#and technically he's not entirely incorrect

[ruubesz-draws]

He's a little confused, but he got the spirit!

(He's trying his best, leave him alone!)

[crazy-fangirl2524]

No you guys don’t understand. Neil was playing as a way to try to live and how he wants to try actually living instead of surviving. Winning against the ravens doesn’t matter to Neil, winning against his father does. But the books don’t end with Baltimore. It ends with the raven game. But this game means more to Kevin than it can ever to any other characters. All for the game. Neil can survive without exy. He can run away and start a new life. But kevin day does not have anything else. This entire series is for kevin day

[the-incorrect-quotes-show]

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA D: NOOOOOOOOOOOO

[strangenewfriends]

.

[kingmaximusboltagon]

so i was just sort of talking at my sister (as one does with a hyperfixation) about reed's relationship with the royals. about how bb and medusa seem to be pretty close to him (and sue, but i digress), and how even maximus ended up on friendly terms with him when he was an,,, honorary member of the illuminati for a little bit that one time.

and i was thinking, surely, maximus thought of reed as just that annoying guy his brother and sister-in-law talked about sometimes, and helped them imprison max. i don't imagine he thought highly of that guy at all.

and then he ends up in the illuminati, and actually talks to him, and realizes that this guy is also a genius and gets how he thinks and operates. so now he has to deal with thinking "oh no he IS cool" about that guy that helped his brother beat him up a couple years prior

[lenaellsi]

“Crowley is still an angel deep down” “Crowley is more of an angel than any of the archangels” “Crowley was only cast out because he needed to play his part in Armageddon, he's not a real demon” “Aziraphale wants to rebuild Heaven to be more like Crowley because he’s what an angel should be” no. Stop it. This is exactly where Aziraphale went wrong.

Crowley is 100% a demon. He's not actually a bit of an angel, and he's not cosmically better than any of the other demons we see in the series. He's much less vicious than most of them, yeah, but he's also much less vicious than most of the angels, because how “nice” a celestial being is has nothing to do with which side they're technically on. Crowley's kindness comes from him doing his best to help people despite the hurt he's suffered himself, not any sort of inherent residual or earned holiness. He was cast out just like the rest of the demons, and that's an important part of his history that shouldn't be minimized, excused, or, critically, 'corrected.'

Being angelic is not a positive or negative trait in the Good Omens universe. It's a species descriptor. Saying that Crowley is still an angel deep down because he helps people is an in-character thing for Aziraphale to think, certainly--Job and the final fifteen showed that in the worst possible way--but it's not something Crowley would ever react well to, and it's the main source of conflict in the entire "appoint you to be an angel" fiasco.

We know that Aziraphale thinks Crowley's fall was an injustice, but why? Well, because Crowley is actually Good, which means his fall was a mistake, or a test, or a regrettable error in judgment, or…something. Ineffable. Etc. The point is, he’s special, much better than those other demons, and if they can fix him and make him an angel again, everything will be fine! (So once Job's trials are over, everything will be restored to him? Praise be!) Aziraphale has to believe that Crowley's better traits come from traces of the angel he used to know and not the demon he's known for 6,000 years, because that’s how he can rationalize his incorrect view of Heaven as The Source Of Truth And Light And Good with his complicated feelings about Crowley's fall.

But Crowley's fall was not an injustice because he's actually a Good Person who didn't deserve it. Crowley's fall was an injustice because the entire system of dividing people into Good (obedient) and Bad (rebellious) is bullshit. Crowley is not an unfortunate exception to God's benevolence, he is a particularly sympathetic example of God's cruelty.

And really, Crowley doesn't behave at all like an angel, especially when he's at his best. All of the things that he's done that we as the audience consider Good are things that Heaven has directly opposed. (See: saving the goats and children in defiance of God in S2E2, convincing Aziraphale to give money to Elspeth despite Heaven's views on the "virtues of poverty" in S2E3, speaking out against the flood and the crucifixion in S1E3, tempting Aziraphale to enjoy earthly pleasures because he thinks they'll make him happy, stopping Armageddon.)

Heaven as an institution has never been about helping humanity. And that's not an issue of leadership, as Aziraphale seems to think--it's by design. Aziraphale's first official act as an angel toward humanity was to literally throw them to the lions. Giving them the sword wasn't him acting like an angel, it was just him being himself. Heaven doesn't care about humans. It's not supposed to. It's supposed to win the war against Hell, with humans as chess pieces at best and collateral damage at worst.

Yes, it's easier to think that there are forces that are supposed to be fundamentally good. It's easier to think that Aziraphale is going to show those mean archangels and the Metatron what’s coming to them and reform Heaven into what it "should" be, and that God is actually super chill and watching all of this while shipping ineffable husbands and cheering for them the whole way. And of course it's easier to take Crowley, who Aziraphale (and the audience) adores, and say that he deserves to be on the Good team much more than all those angels and demons that we don’t like. But that's not how it works. People are more complicated than that, even celestial beings.

Crowley is a demon, and the tragedy of his character is not that he's secretly a good guy who is being forced to be evil; the tragedy is that he's lived his whole life stuck between two institutional forces that are both equally hostile to the love he feels for the universe and the beings in it. There are no good and bad guys. There are no "right people." Every angel, demon, and human is capable of hurting or helping others based on their choices. That is, in fact, the entire fucking point.

[projectionistwrites]

FOR SCIENCE | SUBJECT 3

In which the Moon Knight alter system presents a unique opportunity to settle the nature versus nurture debate, once and for all...

Jake Lockley x afab!psychologist!reader (13.0k+)

RATING: EXPLICIT (18+, mdni) WARNINGS: fetishization of mental disorders (DID), psychoanalysis, potentially unethical scientific practices, SMUT (dom/sub dynamics, fingering, oral (f! and m!receiving), unprotected p in v sex, doggystyle, spanking, mean!Jake, degradation, dacryphilia, daddy/papi kink, cum eating, creampie, soft sex, needy/touch-starved!Jake, praise kink, dirty talk), lots of spanish NOTES: jake lockley deserves so much love. this was hard to write, i had so much i wanted to put into this chapter and i hope it all came through okay. also, i am not a native spanish speaker, but i worked really hard to make sure all of my conjugations/phrases were correct, but still, feel free to correct me! this is the final case study installment of this series, there will be one final concluding chapter (+ potentially a bonus part bc i’m feeling generous) DISCLAIMER: although i’m incredibly knowledgeable about psychology, i am NOT a professional. all psychoanalyses made throughout the course of this storyline are entirely my own, based on my own interpretations of the characters. in a similar vein, i am also not an expert on DID specifically (although i am well-read on mental disorders and diagnoses), so i apologize for any incorrect terminology or misrepresentation. don’t hesitate to call me out if i say something wrong!

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CASE STUDY: JAKE LOCKLEY

ROLE IN COGNITIVE SYSTEM: Protector

ATTACHMENT STYLE: Dismissive

CHARACTERISTICS: volatile, tenacious, arrogant, cunning, reticent; a true adrenaline junkie (engages in risky behavior in an attempt to fill his emotional deficit with a brief but intense adrenaline rush); extremely autonomous.

SPLIT FROM HOST: ??? currently unknown/unconfirmed (predicted to have emerged as a result of some feeling of physical inadequacy or repeated threats to safety; may potentially trace back to host's service in the military).

TRAUMA RESPONSE: thinks every hill is one to die on; unwilling to compromise or make sacrifices in fear of revealing vulnerability; maintains face no matter the consequence.

SEXUAL PRESENTATION: demanding, excitable, impetuous, unapologetic, aggressive; unafraid to take what he wants, but uncomfortable with affection.

Your heart was picking up speed as you knocked loudly against the door for the fifth time.

Surely he was inside. Where the hell else would he be? You’d texted with him just hours before—well, technically not Jake, since he refused to use a phone, but Marc—confirming that you were still good for your previously scheduled arrangement. Had he changed his mind? Did something happen?

Your anxiety got the better of you as you fished around in your jacket pocket to pull out your keyring. Steven had given you a copy of the key to their flat in case you ever needed it, or if you wanted to come over before he got home from work. You had yet to actually use it, but you figured this constituted as enough of an emergency to warrant your uninvited entrance.

You clumsily slipped the brass into the keyhole and jiggled it, twisting it until you heard the click of the lock. You silently prayed that Jake—or whoever was fronting—hadn’t engaged any of the other locks on the door that could only be unhinged from the inside. Fortunately for you, the knob twisted and the door swung open with ease, revealing the familiarity of the flat within.

It was... quiet. Not eerily so, but enough to make you proceed with caution. Everything appeared to be in order, undisturbed and in its place, but still, you felt a sense of uneasiness crawl up your spine.

