#It might interest you to know that this story actually started as a way for me to understand my mind at a more tangible level

[necromancelena]

where is a good starting point for Touhou? It seems like there's a TON

I'm not really an expert, I've been chipping through the games slowly but I'm only up to 11 so I think that any way I answer is bound to grind the gears of someone that knows better than me. However.

1-5 are the older PC-98 games and unless you're like me and you're specifically interested in seeing how the series developed or you're interested in retro pc98 games I would suggest skipping them. You'd need to emulate a PC-98 (actually that's easier to do than getting the early windows games to work tbh so forget this point) and the games are kind of clunky and also if you're interested specifically because of the characters it doesn't even take place in the same continuity. Touhou 1 isn't even a shmup you play with the ball. And Marisa isn't even there until 2 so wgats the point. They're still fun though i just wouldn't recommend they be your first. unless you wanna. In which case play 1 for 20 minutes and then get into 2 onwards.

First Windows game is 6 (Embodiment of Scarlet Devil) and once you actually get it running it is both the most straightforward gameplay wise and gives you a pretty notorious lineup of girls to like.

It's here that i will say that there isn't actually very much story in the games, most of it is told through brief character interactions at the start of boss fights, and the dialogue can be hard to understand because of a)weird translation b) cultural context you might not have c) pop culture that Zun specifically liked at the time and d) the girls themselves are, in fact, as weird as they sound. So what you're going to do is you're going to play a game to establish your favourite girl from that game based on which was weirdest and then you'll figure out her whole deal by reading the official manga (there are a lot of those and, like the games, I haven't read all of them yet so I'm not even going to try and make a "these are the starter manga you should read" list).

So with that said really the first touhou you should play is whatever you can get your hands on. EoSD is the obvious start, PCB is a bit easier and has fox girls. The early Windows games aren't sold anywhere except japan and are a bit of a hassle to get working on modern devices. So like you can do whatever you want i dunno. You could even start with a fan game if you want. Play the sakuya metroidvania. It's girl osmosis it's fine.

[peacheeeliz]

004. what the fuck am i chopped liver (wc: 653)

Mark sits on the steps outside of the library, picking at the skin around his fingernails. He waited as the sun dipped down below the horizon, and the mass of students slowly disappeared from campus. No matter how mad he was at Hyuck and Julie, he was still their ride home. After sitting there for not even ten minutes, he hears the front doors open behind him.

He hears the quiet sound of footsteps approaching him before Jiwoong sits down on the steps beside him. He rolls his eyes, turning away from the older man. “Aren’t you supposed to be studying?”

“You know, back when I was in high school, there was this classmate of mine that I found insanely cute,” Jiwoong starts, ignoring Mark’s question. He hears Mark groan but continues anyway. “I tried everything to get their attention, to get the chance to talk to them.”

“What, you didn't try to fake a study group for them?” Mark jokes, letting out a pained laugh. He rolls his eyes again, “because, I don't know if you know, but it works soooo well.”

Jiwoong lets out a light chuckle at his comment, shaking his head. “No, but I would definitely give you an A for effort,” he tells the younger man. “I actually stopped seeing them as some eye candy for me to, I don't know, seek after. I started seeking out true friendship with them.”

“And how did that work out?” Mark scoffs, crossing his arms. Despite how distracted he was listening to Jiwoong speak, he still heard the door behind them quietly opening again and the soft shuffle of a few pairs of feet.

“They're now one of my closest friends,” Jiwoong answers, finally meeting Mark's eyes. He sees them slowly soften as he looks behind the two of them, meeting your eyes as you and the rest of the study group join them on those steps. “And I wouldn't want it any other way.”

“But don't you ever wish that you two could be something more?” Mark questions, finally interested in Jiwoong’s short story.

Jiwoong smiles softly at him, patting his back before he stands up. “Why don’t we actually get some studying in? You know, since we still have the study room for a while.” He avoids Mark's question, joining the others as they scramble back inside. All except you.

He watches as you pull yourself forward, sitting down and joining him on the steps. He cracks a smile, leaning in to nudge your shoulder with his own. “So much for a study group, huh? You just can't resist me,” he teases, watching your eyes roll.

“I'm only out here because they weren't studying whatsoever,” you reply, avoiding his eyes. “They were just complaining about how hard it is to learn the language, but they're not actually taking time to learn it.”

“Excuses, excuses,” he continues, catching the way the corner of your lips turns upwards. “You don’t have to lie, you’re infatuated with me already.”

You burst out laughing at his words, and his cocky smile disappears as you struggle to regain composure. “Alright, alright, I get it. You’re not into me,” he pauses, sending you a wink. “Yet.”

“In your dreams, lover boy,” you respond, shaking your head. Like Jiwoong, you softly pat his back. “Let's go and actually study. How does that sound?”

He stands up, reaching out his hand to help you back up. “Only if you're okay with just being friends,” he answers, leaning down to leave a gentle kiss against the back of your hand. “Jiwoong's orders.”

You roll your eyes, but your smile remains as you let go of his hand. “Think you're going to have a bigger problem with that than I am,” you throw back, leading him back into the library.

“Oh, you have no idea,” he says to himself, taking in a deep breath before he follows after you.

synopsis ⤏ mark, desperate to talk to the cute girl in his japanese class, forms a study group. who knew that other struggling college students might want to join a study group?

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[kibbles-bits]

any voxval fics you’d recommend?

Ah, yes, voxval fics... The one ship that finally made me cave and read explicit stuff. I am now numb to everything.

Everything.

I'll only be posting completed fics. Warnings, almost all of these are explicit. A couple also have Angel, you know, suffering.

And please mind the tags.

First off is a couple of favs that I always go back for a reread:

Corrupted Love by DoveFactory (Words: 149,495)

In a moment of blind desperation to one-up Alastor, Vox puts himself in a compromising situation that leaves him worse for wear. His state triggers something in Valentino who decides to change the nature of their relationship.

The title and summary of this is so misleading I thought it was going to be a dark fic but nope. The Vees are a bunch of goobers and Valentino always wins. I would scream about this every time it updated. I love the characterizations and their banter it almost made me forget there's sex in like every chapter. Honestly I wish there was more tags referencing the character/story stuff.

