#and even more baffling are the people who limit themselves from being what they want because it doesnt fit what theyve found looking inwards

[arachaoticnid]

Ive never really understood the idea that a persons identity is innate and needs to be found. I suppose to some extent our identities are sculpted from birth and life but searching for the 'true' you sounds... impractical? at the very least. Why would you only look for yourself when you can create yourself?

[tirsynni]

If we're asking about BotW/TotK ships, any thoughts on Revalink? Asking mostly just because it has been living in my head rent-free for months and I constantly desire more people to talk about it.

Anonymous asked:

Sorry for asking about your opinion on Revalink without even checking to see that you had already written Revalink fics, feel free to ignore previous ask

Oh, honey. I am always happy to talk about Revalink. They are absolutely my BotW/TotK OTP. I also adore Revali and I hungrily devoured even the slightest mention of him in TotK and have multiple WIPs scribbled on my laptop finding out ways to have him actually in TotK.

(Do I still feel a little cheated? Maybe. I wasn't expecting much, but ow, TotK.)

This ship has an insane amount of potential, especially since we have so few of Link's memories available in BotW. Maybe it was always just brutal tension between two fucked up young Champions with far too much weight on their shoulders (with most of it being self-imposed!). Maybe they quietly figured out something, just for Link to forget or maybe he didn't even forget but it didn't matter because the Link of then and the Link of now are so different. Ack! So much potential!

...but anyway.

Pre-Calamity, these two had so much weight dragging them down and not a single positive communication skill in sight. Link was buried under the title of Champion and Hero to the point he could barely see the sky anymore. Revali pushed and pushed and pushed himself to the point of collapse. He was absolutely driven and stubborn and passionate and snarky and desperate for validation. Link was silently begging for everyone to not look at him and Revali was silently begging for someone to fucking see him.

Specifically, he wanted Link to see him.

That's what absolutely kills me about that pairing. We don't know what Link saw or thought. We got everyone's journal but his. Hell, even his memories seemed like they were from an outsider's perspective (especially the last one). But we got Revali's journal and we got to hear Revali speak (and snark and yell) and so it baffles me when people paint him as an asshole who hated Link.

Doubtlessly, Revali would have pushed himself forever without external validation, but it didn't change the fact that he was thirsty for it. Where do we see it most? In his interactions with Link. In his journal talking about Link. It was a constant chant of "See me, see me." Link was strong and skilled and we saw in his limited memories that he pushed himself, too. While Zelda quietly mused in a safe, dry spot, Link stood in the rain and continued to practice with his sword. He threw himself at hordes of monsters and Zelda scolded him for being reckless. For their own reasons, Revali and Link actively pushed themselves arguably long after almost anyone else would have stopped, and I think Revali saw that in Link -- saw a possible peer who valued hard work and sweat and determination -- and desperately wanted Link to see him, too.

When they reunited one hundred years later, for all of Revali's snark about Link making him wait, nothing can convince me that Revali wasn't happy to see him again. We won't know what happened in those final days before the Calamity or what Revali knew about Link during those hundred years, but the fact that Revali specifically told Link to avenge him will forever be telling to me. Revali -- fiercely independent, determined Revali -- recognized that he couldn't avenge his own death. He also didn't expect the fight to be impersonal for Link, for it to be another thing for Link to check off in his quest. He didn't want Link to kill the Blight on his behalf: he wanted Link to do what he couldn't, he wanted Link to treat the fight as something personal, he wanted Link to fight in Revali's name. He wanted Link to avenge him.

(And in return, he gave Link wings and personally lifted him into the sky. <3 With an adorable little flourish.)

I also love the dialogue choices during the fight, and they are part of my argument for why Revali isn't hateful: he's snappy and snarky and is absolutely the guy who shows he cares about by calling his love interest an idiot for failing to appropriately care for himself. He spends that entire fight scolding Link and cheering Link on and snarking at Link and fretting over Link, depending on how the fight goes. He gets so worried for Link. Not because Revali won't be avenged but because Link is hurt and he checks to see if he is okay. ;_;

On Link's half? If Revali is the bird who is desperate to fly as high as he can, Link is absolutely the trapped, muzzled songbird. There's one scene where the king is scolding Zelda and Link is kneeling beside Zelda, absolutely forgotten by both of them. He's pretty much part of the scenery in that memory. His head is bowed. His face is expressionless. He's disregarded butterly as the king berates Zelda and Zelda focuses on vainly defending herself. That exemplifies so much of his backstory: he's the silent Knight. He's the Wielder of Evil's Bane. He's the guy who effortlessly claimed his destiny by pulling the Master Sword while Zelda struggled fruitlessly to call upon her sacred powers. I would argue (and this isn't a slight against Zelda, who is clearly a traumatized, overburdened, and royal teenager in all of these memories) that when Zelda finally sees Link as an actual person and not just another symbol of her failure, she still struggles to see him as a true individual and not another way for her to deal with and understand her own problems. For most of the characters in those memories, Link is characterized by his role and his duty, not as an actual overburdened teenager himself.

Except Revali, who never shows any indication that he gives a damn about titles and destiny and all of that bullshit, sees Link and wants Link to see him. Revali wants a response. Revali wants Link.

I've also written briefly about this before, but in regards to symbolism, Revali is also the closest in-game parallel to things normally associated with the Heroes of Courage. Courage is Farore green, courage is Farore's Wind. In Skyward Sword, Link rides upon his loftwing, a sacred creature which connects the Hylians to the Goddess. In Wind Waker, well, do I need to say it? The other Champions fit well with Din/Power (Urbosa and Daruk) and Nayru/Wisdom (Zelda and Mipha). Revali? Fits great with Farore/Courage. Revali, who pushes Link and gets so pissed (and hurt) when Link doesn't push back. Revali, who tells Link to watch him as he flies and grows so upset when Link doesn't react to that magical moment at all.

To leave the Great Plateau and begin his journey, Link needs to take a leap of faith and glide through the sky. Link needs the wind. Link needs to fly.

I could keep going for a while, but I think I should stop. lol I've written plenty of meta about these two before, though, so feel free to check out my Revalink tag. Always feel free to ask about these two (and fandom and such in general). I love rambling about them and people IRL tend to look at me like I'm crazy when I begin talking about this stuff. :D

[bro3256]

Predictions for Nintendo Switch Online

I think it goes without saying that the Nintendo Switch Online (or NSO) service has been controversial to say the least. The fact that we now have to pay for what used to be free online and the lack of benefits you get to subscribing has led to this service being received very poorly at least at launch. It's been about 5 years since NSO launched and a lot of that controversy has seemingly dried up either by new additions to the game library or simply the fact that we're just used to it at this point.

Now don't get me wrong there are still detractors to NSO, but it seems as if this service has been accepted for what it is despite its flaws, although I do have to agree with some of the things said by folks regarding how the service launched and how it currently is.

Now that we've gotten that out of the way, I want to lay down some predictions regarding the future of this service as I've seen some wild things being proposed by fans that sound completely unrealistic and nothing Nintendo would ever regularly do. Starting with the obvious, what future platforms will Nintendo add to the game library?

First things first, GameCube is not going to happen at least for a long time. I suspect Nintendo may add it once the Switch's successor is out but at this very moment it is laughable to consider GameCube right now. The biggest main issue is the fact that Nintendo themselves has been rereleasing GameCube games as full price Switch games. Metroid Prime Remastered and Paper Mario: The Thousand Year Door come to mind. I know for the most part the whole "things releasing outside of NSO means it will never come to NSO" myth has more or less died at this point but GameCube tends to be a special case here since these games still feel modern enough to resell as new games.

Another thing is to completely throw out any consideration of any mainline Pokémon games appearing on the Game Boy apps. The spinoffs sure, but actual mainline games is a bit silly. If they were somehow to be added they would need to do a lot of backend stuff to get these games properly working and so players don't cheat with the regular tools NSO offers such as rewind and restore points. It's not impossible but I see this as too much work to be worth it if simply putting these out as digital eShop releases sounds much easier. Besides if every version was put out on NSO then you'd lose the magic of Pokémon just like that, and that wouldn't be fun would it?

Okay so what do I actually think NSO is gonna add to its game library? Well unless Nintendo puts out a Virtual Boy or a Game & Watch app then I suspect we will probably see more third party apps. One consideration I don't see a ton of people talking about is the PC-Engine and TurboGrafx-16.

Games from these consoles have appeared on Virtual Console in the past on Wii and Wii U and a very limited number of PC-Engine games did release on 3DS only in Japan. I wouldn't doubt that Nintendo would add this as apart of their Expansion Pack, heck maybe even regular NSO if we're lucky. I would just love to see more NEC love (or well Konami love now).

But why stop there when the Mark III and Master System could be added too? Sega is already on board with NSO with their Mega Drive and Genesis apps so this would be a great addition especially since these games have not been given enough love even by Sega. SG-1000 would also be cool but that might be a bit too niche for a service like NSO but who knows.

As for games, while there is quite a bit already on the service there are certainly omissions that are quite baffling so let's get some of the more obvious ones out of the way and in no particular order.

Gomoku Narabe Renju, Mahjong, Golf, Urban Champion, SimCity, Mario Paint, Super Smash Bros., Ridge Racer 64, Banjo-Tooie, Super Mario Land, Qix, X, Balloon Kid, Mole Mania, Super Mario Bros. Deluxe, Pokémon Pinball, Densetsu no Stafy 1-3, Mother 3, and Rhythm Tengoku just to name a few.

So lets start with one that might not be interesting at a glance but would be a great addition to the service.

Tetris for the NES (no, not the Tengen version) is one of the more iconic versions of this beloved puzzle game, but why go back to this version specifically? I mean we already have Tetris on the Game Boy app and plenty of other Tetris games on Switch so what's the deal here?

Well for one, this version has never seen any kind of rerelease... kind of. This version in terms of how it played was ported over to Tetris Effect: Connected as a side mode but unless you knew about it I'd imagine not a whole lot of folks have dabbled with it and it's still technically not the original game.

But secondly, the main reason why this mode even exists and also why I personally would like to see it on NSO is purely to make the game accessible to a wider audience considering the competitive scene of this specific classic version of Tetris.

Being able to play this on NSO would mean a ton more people get to experience how this version plays and more importantly gives players another option of playing this without resorting to unofficial PC emulation. Obviously pro players are going to stick to original hardware but if you just wanted to practice or wanted a taste of this version then it's no wonder that having it on Switch would be a dream. Hopefully with the Game Boy version already being on the service this will increase the chances of this one happening.

So this next one is already planned to release for NSO in Japan but there's no word on it releasing internationally but regardless...

...Kaeru no tame ni Kane wa Naru or as its unofficially known as The Frog For Whom the Bell Tolls. It's an action RPG that's often compared to Link's Awakening to the point where in said Zelda game there's a cameo appearance featuring Prince Richard from Bell Tolls. This is one of the more well known Nintendo developed games that never left Japan and as of writing has never seen an official English localization of any kind and unfortunately there seems to be a trend with international NSO releases having Japanese games that have not been translated. So the likelihood of this not only releasing outside of Japan but getting a new localization for NSO is very unlikely but it's more than possible given Nintendo puts in the work to translating this in English. I'd imagine a remake of this game being far more likely to getting an international release if that were to happen and hey if it's in the style of the Link's Awakening remake that would be pretty cool.

So let's move away to one that might actually happen.

This one's pretty straight forward and don't be scared by this being Japan exclusive as outside of some story cutscenes this one's perfectly playable as its mainly a puzzle game. It has seen rereleases in the past on Virtual Console and if it were to release on NSO it's very likely that it would release internationally since the benefit of Nintendo not putting in effort to localize these games means they can just drop this on the SNES app no problem. Also good time to mention that this also includes the original Wrecking Crew so it would be funny to see Wrecking Crew on the service twice.

So let's end this game prediction saga with one that probably will never happen but if it were to happen I'd be curious how it would be implemented.

So let's get this out of the way, this is an M rated game. For a while it was believed that Nintendo would shy away from more mature games from appearing on the service but GoldenEye 007 on N64 at least in Japan indicates that Nintendo's solution is purely to bump up the rating of the overall app. So I'd imagine if this were to drop on NSO we'd not only see a rating bump for the N64 app but hopefully some kind of parental control option to stop players under 17 from playing this one. While it would be cool to see this on NSO in terms of being able to play it on a Nintendo platform again, I purely would like to see this get added just to see what they'd do to the app in response to this M rated addition to the service.

And there are my NSO predictions as of November 2023. I do wonder when the next Nintendo platform releases if we'll see an uptick in support for the service but its likely that this slow trickle of games will continue as usual. I'd normally would wish for more platforms to be represented on NSO but the problem is that some of the ones already on the service are very lacking especially Game Boy and Game Boy Advance. Hopefully those libraries get beefed up soon.

[frostfall-matches]

[ matchmaking... ]

@ anon (HQ!! - ESTJ, dancer, literature lover) : [ match report ready ]

your match is…

✦ Haiba Lev

-> [ Though he tends to goof off at times, he’s definitely not a slacker. ] Lev makes it a point to have fun in life but will also put effort into the things he cares about, which is shown in the way he approaches volleyball. You’ll likely spare him from calling him out on being lazy and slacking off for the most part - something he’s very thankful for. He’s seen the biting sarcasm you throw at others who you believe are slackers, and he definitely does not want that for himself. Perhaps it’ll even inspire him to put a bit more effort into his studies, too.

-> [ Lev will be able to handle the times where you’re more distant, and the times where you’re more outgoing. ] Your openness tends to vary depending on the group, and he gets that some people tend to hold themselves back when around strangers or acquaintances versus friends. As for how he reflects your preferences, Lev is social but not usually too overbearing. He may be a bit excitable and busy at times, but he is able to settle down. You also won’t have to struggle with muddling through limited conversations with people who are more introverted than you when it comes to him.

-> [ He’s not a big reader, but doesn’t mind listening to you talking about what you’ve been reading. ] There’s a certain effort and motivation that goes into reading that he just doesn’t want to put in very often (there are other things he wants to devote his time and energy towards, namely volleyball) - but he finds it enjoyable to hear you summarize things and share your thoughts on them! Lev prefers to hear about fiction to nonfiction, but he’ll honestly listen to your chattering about any subject or genre (even in the event that the particular topic is complex and hard to follow; he may not understand it like you do, but there’s something about the way that your eyes light up and how you get all animated when you’re talking about what you’ve learned that just captivates him).

-> [ Funnily enough, picks up on your random associations quite well. ] Sometimes he agrees, other times he’s of a different mind (“no, this shirt is definitely more of a Saturday”). His teammates definitely get a little baffled if they hear the two of you talking, but Lev was always kind of an oddball to begin with so they don’t think much of it. They’re just happy that you two have each other, lol. In any case, Lev loves all your quirks, this one included. He takes them in stride and they’re what make you incredibly endearing to him. And if he’s able to meet you on the same level? Even better!

-> [ Acts of service isn’t the most natural way Lev shows his affection for you, but he makes an effort. ] This is something that improves the longer your relationship goes on, the more he gets to know your nuances and preferences. Physical affection comes much more naturally to him, and he’s quite verbally affectionate as well! It’s very important to him to let you know that he loves and supports you, and that he’s there whenever you might need him. Lev is good at giving compliments without them being overbearingly cheesy. He loves hugs, though sometimes you may feel like you’re being suffocated as his long arms wrap tightly around you.

-> [ Sometimes he may flounder in the face of your tears when you become emotional to the point where you start to cry. ] It really doesn’t help that you struggle to communicate your feelings verbally - he tends to be a very straightforward person regardless how emotional he is at a given moment and really needs that straightforward communication from other people so he can decide how best to approach them. Lev does make a strong effort, though, to keep that line of communication open in a way that isn’t overwhelming or overbearing. If you need a little space, just let him know and he’ll come back to check on you after a bit - or if you want some sort of comfort or distraction, he’s happy to provide!

[vamossainz55]

Yeah, no doubt Charles gets his share of hate, in fact every driver does, more or less, I was just talking specifically about Carlos. I’d never fault Charles for what people do online, he’s not responsible for them. I do kinda wish ferrari would speak up and ask everyone to stop trying to create a rift between Charles and Carlos but that’s very unlikely to happen, in fact it might enrage people even more haha

It’s always, always the same type of people hating drivers, some of them even basically admit they find it fun to be mean which absolutely baffles me. To each their own I guess.

Carlos in his Mclaren era was a delight, that combination of his own decision to be more himself than he was before (like he said in some interview) and also being paired up with Lando who instantly connected with him worked really well. To me it seems like Carlos needs a much more lighthearted environment to thrive in it, and Ferrari are really far from that… like, being a Ferrari driver puts a certain label on you that you have to be more put together, since it’s a team with such history. Ferrari as a whole need to unclench, stop living off their past victories and truly move forward if they want to be the winning team again. Idk, that’s just how I see things, there’s too much focus on the past, on their legacy, and it’s hurting them more than helping

Anyway, the fact that Tifosi were totally behind Carlos from the moment the weekend started until the very end was really heartwarming ahhh I think the support from everyone was one of the factors why it all went so well for him because ngl, at times this year it seemed like he’d lost some confidence in himself. Hopefully I’m wrong or that it’s all resolved now if I’m not. If only the car was good enough to fight for wins 😭

I guess I’m in a rant mood as well haha, feel free to tell me to stop spamming you 🫶

waaah ! i hope you didnt take it any wrong way- didnt mean you specifically with the charles hate, its just something thats been a bit more conscious in my mind recently and i just wanted to let it out. but yeah, charles is the last person responsible of the hate ofc. i actually prefer ferrari saying nothing about it, i do think itll make matters worse and ultimately ferrari need to fix themselves first 😂.

but yes its usually the same type of people and sometimes its just so so embarrassing. like i get second hand embarrassment sometimes seeing some the things people post to hate on the driver, i just don’t understand how some of them can lack self awareness. ive also been blocked by some accounts on tumblr even though ive never said anything about their fav or interacted w them (infact i love their fav too) but maybe ita cause im a carlos account haha.

mclaren era was so so beautiful i miss it so dearly and i get saddened that he isnt there anymore but ultimately i do think ferrari was a good mood. even though it hurts and sucks ita good that carlos is outside of his comfort zone and that he needs to push his elbows out a little but i agree with all your points, ferrari does need to get off the highhorse theyre on (pun not intended 😂) and reflect as to why they arent performing and the type of environment they have. i do think theyre the team thats stuck in old ways, they need to innovate and think outside the box myb idk.

as for carlos this year and his confidence- i think last year really took a toll on him but hes much more confident in himself this year in terms of consistency. hes back to his old self and i think even though the car isnt performing as good hes still pushing the limits whilst being aware of when to stop. but if its the case where hes missing a bit of confidence still i really hope he finds it after monza. we all are really rooting for him. the car and where its at is a pity, but im hoping both charles and carlos just need this breather this season and in some miraculous way the car will catch up next year.

also do not apologize for the rant, i wrote a whole essay i think 😂. but im enjoying this so dont worry your little pretty head about it

[badedramay]

i’ve been doing well, thank you for asking! and yeah i honestly think one of the most fascinating things for me to witness after finally engaging with pak drama twt is seeing just how intimately familiar the fans are with these people’s lives and subsequently how “in control” they are of curating an image for an actor out of their own fan analysis lol. i’ve watched dramas since i was a kid but never ventured into fandom for it until this year and so i feel like i’m generally lucky to mostly care about the art and not bother so much with whatever beef fans are making up between actors. like i had no idea until this year of the supposed sajal and mawra beef during aangan era and admittedly that one probably does have some weight to it given what mawra’s mom said, but it’s also been five years and one would hope both have matured enough by now to where it doesn’t matter anymore. apparently there is sajal and kubra beef that stems from that whole thing too and carried over into sinf-e-aahan? which to me seems unlikely bc i doubt a scripting choice for a nationalist propaganda project was ever meant to comment intimately on the details of alleged beef between two women. but khair, who knows. maybe there is something there and i’m simply too removed from the details to be aware of it. there’s i suppose also the matter of people feeling defensive of sajal specifically bc of her background, but she’s also not a child incapable of navigating her own relationships with people. either way, seeing fans this invested in the off-screen stuff honestly baffles me. what happened to just enjoying art 😭

Lol the Sahad era drama was...incredible. there was no escaping it. it peaked during Aangan times cuz it was around that time Sajal&Ahad were beginning to officially start of the "SaHad" journey and the fans were passionate af about them. Anyone in Mawra's place would've become the collateral damage; unfortunately at that time her "image" in the eyes of the standom wasn't great so she just got burnt a lot more. but yeah..the drama was real and it very much affected the people involved personally.

my observation through my years of being in the PakDrama fandom in my own consciously limited capacity is that the industry isn't huge to begin with. and it began to became bigger around the time social media was on rise. so, the online records were aplenty for the dedicated ones who wanted to get more "information" about their favs. I don't believe that's a phenomenon known only in the PakEnt industry fandom. fans wanting to know more about their faves by any means is common in all industries around the world; the business to be made from parasocial relationships is lucrative af. khair, social media just made it a LOT easier for fans to be in direct touch with their favs. a decade ago since the online fandom was smaller, celebs also found it a lot easier to get instant gratification from their fans by interacting with them on public posts or even private messages. with time the circle then extended to not just the celeb themselves but their family or friends or literally anyone close to them that was open enough to interact with hordes of anonymous fans all wanting to get close to their faves. it was for the most part a win-win situation for both parties involved - celebs got their fame, fans got their moment of feeling special.

until it wasn't. the smarter of the celebs realized early on that giving fans too much of their personal attention will end up negatively affecting them in the long run. so, they ended up limiting their social media presence to have a better control of it. the celebs that DIDN'T do it are the ones who get more in drama. SaHad is a very apt example cuz of how involved not just Sahad but also their families were. recently it's the whole Wahaj Ali fandom debacle. Bilal Abbas fans were also involved in a drama which from what i know was fed by Bilal himself. in all these three cases, a lot of encouragement either through direct correspondence or wilful ignorance of the happenings was given to the fans by the celebs. also, some of the celebs are bitten by the chronically online syndrome who just HAVE to share all of their lives on instagram and then cry about people commenting on it *coughhaniaasimcough*. so the struggles are plenty xD

one more factor of the industry being small is that everyone knows everyone. connections kahin na kahin se nikal aate hain. someone online will know someone who knows someone close to the celeb and bam. that's a whole channel of news. ab sahi ya galat? who cares. fans who want drama will extract it outta there kaise bhi karke.

[anxietywriter]

Myths of Origin

I wanted to do something in length that described the legend around hybrid beings in my fantasy world and their origins. Just a little bit of world building as a treat :3

"Mim...?"

"Yes, my child?"

"Why do you have feathers and I don't?"

"Oh, well... That my child is a mix of genetics and... magic."

Back when witches were newly imbued with their powers by the council, they went about restoring the world on their own. It was hard, strenuous, lonely work... There weren't nearly as many witches in the beginning as there are now. Yet they were tasked with healing all of the land and depths below. A monumental task. They had to have areas assigned to them, to divide and conquer so to speak. But, as I mentioned... It was lonely. The witches had to work all day, drain all of their magic reserves, and come home to an empty room. That is where familiars come in. A typically non-magical animal that is imbued with natural magic. Some say that it witches themselves that created familiars. Others say that the council saw how lonely the witches were and gifted them familiars. Either way, this went on for several years. Each passing year, the land was being restored back to it's healthy state.

However, one witch was still not quite satisfied. They returned home to their familiar and would yearn for more. They'd stare... At pictures, sculptures, poems, songs, and stories that depicted love. They were surrounded by it, consumed by it. That want and desire for something more. The other witches didn't understand this obsession, this fascination. Witches you see, they are born of magic, and were so new to the world. They were saddled with the task of soothing the land from war. The council did not create them with the foresight of what life was after that work was done. They were not meant to fall in love in such a fashion. People could not distract them from their work. That was another perk of familiars, they were not people. Familiars were able to give companionship and accept odd hours of affection with less trouble.

Witches then, they only knew each other and the few creatures they encountered during their work. Their work allowed for few friendships, and certainly not meant for the acquirement of a lover. It is said that they did not entirely understand the desire to love romantically in the early days. Many still express this feeling. I think some humans do as well. Though, no one has such a burden to carry today, so perhaps the original witches just didn't love romantically by random chance... Nevertheless, the other original witches were quite satisfied with their familiar as a companion. But that one witch...

They longed for a love. Someone more than a friendly companion. They slept in warm blankets during the summer to simulate a lover's embrace, would speak to themselves as if they were not alone, and even magick illusions of people. It was agony. They struggled to continue their work, their body shook in time with their heartbeat, and magic would spider up their arms, bursting forward like a whip. The council was baffled and saddened to see such a thing happen to one of their witches. So, a solution was formed. The council took the witch's familiar and gave the familiar the shape of a person. And it worked. The hybrid had all the features and magic of a familiar, but the shape of a person.

The witch finally had someone to love. And so the two married and eventually had children. Depending on who marries who, hybrids can vary in appearances. For instance, I married your father, who is more human than I, therefore you have more skin and less feathers. But you still have the slim face shape of my side of the family.

---

Did it this way because I wanted to give it a story telling feel. BUT this is what I have figured out as an explanation for the hybrids. There are multiple different types, like my character M is a rabbit hybrid, but the one mentioned here is some type of bird hybrid (likely going to limit this to birds of prey). But also cat hybrids, wolf (not dog) hybrids, and rats + mice. Maybe might add lizards, salamanders, and maybe more aquatic hybrids in, but not too sure on how to fit those bad boys in yet.

Funny story: The way I had this go wasn't the initial or first idea I had come up with. I knew I wanted it to be kind of almost a legend, like baby stork explanation, and I knew that I wanted hybrids to connect somehow with familiars, but not quite exactly how the hybrid came from the familiar. Originally, I just straight up was going to have the lonely witch transform their own familiar and. Y'know. But that felt weird, even though I know myths are weird. This felt less weird.

[bitsandbobsofwriting]

Something in the woods is stealing peoples’ Souls;

Merlin learns the hard way that he's a little more... fragmented, than normal people when he tries to solve the issue himself.

Part 2 (final part)

All of the Physicians in the town are being overrun.

Bodies keep showing up, still breathing, still perfectly functional, all seemingly unharmed... but they won’t wake up.

None of them will even twitch, as if, whilst the physical bodies were in perfect condition, there was something lacking somewhere, stopping any sort of higher brain function.

The King, his Knights, and even the Court Physician and his (newly titled) Co-Worker (as opposed to Apprentice), were baffled.

Medically, they had nothing to go on, all they could do was keep the bodies alive as best they could, and hope that some sort of solution could come about after some good old fashioned detective work.

Thankfully, it only took five days, and twelve comatose patients, for The King’s best Knights to realise that all of the... victims(?) had been found in a specific area of the woods just outside the city limits.

With such a distinct, and unexplainable issue, it was assumed (rightfully) that magic was involved somehow; whether it be some sort of creature, or yet another evil sorcerer hell-bent on revenge.

Which of course led to Merlin, one of the Court Physicians, and also (Secretly)TheMostPowerfulWarlockEver™, putting on his warmest clothes and sneaking out in the dead of night under the worried gaze of Gaius.

He did not come back.

Not that anyone but Gaius knew.

~

Early the next morning, King Arthur gathered his best Knights, Sirs Leon, Lancelot, Gwaine, Percival, and Elyan, to go and hunt down whatever it was that was rendering his people permanently unconscious.

Gaius and Merlin had explained the previous day, when these plans were conceived, that Merlin would have to stay behind; Camelot’s Physicians were so overwhelmed with not only normal patients, but now twelve comatose bodies as well; they needed every pair of hands they could get. For once, Arthur was happy to leave his manservant behind. 

The man cared greatly for his people, and whilst he would love nothing more than to have Merlin at his side all day, every day, he knew that he was safer, and more needed, in the city.

It was meant to just be in case Merlin got injured and had to hide it, but Gaius did well to hide his worry when he waved them off, and didn’t mention that Merlin wasn’t even in the city, that they could be finding Merlin’s comatose body next.

It took the Gang barely half a day to get there, and they had supplies to last them a few days in the woods, if that’s what it came to, but they were all still tense.

They hadn't seen anything like this before. They had no idea what they were up against; there were no physical injuries to assess, no eye-witness accounts, nothing found in their blood or on their person. Just unconscious bodies that showed no sign of waking.

Thankfully, they found no more bodies as they methodically searched the forest, but they also found no sign of what was wrong.

Nothing seemed out of the ordinary: nothing attacked them, there was no blood, no destroyed areas, not even a scrap of evidence that something had even happened.

They finally stopped to make camp at sundown, dejected. Their mood definitely worsening with Elyan’s terrible cooking.

Gwaine was, of course, the most talkative:

“I know he’s needed or whatever, but are we sure we can’t go back and get Merlin? I’ve eaten a lot of gross shit over the years, but I’m not sure if I can take this for four more days.”

Elyan grumbles in embarrassment as the others snort, amused, and he throws a twig at Gwaine. It snaps in two across the knight’s face with a satisfying crack.

Arthur ignores the childish behaviour (something he can’t believe he has to do in the first place), shaking his head as he replies:

“No. The health of the people comes before your stomach. If Gaius says he’s needed in the city, then he stays in the city. Though I was surprised that he wasn’t there to wave us off.”

Gwaine smirks knowingly, and Percival puts a warning hand on his shoulder, but it does nothing to deter the knight as he waggles his eyebrows at The King.

Arthur flushes slightly, but he covers it quickly, not having time to retort before Gwaine opens his mouth again:

“Missing him, are you? Perhaps next time you should request that he stand on the battlements in a dress, and wave a handkerchief at us as we heroically ride out?”

Arthur throws a much larger twig (it’s more of a branch, really) in Gwaine’s direction, and this one knocks him off his seat, but before anyone can even snigger at him, Arthur loudly announces the watches and tells everyone to get some sleep.

~

The next day went much the same. 

That is, until late-afternoon.

The Knights were continuing their methodical search of the woods, once again finding themselves somehow tense and bored, when they came across a clearing that had clearly seen a gruesome battle.

Trees were uprooted, the ground was covered in deep holes and scorches, and there were even the occasional splashes of blood.

Which honestly raised more questions that it answered.

After thorough searching, they were hopeful. It looked like it had been some sort of fight between a sorcerer, and something... not human, some sort of creature. BUT, going by the tracks, the sorcerer had survived, and wandered off.

Was the sorcerer injured, or was the creature injured? If the sorcerer had walked off, injured or otherwise, where was the creature? Surely they should find the body of one or the other?

Another question that no one really wanted to ask: was this even related to the bodies?? Or had the Knights just stumbled onto something completely unrelated that they would inevitably get dragged into dealing with anyway?

Either way, they couldn’t ignore it, and with new-found motivation, they followed the tracks deeper into the woods, instead of setting up camp, like they had intended.

Whoever it was seemed to be wandering aimlessly. The blood trail slowly came to a stop, and it seemed that every step was stronger; as if whoever it were was gaining more energy from walking, as opposed to becoming more tired.

Still, whoever they found at the end of the tracks would be able to provide some sort of answer.

