demon besties Eddie and Chrissy, a nice side of Buckingham, lots of smutty goodness, Dustin running a mystery YouTube channel and so much more, it will be glorious! 
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I guess being in the hospital has some benefits.
Maybe it’ll be good for me to be here. I can have time to read and draw, and process emotions that are pretty difficult to think through. I’ve been appreciating writing on this ‘blog,’ it’s helpful to work through thoughts and is quite frankly significantly easier than actual journaling. I’ve got to get over my stupid stigma with the internet and embrace this platform. I know nobody reads these, and I generally feel safe posting here. Ultimately, the only harm it can do is embarrassment. I think.
Jonathan texted me yesterday for the first time in the past year and a half. It was a message that was long and hard to read. It’s sort of unbelievable, the audacity he has to reach out after all this time and claim to still care. “I came across some of your artwork while scrolling through Instagram a few months ago and I know some of your pieces stem from our relationship, or at least how you must have felt.’ At least how I must have felt. Avoiding blame yet again; it’s not about how bad our relationship was, it was how I felt. He went on to apologize about how he treated me, and how he feels bad about how much he hurt me. The artworks he saw apparently caused him so much painful emotion that he had to “take some time off of work to process how you’ve felt and how you viewed me.” Awww, poor little baby. My artwork expressing how shitty you treated me hurt your feelings??? I am SoOo so sorry. I’m just the worst, aren’t I?
Take your fucking pity party somewhere else - I don’t have the time or space to care about anything you have to say. I really just can’t imagine what you’re  going through :’’’’( your life must be so hard. It’s just absolutely absurd. He went on to ask me if I could meet up with him to chat: “I would really enjoy hearing about how things have been going for you and just get to know who you’ve become over these past few years,” in other words, ‘I would love to sit and try to explain away all of my wrong-doing, tell you about how good a man I am now, prove to you I deserve you - that you and I belong together. I would love to sit and manipulate you into taking me back and leaving everything behind to run away with me to a space where I can slowly trick you into an abusive relationship again without you evening noticing. I would love to have sex with you, to feel comfort in your body that I took as mine, your innocence that I could once again have (because there’s no way you’ve had sex again after me, right?). 
“I hope your day is going well and that you have a great holiday season.”
At first I didn’t even recognize the number; I thought it might be Hunter or even Russell. Russell was honestly my assumption at first when I started reading - I knew I recognized the 1101 and associated it with ‘ex.’ It just wasn’t associated ‘Jonathan’ anymore. My brain literally did not register. It wasn’t until I read ‘opens any old wounds’ that I knew it wasn’t Russell, it wasn’t Hunter or some old friend - it was shit-for-brains that still can’t fucking let go. 3 years this February, not to count the pieces of our relationship that were dying prior to that. This was high school. I was 15, 16, 17, then 18 - all those years I will never get back. The eating disorder and Covid taking up the only two semesters that you weren’t in my life. I didn’t get to go to the football games, friends sports events, even my own art clubs without you watching, or quite simply not letting me. I missed out on so much of high school not by my choice, but by your taking.]
There was a piece of me that had always wished you would one day see my work, see the pain in the pieces I showed for everyone to see. ‘NOT YOUR PROPERTY, ‘a tribute to taking back what’s mine,’ bleeding March,’ ‘was,’ new people,’ and many MANY more; all of them in copin g and processing 
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kxowledge · 2 years
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Haven’t done a proper update in ages and truthfully I’ve been neglecting this blog, but here it is:
Went to Glendalough for my birthday, which I enjoyed immensely. There’s some advantages to living in the British Isles, but I doubt I’ll be back in Ireland anytime soon. So far, it’s the worst country I’ve lived in and I will not miss it. There’s job aplenty, but the cost of living and the housing situation are not worth it. I know mine was a limited experience, but I also feel like Ireland has lost a lot of its cultural identity. Except for their accent, someone from Dublin and someone from England would not differ much, from what I could see. This of course is more accentuated in Dublin compared to rural places, but even those are losing so much of their heritage – their crafts, their cuisine, but also the natural landscape (which is stunning, but suffering and changing significantly). I’d recommend THIS series of documentaries and THIS cookbook if interested. It’s strange to think about the fact that someone of the people I’ve met have lived through the Troubles, yet now any sort of distinction with the UK seems to be non-existent. I am generalizing and really, I shouldn’t because I’ve also see inspiring local efforts at preserving biodiversity and bees and the Irish language and a connection with nature and art and crafts and so much more. And as much as I can complain about costs of living and housing, I know this sentiment is common. There’s potential for the future and it will be interesting to see how things will evolve.
Finally, finally!, done with the exam session. I’ve been enjoying hiking and swimming and being in the sun and now I also reading, beyond coursework. At least to a certain extent, because I still have two exams in September for theology and I need to start preparing for my Master’s degree. I’m excited for the latter, but also I wish I had more time so I could brush up on various topics in advance (econometrics, strategy, microeconomics).
Taking a gap year (turned into multiple years) was a good decision. [I know I promised various posts on this topic, and I will! I will! write them, but this is not it.] Very unexpectedly, one of the main positive things to come out of it is that… I have interests. All my time during my (first) BSc was geared towards survival – internships, jobs, what I learned, how I spent my free time. Either it was for basic necessities (money to buy food, building basic habits, etc) or in order to break into finance or find out what I was interested in when I realized I hated working in finance. It’s not that I didn’t have interests per se, but any interest was confined to that and never went beyond a simple ‘I would like to’. Doing new things is not always easy, true, but it was mostly that I didn’t have either time or money for any sort of hobby. Hobby being the wrong word, but also the only one available: by no means my chosen career is more important than these. And now I’m into wines and permaculture and gardening and bees and pottery and bouldering and botany and theology and philosophy and perfumes and embroidery – and there’s much more to explore! I enjoy a great variety of activities and make sure my life is filled with different interests, because it is enriched by it. Beyond simply the joy that all of these bring me (and will continue bringing me in the future), I also feel calmer about wanting to go into academia. It is my chosen field and I will try hard to make it my career, but if it doesn’t work out, I know I’ll still be okay, because beyond that there’s so much more.
Anyway, what brough the above stream of thought is that I’ve been really, really into perfumes lately. Love everything about them (except the prices). This June I attended a Frederic Malle event which gave me a deeper appreciation of some of their fragrances. I’ve also bought a Floraiku discovery set, which I’m excited about. Desperately want to sample some Carner Barcelona fragrances (I love Palo Santo and want to try Tardes and Latin Lover!). And so, so many more. I’m having such fun.
I guess that as a general update, I should talk also about faith, but I don’t really want to. I don’t like black/white distinctions and this is where I landed. Faith is fluid, faith is a path and a spectrum. I don’t believe God exists, but I want to and that is enough. Doubt is part of the Christian existence. I find value in religion and that is enough. I don’t know what this means in practice, but I’ll keep reading the Scriptures and I’ll keep attending mass (hopefully more regularly, still at distance for now, maybe in presence at one point). I’ll figure out things eventually, for now, this is enough. Faith can be a journey too.
As I mentioned before, I still have two exams to prepare before September, one on St Augustine, one on Practical Theology (I’ve chosen to focus on the baptism ritual in early Christian communities and on the Eucharist for the nonbaptised). A v busy summer indeed!
#p
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perfect now - a close reading
only pure and true love for this one. it’s soft and sweet because the one he wrote it for is and needs cheesy uncool romcom soundtrack-worthy affirmations and it’s the most wonderful thing oh my the flurries 
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some album booklet art for your viewing pleasure
((just a warning for below: while the lyric analysis was kept fairly neutral and close to the words and their meaning, more and more parallels did ensure me larrying out by the time the analysis kicked off so if you’re not into that, you can skip this one!))
⟼ check out @bluewinnerangel​ ‘s magnificent post with all the parallels to 1d/h&l bc it’s exhaustive and was a source for mine <3 thank you again for your service <3 bc this song really is a fanpiece of every song that has been important to them throughout their career so far, whether they wrote it or not, and it’s honestly kinda impressive
SUMMARY
you’re sad and i love you so much i will do anything to make that undone but while you’re sad know that i sill very much love you and you’re also strong enough to conquer all of this on your own but i’ll be by your side anyway
lyric breakdown ft. the many parallels, incl. little things, through the dark and wmyb
what this says about louis, his partner and the relationship he is in
never gonna dance again frenzy
identity 
louis is a marvellous majestic sonofabitch basically <3
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walls, track 10
~ little things “you still have to squeeze into your jeans, but you’re perfect to me”
You don’t feel pretty and it’s hard to miss
You don’t feel pretty and it’s hard to miss
later lyric: “like a neon sign” - i see through you trying to hide away your insecurities
I wish that you could see my point of view As someone staring back at you
“you” is also staring at him, but perhaps is too insecure to realise how mutual the adoration is
i wish i could get you out of your own negative spiral and give you a look at yourself from my perspective
~ wmyb “everyone else in the room can see it, everyone else but you” 
~ wmyb “right now i’m looking at you and i can’t believe you don’t know you’re beautiful”
~ little things “you never love yourself half as much as I love you, and you’ll never treat yourself right darling but I want you to. If I let you know, I’m here for you, maybe you’ll love yourself like I love you”
On Friday night when we’re all out I turn to you and you’re looking down And you don’t wanna dance I know you love to dance You never stop given half the chance
heavy echoes of kmm again, but the opposite: the “nightmare on the dance floor” doesn’t want to dance
when “you” is confident rlly not being subtle with who i think that is, they love to dance <-> tpwk “feeling good in my skin, i just keep on dancing”
“i know you love to dance” = i know what you love bc i love you
“given half the chance” 
~ tpwk “giving/given second chances”
given a chance tattoo, making another appearance (see below for more tattoo meltdowns)
Just keep your head up, love, keep your head up
term of endearment <3 
~ dlibyh
this album is full of encouragement to keep going and as much as it gives me life it ruins me 
Don’t hide away, don’t ever change
“be happy, proud”
~ “just hold on”
“pick someone who’s supportive”
Keep your head up, love, keep your head up Don’t look away, don’t look away
don’t look away from me
~ through the dark “and I can see your head is held in shame”
Cause everybody’s looking at you now, my, oh my
they have the stage to themselves / new career paths they’re doing on their own
could also mean ppl they’re going out with are looking at them, which “you” interprets as sth negative, which makes them self-conscious, while they’re actually admiring them bc they steal the scene
~ wmyb “you’re turning heads when you walk through the door”
I guess some queens don’t need a crown And I know why Even when your tears are falling down Still, somehow, you’re perfect now
“you” is royalty to louis, to put it simply 
they don’t need something on their head to make it known to everyone else - they’re a queen and everyone knows it
gendered: female - also used in drag contexts - the only time L has used any gendered word to identify his partner on the entire album (more on this below)
~ steal my girl "she's been my queen since we were sixteen" can't believe i forgot this one thank you @mortalenemiestolovers for reminding me!!!
~ falling
~ through the dark “you tell me that your tears are here to stay”
You never do, but if you asked me to I’ll tell the truth lying next to you
“you” never asks for affirmations directly, but by saying shit like their pants are too tight make it clear enough to L that they do need to hear once in a while that it’s not true
Cause you’re the only one when it’s said and done You make me feel like being someone 
Good to you even at your worst
~ always you
i love you so much you are a force of life to me, and even when you hate me i want more
~ drag me down “If I didn’t have you there would be nothing left, the shell of a man who could never be his best. If I didn’t have you, I’d never see the sun. You taught me how to be someone” (sung by louis first, harry second) 
~ through the dark “even if you scream and shout, it’ll come back to you and I’ll be here for you
You steal the scene and it’s unrehearsed
reference to working on a stage - their natural presence wins everyone over - that charisma is never manufactured
Don’t you wanna dance? Just a little dance I’ll never stop given half the chance
L keeps encouraging them, will also not pass by any chance to dance with them
Every insecurity, like a neon sign, as bright as day If you knew what you were to me You would never try to hide away
“it’s hard to miss”
L sees through them trying to hide their insecurities, pretend to be strong
~ through the dark “but I know you were only hiding”
SYNTHESIS
Perfect Now is not a fan favorite and I am so not here for that discourse, so please do not pester me with negativity about this chocolate drop of a song. 