Virtual Reality by passthevoxcord (Words: 7,634)

Vox gets tired of his cybernetic biology being a barrier to his sex life, so he starts a new project to fuck Valentino in VR. Val will try anything once, but he has something else in mind.

This one ends up being so sweet I want to die. passthevoxcord's other fic, Only a Shadow, drives me nuts but its a WIP and hasn't actually gotten to the voxval yet.

choke behind a smile by gloriousmonsters (Words: 19,881)

"I'm not scared by extreme, although I doubt I'll find it interesting. What is it?" Valentino's eyes narrow slyly over his smile. "If you aren't scared, why do you need a warning?" Vox has everything under control in his new business partnership with benefits. His emotions, his unfortunate desires, the little mind games they play. Even Valentino himself. When Val offers an invitation to a special show he's performing, Vox knows it's a dare, and knows he has to take it, show Val that he can't be scared or destabilized. He has no idea of how deep under his skin the show will get.

Everyone's so normal. I love this Valentino. There's another Valvel fic that has the same Valentino I also recommend called bad girls go backstage.

Great Expectations by MarenRose (Words: 11,280)

“It’s his goal. Those three simple words. If he could get to hear them once, could let the reality of their meaning and spoken existence occupy his mind for only a few indiscernible moments, then maybe, Vox could learn to see the appeal of this god forsaken holiday. He might even learn to ‘love’ it too.” Or: Vox hates Valentine’s Days. His prick of a ‘wife’ is just too damn hard to please.

This miiiight have been the fic that made me Lock In on voxval? I'm not sure. It's sweet. Alastor is hilarious.

biting keeps your words at bay by Subedarling (Words: 1,511)

“You can’t hit me,” Valentino says. He’s practically vibrating with rage. “You’re not allowed to—you can’t hit me!” Vox sneers, cruel and mocking and hopefully masking the way his heart is breaking apart inside his chest. “Baby, I can do whatever the hell I want.” A decade into their partnership, Vox and Valentino have their first and last physical fight.

This might be the only non-explicit fic in this list. I am all for Val being the worst just because he's Like That. But I will not say no to an implied tragic backstory. I read this one a lot and want to die. Can I draw this. I want to draw this. Oh my god I have free time I can totally draw this...

And my other recs:

Just For The Record by PeppermintWalrus (Words: 13,795)

Vox is thrilled about his new film enterprise with his business partner, ready to build a lucrative empire for the denizens of hell to experience true cinema, in the only genre their depraved minds desire. There’s just one problem that he finds out too late; Valentino has never filmed porn before. Vox decides that some... hands-on teaching, is necessary to save their production.

Yeah you read that right.

a putrid feeling that i've addressed by spoondrifts (Words: 5,162)

They weren’t a couple because Valentino was pathologically noncommittal and Vox simply knew better. He tried the whole romance thing with a certain radio demon a few decades back, and he’d learned his damn lesson. Hell just wasn’t the place for that sort of cutesy bullshit. Also, he was pretty sure that Valentino was straight up incapable of love, which was both par for the course for Vox’s friendships and amazingly convenient—things couldn’t get complicated if there was nothing to complicate in the first place. Or: Full Moon, Vox/Val edition.

Haha I love pain. I lied, this is the second non-explicit fic.

Little Miss Hellion by DoveFactory (Words: 10,657)

Hell’s worst married couple spends a day of family bonding at a beauty pageant doing whatever it takes to make sure their daughter takes home the crown, because failure is never an option for the Vees. Pilot AU where Vox and Valentino are married and Velvette is their adopted daughter.

It's more Vees than voxval but they're married so.

The Art of Pimping by MarenRose (Words: 9,161)

Desperate to close a deal with one of the most lucrative investors in Pride, Vox does the unthinkable and pimps out Valentino for a one-time date. What could go wrong?

Val's attitude in this one is funny and Vox. Yeah. Vox made a mistake.

You Found Me by passthevoxcord (Words: 4,338)

Long before Velvette came along, it was just them. Vox and Valentino. Valentino and Vox.

Sobbing.

Something Less Than Dishonest by daphnerunning, Galiko (Words: 33,931)

He isn’t expecting the way Valentino walks, for some reason. Maybe it’s the extra limbs. Maybe it’s the wings. Maybe it’s the heels. Vox had skipped briefly through a few of the slut’s movies, for research, and isn’t expecting the way Valentino moves in person to feel so… Different. “…You must be my four o’clock,” he says, standing and offering a hand. Oh, shit, he’s huge. Valentino towers over him, easily would without the stripper heels. Vox is not afraid of heights.

Vox is so offensive in this it loops back around to hilarious.

Red Skies and Valentino by alternatedoom (Words: 86,050)

"Vox and I are special friends, doll. Go give him a kiss," Val says to the boy.

Angel does not have a good time. But the Voxval is nice.

before you go by xoTsundoku (Words: 4,426)

Before Alastor came into their lives, Vox and Valentino were happy. Maybe they still can be.

A Farewell to Ghosts by Accidental_Ducky (Words: 37,149)

"What do you think that is," Vox demands, pointing at the new guy. Valentino turns, eyes raking greedily over the man's body. He's gorgeous, skinny in a heroin chic way with big blue eyes and blond hair that falls just so across his eyes. "Hot." "Don't fucking call the ghost hot!"

The only human AU I've liked so far. Love the character interactions. Vox and Val are hilarious.

God I hope I didn't miss any. There's definitely some good WIP ones out there.

[the-down-upside-finch]

Hey, back to scream at you—

I’m reading Minding Q’s this fine Sunday morning.

AND CAN I SAY THAT IT IS SO GOOD I WOULD DIE FOR CELAIN. AND THE BOY. MY DUDE ALL THE HUGS FOR YOU.

Like came to personally compliment you that you’re doing the overstimulation and social anxiety so well! Like as someone who gets overstimulated by noise and hates crowds spot on!

Literally reading this fic like “ah yes the college experience. Mhm.”

And outta curiosity, is Celain autistic or adhd? I’m guessing it’s one of them doing to the stimming and over stimulation. (I’m on chapter 3 maybe it says this later skjdsipaks)

Anyway, I take forever to get to things sometimes, but your work is super cool!!!