Eventually, after around two hours of diligently following the footsteps through the woods, Arthur signalled everyone to stop.

He wordlessly dismounts his horse, and gestures everyone to quietly do the same, before silently pointing ahead.

The knights look carefully to where he gestures, to see a man stood in the centre of a clearing, facing away from them.

They, still silent, draw their swords and sneak closer, but the man doesn’t move, doesn’t even twitch, and if it weren’t for the fact that he was stood upright, they would think him dead.

Arthur steps into the clearing, about twenty feet from the man, and furrows his brow. That looks like.... no... it can’t be, can it? He shakes the thoughts from his head, convinced that he’s just imagining things, but before he can make his presence known, the man turns around, as if he sensed them stood there.

All of them gasp and take a step back, immediately recognising Merlin.

But he’s... different.

He stands scarily still, unusual for a man who was constantly fidgeting or on the move.

His face is blank, and if he hadn’t been staring straight at them they would think he hadn’t noticed them at all, and whilst he stood as if uninjured, his tunic is ripped and blood-soaked.

But what draws everyone’s attention, was the bright golden glow of his eyes, highlighted especially by the quickly descending darkness of the evening.

Arthur brings his sword up slowly, taking a cautious step forward as he calls Merlin’s name.

Merlin simply tilts his head slightly, otherwise staying still, before stutteringly beginning to speak:

“Mer... lin... Merlin....... Merlin is... Merlin is...... Merlin is gone.”

It’s clear that something is deeply wrong with the manservant, but the way he spoke, as if he knew how but had never actually done it before, like he was still figuring it out, creeped the hell out of everyone.

His words as well, “Merlin is gone” do nothing but fill them with dread.

Lancelot steps forward quickly, moving to stand in front of Arthur, sword unsheathed but pointing at the ground. He was unsurprisingly less fearful of the golden irises, and recovered the quickest:

“What do you mean, “Merlin is gone”, gone where? Who are you?”

Merlin... or... not!Merlin, tilts his head further:

“Merlin is... gone. I... I... I want him... back.”

Lancelot gulps but before he can reply, Arthur breaks out of his stupor, and growls:

“What have you done with him?! Whatever you are, give him back!”

Merlin moves his gaze from Lancelot to Arthur, and takes a step forward, before bowing his head slightly, as if out of respect:

“You are... The Once and Future King... I want him back... you... you... you need him... back.”

The rest of the knights are fully freaked out now, but they hide it well, and gather slowly around Arthur. Lancelot scowls at them, holding a placating hand out. He really doesn’t want any of them to get jumpy and skewer Merlin. He takes another step towards the golden-eyed man:

“We all want Merlin back. The bodies, the same thing happened to you? Happened to Merlin?”

Not!Merlin nods slowly once again, looking back to Lancelot:

“It... took him... from me. I... I... I want him back.”

Lancelot returns his nod, letting out a deep breath:

“And who are you? What are you doing in Merlin’s body?”

Not!Merlin frowns slightly, as if confused, the first actual expression he’s pulled this whole time. It takes him a few moments to respond, and Lancelot is getting desperate; he can feel the knights behind him getting more and more jumpy, especially Arthur:

“I am... I... I have always been here... I am... I am... I am me. I am Merlin’s... and he is... mine... I want him... back. He is... mine.”

Lancelot tenses slightly. He has a feeling he knows what’s going on. Merlin talks about his magic sometimes, talks about it as if it’s... sentient. Described the way it’s always desperate to reach out to Arthur and the Knights and Gaius and Gwen, how it sometimes does things without his permission.

Lancelot gulps. This is bad. Merlin’s magic is walking around in his body without him there to control it. They were going to struggle to explain this away, as much as Merlin claimed Arthur was an idiot, it wasn’t completely true. Lancelot bit his lip, glancing back at the others as he re-sheaths his sword.

He knows there’s no way to get them to relax... unless... this might backfire terribly, but it also might be the only way to get them to calm down a little.

Lancelot frowns thoughtfully, and just before Arthur works up the nerve to say something else, he turns back to Not!Merlin:

“Do you mean us any harm?”

Not!Merlin once again tilts his head and frowns as if in confusion:

“No... Merlin is... Merlin is fond of... you. I.. I was made for... for The Once and Future King. I am... unable to hurt him.”

Lancelot nods, before saying slowly:

“Do you have any reason to lie to us?

The golden-eyed man shakes his head slowly, the glow seeming brighter as he replies:

“Why would I... I... lie? I could kill... you without a... second... second thought. I want Merlin... back.”

The knight nods one final time, looking back to the others to gauge their reactions. Their swords are still unsheathed, but lowered, their faces tense and concerned, but not angry. Lancelot supposes that’s the best he’s going to get at this point.

He lets out a rough sigh, running a hand through his hair as he looks back at the Warlock:

“You’re not Merlin. What do we call you, until we can get him back?”

Not!Merlin lets his gaze wonder to the knights, before finally landing on Arthur. His speech had been getting better with use, but he speaks slowly and keeps his stare on The King, as if curious to his reaction:

“I am... I am... I am part of him. I don’t... have a name. Call me... me... Emrys.”

Lancelot grits his teeth, and his eyes whip to Arthur, to see if he recognises the name.

With The King’s gasp, and widening eyes, Lancelot knows that he does recognise the name.

“You... you’re Emrys?? I thought Emrys was some all-powerful sorcerer, what are you doing in Merlin?”

Arthur is too distracted to notice Lancelot’s panic, but Leon, ever the observant one, is not, and frowns at the sudden fear on his fellow knight’s face.

Mer-... Emrys had already admitted that he wouldn’t lie, if Arthur keeps asking questions, he’ll figure it out. But before Lancelot can think of a solution, Emrys replies:

“Emrys is... is... our other... name. But I am not... Merlin. Not on my own. I want... want him back.”

Arthur looks taken aback, but before he can ask another question, Gwaine steps forward, giving Lancelot an unreadable look before:

“Right, well that’s all fine and dandy, but we need to set camp up and figure out what we’re going to do about... this.”

He gestures vaguely to Merlin’s body after sheathing his sword.

Arthur looks about ready to argue, but with another pointed look from Gwaine, Lancelot jumps into action:

“Gwaine’s right, we need to gather the horses and set up for the night. Here is probably alright, then we can come up with a plan to get Merlin back, and presumably, all of those other people.-”

He turns to Arthur, a sufficiently subservient expression on his face:

“-If you think that’s best, Sire?”

Gwaine rolls his eyes and scoffs at that, heading back to gather the horses from where they’d been left without further prompting. Arthur’s argumentative expression drops after a moment, and with one more mistrustful glance to Emrys, he nods, instructing the others to gather wood and get started on dinner.

Lancelot lets out a breath, but flushes slightly and tenses his jaw when he sees Leon giving him an inscrutable look. He turns away after a moment, under the pretence of helping Gwaine.

The moment Lancelot reaches Gwaine, a few metres into the treeline, the other knight quickly turns around and grabs his shoulders. He glances desperately back towards the clearing, and when he establishes that they’re the only two within earshot, roughly whispers:

“Please tell me you figured it out?? Because I’m not sure how the hell I’m going to keep Arthur from finding out on my own.”

Lancelot’s eyes widen, but his shock keeps him silent for only a few moments before Gwaine shakes his shoulders. He blinks away his surprise, whispering his response:

“You know?? Does Merlin know that you know?”

Gwaine shakes his head, finally letting go of Lance’s shoulders:

“No. I worked it out like twenty seconds ago, I’m sort of hoping that Arthur isn’t as quick as me. How long have you known?”

The other knight nods his head understandingly:

“About as long as I’ve known him, but I’ll explain later. This whole thing is... terrible. I don’t think our odds are good. Mer- Emrys won’t lie, and we won’t be able to stop Arthur from asking questions. He’s probably asking them now. We need to get the horses and get back.”

Gwaine nods roughly, and without another word, the two of them gather the reins of their six horses, and quickly make their way back to the clearing.

They had only been gone a few minutes, and in that time, firewood had been gathered and arranged. Elyan pulls a flint out of his pocket, and Lancelot widens his eyes as he sees Emrys tilt his head (still stood in the same place), moments before waving his hand casually.

The wood bursts into a roaring flame, and Emrys suddenly has four swords on him. Lancelot and Gwaine rush forward, standing in between Emrys and the other knights, holding their hands out as if in surrender. Gwaine speaks first:

“Hey! You might be freaked out by all of this, but that’s still Merlin’s body, and he needs it, so lets not poke holes in him, alright??”

Everyone bar Arthur lowers their swords, but before Gwaine can growl something out, Lancelot turns back to Emrys:

“Look, they’re all a little... unnerved, by magic, so maybe stop using it for now, yeah?”

Emrys tilts his head and furrows his brows again, and everyone stares at him in shock as he replies, not quite knowing what to make of his response:

“But I am magic. I am magic... incarnate. If I stop... I... I cease to exist. And Merlin... Merlin needs me. He needs me like... like... like humans need to breath. I can not just... stop. He would... would... we would die.”

Lancelot tightly shuts his eyes. There is officially NO way to explain this one away. Gods, Merlin is going to be so scared when he finds out.

After a few moments of shocked silence, Arthur finally squeaks out a:

“What??”

Gwaine quickly responds, before Emrys can reveal anymore:

“No. It's cruel to take Merlin’s secrets from him when he isn’t even here. We find Merlin, then you can ask your questions.-”

Arthur looks angry, like he wants to argue, but Gwaine takes a threatening step towards him, resting his hand on his sword at his hip as Lancelot and the other knights look on the scene with panic in their eyes. Gwaine growls out:

“-I said no, Princess. Everyone here knows I’m more loyal to Merlin than you, and that doesn’t stop just because he’s not here and you’re about to throw a temper tantrum.”

Arthur huffs, but lowers his sword as Gwaine glares at him, and Lancelot lets out a breath. The other knights follows The King’s lead, sheathing their swords and settling tensely around the fire.

Lancelot goes back to the horses, tying them down and removing saddlebags, with Leon’s help (and constant stare, which was an odd mix of concern and suspicion).

Gwaine points Emrys to a spot on the floor, and tells him to sit. The knight settles next to him protectively, his sword across his lap as he glares at Arthur on the other side of the fire.

The evening passes awkwardly, food being cooked and eaten in silence, no one quite sure what to say.

Arthur spends the whole time with a pinched look of frustration on his face, but the knights look to him as he takes a deep breath, his expression morphing into an odd mix of concern and accusation in the blink of an eye:

“How do we even know that the... Merlin, part of... part of you is alive? What happened to hi- to you? How do we get him back?”

Lancelot wants to be annoyed at his tone, but he poses valid questions. They still had no idea what actually happened or why or how they fixed it.

Emrys tilts his head, aiming his golden stare at Arthur:

“It is one of... of the Manducan, or The Eating Ones. They... are very rare, they steal... steal souls. Bodies can survive a short while.... a short while without them. Hence your... comatose patients. I am... we are, a little more... fragmented... than most. I contain too... too much power, so The Manducan took... only the human... human part.”

Everyone looks extremely worried at that, but Arthur’s face turns desperate as he rushes out:

“What do you mean, human?? What are you??”

They all stare at the raven-haired man as he speaks, his eyes focused on the King:

“We do not... know. Some call us a Lord, or a King. Others call us... call us... a God. In moments... of power, we... we hear prayers. It can be... disconcerting.”

The camp is silent for a while after that, everyone processing what had been said. Merlin heard people praying to him... not even Lancelot knew that, Merlin had never told him.

After around half a candle-mark, Leon breaks the silence to ask the questions that had been pushed to that back of their minds:

“How do we kill this creature, and what happens if we do? Can we get the souls back, undamaged?”

Emrys turns his golden gaze to the curly-haired knight as he replies:

“It is already... weakened. The Forever King needs to... strike... strike it with Excalibur. They hibernate for.... for centuries... and only return to this plane of existence to... collect food. If you... if you... if you kill it before it leaves, the souls will... will return...naturally.”

The knights all let out breaths of relief, but Arthur looks at his sword oddly, before muttering:

“What’s so special about my sword? And why do you keep calling me strange titles?”

Lancelot gulps, and Emrys tilts his head:

“You know of Emrys, but not of the... the prophecies?”

Arthur nods his head slowly, but Lancelot interrupts before Emrys can start the complicated process of explaining his and Arthur’s destinies:

“Perhaps that’s a... story, for when we have Merlin back in one piece. How do we track the creature?”

Arthur gives him a glare, before lowly saying:

“Do not think I do not notice you avoiding the subject, Sir Lancelot. You know of these prophecies?”

Lancelot grits his teeth, but gives a slow nod:

“Bits and pieces. Merlin isn’t fond of talking about it.-”

He raises a challenging eyebrow, still staring Arthur in the face, and everyone is take aback. Lancelot was never anything but respectful and polite to his King; this defiant look shocked them all:

“-You see, he’s spent his entire life in Camelot absolutely terrified that someone will overhear him, and have him burnt.”

Arthur took in a deep breath, hiding his guilt behind a blank façade, but before anyone can say anything, their gazes are drawn back to Emrys, who looks almost... mournful?

He nods his head slightly, and the sad look on his... on Merlin’s face, looks so out of place for someone so normally upbeat:

“He is... we, are constantly frightened. It is exhausting. I try to... to reassure us but... Merlin is... is... is always so scared, despite our power. We used to... to love flames, fire. Now it is... terrifying to us.”

Lancelot had kept his gaze on Arthur, and when The King looks back at him, his despair badly hidden, the knight simply shrugs one shoulder and nods slightly.

Arthur lets out a breath, and looks to his lap, whispering so quietly that the group barely hears him:

“He’s scared of... of me.”

Gwaine growls out an “Of course he is, you’re a Pen-.”, but he’s interrupted by Emrys:

“No. He would allow you to... to kill us. But we couldn’t bear to... to lose you.-”

He finishes his statement quietly, and Arthur looks up at him, tears in his eyes:

“-We don’t want to be sent away. Camelot is... is... is frightening. But it is also our... home.”

“I would never send you away. When we get Merlin back, you... you tell him that. Tell him he’s safe with me, with us, and always will be.”

Emrys tilts his head yet again:

“And my people? Will we be an... exception? Will you make us watch you... continue to persecute our people, whom we... we... we should be protecting? Merlin does... does not want to make a... hypocrite out of you.”

The knights look at him expectantly, and he blanches slightly as he looks away. The King gulps, before taking a deep breath and looking back, straightening his spine and looking confident:

“The laws will change. Crimes committed with magic will be judged the same as crimes committed without; it’s about time I faced the cruelties of my father.”

The corner of Emrys’ mouth tilts up briefly as he nods, but says nothing. Gwaine smirks, Leon and Lancelot give The King proud smiles, and Percival and Elyan look taken aback, before they relax into fond smiles of their own.

The evening had passed quickly, and with all of them exhausted, it’s decided that any further discussion on how to track this... Manducan, would happen in the morning.

All of the knights fall asleep quickly, finding the protective golden glow of Emrys’ unsleeping eyes both comforting and unsettling.

~

They all woke the next morning oddly refreshed, but the relaxed atmosphere didn’t last long when, one by one, the knights noticed Emrys sat unnervingly still, in the exact same spot as last night.

Only the occasional blink and shallow breathing proved that he was in fact alive, and not some sort of incredibly life-like statue.

Food was eaten, and camp broken quickly; the golden eyed not-quite-a-servant staying in his spot the whole time. 

Despite Emrys saying that the souls would be fine as long as they got there in time, they were still full of nervous energy, and wanted to get this over and done with as soon as possible. Not least of all because they had a lot, and I mean a LOT, of questions for Merlin... or... all of Merlin.

Emrys was pointed to Lancelot’s horse, and once he mounted in front of the knight, everyone looked at him expectantly. He simply tilted his head, and Arthur huffed:

“Well? How do we find this... creature? Can’t you-”

He waves his hand vaguely, and Leon is the only knight able to hide his snort at The King’s impression of magic.

Emrys nods in understanding, and extends his hand in front of him. A thin stream of light, like a glowing string floating in the air, extends from his palm, snaking through the trees.

He nods, this time in the direction of the light, and the knights urge their horses to begin a quick paced journey.

Conversation is sparse, but eventually the question on all of their minds is asked by Percival:

“If you could do that the whole time, track the Manducan I mean, why didn’t you?”

Emrys doesn’t look towards him, but the horses noticeably slow as everyone bunches together, curious about his answer:

“They are of a different... different plane. Magic can harm them but... but... but not kill. I was waiting for The Once and Future King to bring... bring Excalibur.”

Percival nods in understanding, but Leon frowns:

“Well... what about us? Will we not be able to harm it with our swords?”

Everyone copies his frown at that. They’re valid questions, and Arthur is silently grateful that Leon had the tactical mind to think of them:

“No. It will be safer for... for... for you to... wait. I can distract and injure it further until... The Once and Future King can... kill it.”

The knights looks worried at that, but Elyan is the first one to pipe up:

“We’re meant to just stand back and watch? Can’t we set a trap, or help distract it?”

Emrys shakes his head:

“It can not be trapped. Being too close would... would have adverse effects on... on... on your souls.”

Arthur looks back from his position at the head of the group with a frown on his face:

“Well what about my soul? I’m presumably going to have to get close to it in order to stab it?”

Emrys fixes his golden stare on The King, and tilts his head slightly in confusion:

“Your soul was forged through magic, it is marginally... immune. It will take a little... longer for... for... for your soul to react badly.”

Arthur nods, looking back to the front, muttering something about “having a time limit before my soul implodes or whatever. Great.”

Once the knights finish snickering at Arthur, Gwaine asks:

“Wait wait, if Excalibur is the only thing able to kill it, what are you doing out here?”

Emrys tilts his head, looking back to the knights:

“We were... unaware of that at the... the time. We only figured out what... it was, when we fought it.”

Everyone nods, all of them wondering just how many times Merlin had snuck out to take care of something, with none of them knowing about it. The list of questions they had for when Merlin was back in one piece was getting longer and longer, and no part of this conversation was helping the anxiety swirling in Lancelot’s stomach.

After another hour or so of silence, Elyan pipes up:

“I’m surprised no one has asked yet but... what does this thing look like? I know we’re following a trail or whatever, but what are we actually going to find at the end of it?”

“They shift sizes, though they always take... the form of a thick-”

Emrys is interrupted by Arthur pulling his horse to a sudden stop, and pointing through the trees ahead of his, harshly whispering:

“Black shadow??”

Everyone stops behind him and their gazes dart quickly to where Arthur gestures. Through the trees they see a large mass of deep black smoke.

The black tendrils seem to writhe in the air, and the knights can see vague impressions of limbs tipped with impossibly sharp claws darting out occasionally before retreating back into the fog.

The creature looks like evil in semi-corporeal form, and the usually strong-willed warriors take in stuttering breaths at the overwhelming instincts of “Unnatural, run run RUN!” screaming at them with every passing second.

The shadow doesn’t seem to have any front or back; being in a constantly shifting state, sometimes seeming to freeze, sometimes darting through the trees in a blur.

The knights have lost all colour in their faces, and their breath comes shallowly and quickly. Arthur gulps, tightening his grip on his sword as he whispers:

“Horse, or on foot?”

The sound of Emrys’ feet softly thudding on the undergrowth gives The King his answer, and he dismounts his horse slowly, trying to stop the shaking in his hands and legs.

He takes a deep breath as Emrys moves to stand behind him. His voice is shaking and desperate, as if he were a child reaching for help after a nightmare:

“How do I... what do I do, Merlin?”

Emrys tilts his head, but doesn’t say anything of the The King’s mistake:

“You need only get close enough to... deeply slice it. It is fragile in this... this realm. Cover your eyes when you... you do so, the light will be blinding. Do not let it... touch you. I am reluctant to admit that, after what it did to... to... to our soul, I do not know what it will... do to yours.”

Arthur takes another deep breath, and clears his throat slightly as he gives a firm nod. Time to be brave now, for his people, for Merlin.

The King can hear his knights dismount behind him and tie up the horses, ready to jump in and help at a moment’s notice, in spite of... whatever will happen to their souls. None of them are really sure they want to know, so none of them ask for details, and Arthur is unendingly grateful for their silent loyalty and bravery.

Emrys walks forward, past Arthur, and towards the creature. The King gulps before silently slipping off to the side; he doesn’t know how the creature sees (not having a head, or even eyes, as far as he can tell), but Emrys said he would distract it so... splitting up makes the most sense? 

The knights can tell the exact moment the creature notices Emrys walking towards it.

The tendrils of shadow seem to writhe even more frantically, and the fog bulges and retreats again, somehow giving the impression of anger, fear.

Emrys plants his feet strongly and raises a hand, summoning vines and roots from the ground with nought but a gesture; Arthur only gives himself a second to be distracted by the sight of Merlin so effortlessly doing magic before focussing back on the creature.

Everyone bar Emrys winces, and covers their ears as the beast lets out an ear piercing screech, moving judderingly towards the Warlock. The trees shake with the noise, and a few of Emrys’ magical attacks disintegrate into the air. He summons more, and snarls in concentration as the beast whips towards him.

Emrys rushes forward to meet the beast, and they clash in a burst of golden light and black shadow, each trying to take over the other. The shadows try to sneak around the Warlock, reaching towards the knights behind him, but they’re quickly halted in their tracks as cracks open in the ground, swallowing the fog before it can do any damage.

The golden light emanating from Emrys pulses brightly, and the creature is pushed back, the edges of its smoke disintegrating slowly into the air. It lets out another high pitched screech, and Arthur takes that as his cue; rushing silently forward, on the opposite side of the creature to Emrys, and swiping down precisely with Excalibur.

The knights see his attack coming, and step even further back, heeding Emrys’ warning and covering their eyes, Arthur doing so with his free hand as he brings the sword down. 

Excalibur cuts through the shadow with no resistance; the screech getting impossibly louder as the blade leaves a blindingly golden trail in it’s wake.

Emrys simply stands back to watch, but the pitch of the beast’s screech forces the knights to the floor, eyes tightly shut, and hands clamped over their ears.

Suddenly, the noise stops, and the shadows of the creature seem to disintegrate into nothing as the golden light of the wound takes over. The light recedes in on itself, before exploding outwards and fragmenting into pieces. The bulk of the fragments fly in the direction of Camelot, golden blurs through the trees, but one, the smallest and dullest (due to being only part of a soul, they assume) flies with speed straight towards Emrys.

The knights and their King finally look up, feeling oddly exhausted, to see Emrys take a staggered step back and grimace in pain as the light forces it’s way down his throat.

He falls to the floor, and the knights rush towards him as his muscles spasm and he begins to scream. His eyes are shut tightly and Lancelot quickly lunges forward to grab his wrists as his hands go to yank at his hair.

Everyone gathers around him, Lancelot yelling for them to hold him so he doesn’t hurt himself. They can only hope that Merlin is an exception, and this isn’t happening to the other victims back in Camelot. Lancelot keeps a hold of his wrists, and Arthur discards Excalibur in favour of holding down Merlin’s shoulders, whilst Elyan, Leon, and Gwaine hold down his hips and legs, and Percival wordlessly stands guard.

Merlin’s screaming dies down, and he stops thrashing so much (but stays tense), but the knights don’t let go just yet. He opens his bleary eyes, and whispers, so faintly they barely hear it:

“... Lance?”

The knight lets go of Merlin’s now limp wrists gently, and strokes a hand through the man’s raven hair:

“Yeah, I’m here Merlin. All back in once piece?

Merlin closes his eyes again, and goes fully slack as the others let go of him fully, nodding slowly as he gulps before groaning:

“Yeah, that fucking... hurt.”

Lancelot huffs out a gentle laugh, but before he can reply, Merlin gasps and quickly sits up. When his wide, panicked eyes land on the rest of the knights huddled around him, his breath deepens and he scrambles back frantically, only to run into Arthur, who grabs his shoulders.

Merlin whips his head around and rips himself from The King’s grip, stumbling to his feet and rushing back, away from the knights and into a tree.

His ears are deaf to everyone’s gentle reassurances that he was safe, and his eyes are blind to the hands held up in soft surrender. He sinks to the floor as his breathing gets even more frenzied and tears gather in his eyes, but before he can process that he was safe, the mix of memories triggers a blinding pain behind his eyes.

He gives a pained yelp and shuts his eyes tightly, bringing his hands to grip the sides of his head as he curls up on the floor. Merlin begins to groan again, and Lancelot desperately gestures for everyone to stay back as he kneels by Merlin’s side, pulling his hands away from his head again:

“You’re safe Merlin, no one’s going to hurt you, do you remember? We said that to the bit of you that was left.-”

Merlin doesn’t seem to hear him, but squeezes Lancelot’s hands painfully tight as he continues to groan, arching his spine:

“-Ok, ok, what’s wrong Merlin? Your head? We can’t help you if we don’t know what’s wrong. Is it your... your soul?”

Merlin shakes his head slightly, groaning dying down, but still struggling to draw breath, still gripping Lance’s hands:

“Your magic?”

Another shake of the head has Lancelot beginning to panic a little; none of them have dealt with anything like this before, and he doesn’t know what’s wrong with his friend. He continues to try and comfort Merlin as he struggles to think of what else it could be, when Merlin begins forcing himself to take deep breaths, and stuttering out:

“Mem... memories.”

Lancelot takes a fortifying breath, and the others crowd a little closer, panicking for their friend:

“Memories? Ok, which ones? Memories from the bit of you that was wandering around, or memories from the bit of you that was in the creature?”

Thankfully, Merlin’s pain seems to be dying down slightly. His breath comes easier, but his eyes stay tightly shut and his muscles still spasm periodically as he grinds out:

“Both. Two sets of memories from... from the same time. Hurts. My. Brain.”

Lancelot huffs out another gentle laugh, rubbing his thumbs softly over the back of Merlin’s hands, and the others relax at the sight of Merlin’s pain lessening. Gwaine kneels down next to Lancelot, and quietly announces himself before beginning to run a gentle hand through Merlin’s hair.

This goes on for a few more minutes; the servant’s pain dwindling and his breathing evening out as his mind sorts the two sets of clashing memories and stitches the two pieces of his soul back together, Lancelot and Gwaine not stopping their soft ministrations for even a moment.

He finally relaxes fully, opening his eyes but not moving from his position on the floor as he gazes tiredly up at Arthur’s worried face, over Lancelot’s shoulder. His words comes out timidly, and Arthur has to stop himself flinching at the hint of fear in his voice:

“Did you mean it? Am I... safe?”

Arthur forces a soft smile on his face, hiding his worry, and gives Merlin a firm nod:

“I promise Merlin, you’re safe. None of us will hurt you.-”

Merlin smiles back at him, before nodding, and closing his eyes, drained from the ordeals of the last few days:

“-though you need to make sure your head is on straight at your earliest convenience, I’ll need your help to write that repeal.”

Arthur says it with a weak, teary grin, and Merlin chuckles slightly, nodding softly once more before drifting into a deep sleep, exhausted.

Lancelot mutters that he’s asleep, and the smile drops from Arthur’s face, his brow furrowing in worry as he crouches between his two knights, putting a hand to Merlin’s forehead:

“Will he be alright?”

Lancelot shrugs, biting his lip, and sporting a similar expression to The King as he replies:

“I’ve no clue. His soul was split in two, his magic was pushed to the limit in that fight, and his body didn’t rest at all or eat much for at least a day; he’s probably just exhausted, but we should get him back to Gaius.”

Elyan, Leon, and Percival move back to gather the horses without prompting, and within minutes the gang is racing back towards the city, Merlin’s unconscious form being held protectively in front of Arthur (his excuse being that Lancelot’s horse had already held the extra weight for half a day, and he’s The King, so he can do what he wants).

~

Thankfully, the creature had been between their camp and the city, so it only takes them around a day to get back. They took few breaks, and ate whilst they rode to save time. Despite not waking up the entire journey, Merlin’s breathing stayed alright, and he occasionally mumbled nonsense to himself, so the knights weren’t panicking too much.

They didn’t stop when night fell, and so finally pulled into the castle courtyard at around midnight. A guard was immediately sent to wake Gaius, and Percival wordlessly took Merlin from Arthur’s horse, only after The King had given him a short nod of approvable.

They got to the Physician’s chambers to see Gaius wide awake and bustling around the room, clearing a cot and gathering various potions and ingredients.

Percival gently set the manservant on the cot, and Gaius firmly demands that they all leave the room to give him space to work, choosing to ignore the fact that he had told them that Merlin was in the city, and that they definitely shouldn’t have come back with his exhausted, unconscious body.

Arthur notes that Gaius doesn’t react at all when Lancelot stays behind, but has to temper his frustration (and jealousy) when the Physician shoots the knight a concerned look when Arthur himself also refuses to leave.

Lancelot sighs, but gives Gaius a reassuring smile:

“It’s fine, Gaius, they all know about Merlin’s magic, he’s safe. We said we’d explain when we got Merlin back in one piece.”

Gaius sends The King a curious look, hiding his concern well before he seems to catch up on what Lancelot said:

“Back in one piece?”

Arthur moves closer as Lancelot nods and begins to speak, content to let the knight explain as long as he got to stand near Merlin:

“He said it was Manducan?-”

Gaius widens his eyes in surprise, but nods, continuing to mix together various herbs as he listens:

“-Apparently, Merlin’s power was too much for it to handle, so it took the non-magical part of his soul. We found Merlin’s body being controlled by his magic. It was... odd. He was still Merlin, you could hear it in the way he spoke, or the words he chose, but it wasn’t... all of him. Just the magic part. He wouldn’t lie to us, and was desperate to get the “Merlin” part of his soul back. Unless we spoke to him he just... sat there, blankly.”

Gaius hums thoughtfully, and he and Lancelot politely pretend not to notice Arthur reaching out to gently grab Merlin’s hand.

Finally, the physician finishes mixing his potion, and gently pours it into Merlin’s mouth, holding his nose shut and massaging his throat so it goes down properly. He sits back on his chair, glancing at Arthur quickly, before looking back to Lancelot:

“The other victims began to wake just under a day ago, so I’m assuming that the creature was... dealt with?-”

At Lancelot’s nod, he continues:

“-Did Merlin wake at all when his soul came together?”

Lancelot nods again, speaking quietly, feeling oddly like he doesn’t want to disturb Arthur softly rubbing his thumb over Merlin’s hand:

“Hmm. Briefly. He screamed for a while, whilst his soul... I don’t know, stitched itself back together? Then he panicked, because he knew his magic had been outed, then he was in pain again. He said having two sets of memories from the same time hurt. Then he was just exhausted, he passed out a few moments after the pain stopped.”

Gaius nods, and Arthur finally looks up, knowing that the explanation was over, and a conversation was about to happen. The Physician speaks:

“Humans are not made for that, it would have been painful for his mind to try to comprehend and organise two separate sets of simultaneous memories.”

Arthur speaks, his voice quiet, but obviously worried:

“Will he be alright? How long until he wakes?”

Gaius looks to him once more, giving The King an assessing gaze. When he spies no anger or deception in Arthur’s face, he relaxes his shoulders slightly, and sighs:

“He will be alright, he just needs rest. Both his body and his soul have been through a great deal, it will take a few days to a week for him to fully recover physically, though I can’t speak for his mental state.”

