#also animation is superior <3

[bloodpen-to-paper]

*Points at chart* Watch them

[giyyu]

one of my biggest accomplishments is reading all of the one piece manga <3

[goldiipond]

ray gender WIN

[mangostar]

pink hair utena>>>>blonde hair utena

black hair brown eyes anthy>>>>purple hair green eyes anthy 

[dagmartoons]

Lupin collection update since I got Babylon and Part 5 in the mail today 😊

I decided to separate the theatrical films from the TV specials as well as the shows. I still have yet to watch Fujiko's Lie but if that rumor about them revealing the Zenigata movie in a couple months is true then I'm cool with waiting.

Still waiting on a Fuma Conspiracy BD and still annoyed that Dead or Alive got announced like two weeks after I got the DVD

[jiisoooo]

got out of my kpop phase just to enter my anime phase this is so embarrassing

[kcrossvine-art]

Hi fellow adventurers!! A few weeks ago i caught wind of "Delicious in Dungeon". I'm not really an anime person, but I am a TTRPG, CRPG, and cooking person- . And holy shit. It is so good i  convinced my partner to binge read the whole thing. I'm caught up on dungeon meshi, the anime, and just yesterday i also finished dungeon meshi, the manga.

Its rare to come across a serialized story that is so thematically cohesive and knows its characters so well. All of the bonus content like the artbooks and monster tidbits are just the icing on top.

So, inspired by Ryōko Kui's writing and illustration I'm going to attempt to create a recipe for every single Delicious in Dungeon recipe!-

Today that means Huge Scorpion and Walking Mushroom hotpot is on the menu!

(As always you can find the cooking instructions and full ingredient list under the break-)

MY NAMES CROSS NOW LETS COOK LIKE ANIMALS

SO, “what goes in to a Huge Scorpion and Walking Mushroom hotpot?” YOU MIGHT ASKThis is one of the pricier dishes until we get to the kelpies and dragons of the menu-

Rock lobster tail

Porcini mushrooms

Shiitake mushrooms

Snow fungus

Small potatos

Fensi (glass noodles)

Water

OPTIONAL: your choice of dipping sauces

There was a crossover/promotional event in Shibuya which featured various realworld dishes from the series. They had one for Huge Scorpion and Walking Mushroom, but they used prawns.  while those cook better in a hotpot, they also didn't look enough like the scorpion for me, they also used udon noodles for the slime and a seaweed/kale(?) mixture for the algae. If you're looking for substitutes due to price or availability i would start with those ingredients.

AND, “what does a Huge Scorpion and Walking Mushroom hotpot taste like?” YOU MIGHT ASKI hope Senshi would forgive me for technically cooking the lobster outside the pot, once he tastes it.

Okay im always partial to veggies but wowowowowowowoowowowow the snow fungus and the mushrooms tasted soooooooooooo good in the lobster stock

A nice delicate layering of different flavors

Try to get a bite with the lobster meat and shiitake together, dip in butter then chili- trust me

Its up to you what texture you prefer if you want to put the noodles in at the end or put them in halfway through the meal. Either way dont go for eating those first as theyre very filling

I think this would pair well with a citrus drink, something light and clarifying

This would also pair well with being extremely high and hungry (if you feel safe cooking while inebriated lol) very calorically dense

For the trial run I did one lobster tail in the pot with everything else, and one lobster tail off to the side to be picked apart. The former is more in spirit with a hotpot, but it got rubbery as the meal went on and lost its nice taste. The latter may be a bit more work but all you have to do still is boil it and set it aside. I found it held up much better. It was also easier to get inside the shell.

. If you have hardshell maine lobster available, i think it would be superior to rock lobster (keep in mind crustaceans will get rubbery if cooked too long in the pot) . Green onions and/or lotus root would make excellent additions

-----------------------------------------------------------------------------------------------------------

From getting the ingredients out to sitting down and eating, id say it took maybe 30 minutes max? It'd vary on how fast you can prep vegetables and get the various implements heated.

Hotpots are not something i do very often as i'm usually just feeding myself. I think thats why a hotpot makes perfect sense to start the series off. If you want to set the tone of "take care of yourself, eat food with others, and use what you have" (generally speaking) there is nothing more simplistic, flexible, and defeats-the-purpose-if-you-eat-it-alone than a hotpot. Gather around and let your friends bring ingredients to the pot if you want to fill your heart up extra full <3

I'm doing something different here because unlike previous recipes where i used a bunch of different sources and made my own recipe out of hodge-podging it, or just used another persons recipe entirely if they did it really well, i made this more whole-cloth based off of what i had available, what I could discover through research, and my existing knowledge. Instead of the recipe being 50/50 original, this one is more 20/80. So. I'll pass the final verdict off to you guys :D 

What would you rate this recipe out of 10? (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.) Did you love it, did you hate it? What're your thoughts on what I could do different, and what would you have done instead?

🐁 ORIGINAL RESIPPY TEXT BELOW 🐁

Ingredients:

2 Rock lobster tails

3 Porcini mushrooms

2 Shiitake mushrooms

Snow fungus (a good handful, should rehydrate in the hotpot)

2 Small waxy potatos

Fensi (glass noodles)

Water/lobster stock

Method:

Lightly rinse all of your vegetables beforehand and let them dry.

Vertically slice the porcini mushrooms. Cut off and dice the stems of the shiitake mushrooms. You can slice the tops if youd like.

Peel and cube the potatoes, roughly an inch each.

For the lobster tails; Boil a pot of salted water. Keep the shell on. Weigh the largest tail and add 1 minute of cooking time for every ounce of weight.

When done, strain the lobster from the water. Pour the water into your hotpot as the base. Serve the lobster on the side so people can pick the meat out to dip into the hotpot.

Bring the hotpot to a simmer. Add the potato cubes, snow fungus, mushrooms, and noodles.

OPTIONAL: this wasnt in the show, but its fun having sauces on the side :) i had oyster sauce, dry seasoned chili dip, melted butter, and soy sauce available

[i-love-ptv]

He Loves My Heart-Shaped Sunglasses

Felix Catton x Fem! Reader

You and Felix spend Valentine’s Day together. <3

Smut (lowk filthy) + Fluff

Wc: 2,550

An: Wanted to post this before v day, but i got sidetracked, thankfully pushed it out before the day ended :3

February 14th.

The day of love.

The day to show your special someone how much you care for them.

The day that’ll bring out the joy and excitement out of most, but will also bring out the bitter feelings of some.

Felix has never really favored Valentine’s day. He may be a soft romantic now; a year into your relationship, but before, he was used to hookups that led to his lonesome morning after. Hence why it was so hard for him to ask you out last year on this very day.

He spent hours in different shops; trying to find the perfect gifts for you. Obviously, this process would’ve gone by quicker if Venetia didn’t get distracted by the hundreds of soft stuffed animals every few minutes, and if Farleigh had even went.

“Please Farleigh! Surely you can help me! You know more about these things than I do!”

“No can do lover boy, besides, you have Vee going with you.” Farleigh had said with an amused smirk.

After a little more of groveling and begging on Felix’s end, Farleigh still didn’t budge. The fact that Felix had said that he wanted to “woo” you, hadn’t helped his case either.

The beaming lights of the shops reflecting off of the bright pinks and reds had Felix’s head starting to ache.

He had settled on getting you a bouquet of red roses, a basket of your favorite snacks, and some other little goodies.

That day when you saw one singular rose on your desk in your english class, the last person you expected to be nervously glancing in your direction was Felix.

After a long, panic-filled conversation with the blubbering boy, you two had finally become official, and Felix swears to this day, that it was the best day of his entire life.

Now, Felix has gotten a bit better at buying gifts for you. He knows you like the back of his tattooed hand. But he can’t help but feel nervous to see you this morning. After all, you only have one, one year anniversary with your love.

Felix observed as the other students of Oxford were handing out gifts to their significant others. Felix couldn’t help but think about how his presents for you were far more superior to everyone else’s.

He had been so distracted, that he hadn’t noticed you walking up.

You tapped on his shoulder and he had nearly leaped out of his skin.

He quickly realizes who is in front of him, and grips you up like you were light as a feather.

“Angel! Oh my goodness you startled me! Happy anniversary sweet girl!” Felix says grinning, like he was looking at the brightest star in the galaxy.

“Happy anniversary my love,” you return through your giggles.

“Here! Here! Open the gifts I bought for you honey!” Felix rushes out as he’s pushing the bags into your hands.

