#all they know is give pain

[dramashii]

________

________

Till the End of the Moon Ep 32

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[greyskyflowers]

I'm just such a big fan of Edwin having some permanent issues after a second trip to hell and the final run in with Esther.

I like the idea that he actually has to sleep now. Nowhere near what a living human needs but more then he ever needed before. Maybe sleeping for several hours every few weeks.

Iron wounds take longer to heal, even though Edwin has always had a higher pain tolerance due to his experiences in hell.

When he's really tired, things start to hurt. Tender pain along all his joints, the spots where the demon spider found it was the easiest to tear him apart.

He get bruises under his eyes, headaches, occasionally a little chill, stiffness, and just a general aching all over his body.

It's hard for Edwin to sleep, for several reasons. Nightmares, anxiety, restlessness, and just being stubborn.

The vulnerability of sleep is terrifying.

The idea of leaving Edwin alone somewhere to sleep, even in their office, has Charles skin pickling. Especially knowing Edwin is also reluctant to sleep without him there.

So, Edwin does not sleep alone. Ever. Occasionally he gets left with Niko, and sometimes Crystal, but it's for very brief amounts of time before he's back with Charles.

It should be embarrassing to have these issues now, and it is, but they're even closer after Port Townsend and it's not something Edwin can avoid. He has to sleep now.

Really, it comes down to does he wants to keep it to himself and nap when no one else is around to avoid feeling weak? Or does he want to sleep with the comfort of knowing someone is with him and hell won't take him before he even gets a chance to wake up?

It comes down to how fearful is he of something dragging him off into hell again and the answer is apparently incredibly so.

Also, if he's going to look vulnerable and weak then it might as well be with Charles, who's seen him at his worst.

He tries not to overthink how pleased Charles is each time Edwin seeks him out for a nap or how good it feels to be held, the safest place he can think of is in Charles arms or under his sharp watch.

Charles hovers, and he's aware of it. He can't convince himself to stray too far from Edwin. Part of it's because he's protective, reluctant to leave Edwin in anyone else's hands when he's more vulnerable then before.

Part of it is selfish, he's a little possessive. A sleeping Edwin is not something anyone else needs to see. Edwin in pain is not something anyone else needs to see.

Crystal had recently demanded they have a bed available in the office for when her and Niko stayed over, even though they rarely use it. It's soft, covered in pillows and blankets, and Edwin has taken to hiding away in it when he sleeps. Crystal looks incredibly pleased when it slips that Edwin uses it and Charles is hit with a intense wave of fondness for her.

No one needs to see Edwin like this. Especially not when he loses a lot of his layers and curls up in something more comfortable. It leaves him vulnerable, his throat and wrists bare, and looking smaller without all extra clothing.

Nobody needs to see how he only really lets himself sleep when Charles is in bed with him or close enough in the room to reach out for if needed. He watches Charles do whatever it is he's doing with half lidded eyes, a strip of green that stubbornly stays visible until Charles is closer.

In the beginning they thought it was something temporary. Ghost don't need to sleep, Charles never sleeps. Sometimes he can get himself to relax enough that it's almost like sleeping but it's not anywhere near actual sleep.

They think it's just him trying to make up what Esther took.

But it keeps happening. Again and again.

And it makes them both anxious. Charles is worried about why Edwin suddenly needs to sleep but Edwin is worried about the actual sleeping part.

He does not want to sleep. Sleep means dreaming and nothing good will come from his dreams, he's sure of it.

It's also scary. Sleep is a weakness, it leaves him vulnerable and unaware. He doesn't want to sleep.

In those first few weeks where they all still thought this would pass, exhaustion caught up to him one evening as they were finishing up a long case. Charles was out and he couldn't even think about how wonderful it would be to go to go lay down because Charles was not there.

The office was too quiet. It made him restless and he would have paced but he was feeling especially sore that day. His hands had ached while he was writing and he had to stop frequently to flex them.

He was weak, alone, and rapidly sliding into a decreased mental awareness due to exhaustion. It's not a situation he liked.

They weren't apart for long those days, and still aren't, so Charles is back pretty quickly but it's long enough that Edwin was struggling. He blinked sleepily at Charles, with eyes that itched when they shouldn't have, and he must have looked terrible because Charles straightened up a little bit and his eyes jumped around the room before he relaxed.