You weren’t a stranger to the feeling, though. You often felt this way when you were in the company of Jake. You enjoyed his presence, and wanted to get to know him better, but still, he was unpredictable and volatile—you never knew what to expect when he was fronting. You couldn’t read him as well as the other two alters, and as someone who had an affinity for picking up on unspoken emotional cues, you weren't particularly fond of the element of surprise.

You heard a low buzz from somewhere off to your right, and as the door clicked shut behind you, you wandered towards the source of the noise on the other side of the apartment. As you grew closer, you recognized the previously indiscernible sound—humming.

“...Jake?”

You called out softly, and just as rounded the edge of the bookshelf that separated the living space from the bedroom, the door to the bathroom flew open.

The man in question strolled through the doorway, steam billowing behind him, whistling to himself, but he froze when he saw you standing before him. He quickly recovered from his initial shock, however.

“Bebita. Looks like you need to work on your patience.”

He teased, and you felt your mouth run dry as you took in his appearance. He’d clearly just finished up in the shower—there were still droplets of water rolling down his shoulders and the toned skin of his chest and abdomen, trailing southbound where a white towel hung lowly on his hips. You could see the dark hair of his happy trail against his navel, the towel very loosely covering his modesty. His hair was wet and tussled, curls falling across his forehead, and you’d be lying if you said this wasn’t one of the most attractive sights you’d ever seen in your life.

Much to your chagrin, he seemed to pick up on the effect that his appearance had on you. You watched as his lips curled into a devilish grin, staring at you with a depraved look in his deep brown eyes that only Jake was capable of.

“Why—Why didn’t you answer the door?”

Your voice wavered slightly, betraying you in your attempt to appear collected. His head tilted slightly in question.

“Because...I was in the shower.”

Oh. Right.

You swallowed, lips downturned into a small frown, suddenly feeling sheepish at your previous concern for his safety. However, your focus returned to Jake as he slinked forward, taking a few slow, deliberate steps in your direction.

“You’re blushing, mi vida. Am I making you nervous?”

You unconsciously shook your head at his question, although you could feel your heart racing in your chest as he drew closer to you.

“No? Hm, that’s a shame. I could’ve sworn I saw you staring at my cock.”

He paused when only a foot and a half remained between you, and you felt your face grow even redder at his statement. As much as you tried to resist, as much as you didn’t want to give him the satisfaction, your gaze involuntarily flickered down to glance at his crotch—you could see the outline of his hardening member through the soft material of the towel, more prominent than it had been even a few seconds prior.

A dark chuckle escaped him, and you forced your gaze back onto his face. He was grinning wickedly, gazing at you with a carnal gleam in his eye.

“Está bien, bebita. I know how much you like it. That’s why you rushed in here, isn’t it? Didn’t want to wait for papi’s cock any longer?”

Your breath hitched in your throat. Your jaw fell slack at the nickname he assigned to himself—you felt your knees grow weak. Just as you’d said—unpredictable. You certainly hadn’t expected that.

But fuck, you really liked it.

His smirk turned into a toothy grin as he observed your reaction to his taunt. One more step towards you and you were only a short distance apart. You could see moisture congregating in the divot of his collarbone, and you desperately wanted to lick at the pooled water.

“Are you going to be good for me, bebita?”

You nodded dumbly at him, any cohesive thought escaping from your brain as all you could perceive was Jake, Jake, Jake. He parroted your senseless nodding, mocking you condescendingly. Without another word, he dropped the towel from his waist and it pooled around his ankles, exposing his fully-erect member to your sight, and you swooned.

His tongue traced over his lower lip sensually, looking at you through hooded eyes. A shadow crossed his face as his mouth contorted into a sneer.

“Get on your knees.”

You obeyed before you even consciously processed the command, collapsing onto your knees before him, your abrupt fall cushioned by his discarded towel. Your mouth watered as you became eye-level with the hardness of his cock, the vein beneath the underside of his shaft just begging for your attention. You resisted, instead opting to stare up at Jake’s face expectantly, awaiting further instruction. It was clear to you that he liked to be in control.

He smirked at your complacency, his hand reaching up to lazily stroke his cock a few times, watching the way your eyes followed the movement of his hands with laser focus, your lips slightly parted in anticipation. He tilted his hips forward and slapped your cheeks with the ruddy head of his cock a few times, and you whimpered at the action, eyes squeezed shut tightly with restraint.

“Stick out your tongue for me, bebita.”

You obliged, opening your mouth wide and letting your tongue loll out past your lips. He tapped his length against the slick muscle, and you savored the familiar tang of his precum on your tastebuds as he pulled back to fist at his cock again. You whined as he withdrew from you, but he just tutted at you condescendingly, slapping your cheek once more with his member.

“Oh, pobrecita. You want papi to let you play with his cock?”

You nodded feverishly, staring up at him through your lashes, doe-eyed. He pouted his lip out in a look of mock pity before removing his hand from his length.

“Go on, then, bebita.”

You lurched forward, your tongue flexing to lick a long stripe on the underside of his cock, tracing the jagged vein that had enticed you earlier. He hummed at the action, watching as you eagerly lifted your hands to begin slowly pumping the velvety skin of his shaft, your lips suctioning around the flushed tip and tongue dipping into the slit. A low groan rumbled deep within his chest as you bobbed your head, eyes never leaving his face as you studied each reaction he had to your movements.

“There you go, mi vida. So good for papi.”

You moaned around his cock at the repeated use of the title, and he chuckled at your obvious approval, one hand finally reaching up to card through your hair as you continued to work more of his length into your mouth.

“You gonna let papi fuck your pretty little mouth, hm?”

He pulled his hips back, removing his member from your touch and you gasped in a breath. You nodded in response to his question, opening your mouth expectantly, and he all but laughed at your eagerness.

“You want it bad, huh, bebita? You gonna ask nicely?”

“Please, papi.”

The word sounded foreign on your tongue, but your discomfort melted away when you saw Jake’s cock jump at the sound of your desperate pleading and he threw his head back in satisfaction.

“Please, fuck my face. Want to feel you in my throat. Please.”

He seemed satisfied with your begging as he wrapped both of his hands in your hair, tilting your head upward and guiding your towards his awaiting length. When your hands reached up to rest on his thighs, he pulled back, hissing at you.

“No, mi vida. Hands behind your back. Don’t make me tell you again.”

You clasped your hands behind yourself obediently, opening your mouth again, and you finally felt the fat tip of his cock rest against your tongue.

You practically choked when he harshly thrusted into your mouth, sinking nearly his entire length into your throat without warning. Before you could even recover, he was pulling back and repeating the motion, not giving you any time to adjust to the intrusion or ease you into a rhythm. You gagged unceremoniously as he fucked your face with reckless abandon, so you tried to slacken your jaw and just take it.

“Look at you, mi llorica. So beautiful when you cry for me, with my cock in your mouth.”

You could barely see him through the blur of tears as they rolled down your cheeks, mixing with the saliva that was foaming around your lips and dribbling down your chin. He picked up his pace, grunting with each motion, the head of his cock bruising the back of your throat with every forward thrust. He was guiding your head forward and backward in time with his movements, successfully burying himself into your face.

“You want me to cum down your throat, bebita? Going to take everything papi gives you?”

You garbled around his length as his balls slapped against your chin, and you felt his cock throb on your tongue as he sheathed himself completely inside of you, growling out your name as he shot his load as deep into your throat as he could. Still, he challenged you more, forcing himself further and further down your throat with each spurt of cum that he released, your nose smushed against his pubic bone as you swallowed around him, trying with all of your might to prevent yourself from gagging and ruining his orgasm.

With a satisfied groan, he slowly pulled his spent member from your mouth, and you gasped harshly, sucking in a deep breath of air and finally allowing the muscles of your neck to relax. There was a soreness lingering in the back of your throat, but you relished in the feeling as you wiped the mix of spit and tears from your face with the back of your hand, staring up at the fucked-out expression that Jake offered you.

“Did so well for me, bebita. What do you say to papi?”

There was an edge to his tone, his domineering persona not faltering for even a second as your scratchy voice responded accordingly.

“Thank you, papi.”

He nodded at you approvingly, watching as you blinked up at him expectantly. He was pleasantly surprised at just how quickly you’d fallen into submission—he thought he might have to coax you into cooperating with him, but it was clear to him that you were eager to please, your eyes glistening with residual tears from one of the best goddamned blowjobs he’d ever had in his life.

He leaned down and clasped his hands on your shoulders, yanking you to your feet without a word. You saw his eyes flicker down to your swollen, spit-soaked lips, but his gaze was hard as he took a step away from you, as if to resist the temptation to kiss you.

“Strip. Hands and knees, on the bed for me. Now, bebita.”

