#Writing Help

[luna-azzurra]

Unhealed Wounds Your Character Pretends Are Just “Personality Traits”

These are the things your character claims are just “how they are” but really, they’re bleeding all over everyone and calling it a vibe.

╰ They say they're "independent." Translation: They don’t trust anyone to stay. They learned early that needing people = disappointment. So now they call it “being self-sufficient” like it’s some shiny badge of honor. (Mostly to cover up how lonely they are.)

╰ They say they're "laid-back." Translation: They stopped believing their wants mattered. They'll eat anywhere. Do anything. Agree with everyone. Not because they're chill, but because the fight got beaten out of them a long time ago.

╰ They say they're "a perfectionist." Translation: They believe mistakes make them unlovable. Every typo. Every bad hair day. Every misstep feels like proof that they’re worthless. So they polish and polish and polish... until there’s nothing real left.

╰ They say they're "private." Translation: They’re terrified of being judged—or worse, pitied. Walls on walls on walls. They joke about being “mysterious” while desperately hoping no one gets close enough to see the mess behind the curtain.

╰ They say they're "ambitious." Translation: They think achieving enough will finally make the emptiness go away. If they can just get the promotion, the award, the validation—then maybe they’ll finally outrun the feeling that they’re fundamentally broken. (It never works.)

╰ They say they're "good at moving on." Translation: They’re world-class at repression. They’ll cut people out. Bury heartbreak. Pretend it never happened. And then wonder why they wake up at 3 a.m. feeling like they're suffocating.

╰ They say they're "logical." Translation: They’re terrified of their own feelings. Emotions? Messy. Dangerous. Uncontrollable. So they intellectualize everything to avoid feeling anything real. They call it rationality. (It's fear.)

╰ They say they're "loyal to a fault." Translation: They mistake abandonment for loyalty. They stay too long. Forgive too much. Invest in people who treat them like an afterthought, because they think walking away makes them "just as bad."

╰ They say they're "resilient." Translation: They don't know how to ask for help without feeling like a burden. They wear every bruise like a trophy. They survive things they should never have had to survive. And they call it strength. (But really? It's exhaustion wearing a cape.)

[feral-witch-hat]

THANK YOU

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

[unboundprompts]

hi, i love your prompts!!

can you do prompts/suggestions for revealing a character’s tragic backstory to the other characters? mostly with like hurt/comfort or angst. please n thanks!

How to Reveal a Tragic Backstory

check out these sources:

The Backstory Drip: Helping Writers Become Authors

When Do You Reveal a Backstory of a Character?: Writing Stack Exchange

Writing Character Backstory That Feels Real: Now Novel

1. Establish Context Before the Reveal

Before revealing a tragic backstory, it's crucial to lay the groundwork. Give the audience some clues or hints about the character’s pain or past struggles without fully explaining it. This builds curiosity and tension, making the eventual reveal more satisfying.

Example: Throughout the story, you might show the character having nightmares, flinching at certain triggers, or displaying a particular behavior (like pushing others away) that hints at something painful in their past.

2. Choose the Right Moment

A tragic backstory should be revealed at a moment that feels natural and emotionally charged. Don’t force it into the plot. Often, it works best when the character is vulnerable, perhaps during a quiet moment, when they feel safe enough to let their guard down, or during a crisis when the emotional dam breaks.

Example: The character might reveal their past during a moment of intense emotional vulnerability, like when they think they’re about to lose someone else they care about, or when they are experiencing a setback that mirrors their past trauma.

3. Keep It Uncomfortable

A tragic backstory is rarely easy to talk about, and the discomfort surrounding the reveal can be just as important as the backstory itself. Let the character struggle with the words or try to push the conversation away, only to be coaxed into speaking. This makes the moment feel more authentic and raw.

Example: The character might start the conversation with, "It’s not important" or "I don’t want to talk about it," before finally giving in to the other character’s gentle probing or a shift in the situation that forces them to face the truth.

4. Show, Don’t Just Tell

Instead of simply stating the tragic event, show how it affects the character through their actions, memories, or how they interact with others. This deepens the emotional impact, allowing readers to experience the pain with the character rather than just being told what happened.

Example: Rather than saying, "He lost his entire family in the fire," you could show how the character avoids talking about their family, has flashbacks when they see something related to fire, or even flinches at certain words associated with their trauma.

5. Use Symbolism

The tragic backstory can be tied to something physical, symbolic, or thematic in the narrative. A certain object, place, or even weather can be used to evoke memories of the past, creating a deeper emotional connection.