YO WHAT TIMING!!! I literally was just working on an update for Minding Q's to post later today! (Also thank you so much for the fun comments on the story, I had a rough night yesterday and you literally made me feel so much better)

Also. I'm giggling because I always forget we don't even learn the 2nd MC's name until the middle of chapter 4 gksjgksjgj--

BUT AAAAAHHHH I'm so glad what I'm trying to portray is coming through! There are so many emotions involved in overstimulation and the like that sometimes I'm not sure if it's coming across the way I want it to haha So I'm glad it's making sense!!

In terms of what the "official" diagnosis for Celain’s brain soup is, I actually have yet to address this head-on in the story—and I'm not sure it will ever come up directly haha

I've written her character around a neurodiverse experience rather than as a representation of a specific brand of neurodiversity, mostly since I want to leave it open for interpretation, if that makes sense? Like, if the experience aligns with multiple categories and labels, I think that’s totally fine!

That being said, I do have "official" diagnoses for some of the other characters because their label(s) is/are actually essential to their identity. In fact, we'll see Sterling struggle with his labels as part of his character arc, among other things. Some of the other characters also identify very strongly with certain labels, while others dismiss them entirely. (This is something I've been wanting to explore in writing, so I'm really excited about it!)

Aaaahhhh anyways thank you so so much for taking the time to read my writing! It makes me so happy that you like it!

I'm looking forward to using my break this week to catch up on reading your writing >:}

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[butchlifeguard]

primrose's ch3 is GOOD btw

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[louisa-gc]

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

[luna-azzurra]

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?

[gertritude-art]

A fun way imo to develop characters is to look at them and ask, "what does this imply?" This unfortunately only works if you already have a character concept in mind, but it's always been useful for me when I need to create some interiority for a character who feels a little flat.

As previously stated, literally all you're doing is looking at a character and performing a rudimentary analysis of them based on what you've already developed. A good example of this is my character Mordred, who early on in his development was conceived of as a sickly looking teenager wearing a full suit and bowtie. This is because I thought there was a lot of potential in this image. "What kind of teenager goes to school everyday wearing a full suit and bowtie?" Probably a kid who takes himself very seriously and has some interest in looking "polished" -- perhaps he even views himself above his peers for how he dresses. And, how might this visual extend to other aspects of him? Is he always someone who goes against the grain? Does he actually have an interest in men's wear, or is this a symbolic image for how he stands against his peers? I bet he has strong opinions on society. Did he buy the suit himself, or did his mom buy it, because one or the other also implies some stuff about the nature of their relationship, if his mother is supportive of his oddness or not, etc. etc. etc. A lot of stuff that you can find out, just from looking at one small aspect of a character! The same kind of process can spiral from anything - a character's actions, a character's thoughts, their beliefs, a line they say, a face they make, a hobby they have... all can be a good starting point for developing them further and figuring out more about them.

In a similar vein, I know that people recommend filling out character charts and stuff, but usually I find it more useful to think of a character in terms of a "scenario" or a "description" than in terms of their traits. "This character is smart" vs. "This characters complains to the teacher when the test has a question that isn't in the book" ; "This person is stubborn" vs. "This is the kind of person who'd rather starve than order food if they said they weren't hungry." Figuring out a character through something like this gives me a specific image of how they might act in a story as opposed to more broadly-described traits. Being as I tend to think up characters with story ideas and scenarios, it's much more helpful for me! "Ah, but how do you do this, Gert?" Easy: you stare at a wall for multiple hours until you have a revelation about a character. This is surely what everyone is capable of [nodding sagely]

[prokopetz]

Honestly it's weird that roleplaying as we know it evolved from historical wargaming.

Like for example DBA rules contain some suggestions for running campaigns with narrative and "propaganda" so I wouldn't say that it's something incompatible, and 0E looks way more like wargames than say PbtA games do, but storytelling games were a feature of artistic salons for way longer and they appear much closer to roleplaying than rulesets for reenacting ancient battles on tabletop.

Salon games didn't have skill checks but neither did wargames and it's strange that nobody came up with simplistic skill checks to add uncertainty and realism to the game

I think the line is a lot clearer when the role of dice and rules in tabletop roleplaying games is correctly understood.

"Uncertainty" and "realism" are, at best, secondary to what the dice are actually doing. Even most tabletop RPGs get it wrong when they try to explain themselves – they'll talk about the rules as something to fall back on to prevent schoolyard arguments (i.e., "yes I did!/no you didn't!") from derailing the story, when in fact it's the exact opposite.

If we look at freeform roleplaying as an illustrative parallel, we see that, while newly formed groups may in fact fall to bickering when a consensus can't be reached about what ought to happen next, mature and well-established groups tend instead to fall prey to excessive consensus-seeking: the impulse to always find an outcome that isn't necessarily one which everybody at the table can be happy with, but at the very least one which everybody at the table can agree is reasonable – and that's a lot more constraining than one might think.

In this sense, the role of picking up the dice isn't to build consensus, but to break it – to allow for the possibility of outcomes which nobody at the table wanted or expected. It's the "well, this is happening now" factor that prevents the table's dynamic from ossifying into endless consensus-seeking about what reasonably ought to happen next.

Looking to the history of wargames, this is precisely the innovation they bring to the table. Early historical wargames tended to be diceless affairs which decided outcomes by deferring to the judgment of a referee or other subject matter expert, but the use of randomisers increasingly came to be favoured because referees would tend to favour the most reasonable course, precluding upsets and rendering the outcomes of entire battles a foregone conclusion. This goes all the way back to the roots of tabletop wargaming – people were literally having "rules versus rulings" arguments two hundred years ago!

(This isn't the only facet of tabletop roleplaying culture which has its roots in wargaming culure, of course. For example, you can draw a direct line from the preoccupation of early tabletop RPGs with punishing the use of out-of-character knowledge to historical wargaming's gentleperson's agreement to refrain from making decisions based on information that one's side's commanders couldn't possibly have possessed when re-creating historical battles.)

To be clear, I don't necessarily disagree that salon games could have yielded something like modern tabletop RPGs. However, first they'd have had to arrive at the paired insights that a. excessive consensus-seeking is poison to building an interesting narrative; and b. randomisers can be used to force the breaking of consensus, and historical wargames had a substantial head start because they'd figured all that out a century earlier.

[marvelouslizzie]

Not Lonely Anymore

summary: You hear your roommate Bucky Barnes moan your name while masturbating and it changes everything between you two.

pairing: Bucky Barnes x Female Reader

word count: 3K

warnings: 18+, dry jumping (brief), unprotected sex, daddy kink, metal arm kink, choking, teasing, dirty talk, no mention of y/n.