As others have pointed out, the parallels with other songs written by Louis, Harry or for One Direction are extremely present. Especially Little Things is echoed loudly, but there’s so much more to be read, as you’ve seen. These are songs that are clearly near and dear to Louis, bc he wrote them or bc performing them was special, like with Little Things and What Makes You Beautiful. A lot of the same emotions come back in Louis’s writing, so much so that you can’t help but see the larger story behind it all. Throughout Walls you can hear him singing about not giving up and holding your head high despite hardships, and if you look back at his earlier writing, it’s always been there. Through the Dark is an early and striking example of this style of Louis song: you’re sad and i love you so much i will do anything to make that undone but while you’re sad know that i sill very much love you and you’re also strong enough to conquer all of this on your own but i’ll be by your side anyway 
basically through the dark’s chorus:
Oh, I will carry you over Fire and water for your love And I will hold you closer Hope your heart is strong enough When the night is coming down on you We will find a way Through the dark
It is very clear that Louis is faced with a partner - I can freely say it’s Harry now right? are the antis gone by now? i think so - that struggles with his body, with his identity, with how he wants to present himself vs how opinions on that might push him down and dampen his spirit. Louis, always the supportive boyfriend, then tries his best to make him see the light, while keeping that space for his sadness, his struggles, or their joint struggles. Accept the sadness but don’t lose your heart to it.
I’ve linked @bluewinnerangel​ ‘s post at the start of this post, but I need to stress how good it is once more as I also shamelessly insert a screenshot from it here bc it makes me feel a lot and summarizes perfectly just how deeply Perfect Now is woven into the history of their lives, relationship and especially “you”s/Harry’s personal struggle with their identity/body/confidence...
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Because yes, i absolutely think these tattoos are being echoed in the song. “Never gonna dance again” as a lyric and then as a tattoo on Harry’s legs like shackles around his ankles represents the sensation of shame, of being stuck, bc of your desires, bc of your sexuality. Obviously we can never know why Harry got the tattoo, as in what experience pushed him to choose those lyrics or what exactly he recognizes in himself, but it’s safe to say it’s about the struggles of being queer and navigating relationships with that identity and with others.
Most importantly, the sense of shamelessly dancing, dancing like no one’s watching, dancing together with your lover, as a celebration of self, life, love, is the key here. Harry got that tattoo ages ago, at a time when he undoubtedly felt way more stuck. When he couldn’t dance freely the way he wanted to and with whom he wanted to. Perfect Now is a reminder to him, an encouragement to still dance if he wants to, no matter what people say or think. Significantly, then, Harry’s own Treat People With Kindness heavily features that same sentiment, but in an extremely positive light: i have found a place (in life and in myself) where i feel like i have given and was given second chances and now i dance bc i finally feel good in my skin.
Louis has obviously been there from the start, or at least from when or before Harry properly started experimenting with/questioning how he likes to present and how he identifies as. Before he ever dared to consider pulling on a pair of women’s skinny jeans, never mind a ball gown. Louis has seen him limit himself as well as being limited by others ofc and has always seemed to have been there, with a secure hand on Harry’s back, to encourage him. Even at a time when boys wearing nail polish or skirts was unthinkable. Just remember how much encouragement Harry needed when growing out his hair; Louis literally joined him. yes this might make me cry okay i need to stop bc i’m going off track and this is just becoming a larry breakdown while i was trying to hype up this beautiful song. 
What I’m trying to say is: Louis has always seen all of Harry. He’s always had his back, no matter what. He’s loved every part of him. And now, on a completely gender neutral album, in the sweetest, softest song off of the entire thing, Louis puts in the word “queen”, and that is so very deliberate it makes me want to scream. It’s Louis confirming his love again and again while affirming the multitudes contained by Harry, including everything involving his gender journey. brb crying
It’s a raw Louis, an honest, sweet, kind, loving partner, and both of them are fucking lucky to have each other, and I also wish that all of us end up in a caring and wholesome relationship like that. I truly do.
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shihalyfie · 3 years
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Hi :) If it's not too much trouble, could you please share your take on why they'd continue the Adventure brand after tri. was such a flop? (and a tangent: what does "dark history" even mean?). We got Kizuna, the reboot, and a 02 movie. Logically, it doesn't really make sense they'd keep investing in it.
This is a thorny topic, and I'd like to reiterate that although I've ended up making more posts related to this series and the discourse surrounding it recently (probably because it's even more on the mind now that another movie is on the horizon and a lot of people are apprehensive for various reasons), I do not want this blog to be making a brand out of being critical of this series. I’m writing this here and in public because I figured that there is a certain degree I need to clarify what I mean about audience reception/climate and how it might impact current or future works, and I’m admittedly also more than a little upset that I occasionally see Western fanbase criticisms of the series getting dismissed by people claiming that the only people mad about it are dramamongering or ignorant Westerners (which could not be further from the truth). However, this is mainly to address this and to answer your question, and is not intended to try and change anyone's existing opinion or impression of the series as much as it's me trying to explain (from my own personal reading of the situation) what practically went down with critical reception in real life; no more, no less.
The short summary of the matter is:
The series was a moderate financial success (albeit with some caveats; see the long version for details) and definitely outstripped a lot of prior attempts to revive the franchise;
However, the overall Japanese fanbase-side critical backlash from tri. was extremely and viciously negative to the point where even acknowledging the series too much could easily result in controversy;
Kizuna’s production and the PR surrounding it very obviously have this in mind with a lot of apparent “damage control” elements.
The long version is below.
Note that while I try to be diligent about citing my sources so people understand that I’m not just making things up wholesale, I’m deliberately refraining from linking certain things here this time, both because some of the things mentioned have some pretty crude things written there -- it’s not something I feel comfortable directing people to regardless of what language it’s in -- and because I don’t want to recklessly link things on social media and cause anyone to go after or harass the people involved. For the links that have been provided, please still be warned that some of them don’t really link to particularly pleasant things.
I am not writing the following information to suggest that anyone should agree or disagree with the sentiments being described. I know people tend to take "a lot of people like/hate this" as a signal of implication "it is correct to like/hate this" when it's not (and I especially dislike the idea of implying that Japanese fanbase opinions are the only correct ones). There's a reason I focus on "critical reception being this way" (because it influences marketing decisions and future direction) rather than how much this should impact one's personal feelings; this is coming from myself as someone who is shamelessly proud of liking many things that had bad critical reception, were financial failures, or are disliked by many. As I point out near the end, the situation also does seem to be changing for the better in more recent years as well.
Also, to be clear, I'm a single person who's observing everything best I can from my end, I have no affiliations with staff nor do I claim to, and as much as I'm capable of reading Japanese and thus reading a lot of people's impressions, I'm ultimately still another “outsider” looking in. These are my impressions from my observation of fan communal spaces, following artists and reading comments on social media and art posting websites, and results from social media searches. In the end, I know as much as anyone else about what happened, so this is just my two cents based on all of my personal observations.
A fanbase is a fanbase regardless of what part of the world you're from. There are people who love it and are shameless about saying so. There are people who have mixed feelings or at least aren't on extreme ends of the spectrum (as always, the loudest ones are always the most visible, but it's not always easy to claim they're the predominant percentage of the fanbase). That happens everywhere, and I still find that on every end I've seen. However, if I'm talking about my impressions and everything I’ve encountered, I will say that the overall Japanese reaction to tri. comes off as significantly more violently negative on average than the Western one, which is unusual because often it's the other way around. (I personally feel less so because the opinions are that fundamentally different and more so because we're honestly kind of loud and in-your-face people; otherwise, humans are mostly the same everywhere, and more often than not people feel roughly the same about everything if they’re given the same information to work with.)
This is not something I can say lightly, and thus would not say if I didn’t really get this impression, but...we're talking "casually looking up movie reviews for Kizuna have an overwhelming amount of people casually citing any acknowledgment of tri. elements as a negative element", or the fact that even communal wikis for "general" fandoms like Pixiv and Aniwota don't tend to hold back in being vicious about it (as of this writing, Pixiv's wiki refuses to consider it in the same timeline as Adventure, accusing it of being "a series that claims to be a sequel set three years after 02 but is in fact something different"). Again, there are people who openly enjoy it and actively advocate for it (and Pixiv even warns people to not lord over others about it condescendingly because of the fact that such people do exist), and this is also more of a reflection of “the hardcore fanbase on the Internet” and not necessarily the mainstream (after all, there are quite a few other Digimon works where the critical reception varies very heavily between the two). Nevertheless, the take-home is that the reputation is overall negative among the Internet fanbase to the point that this is the kind of sentiment you run into without trying all that hard.
I think, generally speaking, if we're just talking about why a lot of people resent the series, the reasons aren't that different from those on the Western side. However, that issue of "dark history" (黒歴史): there's a certain degree of demand from the more violently negative side of the fanbase that's, in a sense, asking official to treat it as a disgrace and never acknowledge it ever again, hence why Kizuna doing so much as borrowing things from it rather than rejecting it outright is still sometimes treated like it’s committing a sin. So it's somewhat close in spirit to a retcon movement, which is unusual because no other Digimon series gets this (not even 02; that was definitely a thing on the Western end, but while I'm sure there are people who hate it that much on their end too, I've never really seen it gain enough momentum for anyone to take it seriously). If anyone ever tells you that Japanese fanbases are nice to everything, either they don't know Japanese, are being willfully ignorant, or are lying to you, because there is such thing as drama in those areas, and in my experience, I've seen things get really nasty when things are sufficiently pushed over the edge, and if a fanbase wants to have drama, it will have drama. This happens to be one of those times.
(If you think this is extreme, please know that I also think so too, so I hope you really understand that me describing this sentiment does not mean I am personally endorsing it. Also, let me reiterate that the loudest section of the fanbase is not necessarily the predominant one; after all, as someone who’s been watching reactions to 02 over the years, I myself can attest that its hatedom has historically made it sound more despised than it actually is in practice.)
My impression is that the primary core sentiment behind why the series so much as existing and being validated is considered such an offense (rather than, say, just saying "wow, that writing was bad" and moving on) is heavily tied to the release circumstances the series came out in during 2015-2018, and the idea that "this series disrespected Adventure, and also disrespected the fanbase.” (I mean, really, regardless of what part of the world you’re from, sequels and adaptations tend to be held to a higher bar of expectation than standalone works, because they’re expected to do them justice.) A list of complaints I’ve come across a lot while reading through the above:
The Japanese fanbase is pretty good at recordkeeping when it comes to Adventure universe lore, partially because they got a lot of extra materials that weren’t localized, but also partially because adherence to it seems to generally be more Serious Business to them than it is elsewhere. For instance, “according to Adventure episode 45, ‘the one who wishes for stability’ (Homeostasis) only started choosing children in 1995, and therefore there can be no Chosen Children before 1995” is taken with such gravity that this, not anything to do with evolutions or timeline issues, is the main reason Hurricane Touchdown’s canonicity was disputed in that arena (because Wallace implies that he met his partners before 1995). It’s a huge reason the question of Kizuna also potentially not complying to lore came to the forefront, because tri. so flagrantly contradicts it so much that this issue became very high on the evaluation checklist. In practice, Kizuna actually goes against Adventure/02 very little, so the reason tri. in particular comes under fire for this is that it does it so blatantly there were theories as early as Part 1 that this series must take place in a parallel universe or something, and as soon as it became clear it didn’t, the resulting sentiment was “wow, you seriously thought nobody would notice?” (thus “disrespecting the audience”).
A lot of the characterization incongruity is extremely obvious when you’re following only the Japanese version, partially because it didn’t have certain localization-induced characterization changes (you are significantly less likely to notice a disparity with Mimi if you’re working off the American English dub where they actually did make her likely to step on others’ toes and be condescending, whereas in Japanese the disparity is jarring and hard to miss) and partially due to some things lost in translation (Mimi improperly using rough language on elders is much easier to spot as incongruity if you’re familiar with the language). Because it’s so difficult to miss, and honestly feels like a lot of strange writing decisions you’d make only if you really had no concept of what on earth happened in the original series, it only contributes to the idea that they were handling Adventure carelessly and disrespectfully without paying attention to what the series was even about (that, or worse, they didn’t care).