You didn’t protest as you hastily heeded his words, shedding your layers of clothing and tossing them to the floor before you scampered back towards the bed, crawling to your hands and knees in the center, head facing towards the pillows. You could hear Jake creeping up behind you, but you resisted the urge to turn your head and follow his movements, opting instead to squeeze your eyes shut and wait.

You weren’t afraid of Jake. Of course you weren’t. You knew he’d never hurt you—not unless you wanted him to. Nonetheless, you knew what he was capable of—actually, that was the thing. You didn’t know what he was capable of, but still, you could see the thinly-veiled chaos that swirled behind his coffee-colored irises, could sense the firm restraint he forced upon himself when he was around you, holding some unnamed beast at bay on your behalf. It scared you, but also sparked something inside of you—a primitive, savage excitement as he stalked you like his prey. Was it wrong if you secretly hoped he’d unleash the mayhem that resided within him, let himself go? God only knows the man deserved an outlet in which to channel his frustrations.

You felt the mattress dip down behind you, Jake kneeling on the bed behind your bowed position—your nerves spiked at the vulnerability you displayed, exposed as you practically felt his eyes tear through your body with crazed, wanton desire.

You were surprised to feel a soft caress on your hips, his rough fingers delicately ghosting over the supple skin on your waist. It was comforting, soothing, and surprising—a needed reassurance under his scrutinizing gaze. You felt his lips brush softly against the tender flesh of your left buttock, and you relaxed slightly, letting yourself sink down to your forearms but keeping your ass raised with the arching of your back.

“Are you ready, mi vida?”

He asked quietly, and you managed to squeak out a small ‘yes’ before sinking further into the bed and shifting your hips backs toward him in anticipation. He chuckled at your obvious eagerness, greedy for his touch, and you startled when his tender hold on your hips tightened into a bruising grip, the soft press of his lip to your left asscheek morphing until he was sinking his teeth into the flesh with a playful nip.

You yelped at the abrupt shift in demeanor, the sound earning you a sharp smack to your other cheek, his palm quickly rubbing the afflicted area to soothe the lingering sting of his spanking. You pressed your forehead into the sheet beneath you, your legs beginning to quiver with desperation.

“You’re going to stay like this, and take what I give you. Don’t move. ¿Vale, bebita?”

You nodded, but were met with another harsh swat on your backside at your lack of a verbal confirmation.

“Yes! Okay, papi, okay. Just—please.”

You were practically dripping onto the mattress beneath you, your arousal slickening your needy cunt as you desperately sought out any stimulation.

The pads of his fingers experimentally swiped through your folds without warning, and you jolted, involuntarily pushing your hips back to follow the withdrawal of his touch. Another firm slap against your opposite asscheek, a whimper escaping your lips as he scolded you.

“Stay still, bebita. Stop squirming.”

His order briefly brought you back to your first time with Marc, who had requested the same thing, but the words felt heavier when they were uttered by Jake—you knew he wouldn’t hesitate to find a way to make you comply.

When his fingers made contact with your core again, you clenched your muscles, forcing yourself to remain completely motionless, and you were rewarded with the tip of his digit just barely skimming over your clit. You whined at the sensation, but held your position.

Jake was pleased with your cooperation, but you couldn’t help but quake when you felt his tongue sweep through your folds to taste you. The spank he offered was softer, taking pity on you as he leaned forward and fully sank his mouth into your awaiting cunt. You mewled, fingers twisting into the fabric of the sheets beneath you and fisting at them tightly in an effort to keep still.

He was moaning shamelessly into your sex, his method tactless, sloppy and rushed. His movements weren’t practiced and deliberate like Marc’s, nor careful and precise like Steven’s—no, Jake was eating you out like a man starved, greedily mouthing at every part of you and reveling in the sounds that escaped your lips.

His hand lifted and he sank two fingers into your entrance, curling them forward frantically as his mouth latched onto your clit. He was working you to your orgasm quickly, hurriedly, desperate to feel you clamp down around him and cry out his name.

Your thighs were beginning to tremble. He must’ve sensed you were close, because he doubled his efforts, the vibrations from his growling buzzing through your flesh and pushing you over the precipice. On its own accord, your body lurched back towards him, your cunt grinding back against his face as your eyes rolled, your walls contracting around his digits and your juices leaking onto his awaiting tongue.

You felt dizzy, faint, your efforts to hold yourself upright through your climax exhausted you, and when you came down from your intense high, you felt Jake draw himself away from you, slow and intimidating. You felt your pulse spike as you awaited whatever came next. His large hand caressed your ass, gently smoothing over your soft flesh in back-and-forth motions.

“Sabe a miel, bebita. Such a pretty little pussy.”

His touch on your skin halted, and you felt his body lean over your back, his lips coming to brush against the nape of your neck.

“But you didn’t follow my instructions, pobrecita. You need to learn how to listen.”

You cried out when his hand swatted at your abused clit, your body jumping at the painful sensation in an attempt to escape his cruel attack. You felt one arm snake beneath your stomach to hold you upright, his forearm pressing your hips back towards him and keeping you there.

“I let you cum, even after you moved when I told you not to. Do you like being a brat, hm?”

You shook your head—another smack to your cunt, and you whimpered.

“No! No, m’sorry, papi, I—”

“Don’t you think I’ve been generous? Spoiling you? And still, you’re ungrateful, bebita.”

Your body flinched in preparation for the next blow, but instead, you felt his lips tenderly brush a kiss to the flesh of your ass.

“Compórtate. I think I need to teach you how to mind your manners.”

He slapped your ass again, harder than before, and you could feel the lingering sting forming a welt across your skin. He hummed.

“What do you say to papi, hm? For being so good to you?”

“Thank you, papi.”

You whimpered, tears starting to dampen the sheets beneath your face. Your appreciation earned you a soothing hand across the flesh he'd just struck.

“That’s right. Five more times, bebita.”

You sobbed in protest, body trying to pull away from him, but his arm wrapped around your torso forced you into place. He cooed at you.

“It’s okay, pobrecita. You’re going to say thank you after every single one, and then papi will fuck you. ¿Sí?”

He didn’t wait for your response. He smacked your clit, the sting burning its way through your lower belly. You choked back another sob.

“Th—thank you, papi.”

You stuttered, voice barely audible from where your cheek was smushed into the bedding, but Jake took pity on you. Two, three, four more times—the final blow landed sharply against your cunt, and you whimpered out your gratitude, eyes squeezed shut tight and your lip starting to freckle with blood from where you’d held it between your teeth.

He placed gentle kisses on your lower back, your ass, as far as he could reach, his arm still supporting your weight while the other came to softly smooth over your hip. Your mind was cloudy, your body completely surrendering to Jake’s will as you descended into subspace, clinging to his approval.

“You want my cock, mi vida?”

He asked gruffly, and you could feel his hardened length prod against your behind as he leaned further over you to press more kisses on your shoulders. You whined.

“Yes, papi, please, want you inside me, please—”

He shushed you calmly, sitting back to kneel behind you. He lifted your hips higher in the air with his arm, and you felt the flushed head of his cock brush across your soaked folds once, then twice. You mewled.

Without warning, Jake sank into you, bottoming out with one harsh stroke as his balls pressed against your puffy clit. You cried out, legs turning to jelly and giving out from beneath you, but he held you upright, keeping you stable in his arms.

“Mierda. Your little cunt is swallowing me, bebita.”

He withdrew slowly, and you could feel each ridge of his length as he pulled out until just the tip remained. Even though you braced yourself, you couldn’t prepare for the way he slammed back into you, his pelvis flush against your tailbone as you cried, pleasure sparking at the bottom of your spine in spite of the pain.

Jake’s pace was relentless, unforgiving, hips snapping forward over and over, the sound of skin slapping skin drowned out by your pathetic sobbing as your walls throbbed around his member. His teeth were bared as he railed into you, intently watching the place his cock was splitting you open.

“Carajo, you’re squeezing me so tight—going to cum for you, bebita.”

He practically growled as he speared you, and another orgasm was ripped from you with a particularly harsh thrust of his hips. Your cunt clamped down around him as he let out a long, low whine, hips stuttering at the sensation.

He let you collapse into the bed as he began frantically jerking his cock, pulling out of you just in time to shoot his load all across the reddening flesh of your ass. He let out a series of grunts, coupled with Spanglish expletives as he thrusted into his fist, his head thrown back in bliss. You felt globs of his hot spend settle onto your skin, streaking your backside with his seed as he panted above you, falling back onto his heels as he drank in the aftermath of his intense orgasm that was now painting your skin.

The moments that followed blurred together as you drifted aimlessly in the wakes of your pleasure, eyes fluttering in their attempt to keep you awake. Jake left you for several minutes, the absence of his body heat making goosebumps erupt across your skin, but you were too exhausted to move.

