#Some people float by and stay a bit

[baconcolacan]

I just got off work, but I’m feelin really relaxed today, since I got to spend time with family.

Popping back into my tumblr though, I just gotta say, I’m really happy with the little bubble of people I managed to find here. My mutuals are so cool and silly, the people who followed me are really kind even if sometimes you guys can get a lil goofy, this lil internet space I burrowed into is just really really cool =7=

Maybe I’m just being a bit sappy as a carry over from spending time with loved ones, but yknow, I just wanna express some appreciation for the people who floated into my bubble. Thanks for all the fun ^^ I’m glad to have met you here! :D Hope we have more good times to come!

[batsplat]

Is Valentino Rossi the best rider in 1vs1 battles?

ehhhhh *shrugs* I mean. the best ever? like. who knows. the best in the field most years he was competing in the sport? maybe, I guess?

this is one of those questions where I don't really like giving definitive answers but am more interested in how you'd even go about assessing it? like, what metrics are you looking at, what are the criteria, can you put numbers to it or do you have to be super holistic about it or what. I think the 1 vs 1 is already an interesting distinctions, because that is a little different from just talking about wheel to wheel skill. they're related skill sets, but it's not the exact same

so. to bring in an example with a sample set of races I imagine most people reading this are pretty familiar with. let's say we're comparing valentino and marc in direct combat with each other. let's say we put the races where they're fighting one-on-one for basically the entire race in one box, so assen 2015 and catalunya 2016. let's say we have races where one of them is working their way through the field - and it's all building towards the confrontation between the two of them, so say a qatar 2013, a qatar 2014, an argentina 2015. let's say you have a very intense fight that doesn't last the whole race, like sepang 2015, or an extended 'duel' that is basically a defensive ride without any actual overtakes, like silverstone 2015. now, you may have noticed that from this list, valentino... kinda wins a lot of these? not qatar 2014, plus sepang 2015 is in the 'this cost both riders too much to have a winner' camp, but except for that? it's a strong record for valentino. however! the moment you take away the '1 vs 1' qualifier, suddenly the record looks way kinder to marc - you have a catalunya 2014, a phillip island 2015 and a phillip island 2017 go in his favour, while only assen 2017 is a multi-rider dogfight that involves both of them where valentino ends up taking the win. I do think when you're considering 'rivalries' and how a particular dynamic develops over time, it's worth looking specifically at what's happening in extended one-on-one combat and differentiating that from dogfights! because it is a different vibe, because it matters if you're just focused on one guy. but of course both categories still matter in assessing direct combat... even if there are also different skills involved in those different types of fights. valentino, even very late in his career, was still particularly adept at challenging and outsmarting individual riders, and it's a specific format he clearly did thrive in. so. yeah. both of these general categories are indicative of w2w ability, even if they're not quite the same - either in terms of the skills required or in terms of narrative implications

here's another issue. valentino tends to win the race-deciding extended confrontations against marc, but obviously that too isn't entirely reflective of what happened when they met each other on-track. this is because during their time together in the premier class, marc was winning a lot more races than valentino and generally had more pace than valentino, so a lot of on-track confrontations that marc came on top of where typically one-and-done type situations. overtake and move on, overtake and move on. so while you still have a misano 2014 (valentino overtakes marc and marc eventually crashes while attempting to keep up) or a brno 2014 (another valentino overtake where he pulls clear), you then also have laguna 2013 (the corkscrew move is the end of that battle), le mans 2014 (a single overtake around halfway through the race after which marc easily pulls clear), indy 2014 (an early tussle that eventually becomes more marc domination), motegi 2016 (similar, except here valentino ends up crashing), thailand 2018 (valentino can't keep up the pace once marc has gotten past)... like, we get to a place where we're risking penalising marc for 'being very fast' and not sticking around once he's gotten the overtake done, which does also feel wrong? it's an odd balance - because, again, when we're talking Actual Rivalries then it does matter who is winning an extended battle, psychologically if nothing else. like if that's the bit that mattered the most to the outcome of your race, if that's the bit people will remember years to come, if you invested a lot into winning that fight, of course it does matter. but that's narrative, not skill... is this really a good way of assessing how good someone is at 1 vs 1 duels?

I picked the example of that specific rivalry not just because it's the one most people are most familiar with or because I love engaging in discourse about that rivalry - but because I think direct rivalry comparisons are probably the most straightforward way you can approach trying to figure out who is 'better'... and marc clocks in just behind casey as the one who has the most balanced record against valentino w2w. like, biaggi is basically a walkover, and honestly you don't really have that many extended 1 vs 1 duels except for welkom 2004. and for sete, obviously a great rivalry (and I've always believed you don't need a rivalry of equals for it to be good and fun), but also once you get past that sachsenring 2003 turning point then the balance does go out of the window. I've been thinking about this in relation to a longer ask I've ended up massively overthinking (surely not), but I was kinda startled looking back at just how one-sided valentino's record is against jorge. like, unless I'm forgetting some major battles, the most extended scrap you can point to that jorge won is for his very first premier class win at estoril 2008 - and that's also pretty much settled by around halfway/two thirds through the race. but the actual 1 vs 1's that last much of the race? catalunya 2009? sachsenring 2009? motegi 2010? well.... hm. races that build to a battle like sepang 2010 also go in valentino's favour, and even extended tussles like le mans 2011 and phillip island 2014 are more valentino W's. hell, even various short and sweet battles like jerez and indy 2008, misano 2009, motegi 2015, aragon 2016, sachsenring 2018 generally have valentino come out on top - though in this category there's some exceptions, like qatar 2008, indy 2009 and jerez 2010 that all involved jorge besting valentino in a short direct fight

which raises another problem... we do need to in some way acknowledge that valentino simply ends up in more of these fights than most of his rivals - and as a direct result ends up winning more of them. like, once jorge clicked into title winning form in 2010, most of his wins became 'shoot off the line and win way ahead of everyone else with metronomic consistency'. I'm not saying all his race wins were like that! and he did win some great duels in his time in the premier class, especially against marc. but of course, he did that kind of dominating races a hell of a lot more than valentino did - whose approach to winning races was more 'qualify wherever, amble off the line, get moving around halfway through the race and figure things out from there'. now, I discussed this point a little bit here in the context of 'was valentino still successfully mind gaming the other aliens' - but just to bring it back, valentino was deliberately approaching his races in ways geared primarily towards being able to fight his opponents, even to the level of how he set up his bike:

you see this most extremely with something like laguna 2008, where valentino flat out knew he didn't have the outright pace to win - his entire strategy was built around not being the fastest but being able to fuck with casey. in that situation, he's not got the speed, he's building his entire strategy for the win around wheel-to-wheel disruption. and this, plus the regularly mediocre qualifying and starts, does just mean that statistically speaking he's overtaking more riders in his average win than any of the other aliens are. like, if that's your primary metric, then yes! he's clearly very good at w2w! by extension he's also very good at 1 vs 1 duels! if you're looking at riders who have clocked in more than a certain number of wins and do the maths of average overtakes per win, then, yes, I would imagine he tops that metric. does that make him the best? ... well, again... it does feel like you're risking penalising the better qualifiers and starters for being better qualifiers and starters and not ending up in seventh place at the end of every single first lap

so, you've got 'how they measure up against their direct rivals' and 'average numbers of overtakes' as ways to begin considering w2w ability as well as 1 vs 1 track record. then you get into increasingly nebulous waters... here's another potential metric for w2w skill I quite like: efficiency in overtaking. not naming any names, but there are certain riders who, when attempting to work their way through the field, will just. get stuck. even though they have a clear pace advantage over the rider directly in front of them. leading to incredible amounts of faffing about rather than just getting the overtake done. obviously, valentino does like to engage in some faffing about too, but generally speaking he's only doing that when he's in close proximity to the race leader and can realistically get himself to the front of the pack fairly quickly. he's very efficient when he's actually working his way through the field. of course, this is something marc is similarly excellent at, as he has shown plenty of times this year... which. well. this is where we run headfirst into another problem: this sport has changed a lot over the years and some things are simply not at the same difficulty level as they were in past years. so, sticking with those two, which of these is a 'better' comeback? 2006 sachsenring, where valentino starts tenth on the grid after tyre problems in qualifying, at a track he doesn't really love and in serious championship trouble, but works his way to the front before having to fend off the chasing pack that is coming back at him all the way until the chequered flag? or 2024 sachsenring, where marc starts thirteenth on the grid after having been impeded in q1, at his speciality circuit that he's visiting for the first time on a new bike, and works his way up to p2 despite his fractured rib and finger in an era where overtaking is a lot harder than it was in 2006? well, first of all, congrats to both of them, very nicely done. but secondly, that's kind of the problem, right? while I'm sure prime valentino in this era would also regularly be doing that marc/pedro thing where they make the commentators go 'oh ho ho they said overtaking was impossible in motogp these days!!' - at the end of the day his approach involved some built-in faffing about that was also more feasible back in the day. if we're assessing w2w ability, we do need to make some kind of allowance for era - which also affects how often riders are likely to find themselves in 1 vs 1 duels in the first place

here's another plausible metric: last lap battles. this is ALSO something that is super era-dependent. casey in his whole time in the premier class gets involved in like? about four battles that are still going on in the final lap? there's definitely a few I'm forgetting, especially if they weren't for wins/podium places, but it's definitely not a lot. compare and contrast with how the 2017 to 2019 era played out. everything back then was tyre management, tyre management and more tyre management, and dovi in particular was big on the 'eh let's win this race at the slowest possible pace' thing, where everyone crawled around the track as slowly as they could get away with before pulling the pin a few laps before the end. obviously, the characteristics of that era were a) very beneficial to dovi, in that they rewarded both those who knew how to make those specific tyres work (and his decline in 2020 was largely linked to the changes in tyres) and those who were very good at managing last lap duels, but b) inherently were more likely to produce last lap duels than a few other eras. like, in the alien era, which regularly featured gaps of. idk. seven seconds between the front runners, the characteristics of those bikes (as well as those riders) just meant you had very few battles that lasted that long. so inherently, it's harder to judge riders like, say, casey on how good they are in that kind of situation, not least because you are working with such a tiny sample size. and those battles are a big feature of how we remember 1 vs 1 duels!! people love last lap duels!!

now, yes, obviously valentino's record in 1 vs 1 last lap duels is very strong, and there's really only a few he loses over the course of his entire career. dovi is another strong contender in that particular category if we're just limiting ourselves to riders this century (which we are). (unfortunately, those two kinda took turns to be competitive so we didn't really get much of a direct h2h, but off the top of my head I think it's a pleasing 2-2? dovi takes qatar 2008 and le mans 2011, valentino takes qatar 2015 and argentina 2019. I feel like I'm definitely forgetting something.) but again, you do end up in caveat central with this metric. look at marc, who was reliably finding himself in last lap duels specifically at tracks he and/or the honda were quite poor at - again, ragging on that record too much does feel like you're penalising him for managing to get there in the first place. on the other hand, is it really fair to take too much credit away from dovi in handling those situations - surely, at the point where you're arriving in the last lap together, you're at a stage where both riders have a decent chance of winning? on the third hand, it is worth pointing out that dovi is more often than not in the lead going into those last laps, and is fending off a sort of on-the-edge last gasp 'might as well have a go' marc attack. 'last lap battles' is inherently quite a loose term, and how much should who's leading going in be considered a criterion? does it matter if you actually have an overtake or not? does it matter when in the lap the overtake happens? it's obviously quite an arbitrary category... sete makes a mistake headed into the last lap at sachsenring 2005 that gives valentino the lead, while marc makes a mistake on the penultimate lap of catalunya 2016 that essentially ends his victory challenge towards valentino. how do you compare those?

and at a certain point, you need to get away from the headline numbers and start thinking about what it actually means to be good at 1 vs 1 duels. you get into categories like 'race management' - choosing when best to make your attack, balancing risk and reward, not making risky overtake attempts for no good reason when you could just wait for half a minute longer, making sure not to needlessly fuck your tyres while pushing too hard too early. there's ability to actually execute overtakes, which is a question of race craft, creativity, and also about being able to play the opponent. there's various defensive abilities - somebody like pecco exemplifies this, who is both very hard to initially overtake in part due to his ability on his brakes, but is also adept at immediately re-overtaking (a favourite trick of his mentor too, as it happens). to borrow from another sport's terminology, you can contrast 'conversion' and 'steal' rate - if you have the superior underlying pace at crucial stages of the race, are you actually converting that into your maximum achievable result, or conversely if you have inferior pace, can you steal a result your pace doesn't 'merit'? obviously, you get a massive blot in the copy book every time you fail to convert any kind of result by crashing out or by bagging yourself a severe penalty for your race conduct. what about the psychological dimension? your ability to put pressure on another rider, e.g. by showing them a wheel here or there, to force them into a mistake rather than 'just overtaking' them via pure skill? is reputation and intimidation part of your skill set when it comes to wheel to wheel ability? the off-track 'work' you're doing on the opponent, and the prior weight of their expectations for this fight... your ability to study and analyse riders to pinpoint where they are at their strongest and weakest, while also figuring out where they're going to expect an attack and where they won't - maybe even sucker them into thinking it will come from somewhere differently than it actually does... on sheer weight of his track record, you'd have to say valentino is pretty much peerless in some of these categories. and, yes, some of these skills are weighted quite clearly towards the '1 vs 1' element over the 'multi-rider dogfight' element of w2w skills. they're more about terrorising a specific rival than thriving in the chaos

so. what does all of this mean. what's the actual answer. is valentino the best at 1 vs 1 duels. well. who knows. even if we're ignoring the historical dimension and limiting ourselves just to this century, there's too many confounding factors - from different racing eras within that time span to different individual approaches to racing - to allow us to truly evaluate who the 'best' is. I think the cleanest way to summarise it is... from the great riders this century, valentino is the one who most depends on his 1 vs 1 skills (and w2w skills more broadly). that's his unique selling point in a way you wouldn't say it is for any of the others... the guy who gets closest is dovi - but I still reckon his biggest skill is his tyre management and that was the most important differentiating factor that made him so competitive in 2017-19. his ability to scrap w2w comes second (and is absolutely a constant throughout his career), but really that's the bit that allows him to take advantage of the tyre whispering skills... it lets him finish the job, if you will. whereas with valentino, his brains and cunning broadly speaking and his w2w more specifically - and especially the 1 vs 1 stuff - is like, his x factor. I mean... obviously he's also good at the other things - I called him a mid qualifier but of course it's worth remembering he has 55 career pole positions in the premier class, more than jorge or casey or dani. this is primarily a function of his longevity and all of them are definitely better qualifiers than him, but like. of course he's not slow. it's just that relatively speaking, when compared to the other aliens, he's the one who is winning the least via his actual raw pace. here's one metric for that: in valentino's seven premier class title campaigns, he only has the highest average grid position in only three (and during his super dominant 2002 season, it's joint with biaggi). in three of those title-winning seasons, he's the second best qualifier on average, and in one of them he's only third best. the only other seasons this century where the best qualifier on average doesn't win the title are 2015 (marc just beats jorge, valentino is quite a distant third), 2020 (joan mir icon winning a title with an average grid position of NINE POINT FIVE SEVEN lmaoooooo, only seventh best on the grid), 2022 (fabio is a little ahead of martin and then pecco) and... that's it

which kinda means that... can you say valentino's objectively better at 1 vs 1 battles than the other aliens? well, no. I mean, sure, I do feel fairly happy to say he's better than jorge and especially dani, more *wiggles hand* about casey and marc - because with those two there's enough confounding factors in comparing them to valentino and they've also challenged valentino often enough directly that you can make the alternative case. in the end you do kinda go... well, it's very much a 'all these guys were at their best in very different versions of motogp' thing. what you can say is that for valentino, 1 vs 1 prowess is a bigger part of his game than it is for his fellow aliens. his route to victory both on an individual race level and on a title fight level is built around engaging in a lot of these fights and winning them - and, given how successful he's been, of course you do have to conclude that bit of his game is clearly operating on a high level. so when you compare that to both casey and marc, those two really do have other bits of their games that are more important to their success. fewer of their race victories percentage-wise have been won through 1 vs 1 duels. casey is dominating enough races from the front he's not even doing all that much w2w tussling. marc might be losing plenty of these close duels, but he's relentlessly at the front enough that this consistency is what's giving him titles as much as anything else. whereas valentino's entire approach is tailored towards finding himself in those kinds of direct scraps, winning said scraps, and then using those scraps as a way to demoralise the opposition... unsurprisingly, he's got the biggest sample size of that style of battle and has a very high success rate. who knows if he's the best, but he is the most dependent on that specific skill. and he sure has had a lot of practise at those duels, which I imagine will have gotten him just a little closer to being perfect

[keeps-ache]

ah yiss. the golden garbage premium pass (free!)

