#She hurt me and she doesn't even fucking care

[couldeatthatgirlforlunch]

Yandere batfam or justice league with a reader who’s afraid of strong people/men due to a past abusive relationship? She never wants to feel that powerless and weak again so she actively avoids interacting with anyone stronger, bigger, taller any more than necessary. She doesn’t hold it against other ppl she just has a lot of trauma that she’d rather not work through and feel safe in her little bubble

Hit me Hard and Soft

Synopsis: You get saved by Robin, but not everything is as it seems.

Pairing: Yandere!Poly!Romantic!Batboys X Gn!Reader

Tw: All characters aged up, of course; Mentions and descriptions of violence, including physical, psychological, sexual and financial abuse, and Damian fighting criminals (I'm particularly proud of the action scene I wrote); Drugging and being unconscious; Mentions of death of minor characters and suicide; Mentions of past grooming (Reader's ex) and age gap (Reader’s ex, Reader X Bruce, and the batboys age is not mentioned); Implied stalking; Mentions of kidnapping; Reader's very traumatized and weary of everyone; Reader doesn't trust the police; Mention of a panic attack and descriptions of actual panic; Guns and knifes; Mention of cigarettes; Implied needles; English isn't my 1st language.

Requested? Yes.

Extra notes: Wish I had more interactions between Reader and the batboys here, but I'm more than willing to make a part 2 with the right idea.

General masterlist

He's back again. You wish you could say you didn't know why he always came back, but you did. The food wasn't that great and it wasn't that close to where he told you he worked or lived. It also didn't help that he always made sure to be served by you. And that he flirted with you.

— Evening, (N/N)! Is there something as sweet as you on today’s menu? — You gave a small and polite laugh.

— Strawberry pie… As always…

It was kinda sad, but mostly scary. If it wasn't for your ex, you would be thrilled to have gotten the attention of Dick fucking Grayson. The whole city knew he was handsome, rich, talented and charismatic. Gotham's sweetheart, Gotham's golden boy. And from your daily interactions, he lived up to the expectations. He was polite even when flirting with you and asking you out. Yet, something held you back.

— Nice! Since you get out in a few, why don't you bring in two slices? One for me and one for you, it's on me, of course. — You shook your head quickly, with an empty heart, just wanting to get away from him as fast as possible.

You were with your ex since you were 17 to 26. Almost 10 years wasted on a dirtbag. He convinced you to leave your friends, to leave your family, to leave your job. As soon as you started living together, you were completely dependent on him. Sometimes you blamed him, sometimes yourself, sometimes the people you had around you, but back then, where you came from, people weren't questioning the imbalance of powers between a 17 year old highschooler with no job and a 23 year old man with a steady job and living alone.

He convinced you that going to college and ending your relationship was the worst decision you could take. Then, that you didn't need your family, he could take care of you. One day, he decided you couldn't have friends.

He often locked you inside the house, cursed your skills and appearance, neglected your overall health, intimidated you, screamed at you, broke your things that he did and didn't pay for. He hurt you physically, even sexually. You knew both dating him and leaving him was hard, you just expected living with the scars was going to be easier.

And it was! You decided to run away from him and to Gotham when you received the news that your mom died and he didn't even want to let you go to the funeral. The grieving made you reflexive and you realized how shitty your situation was. For years you just thought that it would eventually get better, that you just needed to be strong, that he showed he loved you when he wasn't being an asshole, that you couldn't get anything better, that he made you feel special.

You couldn't even go to the police, he was a cop, you knew the chances that in any scenario you would lose. So you ran.

You knew it was dangerous, but you had nothing to lose. If he didn't kill you, you would do it yourself. You made a plan, drugged him, took some of his money, used his house keys, left everything behind for the second time in your life. You didn't waste time asking for help from the people you knew. You took the bus and went as far away as you could.

Your paranoia was so bad that for almost a year, you would settle in a city, work to save up enough, and leave again, rinse and repeat. Eventually, Gotham seemed big and far enough to go by unnoticed.

Or that's what you thought, until Dick Grayson stopped by the diner you worked to have breakfast before going to work, as a cop, and decided you caught his attention.

Since then, he came back everyday. Either breakfast, lunch, dinner, or just to hang out with some family member, usually one of his brothers, his dad appeared with him sometimes too. Your boss loved the attention Bruce and Tim attracted, the two most media active ones, since they both led Wayne Enterprises.

Eventually, even them started appearing multiple times a week. You thought you were healing, until you found yourself crying for almost four hours at home in a panic attack.

You didn't want their attention. Not only was it weird, but they were just so… Superior to you.

They were all taller, more muscular, faster, smarter, richer. It was like reliving the beginning of your relationship at 17, plus 10 times worse. Five because they were five people mirroring your ex, and more five just because of your trauma, experience, negativity and lack of naiveness.

Also, why were they ALL into you??? And they were aware of it! It was weird! Why??

Bruce Wayne was disarmingly charming in his dilf way. Dick was surprisingly accessible. Jason was soft spoken despite his resting bitch face and leather jacket. Tim was cute in a nerdy way. Damian almost made you laugh with his sarcastic humor.

Either way, you never wanted to feel as little as you felt before, so you just did your job, acted polite, but ultimately kept your distance.

Freedom has its difficulties, one of them being that you need money, and for money, you need a job, which means sometimes you have to stay until closing time, at 11 PM, in Gotham.

You're not the only employee to stay so late, but you and your co-worker live in opposite directions, so walking alone it is. They're taking the bus, but you only live two blocks away, so you gulp down your anxiety and keep walking. One hand on your pocket, holding your taser firmly, and keeping your head up, turning to look at every sound.

It's cold, and the street is empty and dimly lit. Some places are so dark that you wonder why you're even paying taxes if the streetlamps won't work.

Two men turn the corner a few meters in front of you, one at least a foot taller, the other, two inches max. They're wearing hoodies and their hands are on their pockets, the light behind them creates a shadow that doesn't allow you to see their faces, nor where they're looking at, but they are coming in your direction.

There's a car, parked between you both. Some people might think at this point it's just paranoia, but you’ve heard stories of people walking next to cars, getting pulled inside by someone who was hiding in there, and getting kidnapped.

Your first instinct is flight, so you turn around, ready to run, even if you look weird in case those guys weren't planning to do anything with you, just to see other two guys emerging from the other corner, those two almost as tall as that first guy. Aside from the smaller one, they're all broad, even with their thick clothes covering them.

One of them has a cigarette on his mouth, which he throws on the ground when you turn your attention to him. Your fear might have caused you to hallucinate, but you're almost sure he's smirking.

You freeze for a second, your only escape is to run to the side, and pray their long legs don't get to you first. You think you hear one of them start hollering at you.

You only take a step to the side, when a loud crash startles you so hard that you have to look behind, while walking backwards to the street. You take a second to process the sight.

Robin is standing in the middle, just a few steps behind where you were standing a second ago. He's at least half a foot taller than all of them, and a lot broader. He's holding the tall one by his neck with his right hand, repeatedly hitting his head against the car’s window.

You're shell shocked, torn between staying put to watch this disaster, as interesting as a car crash, or running away. Gotham is so big that you never thought you would encounter one of its heroes, you weren't sure if you even wanted to.

When the guy seems to stop moving, Robin throws him against one of the other tall ones, the guy practically flies across 2 meters before hitting him, and when he does, they both fall to the ground. You remember all the times when your ex pushed you to the ground.

Your eyes are wide, horrified, watching the shortest guy take a pocket knife out of his pocket. Your throat locks, even if you want to scream for Robin to turn around, you only manage to stare and stay in place, however, the vigilant turns halfway around just in time to grab the guy by his wrist and his arm, just as he launched to stab him. He uses his body’s impulse to push the guy forward, the knife going to the fourth guy's shoulder, you hadn't even seen him get so close to him.

You look at the man from the car, he's still unconscious, the one who got tackled with him, however, is already standing and walking to the fight.

Everything’s happening too fast, you turn to the side to see the guy with the knife on his back on the ground, groaning and twitching in pain, while Robin is punching the shit out of the other guy, movements faster than you could ever dream of achieving. You remember being on the receiving end of someone's fists before.

With a final elbow to the cheek, the guy stumbles to the ground, you don't know what level of consciousness he’s in, by his posture before, you knew he was already compromised since the first hits he took.

Robin doesn't move, doesn't even turn to look at the guy who just fell, he's just looking forward, and when you notice this, you look at the remaining guy.

He's pointing a gun at him.

You don't think you can watch someone get shot in front of you, and you know if he gets rid of Robin, it's over for you. Logically, you knew these vigilantes somehow never die, still, it's counterintuitive to think he won't.

And he doesn't, in the blink of an eye, Robin's on the air, his right boot kicking the gun away, while still on the air, he wraps his legs around the guy's head, bends backwards, puts his hands on the ground, then launches his whole body to the front, the guy getting thrown over him. He falls to the ground, Robin stands on top of him with perfect balance. You don't even have time to process what just happened, the coolest and scariest thing you saw your whole life, when Robin punches him one last time. Now, he's definitely unconscious.

You’ve felt like a bystander this whole interaction, it felt like ages, but in reality all of this couldn't have taken more than 20 seconds, maybe even less than 15. You don't know what to do now. You're theoretically safe, but Robin’s still too big, too strong, too fast. He knocked out four guys without getting touched a single time. He broke a car's window. He threw around two guys who weighed at least 80kg. He's not even panting. And now he's looking at you.

A whimper gets stuck in your throat. You don't know if you should thank him, stay silent, or yell at him to stay away from you. When he takes a step in your direction, your instincts get the better of you and you turn around, running.

You hear him call your name, although your brain doesn't process it. You see headlights and look towards it. It's a car. You don't trust you’ll get help, but at least you're not alone. You run in it's direction, waving your arms and screaming bloody murder.

The car almost hits you, but you don’t process that until the last minute, but you get tackled to the ground just in time by the hero from before. You scream again, he's too close. Now, he's trying to hold you down. You keep screaming and trying to escape. You look to the side and the car just kept driving away, likely the driver wouldn't stay behind to be another victim to Robin's hands. You know you're not being rational right now, those guys are known for helping people, he just saved you, he's still trying to stop you from getting hurt, but you're scared. You've been scared since you were a teenager.