When he finally returned, you felt him softly dab the remnants of his ejaculate from your back before he gently shifted you onto your back, tucking an arm beneath your knees and the other around your shoulders as he hoisted you into the air. You whimpered slightly at the soreness in your muscles, your head falling limp against his bare shoulder as he carried you off. You weren’t consciously aware of your surroundings, but the sensation of warm water surrounding you helped ease the ache in your bones and clear the haze that had overtaken your mind. Jake gently lowered you into the bathtub, carefully tilting your head back to rest against the ceramic edge as you let out a relieved sigh, sinking into the welcoming heat of the water.

You felt as if you’d only blinked when you awoke, the water around you now lukewarm and the candle that had been burning beside you melted to the wick. You shifted yourself upward, hissing slightly at the soreness in your thighs, but you forced yourself to stand and exit the tub.

Silence surrounded you as you leaned to pull the plug from the drain before you noticed the plush white towel that had been folded neatly and left on the lid of the toilet for you. You gratefully reached it and wrapped it around your body, noticing the pruning of your fingertips.

How long had you been asleep?

You tentatively creaked open the bathroom door and peered outside into the apartment. It was dark, and empty, for all you could see, and you took a few cautious steps out into the room.

“Jake?”

You said softly, your soft call sounding much too loud in the quiet of the space. You proceeded forward towards the bed, shrouded only in light from the single lamp that was lit from across the way. Your clothes had been folded neatly and left in a pile at the foot of the bed, and you saw a small piece of paper settled on top. A note.

You picked it up and scanned it over once, then twice. You could tell this was Jake’s handwriting—it was a messy scrawl with an evident slant, the letters each written harshly with sharp lines. It was different from Steven’s languid scribbling, his words swirling together with smooth, clean strokes, and also from Marc’s, whose blocky penmanship was unmistakable. You couldn’t marvel at the fact that all three alters had markedly distinct handwriting, though, too focused on the content of the message to give it a second thought.

Went out for a drive Text when you get home See you tomorrow.

JAKE

You frowned slightly, heart feeling heavy in your chest as you forced yourself into your clothes. You checked the time—11:28. You’d conked out for nearly two hours, and you wondered how long ago Jake had stepped out. Was he waiting for your text in order to come back home? Waiting for you to leave so he didn’t have to see you?

You had absolutely no right to be upset, you knew. You should be grateful that he was sticking to his ordinary routine after your sexual encounter in honor of your experiment, but still, a pang of hurt bloomed in your chest. You briefly returned to the bathroom to blow out the flickering lavender candle before heading out the door, your legs wobbly as you trekked the two blocks back to your own apartment.

It was nearly midnight when you finally got home. You reached for your phone and shot the boys a brief message.

made it back safely x

A response came in barely thirty seconds later.

I'm so sorry Y/N He shouldn't have done this to you M

You fell into your bed immediately, eyes skimming Marc’s words, your lips pursing slightly. You let out a long sigh before typing your reply.

it's ok marc, i promise he didn’t do anything wrong i had a nice bath! :) tell jake i said goodnight xx

You connected your phone to the charger before setting it on the nightstand, quickly turning over and sinking into your pillow, trying to ignore the tears that were stinging the back of your eyes.

Your phone buzzed with a final message.

Sleep well baby Hope you give him hell tomorrow M

POINTS OF CONTENTION:

- slowing down

- embracing vulnerability and confiding in others

- accepting intimacy and allowing raw emotion

TREATMENT: - patience, foreplay - allowing himself to feel - aftercare (!)

You were, in fact, not going to give him Hell. Just the opposite, actually.

Jake spent too much of his time letting his demons possess him. Perhaps he needed a little taste of Heaven to show him what he's missing.

“Hi, Jake.”

You greeted shyly when the door swung inward. He leaned against the doorframe slightly, looking at you down the length of his nose. He didn’t say anything—just watched you. Studied you. Observing. After a few brief moments, you cleared your throat.

“Can I—uh, can I come in?”

A beat passed before he finally sidled back into the apartment, opening the door just enough to let you slip inside. Your side brushed against his front when you passed him, and the lingering smell of cigarette smoke clung to his white shirt. Oh, Steven would be livid.

You didn’t wait for an invitation before plopping down on one end of the sofa. Jake quirked a brow at your forwardness, and you signaled with the jerk of your head for him to join you on the other end. He offered a slow, dramatic roll of his eyes before seating himself beside you.

“What time did you get home last night?”

You asked quietly, fiddling with the hem of your shirt as you avoided his gaze. He breathed out a slow breath.

“Not too late. Hardly slept, though—your boyfriend wasn’t very happy with me. Kept me up all night, nagging at me.”

You frowned, finally noticing the deep purplish bags that had settled beneath his eyes. His curls were spilling out from beneath the brim of his flat cap.

“I’m sorry, Jake. Marc isn’t s’posed to be bothering you—it’s your weekend.”

He waved a dismissive hand, turning to settle further into the couch as he stared at some point straight ahead of him.

“No pasa nada. I’m used to it.”

He shifted in his seat slightly, his brows furrowing, and you could tell that he was receiving an earful from Marc.

“I’m—I guess I’m sorry, mi vida, if I upset you.”

You shook your head derisively.

“No, Jake, it’s—you’re fine. That’s what I asked you to do—treat me like any other girl.”

He let out a humorless bark of a laugh, knuckles rubbing over the stubbled skin of his jaw.

“Any other girl wouldn’t have gotten to see my bed, bebita.”

He noticed the perplexed look on your face and offered a sigh.

“It’s not...often, that I sleep with anyone like this. Usually it’s in the back of my cab, or a quick one in a closet—tienes suerte, mi vida. It’s rare they ever see me a second time.”

You felt a deep sadness wash over you at his confession. All Jake knew were rushed, meaningless hookups, no strings attached and no obligations. One and done.

“Is that why you didn’t kiss me, yesterday?”

Jake looked startled by your question, eyes widening marginally as his brows furrowed deeply. His lips set into a straight line, his jaw clenching tightly.

“I did kiss you. A lot.”

He insisted softly. You shook your head.

“No, Jake. A real kiss. You wouldn’t do it. Are—Is that not usually a part of your... you know?”

His knee began anxiously bouncing, his discomfort making itself evident to you.

“No sé. Never really thought about it before.”

You stood from the couch, and his stare followed your movements sharply as you crossed the short distance between you, stepping forward to stand between his spread legs. He looked up at you with dark, brooding eyes, uncertainty churning just beneath the surface. You slowly moved to sit on his lap, your thighs slotting on either side of his hips so you were straddling him. His hands mindlessly settled on your waist, his touch timid and delicate. Your fingers smoothed over his chest as you wrapped your arms around his neck.

“Can I kiss you, Jake?”

His lips silently parted, a flash of fear briefly flickering over his features as he gazed up at you longingly. His nervousness was palpable, his hesitancy evident through the tension in his shoulders and the crease between his brow. He didn’t offer you a response, so you carefully began leaning your face towards him, tilting your head so your nose brushed against his. You felt his stuttering exhale fan out across your face before you finally let your lips brush over his own.

It was soft, and tentative, as if he was unsure of how to respond or worried he would somehow break you. You pressed your mouth a bit firmer to his, melding against him. You wished, hoped he could feel all your emotions come through the kiss—how much you cared for him, how much you wanted to show him that. Maybe your manifestation worked, because after his few fleeting seconds of unresponsiveness, you felt him sink into the feeling, one arm traveling from your waist up your back to cradle the back of your head in his hand.

He shifted beneath you, trying to pull you closer, as if you weren’t already on top of him. You could feel the stiffness vacate his muscles as the kiss grew feverish, desperate, his lips moving against yours hastily and messily. His free hand began to roam the expanse of your back as he pressed his torso into your own, your nose smushing against his cheek as he gripped you tighter.

He whined when your tongue swiped across the seam of his mouth, his lips immediately parting to allow you access. You dove in to taste him, the stale tobacco and faint mint of his toothpaste overtaking your senses and inebriating you with the distinctive flavor of Jake. His own tongue began to tussle with yours as he mirrored your actions, your teeth clashing messily as he all but tried to swallow you whole.

You pulled back abruptly, gasping in a breath, and his mouth chased yours in a frantic attempt to maintain contact. You felt his hips instinctually rut up against you, his hands still pulling you tightly against his body as he nuzzled into your neck, inhaling the scent of your soft skin.

“Slow down, Jake, take it easy.”

You placed both of your hands on either one of his shoulders and forced him to relax against the couch, his body following your guidance as he sank backwards at your request. His eyes were practically crazed, his lips swollen and ruddy as he looked up at you with a half-lidded gaze, chest heaving with panted breaths.

“Oh, hermosa.”

His muttered, his grip pulling you back to his chest as he surged forward to hungrily meet your lips again, his hands beginning to claw over every inch of your body he could reach, trying to feel all of you. You pushed him away again, more forcefully this time, and he fell backwards with a grunt.