[alltimefail]

ATTENTION DEAD BOYS FANDOM:

We have some unfinished business and a case to solve: The Case of the Curious Cancellation! 💀🔎

Here are the ways you can help (be sure to read until the end).

I'm not sure how many people here on Tumblr are also over on DBDA Twitter, but there have been MANY developments in the last 24 hours and it's important for all of us to be on the same page if we're going to have a chance in hell of saving our show.

First and foremost, we need to get Dead Boy Detectives in the Netflix Top 10 again. This means running it as much as possible. Read about that below:

(SOURCE x)

As the graphic says, the goal is to have it running on a loop constantly, as much as you physically can. Be sure to have some level of volume on or else it won't count. If you're on Twitter be sure to post your rewatch (photos of your tv, commentary, etc.) with the hashtag #ReviveDeadBoyDetectives !!!

Also, there's no better time to do this: the Tweet below brings up a great point! 👍

(SOURCE x)

Second, and easiest thing: KEEP TALKING ABOUT THE SHOW AND CREATING CONTENT ABOUT THE SHOW. Analysis, fics, fanart, shitposts, gif sets, memes, tik tok videos, so on - do not stop! Reblog other people's stuff and talk about it! Give fics kudos, comment, make fic rec lists and post that WIP or sketch! The most important thing to remember is to TAG YOUR POSTS AND CREATIONS. We need to trend!!! On Tumblr make sure you continue tagging your posts as you probably already are (look at my tags on this post if you need help, and remember not to use "DBD" on here because that is another fandom! We use DBDA here). On Twitter you want to use the hashtag #ReviveDeadBoyDetectives for the rewatch and #SaveDeadBoyDetectives is a popular one, too. You can also use #DeadBoyDetectives. Hell, I usually use all three if I can! Hashtag every post you make about Dead Boys, no matter how annoying or "cringe" you may feel. Flood the fucking tag and do not stop.

Third, everyone needs to sign and keep circulating the petition. We've surpassed 5,000 signatures in a day which is fantastic, but we need more. Get everyone you know to sign it; tell them it takes no more than 15 seconds. Be annoying until they do it just to shut you up.

Fourth, request "Dead Boy Detectives Season 2" through Netflix's support website. It's a small thing but if we all do this a couple times a day it will get their attention. They really do vet these suggestions, and an influx of requests for a canceled show will raise eyebrows.

Lastly, if you decide to write Netflix (via email or a letter - their office address has been floating around) please remember to stay concise and professional. Don't curse at them, don't call names. State that you are disappointed with the cancellation of the show, maybe add an anecdote about what it meant to you, and I would even recommend attaching some articles that emphasize people's displeasure with the platform abandoning shows on a whim and Netflix's flippant attitude toward queer shows in particular. Dead Boy Detective Agency on Twitter has retweeted every article on this topic so far, you can find their page here.

You can also use graphics such as the ones below to affirm that the cancellation was unjust.

(Source 1, Source 2)

I know this feels like a lot: know your limits and take care of yourself. Whether you do every single one of these things or just a few of these things, every llittle bit helps!

Even in the worst case scenario where nothing changes, this gesture will mean so much to everyone who made this show. We owe it to the writers, cast, crew, and each other to TRY. We can all agree that this show deserves at least another season and if Netflix isn't going to do it, they need to be open to selling it to someone who will. We cannot keep allowing them to axe these queer and diverse shows with little regard for their customers and their employees, but also because it sets a harmful standard in the industry that is destroying television.

Let's crack this case and bring our agency back! I truly believe in this community!! 💜 We can do this!!

If there are any spelling errors or issues with links let me know! I did this on mobile because I want to mobilize this information as quickly as possible! I'll be adding on to this with new developments and can answer any questions you all might have. Lets save our show!

[rhys-writes-some-shit]

Cuddles

Alastor x Reader (QP)

You were always respectful of the fact that Alastor didn't like physical touch that he didn't initiate. You never asked why, never tried to force him otherwise, never even considered trying to touch him without his consent. This remained true for all the years you'd known him.

But sometimes it got really fucking difficult.

After a long day of work, then chores, then helping with the hotel, you were absolutely exhausted. And you still had dinner to look forward to. As much as you loved Al, his need for dinner formality really got on your nerves sometimes. At least the food was good.

Luckily, there was a little time where you could escape to your room. Closing the door behind you, you kicked off your shoes and dramatically collapsed onto the bed. As soon as your body hit the mattress, you wanted to stay there for the rest of eternity.

But that wasn't an option.

Groaning, you decided it wouldn't hurt to close your eyes for a moment. Besides, Alastor would want you to be lucid for dinner. Closing your eyes for a second would help.

"Ah, there you are." Distantly, you heard Alastor poke his head in the room. "I would like your input on supper, if you don't mind."

Unable to muster words, you made some unintelligible noises into the bed, curling up more with the blankets. Alastor's footsteps were muffled by the carpet, so you didn't know he was standing right next to you until he spoke.

"Seriously, darling, it is much too early to be sleeping. Don't be so dramatic."

A hand fell on your shoulder, probably to try and take the blankets off you. However, in your half-awake stupor, you shifted to grab the hand, pulling it towards you in an effort to pull some comfort out of it.

Your brain didn't compute what you'd just done for a full 30 seconds, until, suddenly, it hit you. Despite your exhaustion, you immediately let go of Alastor's hand and jerked to a sitting position.

"Al, I'm so, so sorry," you said, your voice sounding more tired than anything else. You ignored the way your eyes kept trying to close, Alastor's figure being nothing more than a red blur in front of you. "I didn't mean to. Give me a minute, I'll be down to help."

Alastor hummed, the contemplative hum you've learned to differentiate over time. Vaguely, you were aware that Alastor's smile softened a bit.

"I can spare ten minutes," Alastor finally said. "Move over, if you please."

You stared at him, blinking tiredly, struggling to understand what was happening.

Expectantly, Alastor motioned to the bed. "Nine minutes and thirty-five seconds."

Then it kicked in. Hastily, you moved over to the other side of them bed, giving enough room for Alastor to sit down with his back against the headboard.

Blankets curled around your shoulders, you sat there, hesitating.

"You may." Alastor answered the unspoken question. "For eight minutes and fifty-two seconds."

It was impossible to deny the smile that grew on your face as you crawled into Alastor's lap, resting your head on his chest and closing your eyes. Gently, Alastor wrapped his arms around you, holding you.

Wrapped in blankets, leaning into Alastor's solid body, the darkness behind your eyelids enveloped you. It felt like you were floating, just your and Alastor, and nothing could ever harm you ever again. As long as you kept your breathing steady, everything would be okay.

Everything would be okay.

You were right; just closing your eyes for a few minutes helped immensely. It was even better that it was spent with one of your favorite people in all of Hell. And if Alastor "accidentally" forgot to keep track of the time, extending your cuddle for an extra two minutes, you weren't going to say anything.

[hugsandchaos]

One of the worst offenses was committed today. At least, in the eyes of some, if not many, of the residents of Amity Park. It was no secret that Phantom liked his privacy and avoided people, aside from the rare sighting of him or him even approaching people. The citizens obviously respected that decision, especially since he was the one protecting them.

One day, he was seen at a park sitting at the edge of the forest, focused on something in his lap. No one approached, but many people could swear that it was ice. Several open books and printed pictures lay nearby, which he’d glance at, then back at the ice. Over the course of four and a half hours, Phantom worked on it, carefully carving and adjusting while adding more parts. People who passed by or stayed a while began to realize what he was doing.

He was making the solar system! Out of ghost ice! He was including the moons of every planet, not just Earth’s moon, which took quite a bit when he moved onto Jupiter. The ice floated in place as he worked. It grew a little bigger until it was finally finished. Phantom smiled, proud of his project, until the worst thing happened.

A person visiting from out of town jumped out with a camera to get a picture of Phantom, startling him into dropping it. When he realized it, he stared at the ice shards now scattered across the ground. He looked utterly destroyed. What followed after was something akin to a riot. People got up and stormed to the stranger, and their relative scolded them. They snatched the camera and quickly deleted the pictures, but Phantom was unresponsive. He just stared at the ice shards distraught.

The Fentons were crazy, sure, but right then and there, people remembered about obsessions, about how several ghosts need to partake in some activity revolving around their obsession for their health. Perhaps they could’ve gotten that right, and space was Phantom’s obsession? Before anyone could try to help or offer comfort, he vanished. And so did the ice.

[emacrow]

Jazz always wanted a little brother.

Her best friend's mommy having a baby brother in her tummy, but right now they were at gotham, mom was meeting with some important people while she stay safe in the car with dad sleeping in the front passenger seat.

When she asked her mom and dad for a baby brother earlier that same week, mom had to explained that her tummy was broken after she had her because she was a very special miracle baby because they tried so hard to have her.

Jazz understood but at the same time, she wanted- no she need a baby brother, maybe one with dad's hair and mom's eyes, or maybe one with hair like hair and dad's eyes.

And she was determined, as she snuck out of the fentomobile car, sneaking inside beside the scary ninjas guards that were temporarily distracted.

She was very good at sneaking around thanks to mom training her to stay quiet and hide better then a ghost.

There was pools of ectoplasmic but much dirtier and less cleaner then the stuff mom and dad work with. Container and chambers full of them.

She saw doctor walking out of one room and snuck in before the the door close on her. There was another ectoplasmic container that had babies in them..

One sleeping upside down and the other upside up. The one of the bottom was sleeping but the older has his eyes open, revealing pretty blue eyes like dad's eyes.

She chewed on her bottom lip a bit and weigh her short limited choices as nodding.

She close her eyes, focusing as she quickly started to float a bit wobbly, sticking her small hands onto the glass ectoplasmic ball using her secret powers that she had learned without mom and dad noticing.

Her invisible hand grabbed the baby slowly, making it invisible as she pulled it out of the ectoplasmic ball.

The baby was very small and light then a feather while covered in wet ectoplasm goop.. the baby cough a bit, dripping ectoplasm out his mouth, squirming a bit as he was about to male a fuzz but quiet down as she held him close into her warm fuzzy jacket.

She snuck back out of the room and quickly out of the place all the way back into fentonmobile..

Covering the baby with her Einstein beat designed blanket, cleaning the baby up like she would with her baby dolls, and she open the empty toy baby bottle and open her mini almond milk jug, then pour the milk in and close it, after remembering to cut a little open hole on the tip of the hard plastic nibble part.

Scooting over to the baby, and carefully picking him up and helding him close onto her lap like she seen the mommy do on TV as she press the toy baby bottle again the baby's mouth.

It would be 1 hour later before mom came back looking excited then 2 hours later after they left gotham before a soft baby wail woke her dad from the backseat of the fenton car where jazz was.

Jazz was pink in the face as she was trying to hide the baby but she couldn't stop him from crying.

It would 20 minutes of jazz lying straight to her parents's faces on where she found the baby, and it would forever be her only best lie she ever told that convinced them to adopt the baby boy that was now named danny..

Meanwhile back at league of Assassin headquarters. The head scientist has noticed that the first unborn twin baby has been removed early then schedule, probably due to natural condition of death since the first one has a much weaker pulse compared to the second unborn baby which Talia had name Damian later.

The leading scientist check off the existence of the supposed first born who went without a name on the data base...

Unknownly to both parties, Jazz was very happy to have a little brother of her own now, even if his eyes flashes green a bit from time to time.

[sixosix]

SLEIGHT OF HAND | LYNEY

summary you will not let lyney get to you. unfortunately, lyney already got to you the moment you met eyes. after all, what is a magician if not an expert in stealing hearts?

or, local sumeru architect goes to fontaine looking for inspiration and comes out of it with three rainbow roses and a crushing magician.

warnings 13+, gn!reader, follows the fontaine archon quest, so there are major spoilers throughout the entire fic! MURDER (lyney trial spoilers) + feminine french pet names ough + bff!Aether loml + sweet talker lyney + KISS SCENE (suggestive)

notes 8K words. thank u to my french bff art @aanobrain who said lyney is a magician he would say mon lapin 🤧❤️ + other various french pet names. thank u to ellie hyomagiri & earthtooz too for hyping this up, my supporters…

“500,000!?”

Sumeru streets are always bustling with its people—from children skipping around the neighborhood to frantic scholars who zip back and forth before returning to their homes when the moon is high. However, the sun is beating down on everyone right now: street vendors are making a profit, dogs are barking as they play fetch with laughing children, and you stand across the blond traveler and his floating companion.

You wince at the volume of Paimon’s shrill voice, inciting bypassers to send miffed glances your way. Embarrassed, you cover the side of your face with a hand, whispering, “Is—is that not enough? I can—”

“No, no, it’s not that!” Paimon’s arms flail around, eyes blown comically wide. “It’s just, you know, more than what we earn from our daily commissions combined!”

“Oh, I see.” you nod, relieved. “Well, I can lower—”

“No, no, no, no,” Paimon interjects hurriedly, and even the traveler shakes his head. “Pleasure to do business with you! Paimon and Aether, at your service!”

“Really?” you can’t believe your luck—the traveler himself agreed to escort you to Fontaine! Or does it count if Paimon agrees on his behalf? “That's a relief. Even Katheryne of the guild had a strange expression when I posted my commission.”

“It’s probably because of the amount of zeroes you might’ve accidentally put,” Paimon murmurs.

Aether tugs on her foot as if warning her. “We'll be leaving soon. Are you prepared?”

“Oh, yes. My stuff’s over there by the bench, you see?”

Aether and Paimon’s faces simultaneously fall. “All of that?” Paimon starts counting it, gaping when she has four little fingers held up.

They sure complain a lot. “You can still back out.”

Aether takes a deep breath, making his way over to your luggage. When he brushes past, you hear him chanting 500,000; 500,000; 500,000 under his breath. He wordlessly carries all of them, his chest puffed and expression grave.

“They’re heavier than I thought,” Aether wheezes out as Paimon flits worriedly around him. “How long are you going to be staying in Fontaine?”

“Oh, just a day or two, maybe,” you say, taking pity and taking one bag from him. “Most of what’s inside are art supplies.”

“Ah,” Aether says.

“500,000,” Paimon reminds him.

“We’re close,” Paimon says, flying back to where you and Aether are still walking behind, him heaving and you offering water now and then. “I saw a huge ravine-looking view! It was like a city on a waterfall!”

“R-Really?” Aether puffs out a breath, sweat rolling off his temple.

You tried prying some of your bags away from him when it seemed like there were monsters up ahead, but he refused instead to fight them with one hand on his sword. He still won. You guessed that he was trying to make traveling easier for you, yet all you felt was immense worry.

