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thrill-seeker-if · 3 months
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tahir
tahir ⇢ what part of writing do you want to get better at?
To be honest, all of it! Especially, I think, not getting embarrassed at my own writing. I feel like I just need to start learning how to take a more objective view, instead of trying to refine, refine, and refine.
Another thing I would like to work on is my atmosphere! I hope to add more atmospherism into my writing, as some of my favorite authors do (a great example being @anya-dev and @manonamora-if, especially their game DOLOS)!
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apollos-polls · 12 days
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scientia-rex · 2 months
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When I was in ninth grade I wanted to challenge what I saw as a very stupid dress code policy (not being allowed to wear spikes regardless of the size or sharpness of the spikes). My dad said to me, “What is your objective?”
He said it over and over. I contemplated that. I wanted to change an unfair dress code. What did I stand to gain? What did I stand to lose? If what I really wanted was to change the dress code, what would be my most effective potential approach? (He also gave me Discourses on the Fall of Rome by Titus Livius, Machiavelli’s magnum opus. Of course he’d already given me The Prince, Five Rings, and The Art of War.)
I ultimately printed out that phrase, coated it in Mod Podge, and clipped it to my bathroom mirror so I would look at it and think about it every day.
What is your objective?
Forget about how you feel. Ask yourself, what do you want to see happen? And then ask, how can you make it happen? Who needs to agree with you? Who has the power to implement this change? What are the points where you have leverage over them? If you use that leverage now, will you impair your ability to use it in the future? Getting what you want is about effectiveness. It is not about being an alpha or a sigma or whatever other bullshit the men’s right whiners are on about now. You won’t find any MRA talking points in Musashi, because they are not relevant.
I had no clear leverage on the dress code issue. My parents were not on the PTA; neither were any of my friend’s parents who liked me. The teachers did not care about this. Ultimately I just wore what I wanted, my patent leather collar from Hot Topic with large but flattened spikes, and I had guessed correctly—the teachers also did not care enough to discipline me.
I often see people on tumblr, mostly the very young, flail around in discourse. They don’t have an objective. They don’t know what they want to achieve, and they have never thought about strategizing and interpersonal effectiveness. No one can get everything they want by being an asshole. You must be able to work with other people, and that includes smiling when you hate them.
Read Machiavelli. Start with The Prince, but then move on to Discourses. Read Musashi’s Five Rings. Read The Art of War. They’re classics for a reason. They can’t cover all situations, but they can do more for how you think about strategizing than anything you’re getting in middle school and high school curricula.
Don’t vote third party unless you can tell me not only what your objective is but also why this action stands a meaningful chance of accomplishing it. Otherwise, back up and approach your strategy from a new angle. I don’t care how angry you are with Biden right now. He knows about it, and he is both trying to do something and not doing enough. I care about what will happen to millions of people if we have another Trump presidency. Look up Ross Perot, and learn from our past. Find your objective. If it is to stop the genocide in Palestine now, call your elected representatives now. They don’t care about emails; they care about phone calls, because they live in the past. I know this because I shadowed a lobbyist, because knowing how power works is critical to using it.
How do you think I have gotten two clinics to start including gender care in their planning?
Start small. Chip away. Keep working. Find your leverage; figure out how and when to effectively use it. Choose your battles, so that you can concentrate on the battle at hand instead of wasting your resources in many directions. Learn from the accumulated wisdom of people who spent their lives learning by doing, by making mistakes, by watching the mistakes of their enemies.
Don’t be a dickhead. Be smarter than I was at 14. Ask yourself: what is your objective?
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agentromanoffsir · 1 year
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neocities guide - why you should build your own html website
do you miss the charm of the 90s/00s web where sites had actual personality instead of the same minimalistic theme? are you feeling drained by social media and the constant corporate monopoly of your data and time? do you want to be excited about the internet again? try neocities!!
what is neocities?
neocities is a free hosting website that lets you build your own html website from scratch, with total creative control. in their own words: "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."
why should I make my own website?
web3 has been overtaken by capitalism & conformity. websites that once were meant to be fun online social spaces now exist solely to steal your data and sell you things. it sucks!! building a personal site is a great way to express yourself and take control of your online experience.
what would I even put on a website?
the best part about making your own site is that you can do literally whatever the hell you want! focus on a specific subject or make it a wild collection of all your interests. share your art! make a shrine for one of your interests! post a picture of every bird you see when you step outside! make a collection of your favorite blinkies! the world is your oyster !! here are some cool example sites to inspire you: recently updated neocities sites | it can be fun to just look through these and browse people's content! space bar | local interstellar dive bar creature feature | halloween & monsters big gulp supreme peanutbuttaz | personal site dragodiluna linwood | personal site patho grove | personal site
getting started: neocities/html guide
sound interesting? here are some guides to help you get started, especially if you aren't familiar with html/css sadgrl.online webmastery | a fantastic resource for getting started with html & web revival. also has a layout builder that you can use to start with in case starting from scratch is too intimidating web design in 4 minutes | good for learning coding basics w3schools | html tutorials templaterr | demo & html for basic web elements eggramen test pages | css page templates to get started with sadgrl background tiles | bg tiles rivendell background tiles | more free bg tiles
fun stuff to add to your site
want your site to be cool? here's some fun stuff that i've found blinkies-cafe | fantastic blinkie maker! (run by @transbro & @graphics-cafe) gificities | internet archive of 90s/00s web gifs internet bumper stickers | web bumper stickers momg | gif gallery 99 gif shop | 3d gifs 123 guestbook | add a guestbook for people to leave messages cbox | add a live chat box moon phases | track the phases of the moon gifypet | a little clickable page pet adopt a shroom | mushroom page pet tamaNOTchi | virtual pet crossword puzzle | daily crossword imood | track your mood neko | cute cat that chases your mouse pollcode | custom poll maker website hit counter | track how many visitors you have
web revival manifestos & communities
also, there's actually a pretty cool community of people out there who want to bring joy back to the web! melonland project | web project/community celebrating individual & joyful online experiences. Also has an online forum melonland intro to web revival | what is web revival? melonking manifesto | status cafe | share your current status nightfall city | online community onio.cafe | leave a message and enjoy the ambiance sadgrl internet manifesto | yesterweb internet manifesto | sadly defunct, still a great resource reclaiming online social spaces | great manifesto on cultivating your online experience
in conclusion
i want everyone to make a neocities site because it's fun af and i love seeing everyone's weird personal sites that they made outside of the control of capitalism :) say hi to me on neocities
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kafus · 1 year
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beginner’s guide to the indie web
“i miss the old internet” “we’ll never have websites like the ones from the 90s and early 2000s ever again” “i’m tired of social media but there’s nowhere to go”
HOLD ON!
personal websites and indie web development still very much exist! it may be out of the way to access and may not be the default internet experience anymore, but if you want to look and read through someone’s personally crafted site, or even make your own, you can still do it! here’s how:
use NEOCITIES! neocities has a built in search and browse tools to let you discover websites, and most importantly, lets you build your own website from scratch for free! (there are other ways to host websites for free, but neocities is a really good hub for beginners!)
need help getting started with coding your website? sadgrl online has a section on her website dedicated to providing resources for newbie webmasters!