You jokingly chide him for nearly knocking your things out of your hands, but quickly start digging through one of the bags.

He had given you one of his sweaters, a pair of heels you had been eyeing in town, a few other items, and most importantly, a beautiful ring covered in diamonds.

“S’not an engagement ring, not yet anyways, but a promise ring, because I promise to love you always and forever. Tha’s a bit too cheesy, isn’t it? Sorry, I had this whole thing I was going to say but-“

You cut his rambling off with a deep kiss to his rosy lips.

“Thank you Felix, I love it with my whole heart, baby.”You say while pulling away breathlessly.

Felix’s face started to hurt from the constant smiling, but the thought of that flew out the window as he remembered that you had gotten him something.

Felix had practically ripped through the big box you gave him; feeling like he was about to burst at the seems. You smile softly, imagining him with a wagging tail and perked up puppy ears.

You had bought a few articles of clothing, more cologne, a new book that he said he had been interested in reading, and of course, a stunning bracelet, that matched the exact same on dangling on your wrist.

After many more kisses, hugs, and sugary sweet words exchanged between the two of you, you both head to class.

Felix was counting down the minutes until he could see your dazzling face in front of him again. His class felt as if it had been going on for hours, and the fact that he couldn’t focus on his lesson for even a few minutes while thinking about you, wasn’t helping. His mind was drifting to what he had planned for the two of you later tonight.

You, on the other hand, were on the same boat as Felix.

All that consumed your mind was Felix; you’re sweet, dashing Felix.

You’re suddenly snapped out of your thoughts by your professor, who had agitatedly started lecturing you on the importance of focusing on class.

And finally, after multiple grueling hours, and a heated make-out session in a storage closet, classes for today were over.

Felix suggested that you two go into town, and go on a date to the cafe you both loved. At this point, it was your guys’ cafe; your designated spot, where you both can run away from the world and just enjoy one another.

After spending hours, which seemed like minutes, in the cafe, and throughout town, the two of you settle on going back to your dorm.

Normally, the two of you just go to Felix’s dorm, but his was still somewhat airing out from the smoke session you two had the night prior.

Although, the idea of you two walking through town sounded romantic at the time, you hadn’t thought into how long you two would be walking.

“‘Lex?” You call out softly. Felix immediately turns to you.

“Can you carry me? M’feet hurt honey.” You say with a slight pout, to get your point across.

Felix, of course, being the amazing boyfriend he is, quickly picks you up, bridal-style and carries you back.

You ask him multiple times if he was alright carrying you for so long, but after his reassurance and light nip to your nose, your worries are put to rest.

The two of you eventually settle on your bed, and you curl against Felix’s warm body.

“Wait, darling, I forgot a few things at my dorm,” Felix rushes out.

“Mmm, no ‘Lex, stay with me”

“It’ll only be a minute angel, I promise.”

Felix nearly doesn’t have the heart to pull you off of him, but he can’t afford to keep you from your final gift for much longer.

He leaves with a quick kiss to your forehead and nose, and goes to retrieve the items from his dorm.

He comes back and spots you sitting up on the bed with what he thinks is nothing, but his shirt on, and strawberries. You had also opted for a can of whipped cream, instead of melted chocolate, because after last time, you didn’t want to endure the process of the chocolate staining your white sheets, and hardening as you two tried to use it.

“Wha’s this baby?” Felix says with a smirk as he inches towards you.

You feel his warm, hand on your calf as he reaches you.

“What? Did you really think we were going to go without some fun on our anniversary baby?” You say while looking up at him with longing.

“Unwrap your gift, Felix.”

The brunette boy wastes no time in stripping you from his your shirt.

There, he sees, the lacy brown lingerie covering your body; the brown being almost, if not fully, identical to the color of his dark brown irises.

Felix kisses your neck, leaving no area of skin unmarked with purple bruises.

“Mm, wait” He says as he leaves behind a slight strain on saliva on your flesh.

“Oh my god Felix, seriously?” You say with slight annoyance.

“Relax. I have something for you.” Felix chides.

Felix pulls out a box, containing a necklace; with his initials on it.

“D’you like it baby? I think it’ll be perfect, tha’way none of those other boys could even think they could have a chance with you.”

“Why boys, Felix?” You ask slyly, trying to push his buttons a bit.

“I say boys because, my angel..They could never fuck you like I do…Like a man.” He says lowly, showcasing the bass in his silky smooth voice.

You let out a whine at this; loving when he gets possessive over you, “put it on me Felix, claim me.” You purr.

He moves your hair out of his way, and puts the necklace around your neck, subtly grinding his hard, pulsing cock against the little fabric you had covering your cunt.

You let out a sigh, as Felix moans lowly in your love-bitten ear.

He then grabs a strawberry and stuffs it gently between your lips, making you bite down on it.

The juices trickle down your chin as he moves the fruit around inside of your mouth. He licks a stripe up from your throat to right below your lips.

He goes back and leaves a bite on your throat, making you tilt you head back with a sharp moan, giving him more access.

Felix kisses you roughly as he grabs the whipped cream. He squirts a line of the sweet cream onto your navel; watching it slowly glide down to your soaked core.

“God…’Lex don’t tease me,” you whimper meekly.

“But y’taste s’sweet, lovie.” Felix says, letting out a giggle that makes your pussy clench.

“Oh look at you, m’dirty little thing. Clenchin’ around nothin’,” Felix says smugly as he kisses down your warm body.

Abruptly, Felix dips down and licks a stripe up your achy cunt.

“Fuck ‘Lex!”

Felix grins at your shriek, as he presses sloppy kisses to your clit.

“…I thought I told you to stop teasing me baby,” you say, pushing his head down onto your cunt, prompting him to start licking and sucking where you want him to.

Your back arches off the bed as you squeal in ecstasy. You grab Felix’s hair with both hands roughly; he moans at this, which sends shockwaves through your body.

Felix fucks you with his tongue for what feels like hours, sticking his tongue in and out of your pulsing hole.

Felix feels your thighs trembling, making it clear that you’re close to reaching your climax.

Felix removes his mouth with a slick pop and a charming smile, making you cry out.

“Wait! Wait no. ‘Lex, why’d you stop? Baby. Baby please I need it. Put it back please-“

“Shhh, angel. M’gonna give you somethin’ better. Gonna give you this cock. Tha’s what you wanted, right?” Felix says pressing his lips to yours, again, and again.

Felix continues kissing you as he pulls down his pants and boxers, pulling out his stiff dick.

He rubs the tip against your folds, watching his precum drip against your wetness.

“Mmm, y’ready f’me sweetheart?”

“Please, please, please ‘Lex. I’ll be so good! So so good, I promise! Please give it to me! I need it!” You shout eagerly.

“God, you make me feel whole,” Felix says as he slowly pushes his cock into your heat.

“Thank you ‘Lex! Thank you! Oh fuck!”

Felix almost immediately starts thrusting in and out of you roughly, opening your legs wider as he plants his feet.

“Fuck babe! I swear y’made f’me. I thank any ‘n every god tha’ led us to each other, honey.” Felix says with a delicious groan.

“Shit! God that’s it baby. Don’t stop!” You say, reaching down to start toying with your clit.

Felix nips at your fingers; having noticed your dainty fingers rubbing circles. Silently ordering you to quit it.

You wrap your legs around his meaty torso tightly as he flicks at your puffy pussy.

“Oh! O’fuck! Right there! Mhm!” Felix feels as if he’s consuming your moans, picking up his already brutal pace to absolutely abuse your cunt. His main goal being to make you squirm in ways only he can.

“Uh huh? Yeah y’like that angel? Feels- oh f-fuck. Feels good doesn’it?”

Felix lets out more deep groans, with the occasional whine.

“‘Lex. ‘Lex, baby. M’cumming.” You rush out breathlessly.

“M’right there with y’baby, m’right here. Just, fuck, wait a second..Wanna come together, beautiful.” Felix says panting.

The only noises to be heard in the somewhat small dorm are the moans and gasps of two passionate lovers, and the squeaks and banging from the plush bed.

In any other scenario, you’d be pressing your hand around your mouth, stressing to Felix about the importance of staying quiet; not wanting to get more noise complaints. But right now, you could barely even think about where you are; focusing only on the circles being rubbed on your glistening cunt, and the feeling of Felix’s warm, almost candle-lit hot limbs touching yours.

Felix’s pace begins to falter, growing sloppier and sloppier with every thrust, showing signs of Felix nearing his blissful end.