“Are you feeling okay, Y/N?” Paimon asks, floating beside you. “You look unwell.” You should ask your companion that, instead.

“I’m a bit nervous. After all, it’s my first time traveling outside of Sumeru.” You smile, patting her head. She doesn’t seem to mind, beaming back. “But I need to get out of my comfort zone to be better, right?”

“That's right! Paimon has a feeling you’ll enjoy Fontaine!” You and Paimon glance at Aether when he heaves a heavy breath, yet he only waves the pair of you off with his free hand. “Before you know it, you’ll be itching to travel again once you’re back in Sumeru.”

“I'm only there for work. I just need to learn a lot, and then I'll enjoy it.”

“Still a student through and through, huh…”

“I can see it,” Aether chimes in, looking all too relieved to rest his arm finally. “I can see Fontaine up ahead.”

You feel the cool breeze brush against your face, a refreshing change from the past hours you and the other two have been trudging through the desert. You could strip off layers and dive if you could. You can make out the harbor even miles away, pouring water out like an endless waterfall stretching for miles.

Arriving in Fontaine is introducing yourself to the rustle of layered skirts, the water-kissed smell, and citizens left and right babbling about tragic endings and thrilling climaxes.

Aether sets your bags on the floor with a heavy exhale. Paimon feeds him with another jug of water.

“I guess we’re here now.” You pull out a heavy pouch you’ve been keeping in one of the bags Aether had been holding over his shoulder. Paimon takes it with greedy, greedy hands. “Thank you for keeping me safe and carrying my luggage, Traveler— are you even listening to me?”

“There’s a girl over there,” Aether says, now staring ahead.

You and Paimon turn to look; sure enough, someone is standing by the edge, looking forlornly over the water. Half of her foot is off the platform, making Paimon fidget.

She gasps. “She isn’t going to jump into the water, is she? Maybe we should go check on her…”

Halfway through Paimon’s sentence, you gathered the courage to speak to the girl with the cat ears.

“Hey, miss.” Her ear twitches. “Is something the matter?”

She turns, looking faintly surprised. If you weren’t so close to her, you wouldn’t have been able to tell there was a change in her expression. “I'm fine. thank you.”

“Oh.” Now things are a little awkward. “Is there something in the water you’re looking at? You might slip if you keep tipping forward.”

She peers below, unworried—silent.

“As long as you’re okay, I guess,” you sigh, awkwardly hovering above her shoulder when realizing it might come off strange if you touch her. “I’ll leave you be.”

Her lips twitch, something close to a smile. You don’t stick long enough to admire it, heading back to Aether and Paimon and shrugging at their inquisitive looks. “She says she’s fine.”

“I think it’s time for me to separate,” you say. “I want to take all of it in as much as possible. Paimon has my payment. Thank you both so much for keeping me safe.” Mostly Aether, though. But Paimon was there, emotionally.

“It’s no problem,” Aether says, his smile warmer than when you first met him. “Stay safe out there. You can look for us if you need anything else.”

“I don’t always pay 500,000 for each of my commissions.”

Paimon wilts. Aether flushes, stammering, “Not what I meant.” You laugh heartily as they wave when you walk off to the aquabus, hopefully, prepared for what Fontaine will give you.

Your sketchbook is a page away from completion when you hear about a magic show at the Opera House. Not that it was hard to miss—everyone and their grandmothers were prattling about nothing else but the entire day.

Fontaine is known for its love for dramatics, but the twins they keep mentioning must be a one-of-a-kind spectacle to have half their region’s population speak about them so reverently.

After wandering for hours, taking in the endless sights of fresh water streaming and grand castle-like modern buildings, you find yourself in the Fountain of Lucine. You’ve heard of Fontaine being somewhat titled the ‘City of Love,’ but seeing couples surrounding each nook and cranny of the tourist spots was still astonishing.

(You console yourself by thinking that there’s something romantic in sketching frantically while the rest of the crowd are sucking faces.)

To your luck, you spot three familiar heads in the fountain plaza.

Aether senses you before you can even say anything, glancing to the side and smiling when you wave at him.

Paimon flutters excitedly. “Y/N! We didn’t think we’d see you again this early. You look like you’re glowing.”

“Was it that obvious?” you laugh sheepishly. “Fontaine is beautiful; I couldn’t even stick too long in one place before I see something else that catches my attention.” You look to the girl you met earlier, who nods politely. “Hello. Are you three acquainted now?”

“Mhm!” Paimon says, hands on her hips. “This is Lynette! She’s inviting us to the show they’re holding here!” She gasps, “Speaking of—”

“Ah,” Lynette says quietly, “I couldn’t get an extra ticket. I’m sorry.”

Lynette is the magician you keep hearing about? With her seemingly reserved personality, you wouldn’t have guessed it. “Oh, no, it’s fine. I wouldn’t want to impose.”

“Paimon,” Aether speaks up. “They gave you your ticket, right? Why don’t you just float next to me or sit on my lap?”

Paimon’s eyes sparkle. “Great idea! That way, I can give my seat to Y/N, right?”

“You guys…” Your chest feels warm as Aether hands you one of the two tickets in his hand. “You really didn’t have to.” Is this what 500,00 gets you? The loyal companionship of Aether and Paimon?

“It’s a good idea,” Lynette says. “My brother wouldn’t want you to miss the show. He’d be devastated.”

“If you insist, then I suppose I can’t refuse.” Aether and Paimon do a cute little cheer. “But I need to return to the hotel; I can’t be watching a magic show carrying all these.” Surely Aether can understand.

Later, with your hands finally empty and charcoal-free, you rush back to the Opera Epiclese, the person standing guard kind enough to open the doors despite being a minute late.

“Welcome, one and all, to the Opera Epiclese!” The audience roars with cheers as the spotlight illuminates a figure on the center of the stage. You hurry to your seats, brushing past Aether and Paimon. “I am the star of today’s show, Lyney.”

Lyney bows, then stands upright with a Cheshire cat grin.

The thunder of the crowd’s applause is deafening. If you weren’t able to see it, you’d think that you hadn’t been clapping at all—senses numbed and your fixed stare all on the boy on the stage.

Your eyes catch on the small braid on the side of his head before the gleam of his eyes hypnotizes you.

He’s handsome, you think dizzily at the back of your head.

“Don’t blink,” he says, his voice lower as if meant to be a whisper, “or else you might miss it.”

The show proceeds. A dove soars away from inside as he flips his hat; you flush at hearing the soft laughter that slips from him after. The cards that materialize out of nowhere descend to the floor. His fingers shuffle the cards while talking to keep the audience satiated; they fly off his hands, yet he doesn’t lose focus, stretching them mid-air with a sleight of hand. They fall apart and come together neatly and precisely.

His stage presence is demanding. It would be as if Lady Furina herself would accuse you of committing a crime if you were to look away for even a second.

Then, when he scans the crowd, busy twirling his cards in his fingers, his gaze catches your awed ones.

Something in the air shifts. Or maybe it’s that it slows.

A card slips from his grasp. A mistake. He blinks and breaks eye contact, laughing heartily to play it off. But you don’t believe it—not when you swore your limbs locked in place as well when lilac drilled into your soul.

You breathe, hands bracing against your chest. What was that?

You would’ve played it off as something you imagined if not for Lyney continuing to glance at you occasionally. His slip-up had been forgotten, as though it was all part of the show.

(Is it also part of the show when it seems he’s unable to tear his eyes off of you?)

Of course, the twins prove their worth. They showed you exactly why the people of Fontaine adore watching them through theatrical magic, cards in their sleeves, and defying logic.

You’ve shuffled to the edge of your seat as Lynette disperses into bubbles and comes back alive. You’ve held your breath as Lyney emerges from the box across he was in a moment earlier.

You’ve also been witness to the murder of Cowell.

CRASH.

The shatter of glass resounded along with the horrified gasps of the audience. Sickeningly enough, you could almost hear the crack of bones if you hadn’t been crying out in alarm. Yet, as they gape and shriek over the sight of a limp arm popping out, you find your gaze tracing back to Lyney, who stands motionless in front of the box.

When Lady Furina points fingers and has everyone siding against him, the guards escort the audience from the Opera House. All evidence presented left Lyney in a spotlight unlike his performance: with a disgusted and unamused crowd. Even you have to agree that it isn’t looking well for his case at all.

Yet all you can think of as you leave the room is that Lyney looked as terrified as everyone else was—much too raw of an expression for someone to accuse him of anything at all. He looked young and scared.

(His hands were shaking.)

The rest of your Fontaine trip is admittedly duller when you’re a little more familiar with its city and don’t have a yapping little fairy and a capable Traveler by your side. It’s hard not to hear chatter about the events that went down: Lyney’s trial, Aether volunteering to be his lawyer, and the truth behind the real murderer.

It solved a case beyond the murder of Cowell. Fontaine sure has its mysteries, and the crowd sure loves them as they would a magic show.

You keep your hands busy. Last night, you found yourself thinking back to the magic show, to deft fingers weaving through cards, to violet eyes that kept on flickering to you. By the time you snap back to reality, you’ve subconsciously drawn shapes and lines that suspiciously look like the magician himself: the curve of a smile, piercing eyes, and you entranced by it all.

Flustered, you crumple his face staring back at you out of sight. Yet you can’t bring yourself to throw it away.

You shove the last bit of garlic baguette in your mouth to furiously bat these unwanted thoughts away.

“Isn’t that Y/N?” Paimon’s voice is unmistakable, a short distance off.

You jump out of your skin, spinning to see Aether and Paimon waving and walking over to you. You thought they'd already left Fontaine after that; you wouldn’t blame them if they did.

“Y/N! We haven’t seen you since the Opera House performance,” Paimon exclaims, twirling around your head like a thrilled fly circling a trash can.

You hold onto her back, hoping she’ll stop making you dizzy. “We were escorted out before I could say goodbye. I couldn’t watch the court trial but heard it all turned out fine.”

“That’s right!” Paimon nods proudly. “Paimon helped a ton during it; you should’ve seen it! What have you been doing?”

“I found a fellow architect while visiting the cafe nearby, and we chatted for hours,” you say, remembering that your voice is hoarse for that reason. You also don’t tell them you couldn’t get a certain magician off your mind. “I learned a lot. I don’t regret coming here one bit.”

Paimon says something else that you’re sure you’ve nodded absentmindedly at while your gaze wanders over to the two familiar people a few feet behind, watching you three with cat-like eyes—and it’s not just because of Lynette’s unique features.

“Those are the magicians, right?” you gesture behind Paimon and Aether as if you haven’t already familiarized yourself with their faces.

Paimon nods. “Uh-huh. You should introduce yourself! They look like they want to talk.”

Something about that feels foreboding. “Um, no, it’s fine. I don’t want to be rude and interrupt your conversation.”

“No,” Aether says firmly. He seldom speaks; you might as well play along if he says so. “Besides, Paimon is right. Lyney wants to talk to you, you know?”

“Oh, yeah! He kept mentioning seeing someone sitting beside us! And it couldn’t have been Neuvillette because he said it was an unfamiliar beauty that bewitched this weak magician’s heart.” Paimon nods, even recalling how he’s enunciated each syllable theatrically.

“I’m sorry?” you blurt. “Lyney recognizes me? What did I do?”

“Paimon thinks it’s because Lyney is curious about who Lynette met! He was like that with us, too.” Paimon changes her pitch to match Lyney’s. “Are these your friends, Lynette?”

Aether’s eyes feel like they know something you don’t. “It won’t hurt to strike up a conversation with Lyney. He’s been shaken up since the trial.”

There’s something unspoken hidden in his words. “What does that mean?”

Paimon doesn’t wait for an answer, grabbing you by the arm and dragging you to where the twins are waiting. Aether chuckles as he jogs behind.

“Paimon, Aether,” Lyney says, almost sly, “You haven’t introduced us to your friend here.”

“Paimon can do it!” She floats on top of your head and does a bit of jazz hands. “This is Y/N, the one who commissioned us to escort them from Sumeru up to Fontaine.”

“Generously,” Aether adds.

It’s a little embarrassing to have the legendary Traveler and Paimon introduce little old you to a famous magician such as himself, but his grin is still excited.

“From Sumeru?” Lyney repeats, smiling wider when you nod—as if that crumb of attention is enough for him. “I see.”

He performs a bow around the same height as where your hands rest; he takes one, kisses the back of your palm, and smiles against your skin. “I’m Lyney, and she is my sister, Lynette.”

“It’s nice to see you again.” You smile at Lynette, who nods in return. Lyney straightens to look at his sister.

“We met when the Traveler and Paimon just arrived at the harbor,” Lynette sighs even without looking at her brother.

“It’s a pleasure to meet you,” you say, meeting Lyney’s eyes. The spot where he kissed is still warm—tingling. “Your show was incredible, despite what happened. I’m glad that the truth revealed itself.”

“Thank you.” Lyney’s gaze sharpens. “I saw you at the performance, yes. I was worried for a second you might steal the show if you were to come up on stage.”

You blink. “Are you saying—”

Lyney grins, “I apologize that the night had to end that way; it must’ve been horrifying. Say, what if I give you a little show right now to make it up to you?” Did he make it up to each one of his audience, too?

This is not a man acting “shaken up,” as Aether put it.

“You really don’t have to.” You glance at Aether and Paimon, silently asking for help; however, they’re too far gone, urging you to say yes with gestures and encouraging nods.

Lyney tilts his head, demanding your attention on him once more.

You sigh. “I would love to see it if you don’t mind.”

“Of course!” Lyney looks like he’s the sun bursting personified. “It would be a pleasure, ma chérie. Not to worry, it’s nothing life-threatening. I just need you to focus on me.”

Not that it’s hard. The others have become a dull buzz in your mind as Lyney holds your gaze. “Okay.”

Lyney smiles, much softer, satisfied. “Good. Now,” he tips his hat, “recently, I’ve received a little lesson from someone about the language of flowers. Are you familiar with them?”

“Not in Fontaine, no,” you mumble, watching his hands closely. You were expecting a rabbit to hop out of that hat any second now.

“Shame. But I suppose I wouldn’t want to spoil the fun.” Lyney snaps his finger, then deposits his hand inside his hat. “Hmm… Oh? Something’s not quite right. Would you mind looking into this hat for me to see if the flower is here?”

You hesitate. The hat is so close to him.

Swallowing, you nod, leaning in to inspect his hat at a careful pace. All you can sense is the faint scent of heat Lyney is emanating, the breath you two share, and the pounding of your chest. You swear you could also hear his, matching yours.

“The hat’s empty.”

Lyney smiles wider. “Yes, perhaps because you already have it.”

You jump back in surprise, your hands patting your body to see where he could have snuck the flower in. With your frantic movement, the flower falls off from what seems to have come from your head—Lyney catches it.

His mouth carves into a smirk, leaning to invade your personal space, his free hand coming up to tuck hair behind your ear. “Careful.”

Your face is burning. Plucking the flower out, the delicate and tender pink sears into your palm. “What does this flower mean?”

“What does it, I wonder?” Lyney whispers thoughtfully. “I suppose you’ll have to tell me once you find out.”

And when he inclines backward, it feels like you can breathe again. Time flows normally, and the people passing by seem much louder than before—as though you’ve surfaced from underwater.

Lyney clears his throat. “Shame I haven’t prepared myself a grand show for you, but I suppose that would call for another time, wouldn’t it?”

Lynette is looking at Lyney as if he is stupidly amusing.

“Thank you,” you say, burning, burning. “For the show, I mean.”

