#and YES she counts

[hazel2468]

Okay so. The Avery shipping continues to run amok and I figured I would share a doodle I'm doing of like. The essential "Romance with Avery" scene- the Shower Scene. So- have the (WIP) Bad Blood rendition of the Shower Scene.

[tuttle-did-it]

You know, it's genuinely sad to me that aging favourite character actors no longer have any fun murder-mystery tv shows to guest-star as murders on.

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[dadralt]

Ciri remembering people important to her

Bonus:

[boobilby]

They’re kind of ugly (Damian Tim and Steph look alright) and Jason gets the piercing treatment because my friend is obsessed with him and that’s how they draw him and I must obey

[haunted-xander]

I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.

Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.

But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.

Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.

Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.

Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.

And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.

Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.

But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.

The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.

Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.

Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.

She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.

Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.

But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.

And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.

He tells her to live her own life, and he learns to live his own too.

[starstruckodysseys]

does rekha know she’s the funniest person alive

(taken from this article! it’s very good you should all read it)

[tekatonic]

a special treat : big MS Paint Guy Collection to end the year !

plus bonus uncompressed ms-paint colored sonic sticker

[thatshadowgastwhore]

You can make an argument that any big three kid is the oldest, except for Jason.

Like, biologically, Percy has aged the most, he’s physically 17, which is more than any of the rest of them has reached

Thalia has mentally aged/matured the most, even if she stopped biologically aging at 15 years and 364 days, and should chronologically be in her 20s but spent some time as a tree where she aged slower.

Chronologically, Hazel was born the longest time from the present day, but she also died, and was in the underworld for decades before being resurrected, so that time didn’t really count for her, and she’s physically like 14.

Nico has been alive for the most time, but for 70 years he was in a place where he couldn’t physically age. He’s like…15 now and is aging normally, but has been alive since world war 2.

And then there’s Jason. Who had no wacky time shenanigans and died and didn’t come back. (Yet) honestly, and outlier who should not have been counted

[anonymouscheeses]

They are everything to me.

[lex-crow]

For an au I probably won’t write

Heather: I don’t want hiccup to die.

Heather: You don’t want hiccup to die.

Heather: Now we just gotta make sure hiccup doesn’t want hiccup to die.

Eret: amazing plan but have you met him.

[cry-ptidd]

As a major fan of historical fashion with a current fixation on 18th century Versailles fashion, I desperately need to see Laura in 18th century Versailles fashion, pretty please? 🥺

(Also, did Laura take advantage of the Reign of Terror period of the French Revolution and basically saw and made it an all you can eat buffet? Taking the ‘eat the rich’ literal? Also Laura singing ‘Cą Ira’ would give me life lol)

Here's your Versailles Laura anon ✨ (she's not a fan sadly)

Also, Laura during La Terreur is a well-fed Laura.

She didn't ideologically participate in the Revolution, but she loved the chaos and violence because it gave her a lot of coverage. Any sightings of her were dismissed and corpses littered the streets. She ate a lot in that period (which helped her recover from her wound) by eating the decapitated/hanged bodies all around and snatching the leftovers. She still knows the original revolutionary songs by heart in 1999.

[applebees4prez]

everyone in barbieland is asexual and aromantic btw. they’re all the bestest friends and in love with each other but never romantically. just so you know.

[cable-salamder]

“I want a kids cartoon with more diverse main character body types than just skinny teen” you guys couldn’t even handle Steven Universe

(Or Dead End Paranormal Park, or She-Ra)

[sincericida]

ANDREW GARFIELD and FLORENCE PUGH

bi panic at the Toronto International Film Festival 2024

[juricore]

i know there's been a lot of talk over the last six to ten years about how women in anime went from looking like people to looking very chibi-esque and i mean i know cowboy bebop and ive caught a couple gundams and ive seen satoshi kon films so like i thought i knew what people were mourning when they talked about 90s character design but like now i know....now i know.....this is what we lost as a society........