“Yes! Fuck yes! Come f’me angel, please! Give it t’me! C’mon, y’know y’can, here hold m’hand.” Felix says, reaching his clammy hand to your already sweaty one.

“F-fuck! ‘Lex!”

In the span of seconds, the two of you are coming undone together, gripping each other’s hand so tightly.

You feel your climax shake through your entire body, making you jerk against Felix’s hold, as he tries to keep himself together.

Felix collapses softly next to you with a soft “holy shit,” making sure not to startle you in your hazy state.

He brushes the hair from your moist skin and peppers feather-like kisses onto your face, collarbone, and scalp; helping you calm down from your high.

You look at him bleary eyed, taking account of his wobbly smiles as he tries to catch his breath.

‘Does he ever stop smiling?’ You think to yourself.

“Hi honey,” Felix whispers.

“Hi baby,” you whisper back with a giggle.

“Y’so gorgeous, y’know that, angel?” He says, after softly pulling out and snuggling closer to you with a blanket.

“So i’ve been told,” you say, blinking sleepily.

“Wait, sweetheart. Y’can’t sleep yet! I gotta clean you up!” Felix says in a hurry, jumping out from underneath the blanket. He quickly walks over to his desk, which has a pack of wipes on it, and he finds a towel on his dresser.

You fight sleep, as Felix softly wipes you, making sure not to put too much pressure on your already sore cunt.

He sits you up a bit, putting on of his cozy sweatshirts on your frame and gently lays you back down.

He quickly puts a pair of boxers on once he hears your soft whines, begging for him to cuddle you.

He lays down and drapes your body on top of his.

The last thing you feel before drifting off is a sweet kiss being pressed onto your forehead.

“Happy Valentine’s Day lovie..and most importantly, happy one year anniversary.”

feedback always appreciated bb <3

[ghostdrinkssoup]

something I find really interesting about hannibal’s character is how he uses people’s expectations and ingrained assumptions to hide himself. no one suspects he’s a serial killer because he doesn’t present as one. he’s elegant and refined and isn’t cruel to animals. he’s highly sophisticated, a polyglot and has a deep admiration for beauty and life. he appreciates saving lives just as much as he appreciates ending them. in fact, this particular aspect of his character is partly why it takes will the entirety of s1 to accept hannibal’s true nature. will saw hannibal save abigail and accompany her to the hospital in apéritif and he also saw hannibal save a man’s life by performing emergency surgery and taking over the operation at the end of sorbet.

this moment in particular is interesting because of how it’s framed to make hannibal look almost godly from will’s point of view:

1) hannibal is positioned immediately higher than will due to being in the ambulance, meaning will is looking up at hannibal, while hannibal is looking down on him

2) hannibal is standing under a bright light as he works to save this guy’s life, while will is standing in almost complete darkness

3) the usual orchestral, classical music is playing in the background, emphasising the apparent “holiness” of the act and framing hannibal as some sort of saviour

the impact of this scene is even more potent when considering the context of the rest of the episode, since will has already stated that the ripper is not the type to save people or enact mercy on anyone. his style of murders doesn’t suggest this characteristic whatsoever, and although will’s assessment is correct, hannibal’s personality and overall demeanour doesn’t match what we’d imagine a person like that might look like. I think will is confronted by this as well, because even if hannibal’s surgical skill means he matches the ripper’s profile (which makes him a valid suspect) his actions contradict will’s image of the ripper, while simultaneously affirming it:

it’s difficult to reconcile these facets of hannibal’s character. it’s inherently contradictory and defies our cultural expectations. nonetheless, hannibal’s inclination to save people is sometimes more insidious than his murders. he doesn’t save people out of altruism, he does it because he thinks he’s superior and enjoys deciding outcomes. he doesn’t view himself as insane, he views himself as god. this is most aptly explored in takiawase, through the acupuncturist/beekeeper killer. here we see a murderer who confesses that she killed a man to quiet his mind, and tells jack that it’s beautiful that she managed to protect him and her other patients. this is one side of hannibal’s character, the one who’s a doctor and therapist and sees death as a cure from disease, even if the ‘disease’ itself is literally just discourtesy. it’s ultimately an act of power.

and yet in this same episode he flips a coin and saves bella on a whim. this of course is framed to others as an act of mercy, however the reality is he took bella’s power away in an act disguised as kindness. once again, he hides in plain sight. this is the other side of his character, and it’s just as deadly.

it’s still about power.

but we don’t associate acts of mercy with monstrosity. when hannibal comforts abigail in trou normand we question whether he’s as bad as we think, because what negative connotations are tied to paternal tenderness? we miss that hannibal is fostering dependency, that he literally looks dead in the eyes as he holds her, and that he blatantly just told us that he’s using abigail to manipulate will:

hannibal often does this actually. he either directly says what he’s doing or suggests that he’s the culprit (often through cannibal puns, as we know) but no one ever interprets him correctly because doing so would contradict the image he’s carefully constructed for himself. it would cause too much dissonance.

and what’s fascinating is that on a subtextual level this is largely what the show is about. the story is an exploration of societal roles and the struggle to fit into stiff categorisation and expectations. will parallels hannibal in this regard because he’s desperately trying to repress his identity by taking on certain roles. and the audience is lured by this persona the same way the characters are lured by hannibal because will defies our understanding of certain tropes. on a genre level, will assumes the detective archetype, meaning we are primed to think he’s inherently good. when we see him say he wants to save people we believe him, even though he often only does so to prove to himself that he’s a good person. will is indeed righteous, a characteristic we often view positively, however he’s violent, wrathful and actively enjoys murder due to how powerful it makes him feel. he’s not dissimilar to hannibal, we just don’t see this straight away because doing so would disrupt our understanding of good and evil.

will hides the same way hannibal does, except will hides from us as well

[awoogayanderes]

BSD MEN WITH THEIR TOXIC TRAITS

➪ characters : osamu dazai, chuuya nakahara, ryūnosuke akutagawa, fyodor dostoevsky, sigma, saigiku jouno

➪ other notes : i love writing silly angst with silly characters from my favorite silly anime / manga <3 non-edited

osamu dazai :

running away at any conflict with you

- whilst dazai has a lot of toxic traits and red flags, this issue is the biggest one by far

- running away is all dazai has left when it comes to arguing with you

- you’re someone he can’t lose, so instead he pushes everything under the rug, expecting it to go away

- you don’t dare mention his habit, but this fighting and forgetting habit has your hands tied together, not knowing what to do

- one minute you’re at each other’s throats, the next minute he’s gone, with uncomfortable silence choking you

- when you wake up, he’s hugging you tightly in the middle of his sleep as if your previous night’s encounter never existed

- he brings small bouquets of flowers to you when he comes back, wilting away once you get up and put them in a vase

- it’s almost a routine at this point, you fight, he leaves, you go to sleep angry, he comes back with flowers and lies next to you

- a relationship is staying with each other when things get difficult at times, but what happens when they leave you and come back into your arms with no other words said ?

chuuya nakahara :

over possessiveness and accusing of cheating

- this all roots from his previous betrayals where he thinks he’s found a family, only for it to be gone in a split second

- he’s a darling partner except that he can’t seem to trust you as much as he tries to

- ‘it’s just for precaution’ he says when he sends his men to be with you when you go out, it makes you feel weird having someone by you at all times

- if he ever gets the feeling that you’re being too friendly with a random waiter it always ends up with him accusing you of cheating on him

- you beg him to believe you when you say that you aren’t like the people he had in his life before, that you wouldn’t leave him

- he wants to trust you but when someone gets too close to you, it’s almost like a primal instinct to get you away from them

- he spoils you to no end but nothing materialistic compares to being alone without someone breathing down your neck

- it’s overwhelming not having time to yourself, always being surrounded by someone because they’re afraid to lose you

- you love him like a human so why does he love you like a trophy in fear of betrayal ?

ryūnosuke akutagawa :

lashing out at you for caring

- what else were you expecting when you started dating someone with so much trauma that he can only express with anger

- he doesn’t mean to lash out at you for no reason, he wants to make it work but instead of improving, his attitude continues to grow

- he doesn’t like you “nagging” at him to take better care of himself

- you know that there’s a big brick wall that stops you from reaching his heart but at what point is too much, too much

- when you nod at him after he screams at you, it almost angers him more because he thinks you aren’t listening even though you are, not wanting to argue back and cause more chaos

- there’s times where he makes up for his behavior, sometimes he picks a random flower from grass and gives it to you

