#XD theory

[ongakurubydisc]

THEORIES FROM HELL (ep. 2)

Alright, everybody!! 

I think I’ve figured out who Mabel and Dippers’ parents are!!!

And yes, I’m talking about Gravity Falls.

I beat MatPat to this one! 

So, I believe that it’s Star and Marco from Star vs the Forces of Evil.

And there are a lot of things you guys know are blocking this theory, but cast all of them aside for now, and lets look at the facts.

As we all know from the many crossovers, Disney XD animated shows are all connected. I call this the “XD” theory.

And, It’s obvious magic still exists as you can see at the finale of Star vs the Forces of Evil, when Star and Marco accidentally open a giant wormhole that combines all the dimensions together, which would explain the monsters and magic we see in Gravity Falls.

There is also a VERRRRYY distinct thing we see in that scene.

Marco gets some moon markings on his cheeks, similar to Star’s.

AND similar to the little BLUSHES on Mabel’s CHEEKS!

And Mabel being Boy-Crazy?? That’s her Mewberty. And, similarly, she traps the Boy Band just like Star traps all the boys in the school.

And there’s also Dipper’s “Birth mark.” I think it’s actually a symbol of extreme power.

“But Ongaku,” you say, “wouldn’t that mean they are the heirs to the Mewman throne??”

YES.

That’s why Bill wants to see into their minds and/or kill them. They aren’t just the only ones who can stop him, they may know where the wand is, and he doesn’t want them getting it.

This would also fit the reoccurring theme of, “People from another universe trying to gain power.”

But, as a new theory boils from the depths of hell, it must end someday!

Thx for reading!!

[hellishgayliath]

@heckitall HECKY I DID YOUR DTYIS!!! :DDD IM YOUR CO DIRECTOR FOR THIS COMIC HOW COULD I NOT DRAW OUR BOYS AT SOME POINT :D

Also people should go read Heck's comic Same as it Never Will Be, it is amazing and Heck is a really great story teller and artist :3 <3

[overthinkinglotr]

I was watching LOTR with friends the other day and someone pointed out that a major reason film!Elrond is upset about Arwen being in love with Aragorn is because of Elrond's own broken relationship with Isildur.

In the films Isildur and Elrond are kind of set up as....a broken failed parallel to Aragorn and Arwen?

Arwen reassures Aragorn that "he is Isildur's heir, not Isildur himself," and "is not bound to his fate"-- but Elrond disagrees, confident that Aragorn will be just like Isildur.

Film!Elrond is so certain that trusting in mankind is a mistake that will only lead Arwen to misery because he once trusted in mankind, and the man he trusted ended up failing him. His ally from the line of Elendil ended up falling to the power of the Ring and dying; he believes Aragorn may do the same thing. He doesn't just want to save Arwen's life and keep his daughter by his side; he wants to prevent Arwen from experiencing the same betrayal/heartbreak he experienced. Film!Elrond is very stoic and unsentimental, but there are all these hints at Elrond and Isildur's past relationship throughout the series. Everyone likes to make the joke "why didn't Elrond just toss Isildur into the fire?" but to me the answer is, partially, because he cared about Isildur. They were allies who fought side-by-side. After describing what happened in Mount Doom all those years ago, Elrond tells Gandalf that "It should've ended that day, but evil was allowed to endure." And I think it's interesting that he goes into passive voice for a moment, instead of saying that Isildur specifically allowed to evil to endure--because he's also blaming himself for allowing evil to endure, blaming his own failure to be harsh with Isildur and take the Ring from him by force. He's regretting that he was merciful and didn't "just toss Isildur into the fire."

His complicated emotions about Isildur also appear again in the Two Towers. After insisting that Arwen needs to give up Aragorn as a lost cause and travel into the West, Elrond has a conversation with Galadriel where she guilt-trips him for abandoning Middle Earth/mankind. When she asks him "do we let them stand alone?" Elrond walks into the study, and spends a long moment looking at his mural of Isildur.

He then, in the film's canon, agrees to send military support to one of Isildur's descendants."I don't care about Isildur anymore, men are weak," Elrond says, standing in front of his elaborate mural of Isildur and his shrine dedicated to Isildur's sword.

