#and like i know what you might be thinking about it being propaganda

[myvirtuesuncounted]

y'all should definitely watch this docuseries, i'm so serious

[blluespirit]

I sort of like the thought that Zuko and Aang take the Sun Warriors' warning not to tell anyone about the dragons a little more seriously… and they keep it between them. Of course, they trust Sokka, Toph and Katara. Of course they know they wouldn’t tell anyone, but now three people (including Iroh) know the truth about Ran and Shaw. And that’s three too many when you’re trying to keep a secret.

(and there are other people at the temple as well - like Haru, Teo and The Duke - who, while trustworthy, aren’t as close to them as the others, and when it comes to secrets with as much consequence as this one, you can’t afford to take any chances.)

Furthermore, the culture within the Fire Nation since Sozin’s rein has been warped. The culture is not to respect the dragons as the original firebenders, it’s to conquer and kill them. It’s the ultimate proof of your strength as a firebender. All it takes is one mistake before rumour spreads, and people go looking for the ultimate hunt. It’s not something Zuko or Aang can risk.

Whether Katara, Toph and Sokka (and Suki) ever find out the truth is up to you. But post-war, after Zuko returns from a strange, poorly explained trip with a dragon, and eventually develops the ability to use rainbow fire, either the others have some questions about Aang’s knowing look, or they are finally let in on a monumental secret.

[laststandx3]

what are ur best terror ships??? /wllipt

so as you might have guessed I have a soft spot for hickey. so hickey/gibson and hickey/tozer are my faves.

Adding on this i can add the unappreciated and overlooked but with actually a lot of potential ship: gibson/tozer, hear me out: they're in a situationship with the same weird little guy but they're polar opposite (introvert vs extrovert, judgy vs friendly, self-reliant vs loyal, it's-not-personal-but-it's-finished vs get-me-off-these-chains-cornelius!, we'll-be-flogged vs walking to the gallows together aka not wanting trouble vs risking everything) and yet those two clever, practical, peaceful, skilled men fall for the same guy.

I think exactly for those contradictions they can have such an interesting dynamic.

If Billy had more scenes people would appreciate him more. Tozer gets flashed out a lot more, has different interactions and we get to see his character arc. Billy's arc tho happens mostly off-screen. even his talk with irving is off-screen. we don't see how billy reacts AFTER the flogging (it's implied he and hickey didn't interact much and that hickey spent more time with the marines) but then again we see so little from billy's pov one really needs to pay attention to him to notice the shades of his personality.

anyway. i got lost, back to the question: gibson/hickey/tozer is my ot3, because on one side

-> tozer adds a sense of stability to hickey/gibson that they alone don't have.

on the other side

<- gibson is the reality check to hickey/tozer. dont get me wrong but hickey/tozer is also (much slower than hickey/gibson) on a self-destruction path. you know tozer can't say no to hickey until it's too late. So billy would be the canary to the coalmine that can be hickey's lastest scheme.

basically I'm a hickey shipper, with the right setup i'm all for hickey/manson, hickey/irving, and even hickey/hartnell. hickey/goodsir too! i forgot about them

i see why people might enjoy hickey/crozier but i'm not part of the 'fuck that old man' club so i don't actively look up for those.

I can also see the appeal for hickey/jopson, but to me jopson isn't flashed out enough to be interesting. he's just very needy for crozier approval. to me he doesn't carry anything on his own, he's got eldest daughter syndrome and he's the guy from tweeter who says i don't have an opinion on my own, if a beautiful girl tells me to change my mind I will. but for crozier. sorry for the jopson enjoyers. nothing personal, that character doesn't resound with me. i don't have daddy issues.

other ships i enjoy are: tozer/armitage, manson/hartnell, heather/being alive, anyone/hodgson bc hodge is a case study, it's interesting for interpretation. honorable mention goodsir/silna

honorable non-mention bridgens/peglar, bc they're already happy in canon or into a realtionship of some kind so i don't feel the need to explore that more.

and this is it.

hope you found this answer interesting and...not to long and have a good day <3

[iamthedukeofurl]

Discworld is an interesting beast in the age of ACAB. Like, the city watch books are a story about police and the way in which a good police force can help and protect people. Which would make it copoganda. And I'm not going to say that the City Watch books are completely free of copoganda, but they also do something interesting that fairly few stories about heroic police officers do, and I think it has a lot to do with Samuel Vimes. A lot of copoganda stories like, say, Brooklyn 99, are perfectly capable of portraying cops as cruel, bigoted, and greedy, but our central cast of characters are portrayed as good people who want to help their communities. The result is that the bad cops are portrayed as an aberration, while most cops can be assumed to be good people doing a tough job because they want to help protect people from the nebulous evil forces of "Crime". The police are considered to be naturally heroic. Pratchett does something very interesting, which is provide us with Vimes' perspective, and present us with an Unnaturally heroic police force. In Ahnk-Morpork, the natural state of the watch is a gang with extra paperwork. It's the place for people who, at best, just want a steady paycheck and at worst want an excuse to hit people with a truncheon. Rather than be an army defending people from the forces of Crime, the Watch is described as a sort of sleight-of-hand, big burly watchmen in shiny uniforms don't stand around in-case a Crime happens in their vicinity, they stand around to remind people that The Law exists and has teeth. The Watchmen are people, when danger rears it's head, their instinct is to hide and get out of the way. When faced with authority, their instinct is to bow to it out of fear of what it might do to them if they don't. Carrot is a genuine Hero, but his natural heroism is presented as an aberration. Normal Cops don't act like Carrot does. The fact that the Watch ends up acting like a Heroic Police Force is largely due to the leadership of Sam Vimes, but Vimes himself is a microcosm of the Watch. The base state of Sam Vimes would be an alchoholic bully of an officer, one who beats people until they confess to anything because that makes his job easier. Vimes The Hero is a homunculous, an artificial being created by Sam Vimes fighting back all those instincts and FORCING himself to behave as his conscience dictates. Vimes doesn't take bribes or let his officers do the same because, damnit, that sort of thing shouldn't happen, even if doing so would make things a lot easier. Vimes doesn't run towards sounds of screaming because he WANTS to, he forces himself to do so because somebody needs to. It's best summed up in Thud “Quis custodiet ipsos custodes? Your Grace.” “I know that one,” said Vimes. “Who watches the watchmen? Me, Mr. Pessimal.” “Ah, but who watches you, Your Grace?” said the inspector with a brief little smile. “I do that, too. All the time,” said Vimes. “Believe me.”

In the hands of another writer, or another series, this exchange would be weirdly dismissive. To whom should the police be accountable to? Themselves, shut up and trust us. But from Vimes, it's a different story. Vimes DOES constantly watch himself, and he doesn't trust that bastard, he's known him his entire life. The Heroic Police are not a natural state, they're an ideal, and ahnk-morpork only gets anywhere close. Vimes is constantly struggling against his own instincts to take shortcuts, to let things slide, but he forces himself to live up to that ideal and the Watch follows his example. Discworld doesn't propose any solutions to the problems with policing in the real world. We don't have a Sam Vimes to run the NYPD and force them to behave. We don't have a Carrot Ironfounderson. But it's at least a story about detectives and police that I can read without feeling like I'm being sold propaganda about the Thin Blue Line.

[foone]

Look if there's one thing, just one thing, that I wish everyone understood about archiving, it's this:

We can always decide later that we don't need something we archived.