02 is generally well-liked there! It’s controversial no matter where you go, but as I said earlier, there was no way a retcon movement would have ever been taken seriously, and the predominant sentiment is that, even if you’re not a huge fan of it, its place in canon (even the epilogue) should be respected. So not only flagrantly going against 02-introduced lore but also doing that to a certain quartet is seen as malicious, and you don’t have as much of the converse discourse celebrating murdering the 02 quartet (yeah, that’s a thing that happened here) or accusing people with complaints of “just being salty because they like 02″ as nearly as much of a factor; I did see it happen, or at least dismissals akin to “well it’s Adventure targeted anyway,” but they were much less frequent. The issue with the 02 quartet is usually the first major one brought up, and there’s a lot of complaints even among those who don’t care for 02 as much that the way they went about it was inhumane and hypocritical, especially when killing Imperialdramon is fine but killing Meicoomon is a sin. Also, again, “you seriously think nobody will see a problem with how this doesn’t make sense?”
I think even those who are fans of the series generally agree with this, but part of the reason the actual real-life time this series went on is an important factor is that the PR campaign for this series was godawful. Nine months of clicking on an egg on a website pretending like audience participation meant something when in actuality it was blatantly obvious it was just a smokescreen to reveal info whenever they were ready? This resulted in a chain effect where even more innocuous/defensible things were viewed in a suspicious or negative light (for instance, "the scam of selling the fake Kaiser's goggles knowing Ken fans would buy it only to reveal that it's not him anyway"), and a bunch of progressively out-of-touch-with-the-fanbase statements and poor choices led to more sentiment “yeah, you’re just insulting the fanbase at this point,” and a general erosion of trust in official overall.
On top of that, the choice of release format to have it spread out as six movies over three years seems to have exacerbated the backlash to get much worse than it would have been otherwise, especially since one of the major grievances with the series is that how it basically strung people along, building up more and more unanswered questions before it became apparent it was never going to answer them anyway. So when you’re getting that frustrated feeling over three whole years, it feels like three years of prolonged torture, and it becomes much harder to forgive for the fallout than if you’d just marathoned the entire thing at once.
For those who are really into the Digimon (i.e. species) lore and null canon, while I’m not particularly well-versed in that side of the fanbase, it seems tri. fell afoul of them too for having inaccurately portrayed (at one point, mislabeled) special attacks and poorly done battle choreography, along with the treatment of Digimon in general (infantilized Digimon characterization, general lack of Digimon characters in general, very flippant treatment of the Digital World in Parts 3-5). If you say you’re going to “reboot” the Digital World and not address the entire can of worms that comes with basically damaging an entire civilization of Digimon, as you can imagine, a lot of people who actually really care about that are going to be pissed, and the emerging sentiment is “you’re billing this as a Digimon work, but you don’t even care about the monsters that make up this franchise.”
The director does not have a very positive reputation among those who know his work (beyond just Digimon), and in general there was a lot of suspicion around the fact they decided to get a guy whose career has primarily been built on harem and fanservice anime to direct a sequel to a children’s series. Add to that a ton of increasingly unnerving statements about how he intended to make the series “mature” in comparison to its predecessor (basically, an implication that Adventure and 02 were happy happy joy series where nothing bad ever happened) and descriptions of Adventure that implied a very, very poor grasp of anything that happened in it: inaccurate descriptions of their characters, poor awareness of 02′s place in the narrative, outright saying in Febri that he saw the Digimon as like perpetual kindergartners even after evolving, and generally such a flippant attitude that it drove home the idea that the director of an Adventure sequel had no respect for Adventure, made this series just to maliciously dunk on it for supposedly being immature, and has such a poor grasp of what it even was that it’s possible he may not have seen it in the first place (or if he did, clearly skimmed it to the extent he understood it poorly to pretty disturbing levels). As of this writing, Aniwota Wiki directly cites him as a major reason for the backlash.
In general, consensus seems to be that the most positively received aspect of the series (story-wise) was Part 3 (mostly its ending, but some are more amenable to the Takeru and Patamon drama), and the worst vitriol goes towards Parts 2 (for the blatantly contradictory portrayal of Mimi and Jou and the hypocritical killing of Imperialdramon) and 4 (basically the “point of no return” where even more optimistic people started getting really turned off). This is also what I suspect is behind the numbers on the infamous DigiPoll (although the percentage difference is admittedly low enough to fall within margin of error). However, there was suspicion about the series even from Part 1, with one prominent fanartist openly stating that it felt more like meeting a ton of new people than it did reuniting with anyone they knew.
So with all of that on the table: how did this affect official? The thing is that when I say “violently negative”, I mean that also entailed spamming official with said violently negative social media comments. While this is speculation, I am fairly certain that official must have realized how bad this was getting as early as between Parts 4 and 5, because that’s where a lot of really suspicious things started happening behind the scenes; while I imagine the anime series itself was now too far in to really do anything about it, one of the most visible producers suddenly vanished from the producer lineup and was replaced by Kinoshita Yousuke, who ended up being the only member of tri. staff shared with Kizuna (and, in general, the fact that not a single member of staff otherwise was retained kind of says a lot). Once the series ended in 2018 and the franchise slowly moved into Kizuna-related things, you might notice that tri.-branded merch production almost entirely screeched to a halt and official has been very touchy about acknowledging it too deeply; it’s not that they don’t, but it’s kind of an awfully low amount for what you’d think would be warranted for a series that’s supposed to be a full entry in the big-name Adventure brand.
The reason is, simply, that if they do acknowledge it too much, people will get pissed at them. That’s presumably why the tri. stage play (made during that interim period between Parts 4 and 5 and even branded with the title itself) and Kizuna are really hesitant to be too aggressive about tri. references; it’s not necessarily that official wants to blot it out of history like the most extreme opinions would like them to, but even being too enthusiastic about affirming it will also get them backlash, especially if the things they affirm are contradictory to Adventure or 02. And considering even the small references they did put in still got them criticism for “affirming” tri. too much, you can easily see that the backlash would have been much harder if they’d attempted more than that; staying as close as possible to Adventure and 02 and trying to deal with tri. elements only when they’re comparatively inoffensive was pretty much the “safe” thing to do in this scenario (especially since fully denying tri. would most certainly upset the people who did like the series, and if you have to ask me, I personally think this would have been a pretty crude thing to have done right after the series had just finished). Even interviews taken after the fact often involve quickly disclaiming involvement with the series, or, if they have to bring up something about it, discussing the less controversial aspects like the art (while the character designs were still controversial, it’s at least at the point where some fanartists will still be willing to make use of them even if they dislike the series, albeit often with prominent disclaimers) or the more well-received parts of Part 3; Kizuna was very conspicuously marketed as a standalone movie, even if it shared the point of “the Adventure kids, but older” that tri. had.
(Incidentally, the tri. stage play has generally been met with a good reputation and was received well even among people who were upset with the anime, so it was well-understood that they had no relation. In fact, said stage play is probably even better received than Kizuna, although that’s not too surprising given the controversial territory Kizuna goes into, making the stage play feel very play-it-safe in comparison.)
So, if we’re going to talk about Kizuna in particular: tri. was, to some degree, a moderate financial success, in the sense that it made quite a bit of money and did a lot to raise awareness of the Digimon brand still continuing...however, if you actually look at the sales figures for tri., they go down every movie; part of it was probably because of the progressively higher “hurdle” to get into a series midway, but consider that Gundam Unicorn (a movie series which tri.’s format was often compared to) had its sales go up per movie thanks to word of mouth and hype. So while tri. does seem to have gotten enough money to help sustain the franchise at first, the trade-off was an extremely livid fanbase that had shattered faith in the brand and in official, and so while continuing the Adventure brand might still be profitable, there was no way they were going to get away with continuing to do this lest everything eventually crash and burn.
Hence, if you look at the way Kizuna was produced and advertised, you can see a lot of it is blatantly geared at addressing a lot of the woes aimed at tri.: instead of the staff that had virtually no affiliation with Toei, the main members of staff announced were either from the original series (Seki and Yamatoya) or openly childhood fans, the 02 quartet was made into a huge advertising point as a dramatic DigiFes reveal (and character profies that tie into the 02 epilogue careers prominently part of the advertising from day one), and they even seemed to acknowledge the burnout on the original Adventure group by advertising it so heavily as “the last adventure of Taichi and his friends”, so you can see that there’s a huge sentiment of “damage control” with it. How successful that was...is debatable, since opinions have been all over the board; quite a few people were naturally so livid at what happened with tri. that Kizuna was just opening more of the wound, but there were also people who liked it much better and were willing to acknowledge it (with varying levels of enthusiasm, some simply saying “it was thankfully okay,” and some outright loving it), and there was a general sentiment even among those who disliked both that they at least understood what Kizuna was going for and that it didn’t feel as inherently disrespectful. (Of course, there are people who loved tri. and hated Kizuna, and there are people who loved both, too.)
Moreover, Kizuna actually has a slightly different target audience from tri.; there’s a pretty big difference between an OVA and a theatrical movie, and, quite simply, Kizuna was made under the assumption that a lot of people watching it may not have even seen tri. in the first place. An average of 11% of the country watched Adventure and 02, but the number of people who watched tri. is much smaller, in part due to the fact that its “theater” screenings were only very limited screenings compared to Kizuna being shown in theaters in Japan and worldwide, and in part due to the fact that watching six parts over three years is a pretty huge commitment for someone who may barely remember Digimon as anything beyond a show they watched as a kid, and may be liable to just fall off partway through because they simply just forgot. (Which also probably wasn’t helped by the infamously negative reputation, something that definitely wouldn’t encourage someone already on the fence.) And that’s yet another reason Kizuna couldn’t make too many concrete tri. references; being a theatrical movie, it needs to have as wide appeal as possible, and couldn’t risk locking out an audience that had a very high likelihood of not having seen it, much less to the end -- it may have somewhat been informed by tri.’s moderate financial success and precedent, but it ultimately was made for the original Adventure and 02 audience more than anything else.
I would say that, generally, while Kizuna is “controversial” for sure, reception towards the movie seems to be more positive than negative, it won over a large chunk of people who were burned out by tri., and it clearly seems to have been received well enough that it’s still being cashed in on a year after its release. The sheer existence of the upcoming 02-based movie is also probably a sign of Kizuna’s financial and critical success; Kinoshita confirmed at DigiFes 2020 that nothing was in production at the time, and stated shortly after the movie’s announcement that work on it had just started. So the decision to make it seems to have been made after eyeing Kizuna’s reception, and, moreover, the movie was initially advertised from the get-go with Kizuna’s director and writer (Taguchi and Yamatoya), meaning those two have curried enough goodwill from the fanbase that this can be used to promote the movie. (If not, you would think that having and advertising Seki would be the bigger priority.) While this is my own sentiment, I am personally doubtful official would have even considered 02 something remotely profitable enough on its own to cash in on if it weren’t for this entire sequence of events of 02′s snubbing in tri. revealing how much of a fanbase it had (especially with the sheer degree of “suspicious overcompensation” Kizuna had with its copious use of the 02 quartet and it tagging a remix of the first 02 ED on the Hanareteitemo single, followed by the drama CD and character songs), followed by Kizuna having success in advertising with them so heavily. Given all of the events between 2015 and now, it’s a bit ironic to see that 02 has now become basically the last resort to be able to continue anything in the original Adventure universe without getting too many people upset at them about it.
The bright side coming out of all of this is that, while it’s still a bit early to tell, now that we’re three years out from tri. finishing up and with Kizuna in the game, it seems there’s a possibility for things improving around tri.’s reception as well. Since a lot of the worst heated points of backlash against it have a very “you had to have been there” element (related to the PR, release schedule, and staff comments), those coming in “late” don’t have as much reason to be as pissed at it; I’ve seen at least one case of a fanartist getting back into the franchise because of Kizuna hype, watching tri. to catch up, casually criticizing it on Twitter, and moving on with their life, presumably because marathoning the whole thing being generally aware of what’ll happen in it and knowing Kizuna is coming after anyway gives you a lot less reason to be angry to the point of holding an outright grudge. Basically, even if you don’t like it, it’s much easier to actually go “yeah, didn’t like that,” not worry too much about it, and move on. Likewise, I personally get the impression that official has been starting to get a little more confident about digging up elements related to it. Unfortunately, a fairly recent tweet promoting the series getting put on streaming services still got quite a few angry comments implying that they should be deleting the scourge from the Internet instead, so there’s still a long way to go, but hopefully the following years will see things improve further...