Example: If the character lost someone they loved in a car accident, perhaps they always have trouble getting into cars, or they wear a piece of jewelry that reminds them of the person. When this item or memory is triggered, the character opens up about the event.

6. Layer the Reveal

Sometimes, a tragic backstory is revealed in pieces over time. A character might not reveal everything all at once, but bits and pieces come out as the story progresses. This gradual reveal can allow you to build emotional complexity and deepen the audience’s understanding of the character.

Example: The character might first mention a loss in passing, then later reveal more details about the circumstances surrounding that loss. In a climactic moment, they might confess the full extent of their pain, perhaps adding a new layer of guilt or unresolved anger.

7. Avoid Making It “Too Perfect”

Tragedy isn’t always a neat, tidy narrative. It’s often messy, complicated, and filled with unresolved feelings. Don’t try to make the tragic backstory feel like it was meant to be "healed" or resolved easily. Characters are shaped by tragedy, and the wounds might never fully heal.

Example: The character might express regret or resentment, even years later. They might struggle with feelings of guilt, or they might have difficulty trusting others due to their past experiences.

8. Don’t Overload the Backstory

While tragic backstories are emotionally powerful, too many details can overwhelm the reader or distract from the present story. Instead, focus on the most crucial parts of the past that shaped the character’s current behavior, rather than telling every painful moment.

Example: Rather than describing an entire traumatic event in detail, focus on how it emotionally affected the character. Perhaps the character doesn’t want to remember, so the backstory is revealed only through emotional reactions to certain triggers or through small, painful details.

9. Use the Backstory as a Motivator

After revealing the tragic backstory, the character’s actions should be influenced by it. Their trauma will affect their decisions, and it’s important to show how it shapes their journey going forward.

Example: The character might reveal that they lost someone to violence, and that’s why they became a protector of others. Or maybe their tragic past has made them emotionally distant, but in the course of the story, they gradually learn to trust and open up.

10. Make the Reveal Matter to the Plot

A tragic backstory shouldn’t just be there to elicit sympathy. It should tie into the character’s motivations, fears, and relationships with other characters. If the backstory doesn’t serve a purpose for the plot, it can feel like unnecessary exposition.

Example: If the character is hesitant to form deep relationships because of their tragic past, this fear will be challenged by their interactions with the other characters. Perhaps their backstory also explains why they’re so skilled in a certain area, giving the plot a practical reason for them to be involved in the current situation.

Writing Prompts Revealing a Tragic Backstory

-> feel free to edit and adjust pronouns as you see fit.

She leaned against the worn table, fingers tracing the edge of a chipped mug, not meeting his eyes. "I didn’t always… I wasn’t always this," she began, her voice thin, strained. He sat across from her, waiting, but not pushing. She swallowed, her chest tightening. "There was a fire, years ago. I was just a kid. My parents—" She stopped, shaking her head, as though the words couldn’t pass her lips without choking her. "I don’t even know how I made it out."

She reached out to touch his shoulder, a gesture of comfort, but he recoiled as if her hand was burning him. His eyes widened, panic flashing across his face. "Don’t," he muttered, backing away, his chest rising and falling with rapid breaths. "Please don’t." She stared, mouth dry, unsure what she had done wrong, but the way his face twisted as if remembering something painful told her everything she needed to know.

They jolted awake, heart pounding, gasping for breath as the remnants of the nightmare clung to them. The other person, already awake, noticed and reached out, pulling them into their arms. "Shh, it’s okay," they whispered softly, but the words barely registered. "I couldn’t save her," they choked out, voice raw. "I promised, but I—" The sob broke free before they could finish, and the other person tightened their hold, pressing their forehead against theirs. "You didn’t fail," they whispered, offering the comfort of their presence. "You're safe now."

They were walking in silence, the soft crunch of gravel beneath their boots the only sound between them. He kept his head down, eyes fixed on the ground, his hands shoved deep in his pockets. Then, without warning, he stopped. "I watched him die," he said, his voice rough, as though the words were hard to spit out. She turned, startled by the suddenness, but he didn’t meet her gaze. "My brother. He bled out before anyone could help." His jaw tightened, eyes distant. "And I couldn’t do a damn thing."

Her laughter echoed in the room, but it faltered when she saw his face. He wasn’t laughing. He was staring, distant, lost in some memory only he could see. "What’s wrong?" she asked, suddenly concerned. His eyes snapped back to her, and he forced a smile that didn’t reach his eyes. "Nothing." He turned away quickly, but not before she saw the tear that had escaped down his cheek. "I just... you made me think of my sister."