Like, if we archive a website that's full of THE WORST STUFF, like it turns out it's borderline illegal bot-made spam art, we can delete it. Gone.

We can also chose not to curate. You can make a list of the 100 Best Fanfic and just quietly not link to or mention the 20,000 RPFs of bigoted youtubers eating each other. No problem!

We can also make things not publicly available. This happens surprisingly often: like, sometimes there'll be a YouTube channel of alt-right bigotry that gets taken down by YouTube, but someone gives a copy to the internet archive, and they don't make it publicly available. Because it might be useful for researchers, and eventually historians, it's kept. But putting it online for everyone to see? That's just be propaganda for their bigotry. So it's hidden, for now. You can ask to see it, but you need a reason.

And we can say all these things, we can chose to delete it later, we can not curate it, we can hide it from public view... But we only have these options BECAUSE we archived it.

If we didn't archive it, we have no options. It is gone. I'm focusing on the negative here, but think about the positive side:

What if it turns out something we thought was junk turns out to be amazing new art?

What if something we thought of as pointless and not worth curating turns out to be influential?

What if something turns out to be of vital historical importance, the key that is used to solve a great mystery, the Rosetta stone for an era?

All of those things are great... If we archived it when we could.

Because this is an asymmetric problem:

If we archived it and it turns out it's not useful, we can delete.

If we didn't archive it and it turns out it is useful, OOPS!

You can't unlose something that's been lost. It's gone. This is a one way trip, it's already fallen off the cliff. Your only hope is that you're wrong about it being lost, and there is actually still a copy somewhere. If it's truly lost, your only option is to build a time machine.

And this has happened! There are things lost, so many of them that we know of, and many more we don't know of. There are BOOKS OF THE BIBLE referenced in the canon that simply do not exist anymore. Like, Paul says to go read his letter to the Laodiceans, and what did that letter say? We don't know. It's gone.

The most celebrated playwright in the English tradition has plays that are just gone. You want to perform or watch Love's Labours Won? TOO FUCKING BAD.

Want to watch Lon Cheyney's London After Midnight, a mystery-horror silent film from 1927? TOO BAD. The MGM vault burnt down in 1965 and the last known copy went up in smoke.

If something still exists, if it still is kept somewhere, there is always an opportunity to decide if it's worthy of being remembered. It can still be recognized for its merits, for its impact, for its importance, or just what it says about the time and culture and people who made it, and what they believed and thought and did. It can still be a useful part of history, even if we decide it's a horrible thing, a bigoted mess, a terrible piece of art. We have the opportunity to do all that.

If it's lost... We are out of options. All we can do is research it from how it affected other things. There's a lot of great books and plays and films and shows that we only know of because other contemporary sources talked about them so much. We're trying to figure out what it was and what it did, from tracing the shadow it cast on the rest of culture.

This is why archivists get anxious whenever people say "this thing is bad and should not be preserved". Because, yeah, maybe they're right. Maybe we'll look back and decide "yeah, that is worthless and we shouldn't waste the hard drive or warehouse space on it".

But if they're wrong, and we listen to them, and don't archive... We don't get a second chance at this. And archivists have been bitten too many times by talk of "we don't need copies, the original studio has the masters!" (it burnt down), or "this isn't worth preserving, it's just some damn silly fad" (the fad turned out to be the first steps of a cultural revolution), or "this media is degenerate/illegal/immoral" (it turns out those saying that were bigots and history doesn't agree with their assessment).

So we archive what we can. We can always decide later if it doesn't need preserving. And being a responsible archivist often means preserving things but not making them publicly available, or being selective in what you archive (I back up a lot of old computer hard drives. Often they have personal photos and emails and banking information! That doesn't get saved).

But it's not really a good idea to be making quality or moral judgements of what you archive. Because maybe you're right, maybe a decade or two later you'll decide this didn't need to be saved. And you'll have the freedom to make that choice. But if you didn't archive it, and decide a decade later you were wrong... It's just gone now. You failed.

Because at the end of the day I'd rather look at an archive and see it includes 10,000 things I think are worthless trash, than look at an archive of on the "best things" and know that there are some things that simply cannot be included. Maybe they were better, but can't be considered as one of the best... Because they're just gone. No one has read them, no one has been able to read them.

We have a long history of losing things. The least we can do going forward is to try and avoid losing more. And leave it up to history to decide if what we saved was worth it.

My dream is for a future where critics can look at stuff made in the present and go "all of this was shit. Useless, badly made, bigoted, horrible. Don't waste your time on it!"

Because that's infinitely better than the future where all they can do is go "we don't know of this was any good... It was probably important? We just don't know. It's gone. And it's never coming back"

[candyskiez]

so, you've heard shows be recommended because they had gay characters. you don't really know what they're actually about though, and don't know if they'd be something you'd be into and are worried about spoilers. here's spoiler free plot summaries of em!

The Owl House

The Owl House starts out as a typical teenage girl goes into a fantasy realm story, but with a twist. Actions have consequences. The protagonist is a girl named Luz Noceda, who was being sent to a camp to make her behave normally by her mother after causing too much trouble at school. She ends up finding a place she's always dreamed of: a fantasy world. A world where everyone's so much weirder than she is. And she thinks, maybe if I don't belong out there, maybe people will like me here. Maybe I can be special here.

It's a story about found family, propaganda, erased history, living with disability, religious trauma, and neurodivergence. It's fundamentally a show about people who's brains work differently finding each other and making a family that treats them right. Definitely my favorite of the ones on this list. It's about people who've been oppressed being pissed about it and about finding yourself again after giving up on everyone around you for so long. It's basically a show about being a minority and trying to be understood and to understand yourself in the process. It's about growing up neurodivergent and how isolating it feels and figuring yourself out. It's about repairing broken relationships and parents who fuck up. And it's just. Such a love letter to anyone who was the weird kid in school. It's sad and heartbreaking and also so hopeful, and it's wonderful.

Content warnings: Abuse, Death, Grief, Animal Death, Suicidal thoughts, Vague suicide attempts, Depression, blink and you'll miss it s/h, body horror, religious trauma

She Ra and the Princesses Of Power

Adora was raised in the Horde since she was a baby, being fed propaganda about how cruel the princesses were. After learning how the horde actually was, though, she defects. But there's one problem. Her best friend, Catra, stays behind. Adora finds a sword that can transform her into She Ra, and might be the key to figuring out who she really is, while Catra takes her place as force captain.

It's a story about abuse, at the end of the day. Adora and Catra were stuck in a golden child and scapegoat dynamic, despite how much they care about each other. This leads to them knowing everything about each other but not understanding it. There's a fundamental disconnect between them, because both of their traumas are completely different. They have complete misconceptions about each other. Even in their initial split, they both have completely different perceptions of what's going on and why the other is upset. It's not a story about magic princesses, it's about the cycle of abuse and what makes it so complicated. Does it have flaws? Yeah. But ultimately I really really enjoy it, and when it does something right it does something RIGHT. Get through season one, it starts kids show-y but it gets very good during later s1.

Content warnings: Abuse (obviously), body horror, gaslighting (and I mean actual gaslighting, not what the Internet thinks gaslighting is), suicide, depression, flashing lights and eyestrain during the finale

Steven Universe

Steven Universe is a sins of the father story. Steven is the son of the leader of the rebel group The Crystal Gems, who's name was Rose Quartz. He navigates the confusion of being half gem and half human, as well as trying to figure out the mess of the rebellion and what his mother left behind. He's constantly in her shadow, for better or for worse.