“That was a little weird,” Paimon whispers to Aether, but she is terrible with keeping volume and has everyone turning to her with varying expressions. “P-Paimon means that was good! Wow, Lyney! Isn’t that a different flower you gave us? That’s the flower Charlotte was talking about, right?”

“Rainbow rose?” Aether supplies.

“Yes! It means—”

“Ahem.” Lyney is quick to interrupt. “Lynette and I must take our leave now, if you don’t mind. It was fun catching up with you two.” You have to hold your ground and not look away when he hones in on your figure. “And it’s a pleasure meeting you. Don’t be a stranger. Look for me if you want more.”

His smile is a little devilish, you now realize.

“Bye,” Lynette says blankly, following after her brother, who seemed to be hurrying to exit.

His ears were red.

“You’re still staring.”

“I am not,” you rebuke hotly, flailing to cover Aether’s mouth with your hands. Yet all it does is bring your attention back to where Paimon and Aether are staring—the rainbow rose on your person.

Paimon and Aether yelp when you drag them away despite Lyney having already left the scene.

“Hey—! Don’t just go dragging Paimon around like a balloon like that! Did Lyney get to your head that much?”

“He did not.”

Paimon tilts her head, frowning. You shy away from her worried gaze, glaring at the flower instead. You still don’t know how Lyney managed to get it there; you hold it to your chest, where your heart is racing miles per minute because of his stupidly smug smile.

“What does this flower mean, Paimon?”

Paimon seems elated to be of help. “Easy! Charlotte told us that Rainbow Roses mean ‘passion’ and most notably ‘romantic encounters’!”

“Passion,” you curse. The rose seems as if it is staring back innocently, unknowing of the turmoil you’re going through because of it. “Romantic encounters.’ ugh.”

You can still remember how Lyney’s eyes twinkled as you felt his breath against your face.

“Ooh, he thinks he can trick me. He thinks he can affect me just because it pleases him to do so. I’ll show him. I’ll show him! I am not a blushing maiden!”

“You’re already very affected by this,” Paimon says, yet it’s lost by your newfound determination. Two can play at this game.

You’ve definitely been staying in Fontaine longer than what you told Aether and Paimon, but you can’t leave yet. Not when you found yourself walking to a flower shop to purchase a vase, fiercely digging through soil, turning gentle when your fingers reach for the Rainbow Rose. Not when you see it in the corner of your eyes as you try to sleep, and you find yourself daydreaming about a charming violet-eyed virtuoso.

It’s for research, you excused lamely at the hotelkeeper who didn’t ask why you’re extending your stay. In truth, not that you’d tell anyone. It was because you were hoping for another grand show from him. A farewell show for you—closure.

If you were to travel back home and get too drunk to think straight, Kaveh would learn about your crisis (romantic awakening?) and laugh at your face.

In hopes of looking for your Fontaine architect friend, you spot Lyney instead, on the side of the street surrounded by cheering kids. They clap and jump, and Lyney laughs. “One more, one more!”

“Again?” Lyney does an exaggerated sigh. “I’m starting to run out of cards in my sleeves. I’ve guessed my entire deck from your hands by this point!”

“But, Mr. Magician,” one of them whines, pouting up at him and blinking, “we want to see more! We want to know how you do it!”

“Alright, how about this, hm?” And then Lyney peers right at you. Ironically, you’re the one startled when you’ve been watching that entire spiel, and he hasn’t acknowledged your presence beforehand. “Y/N, would you mind giving these children a little show with me?” He gestures for you to come closer.

“What show?” you ask suspiciously, taking slow steps in case he pulls out another flower out of nowhere.

“You don’t have to worry,” Lyney laughs. “Will you be my assistant for this show? You are very familiar with this trick.”

“Please, we want to see!”

You falter at the little kids’ excited grins, especially when paired with Lyney’s pout and round eyes. “Okay, tell me what to do.”

His eyes do the little gleam again. “Stand in front of me, mon lapin.”

Your heart is skipping beat after beat, making itself known as you shuffle until Lyney is directly behind you.

“Relax, chérie, you just need to stand still.” It’s a little hard to relax when you feel his breath against the back of your neck, but you won’t give him the satisfaction of admitting that, so you keep your chin high and relax your shoulders. “Good.” 

He begins to speak louder to his awaiting audience. “I know it’s hard to keep your eyes off this beauty before me, but watch the hat for a surprise, alright?”

He flips it for his little audience, one hand resting on your waist and the other extended to hold his top hat. The proximity is almost suffocating. You watch with bated breath, and they complain about it being empty.

“Oh, is it?” Lyney hums, twirling the hat until it’s flipped upside down, presented right before you. “Perhaps I need my assistant’s help.” You snap out of your daze when you realize he’s talking to you. “Y/N, do me a favor and show them the flower inside.”

You reach inside the hat and, much to your surprise, feel a stem. You pull it out; the Rainbow Rose stares back at you, almost mocking you, saying he did pull out a flower out of nowhere. It's this trick again.

The kids gasp in awe and confusion—it’s all the same for Lyney, who snaps his fingers and creates magic like he was made to. Like magic was for him to summon with his hands.

“What? It was empty!”

“Where did that come from? I was watching Mister Magician’s hands the whole time!”

“Are you a magician, too?”

“No,” you say lamely, holding the rose, feeling Lyney still patiently standing behind you. Heat crawls up your neck. “No, I’m not. It’s all Lyney.”

“It’s all me,” Lyney echoes in amusement. “You’re quite magical yourself.” Finally, he spares you, pulling away to stand beside your figure. He doesn’t take the rose back—maybe even give it to one of the children. He knows exactly what he’s doing. “That’s enough for today. The sun is setting, and your parents might get worried.”

They pout and slump their shoulders, but Lyney has this older brother's sternness to him that has the children scurrying back home anyway.

You then realize having to stand in front of Lyney was unnecessary.

The flower is warm. Lyney’s eyes slip to yours.

“I didn’t even have to stand in front of you like that,” you complain, heart inclined to race off your body.

“Yes, but I feared that I would slip up again if I were to catch a glimpse of your face,” Lyney admits smoothly. His lips curl into a smirk when you stare wordlessly. “What? Don’t believe me? I had to improvise when I saw you watching from afar.”

“A great magician such as yourself? Making a mistake? I doubt it.”

“You already have such high expectations placed on me, chérie,” Lyney says, his smile easy, but his ears are a little red, poking out from his hair. “That’s no good. With no audience, I’m just plain ‘Lyney’ to you.”

“No trickery? No cards up your sleeves?” you play along.

Lyney doesn’t miss a beat. “No, though I do have a few more roses begging to be held by your hands.”

“They can keep begging.” Lyney grins wider when you glance down at his hands. “Do you give them off to everyone you meet?”

“Who do you take me for?” Lyney isn’t offended; he laughs, delighted. He is preening under the sunset—or maybe it’s your attention. “Of course not. At least, not like this.”

You stare, unimpressed. “Sure.”

“So cold, chérie,” Lyney sighs, plucking the stem from your fingers to slot it behind your ear. It seems he likes doing that. “Here I am, trying to get you to warm up to me, and you treat me like this.”

“You don’t have to. I’ll be going back home soon anyway.”

Lyney’s expression shifts into something more unrecognizable, his eyes dipping down to somewhere below your nose. “Oh. Avoiding attachment?”

You nod.

He grins, and he’s still so close. He knows how to entrance his audience, pulling you in until you forget to resist. Always watch the hands; yet Lyney could be digging a dagger to your side at this moment, and you wouldn’t even notice.

“I’m flattered you even want to avoid me because you know you’d get attached,” he purrs, tilting his head. Is Lyney just big on personal space? 

“Don’t assume,” you retort. “I know how guys like you think. Even a magician as great as yourself can’t trick someone who’s already seen through it.”

“It would be easier if it were just a trick, wouldn’t it?” Lyney sighs, much to your confusion. “I take it that someone has told you what this flower means?”

You’ve nearly forgotten all about it. “Yes.” You find yourself unable to look directly into his eyes. “I know.”

But even with that, you can still feel his heavy gaze, pinning you down and threatening the strength of your knees. You suppose it comes with being a performer—watching his audience carefully, pinpointing each micro expression to say the right words.

“There doesn’t have to be any attachments.”

“What are you trying to say right now?”

Lyney’s reaches for your hip, sharing your gaze like he doesn’t know how to do anything else. “That you enamor me. That I am holding back from wanting you. I know you feel the same—you can never hide anything from a magician. But if you’re concerned,” he mumbles, “then this doesn’t have to mean anything. You may call it infatuation.”

You want to laugh. Or maybe you want to cry. Most of all, you want to nod helplessly, wrap your arms around his neck, and give in. It’s hard not to when he looks at you like that. “You want me that bad?”

“I almost want to disagree.”

“Almost?” Lyney gets closer, and you stop him with a palm on his chest. “We’re outside.”

Lyney grins. “Have you forgotten what Fontaine is also known for? No one would bat an eye. Love is in the air, and all that.”

“Absolutely not.”

“So still you’re letting me?”

You laugh this time. Letting him, as if you aren’t the one itching to pull him close and find out what he’s like behind the curtains. “Are you asking me as plain old ‘Lyney?’”

Lyney brightens, clearly pleased there wasn’t a ‘no’. “Yes.”

“No tricks?”

“No tricks. No strings.”

You let him lead you away into some dark alleyway. He kisses you like he was longing to do so all his life. You have only met him that fateful day, not even a week ago. But you claw at him like you get it—like he’s ruined you for anyone else the moment you shared gazes in the Opera House.

Romantic encounters, you quietly recall as Lyney swipes a thumb over your aching bottom lip.

You don’t see Lyney the day after that. And for some reason, it makes the itch worse. (Perhaps it’s because you’ve gotten a taste and can’t get enough.)

It’s mostly your fault, the sudden disappearance—you’ve cooped yourself up in the hotel room, buried your face in pillows, and screamed. You berate yourself for giving in, but another part of you—one that’s louder than any other thought in your head—wants to do it again. Wants to hold his handsome face in your hands and have him kiss you breathless. That was nothing like you had ever felt before.

You groan. It’s another new day. You might as well make some progress with your portfolio.

There’s a Café you’ve been visiting more often than not. Ordering a drink and spending a good chunk of your day sketching the view. Instead, you find yourself staring at Aether, Paimon, and Lynette seated at one of the tables.

Lynette’s eyes flick up to yours as she sips tea. She murmurs something to the other two, and you watch with amusement as Aether and Paimon’s heads snap to face you.

You let your gaze wander, eventually landing on Lyney, who is reciting his order with his charming-act-on smile, who is present because of course he is. You want to turn and run away, but that’d be letting Lyney win, and you’re nothing if not stubborn and prideful.

“Y/N!” Paimon greets once you’re within earshot, kicking her feet happily. “Good morning! What are you doing here?”

“Breakfast,” you reply, waving at them. Aether pulls a chair from the other table and gestures for you to sit. “Did I interrupt something?”

“Nope!” Paimon swipes a fork from the table and digs in on the Ile Flottante, leaving nothing for Aether. “Lynette and Lyney told us about another show they’re holding to make up for the previous one.”

“Mouth full,” Aether reminds her, a little too late as the Ile Flottante spews from her mouth.

“Really now? Maybe I can pay properly for a ticket this time,” you laugh, nodding at Lynette. She smiles faintly, hiding it behind the rim of her cup. Lynette sure is the polar opposite of her twin brother.

A shadow looms from behind, the silhouette of a figure with an unmistakable top hat. You tilt your chin and see Lyney peering down at you with a sweet smile. You will yourself to keep your gaze focused on his eyes only and nowhere else below the nose.

Speak of the devil…

“Sweetheart,” Lyney says instead of exchanging pleasantries like a normal person.

“Lyney,” you reply in kind. Then you look away upon realizing that Aether, Paimon, and Lynette had been silently watching the exchange with muted, stunned expressions.

Lyney, holding a tray of drinks and food in both hands, scoots the chair next to yours with his ankle. “I wasn’t informed that Y/N would be joining us,” he says, setting the drinks and plates down like a waiter with a flourish. “You can drink mine. Let me order another.”

You hold onto his wrist as he makes his way back. He turns to you, surprised. “Let me at least pay for my own breakfast.”

Lyney grins, delicately withdrawing from your grip. He places a loud kiss on your hand. “Don’t worry about it.” And then leaves, because he can’t take no for an answer.

“Is it just me,” Paimon starts as you resign yourself to finishing Lyney’s drink (It’s your favorite, the one you always order), “or is Lyney acting weird around Y/N?”

Aether laughs. “There's definitely something going on. Don’t end up staying too long in Fontaine, now. What was it you told us? ‘A day or two’.”

You huff, your face turning unbearably warm. “Shut up, you two. I am here to do research, not to find a summer fling.” You’ve already failed, but they don’t need to know about that.

If you were to touch your lips with your fingers, you’d think of no one else but Lyney’s hands on your hips and his mouth swallowing your words.

Lynette clears her throat, a quiet but noticeable thing. “Don’t be fooled by my brother, Y/N.”

“Oh, don’t worry. I’m still keeping my safe distance.”

She shakes her head. “That’s not what I mean. Don’t be fooled by my brother.” She stares at you from the rim of her cup—something about that has you listening obediently. “No matter what he tells you, he always cares too much. No matter what you may think, he always gets hurt first.”

“That’s not…” You can’t imagine that. From the start, it’s always felt like he was the one who could do what he wanted.

No tricks.

Lynette is his twin, after all. She knows him best.

No strings.

Defeated, you sip on the straw with the same fervor of an aggravated hilichurl, and that’s the end of that.

Conversations during breakfast are much lighter when Lyney returns with a full meal as his treat. Celebration, he says. Celebration for what? Who knows? Lyney winked, but his glance directed to you said enough.

“You say that you don’t want to get attached, but you’re awfully close to the Traveler, of all people,” Lyney says offhandedly once the others have left for their own matters.

You lean against your seat, grinning. “Are you jealous?”

He doesn’t say anything, instead upturning his nose as if scrambling to regain control. You laugh, oddly endeared. Lyney turns his head away, trying to hide the smile that curls his lips upon hearing it.

“Hey,” Lyney says seriously, reaching for your hand. “Where have you been yesterday?”

“Why? Missed me?”

And because he’s Lyney, he takes his time kissing each of your knuckles. It’s more intimate than the whole ‘no strings’ arrangement you agreed on, but you suppose Lyney thinks that any physical attention is free reign. “What would you do if I said yes?”

“You’ll be fine,” you say slyly. “You’ll have to get used to it if you want to risk your heart just to get laid.”

He rolls his eyes, tugging you closer. “I’m not risking anything to get laid. Do you think so lowly of yourself, chérie?”

“Isn’t this all there is to it? Physical attraction,” you ask, genuinely confused.

Lyney blinks. “Of course, but—” His eyes flicker down, and his words trail off.

When you speak, you feel your breath bounce back from his skin—a testament to your proximity. “Lyney,” you whisper. For what? Urging him to continue? Urging him to close this distance? You’re not sure, either.

You have so much to ask. What do you mean? Why can’t you finish your sentence? Why don’t you just kiss me already? But it’s hard to speak; Lyney’s name is all you can think of. 

You whisper his name again. His grip on your hands tightens and loosens, a frustrated frown creeping up his brows.

Your hand shoots out to reach for the back of his head and give in. He flinches for a second before relaxing completely.

His lips almost taste sweeter than his words. Almost as sweet as how he finds purchase on your waist and holds your chin during every kiss.

You pull away to breathe, missing how he leans closer to chase after you and pouting when he can’t. “Yeah. That—That didn’t have to mean anything. I just wanted to know what it felt like again.”