And yes this is all, again, a drastic departure from his characterization in the book-- most of the Aragorn-Arwen-Elrond stuff in the films is a drastic departure from the book. The films radically alter their dynamics, including eliminating stuff like Elrond being Aragorn's adopted father and all the "their bloodlines are related" stuff and etc etc etc etc etc. But honestly, now that I see it, this interpretation makes the film!Elrond-Arwen dynamic engaging in a way I hadn't recognized before? In some ways it puts Isildur into the role that Elrond's mortal brother Elros played for him in the books, because Elros is cut from the films entirely. Isildur is the reason film!Elrond knows what it's like to have some kind of close relationship with a mortal and then watch them die. When Elrond angrily speaks about the folly of trusting men, or insists to Arwen that Aragorn "is not coming back" so she should just get over him, he's speaking from experience--he's projecting his own weird failed broken betrayal-ridden Thing with Isildur onto Arwen and Aragorn. And in this context, his hopeless monologue about how Arwen will regret staying by Aragorn's side also feels like it's partially from his own experience. "If Sauron is defeated, and Aragorn is made king, and all that you hope for comes true, you will still have to taste the bitterness of mortality." When he fought three thousand years ago Sauron was defeated, and Isildur did become King, and yet... TL;DR : Film!Elrond had a nasty kind-of breakup with a mortal man 3000 years ago and instead of dealing with it he decided "Men Are trash Weak" and began projecting all of his drama onto Arwen

[katyahina]

Godwyn and Fortissax fucked + I have an idea WHY Godrick's genes are so weak (his closest relatives' too)

Short post but I really like this topic hfhfdsf Okay so I double-checked the description of Draconian Tarnisheds and Godrick's dialogue, and:

The notion about Tarnisheds with dragonic roots having shorter lifespans makes me think that this is the reason; dragons and human(oids) are not the best mix! Godrick's closest ancestors might have had actual connections with dragons! Since it IS possible:

Dragons can shapeshift, so yeah.. existence of dragonian Tarnisheds likely implies that Godwyn and Fortissax fucked fsdhfdhs I assume her not just because of them being close, but also because she is unique amongst Ancient Dragons in being dark-colored and these Tarnished have coal skin,

At first I wondered if Fortissax' color might have been an effect of corruption, but then, again: if all Ancient Dragons are just stone grey, Draconic Tarnisheds could have had stone grey skin then because whatever connection made Draconic people had to happen before Godwyn became Prince of Death! Her corruption should then be referring to her losing a lot of her skin, with so much more gold insides showing through, and dark skin of this type of Tarnished revealing her actual color! (+ also post ( x ) on WHY I believe Fortissax is a she)

As for Godrick's and his close relatives and ancestors like Godefroy! Whereas Ancient Dragons refers to the rocky dragons from Farum Azula, there is another kind of dragons - feathered Greyoll's kind of dragons!

I used one of the babies around Greyoll and Agheel as volunteers, but you can see the dragon's body Godrick uses is certainly the same type of the dragon! Again, wings of Ancient Dragons for comparison, are also rocky and lack the feathers:

This makes sense that the branch of dragons Godrick is apparently related to is that of Greyoll's! We never see him use anything bolt-like, however, he does use wind-based attacks, like the rest of the Stormveil. His children do so too!

^ Worth to mention that Dragon Communion has connection with Godfrey (lion face is his mark), but the dragons laying in these churches are the Ancient types! These might be remnants of war with Gransax and others, since they did try to "defeat dragons by becoming them" as set of Dragonic Sentinels suggests! @fantomette22 offered another idea that maybe these Ancient Dragons instead were 'keepers' of these churches, and somehow had conflict with Greyoll's line of dragons. So, these churches came after Godwyn made peace between Ancient Dragons and Golden Order, and people were supposed to specifically consume hearts of Greyoll's dragons, not Ancient!

I don't know which idea I am leaning towards more, but I wanted to bring the Dragon Communion up just in case! Still, Godrick calls the dragon a relative and shows frail health, whereas act of eating dragon hearts gives you serpentine's eyes and makes you into a wyrm (most likely gradually lol). None is seen on him or his children, so I assume relation refers to mixing blood, not to the act of him or his ancestors consuming the hearts! In other words, if Ancient Dragons could turn into humanoids and have children (+descendants like Draconic Tarnished), maybe Greyoll's type could do this as well? 🤔

@val-of-the-north on the other hand, suggested an idea that rather than Greyoll's type of dragons being directly involved, it is all the same kind of genes of Ancient Dragons but having "evolved" into being like Greyoll's type! So, like her kind of dragons are more 'earthly' type, that evolved from Ancient Dragons straying further from perfection and divinity but instead adapting to whatever effects them (looking at you, Dark Souls!), similarly Ancient Dragon genes IN Golden Lineage changed too. And in roughly the same from-stone-to-feather manner, to mirror evolution (or corruption?) of the dragons themselves! I think this idea is very good in terms of how Fromsoft can't have enough of reusing the concepts!