- he doesn’t know why he gets so angry that you care for his wellbeing, isn’t that what couples normally do for each other

- it’s saddening seeing the own man you let into your life berate you for no reason

- it’s so hard to love someone who just seems to loathe you so much even with his small actions of caring

fyodor dostoyevsky :

seeing himself as your superior and seeing you as a pawn in his own game

- another man with a shitload of red flags and toxic traits, this one rising above them all

- he cares about you, he does ! but not in the way you’d like, he cares about you like how humans care about their pets

- sure he’d give you the world if he could, but he’d also give you up for his ideal world if it ever came down to that

- a relationship is a balance where each partner sees the other one as an equal, yeah not with fyodor it’s not

- you’ve proven your worth to him so many times for him to see you as the same as his level, instead it just makes you seem as a pawn under his control

- despite this, there are times where it almost seems that he cares about you like a person should, when you’re hanging onto his arm walking in a park humming quietly

- he indulges in your needs every so often, not before bringing you right back down to your place beneath him

- not even death would allow you to escape this cycle of rising and being kicked down

- why does he expect you to see him as the righteous hand of god when he sees you as a mere pawn ready to be sacrificed

sigma :

unintentionally guilt tripping you every time you get frustrated at him

- he’s been used so many times, his naivety is something he hates to the core, all he wants is someone to settle down with, a family

- he’s another sweetheart partner when you can push past the teary eyes and begging for you to not be mad at him and to not leave him

- his biggest fear is losing you, someone who doesn’t use him, he’d rather abandon his casino than end his relationship with you

- whilst he doesn’t realize, you notice his wording when he begs you to stay, often saying that he’s nothing without you, that he’d rather die than be without you

- maybe it’s heartwarming for the first few times but once it becomes a cycle you start to truly wonder if he’d actually go crazy without you or if it was all bluff

- even then, you can’t deny him when he guilts you into staying, he doesn’t know any better

- if you ever mention this to him, he’ll burst into tears, thinking you were breaking up with him, it takes hours trying to convince that you were here to stay

- it’s a repeating cycle he doesn’t notice and you can’t break for the sake of both of you

- love is a powerful thing, powerful enough to guilt you into staying with a man who loves you a bit too much

saigiku jouno :

putting his work above you at all costs

- he swore to protect those that need him, he’s not going to break that just for you

- you knew what you were getting into when you started dating the hunting dog, yet sadness can’t help but fill you when he misses important events with you

- after all you’ve been through with him, and not a single happy birthday text, not a single note for your anniversary, nothing

- he knows when you’re upset with him even if he can’t see your face, he can feel you rejecting his touch, and that’s when he reminds you of what he swore and what you agreed to

- it doesn’t help when he has his snarky attitude and almost mocking voice explaining to you why he can’t just walk out of a meeting

- despite this, he does love you, otherwise he wouldn’t waste his time on you, he loves that you still stick with him no matter what

- you really don’t ask for much, you understand his work and what he has to do, but he still thinks you make a big deal out of nothing

- as hypocritical as it sounds, he always expects you to be there for him even if he’s not

- you knew you were never going to be his first priority but it hurts so much more when he makes sure you know

[im-totally-not-an-alien-2]

Halloween prompts year two, day 8

The weathered window made sounds of protest as Robin pried it open. He felt bad for breaking into Daniels apartment, but he needed to prove that his crush had no involvement with the Fentonworks gear that had found its way to Gotham through the black market.

He didn't bother with stealth since he knew Danny was out across town with his sisters and Richard. His eldest brother would ensure they wouldn't be back until much later so Damian could take his time investigating.

Damian didn't even begin looking when he froze in his tracks.

No.

It couldn't be.

This was impossible.

But to his great dismay the objects on the shelves and desks didn't disappear when he willed them to do so. The golden yellow and black design, the familiar sight of modified batarangs, that shade of red on the figures.

Damian had to face the truth but he would have preferred Daniel to be a criminal over...this!

His crush, his beloved...was a Red Robin fan

Damian refused to take this lying down! He must show his beloved the error of his ways, and to do that he must show Daniel that Robin is superior.

Danny, also known as Clueless by his closest friends, has no idea why Damian Wayne had taken an interest in him. Well, aside from Cujo. At first it started with Cujo and Tidus meeting eachother on walks (aka Cujo went into his Big Form and dragged Danny around by his leash) and the dogs became fast friends.

Damian was enamored with the green size changing dog and Danny was thrilled to see another non ghostly animal that wasn't scared out of its gourd of Cujo. They set up puppy play dates and things just progressed naturally over time. Danny developed a crush on Damian and Damian developed a crush on Danny, but neither noticed.

Options:

1. Danny had a long standing admiration/crush on Red Robin and thats why he's a fan with so much merch

2. Danny thought Damian was Red Robin and thats why he has all the stuff

3. Phantom and Red Robin are exes who never really dated but got close enough to count.

4. Phantom and Red Robin did date but it ended after some time shenanigans erased everything in that timeline and since Phantom had the time medallion infused into him by his evil alternate future self he remembered everything that technically never happened but Tim didn't remember anything and Danny just decided to let Tim go so he could be happy

[ozzgin]

So @moonthundersoldier requested a Predator x Reader headcanon and I have to say, I took my time with it as an excuse to watch Prey and whip out my dusty old comics. I‘m a big fan of Alien and Predator and this was my chance to finally try my hand at it! Hopefully it turns out alright.

Various Predators x Predator! Reader Headcanons

Featuring various Yautja types that independently find and court a mysterious reader raised by humans.

Part 1: Meeting

Part 2: Courting

Part 3: Mating

Backstory

The earliest memory you have of your parents consists only of their wide backs as they hastily controlled the ship, looking for a new hunting ground. You were born to a pair of bad bloods that have been exiled by their clan. They were loudly typing in the parameters for the landing, which so far wasn’t looking gracious. Just as the ship brushed against Earth‘s atmosphere, a foreign vessel appeared behind. Judging by the angry growls of your parents, it wasn’t a good thing.

You of course don’t recall any of it, but what followed was a swift battle once the landing jets touched the ground. The second ship opened up without delay and several Predators in stark white armor marched their way out. They were enforcers, dispatched to hunt down criminals such as your parents. As they finished their gruesome task, they noticed the remaining heat radiating from the cockpit. Had they missed a member? Then again, the overall shape was too small for a regular man. One of the officers climbed into the collapsed remains of the ship and spotted you. Troublesome. He nonchalantly grabbed your carrier and walked out, showing the cause of mild concern to the others. The important things such as weapons were to be returned to Yautja Prime, anything else destroyed. So, what were they supposed to do with you?

The answer was found rather quickly, as their helmets notified them of approaching life forms. Most likely wild animals, in which case you would also be taken care of. The suckling of fugitives could hardly integrate back in the clan. This was for the best. So they quickly discarded the remaining wreckage and boarded their vessel once again.

“Oh God, what is that?” a tall man shouts as he approaches your abandoned carrier, holding tight onto the shotgun. “Some sort of creature…Be careful!”

The plump woman with a sunburned face that had followed behind was now just a few inches from you, bending over with genuine curiosity. “Are you serious right now? Put that shotgun down, it’s a baby!” Seemingly unperturbed by your unusual appearance, she picked you up and briefly analyzed your features before lifting your carrier and turning around. “Let’s go, I’m not leaving a child behind. We’ll figure it out.”

Reader’s countryside life

And so you were raised by honest, loving and - most importantly - human farmers. Since you’ve been equipped with proper, superior intelligence, it has been easy for you to acquire the human language. The clicks and growls were slowly replaced with fully articulated words. Save for your reptilian appearance, you are otherwise an authentic member of the family.

You might have the docile, caring behavior of a human, but your predator instincts have not been discarded. You’re taller and stronger than your “relatives”, and the more dangerous labor of guarding or hunting has been in your hands for many years now. The old shotgun now serves as a dusty wall decoration, it could never compete with your claws, speed and ferocity. Your heart remains that of a hunter.

Eventually it becomes a vague gossip within the cities of Yautja Prime that one of their own might be roaming Earth, completely unaware of their roots. A Predator woman, trained by humans. What would the outcome be? Curiosity peaks for certain Predators and they can’t help but wish to see you with their own eyes. Maybe the different backgrounds would provide future younglings with unknown exotic advantages.