Your eyes burn, your arms and throat hurt, but adrenaline doesn't let you feel anything. Not even the invasion of a needle on your side.

— Was it really necessary? — Tim deadpans Damian, who growls.

— You would have done the same, Drake.

— No, I wouldn't. You were supposed to use the psychological first aid approach and (Y/N) would've calmed down and trust us more in the future. But of course, you never use your brain. — Damian growls, stepping towards Tim, but he is stopped by Dick’s hand resting on his chest.

— Damian, calm down, Tim’s right. You knew better than to sedate them. You knew of (Y/N)’s trauma and you knew the route we wanted to take. — Damian's brows furrowed and he crossed his arms.

— I knew your feelings toward (Y/N) would make you become impulsive again. — Tim looked at Bruce, who was silent, with hands intertwined and elbows on the table, focused on your vitals on the screen and the sight of you laid on the bed on the medbay. — Will you now consider just letting you, me and Dick keep an eye on them during patrol? — Damian and Jason scoffed.

— Why you aiming at me now? It was the demon who gave that guy brain death! — Jason protested and Tim looked at him.

— Just to be sure you won't freak out like him and kill thrice as many people, on purpose this time. — Jason glared at him.

— B, you better add more security measures around (Y/N), before Timbo tries to clone them or something. — He muttered with snark.

Dick shook his head and sighed, going to stand on Bruce's side, crossing his arms and looking at you through the camera with him.

— What's the plan now, B? They're probably waking up soon. — Bruce hummed, relaxing his stance and resting his back against his chair. The silence lingered for a few seconds, everyone just looking at you, waiting for the oldest’s opinion.

Bruce turned around, looking at them.

— … Damian, Tim's right. You were impulsive today and you killed someone, even if it was an accident. I stopped expecting that from you since you were 12, you're an adult now. You not only broke our trust, but (Y/N)’s already shattered trust. They need to know they're safe with us, and drugging them, instead of puting to use more time and effort to bring the comfort to them, is not going to do that. You weren't much different than the man who hurt them tonight. — His father's words were like a punch to Damian's stomach, leaving him speechless. Dick pursed his lips, not turning around as to make it easier to not comfort his brother just yet. Bruce turned to Tim. — Tim, I understand you want to take measures seriously. But you need to give Jason a chance. That was unasked for. — The mentioned blinked, still unacostummed with the treatment he received from his dad when he followed his rules. Tim looked away. Bruce turned to Damian again. — Damian, no patrolling around (Y/N) until you prove we can trust your temper again. — He waited for a confirmation, which came with a sneered lip.

— Yes, father.

Dick looked back a Bruce.

— What about (Y/N)? — He bit his lips. Bruce hummed, turning to look at the monitor again.

— … What do you all think?

— Well… Damian said their name, they might not remember it, but they can't just wake up at home. They’d try to flee from us. We could bring them home earlier, but our ideal plan was to make them come willingly, in the period of at least two years, in the best case. We could leave them at the hospital, and just keep our plan going. — Dick listed the possible strategies they could take. Bruce hummed.

Tim piped up.

— I already altered their phone's algorithm to send the job application as my assistant at Wayne Enterprises to them. And the Wayne Foundation’s application for the internship at Gotham Uni. — Bruce nodded.

— Damian? What do you understand about that? — It was clearly the beginning of his test.

— The more secure in their independence they feel, the easier it is to heal and open themselves up to new opportunities. — Damian exclaimed with confidence. Bruce nodded.

— Jason, are you still interested in college? — Everyone looked at Jason surprised, he was also surprised, he hadn't talked to Bruce about college since before he died.

It took a few seconds to processes what it would mean.

— Uh… I think so?! — Bruce nodded.

— What about me, father? — Damian spoke inquisitively. — I also want more opportunities to get closer to (Y/N)! — Bruce narrowed his eyes at him.

— We will think about that when you're in the clear.

— But-

— That's final. You reap what you sow. — Damian huffed and nodded begrudgingly. — … Now, since Robin was the one to save them, take the batmobile and leave them in the hospital. Then come straight back home. Understood? — Damian clenched his jaw and nodded silently, leaving to get your unconscious body.

Moments later, when you were both out, on the way to the hospital, Tim fiddled with the computer, the scream showed the batmobile’s tracker, your tracker, Damian's tracker, Damian's contact lenses’s camera and the car’s camera. They all looked at him.

— … It's just to make sure…

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[fandomxo00]

I might be a freak for this but Hugh jacking off to his younger costar who should be sleeping in the next room over (maybe like the hotel is pretty dingy because of the location of the shoot they can’t do any better and the walls are so so thin) but noiiooooo youre wide awake and doing the same and listening to him grunt out your name and you’re planning how youre going to corner him the next day and finally fuck him

note: ive wanted to do something like this for so long just needed some inspo, doesn't follow the idea to a tee but i tried-- omg im so excited!!!! we're all freaks dw 18+ below got carried away again - i have some requests wanting older readers so imma start trying, im only 19 but i like to think that maybe i am mature enough to write for older, wish me luck lmao

characters: Hugh Jackman x 30yo!Actress!Reader

You and Hugh had gotten relatively close in the last couple of months. You had to shoot in the middle of nowhere at some crappy motel and funnily enough they could only find some dingy hotel, that had a tiny lobby, they didn't serve breakfast, they barely had an ice machine. You almost laughed at the idea of a guy like Hugh staying in place like this. You knew he wasn't a snob, and the place was relatively clean, but you just saw him in a large suite with a little living room and kitchen area. The bed was only five feet away from the bed at this hotel and it didn't even have a couch.

You had texted Hugh when you got to the hotel, and you could hear his laughter from the other side at the meme you sent him. When Hugh first met you had been enamored. You were as surprised as everyone else when you'd been drawn to him like a magnetic. He had heard about your anxiety, so he kept checking up on you. Hugh was also your scene part and love interest in the film so eventually you felt this sense of comfort around him, he's seemed very trustworthy and kind. Always asking before he touched you in any scene, going over exactly what he would do. Sometimes when he pulled you in a little too close you got a little dumb drunk off of him. So, you wound up just staring at him like a dear in the headlights. But then he'd usually would end the conversation by making you laugh.

The storyline of the movie where he's engaged to a woman, though he loves her very much when he meets her younger sister the two connect and become close friends. Then you're on vacation and your sister wounds up in the hospital severely hurt, not knowing if she was going to wake up. You seek comfort in Hugh's character and the two of you have sex before the hospital calls about the death of your sister. He realizes that he's been in love with you for a while and your denial. He reveals his feelings for her. It's a whole mess but the two wound up together in the end.

Hugh wasn't going to accept the role unless he liked his co-workers, he hadn't done romance in a while, and even his last romance movie was more thriller than anything. He had been really interested in you when he heard about your journey to this movie.

You still lived in a little apartment in Brooklyn, traveling for work and trying to get as many gigs as you could. You had audition for a side character in this film but then they told you they were eyeing you for the lead female character. Though you were caught off guard that they needed you to do a chemistry test with Hugh Jackman.

The chemistry test was just the confirmation to Hugh that he should do this movie. He had seen your audition after he'd been at the studio, and he suggested you to the directors. Not because he was attracted to you, it wasn't even something he cared about when he first saw you. Hugh just thought that you were talented, and it would in fact help that you a gentle beauty that wasn't really in Hollywood. You were tall but curvy, the shorts you were highlighted your hips and your ass while clutching to the soft skin of your stomach. So maybe he did the care...Even if you have no real interest in him at least he could be around a woman like you. He got to actually meet you and work with you even if it was just a test read. You were incredibly strong-willed, you acted with so much emotion and when he was looking into your eyes, he definitely felt things while looking into the golden-brown hues of your iris'. Hugh's eyes flitted to the curls that fell out of the clip in your hair.

Then when it came to actually shooting with it, it grew progressively harder to not put himself into this character. To not feel something when he has to stare into your eyes, and the first he had to kiss you? He could tell how nervous you were before filming but when you got into character, looking up at him with wanting eyes. Hugh tried not to stare into your soul and grow feelings for you. But how could he not?

It was intense scene, the two of you had to share a motel room, your sister in the movie was in the hospital. You come into the room with your clothes soaking wet because of the rain, you were crying, the makeup they put on you to make you look more flushed was waterproof. As you started practically sobbing in Hugh's arms, before he convinced you to change your clothes. You had completely came into your character, he could see the change in you, as you cried in his arms. The two of you were upset about what happened to your sister, talking to each other, his hand coming to yours before he kisses you. The kiss is soft, his lips landing on the side of lips but your own puckering to meet his. Then his hand came up to rest right above your heart, touching the skin between your breasts and neck. Hugh softly smiled into the kiss as he felt your heart race, that's when he heard a cut!

"Why are you smiling?" The director questioned, a frown on his face.

"Sorry." Hugh cleared his throat as you looked up at him with a doe eyed gaze. God you were in your 30's, he shouldn't want you the way he wants you right now. About the happiness that fills up in him when he gets to touch you so intimately.

You redo the scene, and Hugh sticks the landing this time. His hand coming up to your jaw as you continued on with scene, your lips moving his. You let out the scripted moan as his tongue dove into your mouth.

Hugh went off script as your breathless look at him, "You're so beautiful." He murmured, his hand coming to brush away your hair.

"I-." You breathed out, before darting forward to connect your lips again. His hand went to the back of your neck, before pausing as the director yelled cut.

"Good job guys." The director yelled.

"Are you doing okay, love?" Hugh checked in, his hand coming to your shoulder in a friendly squeeze before moving away.

"Yeah." You hummed, nodding your head.

"You're being awfully quiet." He said, his chin dipping to look into your eyes.

"Well it's not every day you kiss Hugh Jackman." You laughed, as his started smiling over at you.