“Yeah.” Lyney licks his lips, his gaze unable to tear away from where yours are swollen. “Yeah, I know. You taste like my drink.”

Really, no one’s surprised you gravitate towards each other again, feeling like you’re soaring and melting into a puddle at the same time. Lyney doesn’t touch you where you both know would cross the line, but he grips near possessively to what he can, as if breathing you in and worshipping your skin.

You know after this, he’d go back on stage, fooling his audience with what’s invisible to the average eye, as if this never happened. You know this because this is your deal: satiate the feverish attraction you have with each other and leave once you’re satisfied. (But you also know that you’ll be thinking of his touch and his lips while you stare at the vase beside your bed.)

Lyney is a magician, first and foremost.

He hooks you in, and keeps all your attention to himself like he’d die without it. Then he disappears with a snap of a finger. He’s finished his trick, leaving you befuddled in your seat with more questions than answers.

As you drift off to sleep, all you can think of is that there are two roses now.

“Brother.”

Lyney looks up from where he’d been entertaining Rosseland, seeing Lynette with a stern face. “What? What happened?”

Her tail flicks. “You said you weren’t going to get attached.”

Lyney exhales softly, his eyes slipping shut. “I’m not.”

Lynette finds herself smiling softly. “I may just be your assistant, but you can’t lie to your own twin.”

He buries his face in his hands. With his sight gone, images of your face while whispering his name flash in his mind. His eyes fly open, mortified, his whole face red. “I don’t know how it happened. I didn’t think it’d be deeper than that.”

He was the magician in this, but it felt as if you were the one who tricked him instead.

It’s been two weeks since you first arrived in Fontaine. By this point, you’ve grown more familiar with its views than your own city. Having Aether, Paimon, Lynette, and even Freminet around doesn't make it any easier for you to feel at home.

And then there’s the Lyney Situation. You meet up most nights, more than that when he’s free from shows. He keeps seeking you out, and you keep letting him in. There was one night where Lyney spent the night instead of heading straight to the door—and those nights turned into two, then three, and then he finds any excuse to keep doing it.

It’s not like you could stop. He told you look for me if you want more, and you always want more, because how could you not? Lyney treats you like he’s never had to take care of anything more precious but still manages to render you breathless like you’ve never experienced thrill the way he gives it to you before.

But you still have to go back home. And Lyney still has his own life, has his secrets. He feels untouchable even when your arms are wrapped around his neck.

No strings attached can still work for summer flings, doesn’t it? And what are summer flings, if not just that?

Lyney hovers above with his hands caging your face. He’s grinning so wide—and you’ve seen all kinds of smiles on him with your time spent together, but it was never this genuine.

“You’re bad for me.” He says it like a confession, a prayer.

You raise an eyebrow. “What did I do to you?”

His hand trails down until he’s rubbing shapes on your hips. “Make me feel like I’m myself whenever I’m with you.”

At your silence, Lyney clears his throat. “But it’s not like that, don’t worry. I just mean—”

And how does that even make sense? He pours his heart, then later reveals it’s nothing but a decoy to keep this facade realistic.

“Oh,” you say.

That was the final act you’d been waiting for. The final trick—the farewell show.

And so you pack your bags—shoved your sketchbook back inside, face forward, and promise not to look back. Leaving Sumeru hasn’t even been this hard.

Aether and Paimon shouldn’t be surprised if they find you missing; they’d been the first to know that your stay in Fontaine isn’t meant to last forever. And you’ve warned Lyney about this. Avoiding attachments? It felt more like running away from your problem.

Lyney is a busy man on his own; you’re nothing but some architect from a different region who happened to get caught up with him at the right time.

You sigh and call for the aquabus.

A hand clasps around your wrist, pulling you to collide against a familiar chest. Lyney’s eyes are wide, almost insane. Sweat clings to his forehead, and his breath comes in frantic pants.

“W-What—”

Lyney’s eyes search your face. Or maybe it’s him trying to convince himself that you’re right there, in front of him. “You didn’t even tell me.”

“I—I’m sorry—”

“Were you just going to leave like that? Don’t you think I at least deserve a farewell?”

“Lyney, I’m sorry. I know, that was stupid.” You haven’t seen him with an expression like this before—so raw and broken, begging to be glued together with your hands. “I didn’t want to formally say goodbye because I knew I'd want to stay.”

“That’s stupid,” he repeats in agreement.

You breathe shakily, eyes scanning the stunned crowd. What’s The Great Magician Lyney doing here? Holding some stranger in his arms? That must be what they’re thinking.

“How did you even know I was leaving?”

Lyney’s eyes cut down to his hand, gripping a crushed rose. “I was paying a visit to an empty room.” Embarrassed, he tries to toss it away, but you take it before he can.

You wordlessly place it in its home: the spot behind your ears. You don’t tell him that the two other roses he gave you serve as bookmarks in the sketchbook you’ve used all up in Fontaine. Where you’ve drawn his face more often than not.

Lyney groans in frustration, his hands curling around your waist. “Is staying so bad?”

“It’s not like I’m leaving forever.”

And then you notice Lyney’s hands. They’re shaking uncontrollably, not unlike how it did during that incident—and with it came the frantic exhales, as if natural human breathing alone is already hard enough for him.

“Oh, Lyney,” you say softly. You drop your bags and embrace him fully.

He doesn’t hesitate in pulling you closer, burying his face on your neck. “Don’t—don’t,” he gasps, “don’t just try to leave like that.”

It’s hard seeing Lyney like this. He’s usually so composed and easy-going. He gulps in a deep breath, and his voice cracks as he calls for you. This must be something out of his control—something deeper than the back of his stage.

“Y/N,” he whispers.

“Lyney,” you call back as gently.

He swallows your surprised noise with his mouth, moving against you like you’re his last meal on Teyvat. He’s still shaking, but it has subsided the longer you stay pressed against each other. You’re not sure if it’s his Pyro vision or if it’s your skin burning at the thought of Lyney’s skin against yours. It’s searing.

This is different from the last kisses you shared.

Passion, you think dizzily, breathless from his hunger. This is passion.

“What was that for?” you ask, embarrassingly winded.

Lyney brushes his thumb over your bottom lip. He looks sad. As though he only comes alive when you’re with him. “A kiss to make up for your absence in the following weeks.”

“I can always come back,” you say. “No, I will come back. I promise. I just need to get home for a bit.”

“Okay.” Lyney nods, exhaling heavily. “Yeah. I know, I understand. Once you come back, come straight to me, alright?”

“Of course.” You lean in to kiss his cheek. You’ve never done it before because it always came off too intimate. And judging by the blush that explodes on his face, he thinks the same.

It all doesn’t matter. The line has been crossed days ago; you’ve just been turning away from seeing it.

He kisses you again. Then again. “Have a safe trip,” he says in between kisses. “I almost wish you commissioned me to escort you, regardless of the price.”

“What, you want 500,00?” The aquabus has arrived; Lyney grips you a little tighter, childishly willing himself not to see it.

“500,000 kisses, and more.” Lyney rests his forehead against yours, his captivating eyes keeping you still, the way it always does. “But you can give me that when you come back.”

( Before they were taken away from the stage for an investigation, Lynette comes up to her brother and asks, “What happened back there, Lyney? I thought you were about to twist your own fingers.”

He is unsure how to tell his sister that he saw your awed expression and nearly lost his wits.

“It was nothing,” Lyney admits, his face growing hot at recalling his slip-up. 

It wasn’t out of embarrassment, no—not when the memory of your wide-eyed beaming expression and how his mind blanked along with the skip of his heart plagued his mind.

“It was nothing,” he repeats numbly. It’s not. It was the start of something. )

a/n ok just a quick rant this fic BROKE ME. it was like every other day i hated then loved writing this fic. im not used to writing fics this long so pacing is not my forte </3 but i just feel proud of myself for finishing this so HOPE U LIKED IT. if ure still reading until here ily ❤️

more a/n two lyney fics and two kissing scenes. i can’t even lie to myself. everyone can tell.

more more a/n it was halfway through writing this fic that i rewatched the magic show and only noticed lyneys hands were shaking and i GOT SO SAD OMF 😭😭😭😭

[corkinavoid]

DPxDC Multiverse Police (pt.3)

JL very soon finds out there's no reasoning or controlling this particular brand of crazy. Amity, as they like to call themselves - 'Because saying Interdimensional Law Enforcement every time is long and ILE is boring', Dani explains to them - do whatever they want and deem necessary, and no one can stop them.

They have bargained with the US government to let their whole town stay for a week in Illinois like one would ask to stay in a hotel room. They have all but swiped all the tech shops in the nearby area, and somehow, they had real, actual money to pay for it, despite not even originating from this dimension. They claimed it was due to the Ghost - or God, the opinions were mixed - of Time making it work. They visited a bunch of people. Heroes, that was.

One memorable visit was one they paid to Flashes. Vlad, the mayor of Amity Park and unofficial leader of ILE, and Tucker, a kid with an insane knowledge on all and every kind of tech, performed a whole lecture to Flash family as well as their friends and colleagues, on importance of safety while time-traveling, the best ways to fix the timelines and even on upgrades to their costumes.

The other important visit was the one they paid to Diana, although that one was not so climactic - Jazz just gave her a bunch of letters and a card with a summoning sigil on it. 'It's for Pandora, she enjoys having a cup of tea with Themyskirians,' the redhead claimed.

Now, it was Batman's turn, it seems.

Danny was standing - more like floating - in front of Red Hood. They were at the Watchtower since Batman did not like Amity coming to Gotham. In his opinion, that would be just calling for trouble, and both Valerie - head of ILE security - and the records of other Batmans said he was not wrong.

"Yeah, this one's fucked up," Danny says after almost three minutes of looking straight at Hood, and the man huffs:

"Thanks, I got that part," he throws back, but Danny just laughs softly.

"No, sorry, I didn't mean it as you personally. Just, like, compared to the other Red Hoods I've met. At least you're not fucked up beyond reason, I can still help you," the ghost boy says cheerfully and claps his hands, "Ready to get rid of the boiling rage in your veins?"

And, before either Hood or Batman can say anything, he reaches his hands inside Jason, and the man tenses up, holding his breath. Batman hovers close - he's read about the same kind of procedure being performed by Danny on other versions of Jason in the files, but reading about it and witnessing it is two entirely different things.

Danny's hands start turning green. The same thing he did with the portal before happens again: glowing, Lazarus green flows up his hands, like veins outside his skin. Only this time, it's not as bright as the portal was. It's murky and dull.

A few seconds later, Danny slowly takes his hands out of Red Hood's chest, and Bruce is really glad he was standing so close because Jason all but falls down to the ground like a puppet with its strings cut. Batman holds him by the shoulder, keeping him up, but Danny shakes his head:

"No, he better sit down. He's probably gonna feel lightheaded for a few minutes. Oh, and catch," he throws something to Batman, which he catches on reflex. It's a weird, jello-like substance of dark, dirty green color, almost like a stress ball.

"What is it?" He asks, and Danny grins:

"A souvenir. That's his Pit Rage," he nods to Red Hood.

"My what?!" Jason snaps his head to the ball in Batman's hands.

"The parts that made it actual Rage. Think, like, an infection, or a parasite, or just- You know what, it's what you get when some crazy asshole bathes you in ghost sewers," Danny shrugs, completely disregarding the face expressions Batman and Red Hood are giving him. "Speaking of which, do you wanna come with us when we get rid of those Lazarus Pits of yours?"

There's a bit of silence, before Red Hood breathes out:

"Hell, yes."

-------------------------

I'll be writing another part with Amity getting rid of Ra's and Lazarus Pits, yeah. In the meantime, Sam is looking for Constantine to give him a slap on the hand because all the John Constantine's pieces of soul were like a massive jigsaw puzzle to her, considering there's more than one John Constantine and all of them can't stop selling their fucking souls even for a minute and Sam is so done.

Tucker and Tim are nerding out in WE with no sleep or food, Damian gets to play with Cujo, Kon is discussing clones' trials and tribulations with Dani, Jazz is giving Supes a long overdue lecture on how to treat clones, Dan is looking for someone to fight - so far he's found Captain Marvel but he knows he is just a kid so instead of actual fighting they are playing Mario Cart - Val is having fun with Arrows because sharp shooters gotta stick together, and Vlad had abandoned all of his responsibilities and is hiding in Lex Luthor's penthouse, discussing cat breeds and how annoying heroes can be.

Paulina made her way into Gotham without anyone noticing and befriended Harley and Sirens, so Batman may or may not find a particular clown dead when he comes back to his city. Dash is actually not up for trouble, so he is on duty in Amity Park, doing tours for all the curious people who got interested in ghost town and decided to visit. GIW agents are in the process of locating all the Pits, Maddie is elbow deep in a scientific discussion with Martian Manhunter, Jack is upgrading the Amity Ship with all the new tech he's got, and Cyborg is keeping watch on him.

Did I forget anyone? I most likely did.

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Tag list: @mae-mae-mae @okami-love @fantasticstoryteller @ultra-stormsaga

[zegrasdrysdale]

[ lakeside kisses ] l. hughes

paring : Luke Hughes x fem!reader

summary : Luke finds his best friend out on the dock one night while Jack, Quinn, and all their friends are partying inside the lake house because she didn’t want to keep watching the guy she loves flirt and dance with other girls at the last party before the season begins

warning(s) : jealousy, mentions of alcohol, some use of alcohol, a heavy makeout (and a few lil ones but nothing too bad)

author’s note : friends to lovers w some jealousy ? i’m a suckerrr for combining the two

༺═──────────────═༻

One of the things she promised herself years ago was that she would never get jealous. Luke has had his fair share of girlfriends and casual flings over the last few years, and none of them made her as jealous as she is right now.

She doesn’t know if it’s because she’s had a handful of drinks or what but her entire body is shaking with jealousy.

Luke is in the living room with a red solo cup containing some kind of alcoholic drink. He has some rhythm as he dances to the music blaring from every corner of the house.

The thing is though — he’s dancing with some blonde girl that was invited. She stands in the doorway watching as Luke grinds his hips against the girl that was invited by one of the Michigan boys. She knows all of Luke’s friends, but this girl is nameless. She doesn’t recognize her.

She sips from her own red solo cup and feels her blood get hot when the girl says something to him and gives her a smile. The smile on Luke’s face is one she’s seen him give when he’s into a girl. He’s been giving it to girls since he was in high school.

Never to her. She’s the last person he’d ever smile at like that.

The amount of things she would do for Luke to look at her just once like that is endless. She often wishes that she was the girl on the dance floor with him. She wishes she would get that smile.

Luke wouldn’t look at her like that though. They’ve been best friends for years and she’s positive that he’s never even thought of her as more than his friend.

Meanwhile, she found herself falling in love with him the summer before he went off to Michigan. Quinn tried to help her out that summer but she let Luke go without telling him how she felt.

Two more summers have passed and here she is. Jealous of yet another girl that will have his attention for the rest of the night. Smiling at her with plans of spending the rest of the night with her.

Her heart sinks to the bottom of her stomach at the thought of Luke abandoning her for another random girl from Michigan. It wouldn't be the first time and it appears as if it won't be the last either.

She downs the rest of her drink and leaves her spot. The room is getting too hot and stuffy while her head gets too full. She needs to cool off and clear her mind so she dodges everyone and ignores the looks she gets until she gets outside.

There are people crowding the deck so she heads down to the dock on the lake where the Hughes' boat floats so she can be completely alone. She pulls off her sandals and sits on the edge of the dock. Her feet up to her ankles are consumed by the water, but it helps her cool down a bit faster. She stares up at the moon and the stars that surround it and gets lost in her thoughts.