Arthur looks panicked, and Lancelot worries his lip between his teeth as Arthur asks:

“His mental state??”

Gaius finds himself sighing yet again as he asks:

“How lucid was he, between the bouts of pain?”

Lancelot rushes to answer:

“Very. He understood what I was saying, I think, he asked a question and understood our answer. He just seemed tired.”

Gaius gives the two men an exhausted smile, before softly saying:

“Then I imagine he will be fine. Go and get some rest, I will send for you if anything changes, though it’s unlikely that he’ll wake up at any point in the next two days or so.”

Lancelot nods, and moves towards the door, but Arthur stays put. Gaius raises an eyebrow, but moves forward and puts a comforting hand on his shoulder:

“He will be fine, Sire. And... everything he has done, every lie he has told, has been to keep you safe. He couldn’t bare to lose you.”

Arthur nods absentmindedly, before looking up to the Physician, and whispering:

“I couldn’t bare to lose him either. You... you promise he’ll be alright?”

Gaius nods and smiles, noting with relief the tearful desperation on The King’s face:

“I promise.”

Lancelot smiles fondly from his place stood at the door, but wipes it from his face as Arthur turns towards him. The two men leave out of the room, Gaius’ assessing eyes following them all the way.

The door shuts behind them softly, and Gaius lets out a breath he hadn’t even realised he had been holding, before running a hand gently through Merlin’s hair, and moving to settle in his own cot.

Of all the ways Arthur could find out about Merlin’s magic, out of Merlin’s control, Gaius never saw this coming, and though the pain Merlin felt was regretful, The Physician is grateful, that it went so well.

~

End of Part 1!!

Part two is already almost finished. It’s much shorter than this, and will be out at some point in the next few days!! Sorry this took so long lads, I’ve been really busy atm.

EDIT: I’ve actually just finished writing part 2!! It’s queued to be published at 12:30PM GMT tomorrow (09/05/21)

EDIT 2.0: PART 2 IS UP!!

Also I couldn’t find any mythical creatures that fit what I wanted, so I straight up just made one up ✌️

Head over to This List to let me know what you want me to work on next! :)

[rainy-day-coffee]

hi... how about head cannons about the dorm leaders with a magical girl mc from either the puella magi magica madoka, magical girl site, magical girl raising project or princess tutu universe please?

I'll be doing Magical Girl Raising Project for this one! I’ll be using the abilities found in the anime since I’m not creative enough to think of any myself. The personalities of the characters themselves have nothing to do with the abilities I chose, they’re their own person! This is written as platonic! I hope this is alright!

As an extra note, this was a really interesting topic to write about. I enjoyed it! I actually just binge watched this anime for this request! It was quite good, I might pick up the light novels!

Warning: Mild mentions of gore; spoilers for Magical Girl Raising Project(?)

Dorm leaders reacting to a Magical Girl Mc

A new game has been released! Customize your own Magical Girl and work hard to defeat monsters!

Granted a 1-in-10,000 chance to be a real-life Magical Girl, the unfortunate souls who agree to the contract are unknowingly pulled into a world of bloodshed. All Magical Girls are expected to collect Magical candies through acts of helpfulness. Whomever is at the bottom of the ranking list by the end of the week is greeted by death. That is, if they can even make it that far.

Magic: Swimming through objects as if they were water - the objects do not affect the user as they pass through them.

He’s never heard of an ability quite like yours! It isn’t teleportation--it’s literally going through objects, ignoring any kind of barrier. It sounds impossible. Understandably, he doesn’t believe you until you show him.

Please refrain from popping out of random places in an attempt to scare him. He doesn’t want to be on edge everyday, the stress he has now is more than enough.

He’s curious about the whole situation. Just how and why did these “people” wrap you (and others) into such a terrible contract? How is it possible to grant these special abilities onto otherwise magicless people? Unfortunately, you most likely don’t have answers for those questions.

Sadly, Riddle doesn’t know of a way to help you out of this. The library may have some information, but the chances are slim nonetheless. He can offer assistance in candy collecting instead!

Something always seems to be going on at his dorm, it would help him greatly if you were to keep an eye on everything and everyone. He knows it isn’t much, but every little bit counts. You have his full support.

Magic: Entering the dreams of others - the ability to pass through the Dream World, granting access to the dreams of those who are currently sleeping.

He’s extremely annoyed. He doesn’t understand what’s happening. He’s only seen you a couple times before, so why do you seem to plague all of his dreams?

In his dreams, you move so vividly and in-character, it baffles him. Dream versions of people can be accurate, but never to such an extent each time. He’ll confront you about it soon enough. He has no evidence of what you’re doing, however vivid memories of dream-you push him to demand answers anyways.

Highly uncomfortable to know his dreams, his usual safe place, can be invaded by a person. He demands that you stop. You can go bother someone else, he doesn’t need that kind of help. If he sees you in there one more time, he may have to resort to other methods to get you to stop.

In regards to earning candies, unless you ask him specifically for help, there isn’t much he can do. You can always help Ruggie out with chores around Savanaclaw and you’ll be set. It’s a good deal for both sides, you can earn some candies and Leona can finally sleep comfortably again.

He finds the system you’re stuck in deplorable. Unfortunately, he can’t get you out of it, but if you ever need extra help he can always have Ruggie find one or two ways to get you those extra candies you need.

Magic: Hearing the thoughts of those in need - with enough training, the user can pinpoint the location of a person. Additionally, they can hear thoughts apart from cries for help.

Your special magic interests him greatly. He already has a good pool of information of all the students, but being able to hear their most inner thoughts is something truly amazing. No amount of research could easily give him those kinds of details.

He has the twins watch over you for a bit, gathering as much information as they can about your situation and what you go about doing.

Given the circumstances, he doubts he can rob this ability of yours through a contract. This does however present an amazing opportunity.

This could blossom into a wonderful partnership. You need to collect candies, and he’s always willing to accept requests from those “poor” souls who need help. By helping him, you can meet your quota! The rules never did mention what kind of help you were limited to offer after all.

He pities you, nothing can be done about your situation at the moment. You can rest assured though, you’ll never be at the bottom of the leaderboard with him around!

When time allows it, Floyd and Jade will be busy poking their noses where they don’t belong. The mascot that appears when you’re around seems to come from that phone you use. If they can see it, then that means these beings have made a mistake somehow. Is it possible to find a way to free you from this through that?

Magic: Transforming into any biologically living being - the size and shape of the creature do not matter, anything is fair game.

When he first discovers your special magic, he’ll be amazed! Transformation magic isn’t exactly easy, so being able to turn into whatever creature you want sounds like a lot of fun!

He’ll be begging you to turn into a wide variety of animals. Can you please turn into a tiger? How about an elephant? Maybe an alpaca? This could go on for hours if you don’t stop him.

Upon learning the darker side of the Magical Girl world, he starts to cry. He knows the world isn’t all sunshine and rainbows, but this is too cruel. You didn’t know you would suffer this way. They should have at least given you all the information beforehand. Better yet, they shouldn’t be doing something so awful in the first place.

Because he finds it hard to keep secrets from Jamil, he ends up telling him about you. He then needs to convince Jamil that you aren’t trying to get him killed.

He goes around asking if people need help. He wants to do everything he can to ensure you survive. Money can’t get you out of this game, he’s tried to use it but that mascot that follows you around always refuses it.

Kalim doesn’t want you to die. Just thinking about it makes his head spin and worry bubble. It wouldn’t be his fault if you died in the first place, but the guilt would consume him entirely.

Magic: Freely manipulating sound - the user can generate sound from anywhere and even recreate the voices of others. As an added result of this ability, the user has enhanced hearing.

Vil won’t forgive you if you decide to mimic Epel’s voice so he can escape. He may be evading his lessons for now, but Vil will find a way to drill them into him later on.

He never would have thought such a thing was possible. This terrible fate you’ve had forced onto you makes no sense. The beautiful power you’ve been given is nothing compared to the price. He doesn’t blame you, he blames whatever is doing this. 

If such a game exists in the world of Twisted Wonderland, he’ll use his influence to dissuade people from playing. Vil will do this behind the scenes of course, his public image has to remain intact.

He actively requests your assistance. For example, helping his dorm improve their instrument playing--your impressive hearing can detect small mistakes they need to work on. Apart from this, he regrettably can’t offer more help.

Hone your abilities and work with what you have. He knows you can prevail. Please take care of yourself as you move forward.

Magic: Receiving one futuristic tool a day - the ability to randomly pick one useful tool out of 444,444,444. The tool breaks down and is no longer of use after a day passes.

He’s in awe. A real life Magical Girl! To think they could really exist outside of anime! Just what kind of world did you come from? Forget living in a world where magic is common, Magical Girls are on a different level entirely! Curiosity gnaws at him, but given how shy he is he won’t approach you with questions himself. Ortho is more than happy to ask any questions for him in his place though!

Once he finds out you’re one of those Magical Girls, he feels a tad sympathetic. You really got the short end of the stick in life didn’t you? He knew the possibility was there, that trope is not uncommon, but a small piece of him wished it wasn’t the case.

He supposes your special magic can be compared to gacha luck. You never really know what you’re going to get. Unfortunately, in your case you can’t even calculate rates for good rolls.

If you’re willing to let him, he’ll happily take apart the tools and gadgets you get from your daily pull. One of those future items should help him create even better machines than he can now! And even they can’t, disassembling and reassembling objects he’s never seen is a thrill in and of itself

If you happen to hear a small tip from Ortho or someone else about an issue occurring around campus, it may or may not have been Idia. He has eyes all around the school, spotting problems is quite easy.

He’ll be rooting for you from the sidelines. You’re a protagonist in this story, he hopes you can make it through to the end.

Magic: Extreme regeneration - being able to recover from any wound so long as a portion of the user’s body is left.

Mortified when he finds your body all mangled and bruised after a rough “accident.” Malleus is ready to destroy whoever or whatever did this to you. He cares about you greatly, the very thought of seeing you in such a state makes his stomach churn and pure rage wash over him.

Once you explain your situation, he can grasp enough to understand the major gist of it. He doesn’t quite know what a “Magical Girl” is but obviously it isn’t something good. Otherwise, you wouldn’t be in such a terrible situation.

To know that you can take care of yourself in the face of danger, makes him relieved. Although he doesn’t like the idea of you getting hurt at all, a healing ability is always wonderful to possess.

While you earn candies, Malleus will be working on a way to free you.

Even if these beings who granted you this ability are “all-powerful,” his magical capabilities are among the top in all the world. Perhaps, he can start by politely asking for answers from the leader of this group. If that seems to fail, killing off that mascot seems like a good place to start instead.

[goosedawn]

//Oh gods, welp, here I go [cracks knuckles]

//Tiny farmer Techno Au,,,, prepare for some future lore cjkhcxk

Timestamps from: "I Became the Mayor of Skyblock" by Technoblade

--

(5:39) "I decided to call in an old rival..." - Technoblade

Techno continues on with his life for days on, but finally, he somehow finds his way to society again, seeing that the entire town has been taken over by a tyrant of a mayor. The townspeople called for aid, and from the depths of his cold heart, he decided to help (....what do you mean he only did it so people would buy his potatoes-).

For a bit, he did his work by himself, only getting help from some other living scarecrows (listen, I really like the idea of some scarecrows coming alive [cough] PHIL [cough]), TimeDeo and Jyn (...? Is that how you spell their name?). (Dunno what the process for taking over the mayor would be exactly but,,, chchskdlcx,,,)

But you can only do so much work with... living scarecrows. With a bit of reluctance, he calls for help from SquidKid. And then together they defeat Dante :]

(Also, it's funny to think that the town has a mayor that they've never seen. All they know is that the previous mayor is gone, and the new one is pretty chill. /Lh)

--

(6:31) "Is there any way to do the teleport room without just like.. guessing?" - SquidKid

(6:36) "You are like... little baby, watch this." - Technoblade

-

Being tiny has its perks.

"Wait, what do you mean you can solve this maze in an hour or less?"

Techno turned towards the bigger hybrid, crossing his arms as he nonchalantly stared up at them. SquidKid only gives him a baffled look back, their tentacle-like hair slightly sprung up to further show their confusion.

He knows this only because he's known the man for far longer than they've known him.

He knows more personal information than should be shared, somehow finding the other farmer's parent's numbers along with a few other things. He had jokingly pocketed away the parent's number in the back of his mind, although, he had no real plans of ever using it. Well, maybe he had played with the idea of calling SquidKid's parents to dunk on the fact that a wild borrower had been winning their competition, but he ultimately decided not to for obvious reasons.

He knows the hybrid's schedule like the back of his hand, having to work around it for the better part of an entire year. Using that knowledge, he had sabotaged countless of SquidKid's tools, poking small, unnoticeable holes into their hoses and irrigation systems.

And he knows SquidKid's behavior from how they speak to how they express any sort of emotion. Lies were easily debunked from the small twitch of the corner of their mouth as they suppressed a smile, and anger was easily shown from how their strange hair pieces would spike up.

Yet, he can't help but feel slightly at unease in front of them. He supposes it's only natural, seeing that there's a huge height difference between them. Plus, this was practically the first time they've been closer than two fields of length in between them. Well, disregarding the times he's gone snooping around the bigger farmer's place, but that's neither here nor there.

"Squid, look at me," he raises his hand, gesturing towards himself, "I'm tiny, yes?" the squid hybrid nodded slowly, and he pointed at the stalks of tall fern and crop, "to you, this would basically be a wall you can't get through. For me, though...."

He jumped off his perch, tightly holding his trusty bag and sliding towards the flora before easily disappearing behind the thicket and appearing moments later at eye level, holding the stalk of the crops easily,

"It's easy to go through."

SquidKid makes a quiet 'oh' sound with another nod of their head, looking slightly in awe. The amazed look turns to one of confusion again, though, and he awaited their next question with a raised eyebrow, "but... the maze is big, how are you going to get through it all without tiring?"

Techno grinned, lifting a hand to his mouth and loudly whistling. He doesn't hesitate to slide back to the floor as a blur of white fur bounds towards him.

"Carl!" he exclaims, wrapping his hands around the rabbit's fluffy neck and combing through the fur with his fingers. He backs away to pull out a broken-off piece of a carrot, feeding it to the eager bunny before turning towards the astonished squid hybrid with a grin, "my noble steed," he waves a hand towards the still feeding rabbit.

"You tamed a rabbit," they dumbly point out, having to metaphorically pick up their jaw off of the floor.

"Yup, I did. you can stop gawking now," he huffed, "you're going to catch a bug with your mouth if you keep your mouth wide open."

"...And you named it Carl?"

"What kind of question is that?" he snorts, shaking his head, "yes, I named him Carl, and yes he's going to be the one helping me through the maze. Any other silly questions?"

The man stumbles over their words for a second, and he amusedly watches from below, "I- yeah, yeah, you bozo," they finally settle on saying.

"Alright, cool, I'm going to go find the exit now," he turns away from the hybrid, climbing on the back of the rabbit's back, "see you there."

He doesn't give SquidKid the chance to respond, already setting off through the thicket. And he sure doesn't suppress the grin that crawls up his face as Carl bounds past stalks and stalks of crops.

Having distracted SquidKid enough to get away, the bigger farmer had barely thought to ask how they themselves would traverse the maze.

They must have realized soon enough, though, since not seconds later, he hears a strangled yell of his name along with a loud groan.

--

Pain, it's been too long since I've written something /Lh

--

"(Also, it's funny to think that the town has a mayor that they've never seen. All they know is that the previous mayor is gone, and the new one is pretty chill. /Lh)"

When the townspeople come to greet the new mayor, they come thinking that it's SquidKid who's done everything since it's always been SquidKid going into town and doing the talking- the scarecrows being unable to do so for obvious reasons, and Techno unable to do so without revealing his entire existence.

So when the sheepish farmer calmly explains that he's just a helper of the mayor, they're... rightfully confused. At first, they want to know the real identity of the mayor, but SquidKid wearily tries explaining that said mayor really doesn't want to be revealed. They only conceded when he shakily points to the unknown farmer's territory, most of them getting the message.

Techno is very thankful that SquidKid doesn't take his title and also doesn't reveal his existence.

-

"It would have been so easy for the squid hybrid to just pluck his tiny form from their back pocket and shove the wrathful spotlight onto him.

He wasn't even able to even escape now as he found himself stuck in the hybrid's pocket. The crowd had come quickly after SquidKid had removed the other mayor for him, and he remembered feeling panicked as he stared at the other hybrid. The next thing he knew, he was shoved into their pocket.

He couldn't get out without tumbling to the ground with a splat, and, even worse, the possibility of one of the townspeople pointing him out with gossip-drinking eyes was incredibly high too.

He shakily gulped, greedily taking the air around him as he tried to stay calm. He never liked being near anyone- not even the scarecrows - so the second-hand contact with his past rival was not the finest experience.

"I- uhm," the squid hybrid stumbled over their words, "t-the mayor really would rather not... have the entire town to greet them.."

The crowd hushedly mumbled to each other, and one straggler called out, "well, tell them to come out anyway!"

By the Blood God, he hated this. He shrunk to the bottom of the pocket. This was one of the worst worries for a borrower; he had already been pushing his limit with the scarecrows and SquidKid, but this was another level for him.

"...Uh, well, in that case," he felt SquidKid shift, and a hand brushed over his pocket. He tenses, waiting for the fingers to tug him out and waiting for SquidKid to finally prove that they're not as kind as they look, for them to finally get some semblance of petty revenge.

"You can find them over there." He pauses, confused to as why there's no hand reaching down for him. The words finally dawn on him, and he's both relieved and perplexed to what SquidKid could have meant by that.

But hatever they've done has made the crowd fall unnaturally silent, and so he's at least a little relieved for that too.

The same voice that was brave enough to speak before pipes up, "you mean the ghost farmer?"

....He didn't know that the townspeople had come up with a name for him, but he's suddenly thankful that he's gained enough popularity that people stop and gawk.

"Y...Yes," SquidKid slowly acknowledges the villager, "they were the one orchestrating all of this. I was just helping with the... talking parts," the hybrid is silent for a moment before they burst into a stammering mess,

"And- uh, I-I should take my leave now, b-because I should really h-head back and ch-check up on them," he feels the bigger farmer start to take a few steps back, supposedly away from the crowd, "I'll answer any questions later!"

He has to push against the fabric to keep himself from bouncing around in the pocket as SquidKid starts running. He faintly hears the townspeople shout for the male, but it's muffled through the fabric.

As it starts to seem as if the squid hybrid would never stop running, they finally start to slow down, their breaths coming out labored and airy.

He doesn't speak up for a moment, letting the other regain themselves first. When they finally seem well enough, he speaks up,

"That's the best you can come up with?"

--

chKFCHKDSJFSDF oh my Primes, this is so LONG,,,, I have no idea how to write SquidKid,,,, plus, I had no idea how to like,,, oOGHgds,f,, pain.

Anyways, hope you had fun reading ALL of this cchjxcvxkdsf,,,

AAUBHJDUHFJHBFNDKUFHN WENDYYY /POS

i dont have anything to add this is just fantastic,,,,, DEO AND JIYN AS SCARECROWS AS WELL,,, FBJHDKUHSJHHDV,,,,,, i love that techno gets to have Carl still 🥺🥺🥺 and him leaving squidkid on the other side of the maze??? FHJBDJNJKBF

ALSO 🥺 squid protecting techno and not telling people abt him,,,,, aaajfhkdojfh good,, i also appreciate that everyone in the village just has to be like. "the ghost farmer is mayor????... well this isnt the weirdest thing thats happened to me"

SQUIDKID RUNNING AWAY,,,, "ill answer any questions later" djhshhjhjhbhbfhdjhbe

*holds this gently* aaaaaaaaaaaaaaa i adore

[helnjk]

All I’ve Ever Known - G.W.

George Weasley x fem!reader

last of my oneshots for my showtunes fic list, based on the song All I’ve Ever Known from the musical Hadestown! i’ve had so much fun with this series of fics, i hope you guys have enjoyed reading them xx 

Word Count: 2.8k 

Summary: george finds her extremely intriguing, the way she spends her days drawing and creating art. maybe one day he’ll pluck up the courage to talk to her. 

Warnings: mentions of food, mentions of bullying/exclusivity, stereotypical slytherin biases

lyrics are bold and italicized 

–

I was alone so long 

I didn’t even know that I was lonely

Y/N sat by herself at the end of the Slytherin table, pushing what was left of her meal around her plate. She could hear the different conversations flowing around her, the ones including her fellow housemates moreso, but as usual she wasn’t involved in any of them.

She could hear Malfoy sneering to his little crew about something or other that Potter did to irritate him that day. She could hear Adrian Pucey discussing the latest Quidditch plays they had used at training that day. She could hear a couple of first years anxiously discussing the topic of their exams the next day. 

All around her were signs of companionship and community, yet she was left utterly alone. She wasn’t stupid. She knew why she had been outcasted from her house the moment she got sorted. 

“Isn’t she muggleborn?” 

“What a disgrace to Slytherin.”

“The Sorting Hat’s made a mistake with that one.” 

Over the years, she had gotten used to how those in her house treated her–holding her at arm’s length. She had spent many nights in her first year crying herself to sleep because of how all-consuming the loneliness had been, but now at her seventh year, she was numb to it all. 

She knew who she was: A talented muggleborn witch and a proud Slytherin. She didn’t need validation from anyone else. And anyways, most of her time was spent out on the grounds with her sketchpad or in the Room of Requirement painting. 

Loud laughs from the Gryffindor table spurred her out of her thoughts. The Weasley twins had pranked their younger brother, and it seemed like their younger sister was an accomplice to the crime as well. The rest of the red and gold house was watching on amusedly, no doubt accustomed to similar situations. 

The Weasleys were a well known family at Hogwarts. How could they not be? With their fiery red hair and their big personalities, it was a given that they caught the attention of almost every student. 

Y/N admired how they just fit right in with their house, their second family. Of course, a lot of it had to do with the fact that they were so comfortable with the Hat’s placement. Their whole family was sorted into Gryffindor, she could remember, albeit slightly foggily, the older Weasley siblings in leadership roles when she was younger. 

Her eyes lingered on George’s laughing figure for a second longer than the rest of them. She was always intrigued by the younger twin. They seldom had classes together, but from what she could gather, he was just as observant and perceptive as he was mischievous and quick witted.  

As bodies began to take their leave from the Great Hall, a rough shove to the shoulder nearly made Y/N fall onto the floor. Her eyes snapped up to the offender and she saw the unbecoming sneer of Malfoy. Crabbe and Goyle were snickering not so quietly behind him as he stared down at her. 

“Whoops,” he jeered, “Sorry to disrupt your staring at the blood traitors and gryffindorks. Maybe you’d be better off with the lot of them.” 

With a huff, Y/N gathered her things and strode out of the hall without so much as a second look behind her.  

It's like I’d known you all along

I knew you before we met

And I don’t even know you yet

All I know is you're someone I have always known

She was drawing again, George noted.

It always baffled him how she was always alone. Usually students at Hogwarts drifted about their days in groups or pairs; it was rare to see someone spend most of their time by themselves. Growing up with 6 siblings, and having a twin, George was so used to the chaos and noise that came with it that he couldn’t picture what it was like to go about your day solo.  

His eyes drifted towards her figure sitting on a blanket out in the grounds. She was blissfully unaware of her surroundings, or more to the point, the person staring at her like a bloody idiot. The weather was slowly transitioning from autumn into winter, and he could tell that she was trying to milk the last few warm days. 

It was no secret to him that she preferred to sketch out in the sunny grounds, but Hogwarts being situated in the Scottish countryside made it so that her window of opportunity to do so was limited.

He was so focused on how her brows furrowed in concentration and how her lips pursed ever so slightly when she made a mistake, that he didn’t notice Fred’s many deep sighs. This caused his twin to take one final deep breath and exhale as loudly as possible. 

“What’s got your wand in a knot then?” George asked, taking his eyes off of Y/N and turning to face his brother. 

“Finally noticed that I exist, have you?” teased Fred. 

“Oi, just get on with whatever you want to say!” 

He merely laughed, “If you want to talk to the snake, just do it!” 

George had the audacity to act as if he didn’t know what Fred meant, “What in Merlin’s name are you on about?” 

“Don’t be daft,” Fred smacked him lightly on the back of the head, “You’ve been pining after that Slytherin bird for months, just go and talk to her already!”

“Was I that obvious?” 

With a frustrated groan, Fred shoved his twin in the direction of the girl. George stumbled for a second and checked to see if she had seen, she hadn’t. He sent a glare at the redhead over his shoulder, before dusting off his trousers and donning a confident facade. 

As he strode across the courtyard, his hands grew increasingly clammy and his heart began to beat erratically in his chest. There was no turning back now, though, as he approached the girl. 

His shadow blocked the sun from Y/N’s notebook and she looked up, not expecting anyone to get so close to her. 

“Erm, hello,” George waved awkwardly as he towered over her figure.

She blinked a few times before replying, “Hello. Can I help you with something?” 

“Mind if I join you?” 

George’s question rang through the still air for a moment as Y/N processed what he had just asked. No one had ever wanted to keep her company as she drew before, she wasn’t quite sure how to react. Just before the moment turned even more awkward than it already was, she gave him a swift nod. 

The tall, lanky redhead folded his legs beneath him as he made himself comfortable on the path of grass next to her. He had to stop himself from grinning too wide, “I’ve seen you around, you know.” 

She merely raised a confused eyebrow in his direction. 

“Not-not like I’ve been stalking you!” he stammered, rubbing the back of his neck and feeling his ears turn hot, “I’ve just noticed you like to draw out here, especially when the weather’s warm.” 

“Oh,” she mumbled, brushing her hair behind her ear. 

“I’m sorry, did I make you uncomfortable?” 

George’s gaze on hers was so sincere, she kicked herself internally for not saying the right thing to him, “No you’re not! Don’t worry. I’m just not used to people paying much attention to what I do. I mean, I’m not that interesting.” 

She felt small under his analytic gaze, but something in her kept her from looking away. 

“Well I think you’re plenty interesting from what I’ve seen,” He shrugged nonchalantly, “Tell me about your drawings!” 

He had said the magic words and the pair of them dove into a conversation. Y/N couldn’t contain her excitement, as she rarely had the opportunity to speak about something she was so passionate about. 

“These look bloody brilliant,” George murmured in awe as he flipped through the pages of her notebook.  

Y/N’s face warmed at the compliment, “Thanks.” 

All I’ve ever known is how to hold my own 

But now I wanna hold you too

For nearly every day after their first encounter, George made it a point to talk to Y/N. Whether it be along the hallways on the way to class, during meals (he would take her hand and drag her to the Gryffindor tables, much to her bemusement), or out on the grounds while she drew. 

Most of the time, he would talk and talk and talk as she listened quietly. A soft smile would always grace her lips as she observed him and how he spoke so highly of his family and how he was so excited for the shop he would be opening with his brother. The tone of his voice and his large grins always made her feel included in whatever it was that he talked about.

“Hello love,” George smiled down at her before plopping down on the soft grass to her right, “Reckon we’re on the last few days of good weather.”

His eyes raised skywards as the overcast clouds floated above them, hers did the same. 

“It’s alright,” she shrugged, sending him a small smile, “We’ve made the most of it, I think.”  

The pair sat in relative silence, as silent as it could be with one of the Weasley twins, as Y/N built up the courage to show George what she had made for him. With a deep breath, she plucked something from her school bag that lay strewn across the grass and held the parchment to her chest.

“George?” 

“Yeah, Y/N?” his eyes trained on her nervous figure and his eyebrows furrowed in confusion, “Everything alright?” 

She nodded her head swiftly, “Yeah everything’s perfect! I just wanted to show you something that I made.” 

Slowly, she smoothed out the parchment in front of them. She observed George quietly as he took in the sketch she had made. His eyes scanned it over once, twice, three times before they met hers again. 

“Is this…” He mumbled, taking the sketch into his hands to look closer.

“You’ve just been so excited about your joke shop that I–I made a logo for you guys,” she smiled sheepishly, “It’s pretty bare bones, but I wanted you to see it. I won’t take offence if you don’t like it!” 

George stared at her, mouth slightly agape. This was one of the sweetest things anyone had ever done for him, and she did it out of the kindness of her heart. Without a second thought, he threw his arms around her and quickly pulled her to his chest. Y/N let out a little ‘oof’ as she collided with him, heat spreading throughout her body. She was thankful that she was basically smushed on his chest, at least then he couldn’t tell how flustered she got at his display of affection. 

“So d’you like it?” she asked shyly, looking up at him. 

“I bloody love it!” 

Y/N let out a breath that she didn’t know she was holding, the pair of them grinning at each other. 

Later in the day, George all but dragged Y/N into the Gryffindor common room in search of Fred. His brother was sat on one of the couches by the fireplace, chatting idly with Lee. The sound of parchment hitting him square in the chest rang through the relatively empty room. 

Fred’s hands immediately held onto whatever George had placed on him, and his eyes lit with joy as he realized what he was looking at. 

“Bloody hell!” he exclaimed, “Is this what I think it is?” 

George took a seat next to his brother, his hand tugging Y/N along to take the seat beside him, “Yep. Our Y/N here has made us a logo for Wheezes.” 

“This is brilliant, Y/N! Thank you!” 

For the second time that day, she found herself wrapped up in the arms of a Weasley twin. Slightly used to it, she just laughed the show of affection off and patted Fred slightly on the back. 

“Happy to help,” she smiled. 

–

As the seasons turned from autumn to winter, Y/N found herself spending more and more time with the red headed twins. She found their enthusiasm for their joke shop infectious, always chipping in with ideas of her own for products, or sketching up prototypes for them to look at. 

Slowly, her days were filled with laughter and warmth. 

It was a little jarring at first, spending so much time with people who actually cared about her, people who wanted to hear what she said and see what she created. It surprised her, really, how quickly she had become accustomed to being around them. 

After a while, though, she found herself wanting to spend as much time as possible with George. She lived for the routine that they had formed, spending most of their breaks and meals together. 

It struck her on a seemingly ordinary day, the realization that she was falling for him. 

Y/N and George were at a far corner in the library, discussing how the product designs she made could be tweaked a little. He was hunched over the parchment, tracing his fingers over the soft lines of charcoal on the parchment, smudging it just a tad bit and getting some of the pigment on him.

“I love the way you drew…” 

George had said something or other about the design, but Y/N couldn’t focus on anything except the way his arm flexed as he spoke. From the corner of her eye, she kept glancing at him, noticing how the glow of candlelight cast soft shadows on his face. The freckles on his cheeks seemed to dance in the flickering light, and looking at the constellations on his face made her breath hitch in her throat. 

She couldn’t quite place why her heart was raging in her chest, as if she hadn’t spent most of her days with the red headed boy anyway. 

And then it hit her. 

Her eyebrows shot up at the sudden awareness of her feelings for George. Oh sweet Merlin and Morgana, she thought. 

You take me in your arms

And suddenly there’s sunlight all around me

“George!” 