^ Grafted Scions are also showing grey hair, despite being very young! It is not all grey yet and original color is likely black; same as hair of wandering nobles, which would make sense for whatever women Godrick slept with apparently to be noble too. Early grey hair could be manifestation of this poor health and shortened lifespan! Maybe humans with dragon blood in mix die early because they age early, but for Demigods it is just early aging.

(Video by Zullie the Witch ( x )) ^ At this rate I wonder whether these wings and feathers were actually grafted though, of they are sort of a side-effect of this "heritage" xd Like, sure, Stormveil is very much associated with the hawks, but modern Dragons ALSO having feathers makes me wonder! Especially since Godrick himself doesn't have any wings and feathers grafted on him, but the Noble Scions do.. Imagine feathers just showing on them because they are young, and maybe Godrick also used to grow feathers but they fell out by now due to simply his age!

______________

Conclusion: don't have children with the dragons while Godfrey isn't looking or something they will turn out kinda sick and frail idk

[rayroseu]

I know its been said that Lilia likes acting cheerful despite his nearing death because he doesn't want to look weak. But, I think the undertone of his reasoning is he doesn't want to spend his last days in tragedy and sadness so he copes it with being happy as much as he can.😭

Isn't that a more obvious behavior especially now that we know that Lilia's life only has been happy for the last 2 decades, or less. I'm saying that because I feel like the years where Malleus grows up was depressing too because he was badly excluded and only recently, in NRC, did he finally have "a group of people to be a part of with freely"

I feel like this is more like an understandable reason why he wants to go away as "he can still smile and act happy" before his age deteriorates him up, and makes him "look lifeless" to his family.

Rather than making Silver and Malleus remember his death, I think his version of a happy ending was that party where they'll all have fun together. I think Lilia wants them to remember *his happiness* the most. Because Lilia's life has mostly been a tragedy, and I don't think he wishes even after his death, that he would still be a "tragic person".

I feel like his line about "not wanting Malleus to be a hero of a fairy tale" reflects that. Because he did experience being the "hero of a fairytale". He saved Malleus from being killed and dying. He is, in the story, the rightful hero of Briar Valley.

TWST has always told that heroes in this world are perfect individuals with perfect morals and life, but Lilia as a hero, added more depth towards the concept of heroes in TWST...

To be a hero, you need to be facing the story's conflicts, you have to sacrifice a lot, and be in pain for doing the right thing just for you to "have something to be victorious over."

And, I feel like that's a nice parallel to the theme that "villains are people that can be redeemed/grow up even if they're messed up". Its like saying everyone struggles even if you're a hero or a villain, like there's never a perfect role or a perfect world where there's no sadness.... 😭

also, I know Lilia mostly said that line about "heroes in fairytales" because he wants Malleus not to die forgotten like Meleanor and Levan, but its GETS ME knowing he said that as well because he doesn't want to see Malleus in any kind of pain😭

[bc-jpeg]

so uh- I didn't see if this theory already exists in the fandom, or no one really touched on it, but after a long time in both fandoms, one funny pattern is noticeable. I’m so obsessed with watchers lore so much, which is why I started to go beyond only one universe, and this gave the result. so the theory is that dreamxd is a watcher. after digging into the dsmp lore, I found several points that may indicate this. dxd’s nature may differ from the canonical nature of the watchers that we see in evo smp and in the life-seasons in martyn’s lore, but we also already have a watcher!grian, whose watcher's nature also differs in its own way from that very canon, he has his own lore, so this will also work here.

now this will be only my personal version of watcher!dxd lore, there may still be holes in it, but this is only as a possible base:

presumably dreamxd is an ex-manhunt!dream, who could not get out of the world and stuck in the spectator mode of the game, becoming a watcher. in the initial attempts to escape from such a fate and get out (I don't think dream would just accept such a fate), he was crippled either by other watchers or by himself, having lost his "eye". this explains the basic visual interpretation of the dxd, where the place where the eyes should have been is now a familiar cross pattern.