It's a story about grief. How it impacts relationships, how it taints history, how it impacts family. It has some definite flaws, but ultimately it's about very flawed people who have lost so many people in their life trying to cope with it. Trying to handle what they lost and trying to adjust to life without them. It's about how expectations fuck a kid up and about agency and just a show about complicated relationships in general, at the end of the day. Also, it has some FANTASTIC music.

Content warnings: Grief, Abuse, body horror, very creepy people I don't know how to tag, heavy allegories for homophobia

Nimona

Nimona is a story about a guy who gets framed for murder. His name is Ballister Boldheart, a commoner who hoped to become a knight. It seemed everyone was waiting to watch him fail, so it was no surprise when he was the immediate target. Heavily injured and away from the man he loves, he's left alone trying to figure out a way to prove his innocence- until a strange kid comes into his life. This kids name is Nimona, and while he is intent on proving his innocence, she gave up on being anything but a villain a long time ago.

It's about deconstructing the model minority myth, trans rage, propaganda, and with a healthy dose of "FUCK the police".

Content warnings: Heavy injury, on screen suicide attempt, flashing lights

feel free to add more shows! just remember to keep the summaries as spoiler free as you can and add content warnings!

[cazort]

If you are trying to talk about the situation in Gaza and with Israel and Palestine in general, and you feel like you're talking to a wall when you are talking to conservatives or even liberals who are parroting the Israeli hardliners' propaganda, here is something that is important to remember.

People have been fed literally decades of propaganda on these issues. And people's views are not going to change overnight. A topic like genocide is a heavy topic and it can be hard for people to even entertain it, mentally.

This doesn't mean, however, that they're not going to change, and that they're not going to realize what is going on.

There are some people who were posting pro-Israel stuff vehemently a couple weeks ago, who have mysteriously become silent. Who knows what is going on with them? Maybe they're confused, maybe they're uncertain.

I also have seen online communities where there was an overwhelming pro-Israel sentiment weeks ago, where suddenly, people are having some tougher discussions and some of the concerns about Israel's actions are being actually engaged with instead of dismissed outright.

I have also seen people who have previously never talked about these issues, even people who barely knew anything of it, become moved to action and start sharing a ton of material, talking to people, and getting active politically.

What I am saying is to persist. And persist in sharing your material and talking to people who you might not think are open. Public sentiment is changing and we can make a sea change if we keep going. And we need to because so much is at stake.

[hotjaneaustenmenpoll]

Third Place Poll

Propaganda...

Colonel Brandon (1995):

Alan Rickman has the sexiest voice. Just listen to him reading poetry to Marianne at the end to witness how hot he is.

Alan Rickman simply embodies the truth of Col. Brandon in a way that no one else every could. It's the perfect merging of actor and role. He brings the perfect combination of honor, decency, sensitivity and passion. He is the ultimate mensch.

Brandon propaganda in which even the film's director agrees that Brandon is sexy.

More Brandon propaganda! This photo could only be published in black and white because it would have been too powerful in color (the original color version is currently being used to provide electricity for a medium sized town in Devon. It's THAT powerful).

The brim of the hat falling over his eye. The casual lean. The hunting rifle slung across his leg. The puppy bestie. The fact you know he could row that boat while you watch and wish you were the boat.

From Emma Thompson's diaries which she kept while they were shooting Sense & Sensibility. Emma Thompson said vote Colonel Brandon.

The man has just heard her sing for a minute and he’s positively awestruck!

also adding his adorable adorable smile just bc i can.

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

GIF by dearemma

I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

GIF by night-unfurls-its-splendour

Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

64.media.tumblr.com

Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

GIF by christophernolan

GIF by sashajames

GIF by christophernolan

I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

GIF by myforeverworldofmovie

It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

GIF by elinordash

[animentality]

Dude I'm so confused

Why are the redditors refugees here-

Whats up with the tag 196

AND WHY IS EVERYONE BEING SO NICE WITH THE TWITTER REFUGEES CAME WE GAVE THEM HELL (almost)

The Reddit refugees are here because several subreddits have gone private in protest of reddit's new policy of charging third party developers for access to its API.

Hence the term reddit blackout.

196 specifically was a very queer friendly subreddit that had one rule: that you post before you leave. 196 is trending because those Redditors have come here and they're basically sharing their memery here instead as they protest reddit's greed.

As for why we're welcoming them when Twitter refugees were seen with a little more irritation, well.

Think of the culture similarities.

Tumblr and reddit have far more in common than Tumblr and Twitter.

Twitter is about clout and manipulating algorithms and discourse in 280 characters or less. It's about bad takes that reach the right people and it forces you to see things you don't want to see and it's crawling with the worst people imaginable and you're forced to see them, all the time. They also brought bad tagging and 2016 Tumblr discourse with them, because Twitter culture really involves starting fights for clout and braindead opinions that no one really wants to come back to Tumblr culture.

There was a time when Tumblr did the same thing, but worse, with more words...but nowadays, it's really calmed down.

The worst people...went to Twitter after the porn ban. Ironically, it made the site less toxic and hostile.

But then they came back.

And it was like...hm. no thanks. Stay back where you came from.

But Tumblr and Reddit have much more in common.

Both have a more streamlined way of customizing your online feed. You can choose what subreddits you see on your home screen, just like Tumblr only shows you the content of your followers, on your dashboard, and in chronological order rather than what's trending. You can join a very specific weird niche group of freaks with a shared obsession, and not care about the rest of the site at all. You also don't have a character limit on either site, which lets you ramble more and share weird detailed stories.

Reddit might have karma, but like Tumblr, the majority of people are lurkers and not posters. It also allows you to downvote bad opinions, and moderators who have to adhere to certain guidelines of behavior, which means a lot of banning disruptive people.

Granted, sometimes their mods are power hungry, but. You know.

It does more to control its users than Tumblr do, and that's a good thing in terms of keeping toxicity and illegal shit off its subs.

Reddit also has a way more leftwing attitude than you would think.

It has a reputation for being full of incels but I honestly think that's outdated.

It's cleaned up its act quite a bit since the old days.

I see way more vile shit from Twitter and TikTok. Like seriously.

Twitter is crawling with conservative bots and propaganda machines and just outright inflammatory lies. TikTok literally has the worst comment sections I've ever seen, like edgy teenagers cracking racist and misogynistic humor and acting like it makes them different and special. Its algorithm also spoon feeds you garbage and is designed to be as addicting as possible.

At least reddit's culture, while chauvinistic and regressive in certain subcultures, is mostly on the tech positive, atheist libertarian side.

It can be a little pretentious and caustic about certain subjects, and a little full of itself. Some reddits are also very male leaning and disregard female concerns in favor of moaning about how men have it worse than anyone else on earth.

But for the most part?

...well.

I welcome them here, because if they left reddit in protest, then we always support protests. But 196 specifically is also a queer subreddit, and we support that even more.

Plus they're funny as fuck.

What's not to like, really?

You should welcome them with open arms too.