There is one thing she loves more than anything, and that's coming to Michigan every summer and spending the hot months with Luke, Jack, and Quinn. She's starting to think that next year, she'll stay in New Jersey because she isn't sure how much longer she can keep breaking her own heart by seeing Luke bring back girls all summer. She struggles with that enough during the season.

He should be hers every summer with no distractions, but Luke still goes out and finds a girl while he's with his brothers or he invites a previous girl out for a weekend. Sometimes, like tonight, one of his friends from Michigan will bring multiple girls to the house when there is a party.

Needless to say, she's sick of pretending like everything is okay when it's not. Maybe she and Luke aren't as close as they claim to be if he can't even see that.

Her phone buzzes a few times with a few texts about five minutes after she sits on the dock and she checks them to see if any of them are from Luke.

from: huggy bear - 10:38 pm you okay ? saw you walk out a lil bit ago. let me know if you need some company or anything, or if you need someone to vent to

from: lil jizzy - 10:40 pm you good ? or no ?

from: eddy - 10:45 pm are you bein a party pooper ? where did you run of to ? luke is gonna need his cup pong partner in a few mins

Nothing from Luke.

Disappointment floods her veins. She resists every urge to throw her phone into the lake and scream in frustration because why did she have to fall in love with her best friend? There are eight billion people in the world and she fell in love with Luke Hughes.

There's no way that she'll be able to come to Michigan next summer if this is the way she is feeling. She can't do this again. It hurts too much to keep doing this.

Footsteps sound on the dock behind her. They get louder as they approach her. There is movement beside her and looks to her left to see Luke sitting down next to her.

"Why are you down here?" he questions. "You usually love the last party of the summer so why did you leave?"

She sighs and looks out over the moonlit lake in front of her. "It got too warm," she lies. "I needed some air for a few minutes. You can go back. I'll be fine in a little bit."

Luke quiets down, but he doesn't make an attempt to get up. She tries her best not to look next to her at the man she loves.

It breaks her heart that she needs to start backing away from their friendship because of her feelings. She never wanted this to happen. The last thing she ever wanted was to ruin their friendship over her feelings. Another broken promise to herself.

Tears roll down her face and she quickly wipes them away. It's too late though when she does wipe them away because Luke notices.

"Okay, you're not out here because you got too warm," Luke says. "Do you want to tell me why you're really out here? Why are you crying?"

"It's nothing, Luke," she snaps. "Go back to the party. Please. I'm sure your guest is missing your presence." The word 'guest' rolls off her tongue like venom.

He remains quiet for a beat. "Why won't you look at me?" he asks. "Did I do something wrong? It sounds like you're mad at me and I don't know what I did."

She sucks her bottom lip between her teeth before she finally turns her head to look at Luke. He's blurry with the tears in her eyes but she can clearly see in his eyes that he's worried that something is wrong.

"I'm angry at myself," she admits. "That's all. It doesn't have anything to do with you. It's literally me, not you."

"Do you want to talk about it?" he questions. "Because you're my best friend and I don't want you to carry this by yourself.

There are those words again. You're my best friend. That's all she will ever be to her.

With a heavy sigh, she looks back over the lake. "I feel like no one ever sees me as more than a friend," she begins to say. "I'm always looked at as a little sister to most of my friends, including most of the people here. No one finds me attractive. No one loves me romantically. Guys always describe me as 'cute', not 'beautiful' or 'sexy'. 'Cute', Luke. Sorry that I needed a second to come to terms with that."

Luke goes silent after that. He doesn't say anything when she's done talking. She presses her lips into a line and closes her eyes so she doesn't lose it.

"You are beautiful," Luke softly tells her. His voice is so soft that she barely hears him say it. Her head snaps in his direction when those words pass his lips. "I mean it. You're beautiful. You're probably the most beautiful woman I know. Your smile, your laugh. You're smarter than me in more ways than one. I don't think there is anything about you that isn't beautiful."

She raises her eyebrows. "You think I'm beautiful?" she questions.

Even in the dark, she can see how red his cheeks get as he nods in response. "Yeah," he sighs. "I can't believe no guys has snatched you up yet and made you his."

Words spill out of her mouth before she has the chance to think about them. "Because every guy I go out with can see that I already have feelings for someone," she admits. "But that guy has never seen me as more than his best friend."

His eyes widen at her confession. Her heart beats loudly in her chest. It's so loud that she thinks that Luke might be able to hear it.

"You should've told me," he eventually tells her. "I could've done this a long time ago."

Before she can ask what he means, Luke leans into her and captures her lips in a soft kiss. It's so gentle that she feels as if he's testing the waters between them. See how she reacts to the initial kiss.

She moves closer to him so her thigh is pressed against his. One of her hands comes down on his knee so she can turn toward him.

Luke pulls back from the closed-mouth kiss. She meets his eyes and asks, "Can you please kiss me like you mean it?"

With the smile she's always wanted to see, Luke brings his both of his hands up to cup her jaw. His fingers quickly find their way to the nape of her neck and he pulls her back in, kissing her deeply. It's a more confident kiss for both of them. There's passion behind his intentions, and she returns those same passions.

His parts her lips with his tongue and slides into her mouth with a soft hum when he gets his first taste of her. She wraps her free hand around one of his wrists to stay close to him.

The kiss leaves her breathless. She struggles to catch her breath the longer Luke kisses her, but she doesn't want to break the kiss. She's too afraid that this is a dream and she doesn't want to wake up.

When the opportunity arises, she slips her tongue past his lips. He tastes of beer and some kind of whiskey like he's been taking shots, but he tastes the way she thought he would. She smiles against his lips.

Luke drags out one final kiss before he breaks it so they can catch their breath. She can't get over how quickly his lips got swollen and red from the kisses they exchanged.

Giggles pass her lips and Luke smiles at her. She lightly sucks on her bottom lip with her own smile as she realizes he's giving her the smile she never thought she would get.

"How was that?" he questions. "Feel like I was kissing you like I meant it?" She nods. "Good, because I don't think I can stop now."

"I don't think I want you to stop." Her eyes fall back to his kiss-bruised lips. "Ever."

He starts to slowly lean back into her. "We should probably go back inside," he hesitantly says. "They're probably missing us in there."

She hums as her nose brushes his. "What would we do when we go back inside?" she questions with a soft voice. "Because I can't go back to how things were with us after this."

"I'd kiss you in front of everyone," Luke admits as his lips brush hers. "I want everyone to know you're mine."

"Even that girl that you were dancing with earlier?" she asks.

"I was just using her to make you jealous," he confesses. "Because I have been in love with you since we were in high school. I wanted you to finally notice me."

She pulls back a bit and meets his eyes. "I have always noticed you, Luke Hughes," she tells him. "Every time you would walk into a room, I noticed you. It's not because you're built like a tree either. You're always the first guy I find on the ice or coming out of the locker room. It's always been you and it'll always be you."

Luke smiles at her words. "Yeah, I think I wanna kiss you in front of all my friends," he explains. "I want everyone to know that I finally have the girl I've been in love with since we were 16."

With a gentle shove, she asks, "You've been in love with me since we were 16 and you're just now telling me? God, Luke. I've been in love with you for three years. You’re an asshole."

He laughs and stands up. “Well, I’m sure everyone has been waiting for us to get our heads out of our asses so let’s go show them we finally did,” he says. Luke holds out his hand for her to grab. She reaches up and grabs his hand so he can help her stand up.

Even once she’s on her feet, Luke doesn’t let go of her hand. Not that she wants him to. She grabs her sandals with her free hand before she walks back to the house with Luke. The wooden dock turns into grass then they reach the deck. That’s when she puts her sandals back on.

Together, they walk up the steps to the deck that looks out over the lake. They get a few looks as they walk into the house.

Luke guides her to the kitchen. The blonde girl that Luke was dancing with earlier intercepts them before they turn into the kitchen. “There you are, Lukey,” she giggles. “I was wondering where you ran off to. I’m happy you’re back though because we can start where we left off.”

He takes a step backward when she takes one toward him. “I’m good,” he replies. “Thanks for the dance though. I’d rather dance with my girlfriend now that I have one of those.”

The girl looks dumbfounded then looks between the two of them. “Whatever,” she snaps. “Eddy would never treat me like this.” Then she walks off with a flick of her blonde locks.

She looks up at Luke. “Girlfriend?” she questions.

“Uh, yeah,” he replies. “If you think for one second that I am going to look at you as a friend again, you’re wrong. I am always going to look at you like the girl I love. You’re my best friend and my girlfriend all in one person, and I wouldn’t have it any other way.”

Without even thinking, she reaches up to drag him into a kiss. Luke steps forward until she steps back against the wall. He towers over her but she doesn’t even care at this point. She kinda loves that his entire body covers hers. He pins her waist to the wall behind her at the same time her fingers find his curls.

She plays with the curls on the back of his neck as Luke deepens the kiss. She presses into his mouth and he lets out a groan that only she can hear.

Luke wraps his arms around her waist but before he can do anything else, a voice comes from beside them.

“The fuck?” Jack questions. They break the kiss and look at the middle Hughes brother. “Oh my God. They finally did something. Quinn! Quinn, come here! Before you miss it!”

She leans back against the wall when Jack runs back into the kitchen, but Luke doesn’t let her go so she doesn’t get that far. Jack remerges with Quinn, Cole, Z, Ethan, and Seamus. “Well, holy shit,” Trevor laughs. “Baby Hughes finally grew a pair and did something.”

Quinn claps for them and Luke groans before burying his face into her shoulder. “Tell them to leave,” he mumbles. “I changed my mind. This is so embarrassing.”

With a smile, she plays with his curls while looking at his friends and brothers. Quinn winks at her before he walks off and suddenly it makes sense why it took so long for someone to go check on her. Quinn probably went and got Luke so they would talk.

She makes a mental note to thank him whenever she gets the chance. He tried helping her three summers ago, but they never ended the way this summer did. She got some lakeside kisses this summer and is bringing a boyfriend back to New Jersey in a week.

༺═──────────────═༻

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[mokulule]

A Man Has Needs - Part 2

First | Masterpost

DP x DC Ship: Dead on Main Summary:

In which Jason keeps up ending up in Danny's bed and not even for any fun reasons.

Part 2

Danny awoke Wednesday morning to the second coming of his human shaped bedmate. Of course with the terrible shape the guy’s core was in he hadn’t expected the first time to be the last time.

He sighed and rested his forehead on the warm bare chest right in front of him, closing his eyes again. Despite the dumpster smell, Danny was really freaking comfortable in the guy’s arms, pressed skin to skin, enveloped in his larger frame. Sighing again he slipped intangibly out of the hold. It was one thing to cuddle incidentally while sleeping, entirely another to continue while he was awake.

The guy was here because he was starving.

Danny cast a longing gaze over his shoulder - was it so wrong to long for someone who’d hold him like that just to hold him and not because he gave off surplus energy?

Danny frowned and floated over to his closet to pull out T-shirt and jeans, he didn’t want to risk getting caught in his underwear again. It had been embarrassing that he’d forgotten the last time, but it was only when the guy came out dressed he’d realized. Maybe he needed to start sleeping in a shirt? Maybe it would be less awkward. - Less like waking up from a one night stand without the benefit of even having gotten laid.

That was a thought - Danny couldn’t really have someone staying overnight.

Not that he really had much game in the first place, but a small part of him had hoped maybe getting away from his parent’s infamy and his own unfortunate high school reputation might change things a bit. And while Danny wasn’t discounting the possibility that he could end up doing something ridiculously embarrassing that would make him a social pariah for the rest of his college experience, these first two days had been really nice.

Nobody could replace Sam, Tucker and Val, but he’d met some really nice people that felt like they could be good friends.

It wasn’t like Danny had had plans to start dating or end up in bed with strangers, but it was college. There were gonna be parties - that he might even get invited to! And he’d been open to the possibility, if it happened. Mutually consenting adults doing adult things because they wanted to. Danny knew and embraced the fact that he was something of a bi-disaster.

Not that that mattered right now. Nothing could happen.

Danny finally pulled the shirt on over his head and stared unseeingly at the closet door. Ghost animals wouldn’t have been a problem, they were generally shy and wouldn’t join him if he wasn’t alone. But Danny’s ghostly visitor was part human and not only that he was starving and sick.

Not only did he not want to explain to a one night stand, or worse someone he was dating, why an unfairly handsome man joined them in the middle of the night, he also didn’t know how his guest would react to Danny not being alone. The starvation might make him territorial over his food source. It also wasn’t out of the question that he would seek out Danny elsewhere in the city.

It was just a potential disaster best avoided entirely.

Danny sighed and finished dressing. Lamenting temporary restrictions on his non-existent love life didn’t help any. Breakfast and coffee however, that was something he could do.

Oo o oO

Mint and frost in his nose.

Jason’s eyes flew open and he sat up. Not his room, not his apartment.

Memories flooded into his brain and he buried his face in his hands. How could he have forgotten this had happened? How had he not done research? He had crawled into some guy’s bed to sleep, been fed breakfast and sent on his merry way, and Jason had forgotten? Or well not exactly. Rather he’d been distracted and the strange events of Saturday morning hadn’t seemed important.

What was wrong with him?

Jason rubbed his forehead. Somehow it had happened again. He quelled the rising alarm. Panicking would do him no good.

There was the rustling of movement beyond the not quite closed bedroom door. Jason’s head snapped up.

For a moment he just breathed watching the door. He would be on the other side of the door. There was the scent in the air again beckoning him to follow. His head spun as he breathed in deep.

Jason should have conducted a proper background check on the guy after the first time. He had no real excuse, but he’d gone to Sunday dinner at the manor. They’d all been so surprised and happy to see him, that had been a surprise for him. He’d expected their surprise but not their happiness. He’d even managed to interact with Bruce without any scathing words. He’d scarcely been able to believe how well it went.

He’d gotten so much done since Saturday and then, what had happened last night?

He was on patrol and he’d suddenly been hit by exhaustion, like a sledgehammer. He’d had to call off relatively early. The last thing he remembered was stashing his gear and then nothing.

Mint and frost.

Would the man have called the police on him this time? First time could reasonably have been called an accident, but a second incident? Didn’t seem near as accidental.

Jason’s eyes fell on the pillow his head must have rested on just moments ago and promptly had to strangle the urge to burrow his face in it and breathe it in.

Disturbed, he jumped out of the bed. Something was up with him. Something weird.

He collected his clothing and boots, just as scattered around the room as they were last time. He couldn’t find his left sock. His shoulders wound up in tension. Just his luck.

Like last time, he considered jumping out the window, but he really should face the music, and he wouldn’t figure out anything if he ran away. Maybe this time he would be able to apologize for the intrusion.

He opened the door the rest of the way and promptly his shoulders lowered as the tension left him in a sigh at the sight of the guy in kitchen area.

Jason didn’t know what to do with the reaction. It didn’t make sense at all. Nothing about his situation had changed. And yet, it was okay now. The idea that the guy would call the police on Jason was ridiculous, because he was safe here.

The guy watched a sizzling pan intently, his black hair was an unruly nest on top of the bent over head. He was clothed today, which wasn’t something Jason should be disappointed about.

“There’s a cup of coffee on the table,” he said, without taking his eyes away from the pan.

Jason’s eyes moved to the small table they’d eaten at last time. Sure enough, a steaming black mug with white text sat there innocuously.

Okay, so they were doing this again.

Carefully he made his way to the table, looking around. There were a lot less moving boxes this time. A bookcase had been assembled next to the window on the right wall and half filled with books. He was too far away to read titles, but the size of most of them pointed toward textbooks rather than literature. There was still an open place on the floor over there suitable for a small couch.