isolating himself from other watchers, dxd created a time loop from the existing world, from which he initially could not get out, closing access to the end dimension for players, preventing both the players themselves from escaping, and the possibility of capturing these players to other watchers for their own time loops. the world with the manhunt seed was restarted, defaulting almost everything to zero, which eventually became the dsmp server. all interactions between players and server events began to give dxd so much energy and power that eventually the essence of the watcher completely absorbed him, dxd himself began to provoke events, interact directly with players, and all for the sake of energy, emotions, deaths that made him only stronger. dsmp became an excellent loop-feeder for him only, in which he completely lost his original humanity, becoming a monster, creating only chaos.

one of the risky but effective dxd’s moves of was giving the revival book and the book of death to players inside the time loop, which in a peculiar way gave them access to part of dxd’s powers. he realized how unpredictable players can be in their decisions and actions, which gave a ton of events possibilities. he wouldn't have to provoke events himself, when players can do everything for him, giving the same amount of energy.

so in the final of the dsmp, after that nuclear explosion, dxd simply restarted the entire time loop, as it was shown. the players don't remember anything that happened, they don't remember each other, the whole world was defaulted to zero, where they started all over again.

it’s also interesting that the concepts of limbo and dreams/illusions exist both in the dsmp lore and in watchers lore in life-seasons. limbo is the space where players end up with the loss of all their canonical lives, and there is no return from there, only at the whim of mystical powers (dsmp — the revival book, as part of the dxd’s powers, life-seasons — the watchers, more specifically watcher!grian).

both concepts somehow intersect with each other:

> in the dsmp, they intersected in the c!george’s lore, he had partial access to limbo through his own dreams, where dxd himself was also often present. someone also had the opportunity to watch server events from limbo.

> in life-seasons, according to cc!martyn, limbo is the space where all players get to after the final death and are there between seasons in a state of sleep, in which they see their own smps/universes.

again, this is just a possible version of how exactly this theory/head-cannon can work, there are a lot of things that I could not explain yet, because there is too much information from different dsmp povs. some things I remember, some not at all, but I left a hint of their possible intersection visually in the diagram. the theory of the smps-multiverse is here simply by default, all the other main points are indicated in this diagram. all of this will be easily editable at any future time, my job is just to throw in the base for this theory :D

[anthurak]

I’ve talked before about my theories about the full potential of Ruby’s semblance. That being, Ruby’s ability to deconstruct and reconstruct herself at a molecular level has some pretty wild applications.

Among others, the ones I think are the most interesting are Ruby effectively being able to shapeshift, ie; she can reconstruct her body, her clothing and Crescent Rose into entirely new shapes and forms. And on top of that, Ruby’s ability to reconstruct herself would potential allow to recover from just about any injury. Whether it be losing a limb, being impaled, cut to pieces or even EXPLODED, one activation of her semblance later and Ruby is back to normal. Effectively giving a ‘healing factor’ on par with Salem’s immortality.

And the thing is, I think abilities like these are thematically perfect for Ruby.

You know how there’s been a lot of discussion on how it seems like every character’s semblance seems to represent the major flaw/problem that character has spent the show grappling with in some way or another? Often in some dramatically ironic way? Like how Weiss is a girl who has been working so hard to separate herself from the baggage and burden of her family’s responsibility and legacy, yet has what seems to be the ONLY fully-hereditary semblance in existence? And in Ruby’s case, of course the girl who has spent the entire show, and likely much of her life running away from her pain and trauma has a speed semblance.

But the funny thing is, for Ruby it’s pretty clear that the show has already started building to a big subversion of this idea. In Volume 7 we see that while Ruby has always thought she had a speed semblance, Harriet voices that it’s probably something else.

And in Volume 8, Penny outright confirms that Ruby’s semblance ISN’T ‘speed’, but rather the ability to deconstruct and reconstruct herself at a molecular level.

It turns out that Ruby was wrong about what her semblance actually did. And through that, it turns out that this idea of Ruby’s semblance representing her attempts to run away from her pain are likewise flawed.

And now that we are in a Volume set to explore themes of transformation and our characters discovering who they might truly be, I think this is going to be the perfect time for Ruby, and the narrative, to reevaluate just what it is her semblance represents.