[hotvintagepoll]

Propaganda

Angela Lansbury (The Harvey Girls, The Court Jester, The Manchurian Candidate)—The babe, the myth, the legend. In her own words her early hollywood roles were "a series of venal bitches" and they were all glorious. Half of them wanted to kill you and you probably would have thanked them. She even goes toe to toe with Judy Garland in The Harvey Girls! That said, she was chronically underused and misused during this era - she was just 36 when she was cast as Elvis Presley's mother in Blue Hawaii and a few years later commented that she'd played so many 'old hags' that most people thought she was in her 60s. She thought she was "all talent, no looks" but she was the full package! Post-1970 I hope we all know what an incredibly talented and compassionate badass she was, but I feel like not enough people know her early roles as a hot (often villainous) young thing.

Angie Dickinson (Rio Bravo, Point Blank, Ocean's Eleven)—Though it could be argued that overall her career leans more to TV, during this time period she was splitting movie title credits with the very top names in the business.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Propaganda for Angie Dickinson:

Propaganda for Angela Lansbury:

"Angela Lansbury might not be where your mind goes first when you think of hot leading women, because she had a later career revival. But she began acting in the early 1940s after leaving London due to the Blitz. In the first couple decades of her film career she has an openness about her. She said she never really fit in with the Hollywood crowd and to me she gives off a friendly, untarnished vibe."

"Most of us know Angela Lansbury as old lady sleuth Jessica Fletcher, but it's important to know that she was smoking hot in her younger days as well as a damned fine actress. Although she didn't get lead roles until her early 40s, at 17 she was a supporting actress in films such as Gaslight (1944), National Velvet (1944), and The Picture of Dorian Grey, for which she won the Golden Globe for best supporting actress and was nominated for the Oscar. Even in her memorable performance as the manipulative mother in The Manchurian Candidate, she is listed as a supporting actress as she does not play the love interest. She was successful both on stage and screen, and won the Tony for her lead role in the musical Mame on Broadway in 1966. TL;DR While Angela Lansbury mostly played supporting roles in films before 1970, she had what it takes to be a leading actress, which we know from her success on stage and tv from the mid 60s onward"

"She looked like a princess but bit like a viper"

"Is there anything this woman couldn't do? Act in comedy and drama, sing, dance, be a wonderful human being - quite simply a true and wonderful lady."

"god she had such an incredible career all throughout her life really but as a young lady she was just as incredible as she was in her later years. enchanting voice, amazing personality, and absolutely GORGEOUS. she lamented not having the looks to play leads in romance but that idea is so batshit because look at her??? she's one of the most terrific women of all time. also she's my grandmother's favorite actress and i truly get it"

"she is the fairytale princess of my dreams in court jester"

[yandere-daydreams]

hi. so this is kind of a random musing that doesn't have anything to do with what youve been talking abt on your blog recently so feel free to ignore it, but i love how you write yandere nanami and between going live and an ask one of my followers sent me i kinda had a revelation. i wanted to see if you had any thoughts.

i think that before meeting reader nanami would be a virgin.

even if were talking non yandere nanami, i don't think he's ever had sex. i can't see nanami being the kind of person who likes hookup culture - he doesn't want to be used by someone - but i don't think he'd be able to justify getting in a romantic relationship because his job is so dangerous. he wouldn't want to die one day and leave his partner widowed. so he stays celibate, he's come to terms with the fact that he'll die untouched.

(he just jerks himself to freaky ass porn to get his fix (maybe even a camgirl hehe))

at least, until he meets a woman who makes all of his morality fly out the window.

suddenly, his sex drive is higher then ever. he's cumming into his fist every night to the thought of this special girl doing abhorrent things on his dick. he loves her. he's never loved someone this much in his entire life so she has to be the one to deflower him. that's probably one of the most romantic things someone can do in his mind, so it has to be her. she's his soulmate

all of this to say, i think nanami would kidnap reader and force her to teach him how to have sex through some fucked up means. it just tickles something in me imagining how stupidly giddy he'd be, so unabashedly pathetic as he undresses a woman for the first time.

like, him holding her hand with his forehead pressed to hers, cumming inside of her, jumping through as many mental hurdles necessary to justify what he's doing (or maybe just not caring bc she'll come around eventually, right?)

i love your work. thank you for listening to my ramble. <3

tw - non/con, kidnapping, manipulation, delusional behavior.

no no no i agree entirely,,, no amount of propaganda can convince me that any of the jjk men every had their dicks touched before the age of twenty-five at least, with nanami probably being the worst offender among them. i mean, he doesn't really connect with people outside of the sorcerer world, not really, not in a meaningful enough way to lead to that kind of intimacy, and as for other sorcerers... no. just no. he'd rather die a virgin than resort to anything as desperate as that, which is quickly becoming a very tangible reality.

and then he meets you (or, alternative, stumbled onto your stream at some ungodly hour, his cock already in his hand and his pleasure-deprived brain frantic for something soft and pliable to latch onto), and he decides that it might not be so bad to consider alternatives after all.

i can see it going one of two ways: if he has any reason at all to believe that you're also a virgin, whether or not it's true, he'll immediately lose all patience. if that wasn't the case, he might be able to take his time, stalk you for a few months before consummating your blooming relationship, but now he's on a clock, now he has to get to you before someone else does. he still tries to make it romantic, lights candles and brings you flowers and all that, but he's rushed, panicked, babbling incoherently about 'being each other's firsts' as he haphazardly undresses you. it's a miracle he remembers to do any prep at all - he's just in such a rush to be inside of you, to be the first and only person to every know what it's like to fully, genuinely actually be with you. if there's any pain, he'll comfort you later, make up for two and a half decades of abstinence with his tongue and hands, but only after he's already ruined you for anyone else.

if you're not a virgin and he can't make himself believe you are, then he'd probably go a little less absolutely feral (at first, i mean). don't get me wrong, you're still getting kidnapped asap, but rather than a beacon of innocence and purity that he can taint, you're the corruption forcing him to fall from grace, and he's going to want you to act like it. he's got a list of virginities he needs to to take (his first handjob, his fist blowjob, the first hickey, etc.), and between every milestone, he's going to want you to teach him how to pleasure you, even if you're still insisting you'd rather not let him touch you at all. he wants your full participation - it doesn't matter how many times he makes you cum on his tongue while you're sobbing into your pillow and trying to block him out, he's not going to stop until he hears your sweet voice encouraging with the little 'right there, kento's and 'good boy's he's made you rehearse. by the time you actually take his virginity, he's going to have made you feel dirtier than you ever could've made him feel, but so long as he's the one you're feeling dirty with, nanami doesn't really mind. not when he's buried inside you, his chest pressed into yours and he's too lost in his own pleasure to think the tears staining your cheeks are anything but beautiful.

anyway loser virgin nanami you will live forever. perhaps loser virgin gojo will pay for his crimes next.

[insufferableprotagonistpoll]

Propaganda why Tony Stark is insufferable:

>Makes weapons

>Billionaire

>Made multiple AI Surveillance Robots

>Gaslight a child into fighting a super soldier in a foreign country for him

>His fans are annoying

Portrayed as a hero because? He chose to no longer mass produce war weapons and bombs after suffering the consequences. Huge hypocrite. Doesn't care about anyone but himself. Will backstab people if they believe in human rights when it's inconvenient to him. Seen as a hero while he's the personification of privileged people saying they're not privileged

There’s the usual “he’s a war criminal who only felt bad about it when he realized his weapons were killing white Americans as well as Arab people” reason, and also he’s just super annoying. You had to be there for the original Avengers shitty dialogue a la “we have a Hulk” that had Tumblr in a vicious chokehold. Also he was supposed to FINALLY go away after destroying all his suits in Iron Man 3 but he just… didn’t! Which is bullshit.