He said something, dropped his bag and walked forward until he could put his hands on Edwin and that's it. Edwin leaned forward until he was relying on Charles to hold him up, turned his face into his neck and passed out still standing up.

It doesn't get that bad again. Charles is good about noticing when Edwin starts to slow down, and when it takes him a little longer to string his words together or explain himself. He picks up the way he carries himself different on day where things hurt a little more or how he rubs his temple when he feels a headache coming on.

He herds Edwin to bed like a sheep dog and makes sure everything is locked up so they won't be bothered. Edwin had managed to find a spell that would keep anyone else, living and none, out of their office when activated. It's perfect for extra privacy and security.

Charles hates that Edwin was hurt enough that he needs this now, and he hates seeing him wore down and exhausted... but part of him loves these days.

Edwin sleepy and soft, usually pulling Charles down with him until they're under all the blankets and pillows, tucked on their own little world.

He clings when he sleeps. He buries his face in Charles throat and under his chin like he's trying to hide, presses in as close as he can until they're completely tangled together. Not that Charles has any problem with that. He runs his fingers over skin in soothing gestures and pulls him in close if he starts to show any signs of a nightmare.

He wakes up with hair sticking up and clothes rumpled, blinking at Charles a few times as he tries to wake up enough to remember what's happening. Sometimes, Charles gets lucky and Edwin will stretch out like a cat before readjusting himself to be close again and doze off for a little longer.

It knocks the breath he doesn't need out of his lungs and love sits in his throat until it threatens to choke him.

Sometimes there are nightmares and Edwin shoves himself away desperately with a pained and fearful noise that has Charles cringing. Edwin stares at him from the other side of the bed, eyes big but unfocused in a way that shows he's not actually seeing Charles. He's tight, tense and completely locked up. He couldn't move even if he wanted to. They're both still laying down, and Charles doesn't move even though he wants to. He starts talking, low and soft, keeps doing that until Edwin starts to relax again. It's a slow process and it takes a while before Edwin is relaxed enough that Charles can reach out and coax him back closer. He's exhausted after those little episodes, too tired and his body too sore from being so tense to put up much of a fight as Charles tucks him in close again. Sometimes he's asleep before they're even settled back in, limp with sleep as Charles rearranges him in a way that won't have him aching when he wakes up.

Sometimes Charles is too wired to lay down, even if cuddling is great motivation, and he keeps himself busy while Edwin rests. Sometimes they're in the middle of a case and there's still work that needs to be done, so he does what can while until Edwin is back up and functional.

It's a powerful feeling, having Edwin trust him so much and so openly. Sometimes Charles has to check on him, the quiet and unmoving lump on the bed making him nervous until he looks him over, just to make sure everything is okay. It's hard to tell sometimes since they don't breathe like the living, and Edwin sleeps so quiet. He doesn't even flinch at Charles getting close, nothing triggering those survival instincts gained in hell that would have him awake and moving if it was anyone else this close.

God help anyone stupid enough to try something when they're like this. He'd fight anyone who disturbed them, anyone who woke Edwin up from his much needed rest or threaten to cause them harm. It burns under his skin and it makes his teeth itch.

Nothing would separate them. Nothing could take them away from each other.

[wistfullywaiting2]

The biggest misconception in the bsd fandom ever to me is people constantly portraying Atsushi as someone who trauma dumps excessively when he canonically barely talks about it at all.

The entire point is that Atsushi does not talk about his trauma he’s just constantly thinking about/reliving it. He can’t escape the memories of his past so he tries not to acknowledge them.

He only mentions it when asked, either directly or when someone asks him to explain himself.

Atsushi doesn’t even give a cohesive explanation for what he saw while under Dogra Magra, he just apologizes to Haruno and Naomi.

If Lucy hadn’t had her whole “you’ve never suffered the way I have” spiel then I doubt even the audience would’ve gotten to find out about his scars

If Akutagawa never asked him how it felt for the orphanage headmaster to die Atsushi would have never told him that he’s been hallucinating.

In the omake where Kyoka asks him why his hair is like that it’s clear he wouldn’t have told her that unless she had asked.

In 55 minutes Atsushi very briefly mentions sleeping on a dirty floor somewhere to Kunikida because he was trying to explain and justify his behavior.

And the thing is that there are scenes that implies that the other characters see Atsushi behaving strangely and are visibly confused because they do not understand what’s wrong with him.