Because whereas Ruby’s Petal Burst simply being speed represented Ruby’s fixation on running away from her pain, Petal Burst being molecular deconstruction/reconstruction can instead represent Ruby’s unshakable idealism fully realized.

Now there is no obstacle that can stop her, because there is nothing she cannot move around or through. There is no challenge she cannot find a solution for, because she is infinitely adaptable. And there is NOTHING that can truly break her for good, because she can ALWAYS build herself back up from her literal molecules.

In other words, Ruby’s body may be weak and breakable, but her spirit is INDOMITABLE.

[crow-s-haven]

We're always shaving his mustache, but what if we let him grow a beard instead?

[alchemicaladarna]

Oh my god I'm so stupid. So backing up the theory that purgatory BBH is the one possessing q!BBH, I am very certain that this is the case now because remember when the lights were fading in and out, and it was becoming dark? Where else do we see that effect?

That's right, in a confrontation with a warden. And wardens come from the Deep Dark (ancient cities from my understanding)

And where did we last see purgatory BBH? In a region of the nether with clear ties to the ancient cities! IT'S ALL CONNECTED!!

Also, about the soulsand, I know q!bad has been associated with souls and soul sand already, but purgatory BBH was literally in the soulsand valley (correct me if I'm wrong). However that soulsand is clearly connected to Mr. Reaper, right?

So all of this is just more evidence that Mr. Reaper = Purgatory BBH (as a fractured soul/ghost) = possessing current q!bbh

[burningparadiseduck]

The fact that Neuvillette has consistently been put in a villain pose for every Fontaine version is hilarious and a bit suspicious to me.

[louthestarspeaker]

was thinking about this for a minute and...

Kenji almost certainly moved to the paraserolphus valley after Brooklynn's death (before that him and Darius were in touch with each other, and would've known if he were staying there). and after she died, he moved to the place that made him think of her, to where he gave a last ditch effort to save his relationship with her.

And Darius and Kenji grieved her in almost the exact same way. They isolated themselves from everyone around them, but drowned themselves in the memory of her. Darius calls her voicemail hundreds of times, Kenji climbs their mountain over and over again, likely the last place he ever saw her alive.

[yep-yep-yep]

His name is Lucas.

maybe.

I noticed in ex 11 (with anya-ania secret) this thing:

With my obsession with names I googled it and got this thing:

In childhood, Twilight had a name plate too.

(ch 62-1)

Also, I read one more interpretation - "born at dawn", quietly ironic for a person, who will get the name "Twilight" in the future. It's kinda in Endo's style to add the real secretive name of the main character to Anya's cartoons, from what she will get inspiration, what will lead to her strange gaze and mystery of her real name. Yep, it absolutely is.

thanks for your attention.

[undercityrezident]

So, did anyone else notice during Memory 4 that the Dueling Peaks is a complete and single mountain?

So that means, at some point between when Zelda arrived and the present day, according to Shay at the Lakeside Stable (in Breath of the Wild), "...legends say that a dragon god split the mountain in half to forge a way through, and that's how how it went from one to two."

It's worth mentioning that he talked about this while also mentioning "the presence of the shadow of a large creature on the surface of Lake Floria," which largely connects this dialogue to Farosh, the dragon often seen diving into the waterfalls near the peak of Mount Floria (in Breath of the Wild). The fact all this information comes from the same source may be the game's way of telling us that Farosh was responsible for the state of the Dueling Peaks.

However, I have a hypothesis to offer (which contains intensive TotK story spoilers, hence the readmore):

The way the camera pans in the memory to show the Dueling Peaks (or peak, rather, in this era), feels somewhat purposeful to me. And knowing that Zelda becomes a dragon in order to help restore the Master Sword over the aeons, I can't help but wonder if she might've been the reason why it happens.

Not that I blame her of course. She's a newly minted dragon, likely bursting with emotion and pain she doesn't understand or know how to cope with as she's just lost her sense of self. She could've gone mad for a time, flying erratically and ploughing through a mountain in her time of grief before settling into her new draconic existence.

Does this disprove that Farosh, or any of the other three dragons could've been responsible?

No, it doesn't. But I propose the idea that the other three dragons have existed much longer than her. By the nature of their names, they're connected to the three goddesses, Nayru, Farore, and Din, and have likely been around since the world's origin (or very close to it). Further, the Zonai have many carvings and depictions of dragons, meaning that dragons existed during and likely prior to this era, given their longevity.