[writingwithfolklore]

How to read more

In my last post, I talked about how professional authors need to be reading always, not just for skills or inspiration reasons, but also to understand their own market and what’s going on in their industry. But if you’re someone who struggles to read that much, here’s some things you can do to help:

1. Schedule a time

Even if it’s only half an hour before bed or the fifteen minute train ride you take to school/work, reading for any amount of time consistently will finish the book. Build it into your routine somewhere that ensures you always have some sort of time to spend putting pages behind you.

2. Turn to digital content less

If the choice is between an easy to put on and turn your brain off TV show over a book… how often are you going to choose the book? Try powering off your phone/other devices when you’re looking to get some reading in. I found I started reading a whole lot more the less time I spent on social media.

3. Join a club or pair up with friends

Book clubs or finding another person to read with you is a great way to hold you to finishing a book. Plus, some of the best parts of reading are connecting with others over a story, and sharing theories, art work, head canons, etc.

4. Try other formats

If physical books aren’t your style, try an e-reader or an audio book. I sometimes get a bit car sick reading a book on the bus, but I can listen to it on my phone and finish it far faster. It doesn’t matter how the book gets done if the book gets done.

5. Don’t be afraid to DNF

If you’re not enjoying a book and coming back to read it is a chore—you don’t have to finish it. It’s okay to put down a book and choose something new if it’s not grabbing you. Reading, while informative for the reasons we already talked about, is also supposed to be fun. Put it down and move on if you aren’t having fun.

[busyw0man]

⋆｡‧˚ʚ💋ɞ˚‧｡⋆ 𝐭𝐡𝐞 𝐛𝐫𝐨𝐤𝐞𝐧 𝐡𝐞𝐚𝐫𝐭𝐞𝐝

❝ i don’t know how to move on from you. ❞

❝ everything reminds me of what we used to be. ❞

❝ i still sleep on one side of the bed, just in case. ❞

❝ how do i stop missing someone who doesn’t miss me? ❞

❝ i think part of me is still waiting for you. ❞

❝ you promised you wouldn’t leave… and then you did. ❞

❝ i can’t unlove you, no matter how hard i try. ❞

❝ it hurts that you’re fine without me. ❞

❝ do you ever think about me at all? ❞

❝ i see your face in everyone but it’s never you. ❞

❝ loving you broke something in me. ❞

❝ i gave you everything, and you still walked away. ❞

❝ i’d do it all over again, even knowing how it ends. ❞

❝ i thought we were forever. i really did. ❞

❝ i’m not angry, i’m just… tired. so tired. ❞

❝ maybe i was never what you wanted. ❞

❝ i still talk to you like you’re here. ❞

❝ it’s not that i want you back. i just want the pain to stop. ❞

❝ the worst part is knowing you’re happier now. ❞

❝ i wish i could hate you, but all i feel is empty. ❞

❝ i miss the way you made me feel like i mattered. ❞

❝ i’m not over you. i don’t know if i ever will be. ❞

❝ i told everyone i was fine... i lied. ❞

❝ please tell me it meant something to you. anything. ❞

❝ you left, and it’s like i stopped being real. ❞

[leanmachine5]

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

[writer-logbook]

favorite things to write about?

Hello 👋

I hope things are going well for you. Thanks for getting in touch ! 💖 (Take care, sweetling, in case you decide not to read the post, at least you hear it now lol. And don't hesitate to share what you like to write as well !)

I am a fan of writing descriptions. So… how about we make a blog entry about it ?

HOW TO... MAKE A GOOD DESCRIPTION

A good description of a space gets all five senses going. For example, if I'm describing a bedroom, I might talk about the furniture placement or the curtains (what I see), the sound the floorboards or tiles might make (what I hear), if the floor is cold (what I touch), or if the room smells musty or has a specific odor (what I smell). In this example, I don't have to worry about taste, lol. It's just like real life: when we walk into a room, our whole body is involved. However, if it serves the plot to emphasize one particular sense, just do it.