Remember, we as an audience get to see things about characters that the main cast doesn’t. Just because we see into Atsushi’s mind doesn’t mean the other characters know what’s going on in there.

Also little footnote here that I think this is a reference to the moon over the mountain but I digress

[seance]

Human connections were never easy when I was alive. And now that I'm dead, they seem to bring somehow even more baggage. There are these feelings that I'm not used to. I thought those feelings were never to be spoken of. But once you have them… it's hard to hold them back. And that terrifies me.

[s0fter-sin]

codtwt is going off on brainwashed!soap bc of his new warzone skin and it’s making me think of ghost deliberately getting himself captured by makarov bc he knows he’ll be given to his dog to try and break him; knows he won’t be able to resist the irony, the cruelty of being tortured by the teammate he lost

he doesn’t fight; welcomes the chains around his wrists and ankles, welcomes the hands stripping him of his weapons and gear until he's defenceless

he wouldn't use them anyway

when he stalks into the room, the muzzle, the scars, not even the blank hatred or lack of recognition could make him mistake his eyes

that's his johnny

he doesn't flinch as he digs knives into his skin; would never shy away from his kiss even if it's tinged with rusted steel. doesn't swallow his screams; not when he always loved hearing him, when he spent so long coaxing his voice from the grave

frustration joins the anger in johnny's eyes the longer he goes without giving up information

just jokes; dark and puns alike

just advice when he can't get the jumper cables to spark right

ghost's not trying to escape; not trying to barter his return to the 141

he's right where he wants to be

[topnotchquark]

Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.

Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.

And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.

But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.

[briebysabs]

I find it fascinating how much orv makes Kim Dokja and Yoo Joonghyuk live by the constraints of “reader” and “protagonist”. Like KDJ wants to see the ending but at the same time, he doesn’t and wishes the story would never end. Not simply because he loves this story but because he needs it like oxygen; TWSA gave him a purpose. He was its reader for 13 years and you notice KDJ never talks of what he’ll do after the scenarios until towards the end. There’s even a moment between him and Sangah where he ponders what he would’ve done if the novel never became reality. If he read the ending, closed his phone, and went back to his apartment. He contemplates if he would’ve killed himself, KDJ knows at least the sad truth that he wouldn’t have befriended Sangah. He’d never reconciled with his mother, he was getting laid off from his job in two days. From 15 to 28 TWSA was the only lifeline he had so think about it. What becomes of a reader when the story is over? One can discern, based on SP and OD’s conclusion, it is to find a new story. But Kim Dokja couldn’t bear to do that. To continue on, he needed to be a reader.

Lee Sookyoung wrote her novel to gain income for KDJ’s living but also to paint herself as the murderer. To sink the lie into KDJ’s head that she was the one wielding the knife. If the traumatized 12-13 years old Kim Dokja knew he killed his father by accident and his mother took the fall for him, KDJ would’ve killed himself. No doubt the guilt would kill him so LSK felt as though she had to do this. So that KDJ’s self-hatred would be aimed at her instead. She made her son a reader of his own life. It temporarily saves him, gives him some time but KDJ is still given a label “a son of a murderer”. His trauma was publicized and hyperfocused on, he was bullied excessively for it. That book is one of the factors that led to his first suicide attempt. So it doomed him.

HSY wrote TWSA to keep Kim Dokja alive. A desperate attempt to save a kid with one foot prepared to leap off a cliff. What else could she have done? She created characters that KDJ could aim his self-hatred at: Kim Namwoon, Anna Croft, the constellations, Nirvana. She made him a reader of a character’s life. Made him inject YJH’s essence through his veins like an IV drip. Of course, Kim Dokja wants Yoo Joonghyuk to be happy in the end. That is the main driving force between so many decisions he makes but where does leave him? The whole reason he attached himself to TWSA was because this protagonist was suffering too. But he kept on living round by round so surely, they could live through their shitty lives together. If the TWSA ended on that train, KDJ would truly be alone and might’ve killed himself. So what happens, the novel comes to life and gives him even more time. But because of that, later down the line KDJ will make the choice to become the Oldest Dream, a watcher for all eternity. Yes, KimCom’s world needed someone to dream for it to exist but even if that wasn’t necessary ... .do you think KDJ would have enjoyed a happily ever after discovering he was behind all their pain and tribulations? The guilt might’ve killed him, we saw some of that with his visceral reaction to OD. So it doomed him.

