#THAT. HAS IMPLICATIONS

[ariapmdeol]

please be free and post your coe analysis i want to see it

OK SO. THIS IS THE METAFICTION THEORY/ANALYSIS, AND INVOLVES SPOILERS FOR THE MOST RECENTLY TRANSLATED PART OF THE DLC (part 5), ALONG WITH SPOILERS FOR. THE ENTIRE BASE GAME. it has nothing from beyond that, to the best of my knowledge (though it implies things for future content). This ended up as longer than expected oops. I will make another analysis post on specific moments that stood out to me at some point but this one is specifically for metafiction stuff!

I want to do character analysis posts at some point as well, so if you have any suggestions for who i should do first please lmk! :D

relevant image:

OK SO. METAFICTION is a type of fiction that consistently reminds the audience that it is, in fact, fiction. I've been also using this term to stories in which the medium through which it is told is relevant to the story and narrative. One example of this would be DELTARUNE. The soul (player) is separate from the protagonist (Kris), and the in game mechanics are relevant as well (re: snowgrave). it's Meta in the sense that it challenges the reader/player to reconsider what we see as normal from a gameplay standpoint vs what is a part of the STORY.

I BELIEVE that Cell of Empireo uses metafiction as a part of it's narrative, and that the structure of the game itself is relevant to the remainder of the game. Cell of Empireo, ESPECIALLY in the DLC, makes use of the fact that IT IS A GAME as a major plot thread (i predict this to be more relevant in future DLC parts/hermits room/interlude). I've talked about this a little in the other COE theory post but. this is a DEDICATED analysis so i can go into DETAIL.

one of the earlier and most explicit hints we get of this meta narrative in COE is in chapter 6 part 2 of the eng translation. THIS DOCUMENT HERE is in the Empyrean Heaven Research Institute, and is listed without an author.

I BELIEVE the author of this document is NONE OTHER than SEODORE RIDDLE. It's either him or Mutei, but Mutei was uninvolved with the EHRI so it HAS to be Seodore. I am pretty sure he's aware of the true nature of 'this world' (the ingame world).

specifically, by referring to the 'source code of the world', I don't think they meant this metaphorically. i think they meant this LITERALLY. LITERALLY THE SOURCE CODE OF THE GAME THAT WE ARE PLAYING.

I want to specifically point out the Purple text at the end of S, before S+. it reads:

"Oh, what a surprise. Well, congratulations! I hadn't thought it possible to come to this domain without going through anything else. ......Nn? Aah, who are you? Well, no need to act so defensive. That aside. It'd be nice if hope could be found in that 'this was a process'?" "Well, but this is a matter of will. No matter how God interferes. Without one to receive it, God's love can't be written out. So, please tell me. Your 'will'." "'Do you accept God's love?'"

By selecting yes, we see the three rings of light (i wonder if its relevant that there are THREE of them...) and get sent back to our first meeting with Hatsutori. This. this is META. the game itself plays with our expectations of a 'credits' scene and uses it to PUSH FORWARD THE NARRATIVE. it breaks what is expected as a PART OF THE GAME.

It's more than just a bonus scene too; the fact that S route happened is a PART of the story as well! Haruki specifically says THIS

Hatsutori: Once again, good day. Haruki Atou-kun. This is our first time meeting, shall I say. Atou: No....... This isn't our first time.

He IS AWARE of the S route. Hatsutori calls it "arrival."

Why is the term "Arrival" important? because that is what we call the endings! the translation calls them "Arrival Points"! This links us back to the SAVE FILES OF THE GAME. Haruki is AWARE of the S route on a subconscious level. This can also link to why the game has hidden timers and route info as well-- by playing multiple times, us the player AND Haruki the character know more of whats going on! That's why it's so hard to get the S ending first try, because it relies on the PLAYER'S knowledge of what to do! We are a PART of Atou's story beyond just controlling his actions!

The three rings of light.... Three books of the Divine Comedy (Inferno Purgatorio Paradiso).... Which connects us back to "the Divine Comedy is a reality left in this world." I need to think more on what this could mean. I think this has to do with accessing the 'source code' but either way it is meta.

Mutei's document (the only one we've seen so far) expands on this when we get to see it in DLC part 5. I will put the document below (note that this is the only mutei doc we've seen in the eng TL so far. i am so desperate to understand this man so fucking bad. the second i understand whats going on with him its over for all of you).

he says this AS A WRITER. SEODORE is using this info to REWRITE the definitions of the world, and edit the source code. This is why he has that glitchy effect whenever he uses Brugmansia: he is LITERALLY rewriting the code. I think Seodore is the only one TRULY aware of this whole world as a 'story', along with Mutei.