Tony is so annoying. When they first meet he straight up bullies Peter into fighting for his personal bullshit, insults and objectifies Aunt May in front of him, spits into his trashcan and is in general being pushy af. He blackmails Peter when he doesn’t wanna come to Germany with him AND HE DOESNT EVEN EXPLAIN WHY HE WANTS HIM TO COME. Uncomfortable vibes lol.

Tony being the one to tell peter “if Captain America wanted to hurt you he would’ve” when Peter was trying to state his case, yet HE’S also the one who put Peter in harms way when he didn’t even want to go with him???

Telling Peter that he should stick to being a “friendly neighborhood Spider-Man” (stealing his thing once again) when that’s what Peter _was_ doing before Tony took him out of his zone and filled his head with grander things to be apart of….bitch? Die. Ohh waaaait (jkjk) but yeah

Super long, sorry lol

Thinking about how in Homecoming when Peter accidentally caused that boat to get split in half because the Vulture’s gun exploded and Tony was acting like as if Peter was completely in the wrong for going there just because he did it without his permission. He was acting like as if Peter was out of line and “disobeyed him”, trying to act like his father. And then I remember how in CACW he’s the one who scouted Peter in the first place just because he saw he might be useful against a personal squabble between him and Captain America despite knowing that he was a kid and he’s just now acknowledging how dangerous it is because Peter “acted on his own”

Completely hijacking Peter’s superhero story and trying to control his every move (Training wheels protocol and baby monitor thing he put in the suit), acting like Peter should’ve known that Tony would send someone in despite the fact that he’d been ignoring him for 2 months since Civil War and not keeping him updated on anything!!

How the hell is peter supposed to know Tony is going to listen to him when he treats him like a kid instead of a superhero when it’s convenient for him? And when Tony loses his temper after Peter says he’s 15 not 14 like “the adult is talking” bitch he could literally flatten you without your suit!!!

I guess in a way he is acting like a father but like the absentee kind. He’s more like a sperm donor father trying to act like he has any rights over Peter’s life smh.

It’s not that reprimanding Peter for the situation is bad, but the way he makes it seem as if Peter is irredeemable as if Tony wasn't a literal weapons dealer lmfao. He could’ve said what was the truth about it without completely invalidating him saying shit like “no thanks to you” after Peter asked if everyone is okay when it’s literally thanks to Peter finding a lead on those guys in the first place that they were even noticed and it’s not like the FBI being there could’ve in no way caused a similar situation.

And then near the end of the movie when he’s getting crushed by the building rubble screaming and crying for someone to help him where the fuck is Tony?? That scene just proved that he never needed Tony’s suit in the first place to be Spider-Man since he had to use 100% his own strength to lift it off of him. I know he would’ve found the motivation even if Tony hadn’t been involved in the first place to give him the suit, take it away from him and have the words “if you’re nothing without the suit you shouldn’t have it“ echo in his head. Why did Tony even take the suit away? Like as if he expects Peter to stop being spoderman without it??? Holy fuck. This is why you don’t make it out of endgame /j /srs.

When Tony took this suit away from Peter he was like “God I sound like my dad“ shouldn’t that be a red flag to him? Wasn’t he literally just saying that he wished his dad was better than he was?? Lmfao

Propaganda why Victor Frankenstein is insufferable:

Victor Frankenstein is so pathetic not even tumblr could love him. The best parts of Frankenstein are the ones where your blessedly saved from being in his whiny, self deprecating, self centered pov. He’s so conceited that when his creation tells him directly “In revenge for killing the wife you were making for me I’m going to kill YOUR wife to see how YOU like it!”, Victor Frankenstein thinks that the creation is going to kill him and *only* him. (A decision And on top of it, he’s a shitty dad. Truly the worst.

this fucker has zero self awareness, which could maybe be fun to read about! except that 3/4 of the book consists of him constantly woe-is-me-ing about his own mistakes and how he shouldn't be responsible for any of his own actions.

He's not irredeemable, but his refusal to take accountability til it's too late is irritating

[bloop-bl00p]

When you forget there’s sin in Seven Deadly Sins

[I guess this could be treated as part two of my rant about Hell’s ruling class.]

The Seven Sins are the embodiment of their vice, in a modern setting, they will probably be seeking to indulge in harmful activities themselves since they are immortal and can’t face consequences and influence others into falling into dangerous lifestyles. I can even see a scenario when each of them tries to make propaganda through the internet with platforms like Instagram or TikTok, like Beelzebub promoting Bezzle Juice except that it’s purposely made to be extremely addictive and one shot of it gets you hooked forever.

We’re gonna start with Lucifer, the only angel of the Seven. He’s a dreamer quirky cutie patootie with dePwezIOn that just wanted to give humanity Fwee Wil🥺.

What were Lucifer’s plans/dreams for humankind in the first place? He was dismissed as a troublemaker, okay…? What portrayed him as such? He’s a socially awkward silly guy but honestly, that’s all there is to his character. But I won’t get too deep with these questions maybe we’ll get more answers in Hazbin. However, what I can ask is…

How did Lucifer manage to find himself so close to The Garden of Eden? If I’m making something important I ain’t letting the petulant kid get close to it because… you know he might ruin it.

Elder or not Lucifer is still a Seraphim, did he not know that giving Free Will to humans would mess up everything? Even if HE didn't know what about the others? Were the angels even aware of Evil as a whole? If yes, why didn't they warn Lucifer before giving him access to Eden? Like “Hey dude the glowing red Tree in the middle of the Garden is bad news don’t let the mortals near it.” was it that hard?

Can someone explain to me how is this the embodiment of Pride? I personally don't see anything prideful in his attitude at all. Pride is the belief that you don’t need God in your spiritual journey, in a worst-case scenario, you think yourself above him. In the Bible, Lucifer was too Proud to bow before mankind and tried to overthrow God which led to his banishment. But since Viv totally changed the story and forgot to add the Pride elements, there’s nothing justifying Lucifer’s title as Pride incarnate.

TW: Mention of sexual assault/rape and a brief mention of other sexual practices.

Following with Asmodeus, why is he like this? Don't get me wrong, I can understand why he isn't a fan of rape as a whole, rape is rarely, dare I say never, about sexual craving, it’s about control. Val doesn't rape Angel Dust, and his employees because he feels needy, he assaults them because he knows that’ll break them psychologically and physically which makes them vulnerable to manipulation. Sexual assault as a whole is never about lust.

It makes sense if we drop out of the fact that Lust isn’t just physical but religiously speaking just an intense craving for something, like power or control. Viv took the easy way and reduced it to a physical craving so Asmodeus could be anti-rape I can’t blame her for that, it’s her ✨interpretation.✨

So Asmodeus is Pro Concent and it kinda makes sense. Since he’s the Prince of Lust, he technically should have influence over the culture in the Lust Ring and other species like Succubus should at least be weirded out by innuendo of non-consensual sex.

Well, shit.

“OooOoooOOH But Tiz is Not Rape!”