HTML (HyperText Markup Language) and CSS (Cascading Style Sheets) are the core of what all websites are built on. many websites also use JS (JavaScript) to add interactive elements to their pages. w3schools is a useful directory of quick reference for pretty much every HTML/CSS/JS topic you can think of.
there is also this well written and lengthy guide on dragonfly cave that will put you step by step through the basics of HTML/CSS (what webpages are made from), if that’s your sort of thing!
stack overflow is every programmer’s hub for asking questions and getting help, so if you’re struggling with getting something to look how you want or can’t fix a bug, you may be able to get your answer here! you can even ask if no one’s asked the same question before.
websites like codepen and jsfiddle let you test HTML/CSS/JS in your browser as you tinker with small edits and bugfixing.
want to find indie websites outside the scope of neocities? use the search engine marginalia to find results you actually want that google won’t show you!
you can also use directory sites like yesterweb’s link section to find websites in all sorts of places.
if you are going to browse the indie web or make your own website, i also have some more personal tips as a webmaster myself (i am not an expert and i am just a small hobbyist, so take me with a grain of salt!)
if you are making your own site:
get expressive! truly make whatever you want! customize your corner of the internet to your heart’s content! you have left the constrains of social media where every page looks the same. you have no character limit, image limit, or design limit. want to make an entire page or even a whole website dedicated to your one niche interest that no one seems to be into but you? go for it! want to keep a public journal where you can express your thoughts without worry? do it! want to keep an art gallery that looks exactly how you want? heck yeah! you are free now! you will enjoy the indie web so much more if you actually use it for the things you can’t do on websites like twitter, instead of just using it as a carrd bio alternative or a place to dump nostalgic geocities gifs.
don’t overwhelm yourself! if you’ve never worked with HTML/CSS or JS before, it may look really intimidating. start slow, use some guides, and don’t bite off more than you can chew. even if your site doesn’t look how you want quite yet, be proud of your work! you’re learning a skill that most people don’t have or care to have, and that’s pretty cool.
keep a personal copy of your website downloaded to your computer and don’t just edit it on neocities (or your host of choice) and call it a day. if for some reason your host were to ever go down, you would lose all your hard work! and besides, by editing locally and offline, you can use editors like vscode (very robust) or notepad++ (on the simpler side), which have more features and is more intuitive than editing a site in-browser.
you can use ctrl+shift+i on most browsers to inspect the HTML/CSS and other components of the website you’re currently viewing. it’ll even notify you of errors! this is useful for bugfixing your own site if you have a problem, as well as looking at the code of sites you like and learning from it. don’t use this to steal other people’s code! it would be like art theft to just copy/paste an entire website layout. learn, don’t steal.
don’t hotlink images from other sites, unless the resource you’re taking from says it’s okay! it’s common courtesy to download images and host them on your own site instead of linking to someone else’s site to display them. by hotlinking, every time someone views your site, you’re taking up someone else’s bandwidth.
if you want to make your website easily editable in the future (or even for it to have multiple themes), you will find it useful to not use inline CSS (putting CSS in your HTML document, which holds your website’s content) and instead put it in a separate CSS file. this way, you can also use the same theme for multiple pages on your site by simply linking the CSS file to it. if this sounds overwhelming or foreign to you, don’t sweat it, but if you are interested in the difference between inline CSS and using separate stylesheets, w3schools has a useful, quick guide on the subject.
visit other people’s sites sometimes! you may gain new ideas or find links to more cool websites or resources just by browsing.
if you are browsing sites:
if the page you’re viewing has a guestbook or cbox and you enjoyed looking at the site, leave a comment! there is nothing better as a webmaster than for someone to take the time to even just say “love your site” in their guestbook.
that being said, if there’s something on a website you don’t like, simply move on to something else and don’t leave hate comments. this should be self explanatory, but it is really not the norm to start discourse in indie web spaces, and you will likely not even be responded to. it’s not worth it when you could be spending your time on stuff you love somewhere else.
take your time! indie web doesn’t prioritize fast content consumption the way social media does. you’ll get a lot more out of indie websites if you really read what’s in front of you, or take a little while to notice the details in someone’s art gallery instead of just moving on to the next thing. the person who put labor into presenting this information to you would also love to know that someone is truly looking and listening.
explore! by clicking links on a website, it’s easy to go down rabbitholes of more and more websites that you can get lost in for hours.
seeking out fansites or pages for the stuff you love is great and fulfilling, but reading someone’s site about a topic you’ve never even heard of before can be fun, too. i encourage you to branch out and really look for all the indie web has to offer.
i hope this post helps you get started with using and browsing the indie web! feel free to shoot me an ask if you have any questions or want any advice. <3
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signedkoko · 2 months
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HEHEHHEE OPEN REQUESTS???
Hello koko! I was summoned by your open requests, and I just had an idea, how about headcanons/one shot for Alastor and Vox (separately) with a reader who has powers a bit like Toge Inumaki in JJK?( I saw that you were watching JJK so I assume you know how his powers works) like what do they think about it? how do they react when reader uses her powers? How they communicate with her?
THANKS FOR READING MY REQUEST DEAR KOKO! HAVE A GOOD DAY/NIGHT
-🐚
Alastor | Vox X Reader [Romantic]
In which your speech causes action, so you can't speak unless you wish to control others. Reader is female.
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When you first came to the hotel, Alastor was not impressed
You were certainly a gorgeous sight, but it was ruined by the device in your hands that you had your nose buried in, screen lighting ruining your face
It took him quite a while when he heard strings of words emanating from the device to realize you were speaking through it, your fingers pressing on keys faster than he could follow
You introduced yourself to everyone that day, as a new hire for the hotel, and how you couldn't speak but hoped it wouldn't get in the way
He was certainly irked by the device in your hands, but it was funny to see someone so weak that they had to rely on a flimsy device made by an even flimsier overlord
Truly a shame
You learn the hard way not to get too close to him while using your device, or else it starts to act up and get damaged
Alastor still spoke to you; of course he did! Because he was amused knowing you couldn't retort
But eventually, without noticing, he would talk more and more, filling every aspect of the silence between you
You were the best listener, both since you had no choice and because you didn't give any shitty advice
The only thing that weirded him out was the weird clicking he started to hear around you
Something about it was so familiar
J-E-R-K-J-E-R-K-J-E-R
When he looked down at your hand and saw a clicker in your hand, he realized what you were doing
Of course he knew morse code by heart! He studied all sorts of things, but he wasn't sure why you'd do things that way when you had a much easier device
Unless you did it just for him?
R-K-J-E-R-K-J
" And who are we calling names, my voiceless companion? "
Y-O-U
Still, it's very touching to see you go from using your phone to putting it away when you come to him to talk
And not much changes since you can't get out too many words with your morse method
One evening, while on a walk together, Alastor was reciting to you how he'd come to work for Charlie and how she sang on the news for so many to see! When a group of assassins surrounded the two of you, angel steel weapons were on full display
Before Alastor handled them—which, let's be fair, would be no issue to him—you pulled quicker on the draw
" COMATOSE. "
You yelled it with your hands clamped over Alastors ears, and the instant the word came out, they all dropped, beyond unconcious
Alastor laughs, because wow, that was quite the display!
But he's already dragging you over them to continue talking, now teasing you for treating him like a helpless damsel
He was certainly glad that he hadn't made an enemy of you when he first saw you, because you may stand a chance against him with an ability like that
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Most sinners had some kind of ability that grew with their power, often souls under contract or training enhancing them
Vox himself had plenty of tricks under his sleeves, and he'd seen the most pathetic of abilities to those worth cowering before
But he'd never heard of something like yours
Overlords loved showing off their resources, which could include people who became very useful in battle
You were a 'friend' of Zestial, though, while most jumped at the opportunity to introduce themselves to other overlords, you only waved
Of course you piqued his interest, because when he ran his servers over you, he found little to nothing beyond pictures
After several days of stalking video feeds, he caught you and Zestial together when—oh fuck! You sign!