HOWEVER. I believe that these rewrites are limited to what is REALISTIC. I believe that each COE route is a different pseudo-universe as described in Mutei's document. The minor changes build up to a butterfly effect! It's like using save files to change your actions! to reset to try to save everyone! We still follow the world's definitions, but are changing the outcome using information we've gained!

The above screenshots... The line about playthings makes me think that seo is aware of the Source code. We the player are a level above the characters, looking into their little fictional world. I think seodore wants to 'end the game'. Make it so the player CAN'T keep looping things and playing over and over. Seo is right, from his perspective people AREN'T playthings. but to us? the player? These are FICTIONAL characters in a FICTIONAL world and seodore is RESISTING that. he wants the story to END.

I believe Sanemitsu and Atou both have the power to do this as well (Harada factor). I touched on this in the other COE post but I swear to god it makes sense. Atou SPECIFICALLY acknowledges that the scenario Hatsutori expected has been REWRITTEN (again calling back to the WRITER themes). Sanemitsu... i will write him his own analysis post bc i love him

ATOU SPECIFICALLY CALLS OUT THE META ASPECT BY ACKNOWLEDGING THIS WHOLE THING AS A 'FINALE OF A PLAY'. HE HAS HIMSELF HAS DONE THE BEST HE CAN. ITS META FICTION. ITS LITERALLY META. ATOU IS REMINDING US THAT THIS IS INDEED A GAME AND IS FICTION which is DOUBLE interesting bc HE KNOWS!!! ATOU KNOWS AND HE DOESNT AT THE SAME TIME!!

anyways i cannot wait to see where the story goes! i am sane and normal over this game (lying).

[rotzaprachim]

too many conspiracy theories about oil in gaza and not enough practical understanding of the fact that bibi netanyahu and his cronies have extreme personal reason to keep this war going as long as possible and at any level of civilian cost because the moment it's over he'll no longer be a wartime prime minister and will have to face the repercussions for being a massive reason why the october 7 attacks ended up with a body count as high was it was

[blueskittlesart]

i hope everyone in nintendo’s management department dies and goes to hell no matter what and i’m not kidding

[disco-troy]

KG Beast had the worst time of his life after he shot Nightwing.

First he got beat up by Batman and abandoned in the snow

Then Nightwing himself beat him up (and told him a pun)

THEN The Batgirls lured him to their turf ON PURPOSE to beat him up

Damian nearly kills him

He gets beat up by a guy at the speed of light

and that's not even counting Kory's reaction!

Entire hired killer career OVER bc he shot one man

[demigods-posts]

headcanon that when estelle is old enough. percy and annabeth take her trick or treating. and estelle dresses up in the loudest colors she can find. and claims she an international super spy. and percy and annabeth accompany her while wearing tuxedos. claiming that their her bodyguards.

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[carthonasi]

what do you know about my mother? she was like you. she was kind. and loving.

[mintjeru]

"but there is nothing more beautiful and terrifying than innocence."

open for better quality | no reposts

[p4nishers]

crowley, drunk off his ass: and i was yk just some fucked up soul born in cold and rain but he was my fucking sunlight or whatever

hozier, frantically writing on a napkin: HHHMMMM TELL ME MORE

[bogcreacher]

[pillowspace]

Moon ouppet but it’s actual moon waking up and realizing puppet stole all his clothes

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[electric-beaugaloo]

I see your “Alice and Celia are anagrams” post and raise you a “Alice and s1 Jon are wearing the same hat”

S1 Jon is desperately skeptic bc he’s scared & doesn’t feel in control so he’s bluffing in a way that comes across as unlikable. I think Alice is also haunted by the job but faking her way through it by bullishly insisting others don’t think about it… also in a way that can come across as unlikable.

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[kittykatninja321]

Actually there is something so choice about how the narrative around Jason’s death pre-ressurection spends so much time reassuring Bruce (and the audience) that Bruce has no culpability and that Jason was hopeless and even at times tries to convince us that actually Jason wasn’t even really his son so Bruce didn’t fail as a father, he did the best he could really. Bruce doesn’t owe him anything. This could be seen as an attempt to distort history in order cope with Jason’s death, but this narrative is never actually challenged, we’re meant to take it as truth. And then Jason comes back and drags Bruce by the ear and goes actually no bitch you do owe me something you owe me a death. Bruce doesn’t get to wash his hands of him. Jason forces the issue, he refuses to let Bruce walk away clean. Good, he shouldn’t <3

[poorly-drawn-mdzs]

Normal Friend Behaviour.

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