Compare the succubus’ abilities to aphrodisiacs and it all makes sense. Increasing someone’s libido without their consent alone is sexual misconduct proceeding to have sex with them later is rape. And it’s not the only instance of succubus assaulting people.

[Context: Ep3 S1, Verosika’s crew basically made condescending comments on how Moxie was cute and how they wanted to kiss him despite his discomfort and the fact that he mentioned being married. They still eventually kissed him by force and it was treated as a joke. “I care about male victims.” Sure we believe you.]

So Asmodeus is a hypocrite for giving succubus and incubus a way to get to Earth while knowing they are raping as many humans as possible.

“D3mOn @re BAAAAAAD Pweple So |t makse sense.☝️🤓”

I know, I wouldn’t complain that much if Asmodeus wasn’t painted as this cutie patootie lovely doe who is so in love with his lovely cute good boy partner.

Talking about partners, why does the Prince, no… why does LUST INCARNATE have ONE partner? The dude’s sex drive should be higher than the Olympus Mons and you’re telling me he doesn’t have a harem at disposition and he’s FAITHFUL?!! No free relationship, no hookups, no polyamorous relationship, and no mention of orgies he organizes to test the efficiency of his toys! Hell, we’re talking about Lust shouldn’t he be more inclined to have exhibitionist behavior (In recent episodes Lust’s citizens were desensitized about voyeurism so showing a bit of skin shouldn't be a problem)? Or, I don’t know, the ability to change his appearance and sex to appeal to a larger audience. Maybe the smoke secreted by his fire can serve as an aphrodisiac he only uses to put his partners in the mood (With their consent if she’s so attached to that idea.)

Viv, with two shows whose humor is mostly based on sex you certainly lack representations in terms of positive sexual activities, every time sex is mentioned in both of her projects it’s either a joke or diabolized. I’ve seen teens on Wattpad and AO3 writing foul smut with sexual practice so taboo it’ll make you gasp out loud! Take an example! (This was obliviously a joke but seriously, smut’s writers scare me with their tags.)

This leads us to Beelzebub, she’s supposed to be…. an animal tamer? She did not give off this vibe at all, she’s a party girl at best, stop saying things on Twitter Viv, and show it in your shows!

Is there a reason for her to be so nice? What do you mean you don’t want Bliztø to lose himself in alcohol and sex, you’re all about overindulgence. If anything she should actively invite people who are mentally distressed as they’ll be more willing to drink excessively in a “forget my life’s issues” type of way. This could also explain why so many people in her parties are minorities, Hellhounds and Imps are treated like shit by Hell’s society so being invited to one of Queen Bee’s parties will be a great honor and a way for them to forget how difficult their life is.

“E3RmS Actoualli, Bee ite the Viiiibe! S0 ze kant let Peple b3 s@d or ze will be sad too. ☝️🤓”

Ah… okay, still don't explain why she can’t be a bitch about it. Since she “eats the vibe” and feels for her people she could be affected by Blizt's destructive behavior and be absolutely furious someone is ruining her parties for her! Then she could have gotten to Loona and been like “Look your dad doesn't have the vibe I’m looking for so get him out unless you wanna learn what happen to party pooper.” implying that she will most likely kill him (or eat him) and that this isn't the first time she offed someone for that. But I guess we can make another EMBODIMENT OF SINS a decent girl, it’s Viv ✨interpretation.✨

Going forward with Mammon, Viv humanized the Sins mentioned up there, so you would think Mammon would also get the humanization treatment?

“T3re Is NOO g0od s|de to GrEed!!!!! 😡”

Okay.

What’s Greed, it’s a selfish desire for more than what you already have (money, fame, etc...) The mention of selfishness doesn’t give Greed a positive connotation but you forgot…. This is Viv ✨interpretation✨ she reduced Lust to craving sexual intimacy just so she could make Asmodeus Pro Concent. Beelzebub doesn't need food she eats the Viiiiibe so she can’t let people self-destruct! Here she’ll politely ask you to go away because she caaaaaares. And Lucifer isn’t Prideful at all.

She removed part of the definition of each Sins so she could make them good people and you’re telling me that she couldn't do the same for Mammon?!

“But H0w can ze posibli m@ke Greed Pozitif?”

If you remove the selfish aspect, Greed is wanting something more. There’s nothing wrong with that, like wanting more recognition, and more money when you’re poor. Mammon could have been this guy who worked himself at the top and his money could have been the fruit of his hard work.

So why, of all the Sins that got turned down was Greed the only one who got the “I’m pure Evil” treatment?

The Seven Deadly Sins aren't supposed to be decent beings. They represent the worst of what humanity can do and they are embodied by equally bad entities. With a setup as shitty as the Hellaverse, where there are little to no rules, slavery, classism, and drugs available everywhere I was expecting them to be a tad bit vicious, purposely making the life of everyone worse for their benefit. Mammon could have been the reason for this capitalist society as it’s the perfect environment to develop other sins and his. Yet, Beelzebub is friendly to the Hellhounds while letting them be treated like lesser than how we treat dogs. There’s even rehabs in Hell, Verosika and Barbie were in the same one.

Asmodeus will sue you if you rape someone unless you’re a succubus. Ironically he said that he’s against love potions when that’s literally what the succubus do with their abilities, get you in the mood without you knowing.

Lucifer is the number one silly guy and he even has an attraction parc for others to have fun.

I know it’s Viv ✨ interpretation✨ but you have to make it make sense. You can’t have demons this high-ranked being nice portray them as good people in the narrative when they are responsible for Hell being so unfair to the lower class.

As for the other sins…

Traditionally speaking Wrath isn't just unjustified violence but hatred and a desire for revenge. I think that’s one of the main reasons Satan and Lucifer are treated as the same person as Lucifer is both prideful, hates God, and seeks revenge. I don't see how Viv’s Satan could be vengeful as they were no war with Heaven to begin with.

Envy isn’t wanting something that someone else has (it’s jealousy), it’s hating someone because they have something that you don’t. Which often results in trying to make the life of this person worse but that’s another thing. I didn't see anything about Sloth and judging by the Sloth Ring, Beelphagor is going to be medical-themed, we know he makes drugs and has a brand of anti-depressant named “Happy Pills.” (Nothing to do with the circus aesthetic she was going for.)

I don’t know if Viv really has a good grasp of what these Sin are traditionally as she claims but we have to see in future episodes. My guess is no.

[piracytheorist]

The Briar Siblings' Lies

It's very interesting that in the family of lies and secrets, the lies of the Briar siblings are included, and I'm pretty sure that will play a role whenever they find out about each other.

I expect Yor to be heartbroken and angry at Loid when she'll find out his lies, but I'd also expect her to be heartbroken and disappointed when she finds out how much Yuri lied to her.

Yor might have kept her own very dangerous secrets, but there are huge differences in their circumstances.

Yor took up her assassin gig when she was just a teenager, orphaned and with a little brother to take care of. Amidst the cold war brewing, there would be various criminal organizations looking for people to drag in, and a poor, desperate, kind, and almost supernaturally strong teenage girl was the perfect recruit for Garden.

Whether this is Garden's initiative or not, Yor has a strong determination to kill her targets as quickly and as painlessly as possible, along with avoiding unnecessary bloodshed. She has studied human anatomy specifically for this very reason, to be able to kill her victims with mercy. She's realistic about the situations she's in, but if talking things through is even a tiny bit possible, she'll give it a try.