“Hey, relax. It’s okay, I’m not going anywhere, I promise.”

A flicker of sadness glinted briefly in his dark eyes, a blink-and-you'll-miss-it expression, but you caught it. You offered him a soft, assuring smile, grabbing the hat from his head and tossing it to the side so you could sink your fingers into his hair. He leaned back into your touch as your nails gently scratched at his scalp, a soft, breathless moan breaking from his lips as his eyes fell shut. You leaned forward and pressed a single kiss to the exposed skin of his throat.

“Come on, handsome.”

He was reluctant to loosen his hold on you, but you reached for his hand and clutched his fingers tightly so he could still feel you touching him somewhere. You led him over to the bed, pausing at the foot of it and gesturing with a nod of your head for him to lay down. He quirked a brow at you, lips curling into a mischievous grin.

“You going to punish me for being so hard on you yesterday, bebita?”

You weren’t oblivious to the excitement that shone in his eyes—he seemed enticed by the possibility of you torturing him in a similar vein to Marc, and you figured that was some information you could keep in your back pocket for future reference.

Instead, you let out a saccharine giggle—it was sickeningly sweet, cloyingly so, and Jake might’ve gotten a toothache from the sugar if it weren’t for the softness with which you crept over his splayed-out body, sinking your front against his as you pressed a featherlight peck on his lips.

“No, Jake. Nothing like that.”

You let your weight settle onto him, straddling his lap and letting your chest fall flush against his as you kissed him again—he mouthed at you hungrily, trying to force his tongue into your mouth, fighting for dominance, and you gently pulled away.

“Hey, tough guy. What’s your rush?”

His brows furrowed, gaze flickering from your eyes and down to your dewy lips, his pupils blown wide. You smiled sweetly at him.

“Slow down, okay? There’s no hurry, really. Let me just feel you.”

He blew out a huff of air before your lips were on his again, and he heeded your request, letting you take the lead as your poured all of your passion into the kiss. It was slow, deep, intimate, your fingers sliding beneath the hem of his shirt and across the hot skin of his torso, pushing the material up as you went. You slowly drew back to discard the article of clothing before immediately latching your mouth to his, slow movements still heavy and dripping with desire. You finally parted his lips with the swipe of your tongue, and you felt his fingers sink into your hair, tilting his head for a better angle with which to lavish you.

You could feel him getting greedier as he pressed his body up into your warmth, hands sliding down the expanse of your back and making a move to rip your shirt from your body. You pulled back suddenly, giving him a warning look.

“Hey. Slow.”

You reminded, and he stuttered out an exhale, his fingers gradually raising your shirt above your head as he tossed it to the side. His eyes ravished your body as his fingers traced along the newly exposed skin of your sides, his touch softly skimming your curves before coming up to cup at your breasts. You smiled sweetly down at him as he pressed a few fervent kisses to your collarbone. His dark eyes found yours, lips parted provocatively as he silently asked for your permission. You nodded gently, and his fingers trembled with restraint as he slowly reached around to unclasp your bra.

It was taking everything within his power not to flip you over and pound into you, but something about the look in your eye—reverent, devoted, loving—he didn’t mind too much.

When your breasts exposed themselves to him, he made a low rumbling noise from the back of his throat, leaning forward to latch onto one of your nipples hastily. You tugged at his hair and he groaned in frustration.

“Jake.”

You warned, and he pressed his face down into your cleavage, his breathing ragged and shallow.

“Mierda, bebita. You like being on top so much, hm? Like being in control of papi?”

You gently pulled at his curls again, forcing his face to lift and look up at you. You regarded him softly, one of your hands coming to delicately trace over his jaw and cheekbone.

“No, honey. None of that, okay?”

His brows furrowed, and you leaned down to press a kiss against the crease between them.

“It’s just you and me. Jake and Y/N.”

He repeated your name back to you in a low murmur, as if saying it for the very first time. Actually, now that you thought about it—maybe it was. Jake had never addressed you by your name before, only used endearments to speak with you.

He seemed puzzled by your suggestion, eyes round and questioning and lost, almost uncomfortable with the proposal of having you call him by his actual name.

“You can be on top if you really want to, Jake.”

You pressed a kiss to his nose, then atop both of his fluttering eyelids, then one in the center of his hairline.

“You just—have to be patient.”

You pressed your forehead against his, letting your eyes drift shut as you took in the soft sound of his breathing, finally settling down and evening out. You felt his head tilt up to meet yours again, and you let him kiss you, his pace steady and deliberate, easing you into a rhythm. His hands slowly crawled up your spine, cradling you close to him as he licked into your mouth, his hips bucking up just slightly when you gently tugged at his lower lip with your teeth. He pulled away, shaking his head at your flirtatious action and giving you a playful glare before mouthing gently at your jawline, down your neck and behind your ear. When you leaned into his touch, he sank his teeth in and suckled a deep red mark into your skin, earning a soft whimper in appreciation. His lips stayed pressed against you as they trailed down the column of your neck, along your collarbone and shoulder, and finally down to the flesh of your breasts.

You breathed out a low moan when he placed wet open-mouthed kisses along the top curves of your chest, slowly teasing lower until his teeth scraped your hardened nipple and his lips puckered around it. His hand came to palm at your other breast, kneading at the doughy flesh as he stared up at you seductively through his lashes.

“Fuck, Jake.”

You whimpered, and the sound of his name rolling so deliciously off of your tongue caused his hips to grind up against you once more. When he was satisfied with the array of red and purple marks he’d imprinted on your skin, he dragged his face back up to your own and pressed his lips to yours once again.

You were impressed with his restraint. You could feel the hardness in his muscles, see the tension in his thick shoulders as he forced himself to take his time instead of jumping your bones from the start. You hummed against his mouth before pulling yourself away and off of his lap, your fingers slowly trailing down the length of his torso before settling on the buckle of his jeans.

His breath stuttered at the action, his abdominal muscles contracting as he awaited your next move. You gently reached down to palm at his bulge through the layers of fabric and he groaned throatily, his eyes fluttering shut at the much needed stimulation. Your fingers deftly worked to unloop his belt before unbuttoning his jeans, and he lifted his hips to assist you in pulling them off of him.

When he was left in just his briefs, you pressed gently against his shoulder to make him lay back down and relax. He sank back into the pillows, propped up so he had a decent view of you between his legs, your fingers teasingly stroking over his length through the thin cotton of his boxers. He hissed.

“Estás una calientapollas. Please, hermosa. Y/N.”

He saw the way your eyes darted to his face at the sound of your name, your lips parting and your fingers ceasing their gentle sweeping motion over his cock. You held his gaze as you slowly reached up towards the waistband of his briefs and coaxed them down his legs, freeing his member that had been straining against the fabric.

After you’d tossed his final undergarment aside, you settled back between Jake's legs, your hands stroking each of his inner thighs softly, watching as he pulled his lip between his teeth. Your left hand slowly, slowly crept upwards until it ghosted over the silky skin of his shaft, his body shuddering in response to your touch. You waited until his eyes were open again, watching you, before leaning forward and letting a pool of your saliva drip from your lips and onto his awaiting cock. He keened at the sight, his hips jerking just slightly as you finally wrapped your hand around the base and began to stroke him at a treacherously slow pace.

“Mierda. Fuck.”

He grunted quietly, trying to keep his hips still as you started to pump him a bit faster, glittering eyes staring up at him reverently. It was dizzying, the way you gazed up at him with such infatuation. It almost made him nauseous.

You slowly leaned down and licked the precum from his leaking slit before letting your lips wrap around the head, swirling your tongue languidly over the tip, watching his face scrunch up in pleasure.

You briefly pulled back to press kisses up along his entire length, coupled with soft caresses of your fingertips. It was clear to you that Jake was beginning to feel frustrated—his hands were buried in his hair, head thrown back against the bed as if attempting to subdue his desires.

You took him back into your mouth, working him slowly over with your tongue and swallowing him down bit by bit, agonizingly slow. You could feel Jake’s thighs tensing around you, his hands flying from his head to fist at the sheets on either side of his body.

When you gagged around his cock, he lost his composure. You made a startled choking sound when you felt his hand against the back of your head, pressing you down onto his length as his hips bucked up to try to sink into your throat. You immediately recoiled, and Jake nearly whined, his eyes desperately pleading with you to grant him some release. You weren’t taking any pleasure in seeing him like this—this wasn’t your end goal.

“You going to edge me like Marc, huh? Want to hear me beg?”

His voice broke off slightly, his frustrations venting through his lips as he almost glared at you. You sat up, moving to straddle his waist once more so you could press your lips to his again.

“No, Jake, I told you, I’m not. I just—Let me take care of you. Wanna show you how much you mean to me, wanna—wanna worship you, wanna make you feel good—”

His brows furrowed as you rambled slightly, your eyes big and round and glassy. He was confused—what exactly was it that you wanted from him?