A/N: Hello hello! I present you the last part of my Lonely Night series. I am so grateful for your interest in the first two parts. I tried to keep my motivation up and give these two perverts a satisfying ending. I hope you will enjoy it as much as I did. Your feedback would be much appreciated.

You don't have to read the first two parts to understand what's going on but if you want to, please check my blog/masterlist for A Lonely Night and Same Lonely Night.

Thank you so much @notafunkiller for beta-reading and editing. Daddy kink and choking is for you ✌️

All work is mine, please do not repost or translate without my permission.

Read more tag starts after the second paragraph of the story.

You can’t take your eyes off Bucky while you're processing what has just happened. Your eyes roam around his face and bare chest before falling on his shorts. His erection is pressed against the waistband, carefully hidden away from you but the wetness forming on the fabric betrays Bucky’s intentions. You can’t contain your smile, but Bucky doesn’t see it. He’s too lost in his own thoughts, and when your eyes meet, you realize he is worried and embarrassed. He opens his mouth, wanting to say something in order to end this awkward silence, but you beat him to it.

“Did you just say my name?” It comes out so calm, you even surprise yourself.

You know he did. You heard it with your own ears loud and clear. That’s why you dropped your glass after all. But it was that shocking to you. That unbelievable! So you just want him to confirm it. To make it real and assure you that really happened. Maybe then you will be able to believe it.

“I- I can explain.” You notice the cold sweat forming on his forehead.

He seems like a scared kid who got caught doing something he shouldn’t do. And it’s probably because he thinks he might lose you. You would feel the same way if he was the one who caught you masturbating just an hour ago. God, that would be mortifying, but now that you are on the other side of the equation, all you feel is excitement.

The realization eventually sinks in: he wants you. He actually wants you. That gives you a level of confidence you never had before.

You take a step forward and close the distance. Your lips are on his before he can react. You wanted to do this for a long time, but you had been unsure if he would have wanted it or not. You have a clear answer now, so there’s no need to hold yourself back. It takes him a second to respond to you, but you don’t hesitate. You just keep kissing him and it wakes him up like he has been hibernating for a long time.

His hands wrap around your torso and he pulls you closer. His fingers are digging into your hips like he’s trying to convince himself this is real, and he tilts his head just enough to deepen the kiss. His tongue gently slides into your mouth and that makes you moan for the first time. His lips, his tongue… He tastes so sweet. You just can’t get enough of it. It makes you crave him even more, and you don’t know how that is even possible.

Suddenly you push him, hoping to get him back inside his bedroom, but he doesn’t move an inch. He just gives you a dazed look, trying to understand why you did that.

“Work with me. Just move back.” You sound impatient, and he finally understands what you are trying to do.

“Fine.” He raises both of his hands like he’s surrendering, with a smile on his face, then he takes a step back and lets you push him further inside the room. You continue until the back of his knees hits the bed and he falls onto it after one final push.

“Is that what you wanted?” He sounds amused.

“Yeah.” You straddle him without missing a beat, getting comfortable on his lap while he pulls you in for another kiss.

This time it feels a little different. His hands are on your cheeks, holding you still while his tongue explores your mouth. It is the most passionate kiss you have ever had in your life. His erection is standing right there, between your legs and you can’t help yourself… You can’t stop that urge that’s slowly building up and why would you? You’re on his lap, finally doing this. There’s no need to stop yourself from doing what you want. So while he tastes you however he wants, you start to move your hips. After a couple of tries, you find the perfect spot and both of you moan nearly at the same.

He stops kissing you for a second just to take a breath, but he still holds your cheeks with his big hands and looks into your eyes. It’s like he’s afraid you might disappear. You have no plans of disappearing or stopping, though. You keep moving your hips and watching his eyes flutter every time you rub the right spot. It feels good even with the fabric between you two. Yet it’s not enough.

“We should get rid of your shorts.”

“And your panties.”

You raise yourself on your knees, just enough for him to push his shorts down, but you don't give him enough space to take them off completely.

“I don’t wanna use any protection. Do we have to?”

“Well, we don’t have to, but we might need to.” He’s not sure how fertile he is. It’s not like he tried it before, so it’s quite risky. All he knows is he has a lot more come than an average man and that’s a problem when it comes to using condoms. They are practically useless.

“I’m on the pill.” You quickly clarify. You only asked the question to see if he was comfortable with the idea or not.

“Then we definitely don’t need to.” Oh, he’s definitely comfortable. The way he just said it is enough.

He grabs his cock while you pull your panties aside without wasting any time, and you lower yourself onto him while balancing yourself with one arm on his shoulder.

“That impatient?” He taunts you, but he chokes on his words as soon as he feels your wetness. The head of his cock rests between your folds while you answer him:

“Are you not?” You sound relatively normal. Then you keep talking while taking him inch by inch. “Would you rather fuck your fist and fantasize about me?”

He wants to answer you. He wants to say something, but being balls deep inside you makes it harder to do so. He just lets out a low groan while grabbing your ass to ground himself.

You’re not so different from him. The way he stretches you pulls a pornographic moan out of you. You sit still for a second, trying to get used to this feeling. You can’t remember the last time you felt this full. It makes you shiver even without moving. You take your time and he just waits, patiently until you get used to the sensation. After a couple of seconds, you feel confident enough to move.

“Ready?”

“Yes.” There’s a bit of hesitation in his voice, but you don’t notice it because you are lost in the feeling of finally being so full. All of your senses are overwhelmed by it.

You aren’t sure if it’s going to hurt because he’s definitely the biggest you have ever had. So you move your hips slowly and test the waters. There’s something there. Some kind of discomfort. You can’t say you feel uncomfortable, you just need to get used to his size. So you keep moving because there’s this promise of pleasure hidden behind that discomfort. You can nearly taste it and it keeps you going. While trying to figure out the best way to move, you don’t realize Bucky is watching you, carefully. He’s trying to read your expression and see if you are okay. He’s ready to take up the reins or just stop if that’s what you need. His hands gently roam your body, discovering little details about your skin. Like how many moles you actually have.

“No rush. Take your time.” He sounds more like himself, much more confident than before.