Y/N’s voice rang through the relatively empty hallway as she raced to meet her friend. The friend that she might have been in love with. The friend that she spent hours and hours of her day with, trying to ignore the bubble of feelings that wanted so badly to burst in her chest. 

The redhead who was on his way back up to his common room paused mid-step as he heard her voice. He spun on his heel, turning just in time for him to see her barreling towards him, waving a piece of parchment above her head. 

When she nearly collided head on with him, he instinctively wrapped his arms around her waist and steadied her, “Woah there, Y/N. There’s no need to try and kill me.”

She huffed, catching her breath slightly, “Sorry, I’m just so excited!” 

“Are you going to tell me what you’re excited about, or?” he teased, cocking his head to the side. 

With a grin on her face, she shoved the piece of parchment she was holding into George’s hands, “I just figured out how the general design of the Wonder Witch products should look like! See here there’s a–”

“Godric I love you.”

Both bodies froze at the statement. George immediately felt his whole body get hot, no doubt tinging his cheeks and the tips of his ears red. Y/N’s mouth was slightly agape, her mind whirring with all kinds of thoughts as she tried to comprehend what had just come out of George’s mouth. 

“What?” she asked, unable to form a proper sentence. 

George took a deep breath, there was no going back now, “Erm, yeah. I fancy the hell out of you, Y/N. That wasn’t the way I would’ve preferred to tell you but, I do–I do love you, yeah.” 

“Oh, Georgie,” Y/N whispered. 

Taking her answer as a rejection, he nervously rubbed the back of his neck, “It’s alright that you don’t feel the same way, I don’t want this to ruin–”

Instead of replying, she threw her arms around his neck and pulled him in a hug, “I love you too, you silly boy.” 

The nerves got the better of her, and her words were slightly muffled as she whispered them into his chest. 

“Come again?” 

“I love you too, George!” 

A wide grin spread across his face as he looked at the girl in his arms. He felt like he could fly with how happy he was. Everything he needed was right in front of him, and he would hold her close for as long as he could. 

–

General taglist: @expectoevans​ @george-fabian-weasley​ @gxthsanrio​ @slytherinscribbles​ @harpyloon​ @nuttytani​ @mesmerisedangel​ @amourtentiaa​ @hufflepuff5972

Weasley twins taglist: @whizboingies​ @pineapplesandpinas​ @papapapadumb​ @mrs-g-weasley​ @a-castle-of--glass​ @hey-there-angels​

[corysmiles]

Sup! I'm back from Barcelona! Hope you're doing well!

Remember that sbi rust prompt you gave me a month or 2 ago? It is done (not readproff tho so there may be some mistakes) anyway enjoy my grand return!

Edit: did you know 250 paragraphs is the limit lenght to an ask? On an unrelated note I will have to cut this into multiple parts so enjoy this first chapter!

-----

"Whaaat the-"

Wilbur took a step back, mouth agape and watched the figure inside of the dome. A human, identical in the looks, if not for the size of it.

When he went to explore the looming monument that rose from near his house, he expected food or scientific papers, perhaps some gas masks and equipment, not a... giant.

Weren't those things a myth?? Just a silly fictional creature to scare children away, not... not real and THERE, sleeping right in front of him??

The thing was curled up on himself, unable to fit in the 30ft wide sphere if going to its full lenght.

Wilbur was trapped in the walls of flesh.

And to his dismay, he was just in time to witness the creature wake up.

Lazily, they opened their eyes, squinting. They looked at their surroundings, the roof, the walls, the floor.

And the man was able to pinpoint the exact moment their eyes landed on him.

They gasped softly, almost mute. Their eyes widened, and they stood here, studying the punny intrudor for a too long moment. Only after, they spoke, barely above a whisper.

"Uhm... hello."

Wilbur expected the giant to speak, seeing how akin to a human he was, but he didn't expect such a young voice to be held by the.... boy?

"Hey." Wilbur waved, hand as shaking and hesitant as his voice.

"... What's your name?" They spoke.

Wilbur gulped, more on instinct. "Uuh, Wilbur. Who are you? What are you doing here?" He pointed.

They nodded in a hum before looking at the floor below, eyes a bit blurry.

"I...my name is Tommy. And uh... this is where I sleep."

The stare the human kept on the boy was intense, full of disbelief and curiosity. It was uncomfortable.

He shifted a bit. And Wilbur's eyes darted towards the small movements. Ah, right. Humans were hyperaware.

"It's been a while since I met someone around here."

"Yeah, I can imagine that... ever since the nuclear incident, it's been quite the task to find someone." Wilbur explained. What did this being knew exactly?

"Oh... I see." He lowered his head, before letting it rest on the floor, and holy shit he was even bigger than he thought.

He swallowed the lump back down his throat, and sat legs crossed.

The giant, which looked like a teenager now that he got to see his face up close, kept looking at him, expression almost bored.

Then, without much a warning, he lifted his hand and moved it towards the human, who instantly scrumbled away as fast as he could.

"wowowwoowowo- what-"

The hand froze, and when he looked at Tommy, the expression was sad, almost hurt.

Silence filled the room for a minute.

"Sorry" the giant apologized. "I must be quite scary, huh?"

Without much thinking, wilbur nodded. "Um, yeah"

"It's okay, I'm not gonna hurt you." He reassured, his voice pathetic. "Can I come closer?"

Wilbur looked at the hand, then at the teen. He took a deep breath before nodding, earning a pleased smile from the blond.

More careful, a hand thrice his size came to him, fingers slowly wrapping themselves around the human. He tensed, unwilling to move an inch despite his mind begging him to get out of here.

He closed his eyes in anticipation, but after a minute of stillness, he felt a rough pressure on his head, ruffling his hairs.

"Wha- what are you doing?" He asked, refusing to open his eyes yet.

Before he got an answer, the mass, which he recognized as a thumb, moved from playing with the hair to caress his skin as gently as possible.

With much hesitation, the human opened his eyes and met the face of the teen, who beared an expression of pure shock and wonder.

As the thumb rubbed against his cheek, he inhaled, shivered.

"You're so small... so fragile..."

His face was washed with a wave of sadness, while Wilbur drew his hand closer to the gun hidden in his jacket.

"How do you feel, wilbur? Do you feel fragile?" His voice was as sad as unreadable.

And at the moment, Wilbur did feel as powerless as a bug stuck in a web. A tall, wide web. Not that he would tell Tommy.

"... Is that a threat?" He asked instead.

"No, I'm just curious." A sort of melancholy couldn't leave the giant's face. "If I were to threaten someone, it would be because they acted like a bitch. You're not a bitch as far as I know."

The curse took Wilbur off guard, and he found himself giggling at the vocabulary. The blong smiled as well.

Then, the thumb moved from the face and slowly descended to cover his chest (entirely)

And....

It felt... like a hug?

How long has it been since Wilbur has been hugged.

The gesture was confusing.

"... why?" He voiced.

"I don't know. I know people like hugs. Makes them feel safe."

He eyed the fingers around him before focusing, wary, on the face.

"What are you planning to do to me?"

"Huh?!" He raised eyebrow and his hands left Wilbur's surrounding in a too quick motion, gesturing in defense. "Nothing!! I just want you to be comfortable. Been a while since I talked to anyone." Without the giant controling his volume, Wilbur had to cover his ear at the sudden booming sound.

He nodded nontheless, still unsure, and the silence drawn out.

"...why did you want to explore the dome?"

For some reason, the echoing voice was quite soothing to the human's ears, now that it was bearable. He took a few steps and put his hand on the part of the dome not blocked by an enormous mass. His finger carressed the copper walls until he was sat.

"I wanted to explore. I don't live very far, and this structure intrigued me. I expected to find some researches, not.... uh..."

Tommy smiled and understood the man without him having to finish. "Yeah. I'm not really something to be expected."

He nodded. "And you've been here for a while?"

"Not so much." The giant responded, "I usually travel from place to place trying to survive, pretty much like everyone else."

"I see..."

"I can try and look out for any paper or stuff if you want, so next time you come, I can hand them over."

Wilbur paused. The idea of returning to the giant made him frown, but the blond did seem to hold no grudges against him.

".... Maybe." He landed on.

And visibly, the teen was elated at the news, his grin growing to his ear and his hands joining in a clap. (As gentle as he could to not make the small man deaf.)

"Welp." He got up, before he got a sugar overdose from seeing that excitment. "I think I'm gonna head back."

"Do you want me to help you get back home?" The other proposed, enthusiast.

"No."

It was quiet for a moment, silence only disturbed by the giant shifting position. It was... unusual. But the enormous teen didn't seem hostile, and if Wilbur could get himself such an ally, he wouldn't take it down.

And so he returned home.

---

2 days later, he returned.

He was surprised as well, but curiosity guided his steps much more than his fears ever since the giant teen revealed himself a potential ally.

He inhaled deeply before climbing the stairs, his feet landing on the metalic ground.

The smile on the teenager's face when he turned around and met the tiny man was as heartwarming as nervewracking.

"YOU'RE BACK!!!" He cheered, and already the human had to cover his ears, the joyous scream deafening. He realized his mistake pretty soon though as he covered his mouth and mumbled, much quieter "Sorry. Hi Wilbur."

"Hello, Tommy." He replied, cautiously removing his hands from his ear. "How have you been?" He started. Usual politeness shouldn't be too awkward.

It took all the self control of the blond to keep his voice quiet enough when he said "I've been fine, thank you." The energy bubbling from him only made Wilbur chuckle.

"Good, good." Wilbur took a few steps towards the blond (or rather his face, since the teen was kind of all around the room) "You seem happy to see me."

Tommy nodded way too quickly and strongly as he confirmed. "Yep! I-" he pained keeping his voice low "-I wasn't sure if you'd really come back. I'm very very very glad you didn't lie. Especially since I have..... THIS!!"

He didn't even bother whispering as his hand came to view, previously hidden behind his back, and coming towards Wilbur in a fist at a racing pace. The brunette couldn't help but flinch back.

Tommy stopped mid-way, realizing his carelessness once more. He whispered an apology and the hand came, much slower this time. (Almost comically slow, but Wilbur wouldn't really complain)

Then, when only at about 6ft away from the man, the hand opened, revealing several piles of papers.

Wilbur's eyes widened. He looked at the blond, confused.

"You said you wanted to look for researches and stuff, sooo I tried finding some. And you were right! There are papers everywhere in here!"

Wilbur looked at the floor which he now realized was almost white from sheets, as well as the several seemingly blank pages stuck on the giant's body, and nodded, repressing a chuckle.

"Yep. Everywhere."

Tommy held back a laugh as well, and Wilbur tried visualizing how this.... god knows how tall being could try opening drawers with his nails barely thin enough to hold the handler, and reading papers the size of a pins on his hands, all while trying to manœuver his body so he wasn't blocking the rest of the building.

He would lie if he said the thought wasn't amusing.

He went for the paper, and without much thinking hopped onto the hand, since the papers were mostly at the center of his palm.

He grabbed a few and sat down, begining reading when he felt a shaky inhale. He looked up to meet the amused eyes of the blond.

"... Seat's comfortable?" He teased, as playful as baffled.

Wilbur frowned, then looked below him and his eyes widened as he registered. He shot straight up.

"Oh-oh oh I'm so sorry- I- I sincerely apologize I-"

He didn't get to finish his sentence as he covered his ears, a wheezed laugh echoing through the entire thing and sending Wilbur shaking from the vibrations.

He found himself laughing as well, barely able to keep up his balance as he stepped out of the hand, a good chunk of paper held between his chest and arms.

The laughs finally died down, the blond disforming his face with his hand trying hard to muffle the sounds. He looked back at the human with what could only be described as adoration. The hand left his face and he chuckled still as he talked.

"Ahh, don't worry about it. I expected you to just take the papers and go, but this? This was funny. Definitely the first time someone sits on my hand like that."

"I-... is it a bad thing?" Wilbur asked, taking slow steps backward while he kept a smile. The last thing he wanted was to upset a giant he was trapped with. Sure, the kid was nice, even though overwhelming, but a wrong gesture could change that first part pretty quickly.

"Nah, I don't mind. If the floor is too cold for your liking, you can sit here."

Wilbur sighed in relief and gave the blond a smile. "Alright. Thanks."

He still chose to sat on the floor, and started reading again. His intuition was right, there was tons of information in here.

He read in silence, only disturbed every once in a while when Tommy asked what was in the sheets. Wilbur explained as easily as possible and kept the details for himself. Tommy was satisfied with the answer he was given, though, so that wasn't a problem.

He was only a quarter through the first pile of paper when he felt something approaching. He froze when a mass, probably a finger, found itself on top of Wilbur's head.

There was a beat of silence when neither moved, and the finger ruffled ever so slightly his hair.

It was a bit awkward, but it wasn't uncomfortable, so he didn't protest.

A soft voice pierced through the silence.

"If I press on your head too hard or hurt you, warn me. You're small so I don't know how much pressure I can apply on you."

"Alright." Wilbur nodded. "You're doing fine right now, I'll tell you if that changes."

The rest of the reading was done with Tommy gently playing with Wilbur's hair or tapping his back in an attempt at a 'massage' (as Tommy called it). It was distracting, but not uncomfortable. At times, even soothing.

It was almost night when Wilbur read most of the first pile. He got up with the paper he read already and looked for an empty drawer.

Fortunately, since Tommy spent 2 days scrambling to get every possible paper out, it wasn't much of a challenge. Below Tommy's angled leg was a furniture. He went and deposited it.

"That should be good." He said as he closed it. He then turned around to meet the blond. "Well, I think it's time for me to go home. I'll be back soon though, this place is VERY interesting."

He forced himself not to fake a gag at Tommy's smile. Urg. So genuine.

"Yeaaayyy" the giant stage-whispered while clapping his hands as softly and quickly as possible. "It's nice having you around. Can I do anything to help you?"

Wilbur brought a hand to his chin and thought for a moment. "If you find an empty book, you can give it to me next time. I'll bring one myself though so you don't have to tear this place upside down to find one." That made Tommy chuckle.

And so, Wilbur returned home once more.

THIS IS SO GOOD MEL OMG!!!

Pls read this it’s amazing and so well done, I love the rust server and this is so good :D

[astrowithkaro]

May I request Language of birthday for March 22nd?

Language Of Birthdays: March 22 - Aries

The Day Of Direct Current

March 22 people have a sense of infallibility and refuse to be denied. They feel no need to shout their message from the rooftops—on the contrary, they are often quietly self-assured individuals who loathe self-aggrandizement. If they so choose, those born on this day can be very successful in business or finance, carefully making their way through the competitive corporate jungle. They are not easily sidetracked or led astray, and thus continue inexorably on their path to success. Of course, some March 22 people focus on goals that are much more modest—making a happy family life, enjoying leisure time or developing a hobby—but reach that goal they must.

One of the most difficult qualities for others to deal with in March 22 people is that they will not submit to an analysis of their character nor admit to subconscious motives. Quite simply, those born on this day are among the few types who are exactly what they appear to be (no more, no less) and woe to anyone who attempts to look behind the frank exterior they present to the world! Not surprisingly, they are also allergic to all forms of pretense, sham or under- handedness they perceive in others. Unfortunately, they run the risk of mistaking diplomacy for duplicity, so averse are they to indirectness.

Many March 22 people carry a heroic picture of themselves in their minds, an idealized image that they try to emulate. What they aspire to may not be a terribly dramatic kind of heroism but rather a quiet and protective valor that earns the respect and even worship of their family, friends and associates. Indeed, those born on this day often earn a reputation for being ultra-dependable.

Once March 22 people have discovered their true calling (generally found by the time they are in their middle twenties), they will usually continue on course for the rest of their lives. Other activities may grow out of this role, particularly in later years, but the fundamental connection will always exist. Rarely will those born on this day make sudden or abrupt shifts away from their chosen path.

March 22 people will find career fulfillment if they are able to look at their products or services critically; if they are unable to do so, they will be repeatedly baffled and frustrated, confused by their inability to achieve success. In addition they must keep their enthusiasm in check, not only because they may get too carried away and overreach the mark, but also because others may be put off by their manner. In addition, March 22 people should be sensitive to any tendencies within themselves toward despotism or tyrannical behaviour.

Strengths:

Enthusiastic

Well-directed

Dynamic

Weaknesses:

Overbearing

Emotionally unaware

Overconfident

Advice

The danger with March 22 people is that because of their confident nature and high energy they will take good health for granted. By overlooking the fact that health must be maintained, they may fall prey to their boundless enthusiasm. Plans to control calories, balance vitamin intake or add needed food supplements seem to go out the window with most March 22 people. They want to eat just what they like. Because they despise health or food fads, their families and friends should appeal to them on the grounds of good sense. A moderate amount of exercise (gardening and outdoor sports are recommended) and a reasonable limitation on fats and sweets in the diet may be acceptable to them; better to gradually phase in changes in diet without making a big issue of it.

Have patience with those who are not as well-directed as you

Continue to move slowly but surely, working hard but also letting things just happen sometimes

Cultivate diplomacy and allow others in a bit more

[insanehobbit]

a twenty-five thousand word post about a twenty-three year old “debate”

As time goes on, I’m baffled that it remains a commonly held opinion that:

The LTD remains unresolved

SE is deliberately playing coy, and are (or have been) afraid to resolve it.

To me, the answer is as clear as day, and yet seeing so many people acting as if it’s a question that remains unanswered makes me wonder if I’m the crazy one.

So I am going to try to articulate my thought process here, not because I expect to change any hearts and minds, but more to get these thoughts out of my head and onto a page so I can finally read a book and/or watch reruns of Shark Tank in peace.

To start off, there are two categories of argument (that are among, if not the most widely used lines of argument) that I will try NOT to engage with:

1) Quotes from Ultimania or developer interviews - while they’re great for easter eggs and behind-the-scenes info, if a guidebook is required to understand key plot points, you have fundamentally failed as a storyteller. Now the question of which character wants to bone whom is often something that can be relegated to a guidebook, but in the case of FF7, you would be watching two very different stories play out depending on who Cloud ends up with.

Of course, the Ultimanias do spell this out clearly, but luckily for us, SE are competent enough storytellers that we can find the answer by looking at the text alone.

2) Arguments about character actions/motivations — specifically, I’m talking about stuff like “Cloud made this face in this scene, which means be must be [insert whatever here].”

Especially when it comes to the LTD, these tend to focus on individual actions, decontextualizing them from their role in the narrative as a whole. LTDers often try to put themselves in the character’s shoes to suss out what they may be thinking and feeling in those moments. These arguments will be colored by personal experiences, which will inevitably vary.

Let’s take for example Cloud’s behavior in Advent Children. One may argue that it makes total sense given that he’s dying and fears failing the ones he loves. Another may argue that there’s no way that he would run unless he was deeply unhappy and pining after a lost love. Well, you’ll probably just be talking over each other until the cows come home. Such is the problem with trying to play armchair therapist with a fictional character. It’s not like we can ask Cloud himself why he did what he did (and even if we could, he’s not the exactly the most reliable narrator in the world). Instead, in trying to understand his motivations, we are left with no choice but to draw comparisons with our own personal experiences, those of our friends, or other works of media we’ve consumed. Any interpretation would be inherently subjective and honestly, a futile subject for debate.

There’s nothing wrong with drawing personal connections with fictional characters of course. That is the purpose of art after all. They are vessels of empathy. But when we’re talking about what is canon, it doesn’t matter what we take away. What matters is the creators’ intent.

Cloud, Tifa and Aerith are not your friends Bob, Alice and Maude. They are characters created by Square Enix. Real people can behave in a variety of different ways if they found themselves in the situations faced by our dear trio; however, FF7 characters are not sentient creatures. Everything they do or say is dictated by the developers to serve the story they are trying to tell.

So what do we have left then? Am I asking you, dear reader, to just trust me, anonymous stranger on the Internet, when I tell you #clotiiscanon. Well, in a sense, yes, but more seriously, I’m going to try to suss out what the creator’s intent is based on what is, and more importantly, what isn’t, on screen.

Instead of putting ourselves in the shoes of the characters, let’s try putting ourselves in the shoes of the creators. So the question would then be, if the intent is X, then what purpose does character Y or scene Z serve?

The story of FF7 isn’t the immutable word of God etched in a stone tablet. For every scene that made it into the final game, there are dozens of alternatives that were tossed aside. Let us also not forget the crude economics of popular storytelling. Spending resources on one particular aspect of the game may mean something entirely unrelated will have to be cut for time. Thus, the absence of a particular character/scenario is an alternative in itself. So with all these options at their disposal, why is the scene we see before us the one that made it into the final cut? — Before we dive in, I also want to define two broad categories of narrative: messy and clean.

Messy narratives are ones I would define as stories that try to illuminate something about the human condition, but may not leave the audience feeling very good by the end of it. The protagonists, while not always anti-heroes, don’t always exhibit the kind of growth we’d like, don’t always learn their lessons, probably aren’t the best role models. The endings are often ambivalent, ambiguous, and leaves room for the audience to take away from it what they will. This is the category I would put art films and prestige cable dramas.

Clean narratives are where I would categorize most popular forms of entertainment. Not that these characters necessarily lack nuance, but whatever flaws are portrayed are something to be overcome by the end of story. The protagonists are characters you’re supposed to want to root for

Final Fantasy as a series would fall under the ‘clean’ category. Sure, many of the protagonists start out as jerks, but they grow through these flaws and become true heroes by the end of their journey. Hell, a lot of the time even the villains are redeemed. They want you to like the characters you’re spending a 40+ hr journey with. Their depictions can still be realistic, but they will become the most idealized versions of themselves by the end of their journeys.

This is important to establish, because we can then assume that it is not SE’s intent to make any of their main characters come off pathetic losers or unrepentant assholes. Now whether or not they succeed in that endeavor is another question entirely.

FF7 OG or The dumbest thought experiment in the world

With that one thousand word preamble out of the way, let’s finally take a look at the text. In lieu of going through the OG’s story beat by beat, let’s try this thought experiment:

Imagine it’s 1996, and you’re a development executive at what was then Squaresoft. The plucky, young development team has the first draft of what will become the game we know as Final Fantasy VII. Like the preceding entries in the series, it’s a world-spanning action adventure RPG, with a key subplot being the epic tragic romance between its hero and heroine, Cloud and Aerith.

They ask you for your notes.

(For the sake of your sanity and mine, let’s limit our hypothetical notes to the romantic subplot)

Disc 1 - everything seems to be on the right track. Nice meet-cute, lots of moments developing the relationship between our pair. Creating a love triangle with this Tifa character is an interesting choice, but she’s a comparatively minor character so she probably won’t be a real threat and will find her happiness elsewhere by the end of the game. You may note that they’re leaning a bit too much into Tifa and Cloud’s past. Especially the childhood promise flashback early in the game — cute scene, but a distraction from main story and main pairing — fodder for the chopping block. You may also bump on the fact that Aerith is initially attracted to Cloud because he reminds her of an ex, but this is supposed to be a more mature FF. That can be an obstacle they overcome as Aerith gets to know the real Cloud.

Aerith dies, but it is supposed to be a tragic romance after all. Death doesn’t have to be the end for this relationship, especially since Aerith is an Ancient after all.

It’s when Disc 2 starts that things go off the rails. First off, it feels like an awfully short time for Cloud to be grieving the love of his life, though it’s somewhat understandable. This story is not just a romance. There are other concerns after all, Cloud’s identity crisis for one. Though said identity crisis involves spending a lot of time developing his relationship with another woman. It’s one thing for Cloud and Tifa to be from the same hometown, but does she really need to play such an outsized role in his internal conflict? This might give the player the wrong impression.

You get to the Northern Crater, and it just feels all wrong. Cloud is more or less fine after the love of his life is murdered in front of his eyes but has a complete mental breakdown to the point that he’s temporarily removed as a playable character because Tifa loses faith in him??? Shouldn’t it be the other way around?

Oh, but it only gets worse from here. With Cloud gone, the POV switches to Tifa and her feelings for him and her desire to find him. The opening of the game is also recontextualized when you learn the only reason that Cloud was part of the first Reactor mission that starts the game is because Tifa found him and wanted to keep an eye on him.

Then you get to Mideel and the alarm bells are going off. Tifa drops everything, removing her from the party as well, to take care of Cloud while he’s a catatonic vegetable? Not good. Very not good. This level of selfless devotion is going to make Cloud look like a total asshole when he rejects her in favor of Aerith. Speaking of Aerith, she uh…hasn’t been mentioned for some time. In fact, her relationship with Cloud has remained completely static after Disc 1, practically nonexistent, while his with Tifa has been building and building. Developing a rival relationship that then needs to be dismantled rather than developing the endgame relationship doesn’t feel like a particularly valuable use of time and resources.

By the time you get to the Lifestream scene, you’re about ready to toss the script out of the window. Here’s the emotional climax of the entire game, where Cloud’s internal conflict is finally resolved, and it almost entirely revolves around Tifa? Rather than revisiting the many moments of mental anguish we experienced during the game itself — featuring other characters, including let’s say, Aerith — it’s about a hereto unknown past that only Tifa has access to? Not only that, but we learn that the reason Cloud wanted to join SOLDIER was to impress Tifa, and the reason he adopted his false persona was because he was so ashamed that he couldn’t live up to the person he thought Tifa wanted him to be? Here, we finally get a look into the inner life of one half of our epic couple and…it entirely revolves around another woman??

Cloud is finally his real self, and hey, it looks like he finally remembers Aerith, that’s at least a step in the right direction. Though still not great. With his emotional arc already resolved, any further romantic developments is going to feel extraneous and anticlimactic. It just doesn’t feel like there’s enough time to establish that:

Cloud’s romantic feelings for Tifa (which were strong enough to launch his hero’s journey) have transformed into something entirely platonic in the past few days/weeks

Cloud’s feelings for Aerith that he developed while he was pretending to be someone else (and not just any someone, but Aerith’s ex of all people) are real.

This isn’t a romantic melodrama after all. There’s still a villain to kill and a world to save.

Cloud does speak of Aerith wistfully, and even quite personally at times, yet every time he talks about her, he’s surrounded by the other party members. A scene or two where he can grapple with his feelings for her on his own would help. Her ghost appearing in the Sector 5 Church feels like a great opportunity for this to happen, but he doesn’t interact with it at all. What gives? Missed opportunity after missed opportunity.

The night before the final battle, Cloud asks the entire party to find what they’re fighting for. This feels like a great (and perhaps the last) opportunity to establish that for Cloud, it’s in Aerith’s memory and out of his love for her. He could spend those hours alone in any number of locations associated with her — the Church, the Temple of the Ancients, the Forgotten City.

Instead — none of those happens. Instead, once again, it’s Cloud and Tifa in another scene where they’re the only two characters in the scene. You’re really going to have Cloud spend what could very well be the last night of his life with another woman? With a fade to black that strongly implies they slept together? In one fell swoop, you’re portraying Cloud as a guy who not only betrays the memory of his lost love, but is also incredibly callous towards the feelings of another woman by taking advantage of her vulnerability. Why are we rooting for him to succeed again?

Cloud and the gang finally defeat Sephiroth, and Aerith guides him back into the real world. Is he finally explicitly stating that he’s searching for her (though they’ve really waited until the last minute to do so), but again, why is Tifa in this scene? Shouldn’t it just be Cloud and Aerith alone? Why have Tifa be there at all? Why have her and her alone of all the party members be the one waiting for Cloud? Do you need to have Tifa there to be rejected while Cloud professes his unending love for Aerith? It just feels needlessly cruel and distracts from what should be the sole focus of the scene, the love between Cloud and Aerith.

What a mess.

You finish reading, and since it is probably too late in the development process to just fire everyone, you offer a few suggestions that will clarify the intended romance while the retaining the other plot points/general themes of the game.

Here they are, ordered by scale of change, from minor to drastic:

Option 1 would be to keep most of the story in tact, but rearrange the sequence of events so that the Lifestream sequence happens before Aerith’s death. That way, Cloud is his true self and fully aware of his feelings for both women before Aerith’s death. That way, his past with Tifa isn’t some ticking bomb waiting to go off in the second half of the game. That development will cease at the Lifestream scene. Cloud will realize the affection he held for her as a child is no longer the case. He is grateful for the past they shared, but his future is with Aerith. He makes a clear choice before that future is taken away from him with her death. The rest of the game will go on more or less the same (with the Highwind scene being eliminated, of course) making it clear, that avenging the death of his beloved is one of, if not the, primary motivation for him wanting to defeat Sephiroth.

The problem with this “fix” is that a big part of the reason that Aerith gets killed is because of Cloud’s identity crisis. If said crisis is resolved, the impact of her death will be diminished, because it would feel arbitrary rather than something that stems from the consequences of Cloud’s actions. More of the story will need to be reconceived so that this moment holds the same emotional weight.

Another problem is why the Lifestream scene needs to exist at all. Why spend all that time developing the backstory for a relationship that will be moot by the end of the game? It makes Tifa feel like less of a character and more of a plot device, who becomes irrelevant after she services the protagonist’s character development and then has none of her own. That’s no way to treat one of the main characters of your game.

Option 2 would be to re-imagine Tifa’s character entirely. You can keep some of her history with Cloud in tact, but expand her backstory so she is able to have a satisfactory character arc outside of her relationship with Cloud. You could explore the five years in her life since the Nibelheim incident. Maybe she wasn’t in Midgar the whole time. Maybe, like Barret, she has her own Corel, and maybe reconciling with her past there is the climax of her emotional arc as opposed to her past with Cloud. For Cloud too, her importance needs to be diminished. She can be one of the people who help him find his true self in the Lifestream, but not the only person. There’s no reason the other people he’s met on his journey can’t be there. Thus their relationship remains somewhat important, but their journeys are not so entwined that it distracts from Cloud and Aerith’s romance.

Option 3 would be to really lean into the doomed romance element of Cloud and Aerith’s relationship. Have her death be the cause of his mental breakdown, and have Aerith be the one in the Lifestream who is able to put his mind back together and bring him back to the realm of consciousness. After he emerges, he has the dual goal of defeating Sephiroth and trying to reunite with Aerith. In the end, in order to do the former, he has to relinquish the latter. He makes selfless choice. He makes the choice that resonates the overall theme of the game. It’s a bittersweet but satisfying ending. Cloud chooses to honor her memory and her purpose over the chance to physically bring her back. In this version of the game, the love triangle serves no purpose. There’s no role for Tifa at all.

Okay, we can be done with this strained counterfactual. What I’ve hopefully illustrated is that while developers had countless opportunities to solidify Cloud/Aerith as the canon couple in Discs 2 and 3 of the game, they instead chose a different route each and every time. What should also be clear is that the biggest obstacle standing in their way is not Aerith’s death, but the fact that Tifa exists.

At least in the form she takes in the final game, as a playable character and at the very least, the 3rd most important character in game’s story. She is not just another recurring NPC or an antagonist. Her love for Cloud is not going to be treated like a mere trifle or obstacle. If Cloud/Aerith was supposed to be the endgame ship, there would be no need for a love triangle and no need to include Tifa in the game at all. Death is a big enough obstacle, developing Cloud’s relationship with Tifa would only distract from and diminish his romance with Aerith.