In regards to the reboot, I -- and I think a lot of people will agree with me -- have a bit of a hard time reading what exact audience it’s trying to appeal to; we have a few hints from official that they want parents to watch it with their children, and that it may have been a necessary ploy in order to secure their original timeslot. So basically, the Adventure branding gets parents who grew up with the original series to be interested in it and to show it to their kids, and convinces Fuji TV that it might be profitable. But as most people have figured by now, the series has a completely different philosophy and writing style -- I mean, the interview itself functionally admits it’s here to be more action-oriented and to have its own identity -- and the target audience is more the kids than anything else. As for the Internet fanbase of veterans, most people have been critical of its character writing and pacing, but other than a few stragglers who are still really pissed, it hasn’t attracted all that much vitriol, probably because in the end it’s an alternate universe, it doesn’t have any obligation to adhere to anything from the original even if it uses the branding, and it’s clearly still doing its job of being a kids’ show for kids who never saw the original series nor 02, so an attempt to call it “disrespectful” to the original doesn’t have much to stand on. A good number of people who are bored of it decided it wasn’t interesting to them and dropped it without incident, while other people are generally just enjoying it for being fun, and the huge amount of Digimon franchise fanservice with underrepresented Digimon and high fidelity to null canon lore is really pleasing the side of the fanbase that’s into that (I mean, Digimon World Golemon is really deep in), so at the very least, there’s not a lot to be super-upset about.
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angelz-dust · 3 years
Text
masters of none - part 4 (jason todd x reader)
summary: after many months, we are back in action and back in reader’s head. pls enjoy these jason crumbs. if you need a refresher on the plot, the other chapters will be linked below!
word count: 3.7k
warnings: food/eating. alcohol. cursing.
part 1 /// part 2 //// part 3
gravity
ever since i ever felt ya, right there life couldn't seem better. tulip flowers in my sweater. ask me now, is this forever?
you rested your chin on the table before you, your arms hanging limply between your knees as you listened to your manager, dana. you were really just watching her mouth open and close while she pointed at a powerpoint. god, what you would've given for an extra hour of sleep. the all nighters in the studio were starting to take a toll. 
the feeling of the back of daisy’s soft hands brought you back to earth. the smell of cocoa butter dancing beneath your nostrils as her smooth engagement ring rolled across your cheek. you breathed in her smell, exhaling in content through your nose.
“you good?” she mouthed and you closed your eyes, giving her a little nod. the bassist rubbed her calloused fingers against your forehead, pushing strands of your hair past your hairline. you pouted when she eventually pulled away, leaving you only with the sensation of touch that once was.
you heard tyler shift in his seat and then felt some air graze against your hand. you looked under the table, noticing he was holding something out to you. you two made eye contact briefly before you scooted back in, grabbing what felt like an envelope. looking down at your lap, you saw a sticky note attached to it. jason’s money was what it said. you carefully put the envelope in your jacket pocket, sitting back in your seat now and looking at dana’s powerpoint. she was going over reports from your publicist, jerry, which you didn't particularly care about.
“now, i have to ask,” dana’s words pierced your bubble of inattention. “have you all thought about what i said about this next album?”
jordy raised his hand like a school kid. “yes?”
“y/n and i decided that we'd be okay with making our album a group project. it has been, admittedly, kinda hard and boring without everyone else. we’d honestly be doing ourselves a disservice by not doing it together,” jordy explained, dana clapping her hands together.
“wonderful,” she nodded, keeping her hands clasped. “i know you two were excited to do your own thing, but i was talking to jerry and he was really pressing me to get a group album from you guys. the people wanna see you guys as a unit of established artists, which you all are. so what's the concept? we never discussed it.”
“uh,” you verbally paused, raising your arms above your head to stretch. “disco, jazz, and funk. it's a mix of those.”
“retro is in right now,” dana nodded, pacing around the room. “how far back will this set us on a release date?”
you grimaced, leaning back in your seat, the back of the seat lightly bouncing as it absorbed your weight. you pondered the question for a moment. “if it’s gonna be a group thing, it'll have to be significantly longer. we have a decent starting off point but i'm gonna need way more songs now.”
“what about the rest of you? any tracks that we could swing?” dana asked, looking at the rest of the group. 
grabbing a pen and piece of scrap paper, you started jotting down notes as everyone spoke out to you. dex and quinton didn’t have anything, but they wouldn’t be a problem. you just needed to give them a beat to rap over and you’d be set. the twins had a finished song already that fit the concept, which was good. with tyler’s voice and aly’s excellent song writing abilities, you doubted very seriously that anything else needed to be done to it. daisy and hector had plenty of lyricless songs, too. funk and soul was their specialty, after all. misha even had a demo track she was willing to share. 
you looked over the notes you had taken, tapping your pen on the table as you hummed to yourself. “this could probably work. we’ll need to go over everything in the studio, though.”
“we should just do it now. no one is doing shit else today, right?” dex asked the group, who all shook their head. 
“i have a request,” you raised your finger, looking at dana. “i want gotham to be involved in this project.”
“gotham…” dana repeated slowly, unsure of what you meant. “care to elaborate?”
“music videos directed by student directors from gotham university, commissioning local artists for album art. dancers, actors, musicians, whatever. all of them have to be from gotham. i don't want any of the money we put into this project leaving this city,” you stated firmly, dana giving you a blank look. 
“i like that idea,” hector said, giving you a kind smile before turning to dana, shifting in his seat. the drummer was like a big brother, always backing you up in moments like these. “accessibility to the arts is really limited here and we should change that.”
“i’d rather give back to the city, too,” quinton agreed, playing with the gold cross hanging from his neck. “we’re one of the only groups in gotham known outside of gotham. we should use that as an opportunity to rep our city.”
“it sounds like you have your minds made up on this,” dana narrowed her eyes, letting out a sigh. “it would definitely be good PR.”
“because god forbid we do something out of the kindness of our hearts,” misha laughed, rolling her eyes. “we're trying to put the city on and you're worried about how it makes us look.”
“that's my job, misha. don't you want me to do my job?” dana retorted. “besides, i'm more concerned with the funding. you all don't have disposable income, believe it or not.”
“but i know someone who does,” she said with a singsong tone, giving you a look.
“i hope you're not referring to me,” you deadpanned. your income was far from disposable.
“i’m referring to our good friend, bruce wayne,” she explained, grabbing a business card out of her purse, handing it over to dana. “ever since i got invited to that charity gala, i've had a direct line to a representative with the wayne foundation. i say we ask them to help fund the project.”
“now that could work,” dana admitted, eyeing the card as she tapped her foot. “if we pitch for more youth involvement, it'll probably go over better. we all know how much bruce wayne loves saving the children.”
you frowned at how dana described bruce’s initiatives as a philanthropist. you were sure his motivations for favoring youth projects were good intentioned, considering his parents had been killed when he was just a little boy. you wanted to go into this good intentioned, too and you hoped that they'd agree. they being the wayne foundation and subsequently, bruce himself.
“ty and quinton could do something with forrester. if we’re going for the youth involvement route, i mean,” aly spoke up. 
“forrester correctional. our old stomping grounds,” quinton sighed wistfully as he patted tyler on the shoulder. “i think that would be a good idea.”
“they use the arts as an outlet for them, so it could be beneficial for everyone,” tyler nodded. “there are a lot of good kids there. just unfortunate circumstances, that’s all.”
“wasn’t one of bruce’s son’s a troublemaker before he was adopted?” aly continued, not noticing the look you and tyler shared. “i’m sure he’d probably be interested in doing something with them if his son comes from the same background.”
“it’s settled, then. you all keep working on the music. jerry and i will handle the rest. we need this album out before hector and daisy’s wedding,” dana said, grabbing her suitcase. 
hey, i have your money. did you still want it?
you stared down at the unsent message, your thumb floating over the send arrow. you hadn’t spoken to jason since that night after the race, as per his request. your mind kept wandering back to it, even as time still went on. what happened was scary, to say the least. fun, but scary. you wondered how the hell jason didn’t get the two of you killed. that part, you didn't want to think about too hard. everyone in gotham had their secrets and it was an unspoken rule amongst citizens to not pry. secrets were secrets for a reason. nothing good ever came from unearthing them.
speaking of secrets, you hadn't exactly told tyler and quinton what happened that night. not in detail. you conveniently left out the chase and stopping to get something to eat. omitting the first part was obvious, but the second one was for your own sanity. you didn't need them teasing you over nothing. besides, all that mattered was no one was dead or arrested. and for the way the three of you used to get down, that was a win. 
you considered texting jason earlier this week, just to check in on him, but you decided against it. he obviously wanted you to text him and you obviously had to do the opposite. his little mind game wasn’t going to work on you. you pressed send, frowning immediately as you did so.
maybe it already had.
“it’s too many people in this bitch,” dex sighed, the cold of the water bottle you had asked him for against your hand bringing you back to reality. blinking, you were suddenly very aware of the chaos surrounding you in the studio as you put your phone back in your pocket. you looked to your left, where jordy was leaning against the wall and scrolling through his phone. to your right was aly, who was scribbling in her songbook in the chair next to you. you remembered you were supposed to be working, too. “we need a new stu.”
“i’m working on it!” hector hollered from inside the booth as he and daisy were setting up equipment and instruments. you glanced up at the glass in front when you heard his voice, accidentally catching the pair share a little kiss. you quickly averted your gaze, smiling to yourself.
“new stu, new view, what it do?” quinton began to freestyle to a beat he was making on the coffee table in front of him. “off 92, posted up with southside crew.” 
“okay,” dex laughed, noddinh his head as he was vibing with the beat, making his way out of your line of sight. you heard someone, presumably tyler, join in and add some depth to the beat. it sounded like he was hitting a pencil against a shot glass.
“i got a new boo, but i’m tryna slide with misha, too,” quinton continued, dex adlibbing in the back as quinton lowered his voice to his signature melodic whisper. “on the low, nobody gotta know.”
“would you shut the fuck up?” you heard misha say, followed by a barrage of muffled smacking noises and verbal objections from quinton, who you assumed was on the receiving end of what sounded like an assault by pillow.
laughing to yourself, you leaned your head in aly’s direction, not fully facing her. “pass me the flash drive?” you held your hand out weakly. once you felt the plastic in your palm, you leaned back over and put it into the computer, pulling up the proper files. 
“we’re done back here,” daisy smiled at you, she and hector coming out from the booth. 
you clapped your hands together. “wonderful. everybody shut up, please.”
you pulled up the twin’s song and let it play, your eyes fixed on the colorful audio loops on the screen. the green ones were tyler’s vocals, the purple were aly’s. it looked like blue was reserved for instruments and red was any added sound effects or layered sounds. 
“you two sound really great,” jordy walked up behind aly’s seat, leaning against it as he swayed his head to the beat. 
“thanks. i wrote it with our mother in mind,” aly said, the words coming out of her mouth uncomfortably. you placed your hand on hers and gave it a little squeeze, which earned you a look of appreciation.
“it's missing something, though,” tyler scratched the back of his head. “i need the producer squad to give us some assistance.”
“oh, say less,” dex laughed, snapping his fingers to the beat with one hand and holding his glass of hennessy in the other. he danced his way over, taking aly’s seat as she, tyler and jordy moved to give you all some space. 
misha sauntered her way over, sitting against the table and flipping her hair over her shoulder. the smell of her sweet perfume floated in the air around you. “i think it just needs some fluffing up. some snapping might work. more vocal layering in certain spots.”
“i agree,” you nodded, dex letting out a satisfied sigh as he took a sip of his cold drink. 