Kim Dokja has to be a reader.

Yoo Joonghyuk was created for Kim Dokja. This isn’t a shipping statement, this is just a fact. I think it’s foolish to believe that is all there is to his character, he’s his own individual and his journey throughout orv is keeping his autonomy and gaining agency. Outside of what he’s written to behave like or KDJ’s will for him. But his life’s purpose is to keep Kim Dokja alive. HSY wrote each of his regressions to save this one person. And this is where the 0th turn YJH comes in because he makes the decision to regress. He was happy in his world, that is true but he couldn’t truly rest because something was missing. Everything was idle, every day was peaceful after saving the world. But while yeah, KDJ was reading his story as always…he wasn’t being the protagonist. YJH needs to do something, he needs a goal to accomplish so he gives himself one. He regresses for three reasons: To meet his sponsor aka his reader Kim Dokja. To find out his purpose, what he was made for….which is to save Kim Dokja. And finally to fulfill his sense of self which is being a protagonist. Reaching self actualization and being an active force in the world around him. So fast forward when Kim Dokja’s fragments are scattered across the universe and the scenarios are over, why is it surprising that YJH falls into depression? Why is it surprising that he goes to HSY in the museum and seriously asks her to end his life? What becomes of a protagonist when there’s no one to read his story? What use is there for him? So of course he’ll be the one to venture on this suicide mission to space, hopping from one worldline to the next, grasping onto the fragile hope that KDJ can come home.

Yoo Joonghyuk has to be a protagonist.

[m4rs-ex3]

callum feeling small and insignificant just being in the throneroom

vs callum practically kicking down the doors and waltzing in guns blazing

[sergle]

one of these years... ONE OF THESE YEARS.... people will send me nice / normal messages instead of whatever this is LMAO

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."

[equill]

Reuniting with a distorted past.

Extra:(New personality tested gone wrong)

wanted to play with rin living in the aftermath aus aswell and had these drawings laying around to share so yay

Panel 1: Was buried alive.

Comic 1: Who are you supposed to be?

new friends

Comic 2: Misguided protection.

obito still sensing the warning signs of rin losing her temper. anyways they proceeded to be dragged into the ocean by rin like some sea monster

Comic 3: Finding out (Now what will you do?)

obito is harshly brought back from his delusions because now its not just kushina but rin too who he needs to ripped out the tail beast from

[turtleblogatlast]

Headcanon that Leo really loved to give his family massages growing up. We know that he’s good at them from the episode “You Got Served” and we know he likes spas and relaxation and getting massages himself from when he tried to get these in “Bad Hair Day” and from when Donnie made a tennis ball massage machine in “Smart Lair.”

So I think it’d be cute to think that maybe one day Leo overheard Splinter complaining about a bad back and immediately Leo thinks back to a comic or movie or something he saw where a massage helped so he offers to give one and it actually ends up helping Splinter.

Then April swings by the Lair at a later time and mentions her back hurting because of her backpack from school and Leo’s all like “I gotcha!”

From there, he occasionally manages to convince Donnie to sit for one because Donnie’s shrimp posture does not help him any (Leo pokes fun at how sandpaper-y Donnie’s shell is despite knowing it’s always like that and Donnie smacks him for it.) Donnie usually prefers hand massages instead however as all his typing and inventing adds up over time, and shoulder massages too once he starts wearing his battle shells more. Leo also figures out how to give massages to Raph and Mikey’s shells as well, though it’s a struggle at first to not scratch his hands on Raph’s spikes.

I think since Leo has such bad luck with spas and the like, he tries giving himself massages (though it’s not as helpful.) Like, with how his abilities work his legs are probably always aching from his portal jumping and one foot landings, so maybe he branches past back massages out of a need to help his own aches too. (Though he really wants a shell massage himself, the same way he’d give them…the one time with Donnie’s tennis ball massage machine was but a short moment of what Leo’s been missing out on and what he’ll continue missing out on…)

I don’t know, I just think it’d be cute to think Leo could have honed his massaging skill this way in order to help out his family (and also partially because he wants a massage himself.)

[thinwhitedoc]

SHERLOCK | Martin Freeman as John Watson

[waitruzmorbutr]

How we handling the S4 finale lads?

[haunted-xander]

Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.

Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.

And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.

And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.

So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.

I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).

And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.

I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.