He sat down and folded his hands around the warm mug, then immediately unfolded them as he caught a glance of the word dead. He turned the mug around.

Are you a half-dead or half-alive kind of person? The mug asked to Jason’s bemusement. It was clearly a pun on the glass half empty or full saying, but rather on the morbid side.

“Gift from my friends, they think they’re hilarious,” the guy said, and Jason looked up to find him smiling at him even as he rolled his eyes at his friends. Jason’s lips turned slightly upwards of their own accord.

“Anyways breakfast! And not even burnt,” the guy declared setting a plate down in front of Jason: A piece of buttered toast with two fried eggs sunny side up. And indeed not even burnt. If that was a concern that certainly explained his intense concentration earlier.

Guy sat down with his own plate. Just two fried eggs.

“No toast?” Jason asked before he could help himself.

“I hate toast.”

Now even more confused Jason looked at the toast on his plate. Why did he even have it then? He lived alone, far as Jason could tell.

“My sister brought it,” guy explained exasperated, “she says I should eat some bread too, for variation.”

Jason snorted, then looked down to the breadless plate, and back up with raised eyebrows.

“Yeah, yeah, you laugh it up. I bet you don’t do everything your older sibling tells you to either - if you have one, that is.”

Jason did actually laugh at that. He raised his mug. “To disobeying older siblings.”

Guy’s face went from momentarily confused to a feral smile and he lifted his own mug to clink against Jason’s. “To disobeying older siblings.”

Breakfast continued mostly silent after that point as they both ate. Jason was careful not to touch the other man, he remembered the strange reaction he’d had last, but otherwise he felt good; relaxed, languid and full as if he’d eaten quite a bit more than a single piece of toast and two eggs.

Guy was leaned back in his chair head resting on top of the backrest eyes looking unseeing at the ceiling, long line of his neck on display. It was good Jason felt so sated, it made it easier to ignore the fact he kinda wanted to lick and bite his way up that throat.

It wasn’t like Jason didn’t have any libido but it was an odd thought process to have for him with someone he barely knew.

Guy’s hands were curled around his mug and he occasionally took a sip, throat bobbing with the motion. He looked as relaxed as Jason felt. After one such sip, he checked his phone and the atmosphere was broken with a “Shit! Forgot the time!”

The guy rushed around the apartment grabbing coat and keys and backpack. Jason followed him outside into the hallway as he finished tying his shoes while somehow walking. He straightened and locked his door.

“Take care of yourself,” he called after Jason as he ran down the hall.

Jason was left mildly shellshocked staring down the now empty hallway. He had managed to get through the whole encounter without any strange electrifying touches. Why did he feel so bereft?

Something was clearly up. With the guy? With Jason? He wasn’t sure, something in him rebelled at the very idea of labeling the guy as a threat, and that set him on edge.

One thing he knew for certain; he had a long overdue background check to do - and he felt full of energy to do so.

-

And so it continues, I actually wrote this months ago, but wasn't entirely happy with it, but then @ollietheotaku commented on part 1 and I was reminded and realized maybe my eyes would be fresh on it now and here we are. Never let it be said commenting on older fics doesn't work!

I also started writing part three but with Dead on MAYn starting in a week I really must focus on my fics for that!

Hope ya'll enjoyed! I don't always get around to replying to all comments but know they are appreciated and so is speculation what is gonna happen.

If you wanna subscribe you can do so at the Masterpost

[mangostarjam]

OKAY HEAR ME OUT I sent this to one other person and I feel like maybe you’d also vibe with this but PLEASE DONT FEEL LIKE YOU HAVE TO RESPOND OR WRITE ABOUT THIS I JUST LIKE SHARING THOUGHTS

So like Hoshina is lowkey possessive(not like scary kind but the kind where it’s like “hey that’s my gf wtf”) and lets say his s/o is a platoon leader and people have noticed that she has a bite scar where her neck and shoulder meet(maybe one of the rookies likes her oooooh 👀) and there’s rumors and NO ONE KNOWS HOSHINA HAS A MATCHING BITE SCAR ON HIS NAPE BECAUSE ITS ALWAYS COVERED BY HIS COMPRESSION SHIRT(and then Kafka notices in the bath ALL HELL BREAKS LOOSE WHAT DO YOU MEAN THE VICE CAPTAIN IS MARRIED) AND JOKES ON EVERYBODY BECAUSE HIS WIFE IS ALSO POSSESSIVE(or maybe she got fed up with his shit once and bit him back lol)

OKAY ANYWAYS I LOVE YOUR WRITING AND THANK YOU FOR YOUR TIME PLEASE MAKE SURE TO REST AND DRINK WATER BYE

-🐌

bless you snail anon i was ignoring some hardcore writer's block and this jump started something in my brain

bathtime revelations — hoshina soshiro x f!reader, established (secret) relationship, reader is a platoon leader, some minor narumi slander (sorry buddy. love that loser but it had to be done), biting, marking, possessiveness, uhhhh hickeys, edging?? nothing descriptive though sorry not today, 1.7k words

"Did you get attacked by a kaiju there, platoon leader? That's a strange looking scar."

The remark is innocent enough. You've been a member of the Defense Force for ages, and it's only natural to have numerous scars and aching bones from all the missions and kaiju neutralizing. Especially since you're a platoon leader of the Third Division, and you've leapt into the thick of things time and again to help Captain Ashiro get the best possible angle for her killing shots.

It would be fine, except the scar in question is a neat ring of teeth marks at the juncture between your shoulder and neck, where you're sensitive.

"Oh... no, that's not. Um." Shit. You've taken some of the Vice Captain's newest officers for an afternoon training session, and they're all looking at you now as you fumble for an explanation that doesn't expose your relationship. "I didn't get attacked by a kaiju, don't worry."

"Eh?? But that looks like a bite mark, platoon leader!" Iharu's voice is loud. You frown at him.

"It wasn't a kaiju," you say firmly. That much, at least, is the truth. "Anyway, if you guys wanna stay alive with just as many battle scars as me, go run some laps!"

Whew. There's a murmuring grumble, but everyone obeys orders. The summer heat and humidity wears you out quickly, and in an effort to combat the drain, you've stripped down to a tank top and your uniform pants. The bite mark in question feels like a brand on your skin, a ring of slightly raised flesh that should blend in with your other scars except for the clear circle it makes. You watch the rookies run, but your mind drifts, thinking back to when you got that set of teeth marks on your skin. Your body warms at the memory. Stupid boyfriend with his stupidly sharp canines.

You snap back to attention as Kikoru and Reno jog past, their words floating towards you on the breeze —

"—looks like maybe human?"

"Definitely not kaiju. You think the platoon leader's still with the person who marked her?"

"Oh, we can't ask that. Hibino senpai will be devastated."

Oh, jeez. There's no way you can let your boyfriend hear anything about this —

"How's it goin', platoon leader?"

Shit. You turn to the Vice Captain of the Third Division and frown. "What're you doing here?"

Hoshina Soshiro smirks at you, taking the tiniest step closer into what most people would consider to be personal space. "Just checkin' on my lil' fledglings! They've still got breath to gossip, eh? Are ya lettin' 'em off easy today, platoon leader?"

"I was letting them run off some energy so they'd forget about this bite mark on my neck, you vampire," you mumble. Soshiro laughs, leaning just a bit towards you. The afternoon sun glints off his purple hair in sparkles that dazzle your eyes, though it's easy to get pulled into his orbit when he's so magnetizing. You catch yourself and bring your outstretched hand up to your face, rubbing at your nose instead of sinking your fingers into the fluffy strands like you intended.

"Sounds like someone's got a lil' crush on our fearsome platoon leader," Soshiro says quietly, shooting you a lopsided grin. "Not that I blame 'em since it's you we're talkin' about. Still, it'd be good to send a message, y'know? Should I refresh your marks tonight?"

Your face feels hot. "'Marks?' But only one of them is visible when I'm in uniform!"

"What about the bath? We should give Shinomiya somethin' to report, don'tcha think?" His low voice sends a shiver down your spine and you frown to hide how much it's affecting you. Your boyfriend tilts his head. "Fresh marks'll show 'em all you belong to me."

Something hot and sharp lances through you and you bite at your lip to hold in a whine at the words. "That won't work," your voice is breathier than you'd like, but Soshiro is watching you like he wants to eat you alive and it's thrilling and terrifying and not enough. "They won't know it's you unless we match."

He raises an eyebrow at that, but the corner of his lips twitch as he fights down a grin. "Good point, platoon leader. We should discuss this in my office later."

"You're a menace."

Soshiro's smile softens into something fond and he takes another tiny step closer, until the fabric of his jacket brushes against your bare shoulder. You inhale his scent — bright, woodsy, something intrinsically Hoshina Soshiro — and all of your muscles relax. "And you're too dang cute for your own good, my love. See ya later?"

You nod and salute as he walks away, biting down a silly grin as you watch him call out encouragements and teases to his rookies. They all respond with good cheer and an edge of fierce determination, and once Soshiro fully exits the training area you allow yourself to return to the task at hand. You know, possibly more than anyone else on base, how hard Soshiro works to take care of his officers. You aren't going to let him down.

... but maybe you'll die of embarrassment first.

"Platoon leader! Did you spar after our training session? I would've liked to join!" Kikoru says, coming closer eagerly as you begin washing up in the communal bath. Your hand slips along your leg as you jerk up in surprise and Kikoru visibly falters as she takes in your bruises.

"This was a... private session, Shinomiya. I'd be happy to spar with you another time, though." Your entire body is warm, and not from the steam wafting through the echoing room.

"Aah, yes, of course! Sorry to disturb you, platoon leader!"

You resume your scrubbing with a quiet snort, listening as her footsteps return to the corner where Akari and Hakua are clearly ready to pounce. The girls probably don't realize how much sound travels in the bath, but you can hear their hushed whispers and giggling as Kikoru reports back that you're covered in hickeys.

You press down on a few of the blossoming bruises between your thighs and snort again. There's no way these could pass as training bruises — they're too intentional, too close to your aching center where Soshiro paid special attention earlier in his office — without letting you reach your peak. Bastard.

He made sure to leave marks along your chest and neck and shoulders again, taking advantage of your tank top for its easy access to your skin. Only after begging and pleading did he finally remove his stupidly tight compression shirt for you to drag your nails down his back and shoulders, fingers fisting into his hair as he licked and sucked at your core. After he ripped away your orgasm, you made good on your promise and left your own marks on his skin, kissing and sucking along the strong column of his throat and shoulders and pumping him with your hand until he nearly came on your thighs. Two could play at that game, after all.

Your ears perk as you catch your boyfriend's name. "Vice Captain Hoshina says I'm improving rapidly," Kikoru says cheerfully, tossing her head back. She certainly has the right to boast — her combat power levels just keep rising. She's going to make both of you proud. "Someday I will beat him in a practice match!"

"I'd like him to spar with me," another officer giggles. "Have you seen his back? Defense Force men are really no joke."

You bristle automatically. You're used to it by now — Soshiro's hot — but it doesn't make it any easier to hear confirmation of the fact out loud. "What about Captain Narumi? He's got really nice arms!" another officer says.

"You mean Captain Ego?" The communal bath fills with laughter as the girls gossip. "He's good looking, too, but Vice Captain Hoshina in that shirt..."

You're done bathing and changing into your nighttime clothes when a loud commotion from the other communal bath erupts. You share a look with a few of the girls, but you take your time pulling on your clothes (Soshiro's shirt, your shorts, your panties mysteriously missing — though you're sure you'll find them safely tucked into Soshiro's own sleeping pants pocket later).

You come out of the changing room and blink. "Vice Captain, how could you?!" Kafka is wailing dramatically. "You've already beat me by taking my spot by Mina's side, but you're beating me in having a girlfriend, too?!"

"Hang on a sec, old timer! You've already got the 'childhood friend promise' with the Captain!" Iharu shouts. "Leave something for the rest of us!"

"My, my, what a fuss," Soshiro says, waving his fingers. You blink, but the vision before you doesn't change. Most of the men are shirtless, towels wrapped around their waists as they spill out into the hallway in their chaos, and Soshiro is no exception. You can clearly see the raised pink lines your nails left behind on his densely muscled back, even with the small clump of officers between you. "We're all gonna catch a cold standin' out here like this."

"Those bruises on his neck... they look... fresh..." Reno says, his bright gaze darting between his Vice Captain and your exposed neck. Belatedly, you swing a towel around your shoulders, but Reno's eyes widen and you groan inwardly. "The platoon leader has fresh bruises, too."

Soshiro turns and your eyes snag on the blossoming pink and purple along his neck and shoulders. A quiet satisfaction settles in your gut at the sight, and you can't help but grin. "Keep that up, Officer Ichikawa, and you'll end up getting snagged for the Investigations Unit."

"They look good on her, don't they?" Soshiro hums, raising an eyebrow as the officers put two and two together. He meets your eye from across the small group and smirks. "Ain't it nice, platoon leader? Matchin' with the Vice Captain?"

Your answering smile makes his face light up with a deep fondness. "I wouldn't have it any other way."

[halfghostwriter]

Danny had been planning this vacation for months, and Ancients did he plan to make the most of it. His friends and parents all agreed to keep Amity safe while he’s gone for the summer, and he had Clockwork to tell him when it was time to portal back home. As he floated towards a natural portal in the ghost zone (because it’s far more fun when the destination is a surprise), he began shifting his form. He had been dealing with so much both as a human and as a ghost. School, fights, teen drama, hunters— but not this summer! This summer, it’s going to be different! He won’t have to worry about human or ghost problems, because this summer, he’s not going to be either! He’s going to be…

A Little Creature™️.

He doesn’t use his “compact” form very often, since it dampens his powers and takes away his ability to talk. But, on this vacation, he won’t need his powers. He can just wander around an unknown dimension, steal some food, sleep in a cardboard box. If he actually needs to be human for something, he can switch back no problem. But honestly? It’s fun being a little guy, even if being a little guy does make him kinda stupid. (He got stuck in a cardboard tube the first time he went into his little form. He was stuck for half an hour. Didn’t even think to phase out of it. As soon as he was pulled out of the tube, he went right back in and got stuck again). Plus, he can stay in this form for an incredibly long time— he doesn’t even switch back when he’s hurt! (Which no, it was not fun to learn that, but good to know)

Shifting into his compact form, Danny slips through the portal and finds himself wading through a big pool of stuff that seems like ectoplasm, but slightly to the left. Like yeah, it’s technically ectoplasm, the same way a carton of milk set out in the sun for three days is technically milk. Not fun to play in, horrible to eat.

As Danny pulls himself out of the gross, bubbling “ectoplasm” pool, shaking himself off, he sees some sort of big fight going down. Bunch of people with swords, some big guy dressed as a bat, some kid dressed as a traffic light. He considers stepping in for a moment, but… no. This is his vacation. Not his dimension, not his problem. Just be a Little Creature™️. He sees a bat-shaped piece of metal at his feet. He knows exactly what a Little Creature™️ would do in this scenario.

He hits it.

Then he hits it again.

Then he hits it again, and again, and again and again and again and he grabs it and bites it and rolls around with it and tail slaps it and bites it and bites it and bites it and bites it and then he almost gets stepped on.

Danny looks up from his toy to see the kid dressed as a traffic light staring down at him. The kid tries to grab the toy away from Danny only to be met by the fierce batting of his little paws. The kid moves his hand close a couple more times, and each time he’s fought off valiantly by Danny’s little paw smacks. He’s not sure why the kid looks like he’s smiling when he’s so clearly losing this battle. The kid gets distracted by the guy in the bat costume calling out to him, and Danny takes this opportunity to continue biting the bat toy, rolling with it and biting it and batting it and biting it and why is he being carried away by the kid.

