It was probably all peace and love and compassion and that absurdity.
(Wonder Woman #4)
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too many of you are treating this + the various discussions of real sexual assault/abuse in the notes as fun drama or using this post as a vehicle to spread misinformation so im turning reblogs off until you can behave
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Damian, Jon, and Lizzie from Wonder Woman #3.
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I feel like making waves!
(Some of these are like my Anti-Takes, so oh god please do not come raze my home to the ground and salt the earth!)
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Batman #33
Jason Todd, the Red Hood, one of the most feared vigilantes in Gotham, a man who has risen from the grave, trained with ancient assassins, and taken on Batman one-on-one, is losing a game of tug-of-war with a dog
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Batman #78: City of Bane
by Tom King (W.); Clay Mann (P./I.); Tomeu Morey (C.) and Clayton Cowles (L.)
DC
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Wonder Woman #9 by Tom King, Daniel Sampere and Belén Ortega. Variant covers by (1) Stjepan Šejić, (2) Julian Totino Tedesco and (3) Irvin Rodriguez. Main cover (4) by Sampere. Out in May.
"The ultimate test! As Sovereign’s grip on Wonder Woman’s psyche tightens, she retreats into the arms of Steve Trevor. Will their love for the ages prove victorious over the web of Amazon lies weaved in Man’s World? Plus, Trinity lets the dogs out!"
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That is not at all how the Final Crisis ended. You left out all the singing.
(Wonder Woman #6)
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Batman the Brave and the Bold, vol 1 - the Winning Card
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My favourite niche genre of Batman comic is definitely ‘Bruce is forced to interact with magic users and hates every minute of it’
Batman (2016) #23
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“And in the end, there we’d be. Sweat and leather. Bat and Cat.”, by Jorge Fornes, with Colors by Dave Stewart, Letters by Clayton Cowles and a Script by Tom King.
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