I think this is something the dead enders understand intuitively, even more so than many Cloti shippers. Which is why some of them try to dismiss Tifa’s importance in the story so that she becomes a minor supporting character at best, or denigrate her character to the point that she becomes an actual villain. The Seifer to a Squall, the Seymour to a Tidus, hell even a Quistis to a Rinoa, they know how to deal with, but a Tifa Lockhart? As she is actually depicted in Final Fantasy VII? They have no playbook for that, and thus they desperately try to squeeze her into one of these other roles.

Let’s try another thought experiment, and see what would to other FF romances if we inserted a Tifa Lockhart-esque character in the middle of them.

FFXV is a perfect example because it features the sort of tragic love beyond death romance that certain shippers want Cloud and Aerith to be. Now, did I think FFXV was a good game? No. Did I think Noctis/Luna was a particularly well-developed romance? Also no. Did I have any question in my mind whatsoever that they were the canon relationship? Absolutely not.

Is this because they kiss at the end? Well sure, that helps, but also it’s because the game doesn’t spend the chapters after Luna’s death developing Noctis’ relationship with another woman. If Noctis/Luna had the same sort of development as Cloud/Aerith, then after Luna dies, Iris would suddenly pop in and play a much more prominent role. The game would flashback to her past and her relationship with Noctis. And it would be through his relationship with Iris that Noctis understands his duty to become king or a crystal or whatever the fuck that game was about. Iris is by Noctis’ side through the final battle, and when he ascends the throne in that dreamworld or whatever. There, Luna finally shows up again. Iris is still in the frame when Noctis tells her something like ‘Oh sorry, girl, I’ve been in love with Luna all along,” before he kisses Luna and the game ends.

(a very real scene from a very good game)

Come on. It would be utterly ludicrous and an utter disservice to every character involved, yet that is essentially the argument Cloud/Aerith shippers are making. SE may have made some pretty questionable storytelling decisions in the past, but they aren’t that bad at this.

Or in FFVIII, it would be like reordering the sequence of events so that Squall remembers that he grew up in an orphanage with all the other kids after Rinoa falls into a coma. And while Rinoa is out of commission, instead of Quistis gracefully bowing out after realizing she had mistaken her feelings of sisterly affection for love, it becomes Quistis’ childhood relationship with Squall that allows him to remember his past and re-contextualizes the game we’ve played thus far, so that the player realizes that it was actually Quistis who was his motivation all along. Then after this brief emotional detour, his romance with Rinoa would continue as usual. Absolutely absurd.

The Final Fantasy games certainly have their fair share of plot holes, but they’ve never whiffed on a romance this badly.

A somewhat more serious character analysis of the OG

What then is Tifa’s actual role in the story of FFVII? Her character is intricately connected to Cloud’s. In fact, they practically have the same arc, though Tifa’s is rather understated compared to his. She doesn’t adopt a false persona after all. For both of them, the flaw that they must learn to overcome over the course of the game is their fear of confronting the truth of their past. Or to put it more crudely, if they’re not lying, they’re at the very least omitting the truth. Cloud does so to protect himself from his fear of being exposed as a failure. Tifa does so at the expense of herself, because she fears the truth will do more harm than good. They’re two sides of the same coin. Nonetheless, their lying has serious ramifications.

The past they’re both afraid to confront is of course the Nibelheim Incident from five years ago. Thus, the key points in their emotional journeys coincide with the three conflicting Nibelheim flashbacks depicted in the game: Cloud’s false memory in Kalm, Sephiroth’s false vision in the Northern Crater, and the truth in the Lifestream.

Before they enter the Lifestream, both Cloud and Tifa are at the lowest of their lows. Cloud has had a complete mental breakdown and is functionally a vegetable. Tifa has given up everything to take care of Cloud as she feels responsible for his condition. If he doesn’t recover, she may never find peace.

With nothing left to lose, they both try to face the past head on. For Cloud, it’s a bit harder. At the heart of all this confusion, is of course, the Nibelheim Incident. How does Cloud know all these things he shouldn’t if Tifa doesn’t remember seeing him there? The emotional climax for both Cloud and Tifa, and arguably the game as a whole, is the moment the Shinra grunt removes his helmet to reveal that Cloud was there all along.

Tifa is the only character who can play this role for Cloud. It’s not like she a found a videotape in the Lifestream labeled ‘Nibelheim Incident - REAL’ and voila, Cloud is fixed. No, she is the only one who can help him because she is the only person who lived through that moment. No one else could make Cloud believe it. You could have Aerith or anyone else trying to tell him what actually happened, but why would he believe it anymore than the story Sephiroth told him at the Northern Crater?

With Tifa, it’s different. Not only was she physically there, but she’s putting as much at risk in what the truth may reveal. She’s not just a plot device to facilitate Cloud’s character development. The Lifestream sequence is as much the culmination of her own character arc. If it goes the wrong way, “Cloud” may find out that he’s just a fake after all, and Tifa may learn that boy she thought she’d been on this journey with had died years ago. That there’s no one left from her past, that it was all in her head, that she’s all alone. Avoiding this truth is a comfort, but in this moment, they’re both putting themselves on the line. Being completely vulnerable in front of the person they’re most terrified of being vulnerable with.

The developers have structured Cloud and Tifa’s character arcs so that the crux is a moment where the other is literally the only person who could provide the answer they need. Without each other, as far as the story is concerned, Cloud and Tifa would remain incomplete.

Aerith’s character arc is a different beast entirely. She is the closest we have to the traditional Campbellian Hero. She is the Chosen One, the literal last of her kind, who has been resisting the call to adventure until she can no longer. The touchstones of her character arc are the moments she learns more about her Cetra past and comes to terms with her role in protecting the planet - namely Cosmo Canyon, the Temple of the Ancients and the Forgotten City.

How do hers and Cloud’s arcs intersect? When it comes to the Nibelheim incident, she is a merely a spectator (at least during the Kalm flashback, as for the other two, she is uh…deceased). Cloud attacking her at the Temple of the Ancients, which results in her running to the Forgotten City alone and getting killed by Sephiroth, certainly exacerbates his mental deterioration, but it is by no means a turning point in his arc the way the Northern Crater is.

As for Cloud’s role in Aerith’s arc, their meeting is quite important in that it sets forth the series of events that leads her to getting captured by Shinra and thus meeting “Sephiroth” and wanting to learn more about the Cetra. It’s the inciting incident if we’re going to be really pedantic about it, yet Aerith’s actual character development is not dependent on her relationship with Cloud. It is about her communion with her Cetra Ancestry and the planet.

To put it in other terms, all else being the same, Aerith could still have a satisfying character arc had Cloud not crashed down into her Church. Sure, the game would look pretty different, but there are other ways for her to transform from a flirty, at times frivolous girl to an almost Christ-like figure who accepts the burden of protecting the planet.

Such is not the case for Cloud and Tifa. Their character arcs are built around their shared past and their relationship with one another. Without Tifa, you would have to rewrite Cloud’s character entirely. What was his motivation for joining SOLDIER? How did he get on that AVALANCHE mission in the first place? Who can possibly know him well enough to put his mind back together after it falls apart? If the answer to all these questions is the same person, then congratulations, you’ve just reverse engineered Tifa Lockhart.

Tifa fares a little better. Without Cloud, she would be a sad, sweet character who never gets the opportunity to reconcile with the trauma of her past. Superficially, a lot would be the same, but she would ultimately be quite static and all the less interesting for it.

Let’s also take a brief gander at Tifa’s role after the Lifestream sequence. At this point in the game, both Tifa and Cloud’s emotional arcs are essentially complete. They are now the most idealized versions of themselves, characters the players are meant to admire and aspire to. However they are depicted going forward, it would not be the creator’s intent for their actions to be perceived in a negative light.

A few key moments standout, ones that would not be included if the game was intended to end with any other romantic pairing or with Cloud’s romantic interest left ambiguous:

The Highwind scene, which I’ve gone over above. It doesn’t matter if you get the Low Affection or High Affection version. It would not reflect well on either Cloud or Tifa if he chose to spend what could be his last night alive with a woman whose feelings he did not reciprocate.

Before the final battle with Sephiroth, the party members scream out the reasons they’re fighting. Barret specifically calls out AVALANCHE, Marlene and Dyne, Red XIII specifically calls out his Grandpa, and Tifa specifically calls out Cloud. You are not going to make one of Tifa’s last moments in the game be her pining after a guy who has no interest in her. Not when you could easily have her mention something like her past, her hometown or hell even AVALANCHE and Marlene like Barret. If Tifa’s feelings for Cloud are meant to be unrequited, then it would be a character flaw that would be dealt with long before the final battle (see: Quistis in FF8 or Eowyn in the Lord of the Rings). They would not still be on display at moment like this.

Tifa being the only one there when Cloud jumps into the Lifestream to fight Sephiroth for the last time, and Tifa being the only one there when he emerges. She is very much playing the traditional partner/spouse role here, when you could easily have the entire party present or no one there at all. There is clearly something special about her relationship with Cloud that sets her apart from the other party members.

Once again, let’s look at the “I think I can meet her there moment.” And let’s put side the translation (the Japanese is certainly more ambiguous, and it’s not like the game had any trouble having Cloud call Aerith by her name before this). If Cloud was really expressing his desire to reunite with Aerith, and thus his rejection of Tifa, then the penultimate scene of this game is one that involves the complete utter and humiliation of one of its main characters since Tifa’s reply would indicate she’s inviting herself to a romantic reunion she has no part in. Not only that, but to anyone who is not Cl*rith shipper, the protagonist of the game is going to come off as a callous asshole. That cannot possibly be the creator’s intention. They are competent enough to depict an act of love without drawing attention to the party hurt by that love.

What then could possibly be the meaning? Could it possibly be Cloud trying to comfort Tifa by trying to find a silver lining in what appears to be their impending death? That this means they may get to see their departed loved ones again, including their mutual friend, Aerith? (I will note that Tifa talks about Aerith as much, if not even more than Cloud, after her death). Seems pretty reasonable to me, this being an interpretation of the scene that aligns with the overall themes of the game, and casts every character in positive light during this bittersweet moment.

Luckily enough, we have an entire fucking Compilation to find out which is right.

But before we get there, I’m sure some of you (lol @ me thinking anyone is still reading this) are asking, if Cloti is canon, then why is there a love triangle at all? Why even hint at the possibility of a romance between Cloud and Aerith? Wouldn’t that also be a waste of time and resources if they weren’t meant to be canon?

Well, there are two very important reasons that have nothing to do with romance and everything to do with two of the game’s biggest twists:

Aerith initially being attracted to Cloud’s similarities to Zack/commenting on the uncanniness of said similarities is an organic way to introduce the man Cloud’s pretending to be. Without it, the reveal in the Lifestream would fall a bit flat. The man he’s been emulating all along would just be some sort of generic hero rather than a person whose history and deeds already encountered during the course of the game. Notably for this to work, the game only has to establish Aerith’s attraction to Cloud.

To build the player’s attachment to Aerith before her death/obscure the fact that she’s going to die. With the technological limitations of the day, the only way to get the player to interact with Aerith is through the player character (AKA Cloud), and adding an element of choice (AKA the Gold Saucer Date mechanic) makes the player even more invested. This then elevates Aerith’s relationship with Cloud over hers with any other character. At the same time, because her time in the game is limited, Cloud ends up interacting with Aerith more than any of the other characters, at least in Disc 1. The choice to make many of these interactions flirty/romantic also toys with player expectations. One does not expect the hero’s love interest to die halfway through the game. The game itself also spends a bit of time teasing the romance, albeit, largely in superficial ways like other characters commenting on their relationship or Cait Sith reading their love fortune at the Temple of the Ancients. Yet, despite the quantity of their personal interactions, Cloud and Aerith never display any moments of deep love or devotion that one associates with a Final Fantasy romance. They never have the time. What the game establishes then is the potential of a romance rather than the romance itself. Aerith’s death hurts because of all that lost potential. There so many things she wanted to do, so many places she wanted to see that will never happen because her life is cut short. Part of what is lost, of course, is the potential of her romance with Cloud.

This creative choice is a lot more controversial since it elevates subverting audience expectations over character, and understandably leads to some player confusion. What’s the point of all this set up if there’s not going to be a pay off? Well, that is kind of the point. Death is frustrating because of all the unknowns and what-ifs. But, I suppose some people just can’t accept that fact in a game like this.

One last note on the OG before we move on: Even though this from an Ultimania, since we’re talking about story development and creator intent, I thought it was relevant to include: the fact that Aerith was the sole heroine in early drafts of the game is not the LTD trump card so people think it is. Stories undergo radical changes through the development process. More often than not, there are too many characters, and characters are often combined or removed if their presence feels redundant or confusing.

In this case, the opposite happened. Tifa was added later in the development process as a second heroine. Let’s say that Aerith was the Last Ancient and the protagonist’s sole love interest in this early draft of Final Fantasy VII. In the game that was actually released, that role was split between two characters (and last I checked, Tifa is not the last of a dying race), and Aerith dies halfway through the game, so what does that suggest about how Aerith’s role may have changed in the final product? Again, if Aerith was intended to be Cloud’s love interest, Tifa simply would not exist.

A begrudging analysis of our favorite straight-to-DVD sequel

Let’s move onto the Compilation. And in doing so, completely forget about the word vomit that’s been written above. While it’s quite clear to me now that there’s no way in hell the developers would have intended the last scene in the game to be both a confirmation of Cloud’s love for Aerith and his rejection of Tifa, in my younger and more vulnerable years, I wasn’t so sure. In fact, this was the prevailing interpretation back in the pre-Compilation Dark Ages. Probably because of a dubious English translation of the game and a couple of ambiguous cameos in Final Fantasy Tactics and Kingdom Hearts were all we  had to go on.

How then did the official sequel to Final Fantasy VII change those priors?

Two years after the events of the game, Cloud is living as a family with Tifa and two kids rather than scouring the planet for a way to be reunited with Aerith. Shouldn’t the debate be well and over with that? Obviously not, and it’s not just because people were being obstinate. Part of the confusion stems from Advent Children itself, but I would argue that did not come from an intent to play coy/keep Cloud’s romantic desires ambiguous, but rather a failure of execution of his character arc.

Now I wasn’t the biggest fan of the film when I first watched a bootlegged copy I downloaded off LimeWire in 2005, and I like it even less now, but I better understand its failures, given its unique position as a sequel to a beloved game and the cornerstone of launching the Compilation.

The original game didn’t have such constraints on its storytelling. Outside of including a few elements that make it recognizable as a Final Fantasy (Moogles, Chocobos, Summons, etc.) and being a good enough game to be a financial success, the developers pretty much had free rein in terms of what story they wanted to tell, what characters they would use to tell it, and how long it took for them to tell said story.

With Advent Children, telling a good story was not the sole or even primary goal. Instead, it had to:

Do some fanservice: The core audience is going to be the OG fanbase, who would be expecting to see modern, high-def depictions of all the memorable and beloved characters from the game, no matter if the natural end point of their stories is long over.

Set up the rest of the Compilation - Advent Children is the draw with the big stars, but also a way to showcase the lesser known characters from from the Compilation who are going to be leading their own spinoffs.  It’s part feature film/part advertisement for the rest of the Compilation. Thus, the Turks, Vincent and Zack get larger roles in the film than one might expect to attract interest to the spinoffs they lead.

Show off its technical prowess: SE probably has enough self awareness to realize that what’s going to set it apart from other animated feature films is not its novel storytelling, but its graphical capabilities. Thus, to really show off those graphics, the film is going to be packed to the brim with big, complicated action scenes with lots of moving parts, as opposed to quieter character driven moments.

These considerations are not unique to Advent Children, but important to note nonetheless:

As a sequel, the stakes have to be just as high if not higher than those in the original work. Since the threat in the OG was the literal end of the world, in Advent Children, the world’s gotta end again

The OG was around 30-40 hours long. An average feature-length film is roughly two hours. Video games and films are two very different mediums. As many TV writers who have tried to make the transition to film (and vice-versa) can tell you, success in one medium does not translate to success in another. 

With so much to do in so little time, is it any wonder then that it is again Sephiroth who is the villain trying to destroy the world and Aerith in the Lifestream the deus ex machina who saves the day?

All of this is just a long-winded way to say, certain choices in the Advent Children that may seem to exist only to perpetuate the LTD were made with many other storytelling considerations in mind.

When trying to understand the intended character arcs and relationship dynamics, you cannot treat the film as a collection of scenes devoid of context. You can’t just say - “well here’s a scene where Cloud seems to miss Aerith, and here’s another scene where Cloud and Tifa fight. Obviously, Cloud loves Aerith.” You have to look at what purpose these scenes serve in the grander narrative.

And what is this grander narrative? To put it in simplistic terms, Aerith is the obstacle, and Tifa is goal. Cloud must get over his guilt over Aerith’s death so that he can return to living with Tifa and the children in peace.

The scenes following the prologue are setting up the emotional stakes of film - the problem that will be resolved by the film’s end. The problem being depicted here is not Aerith’s absence from Cloud’s life, but Cloud’s absence from his family. We see Tifa walking through Seventh Heaven saying “he’s not here anymore,” we see Denzel in his sickbed asking for Cloud, we see a framed photo of the four of them on Cloud’s desk. We see Cloud letting Tifa’s call go to voicemail.

What we do not see is Aerith, who does not appear until almost halfway through the film.

Cloud spends the first of the film avoiding confrontation with the Remnants/dealing with the return of Sephiroth. It’s only when Tifa is injured, and Denzel and Marlene get kidnapped that he goes to face his problems head on.

Before the final battle, when Cloud has exorcised his emotional demons and is about to face his physical demons, what do we see? We see Cloud telling Marlene that it’s his turn to take care of her, Denzel and Tifa the way they’ve taken care of him. We see Cloud telling Tifa that he ‘feels lighter’ and tacitly confirming that she was correct when she called him out earlier in the film. We see Cloud confirming to Denzel that he’s going home after this is all over.

What we do not see is Cloud telepathically communicating with Aerith to say, “Hey boo, can’t wait to beat Sephiroth so I can finally reunite with you in the Promised Land. Xoxoxo.” Aerith doesn’t factor in at all. Returning to his family is his goal, and his fight with Bahamut/the Remnants/Sephiroth/whatever the fuck is the final obstacle he has to face before reaching this goal.

This is reiterated again when Cloud is shot by Yazoo and seemingly perishes in an explosion. What is at stake with his “death”? We see Tifa calling his name while looking out the airship. We see Denzel and Marlene waiting for him at Seventh Heaven. We do not see Aerith watching over him in the Lifestream.

Now, Aerith does play an important role in Cloud’s arc when she shows up at about the midpoint of the film. You could fairly argue that it’s the turning point in Cloud’s emotional journey, the moment when he finally decides to confront his problems. But even if it’s only Cloud and Aerith in the scene, it’s not really about their relationship at all.

Let’s consider the context before this scene happens. Denzel and Marlene have been kidnapped by the Remnants; Tifa was nearly killed in a fight with another. This is Cloud at his lowest point. It’s his worst fears come to pass. His guilt over Aerith’s death is directly addressed at this moment in the film because it is not so much about his feelings for Aerith as it is about how Cloud fears the failures of his past (one of the biggest being her death) would continue into the present. If it was just about Aerith, we could have seen Cloud asking for her forgiveness at any other time in the film. It occurs when it does because this when his guilt over Aerith’s death intersects with his actual conflict, his fear that he’ll fail the the ones he loves. She appears when he’s at the Forgotten City where he goes to save the children. The same location where he had failed two year before.

This connection is made explicit when Cloud has flashes of Zack and Aerith’s deaths before he saves Denzel and Tifa from Bahamut. Again, Cloud’s dwelling on the past is directly related to his fears of being unable to protect his present.

Aerith is a feminine figure who is associated with flowers. That combined with the players’ memory of her and her relationship with Cloud in the OG, I can see how their scenes can be construed as romantic, but I really do not think that it is the creators’ intent to portray any romantic longing on Cloud’s part.

If they wanted to suggest that Cloud was still in love with Aerith or even leave his romantic interest ambiguous, there is no way in hell they would have had Cloud living with Tifa and two kids prior to the film’s events. To say nothing of opening the film by showing the pain his absence brings.

A romantic reading of Cloud’s guilt over Aerith’s death would suggest that he entered into a relationship with Tifa and started raising two children with her while still holding a torch for Aerith and hoping for a way to be reunited with her. The implication would be that Tifa is his second choice, and he is settling. Now, is this a dynamic that occurs in real life? Absolutely. Is this something that is often depicted in some films and television? Sure - in fact this very premise is at the core of one my favorite films of the last decade - 45 Years — and spoiler alert — the guy does not come off well in this situation. But once again, Cloud is not a real person, and Final Fantasy VII: Advent Children is not a John Cassavettes film or an Ingmar Bergman chamber drama. It is a 2-hour long straight to DVD sequel for a video game made for teens. This kind of messy, if realistic, relationship dynamic is not what this particular work is trying to explore.

(one of these is a good film!)

By the end of Advent Children, Cloud is once again the idealized version of himself. A hero that the audience is supposed to like and admire. We are supposed to think that his actions in the first half of the movie (wallowing in his guilt and abandoning his family) were bad. These are the flaws that he must overcome through the course of the film, and by the end he does. If he really had been settling and treating his Seventh Heaven family as a second choice prior to the events of the film, that too would obviously be a character flaw that needs to be addressed before the end of the film. It isn’t because this is a dynamic that only exists in certain people’s imaginations.

If the creators wanted to leave the Cloud & Aerith relationship open to a romantic interpretation, they didn’t have to write themselves into such a corner. They wouldn’t have to change the final film much at all, merely adjust the chronology a bit. Instead of Cloud already living as a family with Tifa, Marlene and Denzel prior to the beginning of the film, you would show them on the precipice of becoming a family, but with Cloud being unable to take the final step without getting over his feelings for Aerith first. This would leave space for him to love both women without coming off as an opportunistic jerk.

This is essentially the dynamic with Locke/Rachel/Celes in FFVI. Locke is unable to move on with Celes or anyone else until he finally finds closure with Rachel. It’s a lovely scene that does not diminish his relationships with either woman. He loved Rachel. He will love Celes. What the game does not have him do is enter into a relationship into Celes first and then when the party arrives at the Phoenix Cave, have him suddenly remember ‘Oh shit, I’ve gotta deal with my baggage with Rachel before I can really move on.’ That would not paint him in a particularly positive light.

Speaking of other Final Fantasies, let’s take a look another sequel in the series set two years after the events of the original work, one that is clearly the story of its protagonist searching for their lost love. And guess what? Final Fantasy X-2 does not begin with Yuna shacked up and raising two kids with another dude. And it certainly doesn’t begin with his perspective of the whole situation when Yuna decides to search for Tidus.

Square Enix knows how to write these kind of stories when they want to, and it’s clearly not their intent for Cloud and Aerith. Again, the biggest obstacle in the way of a Cloud/Aerith endgame isn’t space and time or death, it’s the existence of Tifa Lockhart.

A reasonable question to ask would be, if SE is not trying to ignite debate over the love triangle, why make Cloud’s relationship with Aerith a part of Advent Children at all? Why invite that sort of confusion? Well, the answer here, like the answer in the OG, is that Aerith’s role in the sequel is much more than her relationship with Cloud.

In the OG, it wasn’t Cloud and the gang who managed to stop Sephiroth and Meteor in the end, it was Aerith from the Lifestream. In a two-hour long film, you do not have the time to set up a completely new villain who can believably end the world, and since you pretty much have to include Sephiroth, the main antagonist can really only be him. No one else in the party has been established to have any magical Cetra powers, and again, since that’s not something that can be effectively established in a two-hour long film, and since Aerith needs to appear somehow, it again needs to be her who will save the day.

Given the time constraints, this external conflict has to be connected with Cloud’s internal conflict. In the OG, Cloud’s emotional arc is in resolved in the Lifestream, and then we spend a few more hours hunting down the Huge Materia/remembering what Holy is before resolving the external conflict of stopping Meteor. In Advent Children, we do not have that luxury of time. These turning points have to be one and same. It is only after Aerith is “introduced” in the film when Cloud asks her for forgiveness that she is able to help in the fight against the Remnants. Thus the turning point for Cloud’s character arc and the external conflict are the same. It’s understandably economical storytelling, though I wouldn’t call it particularly good storytelling.

As much as Cloud feels guilt over both Zack and Aerith’s deaths, it’s only Aerith who can play this dual role in the film. Zack can appear to help resolve Cloud’s emotional arc, but since he has no special Cetra powers or anything, there’s little he can do to help in Cloud’s fight against the Remnants. More time would need to be spent contriving a reason why Cloud is able to defeat the Remnants now when he wasn’t before or explaining why Aerith can suddenly help from the Lifestream when she had been absent before. (I still don’t think the film does a particularly good job of explaining this part, but that is a conversation for another time).

Another reason why Zack could not play this role is because at the time of AC’s original release, all we knew of Cloud and Zack’s relationship was contained in an optional flashback at the Shinra mansion after Cloud returns from the Lifestream. If it was Zack who suddenly showed up at Cloud’s lowest point, most viewers, even many who played the original game, would probably have been confused, and the moment would have fallen flat. On the other hand, even the most casual fan would have been aware of Aerith and her connection to Cloud, with her death scene being among the most well-known gaming moments of all time. Moreover, Aerith’s death is directly connected to Sephiroth, who is once again the threat in AC, whereas Zack was killed by Shinra goons. Aerith serves multiple purposes in a way that Zack just cannot.

Despite all this, though Aerith is more important to the film as a whole, many efforts are made to suggest that Zack and Aerith are equally important to Cloud. One of the first scenes in the film is Cloud moping around Zack’s grave (And unlike the scene with Aerith in the Forgotten City, it isn’t directly connected with Cloud’s present storyline in any way). We have the aforementioned scene where Cloud has flashes of both Aerith’s and Zack’s deaths when he saves Tifa and Denzel. Cloud has a scene where he’s standing back to back with Zack, mirroring his scene with in the Forgotten City with Aerith, before the climax of his fight with Sephiroth. In the Lifestream, after Cloud “dies,” it’s both Aerith and Zack who are there to send him back. Before the film ends, Cloud sees both Aerith and Zack leaving the church.

Now, were all these Zack appearances a way to promote the upcoming spin-off game that he’s going to lead? Of course. But the creators surely would have known that having Zack play such a similar role in Cloud’s arc would make Cloud’s relationship with Aerith feel less special and thus complicating a romantic interpretation of said relationship. If they wanted to encourage a romantic reading of Cloud’s lingering feelings for Aerith, they would have given Zack his own distinct role in the film. Or rather, they wouldn’t have put Zack in the film at all, and they certainly wouldn’t have him lead his own game, but we’ll get to the Zack of it all later.

The funny thing is, in a way, Zack is portrayed as being more special to Cloud. Zack only exists in the film to interact with Cloud and encourage him. Meanwhile. Aerith also has brief interactions with Kadaj, the Geostigma children and even Tifa before the film’s end. Aerith is there to save the whole world. Zack is there just for Cloud. If it’s Cloud’s relationship with Aerith that’s meant to be romantic, shouldn’t it be the other way around?

Let’s take a look at Tifa Lockhart. What role did she have to play in the FF7 sequel film? If, like some, you believed FF7 to be the Cloud/Aerith/Sephiroth show, then Tifa could have easily had a Barret-sized cameo in Advent Children. And honestly, she’s just a great martial artist. She has no special powers that would make her indispensable in a fight against Sephiroth. You certainly would not expect her to be the 2nd billed character in the film. Though of course, if you actually played through the Original Game with your eyes open, you would realize that Tifa Lockhart is instrumental to any story about Cloud Strife.

Unlike Aerith’s appearances, almost none of the suggestive scenes and dynamics between Cloud and Tifa had to be included in the film. As in, they serve no other plot related purpose and could have easily been cut from the final film if the creators weren’t trying to encourage a romantic interpretation of their relationship.

It feels inevitable now, but no one was expecting Cloud and Tifa to be living together and raising two kids. In the general consciousness, FF7 is Cloud and Sephiroth and their big swords and Aerith’s death. At the time, in the eyes of most fans and casual observers, Cloud and Tifa being together wasn’t a necessary part of the FF7 equation the way say, an epic fight between Cloud and Sephiroth would be. In fact, I don’t think even the biggest Cloti fans at the time would have imagined Cloud and Tifa living together would be their canon outcome in the sequel film.

Now can two platonic friends live together and raise two children together? Absolutely, but again Cloud and Tifa are not real people. They are fictional characters. A reasonable person (let’s use the legal definition of the term) who does not have brainworms from arguing over one of the dumbest debates on the Internet for 23 years would probably assume that two characters who were shown to be attracted to each other in the OG and who are now living together and raising two kids are in a romantic relationship. This is a reasonable assumption to make, and if SE wanted to leave Cloud’s romantic inclinations ambiguous, they simply would not be depicting Cloud and Tifa’s relationship in this manner. Cloud’s disrupted peace could have been a number of different things. He could have been a wandering mercenary, he could have been searching for a way to be reunited with Aerith. It didn’t have to be the family he formed with Tifa, but, then again, if you were actually paying attention to the story the OG was trying to tell, of course he would be living with Tifa.

Let’s also look at the scene where Cloud finds Tifa in the church after her fight with Loz. All the plot related information (who attacked her, Marlene being taken) is conveyed in the brief conversation they have before Cloud falls unconscious from Geostigma. What purpose do all the lingering shots of Cloud and Tifa in the flower bed in a Yin-Yang/non-sexual 69ing position serve if not to be suggestive of the type of relationship they have? It’s beautifully rendered but ultimately irrelevant to both the external and internal conflicts of the film.

Likewise, there is no reason why Cloud and Tifa needed to wake up in their children’s bedroom. No reason to show Cloud waking up with Tifa next to him in a way that almost makes you think they were in the same bed. And there is absolutely no reason whatsoever for a close-up of Tifa’s hand with the Wolf Ring on her ring finger while she is admonishing Cloud during what sounds like a domestic argument (This ring again comes into focus when Tifa leads Denzel to Cloud at the church at the end - there are dozens of ways this scene could have been rendered, but this is the one that was chosen.) If it wasn’t SE’s intent to emphasize the family dynamic and the intimate nature of Cloud and Tifa’s relationship, these scenes would not exist.

Let’s also take a look at Denzel, the only new character in the AC (give or take the Remnants). Again, given the film’s brief runtime, the fact that they’re not only adding a new character but giving him more screen time than almost every other AVALANCHE member must mean that he’s pretty important. While Denzel does have an arc of his own, especially in ACC, he is intricately connected to Cloud and Tifa and solidifies the family unit that they’ve been forming in Edge. Marlene still has Barret, but with the addition of Denzel, the family becomes something more real albeit even more tenuous given his Geostigma diagnosis. Without Denzel in the picture, it’s a bit easier to interpret Cloud’s distance from Tifa as romantic pining for another woman, but now it just seems absurd. The stakes are so much higher. Cloud and Tifa are at a completely different stage in their lives from the versions of these characters we met early on in the OG who were entangled in a frivolous love triangle. And yet some people are still stuck trying to fit these characters into a childish dynamic that died at the end of disc one along with a certain someone.