You moan because of his words. His voice is deeper and it makes your blood rush. You start to move a little faster and notice how the discomfort slowly fades away. He notices that, too while grabbing your tits with both of his hands. One is colder than the other, and the contrast is dizzying. You lean into him, just to feel him a little bit more, and his grip on your tits tightens.

“God, so fucking pretty!”

Before you can say anything, his mouth is on your right nipple. You feel his tongue flicking over and over again while his other hand rests on the other breast. Then he sucks your nipple into his mouth, letting his teeth graze over it. You grunt because of the mixed sensations. Just when you are about to protest, he lets out your nipple and moves on to the other one. He gives it the same treatment. A mix of licking, sucking, and biting until you can’t contain your movements. Your hips start to move so much faster, making both of you moan loudly.

“God, I wanted to do this for ages!” The words spill out from your lips without much of a thought.

“You did?” He doesn’t miss a beat.

“Yeah.” There’s no point in hiding it anymore, is there?

“Does this mean I am the daddy?”

His question catches you off guard, and you just freeze in the middle of the action.

“You… heard me.” It comes out more like a question rather than a statement.

“Why do you think I was masturbating?”

It takes you a couple of seconds to process what he's just said. He actually heard you. You never used his name, but it doesn’t change the fact that he witnessed something so private. Something you really wanted to hide from him, yet the idea of him hearing you also sets you on fire. Instead of submitting to the urge to get all shy, you decide to ask him what you actually want to know.

“You heard me and instead of making a move, you decided to fuck your fist?”

“What was I supposed to do? Knock on your door and ask if I can replace your dildo?”

“Yeah. Sounds great to me.” You keep moving your hips fast while talking. “Or maybe you are too shy to take what you really want.”

“Shy?” He blinks a couple of times.

“You don’t seem shy but maybe you are. Maybe you are a submissive little boy who wants to just lay here and take whatever I give you.”

You watch his expression change into something so different. It’s not particularly dark, but it feels like it. Before you can say anything else, he just flips you over. Your mouth falls open when your back touches the bed. Instinctively, you try to wrap your legs around his torso, but he doesn’t let you. Instead, he pushes your knees back to your chest.

“What are you doing?” Your amazement is evident in your voice.

“Taking what I really want.” It takes a lot of effort to hide your smile. You can’t believe your taunting worked that quickly. “Tell me if it gets too much and I will stop.”

“Oh, I doubt that.”

He waits for you to finish talking and then he starts to move. Your mouth falls open once again but this time, it’s not because you are surprised. It’s because you can’t believe how good it feels. It’s completely different than how it felt when you were on his lap. He reaches deeper inside you in this position, and his hands are still on your legs, pushing you further into the bed. You let out another sinful moan.

“Way better than I imagined.”

“Is it?” A smile lingers on his lips. “Feel free to be as loud as you want.”

“Do you want us to get kicked out of this apartment?” It takes every ounce of strength in you to form this sentence without stuttering. It’s so hard to talk like you aren’t getting railed.

“No, I just wanna hear you call me daddy.”

You can’t help but moan. Shit, he really heard everything. You feel so exposed, but somehow it doesn’t bother you. Is he actually into this? Who could’ve guessed?

“If you want that, you gotta work harder than this.”

“Ask for it.”

“Harder, please.” He waits for daddy to come out of your mouth, but it doesn’t. You really meant what you just said, he needs to earn it.

So that’s exactly what he does. He starts to pound you, just the way you fantasized. He manages to touch every part inside you and fills up in a way that makes you wanna cry. Your moans get louder with each thrust.

“Oh fuck! Oh fuck!” Your ears start to buzz. You can feel that your orgasm is close.

“Talk to me, doll.”

He wants to hear you, and you don’t feel like holding back anymore.

“I’m-I’m so close, Bucky.”

“What do you need?” His question is instant. You feel that he’s ready to do whatever you want.

“Nothing. Absolutely nothing.” You take a deep breath just to be able to keep talking. “Just keep going. Please…” Your voice comes out so pathetic, but you can’t brush off the urge to beg him. He would like that, wouldn’t he? You did it while masturbating and he got a hard-on just because of you. “Please, please, please.”

Your words make him groan like he is struggling to contain his excitement.

“I really need it, daddy, please…”

“Fuck, baby.” You feel him losing control. His thrusts are sloppier but he notices that, too. His metal arm moves on your chest and rests there. You don’t know if he’s trying to keep you still or ground himself. Then he looks directly into your eyes, trying to see if that makes you uncomfortable or not. It definitely doesn’t. Quite the opposite, you need his hand on your neck, and you gently grab his metal hand and move it on your neck without breaking eye contact. You watch his eyes widen with the realization.

“Are you sure?” You nod in response, but it’s not good enough for him. “Words, baby. I need actual words.”

“Please.”

That does it. His fingers tighten around your neck, pressing right against your veins, careful not to crush your windpipe.

“Yess.” Your head is thrown back. This is exactly what you wanted.

The way he’s choking you snaps something inside you. It intensifies everything you are feeling at that moment. Your whole body suddenly starts to shake, and it surprises you. You have never reached an orgasm this quickly before.

“Yes, yes, yes. Oh god, yes!” Your voice comes out hoarser than usual.

“Look at you.” He taps his fingers on your neck while he keeps moving. “My pretty baby. So good for me.”

You only moan in response, already too lost in the waves of your orgasm. It’s running through your whole body like electricity.

“Look at me! Look into my eyes.” He sounds so commanding and you listen to him even though it’s so hard to do it. He looks like he’s about to lose it, too.

“Come with me. P-please.”

“You want me to come, baby?” He asks in a way that makes you wanna cry out even more. Like he won’t come if that’s what you want. He will keep holding back until you say so but you don’t want that. You want him to enjoy this as much as you do.

“Please, daddy. Come with me.” He groans in response. You clearly see how your words affect him, especially calling him daddy. You can’t believe how much he’s into it.

He stops holding back and starts to move in a way that makes you scream. So you do that. You can’t contain the noises you make when he moves like this. You grip on his sheets, letting him ruin you for any other man.

“Fuck! Such pretty sounds… You like it that much, baby?”

“Yes, yes. So good, daddy.” You slur at the last part. You don’t care. You don’t care about anything when he makes you feel like this.

“Fuck, you take me so well.” You can actually hear that he’s close. “I-I’m gonna come, oh fuck.”