Danny looks around and sees that the kid is carrying him into a big plane being piloted by the guy in the bat suit. Then he’s shoved under the kid’s cape, and he doesn’t really see too much for a few minutes. He chirps at the kid, and is met with a soft yet quick “shhh!” He waits until he can feel the plane they’re in take off to peek out of the cape and look out the window.

He can see the large pool— though it’s more of a pit, now that he sees the whole thing— that he arrived through, as well as a bunch of people running away from it. Not sure why though, it’s just a bubbling—

Ah.

It blew up.

… Danny hides a bit further in the cape, clutching his bat toy a little tighter. He wound up in a very comfortable position, which made him just… a little sleepy…

Danny woke up wrapped in the cape, held by the kid, surrounded by a shocking number of people all yelling something about a “tiny pet pit demon.”

[atzual]

what your ateez bias says about you

if you take this seriously, that's on you. i'm just doing this for fun.

tw: heavy topics, language, roasting

*****

hongjoong: right. how's the desire to impress people and overworking yourself doing? i feel like what draws you in is his resilience, and that he is very dependable. you probably had a lot of moments where you were left to your own devices to work on something major, and are no stranger to burnout. you might be the kind of person to talk about your achievements and your work and everything you do a lot, maybe to seek validation (and maybe to cement that you have something others don't). on a softer note, you probably have a wide range of skills in a field you are interested in, and experiment a lot. generally are not afraid to go outside of norms to figure something out. so to see the qualities of a leader and innovator in joong is both comforting and inspiring to you. (bonus: you probably have a thing for clips of joong in the studio, don't you?)

seonghwa: you feel like you don't have anyone who you can actually trust with your thoughts and feelings, huh? people talk at you, not to you. you are a natural care-giver, are quick to give advice (also to bottle up someone else's negativity), often ignoring yourself. you might have lost the feeling of 'home' or of 'small but certain happiness', and might have some unhealthy coping mechanisms. on a brighter note, you are someone who can process emotions a lot more deeply than others and if there is anyone who can actually put themselves in another's shoes, it's you. i think hwa is a safe space to you, precisely because it is not all sunshine and rainbows. you connect with his battles, growth, and how he is accepting change and trying to find balance. (bonus: him getting excited about something is legit your therapy isn't it)

yunho: many acquaintances, few friends? i think you legitimately stopped believing in love. at least the mushy 'at first sight' and 'meet cute' and 'soulmates' kind of love. might be because of family-related things, or because of romantic relationships, but trust is a problem for you. you probably think negatively about yourself quite a bit and/or have/had a more pessimistic mindset. on the positive, i think you're really loyal when you find your people, and want to see them happy. you connect with people beyond love, you make connections that are made on living life together and going through things together. i think this is also what drew you to yunho - his perseverance, resilience, ability to smile in the face of hardship, but also his ability to navigate a lot of emotions as they come and deal with them in a healthy way. (bonus: his small expressions of affection/acts of kindness make you melt, right?)

yeosang: you've been through quite a lot, haven't you? i think you try to laugh a lot of it off or treat it lightly, but the demons eat away at you sometimes. you might be someone who burned out in/after high school, and generally does not have a good experience with school. might feel lonely even when you are not alone, sometimes just choosing to float in your imagination for comfort. often act tough or not quite like yourself to appear more like the you you have in your head. i think in part you kind of want to learn how to love the world like yeosang, and are really touched by his sweetness and his humor. you are a fighter and despite it all, do stay true to yourself and your values, and this is something that you find and adore in yeosang. you are drawn in by his ability to follow his dream, and his heart of gold. maybe your scars will turn golden too. (bonus: you probably have a mild obsession with his one-liners)

san: how are your boundaries, broken like the wall? you probably have some trouble with setting and/or maintaining boundaries, and so sometimes have people treading over you. you might feel like a side character in your own life, and so turn bitter and internalize a lot of negative energy. honestly on a brighter note i think you really do try hard for others, and go out of your way to try and make dreams happen for others, because it makes them and you happy. you cheer, you support and you truly show that you are on a loved one's team. I feel that what draws you to san is how he transformed himself in a healthy manner, and how he maintains a very clear circle of those he trusts, and is no stranger to kindly setting rules in place while still remaining sweet and respectful. he is a safe space for you both because he makes you smile with his stories and jokes, but also because he is adamant on keeping things in order. (bonus: his reaction to the merch donation story lives rent free in your mind)

mingi: got some problems with regulating emotions, maybe? be it hiding them until you burst or not knowing how to express them, i think this might be a challenge for you. you might have been exposed to something that made you believe that it is a sign of weakness or a risk. at the same time, you are logical, damn good at what you do, and when you face hard times you bounce back, even if it takes some time. i think you and mingi share the introspectiveness, and you like how thoughtful he is. you probably find comfort in how he shares happiness with others, and how he seeks closeness with loved ones. at the same time, there is something about how he transforms on stages that resonates with you - the power and confidence is something you want to work on and find more of in yourself. (bonus: your will never stop thinking about mingi's creative process monologues + freestyle mingi)

wooyoung: do people tell you you have a big personality, or that you are 'a lot' sometimes? i feel like you have your way of working, your way of thinking, but might have a hard time actually communicating that or adapting to different social environments. it might be because you're headstrong, or because you are in constant fight or flight mode and so are more rigid. at the same time i think you are diligent and very detailed with what you do, and are in fact attentive to others and might notice things others don't. i feel like what you admire in wooyoung is his ability to connect with others, while not losing himself or his values. you feel for his hardships, and he helps you learn how to be more loving and more open with expressing and accepting love. he is very much your candle. (bonus: you cried because of his interview + dance in that one show, didn't you?)

jongho: how many thoughts are spinning in your head? you might be an overthinker, slightly misanthropic, and on bad days might sink to having a victim mindset and ask the universe 'why me?'. you might have had to grow up too fast, or were controlled a lot as a kid - either way, your understanding and experience of freedom and maturity might be warped. at the same time you are reliable and are able to call things out for what they are. you might have also put a positive spin on the negatives and either used them as inspiration, grew from them, or taken a skill from them that you then generalized. i think jongho's humor and innate warmth is your haven, and his continuous self-development grounds you and motivates you to also try your best and think of ways to find the good in situations. i feel you might also resonate with his occasional shyness. (bonus: you often think about his emotional strength even when he talks about his concerns, don't you?)

[professorcalculusstanaccount]

People have been asking for a Chang timeline post! Chang not only represents a turning point in the politics of the Tintin series, he also represents a sense of chronology in the otherwise floating timeline of the canon. While Tintin almost never discusses his past, Chang is a key part of his personal story in Tintin in Tibet.

I imagine him and Tintin being around the same age, with Chang being a few months younger.

Child - Chang had a happy early childhood being raised by his father and grandparents. He never mentions his mother when recounting his backstory to Tintin, so my main guesses are she either passed away or his parents separated before Chang was old enough to remember her. His father and grandparents taught him how to cook from an early age, and taught him the importance of solidarity and community, lessons Chang will hold onto the rest of his life.

Early canon - Chang is orphaned. This sudden loss causes him to act out. He turns to picking pockets and causing general mischief until an orphanage takes him in. Chang learns a lot of skills just to survive - he’s stealthy, he’s street smart and pretty decent at climbing. His experiences as a street kid taught him to be wary of authority.

The orphanage provides a brief period of stability until it is swept away in a flood. Until this point, Chang has felt pretty powerless in his life so just goes with the flow, so when Tintin drags him out of a river he doesn’t think twice about going along with him to break up a drug ring in The Blue Lotus. Going on this adventure with Tintin imbues him with a sense of empowerment and purpose he never felt before.

Student - The Wangs adopt him pretty quickly after he busts the drug ring with Tintin. It’s a sudden change he struggles to adapt to, with the Wangs being wealthy academics and Chang coming from a working class background there’s a significant culture clash.

Tintin leaves just as quickly and rarely contacts Chang, even as his journalism career takes off, leaving Chang lonely and heartbroken. Chang tries to send him letters but doesn’t know that Tintin moved out of Labrador Road.

Having missed out on education for a bit Chang struggles with school. He feels unworthy of the opportunities the Wangs try to provide him with and a part of him feels they only adopted him because they were dazzled by him taking down that drug ring, an achievement he increasingly feels he will never live up to again. He struggles with mental health issues, but finds solace in photography, his portfolio getting him a place at university despite his bad grades.

Young adult - In an attempt to try and help Chang’s mental wellbeing the Wangs decide to send Chang off to visit his uncles before he starts university, only for Chang to nearly perish in a plane crash in Tibet. Ironically, it’s this near death experience that shakes him out of it. Chang has a renewed enthusiasm for life, taking to travelling, dance and photography. Didi trains him in some basic martial arts so Chang can fend for himself.

Tintin makes an effort to stay in touch after having nearly lost Chang. The two repair their friendship, and Tintin has him stay at Marlinspike when Chang studies in Belgium for his second year of university. By the time Chang comes around, he’s had a growth spurt and has been working out - Chang is pretty haunted by his skeletal state from his near death experience in Tibet, so has been making an effort to recover.

After helping Tintin with a case, Tintin gets him a job at his paper as his photographer. Being Chinese he faces challenges in the workplace, and he uses his charm to be as personable as possible. Unlike Tintin, he frequents quite a few staff parties, and ends up pretty popular!

A couple of years later, Chang tries to unionise the staff at the paper. He and Tintin are outed as a couple and the two of them are fired.

Middle aged - After fighting fascists with the Marlinspike team during WW2 Chang and Tintin settle down in Belgium, with Chang scraping out some freelance photography work and a part time job at a portraiture studio. War in China causes them to lose contact with his adopted family. 

While Tintin grows more cynical, Chang accepts the chaos of the world and mellows out a lot. He tries to be a supportive partner and makes extra effort to stay in touch with his uncles and cousins.

Elderly - Chang uses his skills in photojournalism when he gets involved in political activism. He and Tintin are finally able to reunite with Didi and his children in the 70s.

[evilminji]

Broadway :3c

And I hear ya. (Insert spooky joke here) There is a sprawling WEB of central hubs, for The Arts. For trade. For getting drunk and having a good time. The Zone is large and it is endless. You'll NEVER reach the far end. It can never reach you.

All things, in gentle sweeping waves, across eternity.

So when folks want to have "a market" or "a movie theater" or "the waterpark"? You gotta PICK a point on the endless map. Figure if you are close or far enough away for others like it, to make it worth the effort to build.

You might even be the first to do it for GALAXIES in any direction! People might fly for WEEKS to come to your place! Move their Lairs to be closer too it. Like dust gathered by gravity, slowly creating planets and stars. A mega Lair. A CITY.

They rise, they fall, the Zone shifts all the while.

But!

Does the dead starlet stop singing? Does getting gunned down, stop the show?? I think NOT! Where is her STAGE? What musicals? What dramas? What operas and tragedies and forms unknown to human kind??! Ballet dancers who CAN defy gravity! Singers who have no NEED for air! The haunting blend of instruments, that could never in life have met! From empires long turned to ASH!

The greatest show in DEATH!

Ember was a world wide hit. Yes, her voice was hypnotic. But that could be FOUGHT. It was SKILL that carried the game. And she was hardly "I was Literally The Greatest My Planet Ever Produced" skilled. She was good, great even. Not "I was Born For Greatness" Excellence.

And like?

.....eventually? Danny's gonna ask after "cultural-y" Culture stuff. Clothes and food. Music and the arts. To help his parents get used to the whole "our son is half-dead" thing. To show he's not some mindless monster now.

And? Ghostwriter? Probably an absolute legend. Does he know where you can find some CULTURE? Oh THANK ZONE! He thought you'd NEVER ask! You unsophisticated-! *fist fight in a library* Still a dick, though. Always and forever.

And just? Imagine Broadway stretched out into a floating city. That never sleeps. Never stops. Shows ever changing. Some on a cycle, some only once. Dream-like. Beautiful. Eye catching.

And yeah, Danny didn't think he LIKED musicals. It was more of a Jazz thing. But? This was important! Gotta get the whole family in the Speeder. We're going to see a play, guys! We'll pick when we get there! Family road trip! Educational! We can make notes!

His parents are trying to be supportive. Big, fixed, strained grins. Trying to pretend to be excited. But they... DO seem reluctantly intrigued? And Jazz is all but vibrating in her seat. It's basically her "before you go away to college" present. And she is THRILLED.

The longer she excitedly speculates? The more into it she gets their folks. This IS gonna be new! Exciting! Never before seen Ghost Culture! Music! As a FAMILY! Think we could find souvenirs? Ooooh, wonder if they sell CDs??!

Then? They GET there. And it's... it's like seeing the Las Vegas strip for the first time, except multiplied into a city. Made of even MORE styles and eras. At angles gravity would never allow.

The air filled with laughter and excitement, people rushing to shows or humming bits of tunes. Street stalls. Fountains. Flowers growing everywhere.

They could stay for months and not even reach a fraction of these buildings. His parents are taking countless photos. His sister squeeling with joy as she races for an information kiosk like they just arrived at Disneyland. He, at least, remembers to lock up the Speeder. Grab their day bags.

When did HE become the responsible one?

The argue over shows. Obviously. Wouldn't be Fenton's otherwise. HE wants to see the alien one. It's from mars! But it's his sister's trip, as his dad points out, so she gets to choose. She picks a musical set during the Fall of Krpton. He's... reluctantly kinda interested. I mean, EVERYBODY likes Superman, right?

It's... it's amazing. Terrible, but amazing. I mean? A coming of age story cut tragically short? Oof. Hello, massively projecting then getting FEELS about it! Yeah, sure, rip my heart out why don't you? He's fine. No, really! Just drowning in his own emotions over here. The refrain of "A Life Well Lived"? *gargling dying whale noises* he's FINE. Not grappling with anything! Go on without him!

Thankfully?

They DO sell CDs.

He... he may end up, kinda, getting a bit of a collection. Going on the weekends, hoping show to show. Wandering to whichever catches his eye in the moment. Buying the CDs for one's he likes. Which? Honestly is a lot of them. Even though there's all sorts of genres and languages. Cause it... it RESONATES you know?

The grief. The anger. The "I have died but I wasn't FINISHED. It isn't FAIR.". And? Something about ghost speak flows so BEAUTIFULLY in song? It's hard to explain. But he... he needs them.

A pair of headphones, a CD, and a clear night sky? Nothing touches it. It's like a trance made of light. Like he can just drift.

The problem? Is the CDs are kinda... Zone made? They're radioactive, for one. Nothing a Fenton CD player can't handle. But... they? Also? Kinda fuckin GLOW? Like... very, very noticeably. And not in a "ha ha, cool glow in the dark paint!" Sorta way.

.........but like FUCK is he leaving his music behind when he goes to college. Gotham will have to deal. It's already a burning shit-nado, it can handle this. Probably. He'll put um in a lead lined box. Actually, speaking OF.... he needs to get a few more of those... *goes back to packing*

Which? Is how? The Bats are treated to some of the most HAUNTING music they've ever heard, belted and crooned from Some Guy's speakers, out an open window, on the "stop for a mid-patrol drink of water and a snack" building. It's one of the intersections of their patrol routes. And THAT? That is some dude listening to a Romani ballad about death and the circus. Now it's a musical about the trenches of an obscure war.

Okay, that was DEFINITELY Kryptonian. Like... coherent Krypto- *Bruce gets a call from Clark on his "work" number DEMANDING to know where that is coming from. Who is that voice Bruce?!* huh.... Well Then.

@hdgnj @hypewinter @nerdpoe @lolottes @babbling-babull @spidori @mutable-manifestation @the-witchhunter