All this is there in the film, at least the director’s cut, if you really squint. But since SE preferred to spend its time on countless action sequences that have aged as well as whole milk in lieu of spending a few minutes showing Cloud’s family life before he got Geostigma to establish the emotional stakes, or a beat or two more on his reconciliation with Tifa and the kids, people may be understandably confused about Cloud’s arc. Has Cloud just been a moping around in misery for the two years post-OG? The answer is no, though that can only really be found in the accompanying novellas, specifically Case of Tifa.

Concerning the novellas, which we apparently must read to understand said DVD sequel

I really don’t know how you can read through CoT and still think there is anything ambiguous about the nature of Cloud and Tifa’s relationship. The “Because I have you this time,” Cloud telling Tifa he’ll remind her how to be strong when they’re alone, Cloud confidently agreeing when Marlene adds him to their family. Not to mention Barret and Cid’s brief conversation about Cloud and Tifa’s relationship in Case of Barret, after which Cid comments that “women wear the pants,” which Barret then follows by asking Cid about Shera. Again, a reasonable person would assume the couple in question are in a romantic relationship, and if this wasn’t the intent, these lines would not be present. Especially not in a novella about someone else.

Some try to argue that CoT just shows how incompatible Cloud and Tifa are because it features a few low points in their relationship. I don’t think that’s Nojima’s intent. Even if it was, it certainly wouldn’t be to prove that Cloud loves Aerith. This isn’t how you tell that story. Why waste all that time disproving a negative rather than proving a positive? We didn’t spend hours in FF8 watching Rinoa’s relationship with Seifer fall apart to understand how much better off she is with Squall. If Cloud and Aerith is meant to be a love story, then tell their love story. Why tell the story of how Cloud is incompatible with someone else?

Part of the confusion may be because CoT doesn’t tell a complete story in and of itself. The first half of the story (before Cloud has to deliver flowers to the Forgotten City) acts as a sort of epilogue to the OG, while the second half of the story is something of a prologue to Advent Children (or honestly its missing Act One). And to state the obvious, conflict is inherent to any story worth telling. It can’t just be all fluff, that’s what the fanfiction is for.

Tifa’s conflict is her fear that the fragile little family they’ve built in Edge is going to fall apart. Thus we see her fret about Cloud’s distance, the way this affects Marlene, and Denzel’s sickness. There are certainly some low moments here --- Tifa telling Cloud to drink in his room, asking if he loves her -- all ways for the threat to seem more real, the outcome more uncertain, yet there’s only one way this conflict can be resolved. One direction to which their relationship can move.

Again, by the end of this story, both characters are supposed to be the best versions of themselves, to find their “happy” endings so to speak. Tifa could certainly find happiness outside of a relationship with Cloud. She could decide that they’ve given it a shot, but they’re better off as friends. She’s grateful for this experience and she’s learned from this, but now she’s ready to make a life for herself on her own. It would be a fine character arc, though not something the Final Fantasy series has been wont to do. However, that’s obviously not the case here as there’s no indication whatsoever that Tifa considers this as an option for herself. Nojima hasn’t written this off ramp into her journey. For Tifa, they’ll either become a real family or they won’t. Since this is a story that is going to have a happy ending, so of course they will, even if there are a lot of bumps along the way.

Unfortunately, with the Compilation being the unwieldy beast that this is, this whole arc has to be pieced together across a number of different works:

Tifa asking herself if they’re a real family in CoT

Her greatest fear seemingly come to life when Cloud leaves at the end of CoT/beginning of AC

Tifa explicitly asking Cloud if the reason they can’t help each other is because they’re not a real family during their argument in AC. Notably, even though Cloud is at his lowest point, he doesn’t confirm her fear. Instead he says he that he can’t help anyone, not even his family. Instead, he indirectly confirms that yes he does think they’re a family, even if is a frustrating moment still in that he’s too scared to try to save it.

The ending of AC where we see a new photo of Cloud smiling surrounded by Tifa and the kids and the rest of the AVALANCHE, next to the earlier photo we had seen of the four of them where he was wearing a more dour expression.

The ending of The Kids Are All Right, where Cloud, Tifa, Denzel and Marlene meet with Evan, Kyrie and Vits - and Cloud offers, unsolicited, that even if they’re not related by blood, they’re a family.

The ending of DVD extra ‘Reminiscence of FFVII’ where Cloud takes the day off and asks Tifa to close the bar so they can spend time together as a family as Tifa had wanted to do early in CoT

Cloud fears he’ll fail his family. Tifa fears it’ll fall apart. Cloud retreats into himself, pushing others away. Tifa neglects herself, not being able to say what she needs to say. In Advent Children, Tifa finally voices her frustrations. It’s then that Cloud finally confronts his fears. Like in the OG, Cloud and Tifa’s conflicts and character arcs are two sides of the same coin, and it’s only by communicating with each other are they able to resolve it. Though with the Compilation being an inferior work, it’s much less satisfying this time around. Such is the problem when you’re writing towards a preordained outcome (Cloud and Sephiroth duking it once again) rather than letting the story develop organically.

Some may ask, why mention Aerith so much (Cloud growing distant after delivering flowers to the Forgotten City, Cloud finding Denzel at Aerith’s church) if they weren’t trying to perpetuate the LTD? Well, as explained above, Aerith had to be in Advent Children, and since CoT is the only place where we get any insight into Cloud’s psyche, it’s here where Nojima expands on that guilt.

Again, this is a story that requires conflict, and what better conflict than the specter of a love rival? Notably, despite us having access to Tifa’s thoughts and fears, she never explicitly associates Cloud’s behavior with him pining after Aerith. Though it’s fair to say this fear is implied, if unwarranted.

If Cloud had actually been pining after Aerith this whole time, we would not be seeing it all unfold through Tifa’s perspective. You can depict a romance without drawing attention to the injured third party. We’re seeing all of this from Tifa’s POV, because it’s about Tifa’s insecurities, not the great tragic romance between Cloud and Aerith. Honestly, another reason we see this from Tifa’s perspective is because it’s dramatically more interesting. Because she’s insecure, she (and we the reader) wonder if there’s something else going on. Meanwhile, from Cloud’s perspective it would be straightforward and redundant, given what we see in AC. He’s guilty over Aerith’s death and thinks he doesn’t deserve to be happy.

Not to mention, the first time we encounter Aerith in CoT, Tifa is the one breaking down at her grave while Cloud is the one comforting her. Are we supposed to believe that he just forgot he was in love with Aerith until he had to deliver flowers to the Forgotten City?

And Aerith doesn’t just serve as a romantic obstacle. She’s also a symbol of guilt and redemption for both Cloud and Tifa. Neither think they have the right to be happy after all that’s happened (Aerith’s death being a big part of this), and through Denzel, who Cloud finds at Aerith’s church, they both see a chance to atone.

I do want to address Case of Lifestream: White because it’s only time in the entire Compilation where I’ve asked myself — what are they trying to achieve here? Now, I’d rather drink bleach than start debating the translation of ‘koibito’ again, but I did think it was a strange choice to specify the romantic nature of Aerith’s love for Cloud. I suppose it could be a reference her obvious attraction to Cloud in the OG, though calling it love feels like a stretch.

But nothing else in CoLW really gives me pause. It might be a bit jarring to see how much of it is Aerith’s thoughts of Cloud, but it makes sense when you consider the context in which it’s meant to be consumed. Unlike Case of Tifa or Case of Denzel, CoLW isn’t meant to be read on its own. It’s a few scant paragraphs in direct conversation with Case of Lifestream: Black. In CoLB, Sephiroth talks about his plan to return and end the world or whatever, and how Cloud is instrumental to his plan. Each segment of CoLW mirrors the corresponding segment of CoLB. Thus, CoLW has to be about Aerith’s plan to stop Sephiroth and the role Cloud must play in that. In both of these stories, Cloud is the only named character. It doesn’t mean that thoughts of Cloud consume all of Aerith’s afterlife. Case of Lifestream is only a tiny sliver of the story, a halfassed way to explain why in Advent Children the world is ending again and why Cloud has to be at the center of it all.

Notably, there is absolutely nothing in CoLW about Cloud’s feelings for Aerith. Even if it’s just speculation on her part as we see Sephiroth speculate about Cloud’s reactions in CoLB. Aerith can see what’s going on in the real world, but she says nothing about Cloud’s actions. If Cloud is really pining after her, trying to find a way to be reunited with her, wouldn’t this be the ideal story to show such devotion?

But it’s not there, because not only does it not happen, but because this story is not about Aerith’s relationship with Cloud. It is about how Aerith needs to see and warn Cloud in order to stop Sephiroth. By the end of Advent Children, that goal is fulfilled. Cloud gets his forgiveness. Aerith gets to see him again and helps him stop Sephiroth. There’s no suggestion that either party wants more. We finally have the closure that the OG lacked, and at no point does it confirm that Cloud reciprocated Aerith’s romantic feelings, even though there were plenty of opportunities to do so.

I don’t really know what else people were expecting. Advent Children isn’t a romantic drama. There’s not going to be a moment where Cloud explicitly tells Tifa, ‘I’ve never loved Aerith. It’s only been you all along.” This is just simply not the kind of story it is.

Though one late scene practically serves this function. When Cloud “dies” and Aerith finds him in the Lifestream, if there were any lingering romantic feelings between the two of them, this would be a beautiful bittersweet reunion. Maybe something about how as much as they want to be together, it’s not his time yet. Instead, it’s almost played off as a joke. Cloud calls her ‘Mother’, and Zack is at Aerith’s side, joking about how Cloud has no place there. This would be the perfect opportunity to address the romantic connection between Cloud and Aerith, but instead, the film elides this completely. Instead, it’s a cute afterlife moment between Aerith and Zack, and functionally allows Cloud to go back to where he belongs, to Tifa and the kids. Whatever Cloud’s feelings for Aerith were before, it’s transformed into something else.

Crisis Core -- or how Aerith finally gets her love story

The other relevant part of the Compilation is Crisis Core, which I will now touch on briefly (or at least brief for me). In the OG, Zack Fair was more plot device than character. We knew he was important to Cloud — enough that Cloud would mistake Zack’s memories for his own -- we knew he was important to Aerith — enough that she is initially drawn to Cloud due to his similarities to Zack — yet the nature of these relationships is more ambiguous. Especially his relationship with Aerith. From the little we learn of their relationship, it could have been completely one-sided on her part, and Zack a total cad. At least that’s the implication she leaves us with in Gongaga. We get the sense that she might not be the most reliable narrator on this point (why bring up an ex so often, unsolicited, if it wasn’t anything serious?) but the OG never confirms this either way.

Crisis Core clears this up completely. Not only is Zack portrayed as the Capital H Hero of his own game, but his relationships with Cloud and Aerith are two of the most important in the game. In fact, they are the basis for his heroic sacrifice at the game’s end: he dies trying to save Cloud’s life; he dies trying to return to Aerith.

Zack’s relationship with Aerith is a major subplot of the game. Not only that, but the details of said relationship completely recontextualizes what we know about the Aerith we see in the OG. Many of Aerith’s most iconic traits (wearing pink, selling flowers) are a direct product of this relationship, and more importantly, so many of the hallmarks of her early relationship with Cloud (him falling through her church, one date as a reward, a conversation in the playground) are a direct echo of her relationship with Zack.

A casual fling this was not. Aerith’s relationship with Zack made a deep impact on the character we see in the OG and clearly colored her interactions with Cloud throughout.

Crisis Core is telling Zack’s story, and Tifa is a fairly minor supporting character, yet it still finds the time to expand upon Cloud and Tifa’s relationship. Through their interactions with Zack, we learn just how much they were on each others’ minds during this time, and how they were both too shy to own up to these feelings. We also get a brief expansion on the moment Cloud finds Tifa injured in the reactor.

Meanwhile, given the point we are in the story’s chronology, Cloud and Aerith are completely oblivious of each other’s existence.

One may try to argue that none of this matters since all of this is in the past. While this argument might hold water if we arguing about real lives in the real world, FF7 is a work of fiction. Its creators decided that these would be events we would see, and that Zack would be the lens through which we’d see them. Crisis Core is not the totality of these characters’ lives prior to the event of the OG. Rather, it consists of moments that enhance and expand upon our understanding of the original work. We learn the full extent of Hojo’s experimentation and the Jenova project; we learn that Sephiroth was actually a fairly normal guy before he was driven insane when he uncovers the circumstances of his birth. We learn that Aerith was a completely different person before she met Zack, and their relationship had a profound impact on her character.

A prequel is not made to contradict the original work, but what it can do is recontexualize the story we already know and add a layer of nuance that may have not been obvious before. Thus, Sephiroth is transformed from a scary villain into a tragic figure who could have been a hero were it not for Hojo’s experiments. Aerith’s behavior too invites reinterpretation. What once seemed flirty and perhaps overtly forward now looks like the tragic attempts of a woman trying to recapture a lost love.

If Cloud and Aerith were meant to be the official couple of the Compilation of FF7, you absolutely would not be spending so much time depicting two relationships that will be moot by the time we get to the original work. You especially would not depict Zack and Aerith’s relationship in a way that makes Aerith’s relationship with Cloud look like a copy of the moments she had with her ex.

Additionally, with Zack’s relationship with Angeal, we can see, that within the universe of FF7, a protagonist being devastated over the death of a beloved comrade isn’t something that’s inherently romantic. Neither is it romantic for said dead comrade to lend a helping hand from the beyond.

SE would also expect some people to play Crisis Core before the OG. If Cloud and Aerith are the intended endgame couple, then SE would be asking the player to root for a guy to pursue the girlfriend of the man who gave his life for him. The same man who died trying to reunite with her. This is to say nothing of Cloud’s treatment of Tifa in this scenario. How could this possibly be the intent  for their most popular protagonist in the most popular entry of their most popular franchise?

What Crisis Core instead offers is something for fans of Aerith who may be disappointed that she was robbed of a great romance by her death. Well, she now gets that epic, tragic romance. Only it’s with Zack, not Cloud.

If SE intended for Cloud and Aerith to be the official couple of FF7, neither Zack nor Tifa would exist. They would not spend so much time developing Zack and Tifa into the multi-dimensional characters they are, only to be treated as nothing more than collateral damage in the wake of Cloud and Aerith’s great love. No, this is a Final Fantasy. SE want their main characters to have something of a happy ending after all of the tribulations they face. Cloud and Tifa find theirs in life. Zack and Aerith, as the ending of AC suggests, find theirs in death.

Cloud and Aerith’s relationship isn’t a threat to the Zack/Aerith and Cloud/Tifa endgame, nor is it a mere obstacle. Rather, it’s a relationship that actually deepens and strengthens the other two. Aerith is explicitly searching for her first love in Cloud, revealing just how deep her feelings for Zack ran. Cloud gets to live out his heroic SOLDIER fantasy with Aerith, a fantasy he created just to impress Tifa.

There are moments between Cloud and Aerith that may seem romantic when taken on its own, but viewed within the context of the whole narrative, ultimately reveal that they aren’t quite right for each other, and in each other, they’re actually searching for someone else.

This quadrangular dynamic reminds me a bit of one of my favorite classic films, The Philadelphia Story. (Spoilers for a film that came out in 1940 ahead) — The single most romantic scene in the film is between Jimmy Stewart’s and Katherine Hepburn’s characters, yet they’re not the ones who end up together. Even as their passions run, as the music swells, and we want them to end up together, we realize that they’re not quite right for each other. We know that it won’t work out.

More relevantly, we know this is true due to the existence of Cary Grant’s and Ruth Hussey’s characters, who are shown to carry a torch for Hepburn and Stewart, respectively. Grant and Hussey are well-developed and sympathetic characters. With the film being the top grossing film of the year, and made during the Code era, it’s about as “clean” of a narrative as you can get. There’s no way Grant and Hussey would be given such prominent roles just to be left heartbroken and in the cold by the film’s end.

Hepburn’s character (Tracy) pretty much sums it herself after some hijinks lead to a last minute proposal from Stewart’s character (Mike):

Mike: Will you marry me, Tracy?                      

Tracy: No, Mike. Thanks, but hmm-mm. Nope.

Mike: l've never asked a girl to marry me. l've avoided it. But you've got me all confused now. Why not?

Tracy: Because l don't think Liz [Hussey’s character] would like it...and l'm not sure you would...and l'm even a little doubtful about myself. But l am beholden to you, Mike. l'm most beholden.

Despite the fact that the film spends more time developing Hepburn and Stewart’s relationship than theirs with their endgame partners, it’s still such a satisfying ending. That’s because, even at the peak of their romance, we can see how Stewart needs someone like Hussey to ground his passionate impulses, and how Hepburn needs Grant, someone who won’t put her on a pedestal like everyone else. Hepburn and Stewart’s is a relationship that might feel right in the moment, but doesn’t quite work in the light of day.

I don’t think Cloud and Aerith share a moment that is nearly as romantic in FF7, but the same principle applies. What may seem romantic in the moment actually reveals how they’re right for someone else.

Even if Aerith lives and Cloud decides to pursue a relationship with her, it’s not going to be all puppies and roses ahead for them. Aerith would need to disentangle her feelings for Zack from her attraction to Cloud, and Cloud would still need to confront his feelings for Tifa, which were his main motivator for nearly half his life, before they can even start to build something real. This is messy work, good fodder for a prestige cable drama or an Oscar-baity indie film, but it has no place in a Final Fantasy. There simply isn’t the time. Not when the question on most players’ minds isn’t ‘Cloud does love?’ but ‘How the hell are they going to stop that madman and his Meteor that’s about to destroy the world?’

With Zerith’s depiction in Crisis Core, there’s a sort of bittersweet poetry in how the two relationships rhyme but can’t actually coexist. It is only because Zack is trying to return to Midgar to see Aerith that Cloud is able to reunite with Tifa, and the OG begins in earnest. In another world, Zack and Aerith would be the hero and heroine who saved the world and lived to tell the tale. They are much more the traditional archetypes - Zack the super-powered warrior who wants to be a Capital-H Hero, and Aerith, the last of her kind who reluctantly accepts her fate. Compared to these two, Cloud and Tifa aren’t nearly so special, nor their goals so lofty and noble. Cloud, after all, was too weak to even get into SOLDIER, and only wanted to be one, not for some greater good, but to impress the girl he liked. Tifa has no special abilities, merely learning martial arts when she grew wise enough to not wait around for a hero. On the surface, Cloud and Tifa are made of frailer stuff, and yet by luck or by fate, they’re the ones who cheat death time and time again, and manage to save the world, whereas the ones who should have the role, are prematurely struck down before they can finish the job. Cloud and Tifa fulfill the roles that they never asked for, that they may not be particularly suited for, in Zack and Aerith’s stead. There’s a burden and a beauty to it. Cloud and Tifa can live because Zack and Aerith did not.

All of this nuance is lost if you think Cloud and Aerith are meant to be the endgame couple. Instead, you have a pair succumbing to their basest desires, regardless of the selfless sacrifices their other potential paramours made for their sake. Zack and Tifa, and their respective relationships with Aerith and Cloud, are flattened into mere romantic obstacles. The heart wants what it wants, some may argue. While that may be true in real life, that is not necessarily the case in a work of fiction, especially not a Final Fantasy. The other canon Final Fantasy couples could certainly have had previous romantic relationships, but unless they have direct relevance to the their character arcs (e.g., Rachel to Locke), the games do not draw attention to them because they would be a distraction from the romance they are trying to tell. They’ve certainly never spent the amount of real estate FF7 spends in depicting Cloud/Tifa and Zack/Aerith’s relationships.

At last…the Remake, and somehow this essay isn’t even close to being over

Finally, we come to the Remake. With the technological advancements made in the last 23 years and the sheer amount of hours they’re devoting to just the Midgar section this time around, you can almost look at the OG as an outline and the Remake as the final draft. With the OG being overly reliant on text to  do its storytelling, and the Remake having subtle facial expressions and a slew of cinematic techniques at its disposal, you might almost consider it an adaptation from a literary medium to a visual one. Our discussions are no longer limited to just what the characters are saying, but what they are doing, and even more importantly, how the game presents those actions. When does the game want us to pay attention? And what does it want us to pay attention to?

Unlike most outlines, which are read by a small handful of execs, SE has 23 years worth of reactions from the general public to gauge what works and what doesn’t work, what caused confusion, and what could be clarified. While FF7 is not a romance, the LTD remains a hot topic among a small but vocal part of the fanbase. It certainly is an area that could do with some clarifying in the Remake.

Since the Remake is not telling a new story, but rather retelling an existing story that has been in the public consciousness for over two decades, certain aspects that were treated as “twists” in the OG no longer have that same element of surprise, and would need to approached differently. For example, in the Midgar section of the OG, Shinra is treated as the main antagonist throughout. It’s only when we get to the top of the Shinra tower that Sephiroth is revealed as the real villain. Anyone with even a passing of knowledge of FF7 would be aware of Sephiroth so trying to play it off like a surprise in the Remake would be terribly anticlimactic. Thus, Sephiroth appears as early as Ch. 2 to haunt Cloud and the player throughout.

Likewise, many players who’ve never even touched the OG are probably aware that Aerith dies, thus her death can no longer be played for shock. While SE would still want the player to grow attached to Aerith so that her death has an emotional impact, there are diminishing returns to misdirecting the player about her fate, at least not in the same way it was done in the OG.

How do these considerations affect the how the LTD is depicted in the Remake? For the two of the biggest twists in the OG to land in the Remake — Aerith’s death and Cloud’s true identity in the Lifestream — the game needs to establish:

Aerith’s attraction to Cloud, specifically due to his similarities to Zack. This never needs to go past an initial attraction for the player to understand that the man whose memory Cloud was “borrowing” is Zack. Aerith’s feelings for Cloud can evolve into something platonic or even maternal by her end without the reveal in the Lifestream losing any impact.

Cloud’s love for Tifa. For the Lifestream sequence to land with an “Ooooh!” rather than a “Huh!?!?”, the Remake will need to establish that Cloud’s feelings for Tifa were strong enough to 1) motivate him to try to join SOLDIER in the first place 2) incentivize him to adopt a false persona because he fears that he isn’t the man she wants him to be 3) call him back to consciousness from Make poisoning twice 4) help him put his mind back together and find his true self. That’s a lot of story riding on one guy’s feelings!

The player’s love for Aerith so that her death will hurt. This can be done by making them invested in Aerith as a character by her own right, but also extends to the relationships she has with the other characters (not only Cloud).

What is not necessary is establishing Cloud’s romantic feelings for Aerith. Now, would their doomed romance make her death hurt even more? Sure, but it could work just as well if Cloud if is losing a dear friend and ally, not a lover. Not to mention, her death also cuts short her relationships with Tifa, Barret, Red XII, etc. Bulking those relationships up prior to her death, would also make her loss more palpable. If anything, establishing Cloud’s romantic feelings for Aerith would actually undermine the game’s other big twist. The game needs you to believe that Cloud’s feelings for Tifa were strong enough to drive his entire hero’s journey. If Cloud is shown falling in love with another woman in the span of weeks if not mere days, then the Lifestream scene would be much harder to swallow.

Cloud wavering between the two women made sense in the OG because the main way for the player to get to know Aerith was through her interactions with Cloud. That is no longer the case in the Remake. Cloud is still the protagonist, and the player character for the vast majority of the game, but there are natural ways for the player to get to know Aerith outside of her dialogue exchanges with Cloud. Unless SE considers the LTD an integral part of FF7’s DNA, then for the sake of story clarity, the LTD doesn’t need to exist.

How then does the Remake clarify things?

I’m not going go through every single change in the Remake — there are far too many of them, and they’ve been documented elsewhere. Most of the changes are expansions or adaptations (what might make sense for super-deformed chibis would look silly for realistic characters, e.g., Cloud rolling barrels in the Church has now become him climbing across the roof support). What is expanded and how it’s adapted can be telling, but what is more interesting are the additions and removals. Not just for what takes place in the scenes themselves, but how their addition or removal changes our understanding of the narrative as a whole vis-a-vis the story we know from the OG.

Notably, one of the features that is not expanded upon, but rather diminished, is player choice. In the OG, the player had a slew of dialogue options to choose from, especially during the Midgar portion of the game. Not only did it determine which character would go on a date with Cloud at the Gold Saucer, but it also made the player identify with Cloud since they’re largely determining his personality during this stage. Despite the technological advances that have made this level of optionality the norm in AAA games, the Remake gives the player far fewer non-gameplay related choices, and only really the illusion of choice as a nod to the OG, but they don’t affect the story of the game in any meaningful way. You get a slightly different conversation depending on the choice, but you have to buy the Flower, Tifa has to make you a drink.

So much of what fueled the LTD in the OG came from this mechanic, which is now largely absent in the Remake. Almost every instance where there was a dialogue branch in the OG has become a single, canon scenario in the Remake that favors Tifa (e.g., having the choice of giving the flower to Tifa or Marlene in the OG, to Cloud giving the flower to Tifa in the Remake). Similarly, for the only meaningful choice you make in the Remake — picking Tifa or Aerith in the sewers — Cloud is now equidistant to both girls, whereas in the OG, his starting point was much closer to Aerith. In the OG, player choice allowed you to largely determine Cloud’s personality, and the girl he favored — and seemingly encouraged you to choose Aerith in many instances. In the Remake, Cloud is now his own character, not who the player wants him to be. And this Cloud, well, he sure seems to have a thing for Tifa.

In fact, one of the first changes in the Remake is the addition of Jessie asking Cloud about his relationship with Tifa, and Cloud’s brief flashback to their childhood together. In the OG, Tifa isn’t mentioned at all during the first reactor mission, and we don’t see her until we get to Sector 7.

Not only does this scene reveal Tifa’s importance to Cloud much earlier on than in the OG, but it sets up a sort of frame of reference that colors Cloud’s subsequent interactions. Even as Jessie kind of flirts with him throughout the reactor mission, even with his chance meeting Aerith in Sector 8, in the back of your mind, you might be thinking — wait what about his relationship with this Tifa character? What if he’s already spoken for?

Think about how this plays out in the OG. Jessie is pretty much a non-entity, and Cloud has his meet-cute with the flower girl before we’re even aware that Tifa exists. It’s hard to get too invested in his interactions with Tifa, when you know he has to meet the flower girl again, and you’re waiting for that moment, because that’s when the game will start in earnest.

After chapter 1 of the Remake, a new player may be asking — who is this Tifa person, and, echoing Jessie’s question, what kind of relationship does she have with Cloud? It’s a question that’s repeated when Barret mentions her before they set the bomb, and again when Barret specifies Seventh Heaven is where Tifa works — and the game zooms in on Cloud’s face — when they arrive in Sector 7.

It’s when we finally meet her at Seventh Heaven in Ch. 3 that we feel, ah now, this game has finally begun.

It’s also interesting how inorganically this question is introduced in the Remake. Up until that moment, the dialogue and Cloud are all business. Then, as they’re waiting for the gate to open, Jessie asks about Tifa completely out of the blue, and Cloud, all of a sudden, is at a lost for words, and has the first of many flashbacks. That this moment is a bit incongruous shows the effort SE made to establish Tifa’s importance to the game and to Cloud early on.

One of the biggest changes in the Remake is the addition of the events in Ch. 3 and 4. Unlike what happens in Ch. 18, Ch. 3 and 4 feel like such a natural extension of the OG’s story that many players may not even realize that SE has added an whole day’s and night’s worth of events to the OG’s story. While not a drastic change, it does reshape our understanding of subsequent events in the story, namely Cloud’s time spent alone with Aerith.

In the OG, we rush from one reactor mission to the next, with no real time to explore Cloud’s character or his relationships with any of the other characters in between. When he crashes through the church, he gets a bit of a breather. We see a different side of him with Aerith. Since we have nothing else to compare it to, many might assume that his relationship with Aerith is special. That she brings something out of him that no one else can.

That is no longer the case in the Remake. While Cloud’s time in Sector 5 with Aerith remains largely unchanged though greatly expanded, it no longer feels  “special.” So many of the beats that seemed exclusive to his relationship with Aerith in the OG, we’ve now already seen play out with both Tifa and the other members of AVALANCHE long before he meets Aerith.

Cloud tells the flowers to listen to Aerith; he’s told Tifa he’s listening if she wants to talk; told Bigg’s he wants to hear the story of Jessie’s dad. Cloud offers to walk Aerith back home; he offered the same to Wedge. Cloud smiles at Aerith; he’s already smiled at Tifa and AVALANCHE a number of times.

Now, I’m under no illusion that SE added these chapters solely to diminish Aerith’s importance to Cloud (other than the obvious goal of making the game longer, I imagine they wanted the player to spend more time in Sector 7 and more time with the other AVALANCHE members so that the collapse of the Pillar and their deaths have more weight), but they certainly must have realized that this would be one effect. If pushing Cloud/Aerith’s romance had been a goal with the Remake, this would be a scenario they would try to avoid. Notably, the other place where time has been added - the night in the Underground Shinra Lab, and the day helping other people out around the slums — are also periods of time when Aerith is absent.

Home Sweet Slums vs. Budding Bodyguard

Since most of the events in Ch. 3 were invented for the Remake, and thus we have nothing in the OG to compare it to (except to say that something is probably better than nothing), I thought it would be more interesting to compare it to Ch. 8. Structurally, they are nearly identical — Cloud doing sidequests around the Sectors with one of the girls as his guide. Extra bits of dialogue the more sidequests you complete, with an optional story event if you do them all. Do Cloud’s relationships with each girl progress the same way in both chapters? Is the Remake just Final Waifu Simulator 2020 or are they distinct, reflecting their respective roles in the story as a whole?

A lot of what the player takes away from these chapters is going to be pretty subjective (Is he annoyed with her or is he playing hard to get), yet the vibes of the two chapters are quite different. This is because in Ch. 3, the player is getting to know Tifa through her relationship with Cloud; in Ch. 8; the player is getting to know Aerith as a character on her own.

What do I mean by this? Let’s take Cloud’s initial introduction into each Sector. In Ch. 3, it’s a straight shot from Seventh Heaven to Stargazer Heights punctuated by a brief conversation where Tifa asks Cloud about the mission he was just on. We don’t learn anything new about Tifa’s character here. Instead we hear Cloud recount the mission we already saw play out in detail in Ch. 1 But it’s through this conversation that we get a glimpse of Cloud and Tifa’s relationship — unlike the reticent jerk he was with Avalanche, this Cloud is much more responsive and even tries to reassure her in his own stilted way. We also know that they have enough of a past together that Tifa can categorize him as “not a people person” — an assessment to which Cloud agrees. Slowly, we’re getting an answer to the question Jessie posed in Ch. 1 — just what kind of relationship does Cloud have with Tifa?

In Ch. 8, Aerith leads Cloud on a roundabout way through Sector 5, and stops, unprompted, to talk about her experiences helping at the restaurant, helping out the doctor, and helping with the orphans at the Leaf House. It’s not so much a conversation as a monologue. Cloud isn’t the one who inquires about these relationships, and more jarringly, he doesn’t respond until Aerith directly asks him a question (interestingly enough, it’s about the flower she gave him…which he then gave to Tifa). Here, the game is allowing the player to learn more about the kind of person Aerith is. Cloud is also learning about Aerith at the same time, but with his non-reaction, either the game itself is indifferent to Cloud’s feelings towards Aerith or it is deliberately trying to portray Cloud’s indifference to Aerith.