Why is this important? We can look to how the three main dragons behave: they have regular patterns of flight, likely formed out of habit or preference, and do not go out of their way to harm people or impact the landscape in any significant way. For the most part, they're high in the sky where little can reach them, save for a hero with a paraglider.

Grant you, their paths have changed since TotK debuted, but the landscape itself has changed, as has the state of the world in general. The depths are now readily accessible, and perhaps there's an obligation on their part to survey it or maintain order wherever they can venture.

But my main point is that the dragons, given time, tend to settle and keep to their own habits and paths. If the three dragons already existed long before Zelda transformed, it's unlikely one of the other three dragons would find reason to deviate from their normal behaviour and plough through a mountain to split it in two.

But the new Light Dragon hasn't settled yet. She's wracked with emotion, grief, and new power she doesn't know how to control. She could almost be considered a newborn in that sense, and what might a newborn with nearly god-like powers do?

Split a mountain in half because it was in her way...

Also, keep in mind the former Temple of Time where Zelda transformed is not all too distant from that once unified Dueling Peak. As well, Zelda's own draconic trailblazing hasn't been consistent either in the present. At the beginning of TotK, she's seen flying in circles near the Great Sky Island before she boldly plunges through the cloud layer to open up Hyrule to Link once he's finished his trials there. As far as dragons go, Zelda doesn't have the same temperament as the other three.

It's true that there could be another dragon, or being that approximates one, that is responsible for the splitting of the Dueling Peaks. Maybe it was a more nefarious dragon sharing heritage with the likes of Volvagia, Argorok, or some progenitor of the Gleeoks.

Still, I think that it would be interesting to believe that the once gentle Zelda's sacrifice may have had a bigger hand in shaping the future of Hyrule than only her dutiful task of revitalizing the Master Sword. It would further contrast the change between the woman she was and the dragon she became, and emphasize the tragic nature of what she had to do in order for us to finally defeat Ganondorf.

[lemonduckisnowawake]

Over the Garden Wall is SUCH a fascinating show to me for a myriad of reasons. But one of the things that stuck with me was the symbolism of the Woodsman and his lantern. TW for discussions on grief and unhealthy coping mechanisms (that I might get wrong, just as a warning).

I'm sure this has been said before, but to me it's just such a fascinating representation of how we unintentionally keep despair alive by clinging to our overwhelming grief of those we lost. Maybe I'm misinterpreting something or looking too deeply into it, but it's just. The lantern that the Woodsman keeps lighting in the hopes that his daughter's soul will be kept alive through it is, in actuality, keeping the Beast alive. And in a similar way I've read tales and actually studied grief theories about how people keep the memory of their loved one alive; at first, it's a good thing, and it can take however long or short you need to it be since grief seems to be something that generally never really goes away.

But there can come a point where all you live for is the dead, which is what the Woodsman was doing in laboring day and night to keep the lantern alive. And in doing so, you start to poison yourself and, rather than keeping the person you lost in living memory, you start to keep alive the despair and darkness. You start to keep alive the Beast rather than the soul of your daughter, in other words. Sometimes, it's intentional, though. "If I let go of this despair and anguish of mine, doesn't that mean I'll forever lose that person I loved?" And sometimes, it's unintentional.

The conclusion of it is that you have to let them go...you have to let that despair (not grief, but the poisonous and hopeless grief) go. Maybe, like Wirt did, through unflinching practicality and sheer knowledge rather than emotion. Or something else. But maybe, then, you'll find that when the lantern of your despair is gone, it'll be dark at first but you'll slowly start to see a grander light. And maybe, you'll find that your daughter is still alive anyway, in the light rather than in the darkness.

[regular-gnome]

Dude I love your Archivist lore so freaking much that it has reached headcanon status in my brain. I still love seeing other people's takes of the Archivists, but when I think/read about them the characters I imagine are the ones you created.

So yeah; in my brain Anatomist, Curator, Architect, and Wayfarer are safely categorized under "Jerks who's actions are reprehensible and unjustifiable but that I still love".

the proud jerk club, and Collector who did not deserve it my headcanons becoming some elses too is the highiest prise there is:D

[we-dont-talk-about-potato-nonono]

get it? cuz they’re both rabbits and from an indie show from Youtube :D