Your peaceful life comes to an end when the first of many suitors descends onto the bizarre planet and manages to track you down. The first encounter leaves you speechless: are there more individuals like you out there? You feel relief flushing over you as the knowledge of similar creatures settles in. You weren’t alone, after all. And soon enough you even learn to describe what you’ve always questioned about yourself. You’re a Yautja, a Predator.

Predators meeting the reader

You’ve really caught the feral Predator’s eyes. He has parted ways with modern technology a long time ago and prefers to hunt with minimal tools. He finds your way of surviving very similar to his tribal lifestyle, relying more on strength and agility that have been polished in raw nature. He’s the one that teaches you the native language and tells you about the Homeworld, though he suspects you come from a different hemisphere. He likes to observe the tactics you’ve developed to hunt the animals of this world and shares his own experience and tips with you. He has grown fond of the wilderness on this planet and plans to propose that the two of you build a family away from the needless hassle of cities. If there’s such a thing as a soul mate, then Black Warrior has entrusted him to be yours.

The visit you receive from an elite Predator is not as cozy. He watches you from afar and notices your interactions with the humans. His guide marks them as targets, so why are you acting all chummy with boring prey? They don’t seem to have combat skills and yet you bring them game and offer protection. He refuses to believe that you’ve been in some way enslaved, bringing shame to your kind. He decides to confront you and demand answers. Having learned the language, you explain that this is your clan, the family that raised you. You’re a bit annoyed that this complete stranger is bringing in his hierarchies and social constructs as some sort of universal law. You do not care for his philosophy of power and warn him to be respectful of the customs here. Aha, there it is. Your imposing figure and assertive threats confirm to him you’re a proper Yautja despite the circumstances. His initial frown is replaced by a satisfied expression. Don’t worry, your potential won’t go to waste in this dump of weaklings. He’ll take you home with him and show you the true meaning of a Predator family. Even if he has to fight you a little for it.

This fugitive bad blood has finally found you. He’d known your parents for a long time and heard about their demise, but he never expected they’d leave an offspring behind. He scans your figure with a certain impertinence, pleased by what he sees. Should he kill the humans and capture you as his mate? It’s certainly the most entertaining option. He smugly shows you his trophy belt, bearing the skulls of defeated prey, and asks you if your little creatures deserve a spot. You assume a fighting stance and erratic clicking sounds erupt from his chest, most likely a laugh. You have no tools and you’ve only ever fought…what…little Earth piglets half the size of a Predator Hound? But it’s alright, he wants a feisty mother for his children. Give your best shot.

By far the most challenging admirer has been the Berserker. You can see the similarity between the two of you, but the blood red eyes are unlike all the other Predators you’ve encountered before. Merely seconds after discovering your presence, the creature attempted to dominate you and you had to trash your way out of its grasp. You try to assess the situation but have little time to contemplate before the next attack occurs. He’s heavier and larger than you or the other Predators and as much as you hate to admit, taking him down could prove difficult. What does he want? He thankfully hasn’t redirected his aim towards your family, and if he so desired he may have killed you by now. He retracts his claws and turns to face you once again. He’s mocking you, not even keeping his guard up. But there’s something else in his eyes, a primal urge that sends cold shivers down your spine. He’s going to make you his.

[powdermelonkeg]

just saw ur gale/mystra analysis post. im new to the game and dnd lore and honestly… ur take on their relationship feels like the most natural/compelling one??? esp since its all too easy to simplify topics that have many facets and nuance….

thanks for sharing i love analysis and reading people’s takes on narratives : D

My pleasure! (Bee from the future here: congrats, you spawned another meta!)

I love complicated characters, WAY more than I like a clear cut-and-dry case. Flaws, to me, are what make a character compelling and lead to interesting stories about them with choices that can get them into situations. I'm both writing a fanfic and running a campaign where I'm playing as Gale, and in the interest of portraying him properly and in-character, I've gone into SUCH a deep dive into all the decisions and facts that make him him.

It helps to, y'know, also be in love with the fictional wizard, but I digress

The thing about Baldur's Gate 3 is that no character in there is perfect. I've seen a couple analyses about the theme of continuing cycles of abuse vs breaking out of them, but in my mind, in terms of the characters themselves, it goes like this:

The origin characters have just come out of the lowest situation of their lives (Lae'zel being the exception; being tadpoled is a gith's worst nightmare. You're seeing that lowest situation in real time).

Not the lowest point, mind. Gale's lowest was probably the day after he got the Orb. Wyll's was probably the day his father cast him out. Karlach's was the day she lost her heart. But the lowest, accepted normal for them is what they've just left.

They're then thrown out of their depth and forced to rely on you to live. That's #1 priority: living. We get the extremes of these characters before we get their nuances, because they're quite literally at their breaking points.

Then once we get to know them, we see their wants, their hopes, their fears, as they open up to us. Every companion's story is at their own pace, but they all have a moment where they ping-pong between despondency and desire. Sometimes that desire is what we know isn't good for them, like Shadowheart wanting to be a Dark Justiciar. Sometimes that despondency is only for a flicker, like Astarion's realization that he's condemned 7000 people to a half-life of tortured spawnhood for as long as he's been a vampire.

Romance lets us crack all that open more, because if you pursue a romantic partner, they see you as their closest confidant. They WANT to trust you, so they're more willing to explain how they see the world and what decisions they want to chase.

And then their endings. Those often get simplified as good/bad, continuing the cycle vs breaking away from it. But how is Duke Wyll on the same platform as Ascended Astarion? He's not evil, he's not even entirely unhappy. He might even have broken out of his abusive cycle with Mizora, if you played your cards right. And Ascended Astarion is overjoyed, even if he is remarkably more cold.

I think that the endings are less a dichotomy of "this is good for them" vs "this is bad for them," and more one of "bringing out their best traits" vs "bringing out their worst."

Wyll's worst trait is being willing to sacrifice his own wants for whatever people desire of him. His best is standing for what he believes in and ensuring people are safe. Duke Wyll leans into that necessity to turn the other cheek in the name of people who count on him, while the Blade of Avernus has seized that moral compass of his and forged it out of mithral.

Shadowheart's worst trait is blind obedience at the cost of her individuality, while her best is her desire to be kind to things that don't deserve to be hurt. Mother Superior Shadowheart's whole life is defined by Shar. Selûnite Shadowheart's life is defined by her hospitality, especially towards animals.

Karlach's worst trait is how willing she is to accept that things are (to quote her) fucked, letting despair override hope. Her best is her durability in the face of horror. Exploded Karlach would rather die than try to work out a solution in the Hells, because she's terrified of facing Zariel alone. Mindflayer Karlach has accepted her fate and decides to give up her heart and soul to go out a hero, losing who she is. Fury of Avernus Karlach is willing to keep fighting for a solution, and by the time the epilogue happens, she's got her sights set on one.

Astarion's worst trait is his desire for power over people. His best trait is using the tools he has to his advantage. Ascended Astarion has let his powerhungry nature and paranoia lead all of his decisions, with his sights set on dominating mankind. Spawn Astarion has embraced what he is, and carved out a life for himself where he can do as he pleases.

Lae'zel's worst trait is her blind fanaticism, while her best trait is her individual dedication, making her loyalty a marriage of the two. Ascended Lae'zel is a meal for the lich queen, turning a blind eye to all Vlaakith's tried to do to her and literally being consumed by her fervor. Champion of Orpheus Lae'zel has turned her loyalty into something productive for diplomacy. Faerûnian Lae'zel has seized her individuality by the throat and decided her own future.

And then Gale. Gale's worst traits are his hubris and, paradoxically, his low self worth. His best traits are his creativity and wonder for the world. God Gale is the embodiment of ambition, having burned away all but that in pursuit of perfection. Exploded Gale has let his remorse blot out all hope for a redemption in which he does not die, because he thinks he's earned it. Professor Gale leads his life by embracing the school of Illusion and letting his creativity thrive, teaching others to do the same. House Husband Gale has multiple creative projects he's working on, and Adventurer Gale is always finding new sights to see and wanting to share them with you.

There are arguments to be made on which ending the origins are happiest in, certainly, or which one benefits them the most, but each ending represents the extreme of a facet they possess.

So with all that, there's a sort of malleable method to figuring out the ins and outs of a character.

You take their endings—all of them, all variables they can have—and reverse-engineer the flaws and details they carry. Then you start to notice how those work into their approvals for minor things: Astarion approving of your taking of the Blood of Lathander, or Shadowheart approving of standing up for Arabella. Getting a list of approvals and disapprovals is helpful, but having those endings on hand tells you why they react like that to a majority of their decisions.