"Really now, hmm?" Hugh teased as you blushed, reaching out to hit at his chest, which made him laugh even harder. That's when the intimacy coordinator came up to you and Hugh, the two of you turning towards her. She refreshed the mints in your mouth while she spoke, as she talked over the basics, showing the pasties that go over your breasts and the longer bandages that went over your private parts. Hugh got a sock, because the two of you had to be completely nude for these scenes. He hasn't had do one of these scenes for years, during the sex scenes he stayed respectful as always.

It was normal for actors to get aroused in sex scenes, even if its just a character they are still getting into that mindset. It wasn't like Hugh ever got super turned on but with you? Attraction was normal between costars but having romantic feelings was less so. He was so nervous that it was going to be more than just a little attraction.

Hugh had reason to be concerned to, but because when he saw you naked, he kept his eyes to himself as much as he could. But even with your breasts and genitalia were covered, he tried to think of things that turned him off. Trying to rid himself the embarrassment of getting hard before the scene even started. The two of you finished the make out part of the scene before starting to strip each other's clothes off. Even though it seemed like such a simple thing, the coordinator and director had full control of your movements. His hand settles on the middle of your back as you rise on your knees, reaching his face as met his lips in sloppy kiss.

"Closer." The director spoke, and the two of you moved in closer to each other. Hugh knew it was okay when you start moving forward, so he made it look natural as your hand came to his chest while he pulled you into him.

You felt so flushed you were embarrassed as you felt yourself become wet. Even when his hand came down to fake massage at you, hovering over your core and making the actions with his hand. The way you wanted to connect his fingers with core was so hard to keep at bay. But that's when you felt his hard on accidentally rest against your thigh before he subtly but quickly moved it away from you. "Sorry." he breathed, the quietest whisper before he continued on with his lines for the scene, teasing you and your eyes fluttering shut. Your brain was screaming, 'Please fucking touch me'.

They gave the two of you your breaks, time to drink water, freshen back up, and calm down. Your mind coming back to center, trying not to become animalistic. You nerves about doing the scene were long gone though, Hugh made you feel so comfortable and somewhere deep down your crush fueled off the fact that he was hard. Even though it was just a biological function, you knew it was delusion, but you didn't really care. Then when he was ontop of you, his lips sloppily pressing against yours as he thrusted against the pillow between the two of you. Your hands around his neck, your legs hiked up around his waist. You wanted Hugh to press his hips in harder, to feel the outline of his cock against your core.

This wasn't going to happen again until much later in filming and you knew that it would go just as quick as this did. You wanted to soak up every minute of his attention on you. Even though he was only looking at your character that way. It felt nice to be looked at like you meant something to someone, even if it wasn't real.

Little did you know that Hugh couldn't get his dick to go down, not even when they got back to the hotel that night. He kept his hardened cock tucked into his waistband, avoiding everyone and trying to get back as quick as possible. Though as he was leaving you asked him for a ride, and of course he said yes.

It hadn't been this awkward between the two of you since the first time you met. And it wasn't just because you were starstruck. You were both stuck in your own heads as you thought about the other on top of you doing dirty-dirty things. Hugh would glance over at you and try to think of what to say. But the blood wasn't in his brain helping him fuel his thoughts, all of the blood went straight to his dick.

Hugh's eyes skimming down your body as he naturally looked at your legs covered in shorts, before shaking his head as he looked away. You hummed to the song playing on the radio as you fidgeted with your hands. "Are you sure we're alright, I didn't make you uncomfortable?"

Your head looked over to his so quickly he was surprised you didn't have whiplash. A furrow in your brow as you glared over at him, "Of course not. It was just ya know tiring ready to lay down in bed."

"If only I could show you the real thing." Hugh blurted, his cheeks flaming red as he chuckled, trying to come off as joke. You awkwardly laughed along; your eyes wide as you swallow the lump in your throat, avoiding his gaze. Before looking up at him with a kind smile.

God, he hasn't this way in twenty years. Hasn't been so obsessed with someone, infatuated and cared so much about your opinion and feelings. Hugh had been raised to treat a woman right, he had succeeded in doing that for 27 years, but one day it didn't matter how he treated her. The two had drifted so far apart, the two giving up on a love that was once everything to the both of them. It was now something they wanted to move on from.

When he got back to his hotel room, he hadn't wasted much time in getting comfortable on the red comforter. Taking off his shirt, his pants and his underwear before walking into the bathroom. Hugh turned on the shower, stepping inside and soon grabbing his cock in his hand. He looked down and spit on his shaft before thinking about your hand replacing his, moving up and down his long pulsing cock. The idea of your pretty little eyes looking up at him as you kissed him his cock. Just the thought of the moans you had given him in the scene, imagined the vibrations against his dick. "Fuck, y/n. So fucking beautiful for me." His voice rasped, as he started to fucking himself harder in his hand.

God he wanted you here, he wanted to shove you up against the wall. That's when he heard it, pausing as he heard moans and a buzzing from the other room.

Little did you know that you'd been doing the same thing, your cunt soaked with all the things running through your head. Flashes of his hands on you, the way he moved with you, against you. The taste and feel of his mouth on yours. You had your suctioned rose over your clit, plunging a dildo into your cunt. It was the best way to get yourself off and you knew you needed release after everything that happened.

You imagined Hugh over you, the imagine of him stroking your cunt with his thick fingers, made rip from his throat before panting out his name like a prayer. "Hugh, god fuck." Your voice high-pitched and echoing through the walls.

Hugh moaned at the sound of your voice whispering his name, a flush coming his chest as he beat his dick, bucking up into his hand whenever he heard you moan. Imagining whatever vibrator, you had against your soft little pearl, and he imagined you so wet that you dripped out on to your petals. He wanted to shove his face into your cunt, he didn't want to admit to smelling your arousal. But at one point he had to kiss down your stomach, it wasn't a very long scene. But the potency of your arousal made his cock stir, the fantasy of licking up your core invading his mind. You had to be really fucking wet in order for him to smell your slick.

Hugh felt a flush come over his body as he came into his hand, the deep grunting of your name, rumbled against the thin walls. Making your legs tremble as you came around the toy. The thought of him getting himself off to you driving you over the edge. Hugh turned off the shower once his seed was rinsed off of him. He was quick as he stepped out of the shower, wanting to get to you, way too quick as he slipped. The sound of him groaning loudly but not in a good way heard through the wall. You quickly gathered yourself though you hadn't even have to clean yourself before getting up and running over to check on him.

You knocked on the door, and moments later it opened. Hugh had a hand to his head, and you stepped in, neglecting to bring up the fact that you heard each other getting off to the other respectively. Your hands came up to his face as worry flashed your eyes. "I just slipped out of the shower, I'm fine love." Hugh murmured, as you shoved his hand away to feel over where he wincing.

He grimaced but there was no bump or blood, so you moved your hand away before rubbing at his chest. You felt far more comfortable being intimate with him now. "So you're okay?" he chuckled lightly as he nodded his head. Hugh's hand went to your waist as you'd not move away from him. You licked your lips as you looked down at his.

"I could be better."

"Yeah? How can I do that?"

"I think you know." Hugh grunted, his voice deep yet soothing as he whispered in your ear, his accent thick and making your hands curl against the robe he was wearing. You moved back to look at his chest, as your hands went to the belt wrapped around his waist. You fiddled with the knot as you looked up at his dark eyes.

"I heard you." You whispered, your voice practically trembling in anticipation.

"I know." Hugh replied, his eyes looking down at you with all the emotions he had to conceal earlier in the day. "I've wanted you for so long."

"Really?" Your eyebrows rose as you scanned his eyes light hazel eyes. Hugh pulled you into him as your hands started fiddling with the strings of the robe.

"Since the moment I met you." He confessed, as he stepped closer to you, you slowly kept pulling him along as you started untying the belt. Hugh pressed you up against the door, it moving back as it closed all the way. His hand moved from your waist to lock the door as the robe opened up to reveal his naked body underneath. You couldn't see much, but he looked like a fucking fantasy with the way he was looking at you.

"Me too." You admitted as his lips landed on yours, his hand coming up to cup your cheek. Hugh's lips were alot more firm, excitement raidating through the two of you as you felt his erection. "Already?" You giggled.

"Never got soft again, baby." He husked, before he leant down to grab at your shorts and pull them down. Your hands came to his chest when he met you eye to eye, moving the material away from his chest. Just as Hugh's hands went to your shirt and swiftly pulled it over your head. A smile coming to his lips as you realized you hadn't even put on any panties.

Your eyes flitted down his naked body, your heart racing in your chest. It felt different this time, you felt more in the present as you traced his muscled figure, his toned and large biceps, the way his v-line dips and his cock bobbing as he moved to pick you up. Your legs wrapping around his waist as you pressed your lips against his jaw. "God I want you so bad, Hugh. Please."

"I want you to keep begging like that." Hugh murmured, humor in his voice as his hips rolled against yours. "Do you need any pro-."

"Just fuck me, please c'mon. " Hugh didn't say anything else as he smiled over at you before gripping your hips and sliding his cock inside of you. You let out lewdest moan, your eyebrows pinching together as your eyes closed. Hugh watched every movement, completely enveloped on the pleasure he was already providing for you.

"So fucking wet for me, huh? Still got that little crush on me?" Hugh mocked, as you flushed, hiding your head in his neck as he slowly started rolling his hips against you. Your back flush to the wall, with each thrust you moved up, you felt him so deep inside of you. That's when he picked you up and moved you over to the bed. His hands coming to your thighs and moving them up to your chest. Hugh's cock filled you once again, hitting that spongy spot deep inside of you. The moans let out drove him nuts as he started pounding into you. His leverage on the bed making his thrusts hard and deep. "Gotta use one of those toys next time, hmm? Yeah, fuck."

"Hugh. " You panted, as he grunted into your mouth as he kissed. "So close, fuckin help me, please." Hugh groaned at your sweet yet filthy words, as his fingers came to your clit. Rubbing in tight circles as he focused on the place that made your eyes water. You started trembling, your back arching, your fingers digging into his shoulders as he brought you to your second orgasm of the night. Fourth if you counted the two fake ones in the scene before.