The optional story event you can see in each chapter after completing all the side quests is also telling. In Ch. 3, “Alone at Last” is almost explicitly about Cloud and Tifa’s relationship. It’s bookended by two brief scenes between Marle and Cloud — the first in which she lectures him about how he should treat Tifa almost like an overprotective in-law, the second after they return downstairs and Marle awards Cloud with an accessory “imbued with the fervent desire to be by one’s side for eternity” after he makes Tifa smile. In between, Cloud and Tifa chat alone in her room. Tifa finally gets a chance to ask Cloud about his past and they plan a little date to celebrate their reunion. There is also at least the suggestion that Cloud was expecting something else when Tifa asked him to her room.

In Ch. 8’s “The Language of Flowers,” Cloud and Aerith’s relationship is certainly part of the story — unlike earlier in the chapter, Cloud actually asks Aerith about what she’s doing and even supports her by talking to the flowers too, but the other main objective of this much briefer scene is to show Aerith’s relationship with the flowers and of her mysterious Cetra powers (though we don’t know about her ancestry just yet). Like a lot of Aerith’s dialogue, there’s a lot of foreshadowing and foreboding in her words. If anything, it’s almost as if Cloud is playing the Marle role to the flowers, as an audience surrogate to ask Aerith about her relationship with the flowers so that she can explain. Also, there’s no in-game reward that suggests what the scene was really about.

If there’s any confusion about what’s going on here, just compare their titles “Alone At Last” vs. “The Language of Flowers.”

I’ll try not to bring my personal feelings into this, but there’s just something so much more satisfying about the construction of Ch. 3. This is some real storytelling 101 shit, but I think a lot of it due to just how much set up and payoff there is, and how almost all of said payoff deepens our understanding of Cloud and Tifa’s relationship:

Marle: Cloud meets Tifa’s overprotective landlady towards the beginning of the chapter. She is dubious of his character and his relationship with TIfa. This impression does not change the second time they meet even though Tifa herself is there to mediate. It’s only towards the end of the chapter, after all the sidequests are complete, that this tension is resolved. Marle gives Cloud a lecture about how he should be treating Tifa, which he seems to take to heart. And Cloud finally earns Marle’s begrudging approval after he emerges from their rooms with a chipper-looking Tifa in tow.

Their past: For their first in-game interaction, Cloud casually brings up that fact that it’s been “Five years” since they’ve last, which seem to throw Tifa off a bit. As they’re replacing filters, Cloud asks Tifa what she’s been up to in the time since they’ve been apart, and Tifa quickly changes the subject. Tifa tries to ask Cloud about his life “after he left the village,” at the Neighborhood Watch HQ, and this time he’s the one who seems to be avoiding the subject. It’s only after all the Ch. 3 sidequests are complete, and they're alone in her room that Tifa finally gets the chance to ask her question. A question which Cloud still doesn’t entirely answer. This question remains unresolved, and anyone’s played the OG will know that it will remain unresolved for some time yet, as it is THE question of Cloud’s story as a whole.

The lessons: Tifa starts spouting off some lessons for life in the slums as she brings Cloud around the town, though it’s unclear if Cloud is paying attention or taking them to heart. After completing the first sidequest, Cloud repeats one of these sayings back to her, confirming that he’s been listening all along. By the end of the chapter, Cloud is repeating these lessons to himself, even when Tifa isn’t around. These lessons extend beyond this chapter, with Cloud being a real teacher’s pet, asking Tifa “Is this a lesson” in Ch. 10 once they reunite.

The drink: When Cloud first arrives at Seventh Heaven, Tifa plays hostess and asks him if he wants anything, but it seems he’s only interested in his money. After exploring the sector a bit, Tifa again tries to play the role of cheery bartender, offering to make him a cocktail at the bar, but Cloud sees through this facade, and they carry on. Finally, after the day’s work is done, to tide Cloud over while she’s meeting with AVALANCHE, Tifa finally gets the chance to make him a drink. No matter, which dialogue option the player chooses, Tifa and Cloud fall into the roles of flirty bartender and patron quite easily. Who would have thought this was possible from the guy we met in Ch. 1?

This dynamic is largely absent in Ch. 8, except perhaps exploring Aerith’s relationship with the flowers, which “pays off” in the “Language of Flowers” event, but again, that scene is primarily about Aerith’s character rather than her relationship with Cloud. The orphans and the Leaf House are a throughline of the chapter, but they are merely present. There’s no clear progression here as was the case with in Ch. 3. Sure, the kids admire Cloud quite a bit after he saves them, but it’s not like they were dubious of his presence before. They barely paid attention to him. In terms of the impact the kids have on Cloud’s relationship with Aerith, there isn’t much at all. Certainly nothing like the role Marle plays in developing his relationship with Tifa.

The thing is, there are plenty of moments that could have been set ups, only there’s no real follow through. Aerith introduces Cloud around town as her bodyguard, and some people like the Doctor express dubiousness of his ability to do the job, but even after we spend a whole day fighting off monsters, and defeating Rude, there’s no payoff. Not even a throwaway “Wow, great job bodyguarding” comment. Same with the whole “one date” reward. Other than a quick reference on the way to Sector 5, and Aerith threatening to reveal the deal to cajole Cloud into helping her gather flowers, it’s never brought up again, in this chapter, or the rest of the game.

Aerith also makes a big stink about Cloud taking the time to enjoy Elmyra’s cooking. This is after Cloud is excluded from AVALANCHE’s celebration in Seventh Heaven and after he misses out on Jessie’s mom’s “Midgar Special” with Biggs and Wedge. So this could have been have been the set up to Cloud finally getting to experience a nice, domestic moment where he feels like he’s part of a family. And this dinner does happen! Only…the Remake skips over it entirely. Which is quite a strange choice considering that almost every other waking moment of Cloud’s time in Midgar has been depicted in excruciating detail. SE has decided that either whatever happened in this dinner between these three characters is irrelevant to the story they’re trying to tell, or they’ve deliberately excluded this scene from the game so that the player wouldn’t get any wrong ideas from it (e.g., that Cloud is starting to feel at home with Aerith).

Speaking of home, the Odd Jobs in Ch. 3 feel a bit more meaningful outside of just the gameplay-related rewards because they’re a way for Cloud to improve his reputation as he considers building a life for himself in Sector 7. This intent is implicit as Tifa imparts upon him the life lessons for surviving the slums, and then explicit, when Tifa asks him if he’s going to “stick around a little longer” outside of Seventh Heaven and he answers maybe. (It is later confirmed when Cloud and Tifa converse in his room in Ch. 4 after he remembers their promise).

Despite Aerith’s endeavors to extend their time together, there’s no indication that Cloud is planning to put down roots in Sector 5, or even return. Not even after doing all the Odd Jobs. If anything, it’s just the opposite — after 3 Odd Jobs, Aerith, kind of jokingly tells Cloud “don’t think you can rely on me forever.” This is a line that has a deeper meaning for anyone who knows Aerith’s fate in the OG, but Cloud seems totally fine with the outcome. Similarly, at the end of the Chapter 8, Elmyra asks Cloud to leave and never speak to Aerith again — a request to which he readily agrees.

Adding to the different vibes of the Chapters are the musical themes that play in the background. In Ch. 3, it’s the “Main Theme of VII”, followed by “On Our Way” — two tracks that instantly recall the OG. While the Main Theme is a bit melancholy, it's also familiar. It feels like home. In Ch. 8, we have an instrumental version of ‘Hollow’ - the new theme written for the Remake. While, it’s a lovely piece, it’s unfamiliar and honestly as a bit anxiety inducing (as is the intent).

(A quick aside to address the argument that this proves ‘Hollow’ is about Cloud’s feelings for Aerith:

Which of course doesn’t make any damn sense because he hasn’t even lost Aerith at this point the story. Even if you want to argue that there is so timey-wimey stuff going on and the whole purpose of the Remake is to rewrite the timeline so that Cloud doesn’t lose Aerith around — shouldn’t there be evidence of this desire outside of just the background music? Perhaps, in Cloud’s actions during the Chapter which the song plays — shouldn’t he dread being parted from her, shouldn’t he be the one trying to extend their time together? Instead, he’s willing to let her go quite easily.

The more likely explanation as to why “Hollow” plays in Ch. 8 is that since the “Main Theme of FFVII”  already plays in Ch. 3, the other “main theme” written for the Remake is going to play in the other chapter with a pseudo-open world vibe. If you’re going to say “Hollow” is about Cloud’s feelings for Aerith then you’d have to accept that the Main Theme of the entire series is about Cloud’s feelings for Tifa, which would actually make a bit more sense given that is practically Cloud’s entire character arc.)

Both chapters contain a scripted battle that must be completed before the chapter can end. They both contain a shot where Cloud fights side by side with each of the girls.

Here, Cloud and Tifa are both in focus during the entirety of this shot.

Here, the focus pulls away from Cloud the moment Aerith enters the frame.

I doubt the developers expected most players to notice this particular technique, but it reflects the subtle differences in the way these two relationships are portrayed. By the end of Ch. 3, Cloud and Tifa are acting as one unit. By the end of Ch. 8, even when they’re together, Cloud and Aerith are still apart.

A brief (lol) overview of some meaningful changes from the OG

One of the most significant changes in the Sector 7 chapters is how The Promise flashback is depicted. In the OG, Tifa is the one who has to remind Cloud of the Promise, in a rather pushy way, and whether Cloud chooses to join the next mission to fulfill his promise to her or because Barret is giving him a raise feels a bit more ambiguous.

In the Remake, the Promise has it’s own little mini-arc. It’s first brought up at the end of Ch. 3 when Cloud talks to Tifa about her anxieties about the upcoming mission. Tifa subtly references the Promise by mentioning that she’s “in a pitch” — a reference that goes over Cloud’s head. It’s only in Ch. 4, in the middle of a mission with Biggs and Wedge, where Tifa is no where in sight, that a random building fan reminds him of the Nibelheim water tower and the Promise he made to Tifa there. There’s also another brief flashback to that earlier moment in the bar when Tifa mentions she’s in a “pinch.” Again, the placement of this particular flashback at this particular moment feels almost jarring. And the flashback to the scene in the bar — a flashback to a scene we’ve already seen play out in-game — is the only one of its kind in the Remake. SE went out of the way to show that this particular moment is very important to Cloud and the game as whole. It’s when Cloud returns to his room, and Tifa asks him if he’s planning to stay in Midgar, that this mini-arc is finally complete. He brings up the Promise on his own, and makes it explicit that the reason he’s staying is for her. It’s to fulfill his Promise to her, not for money or for AVALANCHE — at this point, he’s not even supposed to be going on the next mission.

The Reactor 5 chapters are greatly expanded, but there aren’t really any substantive changes other than the addition of the rather intimate train roll scene between and Cloud and Tifa, which adds nothing to the story except to establish how horny they are for each other. We know this is the case, of course, because if you go out of your way to make Cloud look like an incompetent idiot and let the timer run out, you can avoid this scene altogether. But even in that alternate scene, Cloud’s concern for Tifa is crystal clear.

Ch. 8 also plays out quite similarly to the OG for the most part, though Cloud’s banter with Aerith on the rooftops doesn’t feel all that special since we’ve already seen him do the same with Tifa, Barret and the rest of AVALANCHE. The rooftops is the first place Cloud laughs in the OG. In the Remake, while Cloud might not have straight out laughed before, he’s certainly smiled quite a bit in the preceding chapters. Also, with the addition of voice acting and realistic facial expressions, that “laughter” in the Remake comes off much more sarcastic than genuine.

It’s also notable that in the Remake, Cloud vocally protests almost every time Aerith tries to extend their time together. In the OG, Cloud says nothing in these moments, which the player could reasonably interpret as assent.

One major change in the Remake is how Aerith learns of Tifa’s existence. In the OG, Cloud mentions that he wants to go back to Tifa’s bar, prompting Aerith to ask him about his relationship with her. In the Remake, Cloud calls Tifa’s name after having a random flashback of Child Tifa as he’s walking along with some kids. Again the insertion of said flashback is a bit jarring, prompting Aerith to understandably ask Cloud about just who this Tifa is. In the OG, this exchange served to show Aerith’s jealousy and her interest in Cloud. In the Remake, it’s all about Cloud’s feelings for Tifa and his inability to articulate them. As for Aerith, I suppose you can still read her reaction as jealous, though simple curiosity is a perfectly reasonable way to read it too. It plays out quite similarly to Aerith asking Cloud about who he gave the flower to. Her follow ups seem indicate that she’s merely curious about who this recipient might be rather than showing that she’s upset/jealous of the fact that said person exists.

For the collapsed tunnel segment, the Remake adds the recurring bit of Aerith and Cloud trying to successfully complete a high-five. While this is certainly a way to show them getting closer, it’s about least intimate way that SE could have done so. Just think about the alternatives — you could have Cloud and Aerith sharing brief tidbits of their lives after each mechanical arm, you could have them trying to reach for each other’s hand. Instead, SE chose an action that is we’ve seen performed between a number of different platonic buddies, and an action that Aerith immediately performs with Tifa upon meeting her. Not to mention, even while they are technically getting closer, Cloud still rejects (or at least tries to) Aerith’s invitations to extend their time together twice — at the fire and at the playground.

One aspect from these two Chapters that does has plenty of set up and a satisfying payoff is Aerith’s interest in Cloud’s SOLDIER background. You have the weirdness of Aerith already knowing that Cloud was in SOLDIER without him mentioning it first, followed by Elmyra’s antipathy towards SOLDIERs in general, not to mention Aerith actively fishing for information about Cloud’s time in SOLDIER. (For players who’ve played Crisis Core, the reason for her behavior is even more obvious, with her “one date” gesture mirroring Zack’s, and her line to Cloud in front of the tunnel a near duplicate of what she says to Zack — at least in the original Japanese).

Finally, at the playground, it’s revealed that the reason for all this weirdness is because Aerith’s first love was also a SOLDIER who was the same rank as Cloud. Unlike in the OG, Cloud does not exhibit any potential jealousy by asking about the nature of her relationship, and Aerith doesn’t try to play it off by dismissing the seriousness. In fact, with the emotional nuance we can now see on her face, we can understand the depth of her feelings even if she cannot articulate them.

This is the first scene in the Remake where Cloud and Aerith have a genuine conversation. Thus, finally, Cloud expresses some hesitation before he leaves her — and as far as he knows, this could be the last time they see each other. You can interpret this hesitation as romantic longing or it could just as easily be Cloud being a bit sad to part from a new friend. Regardless, it’s notable that scene is preceded by one where Aerith is talking about her first love who she clearly isn’t over, and followed by a scene where Cloud sprints across the screen, without a backwards glance at Aerith, after seeing a glimpse of Tifa through a tiny window in a Chocobo cart that’s about a hundred yards away.

The Wall Market segment in the Remake is quite explicitly about Cloud’s desire to save Tifa. In the OG, Aerith has no trouble getting into Corneo’s mansion on her own, so I can see how someone could misinterpret Cloud going through all the effort to dress as a woman to protect Aerith from the Don’s wiles (though of course, you would need to ask, why they trying to infiltrate the mansion in the first place?). In the Remake, Cloud has to go through herculean efforts to even get Aerith in front of the Don. Everyone who is aware of Cloud’s cause, from Sam to Leslie to Johnny to Andrea to Aerith herself, comments on how hard he’s working to save Tifa and how important she must be to him for him to do so. In case there’s any confusion, the Remake also includes a scene where Cloud is prepared to bust into the mansion on his own, leaving Aerith to fend for herself, after Johnny comes with news that Tifa is in trouble.

Both Cloud and Aerith get big dress reveals in the Remake. If you get Aerith’s best dress, Cloud’s reaction can certainly be read as one of attraction, but since the game continues on the same regardless of which dress you get, it’s not meant to mark a shift in Cloud and Aerith’s relationship. Rather, it’s a reward for the player for completing however many side quests in Ch. 8, especially since the Remake incentives the player to get every dress and thus see all of Cloud’s reactions by making it a Trophy and including it in the play log.

A significant and very welcome change from the OG to the Remake is Tifa and Aerith’s relationship dynamic. In the OG, the girls’ first meeting in Corneo’s mansion starts with them fighting over Cloud (by pretending not to fight over Cloud). In the Remake, the sequence of events is reversed so that it starts off with Cloud’s reunion with Tifa (again emphasizing that the whole purpose of the infiltration is because Cloud wants to save Tifa). Then when Aerith wakes, she’s absolutely thrilled to make Tifa’s acquaintance, hardly acknowledging Cloud at all. Tifa is understandably more wary at first, but once they start working together, they become fast friends.

Also interesting is that from the moment Aerith and Tifa meet, almost every instance where Cloud could be shown worrying about Aerith or trying to comfort Aerith is given to Tifa instead. In the OG, it’s Cloud who frets about Aerith getting involved in the plot to question the Don, and regrets getting her mixed up in everything once they land in the sewers. In the Remake, those very same reservations are expressed by Tifa instead. Tifa is the one who saves Aerith when the platform collapses in the sewer. Tifa is the one who emotionally comforts Aerith after they’re separated in the train graveyard. (Cloud might be the one who physically saves her, but he doesn’t even so much give her a second glance to check on her well-being before he runs off to face Eligor. He leaves that job for Tifa). It almost feels like the Remake is going out of its way to avoid any moments between Cloud and Aerith that could be interpreted as romantic. In fact, after Corneo’s mansion, unless you get Aerith’s resolution, there are almost no one-on-one interactions at all between Cloud and Aerith. Such is not the case with Cloud and Tifa. In fact, right after defeating Abzu in the sewers, Cloud runs after Tifa, and asks her if what she’s saying is one of those slum lessons — continuing right where they left off.

Ch. 11 feels like a wink-wink nudge-nudge way to acknowledge the LTD. You have the infamous shot of the two girls on each of Cloud’s arms, and two scenes where Cloud appears as if he’s unable to choose between them when he asks them if they’re okay. Of course, in this same Chapter, you have a scene during the boss fight with the Phantom where Cloud actually pulls Tifa away from Aerith, leaving Aerith to defend herself, for an extended sequence where he tries to keep Tifa safe. This is not something SE would include if their intention is to keep Cloud’s romantic interest ambiguous or if Aerith is meant to be the one he loves. Of course, Ch. 11 is not the first we see of this trio’s dynamic. We start with Ch. 10, which is all about Aerith and Tifa’s friendship. Ch. 11 is a nod to the LTD dynamic in the OG, but it’s just that, a nod, not an indication the Remake is following the same path. Halfway through Ch. 11, the dynamic completely disappears.

Ch. 12 changes things up a bit from the OG. Instead of Cloud and Tifa ascending the pillar together, Cloud goes up first. Seemingly just so that we can have the dramatic slow-mo handgrab scene between the two of them when Tifa decides to run after Cloud — right after Aerith tells her to follow her heart.

The Remake also shows us what happens when Aerith goes to find Marlene at Seventh Heaven — including the moment when Aerith sees the flower she gave Cloud by the bar register, and Aerith is finally able to connect the dots. After seeing Cloud be so cagey about who he gave the flower to, and weird about his relationship with Tifa, and after seeing how Cloud and Tifa act around each other. It finally makes sense. She’s figured it out before they have. It’s a beautiful payoff to all that set up. Any other interpretation of Aerith’s reaction doesn’t make a lick of sense, because if it’s to indict she’s jealous of Tifa, where is all the set up for that? Why did the Remake eliminate all the moments from the OG where she had been noticeably jealous before? Without this, that interpretation makes about as much sense as someone arguing Aerith is smiling because she’s thinking about a great sandwich she had the night before. In case anyone is confused, the scene is preceded by a moment where Aerith tells Tifa to follow her heart before she goes after Cloud, and followed by the moment where Cloud catches Tifa via slow-motion handgrab.

On the pillar itself, there are so many added moments of Cloud showing his concern for Tifa’s physical and emotional well-being. Even when they find Jessie, as sad as Cloud is over Jessie’s death, the game actually spends more time showing us Cloud’s reaction to Tifa crying over Jessie’s death, and Cloud’s inability to comfort her. Since so much of this is physical rather than verbal, this couldn’t have effectively been shown in the OG with its technological limitations.

After the pillar collapses, we start off with a couple of other moments showing Cloud’s concern over Tifa — watching over her as she wakes, his dramatic fist clench while he watches Barret comfort Tifa in a way he cannot. There is also a subtle but important change in the dialogue. In the OG, Tifa is the one who tells Barret that Marlene is safe because she was with Aerith. Cloud is also on his way to Sector 5, but it’s for the explicit purpose of trying to save Aerith, which we know because Tifa asks. In the Remake, Tifa is too emotionally devastated to comfort Barret about Marlene. Cloud, trying to help in the only way he can, is now the one to tell Barret about Marlene. Leading them to Sector 5 is no longer about him trying to help Aerith, but about him reuniting Barret with his daughter. Again, another moment where Cloud shows concern about Aerith in the OG is eliminated from the Remake.

Rather than going straight from Aerith’s house to trying to figure out a way into the Shinra building to find Aerith, the group takes a detour to check out the ruins of Sector 7 and rescue Wedge from Shinra’s underground lab. It’s only upon seeing the evidence of Shinra’s inhumane experimentation firsthand that Cloud articulates to Elmyra the need to rescue Aerith. In the OG, they never sought out Elmyra’s permission, and Tifa explicitly asks to join Cloud on his quest. Rescuing Aerith is framed as primarily Cloud’s goal, Tifa and Barret are just along for the ride.

In the Remake, all three wait until Elymra gives them her blessing, and it’s framed (quite literally) as the group’s collective goal as opposed to just Cloud’s.

In the aptly named Ch. 14 resolutions, each marks the culmination of the character’s arc for the Part 1 of Remake. While their arcs are by no means complete, they do offer a nice preview of what their ultimate resolutions will be.

With the exception of Tifa’s, these resolutions are primarily about the character themselves. Their relationships with Cloud are secondary. Each resolution marks a change in the character themselves, but not necessarily a change in Cloud’s relationship with said character. Barret recommits to AVALANCHE’s mission and his role as a leader despite the deep personal costs. Aerith’s is full of foreshadowing as she accept her fate and impending death and decides to make the most of the time she has left. After trying to put aside her own feelings for the sake of others the whole time, Tifa finally allows herself to feel the full devastation of losing her home for the second time. Like her ultimate resolution in the Lifestream that we’ll see in about 25 years, Cloud is the only person she can share this sentiment with because he was the only person who was there.

Barret does not grow closer to Cloud through his resolution. Cloud has already proved himself to him by helping out on the pillar and reuniting him with Marlene. Barret resolution merely reveals that Barret is now comfortable enough with Cloud to share his past.

Similarly, Cloud starts off Aerith’s resolution with an intent to go rescue her, and ends with that intent still intact. Aerith is more open about her feelings here than before, it being a dream and all, but these feelings aren’t something that developed during this scene.

The only difference is during Tifa’s resolution. Cloud has been unable to emotionally comfort Tifa up until this point. It’s only when Tifa starts crying and rests her head upon his shoulder that he is able to make a change, to make a choice and hug her. Halfway through Tifa’s resolution, the scene shifts its focus to Cloud, his inaction and eventual action. Notably, the only time we have a close-up of any character during all three resolutions (I’ll define close-up here as a shot where a character’s face takes up half or more of the shot), are three shots of Cloud when he’s hugging/trying to hug Tifa. Tifa’s resolution is the only one where Cloud arcs.

What of the whole “You can’t fall in love with me” line in Aerith’s resolution? Why would SE include that if not to foreshadow Cloud falling in love with Aerith? Or indicate that he has already? Well, you can’t just take the dialogue on its own, you how to look at how these lines are framed. Notably, when she says “you can’t fall in love with me,” Aerith is framed at the center of the shot, and almost looks like she’s directly addressing the player. It’s as much a warning for the player as it is for Cloud, which makes sense if you know her fate in the OG.

This is followed directly by her saying “Even if you think you have…it’s not real.” In this shot, it’s back to a standard shot/reverse shot where she is the left third of the frame. She is addressing Cloud here, which, again if you’ve played the OG, is another bit of heavy foreshadowing. The reason Clould would think he might be in love with Aerith is because he’s falsely assuming of the memories of a man who did love Aerith — Zack.

For Cloud’s response (”Do I get a say in all this?”/ “That’s very one-sided” depending on the translation), rather than showing a shot of his face, the Remake shows him with his back turned.

Whatever Cloud’s feelings may be for Aerith, the game seems rather indifferent to them.

What is more telling is the choice to include a bit with Cloud getting jealous over a guy trying to give Tifa flowers in Barret’s resolution. Barret also mentions both Jessie and Aerith in their conversation, but nothing else gets such a reaction from Cloud.

It also should go without saying that if Aerith’s resolution is meant to establish Cloud and Aerith’s romance, there should have been plenty of set-up beforehand and plenty of follow-through afterward. That obviously is not the case, because again, the Remake has gone out of its way to avoid moments where Cloud’s actions towards Aerith could be interpreted romantically.

Case in point, at around this time in the OG, Marlene tells Cloud that she thinks Aerith likes him and the player has the option to have Cloud express his hope that she does. This scene is completely eliminated from the Remake and replaced with a much more appropriate scene of father-daughter affection between Marlene and Barret while Tifa and Cloud are standing together outside.

The method by which they get up the plate is completely different in the Remake. Leslie is the one who helps them this time around, and though his quest to reunite with his fiance directly parallels with the trio’s desire to save Aerith, Leslie himself draws a comparison to earlier when Cloud was trying to rescue Tifa. Finally, when Abzu is defeated again, it is Barret who draws the parallel of their search for Aerith to Leslie’s search for his fiance, making it crystal clear that saving Aerith is a group effort rather than only Cloud’s.

Speaking of Barret, in the OG, he seems to reassess his opinion of Cloud in the Shinra HQ stairs when he sees Cloud working so hard to save Aerith and realizes he might actually care about other people. In the Remake, that reevaluation occurs after you complete all the Ch. 14 sidequests and help a bunch of NPCs. Arguably, this moment occurs even earlier in the Remake for Barret, after the Airbuster, when he realizes that Cloud is more concerned for his and Tifa’s safety than his own.

Overall, the entire Aerith rescue feels so anticlimactic in the Remake. In the OG, Cloud gets his big hero moment in the Shinra Building. He’s the one who runs up to Aerith when the glass shatters and they finally reunite. In the Remake, it’s unclear what the emotional stakes are for Cloud here. At their big reunion, all we get from him is a “Yep.” In fact, when you look at how this scene plays out, Aerith is positioned equally between Cloud and Tifa at the moment of her rescue. Cloud’s answer is again with his back turned to the camera. It’s Tifa who gets her own shot with her response.

Another instance of the Remake being completely indifferent to Cloud’s feelings for Aerith, and actually priotizing Tifa’s relationship with Aerith instead.

It is also Tifa who runs to reunite with Aerith after the group of enemies is defeated. Another moment that could have easily been Cloud’s that the Remake gives to Tifa.

Also completely eliminated in the Remake, is the “I’m your bodyguard. / The deal was for one date” exchange in the jail cells. In the Remake, after Ch. 8, the date isn’t brought up again at all; “the bodyguard” reference only comes up briefly in Ch. 11 and then never again.

In the Remake, the jail scene is replaced by the scene in Aerith’s childhood room. Despite the fact that this is Aerith’s room, it is Tifa’s face that Cloud first sees when he wakes. What purpose does this moment serve other than to showcase Cloud and Tifa’s intimacy and the other characters’ tacit acknowledgment of said intimacy?

(This is the second time where Cloud wakes up and Tifa is the first thing he sees. The other was at Corneo’s mansion. He comes to three times in the Remake, but in Ch. 8, even though Aerith is right in front of him, we start off with a few seconds of Cloud gazing around the church before settling on the person in front of him. Again, while not something that most players would notice, this feels like a deliberate choice.)

Especially since this scene itself is all about Aerith. She begins a sad story about her past, and Cloud, rather than trying to comfort her in any way, asks her to give us some exposition about the Ancients. When the Whispers surround her, even though Cloud is literally right there, it's Tifa who pulls her out of it and comforts her. Another moment that could have been Cloud that was given to Tifa, and honestly, this one feels almost bizarre.

Throughout the entire Shinra HQ episode, Cloud and Aerith haven’t had a single moment alone to themselves. The Drums scenario is completely invented for the Remake. The devs could have contrived a way for Cloud and Aerith to have some one-on-one time here and work through the feelings they expressed during Aerith’s resolution if they wanted. Instead, with the mandatory party configurations during this stage - Cloud & Barret on one side; Tifa & Aerith on the others, with Cloud & Tifa being the respective team leaders communicating over PHS, the Remake minimizes the amount of interaction Cloud and Aerith have with each other in this chapter.

On the rooftop, before Cloud’s solo fight with Rufus, even though Cloud is ostensibly doing all this so that they can bring Aerith to safety, the Remake doesn’t include a single shot that focuses on Aerith’s face and her reaction to his actions. The game has decided, whatever Aerith’s feelings are in this moment, they’re irrelevant to the story they’re trying to tell. Instead we get shots focusing solely on Barret and Tifa. While the Remake couldn’t find any time to develop Cloud and Aerith’s relationship at the Shinra Tower (even though the OG certainly did), it did find time to add a new scene where Tifa saves Cloud from certain death, while referencing their Promise.

A lot of weird shit happens after this, but it’s pretty much all plot and no character. We do get one more moment where Cloud saves Tifa (and Tifa alone) from the Red Whisper even though Aerith is literally right next to her. The Remake isn’t playing coy at all about where Cloud’s preferences lie.

The party order for the Sephiroth battle varies depending on how you fought the Whispers. All the other character entrances (whoever the 3rd party member is, then the 4th and Red) are essentially the exact same shots, with the characters replaced. It’s the first character entrance (which can only be Aerith or  Tifa) that you have two distinct options.

If Aerith is first, the camera pans from Cloud over to Aerith. It then cuts back to Cloud’s reaction, in a separate shot, as Aerith walks to join him (offscreen). It’s only when the player regains control of the characters that Cloud and Aerith ever share the frame.

On the other hand, if Tifa is first, we see Tifa land from Cloud’s POV. Cloud then walks over to join Tifa and they immediately share a frame, facing Sephiroth together.

Again, this is not something SE would expect the player to notice the first or even second time around. Honestly, I doubt anyone would notice at all unless they watched all these variations back to back. That is telling in itself, that SE would go through all this effort (making these scenes unique rather than copy and pasting certainly takes more time and effort) to ensure that the depictions of Cloud’s relationships with these two women are distinct despite the fact that hardly anyone would notice. Even in the very last chapter of the game, they want us to see Cloud and Tifa as a pair and Cloud and Aerith as individuals.