If we use metaphors or comparisons, they have to represent the character they follow. That means sticking to their level of world knowledge, vocabulary, and language use. If someone lives in the city and has never been to the countryside, they probably won't use comparisons specific to it. They might do so using phrases like "He thought that must be what wheat looked like." Using the verb "thought," which expresses an opinion, makes the uncertain comparison seem valid because it's presented as perceived rather than factual. Also, descriptions are rarely just factual. They got a lot of emotional depth. This appreciation can be explicit or implied (e.g., pathetic fallacy). And often, this comes through in the use of figures of speech, like comparisons, metaphors, and personifications.

Stick to what's essential. It's not so much about saving time, but more about being practical. Everything in your text has a purpose. Descriptions should do more than just let readers imagine what you're showing them; they should also explain why what they see is important. For example: If your main character (MC) walks down a hallway with photos but doesn't stop and look at them, don't go into detail about the photos. No one will care. BUT, if MC spends a lot of time in their bedroom, it might be interesting to show their "living space" to help the reader understand who MC is and why they stay in their room. This can help the reader connect with the character and understand the plot better. Gentle reminder: keep your story flowing. That doesn't mean it has to be a bunch of actions, but the general rhythm should stay the same. A descriptive moment, which is basically a "pause in the action" because of its reflective nature, has to serve a purpose and shouldn't be gratuitous.

Showing vs. Telling. I have mixed feelings about this approach to writing. It's personal and reflects MY own style, so I'm speaking from MY perspective. I like it when things have a name. I use "telling" a lot, but I use "showing" a lot too, as a process. For example, when I write about fear, I'll describe the states my character goes through and end with "he was afraid." Yeah, okay girl, we get it. If I've given a clear enough description beforehand, this shouldn't be an issue. But I've noticed that ending a passage with its name makes it more emphatic and cuts out any doubt. It's not anxiety, and it's not terror. It's fear—nothing else. This helps me create the effect I'm going for. My character basically goes through phases, analyzes them, and draws conclusions (but that's just because I write sci-fi lol).

CONCLUSION: All these tips should help you write descriptions that give an ATMOSPHERE to your text. The choice of words and narrative voice ensure that your prose is SOMETHING OTHER THAN a biology textbook (but no offense, i love biology ).

BONUS: Here's an example of one of the last descriptions I wrote (which I unfortunately had to translate...):

Auxanne complies. Her steps make the staircase boards creak. She no longer remembers which step to avoid to prevent making noise, so she presses a bit harder than necessary on each one to try to compose a new score of silence. She ignores the photos covering the walls, closes her eyes to the portraits of Julien embracing her in some of them. When she closes her bedroom door, the young girl can't tell if the sad squeak she hears is coming from the rusty hinges or from her single sob that was almost immediately stifled.

It hurts to be here. It's hard to return. But she says nothing, she cannot. So her eyes embrace the room in its entirety, taking in the patchwork on the bed, the stains on the curtains, the beanbag in the upper left corner. There's even still the jacket (too small now) that she left during her last visit five years ago. The only real change she notices is the bath towel placed on the bed and the dust that seems to have frozen on the window frame. Auxanne timidly advances into the room then drops her bags on the floor. Then she lets herself fall flat on the mattress, which gently sags under her weight.

Eyes fixed on the peeling paint on the ceiling, she can't help thinking about her brother and the unfathomable void he left in her young heart. She still doesn't grasp what happened, didn't see it coming. And in the middle of this child's bedroom drowned in memories, sheltered from the bustle of the hallway where footsteps scrape against the floorboards, Auxanne remembers how alone she has felt since Julien's suicide.

[luna-azzurra]

10 Lies Your Character Believes About Themselves (And They’d Die Before Admitting It)

These aren't the fun, Disney Channel lies like “I'm just a regular girl” while literally being a secret pop star. These are the ugly ones. The ones that get in your character’s blood and start rewriting their whole life without them noticing.

» “If people really knew me, they'd leave.” Not "might." Would. No question. So they smile bigger. They edit harder. They keep conversations surface-level. All while carrying this bone-deep certainty that love is conditional... and they are dangerously close to failing the test.

» “I have to earn every good thing.” Rest? Happiness? A day without guilt? They treat those things like prizes at the end of a brutal obstacle course. No one told them they could just have good things. No strings. No blood price. (So they keep bleeding anyway.)

» “I'm too much.” Too loud. Too intense. Too sensitive. Too complicated. They know it. They've been told. So now they pull themselves in, hold their breath, bite back everything real until they barely take up space at all. (And ironically, they still think they’re being "too much.")

» “I'm not enough.” Neat little trick, right? They’re both "too much" and "not enough" at the same time. Magic. They're convinced everyone else got the secret manual for how to be lovable and they somehow missed it.