Hugh was already overstimulated, he usually waited a little longer between sessions. But the need to fill you came over him and he knew the two of you didn't need any foreplay. He was determined to make you come again though, holding off his orgasm as he pulled out of you right before coming. Moving your legs back around his waist as he moved over you, his cock penterating you at a different angle. Your tired eyes flutter shut at the feeling of his pulsing cock inside of you. "Please come in me." You pleaded, as Hugh started slowly rolling his hips back into yours.

"So dirty." He murmured into your lips, his hands coming to your legs, using them as leverage at his steady pace. One of his large hands encompassing your large breast, squeezing the flesh before moving down to suck on the skin on top of your breasts. Before moving down to take the nipple into his mouth and suck while trying to find that spot in you again.

When he found it, your hips bucked against his, and he moved up straight to start quickening his pace as he neared the end of his rope. Hugh usually took things slower at first but neither one of you could deny what you wanted any longer. "Gonna make me come inside of this tight pussy."

"Fuck yes." You moaned, as your hand came up to his lips, without needing the stimulation of your clit, you shattered around his cock. You don't usually ever come with his just penetration, only a rare few times you have. But you were already so overstimulated, and his cock was so much thicker and warm than the dildo you played with before. The two of you came together, the feeling of your walls suffocating his cock ripped his orgasm out of him. You felt the spurts of his come inside of you, your walls pulsating at the feeling of being utterly fucked out.

Hugh pulled out of you, flopping on to his back on the bed. His cock now softened against him as he glanced over at you. "Fucking amazing you are." A tired grin came over your lips as his arms wrapped around you and pulled you in close. "If it's alright with you, I'd like to keep you."

"It's more than alright, Hugh."

tags: @jessjessmarvelandhp @chronicallybubbly @delicateholland

[twistersobsessed]

I seen you were asking for Scott request!

Reader and Scott are engaged and she's best friends with Tyler in this...

While on a chase everyone stops to refuel bathroom break get food. Reader is talking to Kate when a guy starts to hit on her. She politely tells him she's engaged then turns back to Kate. The guy doesn't take the hint and doesn't care and keeps on making comments(I'm thinking there's a bar close by and the guy is drunk) so the reader gets more firm with him tells him to back off he grabs her arms pushes her against the van and back hands her. Scott and Tyler see this and high tale it over there Scott punches the guy a few time tyler checks in the reader. The reader has a gash on her face from his ring and a hand print on her arm. The reader gets Scott off the guy. He sees the marks ask Kate to go get her some ice while he cleans the gash. Then something fluffy while he's taking care of her.

Hands Off | Scott x Reader

The tension between Storm Par and the Wranglers had certainly improved since you and Scott had gotten engaged. It was like bringing two families together that hated each other. That’s not even accounting for Kate, who had started with Storm Par and ended up a Wrangler.

Your groups were… amicable at best.

Currently, both were stopped at the same gas station, everyone scattered. Some people had gone to the bathroom, some had gone to get food at the gas station. You were standing next to one of the Storm Par vehicles talking to Kate. Then it happened.

A man who is clearly drunk stumbles up to you and Kate and begins to sleazily hit on you. You made it clear you were uncomfortable. “I’m engaged,” you told the man, holding up your left hand and showing off your ring.

“That’s okay, baby. I don’t see him ‘round, and what he doesn’t know won’t hurt em.”

Kate tried to intervene but the man just waved her off. “I’m not talking to you,” he growled. Turning his attention back to you, he leaned in uncomfortably close. “Come on, don’t be a fucking tease. Out here lookin’ like that…”

You bristled. “Get away from me.”

The man didn’t like that at all, and before you even knew what was happening he had slammed you into the side of the Storm Par van and backhanded you across the face. Kate screamed.

Scott and Tyler had seen what had happened from across the lot and raced over in record time. Scott yanked the man off of you, throwing him to the ground and climbing on top of him, landing solid punch after solid punch.

Tyler examined the gash on the side of your face with his jaw angrily locked. He gently grabbed your arm, where the man had grabbed you, and examined the hand print he had left.

“Scott!” you gasped, not wanting him to catch charges. You pushed away from Tyler and placed your hands on Scott’s shoulders. He stilled at the touch.

Slowly, he got off the man he was beating. He rose to his full height before turning to you and pulling you to him. He bent down to examine your face. Upon seeing the gash and hand print, he very nearly turned to continue beating the man, but one look at your face kept him glued to you.

“Kate, will you get me some ice?” Scott asked, gritting his teeth. “Come here, baby.” He led you to his truck and sat you in the passenger seat. He left the door open and you sat so your legs were hanging out of the truck.

Scott crouched down in front of you, taking a cloth he had produced from who knows where, and gently dabbing at the gash on your cheek. Then he disappeared, only to reappear with a first-aid kit.

“This is gonna hurt,” he warned as he poured hydrogen peroxide on some gauze. He dabbed it on your gash and you hissed in pain. “I know, I know, I’m sorry,” Scott mumbled. By the time he finished cleaning it, Kate had returned with ice in a plastic bag.

Scott muttered his thanks and took it from her, holding it up to your cheek. “Keep that on there until I say otherwise,” Scott commanded. Your hand took his hand’s place, holding the makeshift icepack against your face.

That’s when you noticed his knuckles. They were bloody, and whether it was his blood or the man’s, you couldn’t tell.

“Scotty…” you frowned, concerned. Scott followed your gaze and flexed his hands. “I’m fine, baby,” he assured you. The shock of everything wore off and you felt tears pooling in your eyes.

“Oh, honey,” Scott frowned, reaching up and wiping away a tear with his thumb.

“Don’t cry. I’ll never let anyone put their hands on you ever again.”

[meraki-yao]

RWRB Book Thoughts: Ellen and Oscar

Re-reading RWRB and thinking about Oscar and Ellen. The thing is book Ellen and Oscar's relationship scares me because it's like the worst-case scenario of my own parents (they're a lot better now but covid was hell) So I understand it.

Ellen and Oscar are soulmates. As in they are both intelligent, stubborn and headstrong. They are very similar people. Unfortunately this is a case where it's like forcefully pushing two North ends of a magnet together: Ellen in particular wants and needs a complimentary relationship instead of collaborative relationship, which is why Leo works for her: Leo is meek compared to Oscar. He really just listens and generally agrees with Ellen. His appearances are limited in the book but when he does show up he doesn't really have his own opinion. Ellen wants/needs someone who won't speak up against her.

Honestly? I, kinda feel sad for Oscar. He said it himself, "We're both too fucking proud. But God, that woman. Your mother is, without question, the love of my life. I'll never love anyone else like that." It's sad to know that he never stopped loving Ellen while vice versa isn't true, and to know that she's it for Oscar.

When it comes to parenting I honestly think Oscar is the better parent. It was really shitty of him to leave without telling Alex and June and that evidently really hurt Alex til this day, but when it comes to the other parent things? I was re-reading/listening to Chapter Four today when he goes to DC for Christmas, and both Alex and June are so much more comfortable with him. Part of that is probably because he doesn't carry the inherent pressure of being the fucking president, but part of it is that he really cares about his kids as they are. Ellen downplays June's passion for journalism and pressures her into a political job that she didn't want at all, while Oscar "raved about June's latest blog post for The Atlantic". Ellen immediately started piling up all the political consequences of firstprince literally minutes after Alex plucked up the courage to come out to her while Oscar gave him relationship advice. This isn't to say Ellen isn't a good mother, she is flawed, as Oscar is, as all parents are. But if we're looking at non-crisis moments, Oscar's actions are more comfortable for his children.

There's a reason June initially wanted to go to California and be close to her dad. Yesterday I talked a little about how I hated how Ellen and Alex treated June at the earlier chapters of the book. Well in the rest of the book it's implied that she has a much closer relationship with Oscar, jumping into his arms when he arrives at the White House, him picking her up and spinning her when they arrive at the lakehouse.

Either way, Ellen and Oscar clash becasue they're too alike, and my opinion is that Ellen tends to fan the flames more, see Christmas dinner where Oscar suggests campaigning with them to help and she immediately shoots it down with "you can't be serious". Anyways, the children suffer the most. And uh, speaking from experience here, that shit never goes away. My parents are still together and are a lot better compared to the past, but I flinch at any sound of argument/angry yelling because of all of their fighting.

And there's this one paragraph in the book: "Even before Alex's parents split, they both had a habit of calling him by the other's last name when he exhibited a particular trait. They still do. When he runs his mouth off to the press, his mom called him into her office and says ' get your shit together Diaz.' When his hard-headedness gets him stuck, his dad texts him, 'Let it go, Claremont'" and God that's so shitty? To know, to be reminded that one parent hates the part of you that is from the other parent. Even if that's not what Ellen and Oscar's intention is, that's what it feels like, and it's really, fucking, shitty.

I wonder how would book Alex feel if he know that there was an alternative universe out there where his family was functional. I wonder how would he feel if he knew that movie Alex doesn't have his loving sister, but has loving, gentle parents who have a healthy, functional relationship.

My guess, is that he would say that he'd choose his life and his sister no matter what, and he means it because he does love June, but deep down a part of him would be jealous of movie Alex for having a smaller but healthier and happier family.

[thehollowwriter]

Ok so since i love sad but bad boys i'm gonna ask blaze for your event-

How about reader(gender neutral or fem your choice) who is blaze's childhood friend and tries to make him realize what his mother wants is not what he wants

Thank you! (☞ﾟヮﾟ)☞

Hi! Sorry for the late reply! Yaaay a Blaze ask <3

Warnings: None. Word count: 520

(Pls reblog and leave a comment ♥️)

Art by @/moonyasnow

Choose

Blaze sat on one of the rocks closest to the shimmering water of the sea, throwing and catching a smooth, circular rock as he stared at the horizon. It was painted with beautiful purples and oranges as the sun gradually dipped down to welcome the night, giving Blaze at least something to appreciate on this shitty shitty day.

"You should get in," you said to him from your spot within the water, your tail flicking back and forth happily. "The water's wonderful."

"No." Blaze muttered. He didn't feel like changing forms right now. It was such an exhausting process.

An awkward silence reigned for a moment. Blaze kept throwing and catching his rock. Eventually, you spoke. "Your mom again?"

Blaze didn't answer for a while. He stopped throwing the rock and stared at it, turning it over in his hands.