“Yess!” You have been waiting for this. You want it so badly. You wanna see him come. You want him to feel good, all because of you. You want to witness a part of him that he hides away from everyone else. It feels like owning a part of him. So private and primitive, but you don’t care. You need this.

He lets out the most guttural moan right before starting to come inside you. He doesn’t stop, just keeps the same pace, emptying himself inside you.

“Take it, baby. Take it! It’s all yours.” You know what he’s talking about. His come is already dripping out, yet he’s not done coming.

It looks like he lost his damn mind, but it’s the hottest thing you have ever witnessed in your life. You are so fascinated by him even though you are still coming yourself. That's why you force yourself to keep your eyes open and watch him while your high slowly fades away. Yet he keeps going. His hands are gripping on your tights, pulling you into him every time he moves. His come is dripping on your ass, to the sheets. It’s so messy but feels out of this world.

After a couple more thrusts, he collapses on top of you. His head rests on the crook of your neck, and you feel his heavy breathing on your skin. You don’t mind it, though. He doesn’t let his whole weight crush you. Always so thoughtful….

Your hands go to his hair, gently stroking it. That makes him move his head and look at you.

“We should’ve done this before.” That makes you wanna laugh, but instead, you just give him a huge smile.

“Yes, we should have. It was amazing.”

Suddenly he moves away from you, leaving you completely empty. It makes you whine instantly. You miss the fullness and the warmth of his cock already.

“Where are you going?” You give him a confused look while raising yourself on the bed. “Come back here.”

“Not was.” He kneels right next to the bed, in between your legs, and moves his head closer to your dripping core. “I’m not done with you, baby.”

[watchmegetobsessed]

OLD GRUDGES (part 1)

A/N: wooohoooo im bringing something new!!! i feel like it happens so rarely it's like a miracle lol anyway, this will be hopefully a couple of parts (probably about 3) and lets all pray i will actually finish it lol

WORD COUNT: 3.7k

WARNING: sexual content

SUMMARY: Harry and Y/N go way back. Working together was like a dream when 1D was still going strong. Now, years later, when they end up working together again, things are very different. Mostly because Y/N seems to be hating Harry passionately. But he has not idea why.

MASTERLIST | SERIES MASTERLIST

Everyone loves Harry Styles. It’s a known fact, not just amongst the people who actually know him, but all around the world. He is known as one of the most unproblematic celebrities, someone who gives just as much if not even more respect as he gets, always kind and patient with others, rarely loses his temper. It’s hard to imagine that there is anyone walking this planet who doesn’t see him as a lovable, sweet man.

Well, it might be hard to imagine, but there is actually one person who has a very different opinion when it comes to the british popstar. 

And that person is music producer, Y/N. 

The interesting thing is that their history goes way back into his 1D days. Y/N was an up and coming name in the industry, just started working with bigger names when she got the chance to produce several songs on the band’s third studio album. Harry remembers her as a bubbly, funny girl who is passionate about her job and is also excellent in it. Working with her was easy and motivating, she was always eager to perfect songs to an extent Harry couldn’t even imagine and that’s why songs like Story Of My Life, You & I and Midnight Memories were such hits. Y/N put her heart and soul into them, which eventually earned all the recognition they deserved. 

Harry loved working with Y/N and she was in talks of working on their fourth album as well, but the deal ended up ditched and she went on to do other projects and they somehow had a fallout. It was a shame, but he hoped his path would cross hers again. 

Years and years went by and so much changed by the time their professional ways finally met again. Jeff brought her name up when Harry just started writing for his fourth solo album and Harry gave him the go to do whatever it takes to get her on the project. A few weeks passed and Harry didn’t get any confirmation about her and just when he was about to bring it up to Jeff, he hit him with the news.

“Y/N is in for five songs. Contract should be signed by Wednesday and you can start working next week.”

Harry wondered why it took so long to get her on board, but he brushed it off because he knew she was a big name now herself and had plenty of offers from which she could choose from. He was excited to work with her and simply see her again.

It was utter shock for him when she was the complete opposite of what he remembered. Okay, that might be an overstatement, but Harry could feel something was off instantly.

She was still bubbly and fun, but for some reason, she had a certain iciness and bitter attitude whenever her focus was on Harry. To anyone else it was unnoticable, Harry knows, because he asked Jeff about it.

“What are you talking about? She is awesome,” the manager said with a shrug and Harry tried to tell himself it was all in his head, because if Jeff doesn’t see it, it’s not real.

But it kept happening and it felt even stronger when it was just him and her in a room. Sometimes she even pretended like he wasn’t there, sometimes her snarky comments were all he got and they just strengthened him in his belief. 

He wanted to ask her about it, he tried, several times, but his attempts just bounced right off her icy behavior so eventually, he gave up and there was only one thing left for him to do.

Return what he was getting. 

Yes, it is childish, but he felt like he needed to deal with her unreasonable hatred towards him somehow and this was the easiest way. Was it a smart idea to practically become enemies when working together on his album? Of course not. But it just happened.

And going against each other became their thing. 

They were great in arguing, disagreeing even when they could easily compromise, riling each other up and lashing out on each other when the tension had been building up for hours. It got to the point where others started to notice that something was off between the two of them and when Jeff questioned Harry about it, he couldn’t give him a reasonable explanation.

“She started it,” he said and instantly felt like a kid, telling on his classmate at school. But this is all he could say, because he had no idea why she was acting this way. And he has to live with it while they work together.

Something is off. Harry knows it. Something about the melody… or the guitar… or is it the lyrics? He can’t tell, he has listened to the recording a million times so it all melts in his ears and he can’t identify what’s setting him off every time he hears it. 

“Why don’t we take a break?” Jack, the technician suggests, turning in his chair. “Y/N will be here in twenty, I’m sure she’ll–”

“Okay,” Harry snaps, just so he doesn’t finish. He knows what he wanted to say. 

She’ll know what’s wrong and will correct it in a second.

Y/N always knows what’s wrong and most of the time it’s a perk, of course it is, but today, Harry feels like it’s gonna make him want to crawl out of his body. Maybe it’s because he’s been in the studio for five hours and he got nowhere or maybe because Mitch will have his first ever solo gig tonight and Harry has been worried his fame or relation to him might ruin this experience for him. 