“is it good?” misha asked him teasingly and he took his final swig, letting out a more dramatic and drawn out sigh. this time, though, it was on beat with the song. you were pretty sure it was unintentional on his part, since he and misha just shared a laugh before returning their attention to the screen.
after a moment of pondering, you swiveled around in your chair, looking at tyler. “okay, hear me out…”
two weeks of very diligent working between the nine of you had given you a lot to work with for the album. all that was left was to start putting things together. you still had a ways to go, but you had a good starting off point. as much as you hated to admit it, it was a good call on dana’s part to have you all do a group album. the fans seemed to be greatly anticipating the release and the work ethic the nine of you shared was incredible. even in that cramped little studio, you all made it work.
you all agreed to take the day off, but you were still working at some capacity. you had just traded one small space for another, working in your walk-in closet/home studio for the day. you still needed said walk-in to function as a closet, so there were still garment bags pushed up into a corner and shoe boxes haphazardly stacked, surrounding your desk that you had shoved in there. there was just enough space for you to move your chair and safely get out without twisting an ankle, a fate you often flirted with in that room.
in the spirit of your day off, you hadn't done anything too difficult. you were just trying to decide what order you wanted the completed songs to go in. it may seem like an insignificant detail, but the order was important. the transitions between songs couldn't be jarring for the listener. everything had to flow together with natural progression. at this point, it didn't matter since you weren't done with the album, but it was just giving you an idea of how to fill the gaps with future songs. 
the sound of your growling stomach indicated that it was time to stop for the day. you quickly saved all your work and headed to the kitchen. you popped some leftovers in the microwave and scrolled on twitter while you waited. the microwave beeped at you, so you set your phone back down and grabbed the bowl, mixing up the contents with your fork. the flash of light coming from your phone got your attention. a text notification.
are you home?
oh, so now he wanted to respond? cute.
despite your annoyance with the situation, you quickly responded with a yes and set the phone back down. you leaned against the counter, eating what little food you had in your reheated bowl. you mixed the contents around with your fork, grumbling. stupid jason and his stupid inability to text back. he could have at least had the decency to leave you on read. he probably didn't even have read receipts on. you weren't sure which was worse. tossing your now empty bowl into the sink, you grabbed your phone to read his next message.
i’ll be over soon. 
soon was very vague and you wished that you would've demanded an exact time, but that opportunity had passed by the time you thought about it. you busied yourself with tidying up, trying to make your place look presentable. you even lit your new candle, which you found yourself focusing your attention on while you waited for him to show up. staring at the flame was much more entrancing than you anticipated.
you heard the door buzzer go off. you weren't expecting anyone else, so it had to be him. you leaned against the wall, pressing your finger to the button.
“who goes there?” you presented the question as a joke, but your tone was a little flat.
“it’s the irs,” jason’s voice came through and you buzzed him in. 
not too long after, you heard him knock on the door. you cracked it open and the first thing you noticed was his cologne. it was a strong but pleasant scent. spicy and sweet. it was very intoxicating, actually. so much so that you almost forgot you were angry at him.
“hi.”
“hello.”
you opened the door fully and handed the envelope to him. jason eyed it suspiciously. he opened it up and began to count it out in front of you. he made an effort to do it very slow, the sound of the crisp dollars echoing in the quiet hall. his eyes stayed glued to yours as he counted out loud. you leaned against the doorframe as you watched.
“six… seven… eight,” he said, pulling out his wallet and stuffing it with the cash. “thought you would've skimmed some off the top.”
“i should have with how long you made me wait,” you said matter of factly, letting your annoyance be known now. 
“i know. i’m sorry,” he sounded honest but you couldn't see it in his face or in his eyes, which was worrisome. it was a nice alternative to listening to a sputter of excuses, though. “let me make it up to you?”
“how do you plan on doing that?”
“i’m so glad you asked,” he smiled. “as it turns out, i've recently come into some money. let me spend it on you?”
“so you like throwing money at your problems?” you asked him. well, you weren't really asking. it was more like you were telling him. 
“no,” he said, sounding a little offended. “i just thought-”
“you just thought that throwing money at me would make me forget about the fact that you ignored me for a month.”
“no, no,” he shook his head, sighing in frustration. “listen, i-”
“i really don't wanna hear it,” you said honestly, watching as his frustrated look turned into kicked puppy. you almost felt bad. “i don't like feeling stupid, jason. that's how i feel right now. i want you to make it up to me but you'll have to be a bit more creative than this.”
“you want me to make it up to you?” jason had repeated, confusion on his face. 
you poked him harshly in the chest. “you do that or you leave me alone. those are your options. goodbye.”
you shut the door in his face and let out the breath you were holding in. you weren’t sure how jason was going to react to your little ultimatum, but those were your terms. you liked him but you weren’t going to stress over someone you barely knew, especially with your assumptions about him floating around in your head. 
“i’ll be right back,” you heard him say through the door, catching you off guard. 
“what?”
“don’t go anywhere.”
you didn’t respond but you heard his footsteps getting quieter as he walked down the hall. the elevator ding indicated that he had left. you stood there, confused as to what it was he was trying to do. you were still stewing in your negative emotions, so you went and busied yourself again. you decided the dishes needed washing and got on it right away. in the middle of scrubbing the stubborn sauce stains out of your plate, you heard your door buzzer go off again. 
so he did come back after all. interesting.
you buzzed him in like you did before and waited by the door for him. he knocked and when you opened it, you were met with two gifts: a bouquet of pink tulips and a small box of something from the bakery around the corner. 
“i shouldn’t have ignored you. it was rude and stupid and i’m sorry. it won’t happen again,” he said to you, holding out the items to you. you hesitantly accepted them, taking the opportunity to look through the plastic opening of the box to see chocolate covered strawberries. 
“it better not happen again,” you pouted, looking up at him. you had to appreciate the effort he put in at such short notice. it was a sweet gesture and he actually looked sorry this time. 
“it won’t,” he assured you and you smiled.
“i forgive you. but you’re on thin fucking ice,” you reminded him and he grinned at you with a nod.
“i’m going to make it up to you. just you wait,” he said confidently. “not all of us are naturally creative like you, though. you gotta give me some time to think of something else.”
“seems like you’re getting your feet wet with the flower selection,” you noted, taking a whiff of the delicate and fresh scent. they’d look nice on your coffee table.
“lady at the shop said they would convey my sincerest apologies,” he explained, a hopeful look in his eyes. “did it work?”
“for now,” you shrugged, setting the items down on the table next to the door. 
“i can accept that.”
“you’re gonna have to because that’s all i’m giving you,” you said firmly. his charm wasn’t going to get him out of this one. not completely. “now go away. i want to eat my berries in peace.”
“i’ll text you as soon as i get the chance,” he told you as you were shutting the door. you peered at him, narrowing your eyes before shutting it again. “i’m serious!”
“goodbye, jason!” you said through the door. you heard his faint farewell as you walked away, plopping on the couch with your dessert in hand.
were you still a little mad at him? yes. but you weren’t going to pass up free stuff, even if you had made all that fuss about the money earlier. at least the gifts had some thought behind them. so long as he held up his end of the deal, you had a feeling being friends with jason wouldn’t be that bad.
hopefully, anyway.
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snellyfish · 3 years
Note
May I ask..... what is in your post game V3? I dunno how to ask this without sounding weird.
HM!!!!!!!!! GOOD QUESTION;;
I mostly only have braincells for Kiyo and Angie so not a lot of my thoughts are straying from that unfortunately LMAO, I was able to branch off a bit answering this though so thank you for indirectly helping me develop more!!
But I like to think it's the same scenario as the second game where it was all just a simulation. I know what I fantasize about is a VR AU and that "postgame" tends to refer to the survivors but literally none of my favorites survived so reality can be whatever I want: postgame Shinnaga is so canon it's unreal!! I'm sure there's probably a VR fic for them somewhere out there in the world, I wouldn't know because I suck at reading fhdjfk, but I would love to write my own someday HEH
-------------------------
They'd all wake up one by one as they die and end up all in the same facility where they're taken care of by the Danganronpa team, unable to leave until they’re well again due to the contracts they signed prior to playing-- Meaning Angie wakes up, Tenko wakes up a few hours later, Kiyo another few hours later, etc. Angie jumps back pretty quick from things so she'd be already VERY excited to see Kiyo*  after watching the trial, mostly because Angie like immediately caught onto what his sister really was to him (HINT: CONTROLLING AND AWFUL) and yelling at her screen saying "GOD WILL SMITE YOU ALL FOR PICKING ON THE WEAK" at everyone just calling him some incestuous freak during the trial. Angie does have genuinely incredible intuition (thanks god!) so she looks past the fact he murdered her Scarily Fast. Everyone would definitely mistrust and hate Angie even more as she tries to preach to them afterwards about Kiyo and how they need to forgive him since he’s a victim and God (most important opinion) already forgave him, but no one ever listened to her anyway especially postgame so it’s all in vain 😔
*whom might take a bit to wake up and fully acclimate again because...idk this man was boiled alive that's kinda Fucked I think all the executed would take longer to wake up because they went through more lengthy + traumatic deaths I guess? This just means even more time for Angie to sit on her thoughts about what happened to her+Kiyo yuh yuh
Everyone becomes a mix of their pregame selves and the identities they were given, they'd end up being mediocre/average (sometimes bad) at what their handpicked talent was but a lot of them still keep up doing it until they DO become good again. A very small amount of them try to replicate their killing game outfits and kinda live off the high of being what they once were and accomplished in their fake memories, like Miu and Himiko. (this also makes me think about Irumeno a bit more 👀) Pretty much every single one of them in pregame saw themselves as nothing, being disposable enough to be in a killing game (even if it turns out to be virtual), so the new identities would overpower the mix for the most part since they’re the more intensified and dramaticized personality--IF THAT MAKES ANY SENSE LOL.
--Angie absolutely never stopped her art and has a less intense view on Religion, since garnering more experiences in life she’s just be less intense in general I'd think; more open with her emotions in that she'd actually cry, but still very manic and bubbly and optimistic nonetheless. After getting help (mostly from Kiyo who deals with the same thing), Angie is able to differentiate her thoughts and desires from “God”’s thoughts and desires, YEA she still has a funky little friend in her head. She's not AS pushy especially not with her equally traumatized fellow killing game participants but she still absolutely gets her moments of intensity and assertiveness now and then if she thinks something God is telling her is absolute truth and for the betterment of everyone: she is still Angie afterall, truly believing everyone would be much happier with her God in their lives but having enough self-restraint to know everyone will just push her away further if she tries to help them in that regard. She has her moments of desperation but most everyone’s too far gone from her already.
--Korekiyo is such a complicated one--I do like to think of pregame Kiyo as transfem/nonbinary and that would partially stick into his postgame identity in some way...killing game Kiyo was Just A Dude but after becoming the mix of the two identities he'd be VERY confused, especially with the influence of his (simulated) sister's influence. (genderfluid time? :)) He'd have varying degrees of when his...sister...alter...thing...comes out, or is present in his head in any regard, she'd be gone or slowly disappearing from his mind for months at a time and he'd initially be extremely unstable about it because he feels extremely isolated and lost when he can’t talk to her, but he's got Angie by his side so he becomes significantly less stressed about it over time, learning to cope with it. Eventually he finds himself no longer dependent on sister and...has to learn a SECOND time to not be unhealthily dependent; on Angie this time. (funky little idea I’ve been wanting to draw/write about sometime...hnnrngm) They’re both miracle workers when it comes to each other’s mental health it’s kinda insane. Of course, after realizing that Sister never really existed, he harbors near-immediate guilt for having murdered Angie and Tenko once he’s alone with his thoughts, not being puppeteered by sister, realizing everything he ever did he did for HER and realizing how fucked it all was pretty quickly--he does crave interacting with his victims in a positive and healing light but he’s sort of traumatized by it all to the point he is TERRIFIED when they’re around him at first.
--Tenko ends up EVEN MORE protective and grudgeful after she wakes up, trying to shield everyone and everything from most of the blackened, absolutely makes Kiyo manage to feel like even worse shit when he's got 1 extremely supportive and loving woman he killed and 1 extremely spiteful woman he killed who might legitimately murder him in return if he’s not careful. Tenko never makes amends with Angie and becomes close with Himiko (who's close with Gonta despite Tenko's wishes (she hates him for killing Miu, local woman)), managing to keep Himiko far far away from Angie, not only for "stealing" Himiko in the Student Council but also for the fact Angie's glued to Kiyo's side--making her the second least trustworthy person to Tenko..
--Himiko is very traumatized after the game due to surviving all the way til the end, likely making her (along with Shuichi+Maki) very disillusioned and lost--unable to decipher anything from fiction or reality--it takes a long time for Himiko to really “accept” anything; tried to cling to both Tenko and Angie but ends up just stuck on Tenko, mourning the loss of her friendship with Angie while doing so. Himiko would probably be shoved away from Gonta at first as well, but Tenko felt a lot more confident in Gonta so after a long while of her aggressively trying to teach him manners and keeping an emotional deathgrip on him whenever he wants to interact with Himiko, they’d end up close friends again. Still thinking about Irumeno-- Also with the whole ~~Survivor Delusions~~ thing, I think that helps play into Himiko’s attachment and insistence to keep up her old magician identity, because she has a very hard time trying to tell what’s real n fake ykno, and it takes her a while to realize she doesn’t have her talent anymore; absolutely ending in tearful breakdowns and unending determination to find herself again by forcibly trying to improve and push herself to her limits.