"...I didn't get a main role in our theatre production." He growled out after a while, his voice softer and rougher than usual. "Not even a side character. I'm... 'too wooden'. Mom says she's wasting money and time on me if this is what she gets back for all those acting lessons..." He put his head in his hands. "I'm tyring. I'm trying so hard, but she just doesn't care. Now she wants me to do lessons and advice from Vil fucking Schoenheit."

You didn't say anything for a while. The same string of thoughts you always had every time Blaze mentioned acting flooded through your mind.

'You shouldn't have to be an actor,' you wanted to say, 'Do what you want. Don't you want to choose what to do with your life?'

You rarely did, though. He got so upset every time. But a question on the tip of your tongue escaped before you could stop it.

"Blaze," you said before you could stop yourself. "Is acting what you really want to do? It's more your... your mom's wishes than your own."

Blaze glanced at you, then threw his rock. It skipped across the water before sinking below the waves and into the ocean's depths.

"Of course it's what I want!" He hissed venomously. "I don't even like Alchemy that much. It's just an interesting subject!"

You drew in a breath, refraining from pointing out that you never mentioned alchemy.

"But you don't like acting either." You insisted. "You always hate going to classes. You said you wanted to be in a different club too-"

"Because I hate hearing Vil talk like he's all that when his daddy's money gave him everything! I would like it if that bastard wasn't there!"

You grinded your teeth. "Blaze, you've never been happy about anything to do with acting. You don't like acting. This isn't what you want, Blaze, it's your mom who-"

"Will you shut up?" Blaze hissed. "I'm going to be an actor, and I'm to be Vil Schoenheit levels of famous! You can either support me like a good friend should or get lost."

There was a long pause.

"Okay, well," you said, hiding your hurt. You picked up a smooth circular stone of your own and threw it in the same direction as Blaze threw his. It only skipped a few times before sinking. "Best of luck."

A heavy silence reigned between the both of you. You stared at Blaze. You stared at his face, the way his jaw set in a grimace, and the way his eyes seemed to water.

He could do so much more, be so much more, but he didn't want to. Or he didn't think he could. It hurt to see. But you stayed silent.

You disappeared into the water and left Blaze to sit on his rock. Alone.

-End

A/N: I hope you enjoyed reading! Blaze is a bit mean, sorry :(

Tagging: @distant-velleity @br3adtoasty @rainesol @theleechyskrunkly @jovieinramshackle

@galaxies-and-gore @cyanide-latte @cynthinesia @officialdaydreamer00 @krenenbaker

@offorestsongs @kitwasnothere @elenauaurs @boopshoops @inotonline

@1dont-really-know @kazumify @minteasketches @elysia-nsimp @skrimpyskimpy

@casp1an-sea @offorestsongs @tixdixl @poisoned-pearls @the-trinket-witch

@ramshacklerumble @ghostiidasponk @thegoldencontracts @the-banana-0verlord @cloudcountry

@skriblee-ksk @twstinginthewind @lumdays @theolivetree123 @natsukishinomiyaswife

@authoruio @jewelulu @raguiras @honeynclove @moonyasnow

@skibidibabygirl @paperclvps

[acerikus]

G o d. All gekkos' outertale posting makes me wanna talk more in depth about the characterisation and plot issues in this game and why they bother me...

(readmore bc holy fuck this got long, it's probably like 5k words. It's also pretty much all salt, categorised by character)

Toriel

Why. Why is she like this. Kinda feels like the creator of the game hates her and if they don't, they have a weird way of showing it. She's treated as overdramatic and unjustified in her anger at asgore despite the fact that he DID declare war on humanity and he DID willingly let the people believe he was killing human children to harvest their souls. Even if he didn't do it for real in this game, she has every right to be angry and to not trust him, and it CERTAINLY doesn't make her undeserving to be a mother or whatever. Idk about you, but I don't think wanting kids to stay away from a man yelling about wanting to kill every child that crosses him makes you a bad parent, even if it turns out he didn't really hurt anyone y'know?

They also REALLY zoned in on 'mother' with her in a way that doesn't really make sense here. I could maybe see her feeling guilty for making a snap judgement but how would that call her motherhood into question?

Sans saying isolation messed with her makes no sense too!!!! The outerlands or whatever they called the ruins isn't sealed off in this game, other monsters seem way less intimidated by her in this game than in undertale (she has friends! She knows sans by name and goes to napstablook's shows and even has their phone number!), and we outright get told she takes the taxi to get her groceries... Meaning she headed off to the rest of the outpost and probably does that often enough.

All things considered, Toriel seems fairly well adjusted in outertale, at least by outertale standards. Kinda then makes it feel like everyone's just trying to convince her she's hysterical and that... Sucks.

Also the fact that they added an ending where you stay with her and framed it as a bad ending that doomed everyone is... Really mean? It sucked ass I'm sorry :/

Sans

... Why is he like this. This take on Sans is absolutely infuriating tbh. The only positive I really have here is that his puns are kinda good, I've seen fangames that fuck up this element massively and it was kinda fun to see his interactions in starton.

Okay, back to salt. His whole 'i became a sentry to help humans' thing is trash. He didn't care about that in ut! He didn't care about that at all! The only reason he looks out for frisk is because he made a promise to toriel, and he hates breaking promises. He didn't want to let down his friend.

...Huh. realising this is yet another case of Toriel disrespect somehow. Yet another thing they took from her, that they then just... Handed over to sans instead. :/

His lack of backstory. Look, I get wanting something silly, but they took almost everything that makes sans interesting away. Not hyperfocusing on sans like certain aus do is nice, but it feels like in a lot of situations in this game they overcompensated by a long shot.

No mysterious past/origins. We know he worked with alphys I guess but???? Honestly I have a LOT to rant about for that part so I'll leave it for twinkly's section. And yet despite all this, Sans inexplicably bleeds in tpe when not even undertale has that happen? Make up your mind!

His role in non Asriel chaotic also... Sucks ass. I'm in a pretty awesome corner of the fandom in terms of the people I follow and the takes I see as a result, so if I'm honest, when I saw all those posts about 2024 fanon sans being indifferent to his brother's murder, I kinda just figured they were vaguing about this game. You're telling me that sans of all people just shrugs off you killing everyone and complains a little bit before letting you pass?! He should know alphys already ran off. He should know the only person left to stop you is asgore, and that it's obvious he won't. Part of this could be connected to how frisk is written perhaps, and much like the twinkly situation, I'll have much more to say on that further down.

I understand the creator didn't wanna have a sans fight in their game - however, if that's the case... Maybe come up with a reason for him to NOT show up in the last corridor, then? Have him busy helping with evacuations or something, or already dead like in the first chaotic ending... This was just sloppy.

Papyrus

Honestly he wasn't... Terrible. The phonecalls were fun even if most were cheap references (though they can be fun in fangames sometimes so I'm not mad at this lol). Him being extremely talented at making spaghetti is just one symptom of one of this game's biggest flaws, however. I really don't like how nobody's really allowed to be bad at anything or have any real struggles in this game - especially when spaghetti in undertale is used to demonstrate his relationship with undyne and the similar wavelength they're on when humans aren't involved. She's the one who started teaching him to cook it, it's deeply intertwined with his desire to be a royal guard, and it's something they suck at together. Him just inexplicably being good at it is... Weird, and feels really disconnected from their friendship and her reluctance to let him in the guard yknow?

Also: his boss final phase. Having the dog NOT take his special attack away this time was really funny admittedly but... Idk? Not only is the fight really unfair for pacifist/neutral and those who aren't as good at the game (ut never gets this hard outside of geno), it feels way too on the nose in terms of insisting he's strong and has powerful attacks. Undertale didn't need to overcompensate to get across that papyrus is strong and disciplined and the way you have to infer that in undertale is way cooler. I might just be nitpicking with this point tbh but it's whatever. Letting myself be a hater for once.

And don't get me started on him getting together with Mettaton. It seemed to come out of absolutely nowhere, the idea that they were already friends in this was glossed over really quickly and no time was really put into developing the relationship save for papyrus commenting on finding him attractive every few minutes.

Gotta be honest, I've never been a fan of this ship nor understood its popularity. Papyrus very briefly mentions thinking he's attractive in undertale, but it doesn't really go anywhere and I'm not even sure mettaton knows he exists. It feels like it was just kinda added because it's a popular ship and that's it, not sure it really contributes much to either of their arcs. It was a light-hearted celebrity crush in canon and never really tried to be more.

Oh, oops. Had more to say here than I thought.

Undyne

Not much to say here... I think she was okay, there's nothing super bad with her. I do think the way gerson kinda downplays her/lacks faith in her in the chaotic route kinda sucks and I think choosing to make her non-undying chaotic bossfight harder sure was A Choice, but it's whatever. Undying was weirdly easy in a way that didn't do her much justice. Honestly they didn't do enough with her for me to have a wall of complaints and I can't tell if that's a good thing or not. Her relationship with alphys didn't really amount to much and her lack of understanding of human culture doesn't really hit as hard when she's just talking about random sci-fi things that we have no way of knowing are real or not in this game's idea of the 2600s ourselves, y'know? Her love of anime (that she mistakenly thinks is human history) is pretty absent here except to validate her relationship with alphys in a very shallow way.

The Ghost Family

Hoo boy... Was gonna make this the mettaton section, but I wanted to talk about napstablook at the same time, so I'm just gonna lump them all together.

What. What the hell was this plotline.

It feels like they tried to go for 'smalltime farmer chases passion for stardom after feeling unfulfilled at home' and as I've seen someone else say, 'shy business owner struggles to talk to their cousin outside of work'. This would've been fine tbh, but... There's a lot of things in the execution of this that kinda grossed me out if I'm honest. I don't think they were intentional, but I think it could've been thought through a lot better to avoid some unfortunate implications - or even lean into them in a respectful way.

Firstly, the ghost family intervention was pretty long, awkward, and didn't feel like it really added much - especially when most people playing would already know mettaton's backstory anyway (and his house is still accessible like in undertale!!!!! What was the point?)