Though her morals are slightly skewed for the average civilian - it's understandable to kill someone in self defense, but her main targets are situations where she plays judge, jury and executioner - she's still retained a lot of her humanity that allows her to be a kind person and a caring sister, mother and wife.

And then you have Yuri.

Yuri fell victim to a more sinister kind of indoctrination - extremism and bigotry. Having grown up in poverty caused by the war and the deaths of his parents, and having an overwhelming wish to protect his sister, he was the perfect target for Ostania's nationalistic propaganda.

But the tragic background leading up to this choice and the want to protect his family is where his similarities with Yor's case end.

Yuri wasn't left with no other choices. Yor was already supporting him financially when he started working for the Ministry of Foreign Affairs, and that was a job that he could stay at and be independent. He was older than Yor was when she became an assassin. I can assume that some underhanded methods were used to lead him into the duties of the SSS, but even so Yuri had more control of the situation, more choices to choose from, and more information at hand. It's directly opposite to Yor's circumstances.

Yuri tortures people. The SSS specifically want him, despite his young age and lack of experience, exactly because he won't hold anything back, even when it makes him feel conflicted.

The SSS may be taking advantage of the ease with which he tortures people, but it's still something Yuri willingly participates in - and again, considering the fame of the SSS among civilians, it's almost certain Yuri knew what he was getting into. He's giving up his own humanity, going down a path of "us vs. them" and while Yor plays judge on who gets to live, Yuri plays judge on who gets to be treated like a human being.

While two similarly dangerous and demanding professions, and (at least according to what Franky says) following the same government's orders, it's two highly different cases. I think Yuri will be mostly horrified to learn what Yor went through for his sake, but Yor will be very understandably heartbroken. Yuri could understand that Yor had no other choice, but Yor will know that Yuri had all the best choices right in front of him, and yet he chose this.

And it's why I believe this is the revelation that will hurt Yor more. She could explain Twilight's lies by the fact that they didn't know each other before, she could explain Anya's secrets by her young age and innocence, but there will be very little for Yuri to stand on - and the thing is, Yuri knows that. He knows that what he's chosen to become isn't what Yor raised him to be.

Currently he may be seeing himself as a martyr for his cause, that he needed to potentially break his sister's heart in order to protect her and "the country she lives in". He'd rather have her feeling heartbroken and betrayed by him than with her life and safety in danger. He'd rather her hate him than get hurt.

How will it hit him when he realizes she's already been doing the same for him, and has already been endangering her life for over a decade for not only his sake, but for the world in general too? When he realizes all the work he's been doing to protect her was in vain because she has been walking into danger herself all along?

It's a really interesting dynamic, because the revelation could either break them or make them. They both have a very heartwarming background together, they both love each other deeply, but it's a trial they'll both have to go through at some point.

(Anime only fan here, don't spoil me for the manga)

[elseishollow]

you’ve awakened my love for nate archibald i swear 🥹

i was wondering if you could write something for him with love languages? like what you think his would be, when showing love or receiving it, or just whatever comes to mind if you’d like to write something like that! <3

hi, thank you so much! nice to know the nate archibald propaganda is working.

✶┈ HCS | LOVE LANGUAGES — NATE ARCHIBALD

• nate. he’s quite easy on the eyes but there isn’t a whole lot going on upstairs. however, if it’s one thing he’s sure of, it’s the language of touch

• it’s an instinct for him and frankly, if we’re being honest here, he communicates love through touch like it's his native tongue

• he will seek any and every excuse under the sun just to feel the warmth of your skin against his

• "here, hold my hand. It's cold.”

• “nate, it’s literally 90 degrees out.”

• “oh sure, blame it on the weather.”

• trust he WILL use any pretext to bridge the physical distance between you

• growing up in a repressive environment, nate learned to express his love through physical gestures rather than words. It's in the way he pulls you into a hug after a long day or rests his hand on your knee under the table

• there’s times where he’ll notice how down you’re feeling with literally one singular glance and he’ll just embrace you while he’s reassuring you with sweet nothings, consecutively telling you, “it’s okay”

• for quite some time. more than he’d like to admit

• he just wants you to be okay! he’s doesn’t like to see you sad, at all. he acts as if he’s just been wounded if you happen to be.

• quality. time. he’s more keen on quality more than quantity.

• cooking together, walking in central park together, reading together, studying together (which is more yapping than studying tbh) and so on

• as for receiving love, it isn’t exactly nate's forte, but when it comes to you, he's like a lovesick puppy in need of affection

• he craves your affection just as much as he gives it

• and when you look into his eyes, you see nothing but pure adoration staring back at you

• granted he’s had his heart broken before, nate tends to build walls around himself to guard himself from the pain of rejection and disappointment

• he can be hesitant.. and second guess everything.. and doubt himself.. and also overthink everything..

• BUT!

• with you, it's different. your love has a way of breaking down those walls, brick by brick, until there's nothing left but the raw, truth of his heart

• there are moments when his longing is so palpable, you can practically feel it in the air

• “if you don’t kiss me right now, I might actually die”

• but his other love language definitely lies in words of affirmation

• oh, brother

• "i’m not staring, i’m admiring”

• his heart spills over with praise and admiration for you, often beyond measure. he has this habit of gushing uncontrollably about you to anyone who will listen—be it his family, friends, or even strangers. they have all fall victim to some extent

• there was one time where he considered buying you flowers and ended up going on a tangent about every aspect he finds fit about you

• the poor florist could barely get a word in edgewise, they were undoubtedly relieved to see him finally leave their shop

• but who could blame him?? he adores you! loves you, even! it’s in his nature

• in short, he loves you, dearly. and he’ll makes sure you know it.

notes; I wrote this in a hurry, i’m sorry. I hope you like it!

[tongue-like-a-razor]

hangman request incoming ‼️‼️

so the reader is best friends w rooster and whenever she’s around hangman he’s always quite rude to her, only bc he’s harbouring huge feelings for her which he isn’t very used to. then maybe he goes too far and rooster needs to talk some sense into him (reader could be a pilot or just a close friend of rooster’s)

SORRY i’m not great and giving requests but i hope there’s something in there that you like !

Ahhhh I LOVE this request!! And I really loved writing this piece, which may or may not turn into a series.. oops I couldn't resist haha

Less Talk | Part I

Jake Seresin x F!Reader

Summary: Jake can't stand Bradley's best friend. What's more, he's probably in love with her, which really pisses him off.

CW: mild angst, Hangman being a dick aka Hangman being himself, unresolved sexual tension, swearing, drinking

Masterlist

“Do you ever not have an opinion?” Jake watches you irritably before taking a long swig of his drink. He needs the alcohol to calm his nerves so that he doesn’t inadvertently push you off your chair.

You glare at him. “You’d like that, wouldn’t you? A nice, safe space for Seresin to dominate the conversation without opposition.”

Jake lets out a steady breath. No one riles him quite like you do. “We’re talking about food, Y/N. It doesn’t exactly have global ramifications.”

“Actually, it does,” you respond matter-of-factly. “And are you saying I shouldn’t have an opinion unless it is ground-breaking in nature? Maybe I should just sit here quietly and look pretty.”

“Ha!” Jake cackles. “I would love to see you try.”

“Hangman!” Bradley, who’s sitting to your right, gives him a disapproving look.