For the most part Kiyo and Angie are outcasted from everyone else, a lot of that being due to Tenko's preaching but...also everyone just doesn't understand what actually happened to Kiyo and they are all deathly worried about Angie, but not enough to get themselves involved; they're scared of Angie too, afterall, not as much as they're scared of Kiyo but ykno-- They think her naivety and determination to “fix him” is going to get her murdered again, every day they’re just counting down the minutes until it happens again. (spoiler alert: it doesn’t)
I could ABSOLUTELY go off more but I really have to end this at some point so fhdsjkfds--
TLDR;; Angie (and God alter) forgive Kiyo almost immediately. Sister alter likes to disappear sometimes making Kiyo sad and unfortunately dependent on Angie. Both Kiyo + Angie help each other heal and recover from their issues. Tenko hates both Kiyo + Angie with a passion and protectively forbids Himiko from seeing either of them. Himiko is close friends with Tenko and Gonta and Maybe More with Miu.
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doublerainebow · 4 years
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Artist Resources (Part 1?)
This is basically just going to be a bunch of resources I have found to be useful. I can’t say that I’ve used all of them, but I’m sure they’re all worth checking out.
I’m also gonna try to put a detailed description for most of the links so you have a better idea of what you’re getting. I apologize in advance if some of them are redundant lol
(I put “Part 1″ if in the case I make another one)
~Links to Tutorials, Tips, Resources, etc~
Another Resource List -- Leads to another Tumblr post. Apparently, the post isn’t mobile-friendly, so it’s suggested to view this on Tumblr browser. Has a bunch of other links. I’ve checked out a few of them (mainly the copyright stuff lol), and it seems that some of the links may be a bit outdated. Still, it doesn’t hurt to check out the links.
Arms and Legs -- Leads to another Tumblr post. A handy tutorial on elbow and knee placement.
Art & Game Dev -- This leads to my personal playlist of a bunch of YouTube videos. Has a bunch of tutorials and interesting videos that I’ve collected over the course of a few years lol.
Blamblot -- A website that contains resources and tutorials on comic lettering. This is primarily in reference to western comics, but it doesn’t help to take a looksie.
Commission Calculator -- Leads to another Tumblr post. Helps artists to stop selling themselves short.
Comparing Heights (hikaku-sitatter) -- A height comparer for centimeters.
Comparing Heights -- A height comparer for feet and inches.
Mouth Shapes and Lip-Syncing -- Leads to another Tumblr post. Useful for... drawing mouth shapes.
Reference Angle -- Useful for when you’re trying to map out a face from an odd angle.
Soft Proofing for Printing -- Leads to another Tumblr post. Helps when you’re trying to make prints of your artwork.
Textures -- A website full of different and mostly free textures. While this website is made for 3D texturing, it can also be useful for 2D drawings. Signing up gives you 15 free credits everyday, and you can use those credits to download some textures for free.
The Models Resource -- A website of models ripped from a wide array of games.
The Spriters Resource -- A website of sprites ripped from a wide array of games.
The Textures Resource -- A websites of textures ripped from a wide array of games. 
~Links to Stock Images~
Please check out whatever policies they may have for their images before using them!
(not sure if any of them are active anymore as I followed some of these accounts a long time ago when I used to be more active on Deviant Art lol)
adorkastock (formerly senshistock)
anatoref -- Leads to another Tumblr post. Has a bunch of hand photo references
charligal-stock
HumanAnatomy4Artist -- Does contain nudity
null-entity
PhelanDavion
RobynRose
~Links to Other Artists~
Akihito Yoshitomi -- Yoshitomi is a mangaka who has tutorials on manga making. He also has an insightful series in which he drafts and draws a 30-page manga in 18 days. Remember that every artist works differently and his process may be different from another’s.
Drawfee -- Drawfee is an improv drawing show of four artists: Nathan Yaffe, Jacob Andrews, Julia Lepetit, and Karina Farek. While they don’t have tutorials in a sense, their videos explain the different processes they go through as they draw. They also occasionally provide tips, tricks, and resources in their videos. They do have another channel and a Twitch channel where they host drawing classes in addition to other fun shenanigans.
EtheringtonBrothers -- Has a bunch of useful and eye-catching tutorials called “How to Think When You Draw”.
Mark Crilley -- Mark is a comic artist, specializing in manga, who has a bunch of tutorials about anatomy, perspective, comic making, and other things.
Miyuli -- Miyuli is an artist who posts tutorials on their Twitter. Their tutorials range from anatomy to clothing to other things. They even have a few books of art tips. Currently (as of the time of posting this), their 2018 version is free for download, so I highly recommend you download that. Some tips may be outdated, but they should still be helpful.
Whyt Manga (Twitter/YouTube) -- Odunze is a comic artist, specializing in manga, that has a bunch of tutorials on manga making and drawing characters of color.
~Links to Free Programs~
Blender -- A free 3D program if you’re into 3D modeling and such. I also personally haven’t used Blender (I use Maya lol), but I know it’s a respectable program.
Krita -- A free painting program if you can’t afford Photoshop or Clip Studio Paint. I personally haven’t used Krita, but I have recommended it to a few friends and they have positive reviews about it.
Paint Tool SAI -- Okay, this one isn’t free, but it’s a significantly cheaper painting program where you don’t have to pay a subscription. It’s 5,500JPY (~50 USD). I’m not sure how well it still works on modern computers (the last update was 2016), but I still use it here and there because I love the pen tool feature it has, and it still works like a charm for me.
~General Tips From Raine~
Raine admits that she’s guilty of not following her own advice, but Raine hopes that the tips that she does know will be beneficial to someone who will follow them. She’s also going to keep all her tips under the cut so as to not make this post a huge wall of text (even though it technically already is lol)
Also, if you have some resources, tutorials, tips yourself, please feel free to send them to me and maybe I’ll make a part 2 to this post!
ALWAYS LOOK FOR REFERENCE. This should really go without saying. You can’t draw from life if you refuse to observe life itself.
If you can’t find the exact thing you need, MAKE YOUR OWN REFERENCE. Time and time again, I can’t find something exactly that I need. So instead, what I do is that I take pictures of my own reference. Sometimes I even grab a friend and take pictures of them doing whatever it is I need.
Have a mirror handy when you’re drawing. Sometimes what you need is actually right there in front of you.
Having trouble drawing something? Do some studies. Take the time to understand what it is you’re drawing. I can’t remember the exact story, but I heard that the people who were working on Tarzan were having a hard time drawing his hands. So, what they did was spend a few hours looking at hands to try and understand how they work.
IT’S OKAY TO STUDY THE ART OF OTHER ARTISTS. Just as we look to the old masters as a reference, it’s definitely okay to look at modern-day artists for reference. Just don’t go copying exactly everything that they do, or worse, trace what they do. Just don’t do it... at all.
Not every line needs to be realized. The viewer of your work will automatically connect the dots.
DO NOT TRASH YOUR OLD DRAWINGS. Please, never ever do this. Your old drawings have value to them, even if they look terrible to you. Old drawings may hold ideas for things you could do for the future. They also serve as a way to see how far you’ve come as an artist.
GETTING BETTER AT DRAWING TAKES TIME AND EFFORT. You’re not gonna get better overnight. It’ll take months, or even years, to feel like you’re a competent artist, and even then, you’ll still have room for improvement.
DON’T LOOK DOWN ON YOURSELF IF YOU’RE TAKING A LONG TIME TO GET BETTER. It’ll be better for your mental health in the long run.
Alternatively, DON'T LOOK DOWN ON OTHER ARTISTS EITHER, ESPECIALLY TO MAKE YOURSELF FEEL BETTER. You know the struggles it took for you to get where you are, so don’t go putting down other people when you’ve been in their shoes once.
KEEP DRAWING. If you’re not making an effort to get better, then you’re not going to be better. I get that it’s hard to find the inspiration to draw (I’m very guilty of this), but just keep trying. It doesn’t have to be big or spectacular. You don’t even have to post it if you’re the type who likes to post their art stuff.
Try to find references from real-life. It’ll help you better understand form, lighting, shadows, etc., especially if you’re going for a more realistic kind of art style. Otherwise, finding reference from things like cartoons, anime, comics, etc. are just as good.
Try new things. Try new art mediums. Try a different art style. Switch up the way you do things. Maybe you’ll hate it, maybe you’ll like it. Who knows if you don’t try.
Watch time-lapses (or speed draws/speed paints) of other artists!
Pinterest and Google are your friends if you need tutorials or references or whatever.
If you’re offering commissions, DO NOT WORK UNDER YOUR LOCAL MINIMUM WAGE. You are literally devaluing the work you actually put into a piece.
I like to think I’m an aficionado of Photoshop, so feel free to ask me questions on how to achieve something! I’ve used Photoshop for about 11 years now and know my way around the program. On another note, I do recommend setting custom keyboard shortcuts in Photoshop because the default shortcuts are terrible (in my opinion), and because having custom shortcuts increases the speed of your workflow.
Because I’ve been seeing this a lot lately in Twitter, you’re never too old to start in art. Art is just one of those things that anyone can pick up at any age because the only thing you really need to get good in art is time, diligence, and patience.
Try not to post hi-res images of your artwork to prevent art stealers from selling your artwork in high resolution.
Always, always, always add your signature and watermark on your artwork. I like to add my signatures and watermarks in places that’ll be hard to erase or crop out. I’ve also seen people add their signatures and watermarks in creative ways (ex. on a character’s shirt). You need to protect your work in an era where people will just blatantly steal it and make profit off your work.
Tag List
@reality-is-often-disappointing
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not-xpr-art · 3 years
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Art Advice #4 - A Beginner’s Guide to Digital Art
Hi all!
This weeks entry into my Art Advice tag, where I offer various advice for artists of any skill level, is about digital art! Now, I am by no means an expert at digital (I’ve been doing it for nearly 8 years at this point and that is almost entirely self taught), but I have picked up a few pointers in that time which will hopefully help anyone just starting out!
(this blogpost is a little over 2000 words long btw)
A Beginner’s Guide to Digital Art 
I know that the world of digital art has changed drastically in the 8 odd years since I started, but I’d still say that some of the options I started out with will be just as good for anyone who’s starting out now! 
As always, I’ll be splitting this into sections to make it easier for you to navigate this post!
Part 1 - Equipment/Hardware 
There are a lot of drawing tablet options on the market at the moment, and I’m not going to pretend that I know anything about half of them lol. But I think for a beginner, don’t worry about going for the most expensive option, even if the reviews are really good or your favourite artist uses it, especially if it is way above your budget! 
An important thing to know is that there are two types of tablet. One is the plug-in kind. These are essentially a pad which you plug into your laptop or computer and draw on that whilst looking at the screen (they basically work the same way as a plug in mouse works). The other kind is the screen variety, which is a lot more like what most of us know as ‘tablets’ nowadays. And you draw directly onto the screen. 
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(a plug-in vs on screen tablet, both from Wacom)
Now, as for choosing between these, it is honestly a personal choice. But I’d say if you’re just wanting to try digital and you’re on a budget, a plug-in tablet can be really useful since it gets you used to the mechanics of what digital is like, and they are often significantly cheaper than the screen alternatives. I would say that plug-in tablets are a big learning curve, especially if you’re used to doing traditional stuff, but I do know a lot of professional artists who still use this kind of tablet when doing their work, so if it’s something you can get used to I would definitely consider it! Also, they’re often a lot more portable than some screen tablets! The first one I had was a Huion (a model so old that I can’t even find a link to it now lol), and I also know that Wacom are a well known brand that do some decent plug-in tablet. I’d recommend you do your own research on other brands and options, though!
Screen tablets are often a lot more expensive, but if you’re used to traditional art, they are a lot easier to get a handle of! But I know if you already have something like an iPad, or other general use tablets, then they offer apps that you can use to draw on (as well as things like the Apple pen, or other stylus’). The big difference between using these general tablets and ones specifically designed for drawing is pretty much purely a personal choice. I personally prefer the bigger screen of my XP-Pen tablet, along with a special screen protector that removes the shininess of the tablet screen and makes it feel more like ‘paper’ over when I used a general use tablet it draw. But if you already have an iPad, or something similar, then it’s honestly a really great starting point!
I think it’s important for me to mention that you don’t need fancy equipment to be an artist. The incredible Elicia Donze has revealed countless times how she has very basic equipment but still manages to produce the most stunning artworks! All you really need is some kind of drawing apparatus and a lot of patience lol! Getting good at any kind of art takes a lot of time and effort, but I would definitely say it’s worth it when you’re able to look back at your progress!