“Let me fuck you, mi vida—make us both feel good with me inside you, hm?”

“No, Jake, just—hang on, that’s not—”

“Then what? Want to see if I can be as vanilla as your little Steven?”

“I want to make love with you, Jake.”

His breath resembled something of a gasp as his eyebrows shot up nearly to his hairline, disappearing beneath his curls while his eyes widened almost comically at your hasty confession. You cringed inwardly at your forwardness, taking in the expression of sheer panic on Jake’s face that had him looking like a deer in headlights. You sighed, leaning forward to press your forehead into his chest in an attempt to hide your face from view.

“Fuck. Sorry. I just—I don’t want you to feel like you have to rush through this. I’m sorry, I just—I want—want you to enjoy it, want you to let yourself feel it, Jake.”

You could feel his heart pounding against his ribcage, his lack of response smothering you after your fervent explanation. You wanted to disappear, wanted the ground to cave in and swallow you whole—instead, silence consumed you, settling across your back like a weight that you weren’t strong enough to carry.

“That’s...a new one for me.”

His voice was quiet, sheepish, and you could feel the vibrations rumbling in his chest as you lifted your head to look at him.

“I know.”

You acknowledged quietly. He was staring at you. Dark eyes searching within yours, scanning your expression, every detail of your face, as if attempting to see straight through you. Your heart was still pounding, your face rosy with an embarrassed blush—you felt his arms shift, his hand hesitantly lifting, fingers ghosting over the skin right above the waistband of your jeans at your hips, getting about as close as he could to holding you without actually touching you at all.

You’d never seen Jake Lockley at a loss for words before, and you’d certainly never seen him look so unsure. He was always so collected, nonchalant and unfazed, never dropping his guard for more than a second before that smug smirk reappeared on his face. He took things in stride, his confidence stifling as if he was always three steps ahead of the rest of the world, always knowing what came next.

But now there was vulnerability displayed across his slacken face, a certain wariness serrating his words as he spoke.

“I’m sorry, mi vida, but I don’t—”

“You don’t have to apologize, Jake, really, I promise it’s okay.”

You reached up a hand to cradle the side of his face, fingers gliding across the stubble of his jaw as your thumb brushed over his cheek. His head instinctually tilted in the direction of your hold, turning to press a soft kiss to the palm of your hand.

“I’m sorry. This—I don’t know what I was thinking. This isn’t fair to ask of you at all, it wasn’t a part of the deal, and—we can stop here. Let’s—just tell me where you wanna go from here and we can do it. Anything.”

You breathed, looking into his eyes, your brows furrowed in remorse as you anxiously awaited his reply. He was still just looking at you, unwavering, his chest heaving slightly with each brash exhale.

You felt his fingers skate up your bare spine and you straightened at his touch, letting him gently pull you towards him until your noses were brushing again. His gaze never left yours as he drank you in, his lips parting so you could feel his warm breath against yours. After a few more grueling beats, your pulse jumping with anticipation, his closed the gap and kissed you with a tenderness you didn’t know he even possessed. He pulled himself into a sitting position, wrapping his arms around you until they enveloped you completely, your bodies melding together as his tongue traced the seam of your mouth, although he didn’t press any further—just feeling you, tasting you, savoring the sweetness that seemed to course through your veins.

You were breathless when he pulled back, although he only recoiled just enough to speak. You could feel the movement of his lips against your face as his dark eyes burned through you.

“Hermosa, I don’t—I’ve never... Nunca he hecho esto antes.”

You knew what he was saying even if you couldn’t actually understand it. Your eyes crinkled at the corners as you smiled softly at him, sliding your palms over his chest before wrapping your arms tightly around his neck.

“It’s okay, honey. I—we can figure it out together.”

He blinked rapidly at you, and if you didn’t know any better, you might’ve thought there were tears shining across his eyes. But then he was kissing you again, so softly and sincerely that it fucking hurt.

Your body was slotted perfectly against his, flush against the contours of his current position as his hands slid up and down your spine, settling lowly on your back, just above your ass. You could feel his aching arousal pressing into your heat, rubbing against the seam of your jeans as he held you against him. You let his tongue lick inside your mouth greedily before you drew away.

“Can I—Can I keep going?”

You asked softly, grinding your clothed core up against him for emphasis. A breathy whimper fell from his lips as he closed his eyes, resting his forehead against yours for a moment before slowly nodding. You slowly crawled down the length of his body, pressing gentle kisses all the way down until you found yourself settled between his legs once again, not wasting any time in wrapping your hand around his cock and giving him a few gentle strokes. He sank into the mattress, throwing his head back into the pillows as his teeth sank into his bottom lip.

“You’re supposed to enjoy this, okay? But remember, this—this isn’t just about making each other cum, it’s—wanna make you feel good. We’ll take it nice and slow. You tell me when you’re ready to—when you wanna move on, and we will, okay?”

He looked down at you, his eyes still full of doubt and hesitance, but beneath the veneer you could see the warmth of trust shining through. He nodded at you reassuringly, and the soft smile he offered was one you’d never seen from him before—so genuine and credulous that it almost resembled Steven.

Without another word, you leaned forward and let the tip of your tongue trace the driblet of precome that had begun to slide down the length of his shaft. You wrapped your lips around the head of his cock, suckling at the flesh as your hand began to stroke him steadily, wrist twisting just slightly to maximize the stimulation.

Jake let you toy with him for awhile, his hands gripping the sheets on either side of him in tight fists while he endured you doting on his throbbing cock.

When you reached to squeeze for his balls, your head sinking a bit lower onto his length, you felt his fingers wrap in your hair and gently coax you off of him, a low growl rumbling in his chest. You immediately ceased your ministrations, staring up at him attentively as he blinked slowly at you, his lip swollen from where he had been biting it.

“Do you—you want me to stop? Wanna—want me to ride you, or—”

He interrupted you with groan, throwing his head back against the pillows and squeezing his eyes shut. You could feel the muscles of his abdomen rippling.

“No, mi vida, it’s alright, whenever—you can stay down there as long as you like, I just—mierda, your mouth is so good to me, hermosa. Worried I’m gonna cum.”

He confessed, a sort of pained expression on his face. You gave him a pitying look—it wasn’t mocking, not at all, but genuine sympathy. You didn’t want to make him miserable.

“Just a little bit longer, okay, honey? I know it’s hard going so slow, I’m sorry, but—but I promise, when you finally let go, it’ll be worth it, okay?”

He smiled meekly at you, nodding as he removed his hand from your hair and returned it to its position tangled in the sheets at his side. You gave him one last reassuring glance before sinking your mouth back down onto his cock and lavishing him with more attention.

For several more minutes, he let you worship him, his hips jolting and cock twitching, although he was displaying great levels of restraint when it came to letting you dictate the speed and pace of your actions. You suckled one of his balls into your mouth, watching as he squirmed, legs kicking just slightly beside you as he mewled, his face scrunched up in pleasure.

You released him with a popping sound, finally satisfied with how you’d worked him up and extolled his cock. You crawled up his body and he eagerly welcomed your proximity, pulling you to his mouth to plant a hard, desperate kiss to your mouth. You smiled into him, fingers nestled in his curls.

“Thank you, Jake, did so well.”

You whispered, pressing gentle kisses to the expanse of his jaw as his chest heaved beneath you. He hummed to acknowledge your praise, although you could feel the tension in his muscles as he impatiently awaited your signal that you could continue.

When your eyes met his, they blinked at him, docile and alluring, and he took that as his cue to roll you onto your back so he could position himself on top of you. He pressed a few kisses to your mouth, as if he was struggling to pull himself away, before his lips traveled down your neck and collarbone, his hands popping the button on your jeans to finally have you bare beneath him. You didn’t protest when he pulled them down off of you, your panties joining them soon after. He leaned up to kiss you again, his rock-hard length dipping into your sopping folds as his body rocked against yours once, then twice, earning a low whimper from your throat.

“Go ahead, honey, I’m ready for you.”

You whispered, voice sweet, and he groaned lowly. However, he surprised you by pressing a soft peck to your cheek before sinking down the length of your body, his mouth trailing a line down the center of your torso before kissing right atop your pubic bone, brown eyes watching you closely. Your breath stuttered as you wrapped your fingers in his hair unconsciously.

“Jake, you’ve waited long enough, you don’t have to—”

“Wanna do this right, Y/N.”

He whispered, leaning forward to place a gentle kiss on your clit, causing you to gasp.

“Make me feel so good, hermosa. Promised going slow is worth it—gonna make it worth it for you, too.”

You couldn’t dwell on the fluttering sensation in your chest when his mouth pressed against you, wet tongue meeting your dripping folds with attentiveness—you released a soft cry as he lapped at your entranced, the tip of his tongue prodding at your clit gently, causing you to squirm.