Mettaton airing out his family issues on live TV feels very ooc - he keeps that stuff very close to his chest and I doubt he'd like it getting out. Him entertaining any of that out in the open seems... Weird.

Speaking of the intervention, his cousins' treatment of him was horrifying! Part of it seems intentional and it's nice that there's at least one part in the game where characters are allowed to have flaws and do bad things but... There's also elements that feel like you're meant to agree with them? Their insistence that mettaton just come home and everything they did in the past with constantly badgering him to come and help out on the farm were rightfully treated as something that hurt mettaton's feelings and that gave napstablook and the others pause. That's (mostly, we'll come back to it later) fine. He called them out for it and they reflected on it, cool. The way his ghost form was utilised makes me extremely uncomfortable, however.

Napstablook talks about hearing 'the real [mettaton]' in the recording, right to his face, 'the real mettaton' in this scenario alluding to his ghost form. Considering mettaton is a trans allegory, this feels... Kinda gross? In a similar vein, when passing mettaton's quiz barriers, one of the questions is 'what is mettaton's true identity' and you have the option to deadname him (using a name papyrus literally just made up in undertale rather than having any kind of creativity ofc) Alphys' reaction is simply to ask how you know that which... Doesn't feel great. The correct answer is 'mettaton' ofc thankfully, but everything around this particular plot point feels weird. Maybe don't do that w the most prevalent trans allegory character..?

And ofc, they keep insisting he just come home, go back to working on the farm, go back to his family... Idk, gives me vibes of someone abandoning their shitty transphobic family and then insisting they want to see 'the real [deadname] again' and for them to abandon their new life and just go back to the way things were before. Not good.

All of this would still be okay for the most part since the ghost family are painted as being unfair to mettaton... But in true pacifist, he goes back to helping out with the farm anyway and talks about how he thinks he was probably just being dramatic after all, and how 'blooky didn't do anything that bad'

... What?

It takes me right back to Toriel's treatment. Napstablook, Maddie and lurksalot gave no real thought to mettaton's feelings, made it all about them and showed pretty much no support for his transition nor his career! Fuck those guys! It's funny - mettaton is pretty consistently a pompous asshole (affectionate) in undertale but here, I think all his feelings towards his family were COMPLETELY valid. Mettaton outertale didn't do anything wrong.

Lurksalot didn't feel like they contributed much to the story either, save to be yet another character treating mettaton like shit with zero consequences nor narrative judgement. They just made every ghost family event even more drawn out.

And then ofc!!!! Mettaton and Alphys' friendship is so bland in this game! They're two people who kinda know each other and she says some nice things about him in a letter in chaotic but that's about it. Their friendship and the subsequent conflict frisk's arrival brings to it in undertale is the heart of hotland and the core, but here it's just replaced with unnecessary, hard to watch, boring family drama. The two of them have no issues to work out. She doesn't ask too much of him. There's no funny quips and barely any chemistry at all. God forbid either of them have any real flaws.

One last thing: I'm glad maddie gets her mew mew body, it's nice. Wish it was an on-screen moment or something alluded to more though. Some of that time dragging out the family drama could've been used on that instead, y'know? Especially with napstablook getting the mew mew doll... Genuinely thought they were gonna show it to her when they first got hold of it, rather than dragging Frisk into their intervention. She should've gotten to be more mad, too. Kinda a big part of her identity.

Oh, and mettaton's no-asriel chaotic fight was bullshit. It was a nice spamton reference and the first phase was cool, but the second was utter bullshit and dragged out the fight way too long. Attacking him after snapping all the wires should've killed him im sorry. It's even more of a shame bc I genuinely really liked this game's mettaton neo fight - it was fun and creative and felt possible.

Holding myself back from adding any more to this bc I could go on and on, ugh.

Alphys

Alphys. For a game that tries to make her the star of it, it's actually kinda impressive how much they managed to take away from her and just how uninteresting she is in this game.

At the surface level she's awesome, powerful, and the star of the show. In my first playthrough I was actually pretty happy to see her thriving like this! The more routes I played and the more I thought about it though they just kinda... Declawed her. Took away all her flaws. Made her 'perfect' in a way that I don't think works at all.

The amalgamates never happened. None of her experiments went wrong. She never hid away from her mistakes, or lied to anyone (save for keeping Asgore's secret, which she has no negative feelings about), nor did she over engineer any situations to make herself seem cooler. She doesn't argue with Mettaton! She's confident and assertive! She's Asgore's right hand woman and next in line for the throne! And ofc, the badass final boss! What's not to love?

...But none of this is Alphys, is it?

Her anxiety isnt just because of the determination experiments, it's pretty clear she's always been a pretty shy and nervous person. In fact, based on her entries they were one of the things she was more confident in before it all went wrong. People are hard, but she knows science, y'know?

She doesn't get to be flawed or interesting - despite her presence, she's just a generic cool scientist who's suave with the ladies, I guess..?

She isn't particularly dorky, shes overly confident, she has zero issues to work through. Her relationship with undyne is perfect (derogatory) and her infodumping about anime just before the archive feels very forced, like they remembered last minute that she does that and thought it should be included somehow.

Depicting what she'd be like in a scenario where the determination experiments never happened is a fun and interesting idea! But deltarune demonstrates how to do that well, and I think they completely missed the mark. The way she talks, her body language, the way she acts around others in general... These things are universal constants and yet in outertale, she's basically a different person entirely.

Outertale alphys isn't allowed to lie (save to cover for asgore Secretly Being A Good Person), she isn't allowed to miscalculate, she isn't allowed to mis-speak or make mistakes or do anything she'd regret. She feels like an alphys written by someone who hates her in canon and thinks all her flaws make her terrible and unlikable. I doubt this is the case since I don't think a person like that would've given her such prevalence, but that's the level of love and attention I feel was given to her writing here. It makes me sad.

And, of course... The DT experiments and her fight.

... Why did she have vials of determination if all the humans are alive? Did she take it from them? If so, was this before or after they went into stasis? We know she's not been the royal scientist for long in relation to how long humans have been falling, so did ROMAN take the determination? How much of this did she even DO?

Why did she and sans even DO anything with determination? It... Doesn't really make sense.

Speaking of determination, why did she melt at the end of her fight? I'd assume she's injected herself with determination as one of the vials in her lab is mentioned to be partially used, but I'm pretty sure it's also like this on pacifist. Was that overlooked? Are we just meant to assume it's MORE depleted? Does she just have natural determination now because She's So Cool And Badass? This isn't even really a complaint about the fight, more just how poorly that part of her lab is handled lmao

But getting into her fight... Idk, it didn't really feel like her. A lot of it was just random bullshit that was hard for the sake of being hard, that didn't really seem to be tied to her identity very well at all. People complain a lot about the Zenith Martlet fight in undertale yellow but that's done far better than this, imo. It clearly reflects martlet's character, personality and canonical bullet patterns (we see Alphys' in ut tpe!), there's a genuine feeling of progression in the fight and the act you're given to help with the fight feels more effective - you can still damage her on her turn, so taking a turn to heal act doesn't feel like a waste. The Asriel acts though... They just don't last long enough to feel that worth it? Sure they're okay, but in general, you get a lot less time to breathe. Martlet's fight lets you retry from phase 2 if you die. Sans' in undertale gives you as many turns as you need to heal while he's sparing you. Alphys' fight just feels like it's made to feel un-fun and painful throughout in a way that just isn't worth it, and doesn't really feel like it fits her personality either, y'know? The fight was just a slog and like many others, I had zero motivation to finish it legit. I don't think it helps that the undyne and mettaton fights in this route are fairly easy and simple in comparison.

Tldr: they took away everything that makes alphys endearing, fun and interesting. This isn't alphys at all.

Asgore

A huge chunk of this essay accidentally got deleted, including my first attempt at writing this section. In it, I mentioned that the Asgore apologism went way too far.

This time though, I don't think I'd even call it that. Reflecting on it, it feels less like an attempt to defend him and more like a way to hate on and spite Toriel.

Seriously. So much of his character basically just feels like someone going 'fuck you toriel. I'm giving EVERYTHING to asgore.'

It's... Really weird?

Asgore having a way out of killing humans is an interesting concept! Outertale takes place 500 years in the future compared to undertale, so the idea that they have the resources and technology to do that is kinda cool and in theory, exploring this idea sounds really fun. In practice though, it feels like it was mostly done to make Toriel out to be an asshole for no reason and to laugh at her for ever assuming he would've really killed anyone (despite... Y'know. Telling everyone that's what he was doing.)

He just. Completely moved on from Toriel without a second thought seemingly, and doesn't even look that affected by seeing her turn up again - meanwhile SHE'S got crumpled up tea recipes in the trash and all the Sad Divorced Energy - it doesn't really fit either of them! Toriel wasn't really given a reason to miss him like that, and I think even if he DID fully move on, he'd be way happier to see her than that.

All his leading statements on how she must feel in LV1 pacifist sucked ass also, especially with the way she kinda just agreed that yeah, she feels like shit for not trusting that he'd suddenly do a 180 and not hurt anyone (AGAIN. AFTER HE CONTINUED TO LET EVERYONE BELIEVE THIS) and that she must feel unworthy of being a mother. She hadn't even said half of this in front of him yet! He put words in her mouth! That in itself would be fine (social blunders are pretty normal for asgore after all) but it... Wasn't treated like that. It was handled as if this was a sweet and compassionate thing for him to say which... Yikes.

And ofc he gets to adopt frisk, and monster kid, and get to have Asriel live with him! His fatherhood is never called to question in undertale, but ofc Toriel's motherhood has to be here. Hell, despite their divorced status, if you talk to gerson in tpe it's highly implied frisk asks if asgore would start aging again if he became their dad! Idk, all of this part just reeked of Toriel hate and nothing more. Asgore is just yet another character to get sanded down and de-clawed and it sucks. So much of what makes him interesting is his mistakes and flaws and how they impact him, y'know?

Twinkly

I wanna start this by saying I don't think his writing is too bad. It's not amazing by any means but by outertale standards, he's one of the better written characters. That being said, Flowey is my favourite character of all time so I'm still gonna be critical.