» “If I'm strong enough, nothing can hurt me.” They call it resilience. Other people call it stubbornness. Reality calls it self-destruction. They've mistaken numbness for healing and independence for invulnerability. But hurt still gets in. It just hits harder when it’s been bottled up for years.

» “I’m responsible for everyone's happiness.” Caretaker. Peacemaker. Therapist friend. Emotional sponge. They’ve appointed themselves as everyone's safety net, believing that if they don’t hold everything together, everything will fall apart. (Newsflash: it's not their circus, and it never was.)

» “I don't need anyone.” Need is a dirty word. It’s weak. It’s dangerous. So they white-knuckle their way through life, collecting scars and pretending it’s freedom. But late at night? In the dark? They’d sell their soul for someone to just... stay.

» “I'm the villain in someone else's story and they might be right.” They know they've hurt people. Made bad calls. Left damage. And no matter how much good they do now, some part of them whispers, You don’t get to come back from that.

» “My best days are behind me.” Whether they peaked in high school, lost their shot at something important, or just carry a chronic ache of nostalgia, they believe it’s too late. That nothing good can be built from where they are now. (Which, ironically, makes them waste even more time.)

» “This is as good as it gets.” They settle. For bad love. Boring jobs. Half-dead dreams. They tell themselves it's "realistic." "Mature." "Practical." But underneath? It's fear. It's heartbreak. It's the quiet belief that hope is something they can’t afford anymore.

[leanmachine5]

20 Compelling Positive-Negative Trait Pairs

Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:

1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.

2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.

3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.

4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.

5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.

6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.

7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.

8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.

9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.

10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.

11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.

12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.

13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.

14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.

15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.

16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.

17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.

18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.

19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.

20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.

These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.

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[thewriteadviceforwriters]

Other Words for "Look" + With meanings | List for writers

Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.

Gaze - To look steadily and intently, especially in admiration or thought.

Glance - A brief or hurried look.

Peek - A quick and typically secretive look.

Peer - To look with difficulty or concentration.

Scan - To look over quickly but thoroughly.

Observe - To watch carefully and attentively.

Inspect - To look at closely in order to assess condition or quality.

Stare - To look fixedly or vacantly at someone or something.

Glimpse - To see or perceive briefly or partially.

Eye - To look or stare at intently.

Peruse - To read or examine something with great care.

Scrutinize - To examine or inspect closely and thoroughly.

Behold - To see or observe a thing or person, especially a remarkable one.

Witness - To see something happen, typically a significant event.

Spot - To see, notice, or recognize someone or something.

Contemplate - To look thoughtfully for a long time at.

Sight - To suddenly or unexpectedly see something or someone.

Ogle - To stare at in a lecherous manner.

Leer - To look or gaze in an unpleasant, malicious way.

Gawk - To stare openly and stupidly.

Gape - To stare with one's mouth open wide, in amazement.

Squint - To look with eyes partially closed.

Regard - To consider or think of in a specified way.

Admire - To regard with pleasure, wonder, and approval.

Skim - To look through quickly to gain superficial knowledge.

Reconnoiter - To make a military observation of a region.

Flick - To look or move the eyes quickly.

Rake - To look through something rapidly and unsystematically.

Glare - To look angrily or fiercely.

Peep - To look quickly and secretly through an opening.

Focus - To concentrate one's visual effort on.

Discover - To find or realize something not clear before.

Spot-check - To examine something briefly or at random.

Devour - To look over with eager enthusiasm.

Examine - To inspect in detail to determine condition.

Feast one's eyes - To look at something with great enjoyment.

Catch sight of - To suddenly or unexpectedly see.

Clap eyes on - To suddenly see someone or something.

Set eyes on - To look at, especially for the first time.

Take a dekko - Colloquial for taking a look.

Leer at - To look or gaze in a suggestive manner.

Rubberneck - To stare at something in a foolish way.

Make out - To manage to see or read with difficulty.

Lay eyes on - To see or look at.

Pore over - To look at or read something intently.

Ogle at - To look at in a lecherous or predatory way.

Pry - To look or inquire into something in a determined manner.

Dart - To look quickly or furtively.

Drink in - To look at with great enjoyment or fascination.

Bask in - To look at or enjoy something for a period of time.