Jake liked to run his mouth, but now, he was silent. It's not that he didn’t want to talk, didn’t want to spur you on with filthy praise—he simply couldn’t find the words. He was absolutely hypnotized by the sight above him, bewitched by the expression of pure, unadulterated euphoria on your face at each ministration he offered. He’d never been witness to such a beautiful view before—any time he’d gone down on someone, watching their nonverbal responses to his touch simply wasn’t his priority. It had always been rushed, forceful, as he ripped orgasm after orgasm from his partner with greed and insatiability. But now—now it was you. He was in between your legs, pulling angelic sounds from your lips as your thighs quaked around his head. You were glowing, radiant, ethereal as you basked in the pleasure, and Jake finally realized why foreplay was so important—seeing you like this might be even better than the real thing.

He heeded your words. He wasn’t trying to make you cum, wasn’t speeding you towards your climax with rapid swipes of his tongue and fingers. He was savoring you, each brush of his mouth against your core was languid and indulgent. His lips puckered around your sensitive bundle of nerves, drawing slow circles around it with his tongue as your fingers fisted tighter into his curls, offering enough of a sting to make him groan around you. His tongue dipped into your entrance, lapping at your dripping arousal, your walls fluttering around his thick muscle as your hips jerked to meet his thrusts, pressing yourself against his face to chase your mounting pleasure.

This was different than the orgasms he’d granted you the day prior—this was a simmering heat, coiling lowly in your stomach, festering and building slowly as he sought out the places that made you squirm. You could feel the intensity spiking, even though his lazy speed remained constant—the way his dark eyes stayed firmly fixated on your face was dragging you closer and closer to the threshold.

“Fuck, Jake, oh God—”

You whined, and his hands slipped beneath your ass, lifting your hips to grant him a better angle at which to devour you. Your thighs were trembling, his tongue beginning to swipe over your clit in rapid side-to-side motions—the change of pace pulled a ragged wail from within you, the muscles of your abdomen squeezing tight. He couldn’t control the shameful rutting of his hips into the mattress beneath him at the sound.

“So close, Jake, yes, fuck—”

You were right on the precipice, stars clouding your vision, but right before you tipped over the edge, you yanked your hips back, lifting Jake's head away from you with your grip on his hair. He jolted, hazy eyes suddenly wide and alert as he sat back, bewildered at your abrupt departure from his lips. You squeezed your eyes shut as your orgasm dissipated, your tense muscles sinking back into the mattress as the coil loosened itself. You breathed out lowly, your lashes fluttering as you opened your arms to pull Jake against you.

“Sorry, honey, I—so good, Jake, fuck, but I—wanna cum on your cock, wanna cum with you.”

A low groan escaped him as he pressed his forehead to yours, eyes blinking closed to stave off the arousal that was singeing his insides.

“You—¿estás lista, mi vida? Are you sure?”

You nodded vigorously, pressing a kiss to his lips, and he let out a slow breath, hands sliding to your sides. Your brows furrowed when he pulled back, gently attempting to roll you onto your stomach. You reached up to grip his shoulders tightly, shaking your head.

“No, no, Jake, I want—wanna see you, wanna be close to you, please.”

There was turmoil churning behind his eyes as he stared down at you, brows furrowed heavily as he fought his internal battle. You realized he’d probably never done it like this before—if the fact that he was afraid to kiss you was any indication, you wouldn’t be surprised to learn that he’d never let himself be caught in such an intimate position.

But then his eyes softened, his hand coming to cradle the side of your face, his thumb pressing up against the swell of your lower lip.

“Okay, hermosa. Por ti hago lo que sea.”

You felt his member slide between your dripping folds, the head of his cock brushing across your clit as he guided it against your center, hearing the way your breath hitched at the feel of him over your bundle of nerves. You felt it notch at your entrance, the tip just barely breaching your folds. Jake cursed lowly under his breath, eyes glued to where his cock was about to sink into you. In spite of your desperation, your hands lifted to rest on either side of his face, forcing his eyes onto you.

“Look at me, honey. Want you to look at me when you split me open.”

“Carajo.”

He muttered, closing his eyes to steel himself before opening them again to stare into yours. You watched his lips part as he pushed into you, unbearably slow, a low moan rumbling through his diaphragm as he sank into you, only stopping when he was fully-seated within your fluttering walls.

The intimacy was stifling him. He felt lightheaded, breathless, his body hovering over yours just barely as he held himself up above you, drinking in your heavenly being—your hair was fanned out on the pillow beneath you, your pink lips slicked with saliva as your gazed up at him with doe-eyes, blinking slowly as your walls clenched around him.

“God, Jake.”

You whispered, arms wrapping around his neck and pulling so he fell against you, chest flush against your own. He buried his face in the crook of your neck, staying still inside of you for a few brief moments in order to just feel the way you surrounded him.

Slowly, carefully, he pulled back his hips, just barely, before pressing back inside of you, your moans echoing in unison as his balls nestled tightly against your ass again. He’d always been so busy chasing his release, relentlessly pounding into you that he hadn’t taken the time to appreciate just how perfectly he filled you, just how perfectly your walls clamped around his pulsing length.

“So good, mi vida.”

He groaned against your neck, repeating the motion of his hips at a more steady pace. Each thrust pressed against your cervix, causing you to whimper.

“Fill me up so nice, Jake, fuck, feels so good.”

He felt your walls clamp around him once more, and he pulled his head back slightly, lifting himself up a bit more so he could increase the breadth of his thrusts.

“Me vas a matar.”

He growled, sucking in a breath through his teeth as one hand came to palm at your breast, his eyes glued to the way the other bounced with each push of his hips forward. His eyes drifted back to the fucked-out expression on your face, your lips parted as you stared up at him, and his hips stuttered just slightly.

God, he was close already.

“Fuck, hermosa, me arruinas.”

You could feel him faltering, a bead of sweat dripping from one of his curls and down onto your chest, sliding between your breasts and down to your stomach. He watched it dribble downward, eyes dazed, his abdomen clenching as he attempted to stave off his impending orgasm.

His hand clumsily wedged between your bodies, fingers finding your clit and rubbing it in crude circles, his arm trembling just slightly. Watching him grow desperate above you was enough to spark the beginnings of your climax. You pulled him down for a bruising kiss, teeth clashing and tongues swirling as you swallowed his incessant groans.

“Wan’ you to cum with me, Jake.”

Your words were drawled, drunk on the way his cock filled you, and you could feel pleasure sparking in the base of your spine. The speed of his fingers on your clit sped up slightly, his hips struggling to maintain their cadence.

“Mierda, hermosa, oh fuck, so tight—can’t, I can’t—”

���Cum inside me, Jake.”

Your words were only a whisper as you skated along the edge of your orgasm, just barely hanging on as you desperately tried to convince Jake to let go. His eyes blew open wide at your words, grunting as his hips continued jacking forward.

“Y/N, shit, don’t—I’ve never—”

“Oh, God, fuck, I’m cumming, Jake, please, please cum with me, fuck—”

He couldn’t have stopped himself even if he tried. The rhythmic pulsing of your walls around his painfully hard cock was harrowing, gripping him so tightly that he couldn’t have pulled out even if he wanted to.

His balls drew up tight as his climax exploded.

“Oh, me vengo—mierda, fuck, fuck, fuck, I’m cumming, shit, shit, shit—”

His eyes rolled back as he nearly collapsed on top of you, his hips pistoning forward again and again as he shot his spend deep into your walls, his cock pulsing. His orgasm seemed to last minutes as his vision blacked out, brain emptying as his awareness only focused on how the pleasure zipped across his skin with each pump of cum that he released and how tightly your walls were squeezing him, milking him for all he was worth. He’d never cum so hard in his life, or so much—his seed was leaking out around his length as his body slowed to a halt, your tired cunt stuffed full of him as his cock spilled one final spurt of warm release, the head of his member settling against your cervix as he stilled, his weight bearing down on you as he went boneless.

Jake was slowly grounded back into reality at the feeling of your fingertips brushing softly across the length of his spine, your other hand buried in his curls from where his face was tucked into your shoulder. He could feel your hot lips pressed against his temple, your breathing steady and even as you regained your bearings. He forced himself to follow your inhalation patterns, attempting to slow the racing of his heart.

As the endorphins flooding his bloodstream began to thin out, his anxieties threatened to consume him once again. He pushed himself up and off of you, groaning at the soreness in his muscles and the exhaustion tingeing the edge of his movements. You could do nothing but watch him as he slowly pulled out of you, and you expected him to leave you as hastily as he had the day before—maybe he would’ve, if not for the way his eyes glued themselves to your exposed center, enthralled by the sight of his cum oozing from your fluttering hole and dripping downwards.