While he could have just waited for the next opportunity, Vox was far too invested in your story and opted to pay Zestial a visit, if it meant he could see you
From what he could tell, you were using ASL, so once he bumped into you he began signing his typical introduction
Something about his heart sparked when he saw you smile, the way those curious eyes sparkled
He was immediately embarrassed when you revealed he didn't have to sign because you could hear
But he was all healed when you signed that you were very glad to have met someone else you could talk with
Vox is used to the overstimulation of noises from news, music, footage, all of it always beaming into his head so much that the silence around you is eerie and takes him awhile to get used to
Zestial certainly has an ace; one Vox is jealous of
Since you got along so well, you and Vox schedule meet-ups so you can interact, seeing as he and Zestial are almost exact opposites
The first time he witnesses your powers is when Alastor shows up at one of your meetings, and he was certainly trying to embarrass Vox in front of you
But Vox was your friend, and you had no tolerance for Alastors threats
" Silence. "
From your lips poured a thick fog, which whisped its way over Alastor's mouth, forming a seal that prevented him from speaking
The radio demon wasn't pleased, but he wasn't about to act up a scene right now, so he turned and left
Vox immediately fanboys because, oh my FUCKING GOD, you showed him!!!
Wait, you can talk? You sound like that?
YOUR POWERS DID THAT???
He is about to waste your evening asking all kinds of things, you probably can't sign as fast as he can ask, too
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Author's Note - Conch anon gets only the BEST of the BEST!!! I did like writing these anyways though, because i adore Inumaki...thank you for requesting!
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astrosky33 · 6 months
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The Best Career for you: Asteroid Industria
◉ Industria is an asteroid in astrology that can represent the long term career industry you will work in. Based on the readings I’ve done this asteroid is very accurate in predicting your long term career
◉ Asteroid Code: 389 -> How to find asteroids
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House Meanings
Asteroid Industria in the 1st house
Your career will be a major part of your identity (more so than others careers would). Your career may change or constantly be testing your outlook/view on life. This career will be something you’re very passionate and ambitious about. You may use lots of mannerisms in this career. It most likely is going to involve your physical body, fighting, beauty, confidence, and/or individuality
Ex: Athlete, Model, Makeup Artist, Fighter
Asteroid Industria in the 2nd house
Your career will be a major source of stability (not just financially but also emotionally) for you in your life and your career may boost your self esteem/self worth. It is going to revolve around material items. It most likely is going to involve either your singing voice, finances, cooking, giving, receiving, and/or material resources
Ex: Singer, Banker, Accountant, Chef, Product Designer
Asteroid Industria in the 3rd house
In your career you will use your voice to spread an important message. You will express many of your ideas to others. It most likely will involve communication, literature, teaching, transportation, influencing, social media, the mind, and/or phones
Ex: Author/Writer, Social Media Influencer, Driver, Teacher
Asteroid Industria in the 4th house
Your career will be in an industry where you’re using lots of emotion toward your work and/or caring for others. It won’t be a job far out of your comfort zone. It likely will involve houses, home related things, food, and/or self-care
Ex: Real Estate Agent, Nurse, Baker, Home Designer
Asteroid Industria in the 5th house
Your career may revolve around you and be in an industry where a lot of spotlight/attention is on you. You’re going to work in an industry where you use your talents. It’s going to be a career you really enjoy and that makes you happy! It likely will involve entertainment, romance, events (such as a festival or concert), children, talents, and/or drama
Ex: Actor, Event Planner, Child Psychiatrist, Talent Agent
Asteroid Industria in the 6th house
Your career will have a set schedule and steady income. In this career industry you’ll constantly be working on self improvement. It likely will involve health, fitness, hygiene, your analytic nature, animals/pets, and/or giving service to others somehow
Ex: Doctor, Nutritionist, Fitness Trainor, Dentist, Vet
Asteroid Industria in the 7th house
Your career will be one that’s based around equality or partnership. You’re going to be working towards harmony or peace in this career. It will likely involve commitment, marriage, attractiveness/attraction, contracts, conflicts, negotiations, and/or equality/sharing
Ex: Wedding Planner, Lawyer, Model, Fashion Designer
Asteroid Industria in the 8th house
Your career will be one that’s based around a lot of transformation, power, or mystery. In this career industry you’ll constantly be working on changing for the better. It will likely involve crime, death, taxes, psychology, surgery, investments, the stock market, business, loans, secrets, your inheritance, reproduction, and/or spiritual transformation
Ex: Detective, Psychologist, Tax Preparer, Surgeon
Asteroid Industria in the 9th house
Your career will be one that helps you grow a lot as a person. In this career industry you will learn a lot more than most people do in their career. It will likely involve travel in general, air travel, exploration, television, media, teaching, higher education (college/uni), religion, beliefs, ideologies, philosophy, interviews, courts, law, cultures, ethics, viewpoints, and/or languages
Ex: College Professor, Pilot, Newscaster, Photographer
Asteroid Industria in the 10th house
You are more likely than others to be very successful when having this placement in your chart. Your career will teach you how to set long term goals for yourself and succeed. It will likely involve being in charge/a boss, business, peoples reputations/images, sense of mission, responsibilities, being famous, and/or status
Ex: Manager (anywhere), Publicist, Movie Director
Asteroid Industria in the 11th house
You’re more likely to gain wealth from your career with this placement since the 11th house represents financial gains -> read more here. Your career will be one that introduces new ideas to the world and may be a more unique career compared to most peoples. It will likely involve technology, film, politics, science, inventions, chaos, sudden change, friendship, groups, desires, manifestations, hopes/wishes, humanitarianism, social networking, clubs, and/or parties
Ex: Engineer, Scientist, Film Producer, Politician
Asteroid Industria in the 12th house
Your career is one that will transform you spiritually. In this career industry you will heal others. It will likely involve spirituality, hypnotism, isolation, music, karma/karmic debts, hidden enemies, the subconscious mind, subconscious memory, sleep, dreams (the ones you have when you sleep), old age/people, mental health, fears, losses, endings, impersonations, closure, self-undoing, bed pleasures, intuition, illusions, and/or the afterlife
Ex: Therapist, Song-Writer, Astrologer, Psychic
➠ [READ] the examples listed aren’t the only possible careers for each house only some, so there can be more interpretations than the ones listed
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𝗖𝗔𝗥𝗘𝗘𝗥 𝗥𝗘𝗔𝗗𝗜𝗡𝗚! 𝗜 𝘄𝗶𝗹𝗹 𝗮𝗻𝗮𝗹𝘆𝘇𝗲 𝘆𝗼𝘂𝗿 𝗶𝗻𝗱𝘂𝘀𝘁𝗿𝗶𝗮 𝗮𝘀𝘁𝗲𝗿𝗼𝗶𝗱 𝗽𝗲𝗿𝘀𝗼𝗻𝗮 𝗰𝗵𝗮𝗿𝘁 𝗶𝗻 𝘁𝗵𝗶𝘀 𝗿𝗲𝗮𝗱𝗶𝗻𝗴
𝗦𝗨𝗕𝗦𝗖𝗥𝗜𝗕𝗘 𝗧𝗢 𝗠𝗬 𝗣𝗔𝗧𝗥𝗘𝗢𝗡 𝗶𝗳 𝘆𝗼𝘂 𝘄𝗮𝗻𝘁 𝘁𝗼 𝗮𝘀𝗸 𝗺𝗲 𝗾𝘂𝗲𝘀𝘁𝗶𝗼𝗻𝘀 𝗮𝗻𝗱 𝗵𝗮𝘃𝗲 𝗮𝗰𝗰𝗲𝘀𝘀 𝘁𝗼 𝗺𝗼𝗿𝗲 𝗰𝗼𝗻𝘁𝗲𝗻𝘁
𝗠𝗬 𝗠𝗔𝗦𝗧𝗘𝗥𝗟𝗜𝗦𝗧
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© 𝐚𝐬𝐭𝐫𝐨𝐬𝐤𝐲 𝟐𝟎𝟐𝟑 𝐚𝐥𝐥 𝐫𝐢𝐠𝐡𝐭𝐬 𝐫𝐞𝐬𝐞𝐫𝐯𝐞𝐝
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writingwithcolor · 1 month
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Sri Lankan Fairies and Senegalese Goddesses: Mixing Mythology as a Mixed Creator
[Note: this archive ask was submitted before the Masterpost rules took effect in 2023. The ask has been abridged for clarity.]