So they did save the goat. Save the goat aus really aren't my thing nowadays - I feel like so often people act like he's a separate person to Flowey entirely and act like the alarm clock app dialogue doesn't exist. Asriel didn't end the story as a doomed tragedy fated to fade away! Flowey ended the story as someone who finally got closure on the loss of his best friend, and can finally learn to move on, even if it takes him a while to adjust. I don't think he needs to be a goat again for that.

That being said, I know these kinda aus are a big wish fulfilment thing for a lot of the fandom that aren't even necessarily something people want to be canon as much as they just wanna explore the idea and see him truly happy, so I won't judge that element too harshly. People are allowed to have fun, and I think save the goat can be fine if it respects him as flowey rather than separating them.

I really like that they allow Asriel to be fucked up and an asshole rather than him soft rebooting into some Sweet Perfect Little Prince once he returns to his old form, like so many other save the goat takes. Even in lv0's ending he struggles to bite back insults and mean comments aimed at Monster Kid which is... Admittedly kinda refreshing! There's definitely some flowey (or I guess in this case, twinkly) behaviour that still comes through here and I'm glad. This carried over to chaotic, too. While his characterisation wasn't perfect, this at least felt like twinkly obtaining a few form and continuing to play with the world, rather than your standard Asriel take. I also really liked that he remembers and acknowledges chaotic if done before pacifist, that was neat and adds to his character (as far as this game goes) I think.

However, onto the biggest, glaring issue I have with him.

Why. Why does he exist.

No, seriously.

In its attempt to make the world perfect, a world that blatantly only exists so the creator could make a save the goat ending, mind, there's no reason for the goat to need to be saved at all. Nor for him to exist after dying back when Chara lived with the dreemurrs.

Asgore isn't killing humans, so the souls don't need to be absorbed by anyone. Frisk can just enter the archive and lend their power to destroy the forcefield themselves, so there's no ultimatum like there is in undertale - there's no implied tradeoff of Frisk's life for the freedom of monsters without twinkly's intervention. In undertale, flowey's messing around opened up an ending that would've otherwise been impossible, something that worked for everyone.

Without him existing at all here, frisk could've broken the barrier just fine. All it really added to pacifist was a couple extra boss fights and asgore being dead for two minutes. And him being saved I guess but again, there's no real story justification for him being here EXCEPT to pat yourself on the back for saving him.

Why was he created? In undertale it's pretty clear - they wanted a vessel to hold all the souls in for now during the true lab experiments. He exists because Alphys selected the first flower to ever grow in the garden and injected it with determination that she extracted from the human souls.

... But all the humans are... Alive and well in outertale? They don't need a vessel to contain their souls. They don't need to extract any determination from anyone. Again, why do they HAVE vials of determination? And why did she inject one into a flower?

AND THAT'S THE OTHER BIG THING. It's established she and sans injected a starling flower for... Whatever reason. SO WHY THE HELL IS TWINKLY A CARTOON STAR?!

This point makes absolutely no sense at all. He looks absolutely nothing like a starling flower nor does he behave like a flower at all, which is confusing if that's what he started as. Honestly, I think it would've made more sense to just keep him as Flowey if they were gonna include him at all, and just have his appearance reflect a starling flower instead of a golden flower.

This applies to his fight too. Mechanically I think it's AWESOME, but the visuals are... Just very very boring. A huge part of why his fight in the original is so good it's the bizarre and chaotic nature of it, the horror elements, and the way so much of flowey's trauma in terms of how he was created and the things he finds scary was put on blast for all to see. The combination of mechanical and organic elements, all the plants and insects... Idk, just going 'hmm he's a star. Let's have him go through a star life cycle' is boring, there's no visual appeal.

If his creation is so vague and wishy washy, this would've been a great opportunity to flesh it out more. How was he created? What kinds of technology and machinery did alphys use to put all this together? How did she (or roman????? unclear) get the determination? What does twinkly remember?

That leads me onto a tangentially related topic - his trauma. I... Don't think this was shown very well. He talks a bit about BEING traumatised from the lab, but telling isn't the same as showing and canon flowey is terrible at hiding it, whereas I'd just as easily believe outertale Asriel made it up for sympathy points. He never really projects, he doesn't force anyone else to experience anything like he did, nothing like that. He's just a cocky asshole who likes killing, and who eventually decides to start being nice.

This game constantly seemed to be speedrunning ways to get him from being twinkly to being Asriel as quickly as possible in almost every single route which... Huh???? It's weird. Would've been nice to let him be a star more rather than just Asriel...

(final amendment bc I lost a huge chunk of this essay originally and had to rewrite it, and I'm realising I didn't manage to fit this in this time... How does a single monster soul let him get his Asriel form again? Sure he's still treated as if soulless and it doesn't make him a good person, but if he was 'so tired of being a star', why hadn't he tried doing this sooner? It makes no sense...)

For a game that exists to give him a good ending, it's so ironic how little he needs to exist at all in this world. Just goes to show what it looks like when you go too far with 'fixing' things or removing stuff you seem 'too problematic' for the sake of being wholesome or whatever.

Chara

Speaking of which... Look I'm just gonna say it. This version of Chara sucks so bad.

Chara is one of my favourite characters - they're really interesting, morally grey, and a fascinating way for undertale as a game to interface with us as players.

They're a child who likely saw the worst of humanity, then found themselves in a home with family who genuinely loved them once they fell down and met the monsters. Their intense saviour complex made them feel like the best way to help their family was to sacrifice their own life to get enough souls to break them free (and once they realised they had control, get payback against the humans while they were at it). They could be mean-spirited and a prankster. They valued efficiency HIGHLY. Their favourite number was nine because it's the limit, the absolute, a way to stop hurting and to stop others hurting.

And by doing geno, you can push this fixation on stats further. Max out all your stats. Gain power. Get stronger. Become invincible. Nobody can hurt any more if the world is gone. And ofc, they stand as the final arbiter of consequences for the player. Your punishment for killing everyone and for pushing them into believing it needs to be completed. Chara both IS is and is separate from us in a way that can't really be fully disentangled and it's really, really cool.

Anyway, enough gushing about undertale Chara. What's outertale Chara in comparison?

... Nothing.

They're nothing.

Outertale Chara narrates occasionally. They're a ghost that follows frisk around, but aren't confined to that, and have been actively wandering the underground since their death. They also still have a SOUL for some reason? This part doesn't really make sense at all.

Other than sacrificing themself and maybe wanting to take out a few humans after Asriel absorbs them, they don't do anything that could be considered bad ever. The most devious thing they ever do is snatch Asriel's diary to leave a silly comment in there when they first arrive at the outpost (sans does this with Toriel's phone in undertale tpe for comparison lmao). Despite what Asriel seems to believe, Chara is completely absent from the chaotic route - never getting corrupted, never caring about our stats, never wanting to hurt anyone, never even trying to make us face any consequences. They're just... Not here. For a character so prevalent in the murder based route of undertale this is fucking wild.

They all but vanish if you so much as say something slightly mean to someone, too! It's strange, makes no sense, and just like with sans, it feels like they overcompensated waaaaaaay too much for the people who insist they're evil. On top of that, if you do chaotic before lv0, they don't even remember chaotic happening! They'd may as well have just been a member of the ghost family who likes following Frisk around when they're especially nice. Like Asgore and alphys, they've been sanded down and de-clawed to be 'wholesome' and 'perfect', and it just results in a bland, boring character who loses anything that made them interesting, nuanced and fun.

'Chara wasn't the greatest person'... Why, though? They don't have enough substance in this game for that line to really have as much impact.

Frisk

I'm gonna be honest - I actually ADORED their frisk at first, and I think that's because I started with a neutral run and ended up drawing them a lot. They felt silly and mischievous and interesting, and this continued into chaotic. They seem pretty chill with what's going on but then take that even further by being hilariously affectionate with Asriel and still doing silly things like being up for picking up the electrodampening fluid or drinking directly out of the fountain. They felt like a funny little mini-kris (save for being okay with all the murder ofc).

Then uhhhhhhh... That's when I experienced the second chaotic ending, the one without Asriel, as well as lv0. I feel like they definitely DID try to lean on the Kris angle on purpose in terms of their feelings on being controlled and stuff but it???? Just doesn't work very well? There's no ambiguity to this version of frisk once you've seen all the routes. Just like EVERYONE ELSE, they're just a perfect little angel who would never do anything wrong and anything past lv0 is just the eeeeeevil player influence or whatever. Come on, we have deltarune for that kinda approach to control 😭 (though even then, Kris is a layered and interesting character who isn't goodness and innocence personalised, and that's why they're cool)

In undertale, we have no idea what frisk is like as a person. WOULD they spare everyone without our influence? Would they kill? Would they be a scared child lashing out in self defense? Would they run from everything, then give up and let themselves die permanently somewhere? We just don't know! We're not supposed to know! It feels like it went back to the very early fandom interpretation where frisk is Good And Sweet and Innocent while Chara is evil incarnate - except this time they're BOTH the former.

It's a contradiction too! Why in the Asriel chaotic route are they so down to follow him, and pet him, and hug him every chance they get if they don't like all the stuff we're making them so? The player has no influence over Twinkly. Every single thing he did, he chose to do, and yet even if the only time frisk has seen him was him destroying their mercy button and forcing them to kill for him, they seem to love him to pieces and go along with whatever he says happily. What.

I feel like they didn't know what to do with Frisk here at all and it shows.

Other characters

This has been ridiculously long, but to quickly go over non-major characters... They did very few things to make Roman seem interesting, the amount of stuff hes implied to have helped Asgore with just reduces even further any influence or impact alphys had, and (a smaller nitpick)... Why didn't he use times new roman as a font when we DID see him speak in the archive/on the signal stars? It's such a missed opportunity...

Burgerpants was fun... Kinda. Developing him like this feels like something that should've happened DURING the actual game rather than before it though because it made him feel like a whole other person entirely? The poisoned food was very funny though.

Why is Snowy now Stardrake when his dad hasn't changed at all and Crystal looks like any other snowdrake? That was bizarre.