You take their romance-route explanations of how they act, and apply those to earlier decisions. Astarion's confession to manipulating you and Araj-prompted admittance to using himself as a tool brings to light how he reacts to your decisions, regardless of his actual opinions on them. Wyll's fairytale romance and love of poetic adages speaks to his idealistic nature, and why he takes a sometimes-blinded approach to decisions in which the "right" answer isn't always the smart one.

You take their beginning reactions to stress and use that to measure how future decisions impact them. Lae'zel locks down and gets snappy when she's scared, while Gale immediately turns to diplomacy. Shadowheart has gallows humor, while Wyll turns to quiet acceptance. If they break from these and seem even worse, you know the situation is more dire in their minds than having seven days to live.

And then you factor in all their fun facts and dialogue choices and backstories.

A wizard falls in love with a goddess and her magic, attempts to retrieve a piece of her power for her, is scorned for his attempt and is cursed to die.

Give that backstory to a Tav. Look at how it changes.

A chaotic good wizard fell in love with a goddess, thought retrieving a piece of power for her would be a showy bouquet of love, and was punished for not thinking things through.

A lawful evil wizard fell in love with a goddess's power, snatched the most precious thing she owned, tried to use it to barter his way through to the secrets she kept, and was given a swift retribution.

Same backstory. Same class, same act, same goddess. Wildly different connotations. Wildly different conclusions as to who is in the wrong.

If you take all there is to Gale, all that the game shows us makes up his character, and apply it to this backstory, you get what really happened:

A wizard, enamored with magic, fell in love with a goddess. His desires led him to want more than she was willing to give. In his well-buried fear of inadequacy, he concluded that the reason she wouldn't indulge his ambitions was because he just hadn't proven himself worthy enough. So he tried to prove himself, but he lacked the context for what he was proving himself with. And the goddess, seeing a weapon that had killed her predecessor, saw this ambitious wizard as losing his way and coming for her just like the weapon's creator had. She was angry, she withdrew his link to her, and he didn't know why. So he drew the conclusion that she took his powers to punish him, and let that encompass his fall from grace.

Was he wrong to reach for what was out there?

If you knew that the answers to everything you cared about were not only known, but kept by someone you loved—someone who adored you—what would you do to ask to see them? What if your curiosities were if there were other planets with life out there, or how dark matter worked, or whether or not we could one day travel in the stars? What if it was the potential cure to an illness that's little-understood, or the way to make a program you dreamt up, or the scope of the true limits of your artistic talents? Would your answer change?

Was she wrong to cut him off?

If you were once hurt, and the person you loved—the person who adored you—brought the thing that caused it to your door, believing you'd want it, how would you react to seeing it? What if that thing was someone you thought you'd broken contact with, like a friend or family member you'd been trying to avoid? Would your answer change?

That's the sort of scope that needs to be applied to this, on both sides. You have to take the perspectives of each party, and apply two analogies instead of one.

Gale saw the vastness of the universe, untold wonders, the solution to every question he could ever dream up, and saw Mystra as withholding this from him because she thought he just wasn't worthy enough. To claim Mystra knew his perspective does her a disservice.

Mystra saw a cruel weapon she thought long gone, in the hands of someone who could use it, brought right to her, and thought Gale was willingly following the path of Karsus. To claim Gale knew her perspective does him a disservice.

Should Gale have researched his prize more, so he knew just what he was obtaining? Should he have kept his hands off a cursed book that would devour him? Of course he should have.

Should he have given up on chasing his dreams?

Should Mystra have understood that Gale's pursuit of power was nothing like Karsus'? Should she have communicated when she was angry instead of giving the cold shoulder? Of course she should have.

Should she have given him the benefit of the doubt?

That's the root of their falling out. That's what leads to hurt being inflicted. Understandable, human reactions to the situations they perceive. Unhealthy, unwise choices made afterwards.

You work backwards from this to figure out their dynamic as Chosen and goddess. You work forward from this to understand more of where Gale and Mystra are during the events of Baldur's Gate 3. Gale reached too high, and understands this. His goddess hates him, and he regrets this. Mystra isolated Gale, and understands this. Her Chosen wants redemption, and she wants to make it happen.

Just like we took Gale's character into account, we also have to take Mystra's.

A goddess is faced with a problem. She uses someone who's desperate for approval to solve it, by telling him to kill himself.

An evil goddess is faced with a threat to her reign. She sees someone who's unfailingly loyal and hates himself, and elects to have him tear himself apart rather than do anything about it.

A good goddess is terrified of the future. She sees someone who tried to hurt her, who's going to die anyways, and tells him to use it to save the world.

Same story. Same act, same power, same pawn. Different character. Different perspective. Different outlook on whether or not this is the right thing to do.

Mystra has died, multiple times, to people trying to stake claim to her domain. Someone appears with the very thing that could do it again, right as she's regained her stability.

She does not see mortals the way mortals do. She is timeless. She is eternal. She has a duty to protect billions of people, and one person lost to protect that number is more than worth the sacrifice.

People like to bring up the Seven Sisters as proof of Mystra's cruelty. For those unaware, Mystra asked permission to, then possessed, a woman, used her to court a man (with dubious consent from the woman), and bore seven children, all of whom were capable of bearing Mystra's power as Chosen without dying. The woman she possessed was killed in the process (reduced to no more than a husk, then slain by her now-husband, hoping to end her suffering), and the husband was horrified by the whole story.

Mystra needed Chosen in order to restore herself in the event that she was killed again, to prevent magic as a whole from collapsing and wreaking havoc on the mortal realm, like it had in the few seconds Mystryl had been dead. Elminster, Khelben Blackstaff, and the Seven Sisters contributed to this. The more Chosen she has, the better; what happens if Elminster dies? She can't afford to have all her eggs in one basket.

Mystra has Volo (yeah, that Volo) as a Weave Anchor, imparted with a portion of her power to prevent the Weave from shredding itself to pieces in her absence. All Chosen of Mystra are Weave Anchors by nature. The creation of Weave Anchors was mandated by Ao, the Overgod, and Chosen are the best way to make sure those anchors aren't drained by ambitious people hoping for godlike power. Chosen can, and will, defend themselves, unlike static locations (which Mystra also has). The anchors are why the Weave wasn't completely obliterated during Mystra's last death, when the Spellplague rose up, because they stabilized the Weave around them.

Everything Mystra does is in the name of the big picture, to prevent a catastrophe like the fall of Netheril from happening again. Her restriction of magic, her numerous Chosen, her creation of Weave Anchors, her destruction of those who would claim her power, it's all in the name of the stability she's been charged with. Dornal Silverhand's grief and Elué Silverhand's death, while regrettable, were worth it to bring seven more anchors into existence to save all of the Material.

So someone appears with the Crown of Karsus, potentially powerful enough to try to kill the other gods in the name of the Dead Three. She can't risk being a target of them. She can't risk the destruction of magic again.

Gale is going to die. He lives in fear. He begs for forgiveness.

In Mystra's eyes, she's offering him the best outcome. She'll let him die in service to her, to save Faerûn, and she'll forgive him. He's going to die anyways, and if he does this, she'll give him everything (she thinks) he could ever want in her realm. She's asking him to do what (she thinks) is the right thing.

"She would consider what she considers to be forgiveness."

Notably, she leaves the decision in his hands. She doesn't have Elminster lead him to the Nether Brain. She doesn't activate him as soon as he's there. When he lives yet, she doesn't revoke the charm that keeps him stable. And when he declines, when he lets it go and starts pursuing Karsus' path, she doesn't smite him on the spot.

She is (she thinks) being incredibly patient. If Gale is going to try to be Karsus II, she's ready for him. If he decides to walk off and keep the Orb, he's dug his own grave in the Fugue Plane (those who don't have a god to claim them roam endlessly as husks and form a wall of bodies around the City of Judgement).

From her perspective, she's not being unreasonable. But from the perspective of a mortal, she absolutely is.

"Now, I have a question for thee: what is the worth of a single mortal's life?"

This is a question she cannot answer properly.

I think a lot of characterization is lost whenever someone paints one of them as being totally in the right. But I also think you have to be invested in them as characters to want to see that characterization. If you want to write about Mystra, you have to try to get into her head, analyze the decisions she made, figure out why she thinks she was right, and follow the pattern.

Gale's sacrifice is a very predictable thing for her to ask for.

[insanermin]

modern loser!ellie headcanons :)

✮ ellie would see a device with a screen, then ask "but can it play doom?" and laugh about it for way too long.