@reydjarinkenobi asked:
Hi, I’m half Sri Lankan/half white Australian, second gen immigrant though my mum moved when she was a kid. My main character for my story is a mixed demigod/fae. [...] Her bio mum is essentially a Scottish/Sri Lankan fairy and her other bio mum (goddess) is a goddess of my own creation, Nettamaar, who’s name is derived from [...] Wolof words [...]. The community of mages that she presided over is from the South Eastern region of Senegal [...] In the beginning years of European imperialism, the goddess basically protected them through magic and by blessing a set of triplets effectively cutting them off from the outside world for a few centuries [...] I was unable to find a goddess that fit the story I wanted to tell [...] and also couldn’t find much information on the internet for local gods, which is why I have created my own. I know that the gods in Hinduism do sort of fit into [the story] but my Sri Lankan side is Christian and I don’t feel comfortable representing the Hindu gods in the way that I will be this goddess [...]. I wanted to know if any aspect of the community’s history is problematic as well as if I should continue looking further to try and find an African deity that matched my narrative needs? I was also worried that having a mixed main character who’s specifically half black would present problems as I can’t truly understand the black experience. I plan on getting mixed and black sensitivity readers once I finish my drafts [...] I do take jabs at white supremacy and imperialism and I I am planning to reflect my feelings of growing up not immersed in your own culture and feeling overwhelmed with what you don’t know when you get older [...]. I’m sorry for the long ask but I don’t really have anyone to talk to about writing and I’m quite worried about my story coming across as insensitive or problematic because of cultural history that I am not educated enough in.
Reconciliation Requires Research
First off: how close is this world’s history to our own, omitting the magic? If you’re aiming for it to be essentially parallel, I would keep in mind that Senegal was affected by the spread of Islam before the Europeans arrived, and most people there are Muslim, albeit with Wolof and other influences. 
About your Scottish/Sri Lankan fairy character: I’ll point you to this previous post on Magical humanoid worldbuilding, Desi fairies as well as this previous post on Characterization for South Asian-coded characters for some of our commentary on South Asian ‘fae’. Since she is also Scottish, the concept can tie back to the Celtic ideas of the fae.
However, reconciliation of both sides of her background can be tricky. Do you plan on including specific Sri Lankan mythos into her heritage? I would tread carefully with it, if you plan to do so. Not every polytheistic culture will have similar analogues that you can pull from.
To put it plainly, if you’re worried about not knowing enough of the cultural histories, seek out people who have those backgrounds and talk to them about it. Do your research thoroughly: find resources that come from those cultures and read carefully about the mythos that you plan to incorporate. Look for specificity when you reach out to sensitivity readers and try to find sources that go beyond a surface-level analysis of the cultures you’re looking to portray. 
~ Abhaya
I see you are drawing on Gaelic lore for your storytelling. Abhaya has given you good links to discussions we’ve had at WWC and the potential blindspots in assuming, relative to monotheistic religions like Christianity, that all polytheistic and pluralistic lore is similar to Gaelic folklore. Fae are one kind of folklore. There are many others. Consider:
Is it compatible? Are Fae compatible with the Senegalese folklore you are utilizing? 
Is it specific? What ethnic/religious groups in Senegal are you drawing from? 
Is it suitable? Are there more appropriate cultures for the type of lore you wish to create?
Remember, Senegalese is a national designation, not an ethnic one, and certainly not a designation that will inform you with respect to religious traditions. But more importantly:
...Research Requires Reconciliation
My question is why choose Senegal when your own heritage offers so much room for exploration? This isn’t to say I believe a half Sri-Lankan person shouldn’t utilize Senegalese folklore in their coding or vice-versa, but, to put it bluntly, you don’t seem very comfortable with your heritage. Religions can change, but not everything cultural changes when this happens. I think your relationship with your mother’s side’s culture offers valuable insight to how to tackle the above, and I’ll explain why.  
I myself am biracial and bicultural, and I had to know a lot about my own background before I was confident using other cultures in my writing. I had to understand my own identity—what elements from my background I wished to prioritize and what I wished to jettison. Only then was I able to think about how my work would resonate with a person from the relevant background, what to be mindful of, and where my blindspots would interfere. 
I echo Abhaya’s recommendation for much, much more research, but also include my own personal recommendation for greater self-exploration. I strongly believe the better one knows oneself, the better they can create. It is presumptuous for me to assume, but your ask’s phrasing, the outlined plot and its themes all convey a lack of confidence in your mixed identity that may interfere with confidence when researching and world-building. I’m not saying give up on this story, but if anxiety on respectful representation is a large barrier for you at the moment, this story may be a good candidate for a personal project to keep to yourself until you feel more ready.
(See similar asker concerns here: Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction, here: Representing Biracial Black South American Experiences and here: Am I fetishizing my Japanese character?)
- Marika.
Start More Freely with Easy Mode
Question: Why not make a complete high-fantasy universe, with no need of establishing clear real-world parallels in the text? It gives you plenty of leg room to incorporate pluralistic, multicultural mythos + folklore into the same story without excessive sweating about historically accurate worldbuilding.
It's not a *foolproof* method; even subtly coded multicultural fantasy societies like Avatar or the Grishaverse exhibit certain harmful tropes. I also don't know if you are aiming for low vs high fantasy, or the degree of your reliance on real world culture / religion / identity cues.
But don't you think it's far easier for this fantasy project to not have the additional burden of historical accuracy in the worldbuilding? Not only because I agree with Mod Marika that perhaps you seem hesitant about the identity aspect, but because your WIP idea can include themes of othering and cultural belonging (and yes, even jabs at supremacist institutions) in an original fantasy universe too. I don't think I would mind if I saw a couple of cultural markers of a Mughal Era India-inspired society without getting a full rundown of their agricultural practices, social conventions and tax systems, lol.
Mod Abhaya has provided a few good resources about what *not* to do when drawing heavily from cultural coding. With that at hand, I don't think your project should be a problem if you simply make it an alternate universe like Etheria (She-Ra and the Princesses of Power), Inys (The Priory of the Orange Tree) or Earthsea (the Earthsea series, Ursula K. Le Guin). Mind you, we can trace the analogues to each universe, but there is a lot of freedom to maneuver as you wish when incorporating identities in original fantasy. And of course, multiple sensitivity readers are a must! Wishing you the best for the project.
- Mod Mimi
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headspace-hotel · 9 months
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"New (old) perspectives on self-injurious and aggressive biting" published in Journal of Applied Behavior Analysis / Nine Inch Nails- The Hand that Feeds
I was troubled to see a trend of claiming that Autistic people who do not support Applied Behavior Analysis (ABA) are a group of "low-support-needs" autistics who are monopolizing the conversation and taking resources away from autistics with higher support needs—I think it is misunderstanding.
Individual positive or negative experiences with ABA are irrelevant here—the fundamental core of the therapy is behaviorism, the idea that an autistic person can be "treated" by rewarding "desirable" behaviors and punishing "undesirable" behaviors, and that an increase in desirable behaviors and decrease in undesirable behaviors constitutes successful treatment
In researching I found that ABA practitioners have published statements condemning conversion therapy. They refer to an unfortunate historical association between ABA and conversion therapy, but it is not association—ABA literally is conversion therapy; the creator of it used it to try to "cure" little boys that were too feminine.
ABA is considered "medically necessary" treatment for autism and the only "proven" treatment, in that it is proven to create decrease in "undesirable" behaviors and increase in "desirable" behaviors.