Part 2 - Software/Drawing Programs 
Much like with the hardware discussion, choosing which program to use is entirely down to personal preference. I personally have never really liked Photoshop purely because it’s really complicated, but I know so many artists swear by it. 
I think the main aspect to consider when you’re starting out is whether you want to pay for a program. Software like Photoshop, Clip Studio Paint and Procreate are some of the popular ones I hear about a lot of people using, but all require you to purchase or subscribe to them. So if you’re young or on a very tight budget, I’d honestly recommend the free alternative versions of these, such as Krita (Krita is quite a large program, but it has a lot of really awesome features and is very similar to Photoshop!), Gimp (this one is similar to Krita, but has slightly less options, I’d honestly recommend Gimp for anyone who does photo editing though!) or FireAlpaca (this is the one I use, by the way and it’s a pretty simple program, but has a lot of fantastic features and is perfect for how I work!). These don’t have as many features as some of the paid alternatives, but I honestly think all you really need to start digital art is some kind of ‘canvas’ and set of brushes!
Another great free program for beginners I’d recommend is MyPaint, which is great for doodling and just getting used to how digital art feels in comparison to traditional! It also has a bunch of ‘traditional style’ brushes, to make it look like charcoal or watercolour (which I’m sure the paid alternatives have too, but it’s always better when it’s free, I find lol...)
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(this is an example of a drawing I did on MyPaint using the ‘charcoal’ effect brush!)
Most of the sites are pretty self explanatory, with sections dedicated to different brushes (I’ll go into the types of brushes later on in this post btw!), adjusting brush size, shape and opacity, a colour wheel, etc. You also have a section dedicated to ‘layers’ (another thing I’ll go into more detail later), and various ‘filters’ and editing options and effects you can add to your work to make it more interesting!
I’d really just recommend playing around with programs until you find your one!
Part 3 - The Pros of Digital Art!
I realise this section should probably earlier in this blog post lol, but I kinda wanted to go into what digital art can achieve in comparison to traditional art, and how beginner artists can utilise this!
I definitely didn’t take advantage of certain aspects of digital art when I first got into it, and they’re things that would have definitely made my life a whole lot easier lol!
Digital art allows you to tweak drawings as you do them. So if you accidentally drew the eye too far to the right, then you can easily move it to the right place. (I usually do this by selecting whichever area is wrong, cutting it out and then pasting it into a new area... And yes, there is probably a better and quick way of doing this but...I haven’t found that way yet lol...). And I honestly think that this has allowed me to look a lot more at a reference image in order to figure out where I’ve gone wrong with a drawing! Whereas with traditional art, I usually spend so long trying to get an eye right, that even if it’s slightly in the wrong place, I don’t want to completely redo that section. Digital allows you to completely rub out sections without leaving indents, which is honestly such a saving grace!
Another pro of digital is the Undo/Ctrl Z function! This means you can easily go back to before you made a major mistake with just a click of Ctrl Z... Though I have to say that this function has honestly ruined traditional art for me... Oh what wouldn’t I give for a real life Ctrl Z... But yeah, this is a great part of digital art and definitely something you will grow to love lol!
Another great thing about digital is that it allows you to flip and turn a canvas as you’re drawing on it. I spent a lot of time trying to turn my tablet around in order to draw certain parts of a piece before I realised you can turn the canvas itself without having to move yourself or your tablet!
Layers are another part of digital that can be super useful, and I have to be honest but I don’t really use them a lot. I know a lot of artists create layers for every section of their artworks (so, one for the linework, one for colouring, a separate one for the background, etc etc...). And there’s something really great about being able to paint without worrying about smudging into a previous section of the painting. This works well for my work since I do a lot of bright backgrounds. I also often create a lot of ‘versions’ of my works, so it’s useful to be able to change the background without affecting the main figure of the piece! (I have to say that I often work in one big layer when I’m doing paintings, just because I like how it feels more like ‘traditional’ art that way, but layers are such a brilliant tool, and definitely something you should play around with!)
The eyedropper tool is another one that is really useful! Although I never colour pick from my reference photos, I know some artists find this useful when they were just starting out (especially if you’re not sure what colour to make shadows or how to mix skin tones, etc etc). The eyedropper basically means you don’t need to mix your colours every time
Part 4 - Just some other things I wish I had known about when I was starting out lol...
This last section is just dedicated to a few things that I would have liked to have known when I was just starting out all those years ago. 
First one is fluffy/textured brushes! 
I spent most of my art life from 2013 until 2016 using ‘round’ brushes which are notoriously hard to blend with, so I’d recommend either downloading some fluffy/textured brushes (DeviantArt was where I got mine from a few years back, but there are probably other places you can get them for free too!) to your program of choice, since most of the programs I’ve used haven’t had fluffy/textured brushes as pre-set. 
I may make another post about how I blend in my artworks if that’s something people would be interested in?
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(this is an example of textured brush blending vs round brush blending... I usually opt for round brushes for rougher blending styles and the textured brushes for more smooth and ‘realistic’ blending... for a lot of pieces, though, I use both brushes (the round brushes are good for details!) in the same way that you use different sized brushes for real paintings!)
The next thing I wish I’d discovered earlier is the Brush Stabiliser option. Some programs may do this automatically, but the one I use (FireAlpaca) requires you to manually change the amount of stabilising you have on your brush. This is particularly useful if you want to draw neat lines or straight lines (the stabiliser essentially slows down the ‘ink’ as you’re drawing). I only recently started using the stabiliser, and although I still like having it mostly turned ‘off’ for doing sketchy work, it does make doing line work a lot easier, and also gives pieces a more polished look!  
Next advice is to explore all the options you can in whatever program you use! 
I feel like with certain programs, you can get overwhelmed by choice and you end up just using a few of the functions. But I’d really recommend just playing around with these programs, trying all the filters and editing options to get used to how the program works. You can often find interesting ways to adjust your artworks this way! In a way I’d recommend this way of working more than finding tutorials made by other people... Unless there’s a specific function you want to learn how to do, just having fun with digital art is a major part of it’s appeal to me! 
~
There are probably a lot of other options I could go into, but this is already over 2000 words long, so I’ll leave it here for now lol! (I may do a part 2 though so... keep a look out for that!)
As always, if you have any questions to things I’ve said here, or are just looking for more advice, don’t hesitate to message me!
And if you like my work on here (art & blog posts) feel free to support me on my Ko-Fi! <3
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actualsunflower · 3 years
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I have a huge life update to share rn--- My top surgery consultation is scheduled for July 5th!!!! I’M SO EXCITEDDDDDDDDDDD!!!!!!! I’ve also been vaccinated!! :D ANNNDDD MY LEGAL NAME AND SEX HAVE BEEN CHANGEDD!!!!! :DDDD kind of a lot has happened since I’ve been actually active around here But now I guess is the much harder part, my official surgery date will be set at the consultation, but there’s a required $1,000 fee to set the official date for my surgery. The $1,000 covers a portion of the surgery as well, and the base price for the surgery is $8,500. I’ll get the exact price on July 5th, but that’s their base rate. I need to earn or raise at least $1,000 of the total cost before July 5th to secure my surgery date!! I’m going to take commissions when I can, I have 1 almost entirely complete right now and then I can take on more! I’m gonna have a more detailed explanation of everything under the cut so this isnt super super long so pls read under there if you want all the deets Pls consider commissioning me or donating so I can get top surgery!! read more for more info and me being sappy abt my emotions--
I’ve waited so long for this and I’m fricken excited, it’s the last step in transitioning for me! It really means everything for me, I feel like I’ve been waiting forever and I can’t believe it’s finally happening !?!!! I am forever in everyones debt here and everywhere because I never wouldve even been able to start hrt if it wasn’t for the help here. I’m just so. Overwhelmed with emotion and gratitude I cant even tell how many times Ive cried and just felt like... actual gender euphoria since starting t..
So abt the appointment, I’m getting surgery with Dr. Javad Sajan, and I’m getting button hole double incision. Im serious his before and after pictures make me so emotional I am so happy and emotional for those people and I cannot wait to feel that kind of happiness and relief. But a big problem about this for me, is that he is in Seattle, and I live in southern Oregon. I can’t drive, so I have to rely on someone else, or take the train from a nearby city (Eugene). My consultation is over skype (which is amazing and a huge relief), but my pre-op appointment is in person, and of course so is the actual surgery. We’re planning on taking the train from Eugene because it seems to be the most reliable way to get there and back each time. Aside from my surgery, I’ve got to cover the price of the trip there and back (twice, once there and back for pre-op, once there and back post op,) and the price of a place to stay during the pre-op appointment. Right now my goal cost wise, is just the booking and base appointment price ($8,500, that’s including the $1,000 appointment setting deposit, which is just a part of the surgery cost and the base covers everything, surgery, the stay at the hospital, nips, anesthesia, everything). The full price is due at the pre-op appointment, and that’s the final bill. My insurance doesn’t cover anything because it’s out of state and county, and because its informed consent model. (which Im choosing because Id have to battle insurance for 2 years minimum if I was getting the surgery in Oregon, but I am very set on my surgeon after considering everything and calling many offices and looking through many subreddits and talking to ppl who’ve gotten it here and there) A lot of this information is on their site as well. As soon as I have my consultation, I will be right here to update everything and set the exact price, which I’ll also be including the price of transportation and staying there. As for paying, I’ve been applying to so many jobs, and even when I get interviews I never hear back from them. People keep telling me to stop admitting I’m disabled but I just can’t do that. Lying about being disabled doesnt make me abled and they don’t get that. I’m still trying though, and I am not going to stop trying until I get a job. But until then commissions and donations are my only source of income. I’ve been struggling getting help psychologically, because I have schizophrenia, and because I was diagnosed with adhd as a child, but I think I’m actually autistic rather than having adhd, and it’s been really hard trying to get diagnosed because I keep getting pushed off or told I cant have autism because I have paranoid schizophrenia or because its “just adhd”, but the medications are just making everything worse, and Ive tried more than one already. My medications for schizophrenia have started not working right, and when my schizophrenia meds get under control, it makes my adhd (?) significantly worse. Genuinely, I really dont know what’s happening. I really dont know whats going on with me right now and it’s hard and confusing and I keep swinging back and forth and it’s making everything deteriorate so fast I cant keep up with it. It seriously effects my ability to do anything at all, even art, and its been like this for the last 6 months. I am trying though, still trying to work, still trying to get a job, still trying to get a real diagnosis and help and Im not going to stop any of that. But I think getting top surgery as soon as possible is going to help me too, because dysphoria has just gotten so much worse focusing on my chest since t has started helping me pass and look so much more masculine. It’s like all my attention went from everything DIRECTLY to my chest and its almost unbearable. Even now since my sex has been legally changed I keep having the horrible thoughts of ‘why, why I am a man Im not supposed to be this way’ and shit idk. I’m getting too serious right now I have an appointment with the dmv to get a new updated driver’s permit with my name and fixed legal sex, and when I do that I can set up a bank account (I cant yet bcs I dont have a valid id/ id at all because I actually lost the other one and have been carrying around that paper one you’re supposed to destroy that is literally from 2016) and when I do, I’m going to set up a proper gofundme for my surgery and the travel expenses, but for now all I have is my paypal and online banking savings account. I’ll get that up asap once I have my id, though (Ive already been to the bank with my notarized judge passed papers and they wont take those yeah I know it’s stupid its like the same thing) But uhhh yeah! Thank you for reading this far if you did lol and considering helping me bcs my god, it literally means everything to me. pls share hehe
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eli-is-daydreaming · 3 years
Text
4 Months On T
As of the 3rd, I am 4 months on testosterone! So, I thought I would make a small post about my experiences with it and all. Now, reminder, that my experiences are not the same for everyone else. Testosterone can effect others differently and changes can happen at different times for people.
!!Reminder that I do testosterone injections!!
So, here’s a little list of sfw changes that have occurred since I started Testosterone:
- Skin: pre-t, I used to have pretty decent skin, not too oily, not too dry. Nothing I had to worry about too much. Since starting t, my skin has become significantly more oily and I’ve had quite a few breakouts. The acne on my back has also become a lot worse, so dealing with that is a pain. I had to change up my skincare routine and I’ve actually had to invest some money into certain skincare products meant for oily skin. Obviously something that is completely natural when on hormones.