✧ you'd make her watch an anime or read a manga and she won't admit that it's good because comics are superior to her. it's either that or the opposite.

✮ "yeah i used to skate," she tried it out once when she was younger and broke her arm. she's too embarrassed to talk about it.

✧ "no, i deleted tiktok," screen time on youtube is 6 hours. explains the can it play doom. that being said she'd probably find rush e super funny too?

✮ she eats in complete silence, no youtube videos for background noise but makes so much noise eating... though that's the only time where she's not talking your ears off.

✧ ellie has the urge to say "name 10 songs" whenever someone talks about a band she likes. she will make sure you're aware that any band you mention, she knows said band longer than you.

✮ she loves the legend of zelda. and she won't shut up about it if she recently played it. "yeah if i didn't play on an emulator bet i could submit it," (she struggled in majoras mask and couldn't find the first stray fairy)

✧ but apart from being a huge nerd she's extroverted. she wants to be mysterious and intimidating (and she is if you just look at her) but the minute she opens her mouth... all gone.

✮ ellie flirts a lot when she's high and thinks that she's super attractive and mysterious (its the third time she's quoting jaden smith's "can we talk about the political and economical state of the world?")

✧ she uses one (1) hair tie. steals hair ties from others as soon as she loses hers and lies terribly about it. "no this isn't yours ahahaha i found this one somewhere..."

✮ can someone please retire her air force 1? they look like they've been through 3 wars but she refuses to get new ones because she's attached to them. "no these shoes, they're real ones. been with me through thick and thin."

✧ "you sure it doesn't bite? or has rabies? haha just making sure, you know." when visiting a friend with a cat. will keep some distance for the "cats safety" but said cat violates her. (cat sits on ellie's lap)

a/n: felt like writing smth but not really and headcanons are pretty fun,,, also i broke my toe. in half.

[faelapis]

alright! we got one whole person interested, so here's my hot take:

the first "how to train your dragon" movie is WAY better than httyd 2.

i know everyone loves like, the cool warrior mom design, the romance and the "epic animation moments" in 2... but can we for a moment be honest and say the whole "hiccup becoming a leader / which dragon is the Good Alpha" plot was dumb as hell? also, the villain sucked?

the original httyd is pretty good about keeping the structural problem grounded in real societal fears. namely, fear of the unknown and of beasts. it makes sense for any ol' village dealing with such a problem. it was intelligently designed around a solid premise.

httyd 2 is like. actually, dragon taming is a big thing, even outside berk. and theres a Scary Foreign Man dragon tamer who is bad and just wants power. it's okay to other him. being a good guy is about being a protector instead of an evil, power-hungry guy... which hiccup never was anyway... so no real growth there. just be good instead of bad. wow. what a theme. very thought-provoking.

people act like httyd 3 being bad came out of nowhere, but httyd 2 was the original sin to me. it totally dropped the societal themes in favor of generic good vs evil fights and "worldbuilding" - despite having no more interesting stories to tell.

it also kind of ruined hiccup for the sake of developing him. like. his whole thing is that he can't fight, so he has to find other ways to contribute to society. he's the anti-macho hero. which ends up being important in convincing the village that dragons can be peaceful. he's empathetic to the other, because he's been othered.

meanwhile in httyd 2, hiccup's like. Cool Warrior Man, who needs to step up and be the hero king when his dad dies. he can fight just fine, because he has a cool dragon to fight with. so he's just like any warrior, but one who fights with weapons instead of brute strength. aka most fictional warriors who arent just "the heavy."

the first movie isn't beyond criticism, obviously. the animation was a little meh compared to httyd 2 - i get why visually its seen as an upgrade. plus, httyd 1 also did the thing of having like a last minute evil dragon to defeat... but that wasn't the point. the POINT was the village and its fears. the POINT was overcoming that.

whenever people list why they love httyd 2 and consider it superior, its like... lists of details. like, look at the upgraded character designs, the cool flying scenes, the affection between hiccup and astrid, or the clever way hiccup's prosthetic leg is designed.

but these are film *details*, not fundamentals.

if you told me the sequel to httyd was going to have a much more generic story, ignore the themes of the original and makes its deliberately lanky and weak protagonist into Handsome Hero Warrior Boy, i'd be like. that sounds kinda bad. but the Animation Details (tm) i guessssss

i know hiccup is still "himself" in 2 to some extent, btw. he's an inventor, he's intelligent, and he initially tries to talk to the villain. but none of that ends up mattering. its arguably looked down on by the movie, which really, really wants him to step up to be the warrior king like his dad. aka a generic Hero Strongman.

i'm not totally against evolving the themes of a work to fit new conflicts, btw. sequels should generally be different from the first movie. that's fine. that's expected.

but while the new conflict in httyd 2 IS born out of the results of the previous movie, that evolution feels very literal, not thematic.

namely, the evolution is "more people have dragons now." it builds the conflict from there. its based on worldbuilding, not on theme.

i don't think a very interesting evolution.

it kinda went from, in httyd 1: "the theme is fear of the unknown. how prejudice/ignorance manifests, educating oneself through compassion, the dangers of worshipping violent masculinity, and the importance of questioning what you're taught by society."

to, in httyd 2: "the theme is dragons. who has them? what they want with them? how can the Good Guy humans protect dragons from the Bad Guys? also, being a Good Leader means being a strong Hero Man who protects his friends," without asking any deeper questions related to the themes of the first movie.

and i'm like. guys. guys.

the theme shouldn't just be "dragons."

the theme of the first movie was NOT just "dragons." the first movie could've been about people being afraid of unicorns. or large birds. or unusually intelligent bears. it was not just about literal dragons, it was about societal fears and trying to overcome our base gut instincts.

i think this is what really plagues httyd 3: it builds on the themes of the second movie, not the first.

httyd 3 asks further questions that only really revolve around the literal relationship between humans and dragons. it does not understand any broader themes of what that relationship represents.

it clearly thinks its very intelligent for asking "what do the dragons themselves want?", but that question is not respected enough to be explored in any thematically coherent way.

the only real weight its given is the argument that there will always be "bad humans" out there, and so, dragons are safer in the wild. which sure is... an argument. but its a very "othering the problem" kind of argument.

it acts like its caring about the agency of dragons, but its not really. dragons were not actually portrayed as "oppressed" in berk society after the first movie, nor lacking agency. they were only at risk of "bad individuals", to which that solution is stupid. the racialized bad guy in httyd 2 didn't steal all his dragons from berk. he caught and subjugated them, mostly from the wild.

all while looking like... this, by the way. i feel like we don't talk about that enough. all the good guys are white nordics, while the only man of color is scary, domineering and cruel. in a series of movies that was once about having empathy for the other.

MAYBE if berk had been really oppressive towards dragons in httyd 2, we could've had a theme. maybe if they treated them like a dangerous commodity that must be tightly controlled despite their nominal acceptance and inclusion, we could've had a thematically tight 3-movie arc about like fear and oppression or whatever.

but that would require, yknow... making the movies be about broad societal problems, instead of just evil individuals. and only the first movie cares about making any real societal critique.

also, the solution in httyd 3 would've still sucked. these movies, in terms of writing, really decrease in maturity from 1, down to 2, to the plummeting depths of 3.

there is no relationship of oppression that is solved by completely segregating society and going our separate ways (httyd 3). just like there is no oppression that is solved just by defeating bad individuals (httyd 2). we have to learn to coexist as equals, to educate ourselves and be compassionate to the other. even if we're afraid.

that's the dream only the first movie kept in its heart.

[sailormoonandme]

Mamoru is NOT useless in the Anime

Yes, yes, the memes are funny and all, but this is simply objectively not true and I'm rather exhausted of folks critiquing the character/the anime as though it were.

I will hopefully kill his BS once and for all.

"He just throws a rose and leaves!"

For those who have actually watched the anime (or even just the very first episode) to describe Tuxedo Mask as 'useless' is reductionist to the point of being outright disingenuous. In particular when this argument is made in such a way as to negatively compare him to his manga counterpart, who is put over as allegedly superior on this point.

The original 1992 Sailor Moon anime had 200 episodes, 3 TV specials*, 2 theatrical shorts and 3 films, with these latter theatrical releases being dubiously canonical to the anime. Mamoru appears in the overwhelming majority of those 208 entires, even accounting for the final 34 episodes where he was dead/functionally absent almost all of the time. Even if we seriously low balled things, the majority of those appearances feature him partaking in the following scenario.