Undesirable behaviors for an autistic person might include things like stimming and talking about their interests, desirable behaviors might include eye contact, using verbal speech, playing with toys in the "right" way.
The BCBA behavior analyst code of ethics does not prohibit "aversive" methods (e.g. electric shock) to punish undesirable behaviors
The code of ethics only discusses the consent of the "client," not the person receiving the treatment
Many people will say "my child's ABA therapist would never make them repress harmless stims, give up their interests, use electric shocks...They understand the value of neurodiversity and emphasize the consent of the child..."
But consider...if nothing binds or requires an ABA therapist to treat stimming as important, nor restrains them from using abusive techniques, nor requires them to consider the consent of a person being treated, what protects vulnerable people other than luck? The ABA therapist still has an innately unethical level of power over a child being "treated."
Furthermore, consider: can a therapy built on the goal of controlling the behavior of a person who cannot meaningfully consent to it, especially without hard limits or protections on the kinds of behavior that can be coerced or controlled, ever be ethical?
I found many articles that discuss teaching "compliance" in autistic children, treating "compliance" as a reasonable goal to strive for without qualification...
The abstract of the above article struck me with a spark of inspiration. Biting is an undesirable behavior to be controlled, understandably so, since most would feel that violence should not be allowed. But I was suddenly reminded of the song "The Hand that Feeds" by Nine Inch Nails, which is a play on the saying "Don't bite the hand that feeds you," meaning don't lash out against someone that is kind to you.
But doesn't "the hand that feeds you" implicitly have power over you through being able to give or withhold food? In this case, kindness can be a form of coercion. Thus "biting the hand that feeds" is used in the song as a metaphor for autonomy and resisting coercive power. The speaker asks the audience if they have the courage to test the benevolence of their oppressors, or if they will remain compliant and unquestioning even though they know deep down that it isn't right.
Likewise the article blunders into something unintentionally poetic when it recognizes that biting is an innately possible behavior in response to "aversive" stimuli or the "removal of reinforcers." Reinforcers and aversives in ABA are discussed as tools used by the therapist—the presentation of a preferred food would be a reinforcer, for instance (and is often used as such in ABA).
The journal article considers biting as a behavioral problem, even though the possibility that someone may bite can never be eliminated. Contrastingly, "The Hand that Feeds" highlights the coercive power behind the ability to control your behavior, even when that control appears benevolent and positive, and argues that "biting the hand that feeds you" is not only a possibility but a moral imperative.
Consider: In what circumstances would you bite someone? To defend your own body? To defend your life? Are there circumstances in which biting would be the reasonable and the right action to take?
What authority decides which behaviors are desirable or undesirable, and rewards or punishes compliance or resistance? Who is an authority—your therapist? Your teacher? Your caregiver? Any adult? Any person with the power to reward or punish?
In what circumstances might compliance be demanded of you? In what circumstances would it be justifiable not to comply? What authority decides which circumstances are justifiable?
Can you imagine a circumstance where it might be important for a child to not comply with the demands of an adult? For a citizen to not comply with the demands of a government? Which authorities demand compliance in a right and just manner, and which demand compliance to things that are evil and wrong? Which authority has the power to differentiate the two? Should you trust them? Will you bite the hand that feeds you?/Will you stay down on your knees?
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jokin-around · 10 months
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I made a Twitter thread about this, but I've been reading early issues of Batman lately and something I've noticed is how differently the contrast between Batman and "Bruce Wayne" is depicted
obviously, in many things today, "Bruce" (ESPECIALLY in fandom) is often depicted as a happy-go-lucky himbo in order to draw contrast with a grim and "tortured" batman
so how does this hold up when you look at older depictions? the answer: it doesn't. in fact it was almost the opposite.
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way back in the very first issues of the official Batman title, Bruce Wayne, no matter WHAT he's doing, isn't the one who laughs and smiles, Batman is.
and these are comics that were published BEFORE the comics code authority caused a dramatic shift in tone
Bruce Wayne (or least the cardboard cutout refered to as Bruce Wayne) isn't nessecarily described as grim, but he isn't a very happy person either, he's still a rich airhead, but not so much a "himbo" or even a dedicated businessman, he's depicted as a BORED, uninterested, aristocrat:
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this Bruce seems to spend of his time smoking a pipe at home or mingling with other upperclass individuals, that in-between we tend to see MUCH more often in modern comics doesn't seem to exist yet (in part because the batcave Is non-existent which I suspect has given him a bit more privacy as a character)
MEANWHILE Batman, who's investigates murders every other night almost seems to be having the time of his life:
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the early comics seem to routinely depict the burgoise as cold, snobbish & bored, in contrast to batman who seems particularly expressive and joyful, for all we know Batman may partially exist as some millionaires weird passtime, but of course Bruce Wayne (the real guy, not the facade) is written as someone who genuinely seems to care due to his own past experiences:
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but , with all of that layed out, one can conclude that when ppl say Batman is the "true persona" ect. originally, it wasn't (just) because of his coping or whatever it was because when he wasn't Batman he was forced to live life as a cold, "useless" millionaire:
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"what if a rich a guy gave a fuck?" is still very much the base concept here, but what's surprising is how much BITE there is to it
the concept wasn't being proposed because it's like… a plausible thing to happen or attainable on a personal level, but because the rich reliably and consitently do not care
the rich ppl in this book, "Bruce Wayne" included, are not written to be envied as people. they're written to be insufferable. ppl with endless resources who are still somehow unsatisfied with life and choose to do nothing useful or direct with the amount wealth they've accumulated
but ofc it shouldn't be ALL THAT surprising, Batman debuted in Detective Comics in 1939…. ONE year after the great depression, Bob and Bill had more than a good reason to feel a bit bitter
but rolling back to the point of this analysis, whenever I say "let batman be happy" I mean "let Batman enjoy his job" despite the pain, despite the death, despite the murder, despite the hypocritical nature of it all and how problematic it may be because it's a life he also chooses, not just out of compulsion, but because it's hands on, direct & purposeful. it gives him something to do & it gives him a chance to punch a problem in the face (which may be good or bad depending on what that problem is, but still)
that kind of depiction is what set up the groundwork for nearly every deconstruction that's come since but it's so buried in time at this point that lines from characters claiming bruce "loves being batman" seem to ring completely hollow
tbh, I think the old way of depicting Batman can be ( and as been in some media) woven into the way he's depicted today, in the past Batman was an outlet for every emotion Bruce Wayne had to hide elsewhere, a symbol of empathy, fury and passion, for modern Batman, I imagine those three things still hold true, layered on top of an alter ego that allows a modern Bruce Wayne to be weird and damaged and dark.
so uh, ln conclusion, I think batman enjoying what he does to a certain extent is a crucial aspect of his character that's been lost and withered and forgotten about, let him a have a little fun, we can discuss the ramifications of all that when discussion seems necessary
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missglaskin · 4 months
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Yandere Coriolanus Snow (Romantic) would include:
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Tags: fem/Capitol!reader, implied naive!reader, toxic relationship, manipulativeness, lovesick!Coryo, controlling, possessive behavior, isolation, implied forced marriage, Coriolanus is his own warning, messy writing
Coriolanus harbors an insatiable desire for possession and control. This desire towards control was woven into the fabric of his very being through the childhood he had. The war took both his parents, leaving him, Tigress, and his grandmother to lose all their prestige and wealth. The only thing that remained was his name. For Coriolanus, control was needed, after all, survival hinges on the relentless pursuit of ambition. In his world, love itself is entangled with the need for control-a vessel through which he can only claim you for himself.