Either way, today he is just extra pissed by the fact that Y/N will be the one to solve this mystery. 

“I’m gonna grab a coffee,” he clears his throat, standing up from his seat. “Do you want one?” he offers, feeling a bit guilty he snapped at Jack.

“Uh, yeah, just an espresso is fine, thanks man.”

“Sure, I’ll be right back.”

Putting on his headphone, Harry jogs across the street to the tiny coffee shop he’s been a regular at. He likes the place because they are discreet and their coffee is just simply amazing, though they swear there’s nothing extra in it. 

He waits for the two coffees at the end of the counter and scrolls on his phone in the meantime. Emails, messages, there’s always something to answer to. He sends out a few replies before he ends up in his calendar. It’s neatly color coded and he takes pride in keeping it up-to-date all the time so he can always be on top of his game, no matter what. 

His eyes land on one particular date. Five weeks from now Y/N’s contract expires and if the five songs are done by then, she’ll be out of Harry’s life again. Seeing how the work is going, she’ll easily outdo that number so there won’t be any reason for talk about an extension. 

An unsettling feeling spreads in his stomach as he stares at the date but he doesn’t have time to figure it out because  he is snapped out of his thoughts when the two paper cups are placed in front of him. He is trying his best to keep a positive mindset as he returns to the studio’s building. With the two coffee cups in his hands he makes a right turn and then stops at the door, seeing Y/N sitting where he did previously, already listening to the recording with Jack with a critical expression on her face. 

Harry doesn’t interrupt them, just stays put and waits for her feedback. When she is done listening, she leans back in her seat.

“It’s the bass. Or more specifically the lack of it. Can you double it? Let’s see how it changes.”

Jack is quick to do as she asked and then he starts the song again and…

Harry wants to scream and laugh in bliss at the same time, because it’s perfect now. He’s mad he couldn’t spot such an obvious thing, but he is also happy it’s finally sorted out. It’s just a shame Y/N was the one to do it and not him. 

“Great, so this is done then,” he makes himself noticed as he walks into the studio and hands over one of the cups to Jack. 

When he looks at Y/N he can see that familiar, irritated look on her face that’s almost always there when he’s around. He hasn’t decided if he wants to physically wipe it off, or…

“Thanks for bringing one for me,” she comments in a bored tone, turning back towards the screen.

“You weren’t here when I went out.”

“But you knew I was coming.”

Harry opens his mouth, but then closes it, because this time she is kind of right. And it irks him even more today.

It’s gonna be a challenging session today, Harry thinks as he takes a seat.

It’s always exciting for Harry to be behind the stage when he’s not the star of the show. Kind of like a whole different world.

He hasn’t been here for long, but he’s been trying his best to stay as unnoticed as possible and let Mitch take the spotlight. Just a few minutes ago Sarah put him on Scout-duty which he gladly took up on, he’s always happy to spend time with the little guy. This time he is letting him explore freely and he’s just following him around to make sure he’s safe. Scout seemingly enjoys the adventure with uncle Harry, who doesn’t really pay attention where he is heading. 

That’s how they end up in the green room where Y/N is.

Y/N and Sarah have worked together a while ago, which is a random coincidence how they are connected outside of Harry. Because of their history, Y/N is often where they are, however she was never around when Sarah and Mitch were playing for Harry. 

Scout runs up to Y/N, arms in the air, asking to be picked up and Harry stops a few steps away from them when he realizes who he just found.

“Hey there, little guy! Are you all by yourself?” Y/N asks, settling the boy on her hip.

She’s changed since they parted ways in the studio. Harry has always admired her sense of style, which mostly consists of basic pieces, almost like a capsule wardrobe, but there’s always something extra, something vibrant on her that makes her sets interesting. Tonight she is wearing a simple black dress with a rather low back cut, simple heels, simple makeup, but she added a silky scarf with vivid colors and shapes around her neck that brings Harry’s attention to the curve of her neck and collarbones, almost as a cheeky invitation for his eyes to her naked skin. 

He has to fight the urge to touch her.

Despite the spiteful relationship they’ve been sporting lately, Harry had to deal with a rather unreasonable desire for Y/N in a physical way.

Unreasonable, because he never thought he could be attracted to someone who pisses him off so easily, yet there’s been plenty of occasions when Harry found himself imagining scenarios he could never admit to her, not when she hates him with such obvious passion.

Tonight it’s not just the outfit, but also the way she’s handling Scout. It’s not just women who find it incredibly hot when the opposite sex is great with kids, Harry can definitely feel something inside him moving as he watches Y/N sway from side to side with the little boy in his arms.

“Uncle Hazza is here!” Scout points at him, answering her previous question. Y/N looks up and because Harry was already looking at him, he catches a slipping moment where there’s no irritation on her face, but it returns quite fast when her gaze settles on him. 

“Ah, hi,” she says, lips pressed together as she nods, acknowledging his presence. 

“Hey. Long time no see.”

As soon as the words leave his mouth he regrets it. Who says that? Why did he even say anything else other than hi? He smacks himself in his mind. 

Part of him expects her to say something like ‘not long enough’ but she just keeps quiet and turns all her attention to Scout. Harry feels out of place, he is supposed to be babysitting, but Y/N is taking care of Scout, Harry knows he is in good hands but Sarah asked him to watch over him. Should he leave? Or just keep standing there awkwardly?

“You can go, I’ll watch him,” Y/N says, as if she could read his mind. 

“You sure?”

“I’m pretty sure I can take care of him until Sarah is back.” Her reply is not just dry, kind of offended, nothing Harry wouldn’t expect from her, but it’s still irking him.

“I didn’t say you’re not capable, I just–”

“I’m not in the mood for this,” she cuts him off with an icy look. Harry is too stunned to reply, just watches Y/N walk away with Scout. 

He almost finds it amusing how easily she can piss him off, not many people have been able to do that, in fact, Harry thinks she does it the best. 

Clenching his jaw he takes a deep breath to calm his nerves and then just lets it all go. 

The after party is always kind of Harry’s favorite. The stress is over, it’s just the relief and celebration that is left.

Mitch’s show went well, that’s what Harry expected, but it’s still great he was right. Seeing his friend be the star of the show was an experience he is glad he could be part of. Now that the core of the group has moved to a nearby bar, Harry has loosened up thanks to the couple of drinks he’s had. 