I actually really liked the humans! Establishing them as actual characters was really fun, and I especially like justice. Justice, at least in my opinion, is probably the most interesting character in this whole game tbh - someone who tried to do good but ultimately caused more harm than good, while NOT downplaying it, showing the consequences directly, and showing them work to try to make things better. The way we don't grab their item like the others in the twinkly fight nor go through an area for them in the archive (and just talk to them instead) really adds to their intrigue - what are they like? Who did they know? Is there something they don't want us to see? How are they strong enough to not need us to grab their weapon at all to lend their help? I think it's get funny that the only character I'm fully praising is the clover-adjacent one. Justice outertale they could never make me hate you

(that being said... seeing the way this game is clearly just supposed to be a 'fix' for undertale does sour my thoughts on the humans a little. did they only do this bc they thought them NOT being full characters in ut was bad/a problem with it? 🥴 This applies to the additional monster kid story focus too).

Speaking of monster kid... Them being an orphan was clearly just a plot device to give asgore more kids and therefore feel like he won more than Toriel. Monster kid in undertale seems like they probably did have real and loving parents, and they have a sister too!!!! Would've been nice if they'd at least done something with their sister :(

This got... Way longer than I expected, so I'll stop here. But outertale definitely gave me an even bigger appreciation for other ut fangames. My gripes with deltatraveler section 3 feel much smaller in comparison now, if tsus misses the mark on Flowey later down the line they've at least already done most characters so much more justice, and it really puts into perspective all the heart and soul that went into kissy cutie, as well as its genuine love got the source material and characters.

Sorry outertale, you weren't for me. That being said, if anyone disagrees with any of this then that's fine! These are all just my opinions and feelings on it after going through all the routes and talking about it with friends. Media is always gonna resonate with different people in different ways and that's a good thing! If your perspective on any of this is different and if you had way more fun with it, I'm glad you did and I genuinely wish I could've felt the same. I feel like at the very least, making it has probably been a great learning experience for the devs and I really hope they carry on making games and improving their skills. Hope y'all are thriving and having fun regardless 💙

[aw-bean-s]

sometimes I just wish my friends liked me the way other people's seem to

[vaguely-concerned]

the parallels between morrigan and the mage warden (especially one who snitched on jowan and so isn't automatically doomed if they stay in the circle) both being unceremoniously kicked out by their parental figures from the isolated nests they've been cooped up in all their lives and sent flailing out into the real world to test their wings. the love that you can read in between the lines there from irving, and even flemeth -- in both cases this is a cause of action taken partly to save their children (from the circle, from the blight, from the isolation and constriction they would be doomed to otherwise), and in both cases it also opens them up to a world of new dangers. (I wonder if irving knows how many grey warden recruits die right off the bat. from his general character I think he might take that chance even if he knew because otherwise the circle is all but inescapable, but from what he says to amell/surana at the time and how set duncan is to keep that particular detail on the down low I feel more on the side of him not being aware.)

irving at least is encouraging and explains the outlines of what he's thinking even in his hurry to get you out the door, flemeth takes the opportunity to get in a few more stabs of emotional abuse haha. but I think my amell looks at morrigan's shock and partial dismay to be sent away with them so abruptly (and despite everything, the sting of it being so easy to do on her mother's part, emotionally) and feels a sympathetic sinking in her stomach. because yeah she knows that feeling too

[pastafossa]

Hi Pasta!! I have a question 🙃 What do you think Matt and Jane got each other for Christmas? I cant stop thinking about it. They’re so cute 🥹

BEHOLD. Like 1.1k so rest is behind a see more, but this was in my drafts for what their gifts would be. I didn't have time to get the whole scene done with everything, but I figured this would do!

It didn’t take long for Matt to make use of some of his Christmas gifts, and you found yourself standing by the couch less than an hour later, staring down in amusement at the happy, melted puddle that was Matt Murdock beneath the glow of a Christmas tree.

He’d burrowed down into his new hoodie, his eyes closed and his nose tucked down into the velvet-soft alpaca wool that lined the inside—some of the softest wool you’d been able to find, and something you’d searched long and hard for. Wrapped around the rest of him was a rich, red alpaca wool blanket, thick and warm and equally soft. You had a feeling that, under the blanket, he’d likely also slipped into his new fleece-lined sweats and fleecy socks, ninety-five percent of his body now cradled in soothing, warm comfort. 

“So is that a yes on those?” you said softly, relieved now that it was obvious you’d chosen right when it came to this. It had been… a while, since you’d given anything for Christmas, much less given a gift to someone who meant as much to you as Matt did. Soft had seemed a good road to take, and you’d spent ages hunting for something that he’d be able to wear even when his senses ramped up to the point of pain. “Soft enough?”

A quiet sigh, almost a moan, was his response, followed by a glutted “Mhm,” before he lazily lifted his arms out from under the blanket, opening them to you. You quickly took up the invitation, climbing into his lap and letting him wind his arms around you. You dropped your head against his shoulder, reaching over to run your palm across the velvet-soft fabric covering his chest. His reaction was instant, arching up into your hand as he purred and melted further into the couch at the sensation of the fabric sliding on his skin, his head lolling back when you nuzzled in past the collar of the hoodie so you could press your lips gently to his pulse. Briefly, you passed over the new necklace chain he wore, the little braille pendant reading ‘Always Loved’ hidden somewhere beneath the fabric, its color a match for the key around your neck. That, at least, you knew was a success, but the rest...   

“You really do like the clothes, don’t you?” you asked him, relaxing a little, curling your fingers to scratch a little as you ran them up and down his chest. “I had a good feeling on the necklace, but for these… I wasn’t sure.” “Why not?” he asked sleepily, fumbling one hand up until he could slip it up under the back of your shirt, palming the line of your spine like you were stroking his chest. You weren’t surprised; he always tried to reciprocate, or maybe he just... liked having an excuse to touch you back. “These are probably the softest things I own now. They’re perfect. They feel amazing.”  

“I was worried it was too… I don’t know. Impersonal.” You drummed your fingers a little against his chest, tucking your legs up until you were more comfortable. “But you shouldn’t have to wear things that hurt on your bad days, or at all really, so I-I guess I just—”

“The hoodie smells like you,” he murmured, tipping his head to lay it atop yours. You went quiet, still and unmoving as he continued, “I can tell that you wore it for me a little after washing it, and that it made you happy to do it, because your scent’s different when you’re happy and when you love someone. And every time I move, nothing scratches. Nothing hurts. All of these feel soft and gentle, like how you touch me when I’m bleeding, and when I need you most.” His chest expanded and then dipped on a contented sigh, and then he reached up, brushing his thumb over your cheek, his thumb coming away wet. His voice dropped to something even softer, low and tender. “So much of my life is pain, sweetheart. How could the way you touch me, the way you want to take away some of that pain from me, be impersonal?”   

You wound yourself a little tighter around him, hiding your face against his neck as you let out a shaky breath, and he pulled you in tighter with a soothing noise. You’d been so… so terrified you’d fuck this up, that you’d do this wrong after so many years of dodging it, of being alone, of being forced to avoid anything like a holiday, anything like friends or love. The idea that you’d gotten it right on your first try… 

And you weren’t the only one. 

You leaned away from him just far enough to pick up one of the two photo frames on the coffee table where it had been set atop a massive pile of books you’d wanted to read for years, years in which you’d been forced to pass them by, story by story, cover by cover until Matt hunted down those stories and placed them back into your hands. You laid back against his chest again after you’d brushed your fingers fondly over the books, and instead, you focused once more on the photo inside the elegant black frame. 

Foggy had taken it at Josie’s at some point—a candid of you and Matt crammed into a booth, his arm draped around your shoulders as you leaned into him, a bright grin on his face, your head tipped back as you laughed at something he’d said. The warmth in your eyes and his smile was obvious as you stared fondly up at him beneath the dull glow of the bar, at the very same table Foggy had once worked at to ensure your friendship with Matt was mended. There was no disguising what this was. And… 

“I can’t believe I can put this on my desk now,” you whispered, tracing your fingers over the frame. 

And you didn’t… have to disguise it, did you? There was no need to hide, not anymore. You could have his picture on your desk, could hold his hand as he walked you home, could kiss him when he came to see you at your office or you at his or when you were both out in the rain. And he could do the same with the second picture, one destined for his own desk, all so that he could proudly gesture towards it whenever you came up. 

A… a real life. 

He lifted one arm and you sniffled, crawling back around to wrap your arms around him in return, burying your face against his neck as he held you close. Held you here at home—a home for you both, for your tree, for your books, for an actual life, lived fully and completely and wholly for the first time.

“I love you, so much,” he whispered. "Merry Christmas."

“Love you, too. Merry Christmas.”

There was no bigger gift he could give you.  

[lisxdumbr]

The whole "if a person is mad at you it's their responsibility to tell you" thing just made me realize how fucked my situation is. Like just. woah

[i-appear-misssing]

I just had the horrible thought that I need to fall in love because having devastating crushes on beautiful, competent, authoritative women that I desperately want to please is exhausting and I need it to stop

[schroedingerscryptid]

.

[drop--pop--candy]

even BEFORE she took YET ANOTHER FUCKING STEP BACKWARDS and made me go another fucking mile on a compromise where she has moved half an inch. my sister volunteer to put the bags outside for me because getting to the place where we would be storing them is inconvenient at best and dangerous at worst for me (because, yk, disabled.) and that's not even considering the heat which i am extremely intolerant to. and my mother STILL FUCKING INSISTED that i help her with that. SHE LITERALLY OFFERED TO DO IT WHAT THE FUCK ARE YOU ON

[honeysunchild]

It really hurts when it feels like a friend you considered family gives up on you and the relationship

Like, we could have talked about it, we could have found a solution together, we were each others family remember?! But instead you chose to just give up and cut me out

[skrunksthatwunk]

found out that rascal's owner took him again while i was out, and he's probably not gonna be back since the semester's almost over. i don't even know if his owner's coming back next semester, if i'll ever see him again. if he'll ever see me again. why do they wait until im not around to do this? why do they never let me say goodbye to him?

[nadjabear]

I finished Hell's Paradise and while I did like it the ending was just meh but there are some aspects about the ending that make it worse the more I think about it so I just have to shut off my brain