Coriolanus possesses a distinctive charm; able to tailor himself to align with your virtues and inclinations. Able to don many faces - a devoted son striving to make his family proud, a diligent student who gets along well with his classmates and has the praise of his teachers, a trustworthy and loyal friend. It’s no different to you; he may begin as a stranger, but he can and will integrate himself into your friend group, becoming an acquaintance to a dear friend, and perhaps, evolving into something more.
You spark an internal conflict within Coriolanus. A part of him resents how you seem to have a hold on him. In moments when you hand him something, and he can feel the brush of your fingers against his; fighting the urge to stroke them. Or in crowded hallways, where you accidentally bump into him, apologizing but it falls on deaf ears, where his mind is consumed with a desire to to hold your body against his. You make him lose control, the control he works so hard to maintain. 
Many times, he tried to convince himself that he wasn't in too deep, it only takes time for these feelings to pass. He can think of more beautiful girls in the academy, ones who are more intelligent, resourceful, and undoubtedly wealthier than you. But yet, he’s the first to notice when you walk into the room. how his ears seem to instinctively seek the sound of your voice, and as he turns, he always knows where to find you.
He would, at least in the beginning, never openly display his interest in you. If there’s one thing Coriolanus never wants to seem, is desperate. But the second your name is mentioned in a conversation, ever the opportunist, he’ll try to gather every little detail. Most of his discoveries come from watching you, attentively listening to your inputs during class, noting where you spend your time, observing your food preferences. 
He pays close attention to how you style yourself - everyone has a dress code, but where you choose to place your pins, how you tuck in your shirt, how you style your hair are the little details, not many notice. He will be sure to make a mention when you make any changes; savoring a moment of triumph when you claim he’s the first to notice.
A constant aspect of Coriolanus is his unrelenting judgment and scrutiny. He holds the belief that he can lead you to become the best version of yourself, someone who understands your needs better than anyone else, even you. He can’t help but think how you’re wasting your future spending time with students who seem to lack any ambition or dedication to their studies. How you’re too ‘kind’ allowing others to walk over you, and besides other male students will get the wrong idea. 
You’re not even together, yet everything you do appears to reflect on him. Even when he tries to keep up with your interests and hobbies, he wears a disapproving frown upon discovering your penchant for romance books. He’ll of course read them, but can’t help but lament over how you should delve into more scholarly literature. He reassures himself in due time that he’ll implement all those necessary changes in you, molding you into the person he envisions you should be.
Coriolanus knows what his end goal is; to have you by his side; bound to him and what other conventional means to achieve this than through marriage. A bit of that also aids into his desperation in his pursuit of the Plinth prize. Knowing he cannot bring you to his home or shower you with extravagant gifts, he makes do with the cakes Tigris makes or the white roses of his grandmother. 
He could thank Tigris for suggesting places he can take you, creating excuses for the long walks; he merely wants to engage in conversations away from everyone to understand you better. Coriolanus also takes deliberate steps to become acquainted with your parents, showing impeccable manners during the few meetings. His goal is in the hopes that your parents push you towards him, after all, nearly everyone around you anticipates something to come from your interactions.
Even when you finally become his, it fails to calm the intense storm of jealousy that rages within him. Coriolanus is a man who meticulously weighs the benefits and costs of every action, he believes there’s a reason behind everything you do. In the initial stages of the relationship, he is determined not to reveal that ugly side of his, like everything else it’s all tied to his need of control.
Coriolanus is a man who cannot be left alone with his thoughts. Otherwise he’ll rethink every interaction you’ve had, from how you greeted that one person in the morning with such gleefulness. Are you happier to see them than him? How you placed a hand on someone’s shoulder while sharing a laugh at what he deems a childish joke.
Even the mere mention of past relationships triggers anger in him; he wants to be the first to claim every aspect of you. Unbeknownst to you, even casually mentioning them is signing their death warrant. Their name becomes etched in his memory with plans to be rid of them, especially during his days of presidency.
Coriolanus consistently seeks out boundaries to push, careful to appear that he’s not making demands but rather that he’s looking out for you. He wants you to take his input as truth. When Coriolanus compliments on how red looks good on you, he anticipates seeing it incorporated the next time he sees you. If your hair is long enough, he comments on how it beautifully frames your face when pulled up. He’ll make a comment on how you shouldn’t slouch, resisting a smile at how quickly you heed to his words. 
The day Coriolanus returned from his time at the district, something had changed. He made a promise to return, pressing a searing kiss to your lips and made you promise in return to wait for him no matter how many years it took. True to his word, he has returned with you being his his first stop after Ghul of course. He was still Coriolanus, though no longer did he have his boyish blonde curls and time of training made his muscles defined through his uniform of duty. 
The change became apparent when he became the Plinth’s family heir. No longer did he need to do with the little he had. Bringing you into the Snow mansion and the simple trinkets have turned into luxury. Your wardrobe has already been chosen for you and  filled to the brim, taking notice of how most of its colors are crimson, white-pearled and arctic. Many had intricate patterns, adorned with roses etched into the fabric, complemented by grand rose pins. 
It's advised to acclimate to the Mansion, to embrace it as your new home as that’s where you’ll spend most of your time. Coriolanus isolates you, he now has the power to turn every one of your friends against you and in return, he comforts you, reminding you of his earlier warnings on how your friends seemed indifferent to your well-being. Your visits and calls to your family dwindle as Coriolanus no longer sees a need to remain in their good graces. After all, you are now his wife, a member of the Snow family. 
With your servants and cooks, clear instructions are given; to not speak with you unless it’s relaying a message directly from your husband. If you persistently attempt to speak with them or worse befriend them, they are likely to be replaced. In worse circumstances, if they attempt anything that Coriolanus deems as traitorous, they may be subjected to becoming an Avox; a lesson not only for them but for you as well. 
He, of course, allows you to accompany him to galas; public appearances are deemed necessary; portraying him as a loving husband (a role he genuinely believes in) and you, as a devoted wife. During public appearances, every action is done with caution. Not only are you a reflection of him and the Snow name, but you also soon will become the future lady of Panem. 
You were allowed to be alone with two people only, at least initially; his grandmother and Tigris. It’s unsure if his grandmother notices her grandson’s behavior, still she’ll only speak praises of him. Repeating how fortunate you are to have him as a husband, to marry into their family.
Tigris on the other hand, offers a semblance of solace. She treats you well, yet beneath her kindness, sometimes you discern a glance of sadness, almost pity. Sometimes, she questions if you’re being treated well and you respond with what you’ve been practiced to say. And despite her skepticism, she never presses further, as if understanding that doing so might jeopardize any possibility of being alone with you ever again. 
Coriolanus revels in returning home to you. In his eyes, he believes he has attained everything he desired: the restoration of his family's name to its past glory, the regaining of its respect and prestige. How close he’s to be able to reside over Panem, and finally, having you.
Although you might think he doesn’t notice, he does. He notices how you gaze out of the window, your attempts to reason with him, how you do all you can do to make his day better when wanting your usual favors. He notices the concealed frown when the topic of children is mentioned. He knows when you lie. A promise later on, that he made you swear to never break. 
But he also notices that despite knowing what he has done. Years and years of marriage no longer allow secrets to be concealed. You’re keenly aware of all those who’ve gone missing, including a politician who you recall foolishly making a pass at you. The sores on his lips tell of all those moments you’re never allowed to attend.
Yet, you remain by his side. Perhaps you’ve fully accepted the man he always was - a monster not one that he has become, but who he always was. Even when watching the hunger games, even when you have to stand by him and greet each child you know are sending to their death. Or perhaps in a twisted form of love that mirrors his own, you’ve grown to love him. 
Over the years, there have been moments when you questioned if you were truly safe even with decades of marriage and giving him children who in turn gifted you with grandchildren. However, as you gaze at the man whose youthful looks have faded, who still greets you with a kiss to your hand just as he did in your younger days, you find a sense of security - for now.