[creativepromptsforwriting]

How to show emotions

Part V

How to show grief

a vacant look

slack facial expressions

shaky hands

trembling lips

swallowing

struggling to breathe

tears rolling down their cheeks

How to show fondness

smiling with their mouth and their eyes

softening their features

cannot keep their eyes off of the object of their fondness

sometimes pouting the lips a bit

reaching out, wanting to touch them

How to show envy

narrowing their eyes

rolling their eyes

raising their eyebrows

grinding their teeth

tightening jaw

chin poking out

pouting their lips

forced smiling

crossing arms

shifting their gaze

clenching their fists

tensing their muscles

then becoming restless/fidgeting

swallowing hard

stiffening

holding their breath

blinking rapidly

exhaling sharply

How to show regret

scrubbing a hand over the face

sighing heavily

downturned mouth

slightly bending over

shoulders hanging low

hands falling to the sides

a pained expression

heavy eyes

staring down at their feet

More: How to write emotions Masterpost

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[xyywrites]

Tips for writing flawed but lovable characters.

Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk. 

1. Flaws That Stem From Their Strengths

When a character’s greatest strength is also their Achilles' heel, it creates depth.

Strength: Fiercely loyal.

Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.

“She’d burn the whole world down to save her sister—even if it killed her.”

2. Let Their Flaws Cause Problems

Flaws should have consequences—messy, believable ones.

Flaw: Impatience.

Result: They rush into action, ruining carefully laid plans.

“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”

3. Show Self-Awareness—or Lack Thereof

Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.

A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”

4. Give Them Redeeming Traits

A mix of good and bad keeps characters balanced.

Flaw: They’re manipulative.

Redeeming Trait: They use it to protect vulnerable people.

“Yes, I lied to get him to trust me. But he would’ve died otherwise.”

Readers are more forgiving of flaws when they see the bigger picture.

5. Let Them Grow—But Slowly

Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.

Early in the story: “I don’t need anyone. I’ve got this.”

Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”

End: “Thank you. For everything.”

The gradual arc makes their growth feel earned.

6. Make Them Relatable, Not Perfect

Readers connect with characters who feel human—messy emotions, bad decisions, and all.

A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.

A messy emotion: Feeling guilty afterward but doubling down to justify their actions.

A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.

7. Use Humor as a Balancing Act

Humor softens even the most prickly characters.

Flaw: Cynicism.

Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.

“Love? No thanks. I’m allergic to heartbreak—and flowers.”

8. Avoid Overdoing the Flaws

Too many flaws can make a character feel unlikable or overburdened.

Instead of: A character who’s selfish, cruel, cowardly, and rude.

Try: A character who’s selfish but occasionally shows surprising generosity.

“Don’t tell anyone I helped you. I have a reputation to maintain.”

9. Let Them Be Vulnerable

Vulnerability adds layers and makes flaws understandable.

Flaw: They’re cold and distant.

Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.

“It’s easier this way. If I don’t care about you, then you can’t leave me.”

10. Make Their Flaws Integral to the Plot

When flaws directly impact the story, they feel purposeful rather than tacked on.

Flaw: Their arrogance alienates the people they need.

Plot Impact: When their plan fails, they’re left scrambling because no one will help them.

Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.

[leanmachine5]

Writing with Colors

A list of resources to help you describe different colors in your writing.

The Color Thesaurus A collection of infographics that show various shades of different colors, each shade/color labeled by name.

Color Reference Chart Another collection of infographics that show various shades of different colors, each shade/color labeled by name.

Hair Color Reference Chart A collection of infographics that show various shades of different hair colors, each shade/color labeled by name.

Eye Color Reference Chart A collection of infographics that show various shades of blue, brown, and green eye colors, each shade/color labeled by name.

Different Ways to Describe Hazel Eyes A list of ideas and suggestions for describing hazel eyes. Can be used as prompts or for brainstorming.

Different Ways to Describe Green Eyes A list of ideas and suggestions for describing green eyes. Can be used as prompts or for brainstorming.

Different Ways to Describe Blue Eyes A list of ideas and suggestions for describing blue eyes. Can be used as prompts or for brainstorming.

Different Ways to Describe Brown Eyes A list of ideas and suggestions for describing brown eyes. Can be used as prompts or for brainstorming.

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I’m a writer, poet, and editor. I share writing resources that I’ve collected over the years and found helpful for my own writing. If you like my blog, follow me for more resources! ♡

[writing-chats]

ultimate character development template

basics

name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:

emotional depth

attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:

personality

mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:

habits

bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:

appearance

defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:

relationships

who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:

backstory/background

primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:

progression

why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends:

[deception-united]

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)