Weight and muscle: another thing that is natural when on t. I won’t go into too much detail with this because my weight is something I struggle with anyways. I have noticed a slight redistribution of fat from my thighs and hips, with some of the fat going to my stomach. Muscle wise, I can’t say much yet because I see no difference. Also, I still have baby face, but we’ll see if T changes that in the future. 
Voice: I started noticing a voice change around the two-three month mark. Was pretty surprising to see a change that early lol. I kind of have that stereotypical “boy going through puberty” voice going on. Voice cracks galore as well. Most of the time my voice is just pretty scratchy/hoarse sounding.
Facial and body hair: So, I’m a natural blonde and I’m used to having pretty light hair. The darkening of my body hair was a surprise honestly. Testosterone has made my body hair thicker, darker, and grows a lot faster now. Facial wise, I wouldn’t have noticed anything if it wasn’t for my friend pointing out that the peach fuzz that I’m so used to having on my face is slightly darker above my lip. 
Emotional state: I have depression and anxiety, so it has definitely been a wild ride. We all know how puberty is though. It’s a rollercoaster of emotions. The most prominent emotions I have had to deal with since starting t though, have been random moments of rage and just an indifference towards a lot of things. I’ve been playing certain video games, doing vent art, and just writing in a notebook to help try to deal with this though!
Hunger: My appetite is all over the place currently. The first two months I was just always hungry, compared to the small appetite I had pre-t. Currently, there’s days where I eat a lot more, and then other days I’m just not hungry at all. 
A little ‘nsfw’ or just personal stuff that I’ve experienced since starting T:
TW for Period: I haven’t had a period since a little after the two month mark. I’ve had spotting moments, but not an actual flow. Which I’m very happy about. Occasionally I will still have period pains when I would usually be on my period, but nothing too serious.
Sweat (in this section cause I know some people are uncomfy with this): I used to not be a sweaty person at all. Since starting t, I swear I sweat constantly. The summer heat isn’t helping either.
Clitoral growth: I’m honestly not sure how to describe this because it feels kind of self explanatory. But, I have noticed a small amount of growth so far. There is only a slight difference though.
Sexual changes: Oh my god. I never used to be a sexually active person. Never had sex with anybody, never really thought about it, or never had the urge to masturbate. Nothing like that. Testosterone has definitely changed that. Horny thoughts 24/7 I swear to god. Now, I’ve still never done anything because ~dysphoria~ but there is nothing shameful about being open about your sexual urges and engaging in them!
Again, all of this is just how testosterone has changed MY body so far. Changes can occur at different times for everyone, while some people can have completely different changes. That’s just how puberty is though! 
Starting testosterone has been one of the best decisions I have made in life and I know it was the right track to take. I don’t have to keep pretending to be someone I’m not. I’m so much happier now!!! 
Also, it’s okay to take small steps when it comes to hormone therapy. It’s okay to not even want to do hormone therapy. There’s several reasons that a person chooses not to go through with hormones or surgery, so don’t judge others and question their “transness.”
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rhosyn-du · 3 years
Text
Never make a mess when a total catastrophe will do - Epilogue
Pairings: Jimon, past Clace, background Clizzy, a bunch of other minor background pairings Rating: Explicit Art: @cor321​ Beta: @all-thestories-aretrue​ Tags:  Alternate Universe - College/University, fake dating, oh my god they were roommates, friends with benefits, idiots to lovers, pining, miscommunication, holidays, drinking games, mistletoe, symbolically significant Oreos, domestic fluff, brief mention of past character death, Jace’s self-worth issues deserve their own tag Summary: What do you do when you find out your sister is not only dating your ex and love-of-your-high-school-life but is also bringing her home for Christmas? Bring your annoying, hot, annoyingly-hot roommate as your fake boyfriend to show them you're totally fine with it, obviously! There's no possible way this could backfire. Link: AO3 , Tumblr Master Post
Epilogue
“How is this the third store we’ve visited that’s out of cranberry sauce?”
“Because it’s eleven in the morning on Thanksgiving Day?” Maia threw Simon a look that clearly said ‘duh.’ “I’m honestly surprised we managed to snag those last two pie crusts.”
“I should never have let myself get distracted while I was doing my shopping on Monday.” He fixed Jace with a stern glare. “No more distracting me at the grocery store.”
“You were pretty into my distraction, if I recall correctly,” Jace said with a lazy grin.
“You’re laughing now, but you’ve never seen Bubbe Helen when she doesn’t get cranberries on Thanksgiving. You don’t even know.”
Jace wrapped his arms around Simon’s waist, pulling him close. “Hey, we’ll find Bubbe Helen her cranberries. We’ve still got a hundred miles left between here and New York. There’s bound to be a store along the way that still has cranberries.”
Simon relaxed in his arms with a sheepish smile. “You’re right. I’m being dumb.”
“It’s not dumb,” Jace corrected gently. “It’s tradition, and it’s important to people you love.”
“Wow, holidays make you really sappy,” Simon teased.
“You make me really sappy,” Jace corrected, reaching for Simon’s left hand. He brought it to his lips, placing a kiss on the knuckle right above his father’s ring. The same ring he’d used when he actually proposed two weeks ago, at the same table in Java Jones where they’d made their list of fake dating rules all those months ago. He’d hidden the ring under his muffin, knowing Simon would steal the last bite like he always did, and even though it wasn’t the kind of grand, romantic gesture his siblings had suggested when he asked for their help, it was theirs, and the look on Simon’s face when he said yes was really all that mattered.
“You make me pretty sappy, too,” Simon said, drawing him into a kiss.
“If you two start making out in the middle of the canned goods aisle, I’m stealing the van and going to New York without you.”
Jace pulled away from the kiss to give Maia an unimpressed look. “No one’s making you watch.”
“Yeah, but every minute I have to spend waiting for you is one I don’t get to spend with my girlfriend, who I live two-hundred miles away from and only get to see maybe once a month if I’m really lucky.”
“She does have a point,” Simon said. “Plus, Becky can be really vindictive when she wants to be, and she’s got easy access to the room we’re sleeping in tonight.”
“And the longer we stand around here, the longer other people have to buy all the cranberries at other stores,” Maia pointed out.
“Fine,” Jace relented, releasing Simon. “Let’s go find some cranberries.”
Simon took his hand, and Jace could feel the warm metal of his ring pressing into his skin.
~~~
“We have cranberries!” Maia announced as they entered the Lewis home.
“Oh, thank god,” Becky said. “Someone was starting to get a little agitated.” She raised her eyebrows and tilted her head significantly toward the kitchen.
“So, you’re only happy to see me for my cranberries, huh?” Maia teased.
“I’ve got a whole list of reasons I’m happy to see you.” Becky gave her a quick kiss, then turned to poke Simon in the ribs. “But I’m only happy to see this fool for his cranberries.”
“Hey!” Simon protested, poking her right back.
“I guess I just don’t even rate, huh?” Jace asked.
Becky turned a wide, mischievous smile on him. “Oh, no. I’m happy to see you for an entirely different reason. I want to offer you a trade.”
“Don’t do it,” Simon said. “She’s sneaky, and she will rip you off.”
“I am sneaky,” Becky agreed, “but this is totally above board.” She turned back to Jace. “I hear that you and Maia are drinking buddies.”
“I’m not sure I like where this is going,” Maia commented.
“That’s probably a pretty accurate description of our relationship, sure,” Jace agreed.
“Which means you’ve seen Maia drunk,” Becky continued. “Which means you probably have embarrassing stories about my girlfriend. Stories that I’m more than willing to trade embarrassing stories of my brother to hear.”
“See?” Simon pointed at his sister. “Sneaky.”
“Yeah, babe, I’m not sure you’ve actually thought this through,” Maia said.
“No, I have,” Becky told her with a smirk. “I’ve also thought up all kinds of ways to convince you to forgive me.”
“Please don’t elaborate,” Simon said.
“Okay,” Maia said, “but I have an even better deal for you.”
“I’m listening.”
“How about we both tell embarrassing stories about Simon and Jace over dinner.” Maia leaned in and finished in a low voice. “And then you can show me how you were planning to get me to forgive you when we get back to your place tonight.”
“Oh,” Becky said. “Yeah, that’s a much better deal.” She turned to Jace. “Sorry, got a better offer. No hard feelings?”
Jace shrugged, biting back a laugh. “I mean, I can’t really blame you.”
“Is it too late to do Thanksgiving with your family?” Simon asked Jace. “Or we could just sit in the van and eat cranberries out of the can. That’s also an option that would be preferable to this.”
“Oh good, you found the cranberries.” Bubbe Helen emerged from the kitchen, wiping her hands on a dishtowel. She walked over and pulled Simon into a hug. “I knew my grandson would come through.”
Behind her, Becky shook her head emphatically, mouthing ‘lies.’
Simon kissed his grandmother’s cheek. “It wouldn’t be Thanksgiving without cranberries.”
“That’s what I’ve been saying.” She turned a critical eye on Jace. He was pretty sure she still held a bit of a grudge over him supposedly proposing to Simon in a storage closet. “And what are your thoughts on cranberries?”
“Oh, uh.” Jace was pretty sure he’d never thought much about cranberries before this morning’s frantic search across half of New England. “I’m definitely pro-cranberry.”
“Speaking of which,” Simon interrupted, “we should get these groceries to the kitchen and get started on the pies. You’re going to love Jace’s pecan pie, Bubbe Helen. It’s the best I’ve ever had.”
“Pecan, huh?” Bubbe Helen gave Jace a considering look.
Jace nodded. “With browned butter. It’s a family recipe.” Technically, it was Alec’s recipe, but Alec was family, so he figured it counted.
Bubbe Helen nodded. “You’ll do.” Then she turned with a wide smile to greet Maia, and Jace let out a relieved sigh.
As they made their way to the kitchen, Simon bumped Jace with his shoulder and spoke in a low voice. “It’s cute that my grandmother makes you nervous.”
“It’s not cute,” Jace muttered. “She’s terrifying.”
When they arrived in the kitchen, Simon’s mother was checking the turkey.
“Another half-hour, I think,” she told them as she closed the oven door. “If you work fast, you can put the pies in as soon as the turkey comes out. I cleared some counter space where you can work over there. Do not touch anything else.
“Hi, sweetie,” she added as an afterthought, giving Simon a quick hug.
Simon returned the hug. “Hi, Mom. Pie plates still in the same place?”
“Bottom cabinet to the left of the sink,” she confirmed. “Is there anything else you two need to get started on the pies?”
“Pie plates to the left of the sink, half an hour, don’t touch anything,” Jace repeated back to her. “I think we’re good.”
“Perfect. I’m going to go toss the linens in the dryer. You boys get started on those pies, and I’ll be back to check on the turkey in,” she checked her watch, “twenty-eight minutes.”
Jace watched long enough to make sure she was out of earshot before saying, “If we’re ever crazy enough to do joint holidays, she and Maryse cannot be allowed in the kitchen at the same time.”
Simon chuckled. “Mom can be a little intense about holidays being perfect, but I think it’s just because she wants us to enjoy them.”
“I get it.” Jace knelt down to retrieve the pie plates from the cabinet. “I mean, you saw what Maryse and Alec were like just over Christmas dinner. Military campaigns are less well-orchestrated than Thanksgiving at the Lightwood house.”
“Is it weird having Thanksgiving here instead of with your own family?” Simon asked as he rolled out a pie crust.
Jace set the pie plates down next to the pastry mat. “I am having Thanksgiving with my family. I’m having it with you.”
Simon smiled without looking up from the pastry mat. “If you keep saying romantic things, I’m going to kiss you, and then we’ll never get the pies ready to go in the oven on time.”
“I wasn’t being romantic,” Jace insisted. “It’s just, it took me a long time after the Lightwoods took me in to really start thinking of them as family, to accept that they thought of me as family. I’m not sure I ever would have if it wasn’t for Alec and Iz. They taught me that family can be people you choose, not just something you’re born with.” He shrugged. “And I chose you.”
Simon looked up from the now perfectly-rolled pie crust. “That was super romantic.”
“Maybe a little,” Jace conceded. He lifted the crust into one of the pie plates and began smoothing it into the corners.
“That’s actually part of why I wanted us to do Thanksgiving here this year,” Simon said as he began rolling out the second crust. “I know you haven’t always felt like you had a family, and even though I know you do now, I wanted to show you that you get to have my family now, too.”
Jace wound his arms around Simon’s waist. “Now who’s being romantic?”
The pies were not ready to go into the oven on time.
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