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demonslayedher · 4 months
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References for KnY Writers: Taisho Period
Below are links to my entries about the Taisho Period and how it might affect the KnY characters (at least according to canon resources, my research, and my interpretations). Please see here for the full masterlist of References for KnY Fic Writers.
Background info: The Taisho Period (1912-1926) a bit of an in-between period in a lot of ways, with Westernization already several decades underway, but with many new policies not yet uniformly enforced in the countryside. In some ways, rural life went on like it did in the late Edo period. The majority of Kimetsu no Yaiba most likely would have taken place in 1915. This means that it's still a little early for the full-on "Taisho Roman" fashions, but the groundwork was there.
-Notes on Corp salary, simple conversions into Taisho currency, as well as other monetary details -Taisho Period overview of the Yoshiwara Pleasure District -Photos and details of preserved Taisho Period brothel -How a Taisho Period birthday may be celebrated -How a Taisho Period New Years may be celebrated (in the case of the Kamados) -Photography and education in the Taisho Period -More on Taisho education and literacy rates -Marriage and being a girl in the Taisho Period -Polygamy and the Meiji Civil Code -Dating and wedding night protocol -Being queer in the Taisho Period (and beyond) -A few real life folk songs featured in KnY -Taisho Period undergarments -Taisho Period beverages and drinking age (separate masterlist of KnY-related food here)
-Flush toilets were a thing (and there are toilets in the Infinity Fortress)
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channelinglament · 11 months
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Aeon of Unity.....the first aeon....they were there since the beginning they gave life to all and showed every life they created love and protection but when a threat known as honkai arrived they gave there life to seal it away in another world unknowingly becoming the object of its obsession now millions of years later you've returned and your already showing your creations that love and protection they missed oh so dearly but it seems your divine power has weakened so it's only natural your creations offer some hell right
Low on credits not anymore cause Asta, herta and Himeko have generously donated millions to your mailbox
Not enough resin to continue farming calyx for material's don't worry gepard and bronya have already sent the silvermaine guards to farm as many supplies as you need
Simulated universe giving you trouble well guess what now you can pick 2 paths and you get a bonus curio named [Divinity derived from unification] that buffs all characters depending on how devoted they are to you (you one shot gepard twice with Serval)
Even though they've given you all there love and you give it back 100 fold they still hear you speak of other worlds.....what are honkai, what's a archon and why does the broken claymore in herta's collection give himeko an uneasy feeling and make yoy cry the first time you saw it while saying "your sorry"........they may never know that your loved by not just them but beings of elemental and universal divinity.....maybe one day you'll meet all of them you are the great unifier after all
WOWIE
This is a big brain moment here
This is amazing
Also I think I accidentally altered it a bit- while I was writing- I was rereading it and just noticed that, so I am sorry 🙇
You had all three games installed. You played all of them. Everytime you saw a reference to the previous game, you either squealed of happiness, either cried if sadness.
They all saw you as their Aeon. Aeon of Unity. At some point it is true, as they exist ONLY on your device. Only on your account. Nowhere else. Whatever you do with them, will be there permanently. You can kill them, by deleting your game. You have all 3 games. All the universes. You "unite" them all. So, in a way, what they call you is not a lie.
You gave them life when you downloaded the game.
When you first installed Honkai Impact, you didn't expect Honkai to do...all that. Then you payed Genshin. All that amde you feel sad. Considering they all are alive (well...not exactly-) you can't help but feel sympathy towards them.
You gave them your everything, your love and affection. You did truly love them. At some point, you couldn't continue helping them out. No matter what you do, new "bosses" and enemies get in. They get injured, they die, they revive, and the cycle continues. No. That's not what you want. You want them to be free. To be happy..
So you did what you thought was best. You decided to free them from this "nightmare".
You deleted this games
You did regret it, you felt bad, but.. You reassured yourself that it was for the better.
Plus, now that they're.."dead". When you tried downloading again...they were just a bunch of codes. They weren't themselves anymore. They were not aware.
"I'm so sorry"
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Later, new game came out.
Honkai: star rail
You downloaded it.
They became aware aswell..simialrily to previous game.
The guilt of.."killing" their other counterparts..or their other selves was eating you away. They WERE alive. And you had "unalived" them.
So you promised yourself to not repeat this mistake again. This time, you will talk to them and explain your worries. They could help you, while you help them.
You don't need to worry about them dying anymore, as your healers, Bailu and Natasha have the best healing light cones and artifacts. You don't need to worry about damage aswell.
You don't need to worry about them dying because of a string enemy. You can easily ascend them, because you always have resources now.
If in the past you never talked about this and tried to farm it all by yourself..now
Now, that you talk to them about it.. they help you out with it.
You need credits to ascend something? All donated to you.
You want another character? The crystals are donated aswell, while during the ten pull you get to E6 them. You get their light cones. And 4* are coming in aswell.
You need materials? Silvermane guards are doing it for you, and your characters are doing it aswell!
You make them all strong. You make sure they're able to defend themselves in a fight, while staying at full health.
You've seen video of a person who defeated Kafka without even giving her a single turn? Yeah that's how the fights go without you. While you're here, the game doesn't always let them do that (meme teams are best trust me-)
Oh, the SU is too hard? Dw they got you!
You grace them with your presence, you make them healthy, you make them strong, you CARE about them. You LOVE them
So all they ask of you is your eternal love and attention. Though, you already give it to them.
Sometimes, they hear you crying behind..whatever separates your..worlds
You say sorry, when you look at strange glider. Or a broken claymore. Some feel stable emotions looking at it. (Welt and Himeko)
When Traiblazer hears a strange female noise coming from nowhere saying "Let's explore this area later" you laugh..and cry a bit?
You laugh, and it flutters Trailbazer's heart!
But when you cried? They were confused. Didn't you laugh a moment ago?
Anyways, they're bathing in your attention and affection. They will give you their everything, just ask them!!
Ah, how they wish you came to their world!
Well, it's not a problem anyways..Herta and Aeons found a way to bring you here..
for now, you will see them when you're asleep. For them, you're in SU, but to you..you're just dreaming..right?
They never keep a secret from you, but.. no
This isn't a secret..this is a surprise! You will be happy aren't you oh dear Aeon?
Soon, you will finally be united with them.
Meanwhile the..other worlds..
They are not exactly "dead", since they were never quite "alive" to begin with
They're stuck in some void...
They've seen your attempts to come back to them, and they're grateful for it. They know your reason for..."killing" them
And right now, they're trying to find a way to contact you..you seem to be moving on from them, focusing on other world. Oh nononono...
That's not how it supposed to be..focus on ALL of them..