He’s been mostly sticking to the familiar faces he knows, rotating between the same few people  while enjoying how under the radar he is currently. 

The more drinks he has had, the less he’s been able to control where his gaze goes. To be exact, he’s been finding himself looking Y/N’s way the past hour or so. That damn dress and scarf, it’s like she’s put a spell on him that forces him to keep wanting to look at her. 

Harry is not experienced with feeling like this. Being attracted to someone who he hates, it’s such an ambivalent impulse, he can’t think straight. Or maybe it’s the amount of tequila he has drunk tonight, either way, it’s getting a rise out of him. 

From the corner of his eye he sees her slip out to the back where the smoking area is, he hesitates, shifts his weight from one leg to the other before making the leap and heading after her. He has no plan, no idea what he wants to ro will say to her, but he just feels like he has to talk to her.

Stepping out to the dimly lit back alley he is met with a few people scattered around, having a cigarette with drinks in hand, talking or scrolling on their phone and then he spots Y/N on the left, standing by the wall, cigarette in one hand, the remaining of her drink in the other as she stares ahead of her. 

She doesn’t smoke regularly, but she does enjoy one in certain social settings or when she’s had a few drinks. Harry knows it from years ago, because they shared a cigarette at a party, back then she seemed thrilled to spend time with him, he remembers all the conversations they had while working together, telling each other stories, sharing their plans, Harry truly thought they would remain good friends on this extraordinary journey, yet they ended up here.

As Harry walks towards her, she notices him and he sees her lips twitch in annoyance. 

“Care if I join?” he asks and she just shrugs without a word, avoiding to look at him. 

They stand there in silence for a while, she is lazily puffing the smoke out from time to time.

“Is it still just an occasional thing?” he tries to strike up a conversation.

“Mhm,” is all he gets as a reply.

“Have you tried to put it down fully?”

“Why are you doing this?” she snaps at him, finally looking his way. 

“What?”

“Why are you trying to chit-chat when we both know we don’t do that?”

“And why don’t we?” He challenges her. “Tell me why we are like this in the first place, because I have no idea.”

She stares at him for long moments and he awaits her answer like nothing before, but then she shakes her head and turns to the pin beside her, puts the cigarette out and flicks it into the bin. Then, without another word she is already heading back inside.

It takes a moment for Harry to start moving again, but he is quick to catch up with her in the hall that leads to the restrooms. 

“Y/N, give me a fucking answer!” he demands, grabbing her wrist to pull her back before she could escape, but she shakes his hand off as she comes to a stop, turning towards him.

“I owe you nothing!” she hisses at him. “I owe you no one, but especially you!”

“What the fuck does that suppose to mean?! I never thought you owe me anything!”

“I’m not doing this, Harry, leave me the fuck alone,” she growls and tries to leave, but Harry pulls her back again, determined to get an answer this time. 

“Don’t think I will just swallow everything down forever. I will get to the bottom of this, whether you like it or not. It’s your choice if you make it hard on both of us.”

She is looking back at him with wide eyes, this time his hand remains on her arm as they stare each other down in the empty hallway. Neither of them knows what will be their next move, the tension is so thick, it’s almost suffocating.

But then it all changes.

If someone asked who moved first, they wouldn’t know. One moment they are standing like stone statues, barely even breathing, then the next moment they are kissing like there’s no tomorrow.

It doesn’t take long until Harry has her pressed up against the wall, his hands roaming her body, feeling her up the way he fantasized about before, they are both rough and impatient, she is clawing at him, moaning into his mouth when his hips press against hers and she feels how hard he’s gotten already. 

Blindly, Harry pushes the closest door open which happens to be the staff’s bathroom that someone left unlocked, lucky for them. Still glued together they stumble inside, Y/N kicks the door open before Harry pushes her against it and he locks it before his hand returns to her tempting body. 

He has never acted like this when it comes to sex. He does like to spice things up sometimes, but the way he’s biting her lips or unbuttoning his pants or reaches under her dress to pull her underwear down is just so out of character for him, yet so freeing. 

Nothing is said, but when her hands pull his hard, leaking dick out of his pants, there’s a fleeting look they exchange that says it all, just how much they both want it. 

It’s the fastest pace he’s ever experienced, yet the most passionate too. They moan at the same time when Harry pushes into her and starts moving in a rush, desperate for relief. She’s panting and whining for more, the only form of speaking she is able to as she holds onto Harry who is focused on keeping up his quick and steady pace while holding her left leg up to ensure the perfect angle. 

The animalistic need is there for them both, making them act like this is what they must do to stay alive. It’s messy, fast and mind-blowing and they don’t need much time to reach the peak. As she comes her nails dig into her shoulder and she bites into his bottom lip so harshly it draws blood, but he doesn’t care, only follows her into bliss just a second later. With the last bit of his consciousness Harry pulls out right before he comes, covering her thigh with the white, sticky evidence of just how much he enjoyed the past minutes. 

They are breathing heavily and Harry feels like a thick haze is still lingering around his head, stopping him from realizing what just happened. Y/N however is ahead of him and when reality comes crashing down on her, her instinct to flee kicks right in. Harry is still trying to clear his mind when she grabs a paper towel and cleans herself up as fast as possible and Harry only snaps out of his trance when she is already unlocking the door.

“Y/N, what the— wait!” He can’t go after her as she slips out of the room because he is still pretty indecent, so he has to pull his pants up and can only rush out then, but by that time she is already gone.

He’s quite frantic as he tries to find her in the bar, but she is nowhere to be seen. Harry returns to the rest of their group, hoping to catch her somewhere but she has vanished into thin air. 

“Hey, have you seen Y/N?” he asks Mitch, his eyes still roaming the place.

“Nah, haven’t seen her since she went out to smoke.”

Harry groans and makes his way outside, maybe she’s there waiting for a car, but as he steps out to the street he sees no trace of her. Fishing his phone out of his pocket he doesn’t hesitate before dialing her number. The line rings once, twice and then… it goes to voicemail.

“Hey, this is Y/N. Do whatever you want after the beep.”

“Fuck!” Harry ends the call and he has to stop himself from throwing it against the nearest wall. 

This is not how he planned. Well, he didn’t plan any of it, especially not fucking Y/N like a horny teenager. He wanted to solve this whole issue between the two of them but instead he just created another one.

A stupid, giant one. 

NEXT PART

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