Which isn’t to say that Aerith is being neglected in the Remake. Quite the opposite, in fact, when she has essentially become the main protagonist and the group’s spirtual leader in Ch. 18. Rather, her relationship with Cloud is no longer an essential part of her character. Not to mention, one of the very last shots of the Remake is about Aerith sensing Zack’s presence. Again, not the kind of thing you want to bring up if the game is supposed to show her being in love with Cloud.

What does it all mean????

Phew — now let’s step back and look and how the totality of these changes have reshaped our understanding of the story as a whole. Looking solely at the Midgar section of the OG, and ignoring everything that comes after it, it seems to tell a pretty straightforward story: Cloud is a cold-hearted jerk who doesn’t care about anyone else until he meets Aerith. It is through his relationship with Aerith that he begins to soften up and starts giving a damn about something other than himself. This culminates when he risks it all to rescue Aerith from the clutches of the game’s Big Bad itself, The Shinra Electric Company.

This was honestly the reason why I was dreading the Remake when I learned that it would only cover the Midgar segment. A game that’s merely an expansion of the Midgar section of the OG is probably going to leave a lot of people believing that Cloud & Aerith were the intended couple, and I didn’t want to wait years and perhaps decades for vindication after the Remake’s Lifestream Scene.

I imagine this very scenario is what motivated SE to make so many of these changes. In the OG, they could get away with misdirecting the audience for the first few hours of the game since the rest of the story and the reveals were already completed. The player merely had to pop in the next disc to get the real story. Such is not the case with the Remake. Had the the Remake followed the OG’s beats more closely, many players, including some who’ve never played the OG, would finish the Remake thinking that Cloud and Aerith were the intended couple. It would be years until they got the rest of the story, and at that point, the truth would feel much more like a betrayal. Like they’ve been cruelly strung along.

While they’ve gone out of their way to adapt most elements from the OG into the Remake, they’ve straight up eliminated many scenes that could be interpreted as Cloud’s romantic interest in Aerith. Instead, he seems much more interested in her knowledge as an Ancient than in her romantic affections. This is the path the Remake could be taking. Instead of Cloud being under the illusion of falling in love with Aerith, he’s under the illusion that the answer to his identity dilemma lies in Aerith’s Cetra heritage, when, of course, the answer was with Tifa all along.

Hiding Sephiroth’s existence during the Midgar arc isn’t necessary to telling the story of FF7, thus it’s been eliminated in the Remake. Similarly, pretending that Cloud and Aerith are going to end up together also isn’t necessary and would only confuse the player. Thus the LTD is no longer a part of the Remake.

If Aerith’s impact on Cloud has been diminished, what then is his arc in the Remake? Is it essentially just the same without the catalyst of Aerith? A cold guy at the start who eventually learns to care about others through the course of the game? Kind of, though arguably, this is who Remake!Cloud is all along, not just Cloud at the end of the Remake. Cloud is a guy who pretends to be a selfish jerk, but he deep down he really does care. He just doesn’t show this side of himself around people he’s unfamiliar with. So part of his arc in the Remake is opening up to the others, Barret, AVALANCHE and Aerith included, but these all span a chapter or two at most. They don’t straddle the entire game.

What is the throughline then? What is an area in which he exhibits continuous growth?

It’s Tifa. It’s his desire to fulfill his Promise to Tifa. Not just to protect her physically, but to be there for her emotionally, something that’s much harder to do. There’s the big moments like when he remembers the Promise in Ch. 4., his dramatic fist clench when he can’t stop Tifa from crying in Ch. 12, and in Ch. 13 when he watches Barret comfort Tifa. It’s all the flashbacks he has of her and the times he’s felt like he failed her. It’s the smaller moments where he can sense her nervousness and unease but the only thing he knows how to do is call her name. It’s all those times during battle, where Tifa can probably take care of herself, but Cloud has to save her because he can’t fail her again. All of this culminates in Tifa’s Resolution, where Tifa is in desperate need of comfort, and is specifically seeking Cloud’s comfort, and Cloud has no idea what to do. He hesitates because he’s clueless, because he doesn’t want to fuck it up, but finally, he makes the choice, he takes the risk, and he hugs her….and he kind of fucks it up. He hugs her too hard. Which is a great thing, because this arc isn’t anywhere close to being over. There’s still so much more to come. So many places this relationship will go.

We get a little preview of this when Tifa saves Cloud on the roof. Everything we thought we knew about their relationship has been flipped on its head. Tifa is the one saving Cloud here, near the end of this part of the Remake. Just as she will save Cloud in the Lifestream just before the end of the FF7 story as a whole. What does Tifa mean to Cloud? It’s one of the first questions posed in the Remake, and by the end, it remains unanswered.

Cloud’s character arc throughout the entire FF7 story is about his reconciling with his identity issues. This continues to develop through the Shinra Tower Chapters, but it certainly isn’t going to be resolved in Part 1 of the Remake. His character arc in the Remake — caring more about others/finding a way to finally comfort Tifa — is resolved in Ch. 14, well before rescuing Aerith, which is what makes her rescue feel so anticlimactic. The resolution of this external conflict isn’t tied to the protagonist’s emotional arc. This was not the case in the OG. I’m certainly not complaining about the change, but the Remake probably would have felt more satisfying as a whole if they hewed to the structure of the OG. Instead, it seems that SE has prioritized the clarity of the Remake series as a whole (leaving no doubt about where Cloud’s affections lie) over the effectiveness of the “climax” in the first entry of the Remake.

This is all clear if you only focus on the “story” of the Remake -- i.e., what the characters are saying and doing. If you extend your lens to the presentation of said story, and here I’m talking about who the game chooses to focus on during the scenes, how long they hold on these shots, which characters share the frame, which do not, etc --- it really could not be more obvious.

Does the camera need to linger for over 5 seconds on Cloud staring at the door after wishing Tifa goodnight? Does it need to find Cloud almost every time Tifa says or does anything so that we’re always aware of his watchfulness and the nature of his care? The answer is no until you realize this dynamic is integral to telling the story of Final Fantasy VII.

I don’t see how anyone who compares the Remake to the OG could come away from it thinking that the Remake series is going to reverse all of the work done in the OG and Compilation by having Cloud end up with Aerith.

Just because the ending seems to indicate that the events of the OG might not be set in stone, it doesn’t mean that the Remake will end with Aerith surviving and living happily ever after with Cloud. Even if Aerith does live (which again seems unlikely given the heavy foreshadowing of her death in the Remake), how do you come away from the Remake thinking that Cloud is going to choose Aerith over Tifa when SE has gone out of its way to remove scenes between Cloud and Aerith that could be interpreted as romantic? And gone out of its way to shove Cloud’s feelings for Tifa in the player’s face? The sequels would have to spend an obscene amount of time not only building Cloud and Aerith’s relationship from scratch, but also dismantling Cloud’s relationship with Tifa. It would be an absolute waste of time and resources, and there’s really no way to do so without making the characters look like assholes in the process.

Now could this happen? Sure, in the sense that literally anything could happen in the future. But in terms of outcomes that would make sense based on what’s come before, this particular scenario is about as plausible as Cloud deciding to relinquish his quest to find Sephiroth so that he can pursue his real dream of becoming at sandwich artist at Panera Bread.

It’s over! I promise!

Like you, I too cannot believe the number of words I’ve wasted on this subject. What is there left to say? The LTD doesn’t exist outside of the first disc of the OG. You'll only find evidence of SE perpetuating the LTD if you go into these stories with the assumption that 1) The LTD exists 2) it remains unanswered. But it’s not. We know that Cloud ends up with Tifa.

What the LTD has become is dissecting individual scenes and lines of dialogue, without considering the context of said things, and pretending as if the outcome is unknown and unknowable. If you took this tact to other aspects of FF7’s story, then it would be someone arguing that because there a number of scenes in the OG that seem to suggest that Meteor will successfully destroy the planet, this means that the question of whether or not our heroes save the world in the end is left ambiguous. No one does that because that would be utterly absurd. Individual moments in a story may suggest alternate outcomes to build tension, to keep us on our toes, but that doesn’t change the ending from being the ending. Our heroes stop Meteor. Cloud loves Tifa. Arguments against either should be treated with the same level of credulity (i.e., none).

It’s frustrating that the LTD, and insecurities about whether or not Cloud really loves Tifa, takes up so much oxygen in any discussion about these characters. And it’s a damn shame, because Cloud and Tifa’s relationship is so rich and expansive, and the so-called “LTD” is such a tiny sliver of that relationship, and one of the least interesting aspects. They’re wonderful because they’re just so damn normal. Unlike other Final Fantasy couples, what keeps them apart is not space and time and death, but the most human and painfully relatable emotion of all, fear. Fear that they can’t live up to the other’s expectations; fear that they might say the wrong thing. The fear that keeps them from admitting their feelings at the Water Tower, they’re finally able to overcome 7 years later in the Lifestream. They’re childhood friends but in a way they’re also strangers. Like other FF couples, we’re able to watch their entire relationship grow and unfold before our eyes. But they have such a history too, a history that we unravel with them at the same time. Every moment of their lives that SE has found worth depicting, they’ve been there for each other, even if they didn’t know it at the time. Theirs is a story that begins and ends with each other. Their is the story that makes Final Fantasy VII what it is.

If you’ve made it this far, many thanks for reading. I truly have no idea how to use this platform, so please direct any and all hatemail to my DMs at TLS, which I will then direct to the trash. (In all seriousness, I’d be happy to answer any specific questions you may have, but I feel like I’ve more than said my piece here.)

If there’s one thing you take away from this, I hope it’s to learn to ignore all the ridiculous arguments out there, and just enjoy the story that’s actually being told. It’s a good one.

[doitwritenow]

Supreme Super family gets sucked up into WandaVision(let's imagine Tony's alive in this or is from the multiverse). Ironstrange think they're married with a high school kid. Tony is a science teacher, strange is town doctor, and peter is a regular kid. No memories of they're real life. Rhody, Pepper, and Aunt May and Morgan could be added to this too if you wanted.

OHHO! Sorry it took me so long to reply to this; I had to finish the show, for one thing, and then my brain started going all sorts of places with the prompt... and well. I have on heck of a ramble coming, so buckle up! 

(Also, spoilers through the series, so watch out!) 

— — —

It starts with a question on Vision’s job application.

That’s all. So simple, so innocuous, so innocent. Vision is casually recording information that he doesn’t yet realize he can’t remember, and he arrives at a line that asks his family history. It’s nothing complex, left on the application only because Wanda’s subconscious had glossed over the question. So does Vision’s, as a result. But he wants this job. They want to fit in, and so they answer the question truthfully.

Vision writes ‘Stark’, unaware. ‘Tony Stark.’

And pop. Just like that. 

On the edge of Westview, there suddenly is and has always been a small, well-kept mechanic’s shop. It’s run by an aging man with a bright mind and a brighter smile. He’s lived here since he came back from the war, but no one knows for how long. And he has no memory—no memory at all—of what came before. 

Of the round scar in the center of his chest. 

He doesn’t need to know. No one needs to know; he’s just a side character, after all. Just the answer to a line on a job application.

Just so that something, anything, about Vision’s life here isn’t a lie. 

-

Yeah, so Tony gets manifested within the Hex—but because he’s one of Wanda’s creations and not someone being mind-controlled, he is able to exist with agency within Westview. He has no reason, however, to believe anything is amiss; he’s been resurrected only to play a character, and his memories and surface-level motivations only extend to the limits of that character.

But Wanda has other regret. Wanda has other anger and understanding and forgiveness and gratefulness, and she knew Tony Stark, once. 

She knew his worst nightmare—and it’s easy to craft a soul from that, really.

(But it’s fine, of course it’s fine. Tony has no reason to pull down the walls of that hidden spirit. He’s content in his role, just like Vision. So it’s fine. 

… Right?) 

-

Agatha stands at the base of a towering barrier with her hands on her hips. One side of her mouth is quirked up into a considering, scheming smile, and her magic probes out around her curiously. This is the source of the power she’d felt; she’s sure of it. The spell work… the instinctual, unconscious spell work is so intense she can almost taste it.

How is it possible? What’s the secret? 

Agatha must know. And besides; this is the most interesting thing that’s happened to her since the seventeenth century. 

She’s about to reach out, about to cross into the heart of the magic, when she hears it. A footstep. Quiet and dark and making no attempt at stealth. 

Agatha grips her magic. “Who’s there?” she demands. 

Someone steps out of the trees. A human, Agatha thinks, though you can never be sure nowadays. He wears a hood of green and his hands are dark where they hang at his sides. 

“Witch,” the figure declares.

Agatha raises an eyebrow. “Can I help you?”

“Yes,” says Karl Mordo. “I rather think you can.”

-

Okay, cut to New York. Stephen Strange is exhausted, wrung dry trying to keep the edges of the universe from deteriorating now that the stabilization factors of the Infinity Stones have been destroyed. One task runs into the next, one morning into the night. One future into all the others. 

But Stephen likes the work; it keeps his mind in one place. He’s always alert these days. Always listening. 

So when someone calls out to him from New Jersey, he can hear.

It’s Mordo luring him in, of course, but he doesn’t know that yet. After Dormammu, and certainly after all those futures, Stephen has too much experience for Mordo to hope to get the better of. The old Master is still dedicated to his ‘too many sorcerers’ shebangerang, though, so he’s employed help. Maybe he can kill two birds with one stone. Two world-threateningly powerful magic users with one stone. 

Stephen follows the call, because of course he does. It sounds like a call for help; what else is he supposed to do? The kelpie situation in the Thames can wait. Wong waves him off, tells him to be careful without much hope of Stephen listening, and takes over the Sanctum for the few hours Stephen intends to be gone.

(It’s not for a few hours.)

-

But there’s someone else we should mention before we see what Westview has planned for Stephen. See, a certain spider-kid has just had his identity outed, and his only allies once called themselves Nick Fury and Maria Hill.

Nick Fury and Maria Hill, Peter discovers, are not Nick Fury and Maria Hill.

“You’re aliens?” Peter demands, his hands warding the space in front of him. 

Of course they’re aliens, part of him sighs. Of course. Why wouldn’t one more thing just go crazy in his life? Why let him remember what ‘normal’ even felt like? Why the hell not? 

“Er, yes,” says not-Fury. “My name is Talos. But we do still want to help you.”

Helping Peter doesn’t go according to plan. See, the Skrull try to approach SWORD for Monica Rambaeu’s help regarding the kid who saved their lives, but Monica has disappeared. 

Talos only turns around for two seconds. Really, it’s only a moment. But when he turns back, Peter Parker has disappeared, too.

-

“Woah.” 

Stephen stops, a hand coming up to shield his third eye as he squints into the absolute maelstrom of power swirling in a hexagonal wall in front of him. It doesn’t feel like the Order’s magic—not like something of the Mystic Arts. It’s something far more human and gritty. Stephen’s perception can’t extend through it. He frowns.

He takes a step forward, the Cloak swirling around his ankles, and begins to stitch his mental walls into place. His wards are strong, even unconsciously.

That’s probably what saves him, in all honesty. 

Two strong, human hands plant themselves in the small of Stephen’s back and shove him into the barrier. Stephen opens his mouth to yell, raises his hands to cast a spell— but blue and red are surrounding him now. Devouring him, now. They lick at his mind, slamming against unbreakable walls.

But they are unbreakable too. 

Stephen disappears. 

-

(Mordo used a portal to get behind him and knock him into the Hex, btw.) 

It’s those hasty mental walls that keep Stephen from being completely consumed into the Westview spells. He is not fully mind-controlled, nor is he left half-animated and frozen like most people near Ellis Avenue. But there is one main rule of Wanda Maximoff’s Westview, and that, Stephen can’t escape completely. 

‘No one remembers outside.’

Stephen doesn’t. In fact, he doesn’t remember anything at all. 

-

Tony Stark finds the man lying on the side of the road. He’s just finished dropping his kid Peter off at the Westview high school (it hasn’t occurred to him that it’s weird how he never sees the boy’s classmates. Or that Peter never seems to have stories from school. Or that the kid is always waiting in the exact same place that Tony dropped him off at whenever Tony comes to pick him up. Tony has no reason to think too hard; he’s just a side character—right?). 

“Uh, hi?” Tony pauses, the car puffing it’s irritation when he stops it too quickly. He cranks down the window and leans out. 

The man blinks, slowly, at the sky. He sits up hesitantly, like he hasn’t noticed Tony, and rubs his hand across his face. He pulls it away after a moment and frowns at it. Tony wonders why he looks so confused—it’s not like there’s anything wrong with the man’s hand. No scars or anything. 

“Hi, sir,” Tony says again. “Are you alright?”

The man jumps. He looks over at Tony—and there’s something weird about his eyes. Something… really weird. (Color, says a voice in the back of his mind that he hasn’t heard for a very, very long time. That’s color.)

“Who are you?” Tony asks. He parks the car completely now. 

The man looks down at his hands again. “I’m—” he begins. He’s frowning again.

“Come on now,” Tony encourages. “How hard can it be?”

The man tugs at the scarf around his neck—and it must be windier than Tony thought, because the edges of it are swaying as if of their own accord— and swallows. 

“I don’t know,” he says.

-

So of course Tony brings Stephen back with him. He prods at the man until Stephen manages to blurt out ‘Doctor Stephen Strange’ for no reason either of them can remember. But it makes Stephen relax, a little, to have it on his tongue. 

Tony catches Stephen staring at him after that. A lot. When he asks him why, Stephen has no clear answer; just a vague “you remind me of someone.” For Stephen’s part, all he knows is that seeing Tony gives him an indistinct sense of relief. Like he’d been missing someone deeply, and has now found it again. 

Still. He can’t quite put his finger on it. Just like he can’t quite put his finger on why his hands don’t hurt when he tries to write…

-

Vision visits Tony, sometimes, whenever he remembers, or whenever someone in the town mentions the old mechanic. He brings Wanda. They have fun, but Vision always goes home feeling slightly baffled. And Tony always feels like something hurts, deep in the center of his chest. 

Vision likes his adopted younger brother. (And Peter gets along just fine with the twins, too, when they come along, so Wanda doesn’t change anything about it). But when the man with the bright eyes stares at him with just a bit too much calculation on his face, Vision starts to be reminded of… things. Of suspicions. Of Geraldine and how she had no home and no history. And he doesn’t quite look Wanda in the eye that dinner. 

“What do you do?” Wanda asks, her voice a little hard, a little suspicious. Vision tries not to wince. Whatever it is she’s not telling him, this man at his father’s dinner table reminds her of it. 

Tony flips his fork, balancing it like one might a wrench. “Stephen’s a doctor,” he says.  

Wanda’s face flickers. “That’s funny,” she says blankly. “Because no one in this town ever needs one.” 

-

For a while, Tony Stark didn’t see anything amiss here. He was created, was consistent, was emptily and vaguely pleased. But Tony Stark is Tony Stark, whatever character he’s been told to play. Tony Stark wants to help people. 

And this man, this strange doctor with the eyes that would sometimes go blank for long minutes and the tears that would stain sharp cheeks for a reason he claimed not to remember, needs help.

So Tony Stark begins to scratch at Wanda’s walls. 

-

 “What do you mean he’s here?”

“I mean your little plan didn’t work,” Agatha says. She stands on the edge of Westview, speaking through a mirror of magic to the man outside. She’s liking this sorcerer less and less the more she works with him—but he has been rather helpful so far, so she continues to put up with him. 

“Does he remember?”

“No,” Agatha says. “The dad that Wanda made up for Vision has taken him in. It’s kind of adorable, actually.”

“Hm.” Mordo’s mouth twists. “You’ll finish the job?”

Agatha shrugs nonchalantly. “Sure. When I get around to it.”

“You don’t want to wait. Deal with Strange now, before he remembers how to be a threat.”

Agatha laughs. It’s brittle, fully conveying her hostility. “Ha, my good sorcerer, listen. Unless you want to come in here and do the job yourself, you’ll let me handle this my way.”

Agatha’s way involves getting to the bottom of things, of course. And that’s rather convenient… because Vision has begun to try to do the same thing. 

— — — —

Okay that’s all I have for now? The other bits are still solidifying in my mind, and it’s basically all Horrible Angst. I hope this scratches a little of the itch of your ask, though! Feel free, anyone, to add onto this if you’d like! I really enjoyed the show, and I think it has some really awesome AU potential. 

Thanks for the ask!!!

[picwew]

SQUAD UP! It’s time for Yuna and his crew of miscreant demons!

(Picrews are here, here, here, here, here, here, here, here, here, and here!)

The characters are, top to bottom, left to right--

Nakajima, Yuna: A human with unusually high magical potential. His specialty is the binding of demons into servitude, which he utilizes to stop particularly troublesome demons from threatening human populations across the globe. Most of the demons under his care were seduced by him, as he has quite a knack for making men want him. As such, several of his servants are vying for his favor, but, in his own words, “I don’t play favorites~”

Obviously, Yuna is a bit of a flirt. His tastes extend well beyond demons, into just about any non-human he can get his hands on. He has a ravenous appetite for handsome men, but no plans to settle down any time soon. It isn’t that romance doesn’t appeal to him, more that he’s still young and a little too free-spirited for anything permanent. The way he dotes on his servants, though, you’d certainly think he was in love with them, Nihil in particular.

Mourning Dove: Affectionately referred to by his coworkers as “Dovey”, this little fellow was the first of Yuna’s servants, and is therefore his most staunch defender. The details of his past are hazy, even in his own mind, but he was born into the slave trade, nameless, nothing, the psychological toll of which would not become apparent until his eventual escape. He was full of hatred for the humans who had callously treated him as property, and claimed many lives before Yuna was able to soothe his aching heart. “You’re pretty as a mourning dove,” Yuna told him. From that moment on, he decided that this would be his name.

Dovey is, above all, an empath. Much of his time recovering from a life of slavery was spent learning to feel again. Once he got the hang of it, however, he found that he felt a little too much, so much so that he’s become somewhat of a crybaby. When others are in pain, he is often the one to comfort them. His sweet disposition and cute appearance have earned him his coworkers’ love, although they still get a bit miffed with him whenever he tries to hog Yuna’s attention.

Dr. Callaway: An interesting case, and a tough nut to crack. Only Yuna knows his full name; no one knows his story. All he’s shared is that he was fingered for human experimentation, and that, no, he has neither learned his lesson nor wishes to. Still, he behaves himself well enough, perhaps because he is entirely obsessed with Yuna in the most unhealthy way. While most of his coworkers consider one another family, Dr. Callaway is detached and often mocking of their sentimentality.

As expected, Dr. Callaway is a terrible sadist. He takes great pleasure in hurting others in any way he can. Nowadays, this is limited almost entirely to insults and threats, but he has been known to get physical with others when Yuna isn’t looking. It doesn’t help that nothing seems to bother him in return. You could beat the man senseless, and he’d come out of it grinning like a jackal.

Corvo: This one was a misunderstanding--or, rather, a case of cultures clashing in a very gruesome manner. Corvo is a hybrid of demon and crowkin. Beastkin are not true demons, but are often lumped in with them, so mixed-race families are not uncommon. Unfortunately, this can lead to some problematic offspring, particularly when one or both of the parents are detached from human society. Corvo, like many crowkin, was taught that food is food, and that human meat is the most delicious of all. He bore no ill will toward humans, but his view of them as, essentially, cattle culminated in a visit from Yuna.

Following his binding, Corvo began the lengthy process of finding something he liked more than human flesh. This, as it turned out, was sweets--all sweets, from pastries, to ice cream, to candy. He had never had sweets before, and everyone agreed that they suited his bubbly, affectionate personality more than human flesh anyway. He is certainly the gentlest of all of Yuna’s servants, dedicated to his family and to protecting those in need. He’s especially fond of cats.

Erebus: Known by those who worship him as the Master of Crows, Erebus is an ill-understood being. He is ancient, but has had little to do with his own kind since time out of mind. Instead, he appears to have become so entwined with his worshipers that he can no longer live without their faith to sustain him. During the Northern Crusades, a great many of them were persecuted for their faith, and Erebus fell into a centuries-long slumber. Only when his followers began to grow in number again did he wake--and command those loyal to him to seek vengeance for their fallen brethren. Naturally, Yuna had a thing or two to say about that.

Erebus is highly asocial, but does not dislike his coworkers. It would be a stretch to say he views them as family; even so, he gets along well with them on the rare occasion Yuna can talk him out of his comfortable pocket of darkness. As the oldest of his colleagues, he is respected and even admired, but he cares little for the love of his own kind. He desires mortal love, which he receives through his worshipers. Due to their number still being relatively low, you’ll rarely catch him awake. Only Yuna seems able to rouse him, and only because Yuna is his “most cherished one”.

Mage: A troublemaker with a bark worse than his bite--but he can and will bite, so mind your fingers. Like Dr. Callaway, his true name is known only to Yuna. His coworkers know him as Mage, taken from Magenta, the name of the rather nasty chemical he produces to draw in his prey. He doesn’t harm them, but he has seduced many a married man away from his wife. Causing strife among couples is what he does best. As an incubus, he finds the taste of a married man’s energy too sweet to resist. So, of course, when he found himself seduced by Yuna, he was completely baffled--and absolutely obsessed. He still toys with married men now and then, when he gets the chance, but spends most of his time trying to talk Yuna back into bed.

Though rare, Mage can be persuaded to bust heads, and does so with the best of ‘em. He’s highly territorial, meaning that although he rather likes his colleagues, he often tangles up with them over Yuna’s affection. He is particularly hostile toward Nihil, who rather delights in teasing Mage with his closeness to their master. Outside of his romantic conflicts with his housemates, he tends to be rather lackadaisical, spending much of his free time lounging on every comfortable surface available. People find his presence enjoyable due to his easygoing disposition and passion for mischief.

Nihil: Of all the demons under Yuna’s employ, Nihil is the one who has come closest to winning his heart. Theirs is a strangely intimate relationship, one which Yuna insists is platonic--and yet, Nihil is at his side always, his obedient shadow. Of course, they weren’t always so close. Nihil is an inherently violent, cruel man whose sole purpose in life is to cause as much pain and grief as he possibly can. He is absolutely, positively insane, for no other reason than this is how he believes a demon should be. This is his aesthetic, and a demon’s aesthetic is absolute. He minds his P’s and Q’s now that he’s bound to Yuna, but never lets his “family” forget what he is, Yuna least of all.

Nihil loves no being, except, by his own admission, Yuna. He teases his master constantly, always pushing his limits, always pushing his buttons. “I am your loyal dog,” is a favorite line of his, spoken, with a pointed smile, whenever Yuna asks something of him. For some reason, it never fails to fluster Yuna, which allows Nihil to worm himself further into his darling’s heart. Unlike his colleagues, he is not afraid to get physical with Yuna, and many of their more heated arguments have ended in the bedroom. Whether Nihil actually enjoys servitude remains to be seen, but for Yuna, he would pull the moon from the sky.

Pox: The general consensus on Pox is “unfriendly, but not unbearable”. A life of self-isolation has made him difficult to approach, even more difficult to befriend, especially given that everyone he’s ever loved, he has killed. He is a demon of sickness, of plague and of rot, of suffering so old as to be carved into the bones of the earth. When he was young, he could not control the disease that spread from him. Though his mortal mother tried desperately to guide him, eventually, she was overcome, and Pox left the village he had once called home, now populated only by the dead and dying. He learned then that he could not live among his mother’s people, but he knew nothing of his father’s. Rather than seek them out and put them at risk as well, he exiled himself to the outskirts of human society, interacting with it only when necessary. With time, he came to understand his power, and was able to control it--but his peaceful life came to an end when one of the few humans he had allowed himself to love was killed in a botched robbery. Pox designated himself judge, jury, and executioner, and it wasn’t long before Yuna showed up on his doorstep.

Pox hides his self-loathing under a cold, hard outer shell. His mask is flawless, perfected through a lifetime of guilt, and he allows no one near enough to break it. His coworkers believe that they are despised by him, but in truth, he loves each of them with every inch of himself. Saying so is difficult, though, and such an admission would only encourage them to endanger themselves. He may be in complete control of his magic most days, but there are times even now when he catches himself slipping. He is desperate to protect Yuna and the strange family they have all built together, so much so that he would rather suffer in silence than risk their lives asking for help.

Seta Sericum: The peculiarity of his name has led to his coworkers calling him Silky, a moniker which he has accepted only begrudgingly. Silky is a Nephalem, the product of a love between angel and demon. Typically, his fathers’ love for one another would have ended in tragedy, but the two stayed together even after their angelic half was cast from divinity. Silky was raised in a happy home, albeit a mobile one; his fathers couldn’t risk staying in one place for too long, lest the Church track them down. Ultimately, it was the Church, their greatest fear, that was their end. They were cut down while protecting Silky, who was forced to flee in the vain hope that his absence might somehow save his fathers. The Church searched for him, but he had hidden himself well. Now an orphan, he swore vengeance on his parents’ murderers--and he got it too, once he was old enough to control his immense magical power. He despises the Church, but killed only those among its ranks who had directly harmed him. Regardless, Yuna came for him, and he submitted to servitude as recompense.

Silky’s demonic father was a real fop of a man, and his son is no different now that he’s had a chance to adjust to a normal life. He insists that everyone pull their own weight, that everything be in its place at all times, and has a fondness for indulgences such as expensive wine and imported chocolates. Without these little luxuries, he would surely have gone mad, for both his mischievous master and his trouble-making housemates frustrate him to no end. He has tried, with mixed success, to serve as a role model for them, but, oh, they are all such children. Dovey is far too naive, Dr. Callaway is far too sadistic, Corvo is far too oblivious, Mage is far too flirtatious, Nihil is far too violent, Pox is far too cold, and Vincent is far too reclusive. Erebus, at least, is well-behaved, though Silky thinks he could stand to mingle more with the group.

Vincent Blythe: On the forefront of medical progress during the Victorian Era, Dr. Vincent Blythe has become little more than a shell of his former self. When his prostitute mother was murdered by one of her stags, something snapped in him. He began targeting, torturing, and finally killing any man who frequented brothels or whom he had seen with street-walkers, believing himself to be the protector of his mother’s people. It was only then when he realized he was something more than human. His father, it turned out, had been a demon who had fallen terribly in love with his mother, but whose feelings had been spurned by her. After receiving a near-fatal wound in a skirmish with a prominent vampire hunter of the day, Vincent tucked himself away in a dark corner of London to heal. He slept for over a century, and when he woke, attempted to pick up where he’d left off. Confused, his trauma still fresh in his mind, he killed all who drew near. Phone calls were made, flights were booked, and Yuna arrived on scene to bring him back to his senses.

Vincent is terribly withdrawn. On the one hand, he is distrustful of all humans, and men in particular frighten him. On the other hand, he has had little to no experience with his own kind, and so struggles to fit in among them. He finds himself at an impasse, unable to shake the trauma of his mother’s murder, and equally unable to bond with his father’s kin. Because of this, he is prone to bouts of violent madness when he feels that he is being threatened, or when he wakes from particularly vivid nightmares, in which he witnesses his mother’s murder and can do nothing to stop it. Dr. Callaway has oft remarked that Vincent is a genius, a true medical prodigy, and that it is too bad he’s so “broken”.