It seems they need to pay hsr a little visit... hopefully, you will smile at them the way you always used to
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she-is-ovarit · 2 months
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By EDITH M. LEDERER Updated 9:11 PM PST, March 8, 2024 UNITED NATIONS (AP) — Legal equality for women could take centuries as the fight for gender equality is becoming an uphill struggle against widespread discrimination and gross human human rights abuses, the United Nations chief said on International Women’s Day. Secretary-General Antonio Guterres told a packed U.N. commemoration Friday that “a global backlash against women’s rights is threatening, and in some cases reversing, progress in developing and developed countries alike.” The most egregious example is in Afghanistan, he said, where the ruling Taliban have barred girls from education beyond sixth grade, from employment outside the home, and from most public spaces, including parks and hair salons. At the current rate of change, legal equality for women could take 300 years to achieve and so could ending child marriage, he said. Guterres pointed to “a persistent epidemic of gender-based violence,” a gender pay gap of at least 20%, and the underrepresentation of women in politics. He cited September’s annual gathering of world leaders at the U.N. General Assembly, where just 12% of the speakers were women. “And the global crises we face are hitting women and girls hardest — from poverty and hunger to climate disasters, war and terror,” the secretary-general said. In the past year, Guterres said, there have been testimonies of rape and trafficking in Sudan, and in Gaza women women and children account for a majority of the more than 30,000 Palestinians reported killed in the Israeli-Hamas conflict, according to the Gaza Ministry of Health. He cited a report Monday by the U.N. envoy focusing on sexual violence in conflict that concluded there are “reasonable grounds” to believe Hamas committed rape, “sexualized torture” and other cruel and inhumane treatment of women during its surprise attack in southern Israel on Oct. 7. He also pointed to reports of sexual violence against Palestinians detained by Israel. International Women’s Day grew out of labor movements in North America and across Europe at the turn of the 20th century and was officially recognized by the United Nations in 1977. This year’s theme is investing in women and girls to accelerate progress toward equality. Roza Otunbayeva, the head of the U.N. political mission in Afghanistan, told the Security Council on Wednesday that what is happening in that country “is precisely the opposite” of investing in women and girls. There is “a deliberate disinvestment that is both harsh and unsustainable,” she said, saying the Taliban’s crackdown on women and girls has caused “immense harm to mental and physical health, and livelihoods.” Recent detentions of women and girls for alleged violations of the Islamic dress code “were a further violation of human rights, and carry enormous stigma for women and girls,” she said. It has had “a chilling effect among the wider female population, many of whom are now afraid to move in public,” she said. Otunbayeva again called on the Taliban to reverse the restrictions, warning that the longer they remain, “the more damage will be done.” Sima Bahous, the head of UN Women, the agency promoting gender equality and women’s rights, told the commemoration that International Women’s Day “sees a world hobbled by confrontation, fragmentation, fear and most of all inequality.” “Poverty has a female face,” she said. “One in every 10 women in the world lives in extreme poverty.” Men not only dominate the halls of power but they “own $105 trillion more wealth than women,” she said. Bahous said well-resourced and powerful opponents of gender equality are pushing back against progress. The opposition is being fueled by anti-gender movements, foes of democracy, restricted civic space and “a breakdown of trust between people and state, and regressive policies and legislation,” she said. [Click on the link to continue reading]
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lookinghalfacorpse · 7 months
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pandora's vault as a point-and-click horror game.
the objective is always at the top of your screen: "get the revival book." you can access a map that will take you to a few different places on the server, but once you click on the prison, the map icon only appears when you're near the entrance. when you get further in, you're trapped.
you can go to the arctic. philza is there, always peaceful and always sewing, sitting on a nice rocking chair. you can present items to him and he'll give you some clues about how to use it. you have a hunger bar, and if you're low, you can get food from him. technoblade is in the background, cooking. you can't interact with him.
you can stop by some other places too, like mcpuffys, and get a burger if you gather enough gold to buy it.
wandering the prison is confusing. it's a maze, and the more you click, the more the prison shifts. interact with too many items that make a lot of noise and you'll upset sam, and he'll kill you quickly. the warden walks in a pre-determined circle around the prison, and you can't interrupt him unless you have an item that interests him. following him is your best bet to navigate the prison, but he's hard to track. you have to learn his pattern.
take too long, and the prison shifts faster. doors close on their own.
you can summon technoblade once to save you from sam. he'll buy you time and de-aggro sam, but then he disappears, and you'll see him in the background with philza again when you tp there.
make too many mistakes, and you'll be transported to the main cell.
dream is there, starved and thin. he's curled into himself. hover your cursor over him and he'll kill you-- he doesn't want to be seen.
you have to be patient. keep your cursor on the wall. wait. eventually, dream says "...what do you want?" and a dialogue options shows up. he'll chat, but he won't give up the revival book. you click everywhere. you find no way out. new objective: "get out alive."
there are different items you can collect on your way to the cell that will affect your chances. you can gather food from chests you find, but you should preserve them and give some to dream to get on his good side. if you present shears, he'll kill you, no matter how good you're doing with him. you can collect status effects, and if you get "sir," he'll obey faster. but he's never particularly helpful.
the screen flashes into images of blood and gore across the cell.
try to kill dream, and sam stops you. you hear dream sigh.
really, the key is endurance. you have to make sure you have enough resources when you enter the cell to stay on dream's good side and survive until sam decides to let you out. a bit of experimentation.
or, if you make it to the main cell without sam putting you there, you can get out at will. but that's very difficult, and you won't achieve that your first run, but the status effects help. you'll gather more of those as you play. with "sir," sam gets less agitated with you.
get dream's favor, and you get a new objective: "get both of us out alive"
there's an item called "hope"-- a stuffed cat. if you present it to philza, he'll say "…someone else could use this more, mate. you shouldn't leave it here with me."
get back to the main cell.
What do you want to do with "Hope"?
>>Give to Dream Destroy Nothing
if you give it to him, big tears will roll down his face-- an animation you've never seen before. he'll give you a piece of his bloody shirt in exchange.
take the bloody shirt to philza, and technoblade will move from the background. there's an animation where he rushes out the door, and philza follows him. that's the good end. objective complete.
you can also keep with the first objective, if you want. you can go in every day, if you want. you can gather weapons and shears and experiment with how dream responds, if you want. perhaps, somewhere in the code, there's a way for you to get that book. maybe THAT'S your good end.
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drgrlfriend · 10 months
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Comments versus Bookmarks on AO3
A few people seemed appreciative of my post about how to use AO3's Marked for Later feature, so I thought I'd follow up with another tip about comments versus bookmarks. As part of the amazing @justleaveacommentfest I noticed a few people mentioned leaving nice comments in bookmarks, and I thought it might help to have a little info about how comments are different from bookmarks, and why it's better to send a comment if you want to make an author happy or make fandom friends or have an interesting discussion.
Bookmarks *are* viewable by everyone, unless you make them private. If you plan to say anything negative in your bookmark, please make it private. It's not really the flip side, however, that leaving positive statements in your bookmarks will reach the author, though.
Most authors are alerted when they get new comments, either through their dashboard or via email if they choose, or both. Yay! Serotonin boost, and also the ability to reply back and start a conversation! Plus, readers can have great discussions with each *other* in the comments section of a fic! If you're super into a fic you can read comments on the chapter even years later, and sometimes find the author adding additional thoughts or discussing their thought process while writing! It's like DVD extras for fanfic! (Do kids these days know what DVD extras are any more? Damned if I know).
You don't really know, as an author, when someone bookmarks one of your fics. Some authors, particularly when they are feeling low (cough cough) may also look at bookmarks to see if there are nice things there. This would basically just involve clicking on the bookmarks for each of your fics individually to see if there's anything a.) new and b.) nice in them.
This is an act of desperation. It's not really a wise thing to do, as 99% of bookmarks have no comments, or just list the title and author in fear of the fic being deleted some day and not knowing what you're missing. Even worse, if you, as an author, get desperate enough to cruise your bookmarks, you are as likely to see someone say something like "Meh" or "This got boring so I stopped reading at Chapter 5" or "Too many werewolves 3/10" in a werewolf fic than you are to see a nice compliment.
So, if you loved a fic and want to memorialize your love in a bookmark, be an extra super-duper sweetheart and cut and paste that into a comment for the author! Make the AO3 environment enriching for both authors and fellow readers in the comments section, and protect your friendly local author by not providing intermittent positive reinforcement for the negative behavior of scrolling through bookmarks!
I still recommend bookmarking fics. Bookmark those favorite fics you want to come back and read later, or use bookmarks to leave yourself little reminders if they are nice or in private bookmarks if they are not nice. Bookmark good resources, like how to code things in html or how to use AO3 filters most effectively. Find awesome new things to read by looking through the bookmarks of your favorite authors, because if you vibe with someone's writing you may also vibe with their favorite fics to read!
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