Sailor Moon, often with her fellow Senshi, are fighting the monster of the day (maybe it's a higher ranking villain, or a general threat they are dealing with).

They get into a tight spot where either they or whoever/whatever they are trying to protect is in danger from whatever threat they are combatting.

Then, out of the blue, a rose slices through the air and imbeds itself into the scenery like a dart. Typically, this action saves the lives of Sailor Moon, her friends or whomever they might be protecting.

Tuxedo mask gives a speech and either leaves or else sticks around to see Sailor Moon perform her finishing move that effectively ends whatever threat she was dealing with, often with Tuxedo Mask being the one to prompt her into performing this finshing move.

For the sake of argument lets pretend that the above is literally the sum totality of what Mamoru does in regards to the superheroics of Sailor Moon. How could anyone describe the above as 'useless'?

If his interventions regularly save Sailor Moon's life then that is a zillion miles away from useless. For him to be useless, his actions need to be superfluous, pointless, contribute nothing. Even if he contributed a little bit he would by definition not be useless. And saving the protagonist's life is much more than 'a little bit'. If the protagonist dies then the story is over. Evil has won, the world is doomed.

And this isn't even considering all the ways Mamoru contributes OUTSIDE of the above scenario.

He has, whilst untransformed, stabbed a Lemures with a knife to save Sailor Moon.

He has willingly acted as a magical life support system for Chibi-Usa when her Pure Heart was stolen, an act that maybe anyone else could have performed but it is still a noble thing to do, in particular when it freed up the more powerful characters to go get her heart back.

He personally met up with the Outer Senshi to learn about them on behalf of the other girls, going alone which might have been dangerous, but the episode also gives the impression that he, as the oldest member of the team, was better positioned to get info from the older Outer Senshi who has a demeaning view of the younger Inner Senshi. In this same episode, he tried to convince the Outers to join forces with the Inners, acting as a diplomat.

He went 1-on-1 with Rubeus to defend an injured Sailor Moon who was herself acting as a human shield for Chibi-Usa

He has personally gone on a one man mission to infiltrate the Black Moon Clan's HQ to rescue Sailor Moon from being sexually assaulted by Prince Demande.

Mere episodes later he and Artemis went on a scouting mission to learn more about the Malefic Black Crystal

He formed a double team with Sailor Moon to tackle a tennis themed Youma, an encounter that involved more than a singular rose throw and a speech. One of the multiple times he got more directly involved in fighting the monster of the day

He literally carried Sailor Moon on his back to save her when they were both trapped in an elevator courtesy of Nephrite

He was prepared to willingly reveal his identity and hand both himself and his Rainbow Crystals over to Zoisite in order to save Sailor Moon and her friends

The love he shared with Usagi directly led to the manifestation of the Silver Crystal, to the salvation of Chibi-Usa when she'd been brainwashed into Black Lady & the creation of a new weapon and transformation brooch for Usagi in season 3

As Prince Endymion, he went against his own subjects and risked his life to infiltrate the Moon Palace and warn his beloved Serenity that his home planet was going to invade her home

He took not one, not two, but three impalements to protect Sailor Moon's life

More often than not he has acted as reliable emotional support for Usagi and Chibi-Usa, encouraging them, helping them with homework or just being there for them. i.e. he is an imperfect, but ultimately good husband and father. Which is particularly impressive considering he hadn't yet married his wife nor conceived his child.

There are those who might scoff at the latter. Is emotional support really useful? Well, putting aside how the Sailor Moon universe clearly demonstrates how magical power/energy is directly linked to emotions, this is categorically true in the real world as well. There are no end of testimonies from fire fighters, doctors, people who have serious illnesses, or soldiers that the emotional support of thier loved ones have kept them going and kept them alive. So, this is rather useful for our heroine Usagi who's job is that of a Sailor Soldier.

The Outer Senshi

Furthermore, there is an inherent hypocrisy in the 'Mamoru is useless' narrative because such criticisms are never levelled against other characters whose typical role in the narrative are similar to Mamoru's.

The most popular season of the original anime was season 3 (Sailor Moon S) and one of the biggest reasons for that show's popularity were the fan favourite Outer Senshi: Sailors Uranus, Neptune, Pluto and Saturn. Let's exclude Saturn as she wasn't active as a Senshi for most of season 3. Uranus and Neptune's role in the first half of season 3 typically amounted to

Attacking the monster of the day, usually to the same end that Mamoru's rose throws did, i.e. a distraction or last minute save

Swiping the Pure Heart of that episode's victim

Checking it over before concluding it wasn't a Talisman

Leaving, or else at least standing by as Sailor Moon administered her finishing move on the monster of the day

Golly...that seems just as 'useless' as Mamoru now doesn't it? In fact, maybe more so considering they weren't even trying to help Sailor Moon in the first place. In fact, during their second appearance, they unintentionally saved the lives of a powerless Usagi, her friends and an innocent civilian to check a Pure Heart, then uncaringly left them all in danger.

You know who then saved them immediately after that? Mamoru!

Later when he too was overwhelmed by the monster he directly contributed to saving the day as his emotional bond with Usagi generated the Spiral Moon Heart Rod, upgrading Sailor Moon and giving her the power to save everyone.

During the third sub-arc of season 3 (where the recurring villain was Mimet of the Witches 5) Sailor Pluto joined the Outer Senshi's ranks and their role in the typical monster of the day plots became yet more minimal. More than once, the trio literally appeared but did nothing, something that had also happened at least once before Pluto joined the team. Examples include (but are not necessarily limited to) episodes 97 (The Labyrinth of Water – Ami Targeted), 116 (Sunny Skies After a Storm – A Friendship Dedicated to Hotaru) and 118 (Battle Inside the Demonic Space – The Sailor Guardians’ Gamble). In some of these instances the Outers deliberately choose to do nothing.

Barring 2 of the specials mentioned above (one of which was a clip show), the Outer Senshi were wholly absent in season 4/Sailor Moon SuperS. In one of those specials, upon learning that a new threat had arisen Uranus and Neptune...choose to continue their road trip and leave the fighting to Usagi and the others...How...useful???????

They, along with Pluto and Saturn get much more involved during the course of the final season/Sailor Stars. Even then, Saturn only appears in the first few episodes and the last few. Pluto only gets involved in the monster of the day schemes once or twice and Uranus and Neptune three or four times, if that. Whilst Mamoru is barely involved at all in this season, he at least has the excuse of being dead for most of it.

So, the fan favourite Outer Senshi got far LESS involved and were LESS useful than Mamoru typically was in the course of the whole show. In fact, even if we exclude the first two seasons where (exempting Pluto) the Outer Senshi hadn't appeared yet, Mamoru overwhelmingly contributed MORE than the Outer Senshi did.**

The Other Senshi

Much the same can be applied to the Sailor Starlights. The Starlights more often than not actually got MORE involved in fighting the monsters of the day during season 5 than the Outer Senshi did in season 3; or at least they were interested in defusing a direct and active threat to innocent lives. But even they literally showed up and did nothing on at least one occasion.

Whilst the Starlights are nowhere close to the Outer Senshi's popularity, they are also never subjected to the 'they are useless' narrative Mamoru frequently is.

Nor in fact are the Inner Senshi of Sailors venus, Mars, Jupiter and Mercury. Now, whilst it's easy to argue due to their superior screentime, the fact that they often initiate combat with the monster of the day and are generally heavily involved in whatever crisis is happening, that they are obviously more useful than Mamoru is.

And you know what, even including the rare occasions they too show up and do nothing else (or do a last minute save like Mamoru is prone to do) this is perfectly true. It is also perfectly true however that the quartet have rarely ever defeated any monster of the day on their own. The overwhelming majority of the time the Inner Senshi act as a distraction to the Monster of the day or else sufficiently lower its HP so that Sailor Moon can actually beat the monster. That might be more useful than Mamoru's typical contributions, but, call me crazy, it seems like Sailor Moon is doing the lion's share of the work there. So, how 'useful' are the Inner Senshi really if we run by the 'Mamoru is useless' narrative?

If Mamoru is useless so are many if not all of the more popular heroic characters in the series.

But...how useless is Mamoru in the anime compared to the Manga?????????

*Well, one special with three segments, but go with me on this.

**They were mostly absent from season 4 whilst he appeared routinely in that season. Meanwhile, in the season he was mostly absent, they rarely helped out.

Obviously, there are real life writing reasons behind that difference, but my point is why is the fandom not treating the Outer Senshi as 'useless' too?