You make a grimace. “I will never give you that kind of satisfaction.”

Jake meets your gaze with a hostile look. The thought of you satisfying him in any way sort of disorients him. He makes a face at you because he can’t deny that if you were to just sit there in silence, you would be exceptionally pleasant to look at. Pretty, even… maybe. Instead, he says, “How the fuck does eating avocado toast for lunch have global implications? I would love to know.”

“The recent surge in consumption of avocados - thanks to health nuts such as yourself - has led to an unprecedented increase in price to the point where those people whose culinary staple for generations has been the avocado cannot afford to keep it their diet.” You fold your arms over your chest to drive your point home while Jake just stares at you, speechless. No other woman in the world has ever rendered him that. He glances over at Bradley who is looking back at him with a slight grin. Just when Jake thinks you might be all talked out, you add, “And don’t even get me started on the environmental burden of growing enough avocados to sustain the whole of North America’s health culture.”

Jake blinks at you. “Trust me, I wasn’t planning on it.”

“The avocado trade is contributing to local violence and extortion” – you continue, but Jake cuts you off.

“Okay, okay!” he says. “I’ll never eat an avocado again.”

“Just quit spreading your avocado propaganda!”

“It’s not propaganda! They’re actually good for you!”

“How wonderful it must be living in a world where your needs come before everybody else’s,” you say bitterly.

“Can we please talk about something other than avocados?” he says tiredly, his eyes sliding to Bradley in a plea for assistance.

“If you’re looking for a topic on which I do not have an opinion” – you say, but Jake interrupts you again.

“Does such a topic exist?” he asks flatly.

You roll your eyes at him. “Did you ever think that maybe you’re the one who should talk less?”

Jake nods. “Certainly. I should talk less to you. Because you’re driving me crazy, lady.” He stands up after having downed the rest of his drink. “I’m getting another beer and, when I return, I’m going to have a conversation with my good friend here, Rooster.”

Bradley shakes his head and looks over at you. “Don’t mind him, he’s just a bitter, bitter man.”

“A bitter man who needs to be schooled on occasion,” you mutter.

Jake turns to look at you with wide eyes. He slides back into his seat. “I heard that,” he says dangerously, inclining into the table.

“Good,” you respond, leaning forward so that your noses are nearly touching. “You were meant to.”

“You are so fucking annoying,” he whispers, his eyes slipping momentarily to your mouth as you lick your lips.

“Hangman, come on, don’t be a dick,” Bradley says, also putting his weight into the table in an attempt to intervene.

Jake’s eyes are still scanning your face as you glare at him without moving away. The truth is, he could probably listen to you talk about the problematic export of Mexican avocados for hours just to watch your mouth move and to hear the passion in your voice. But he’s tired of the tunnel vision he experiences every time your boyfriend ditches you and you end up going out with your best friend, Bradley Bradshaw. This is the fifth time this month that you’ve accompanied Rooster to ‘guys’ night out’ and it’s becoming more and more difficult for Jake to shake you after each successive evening of relentless verbal sparring.

Out of the corner of his eye, Jake can see Bradley slowly inching off the table, having realized that he may be a third wheel. But Jake doesn’t need him to be some sort of wingman in this bizarre scenario where he may or may not be completely in love with an unavailable woman who happens to be an expert at pushing all his goddamn buttons. Normally, he would remedy this kind of matter with a good old romp in the hay but, considering the fact that you are in a relationship, this option is, unfortunately, off the table. Besides, he’s not entirely sure it wouldn’t have the opposite effect on him, anyway.

But, despite all the reasons for avoiding your pull, Jake can’t look away, not even for a second; not even to get another beer. He moves his face a millimeter closer to yours, just to see what would happen; not because your breath smells like Peach Schnapps and not because your eyes are absolutely destabilizing him. His nose is about a split second away from brushing yours when your phone buzzes on the table. You flinch, withdrawing immediately, leaving Jake to watch you try to frantically pick it up. You shoot him one last intimidating look before rising from the table.

“Hey, babe,” he hears you say as you walk away.

“What’s your deal, man?” Bradley says as Jake watches you step outside.

Jake shakes his head solemnly. “Doesn’t she have other friends to play with?” he asks. “Why’re you always babysitting her?”

Bradley fixes Jake with a knowing look. “Hangman,” he says with a suggestive squint to his eye. “Is there something you want to tell me?”

Jake stares at Bradley. “Yeah,” he says. “I want to tell you that your bestie is a pain in the ass, Rooster.”

Bradley’s jaw hardens. “You’re way out of line.”

“Come on, I can’t be the only one who finds her absolutely infuriating. The girl never shuts up!”

Bradley narrows his eyes. “And you don’t, at all, find that sort of thing attractive?” he says sarcastically.

“Attractive? I find it immensely aggravating, actually.”

“So aggravating that you argue right back every time,” Bradley points out with a smirk. “Movies, books, social constructs. Last week, I heard you guys bickering about space waste. What do you even know about space?”

“What does she know about space?” Jake responds angrily, pointing toward the door with his entire arm.

Bradley leans back in his seat with a sigh. “I know that you don’t actually hate her, Jake,” he says. “You can stop pretending.”

“Who’s pretending?” Jake looks up at him aggressively.

Bradley purses his lips. “What if I told you that her boyfriend is a shithead?”

Jake’s jaw tightens but he continues to stare at Bradley coldly. “Why the fuck would I care?” he says.

Bradley returns his callous expression before looking away. “Been trying to get her out of that relationship for months.”

Jake lets out a sigh. “She’s a grown-ass woman, she can decide for herself if she wants to end it.”

Bradley nods. “Yeah, you’re probably right.”

Jake rises from his seat, his eyes unintentionally drifting up to check if you’re still outside. He sees you pacing back and forth through the big window of the bar. You look like you’re arguing. Big surprise. “Want another beer?” he asks Bradley.

“Please,” Bradley says.

Jake nods at the cocktail you’ve been drinking. “She going to have another one?”

Bradley shrugs. “Probably, unless you’ve pissed her off enough that she decides to leave early.”

Jake scoffs. “She’d be doing me a favor.”

Bradley shakes his head with a laugh. “I don’t even know what she’s drinking, man.”

Jake shifts his jaw. “I do.”

Bradley gives him another piercing look. “Shocking,” he says with a smirk.

“Shut the fuck up, Bradshaw,” Jake says under his breath as he walks away. He glances back at the window behind which you’re now waving your arm around aggressively and yelling into the phone. He tears his gaze away from you, frustrated with himself for even giving a damn.

For some reason, he feels a painful pang in his chest, like he’s jealous of whomever it is you’re tearing into. You’ve never gone off on him quite like that and he can’t help the resentment this fosters. He tries to suppress the impulse to go out after you and rip your stupid phone right out of your hand. That would surely reclaim at least a fraction of your attention. Then maybe he could do something unexpected; something that might persuade you to channel your passion in a more constructive way.

He orders three drinks and walks back to the table with the beers before going back for your cocktail. When he returns, he exhales sharply, giving Bradley a humorless look. “Why’s her boyfriend a shithead?” he says, feeling his hands forming into fists before Bradley even has a chance to respond.

But, right when Bradley’s about to speak, you walk back into the bar.

Read Part 2

A/N: Hope you enjoyed this piece! It's my first Hangman story, so let me know what you think!

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