Your hips jumped slightly when you felt his fingers gently sweep over your cunt—his gaze never lifted as he scooped his release from where is was beginning to escape and pushed it back into you, forcing you to keep as much of him inside as you could. His eyes were dark, possessive as he tilted your hips up just slightly in an effort to stop his cum from leaking out of you.

His sudden captivation and obsession with filling you was surprising, a stark contrast from just moments before when he had desperately resisted your pleas to finish inside of you. The ghost of a smile flickered over his lips as he settled you back down, seemingly content with the show. His eyes flickered up to yours, and as soon as your gazes met, you saw the way a shadow crested his features, abruptly throwing up his guard after the unexpected vulnerability he’d just granted you.

Jake walked to the bathroom, letting the door shut behind him with a click. You pulled yourself into a sitting position, sighing as you felt the stickiness between your thighs and settling beneath you. You should clean yourself up, get dressed and head out so that—

The bathroom door swung open again and Jake walked out, a wet washcloth awkwardly held in his left hand. He stood at the end of the bed for a moment, as if unsure of what to do next. His eyes hesitantly found yours.

“Do—I’m—I haven’t done this part before, mi vida.”

He quietly admitted, offering a sheepish shrug of his shoulders. Still, your heart warmed at his efforts.

“Thought—figured I’d try what Marc does, but I don’t—”

“Thank you, Jake, that’s perfect.”

You encouraged softly, and his eyes lit up with your soft praises as he knelt down on the edge of the bed, leaning down to carefully press the cloth to your ruined core. You sucked in a sharp breath, the coldness of the water a foreign sensation in contrast to the heat that was broiling between your legs—Jake recoiled, eyes searching yours widely for direction. You offered him a lopsided grin.

“Sorry, s’just—sensitive.”

You explained, and he nodded, slowly wiping at the arousal that stained your skin. His lips were pursed as he focused on his actions, trying desperately not to hurt you. After awhile, he sighed.

“Would you—do you want Marc? Or Steven?”

Your face fell as he finished cleaning you up, tossing the towel on the floor beside the bed, before facing you, his curls falling across his forehead and into his eyes. You frowned.

“No, Jake—not unless you don’t want to—it’s okay, I can always leave if that’s—”

He let out a humorless, bitter laugh, one hand coming up to stroke at his stubbled jaw as he stared at the ceiling, clearly uncomfortable.

“No sé lo que estoy haciendo.”

You heard him mumble breathlessly, his shoulders sagging with defeat.

“Do you—will you come lay with me, Jake?”

You asked softly, as if you were speaking to a wild animal and were trying desperately not to scare it away. His eyes darted to your face, lips parting to protest, to make up an excuse, but then he shook his head at himself, crawling up towards you and seating himself beside you, his back resting against the headboard. You tentatively leaned into his side, nestling your head against his shoulder. You felt him stiffen beside you slightly, but then his arm moved to wrap around you, pulling you closer against his side.

You felt him release a breath he’d been holding as you lifted a hand to rest on his bare chest, drawing random shapes into the warm skin mindlessly.

“Why did you think I’d want Marc or Steven?”

You asked softly, your eyes watching the movement of your fingers on his chest. His hold on you tightened.

“This—s’not my job. I don’t do things like this.”

You sat upright, turning to face him fully. His eyes were hard as they looked at you.

“What do you mean, not your job?”

His lips pursed.

“You know, hermosa. You’re the doctor, hm? Steven and me, we’re—we both do something for Marc. S’why we’re here. Marc and Steven, they—they get to feel things, know people. I’m—I’m just here to make sure they’re safe, that they don’t get hurt.”

Tears pricked behind your eyes as his words registered in your brain. There was an aching sensation festering in your chest.

“No, Jake, that’s not—that’s not how this works. You’re a person, you have every right to experience things just like they do, you’re—”

“No pasa nada. This is the way things are, hermosa. I know you thought—thought you’d be able to come and figure us out, show us what’s what, but—but I already know who I am, what part I play.”

The dejection in his voice was unmistakable. There was bitterness in his words, resentment. The pain in your chest expanded.

“I protect. That’s what I do. Means I don’t get—I don’t get to have this, mi vida. What happened today—that’t not mine.”

A tear rolled down your cheek, so you turned and sank back into his side, hoping he didn’t catch your display of emotion. In spite of himself, he let you press against him, savoring the feeling of your soft skin against his own.

You were hoping he’d open himself up to you after your intimate tryst, but you obviously misread the situation—his walls had come back up, even stronger and more unwavering than before.

Perhaps he sensed your sadness. You felt him release a long sigh, his muscles going lax as he let his head fall against the headboard.

“Lo siento, hermosa. I—you deserve better than what I can give you.”

Your head turned to gaze up at him, finding his eyes staring straight ahead at a random focal point. You felt your heart crack a bit.

“Stop, Jake, don’t say that. That’s not true, I don’t—”

“It’s okay, mi vida. I appreciate what you tried to do for me today. Significa mucho para mí.”

He swallowed, and when he finally looked down at you, the warmth he’d been unabashedly displaying for you had been replaced by the familiar austere glint that normally resided there.

No. You wouldn’t have it. Not after all of this.

Your hand reached up to cradle his jaw, thumb swiping over the apple of his cheek as you turned his head to face you.

“I know you’ve heard me say it, Jake. To Marc and Steven. This wasn’t—this isn’t just research.”

His Adam’s apple bobbed in his throat as his eyes flickered down to your lips, and you felt the arm that was wrapped around you tighten its grip again.

“I care about you, a lot—”

“You don’t know me.”

His words were brazen, suddenly harsh, insistent against your admission. Your brows furrowed.

“I’m not—I’m not like the others. I’m—I’m no good, hermosa. You care about Steven, and Marc, but I’m not like them. I don’t feel things like them, I can’t—estás mejor sin mí.”

“Then let me know you, Jake. You’re a part of this system, just as much as Marc and Steven, and you deserve to be happy.”

He didn’t answer you—his jaw rippled at the conviction your tone offered, so certain with yourself. You let out a long sigh, reaching to pull at his arm as you shifted. His brows furrowed, but he let you coax him into a lying position, his head against the pillows as you once again nestled into his side, arms wrapped tightly around his torso as you pressed your front against his side, face squished against his shoulder. You placed a soft kiss to the skin there.

“I’m gonna stay with you tonight, okay, Jake?”

You felt his muscles tense in protest, every fiber of his being telling him to make you leave, to get up and go, but the proximity and warmth of your body was intoxicating. After a few beats, he finally offered a slow nod, his limbs relaxing as he sank into the bed. You reached to pull the duvet over you two, clutching onto him tightly, and even if he refused to hold you back, you could feel the way his body went pliant beneath your touch.

He shouldn’t let you so close. He’d managed to keep his distance before—but with the way your breaths slowed into gentle snores, your hair tickling against his bicep, your comforting heat seeping into his bones—he felt his resolve begin to crack beneath the pressure of your insistent affections.

Jake let himself mold against you, his head tilting to rest against the top of yours as he pressed a gentle kiss to the crown of your head—he told himself that it was okay, you were sleeping, no one ever had to know just how much you’d softened him, how deeply you’d sunk your perfectly-manicured nails into his flesh—and no one ever had to know just how much he loved it.

For the first time in what felt like ever, Jake Lockley actually slept.

TAGLIST: @kezibear143 @gingermous @josephquinncore @steven-grants-world @am-3-thyst @fanofverymanythings @vaneyvfs @theboggyman-blog @belladri @roserfz27 @nowayhomerry @justanotherkpopstanlol @bagsy-not-it @elles-mind-palace @pimosworld @winterbiip @moonmoonboys @icuminurbutt @spxctorsslxt @fandomqueen74 @freerangesweets @wumpsquill @wordacadabra @lunaleah @hornkneeforbucky @my-secret-shame-but-fanfiction @sweatyroadcowboyjudge @ronanthesimp @deezisnotreal @avengersinitiative2012 @pri00r @wand-erer5 @bitchotine @cookielovesbook-akie @kingtwhiddleston @manofworm @welcometostayingawake @papillonoirsworld @xsarcasticwriterx @this--is--music @paradox-brody-chase

[five-flavor-soup]

This is technically in response/as an addition to a post on the supposed ‘double standard’ in the fandom between Zuko and Jet as Katara’s love interests, but it’s been so long since it was posted and I figured the OP would be entirely uninterested in my word vomit, especially after like one and half years—so, separate post. I added a link for those interested. There's a cut because this got quite long lmao.

In short, the post supposes the argument that though Jet would’ve made Katara kill people (something Zuko very much Did Not Do, no matter what you think about The Southern Raiders), he cleaned up his act after this. Zuko, on the other hand, did lots of Really Bad Things to Katara & Co. with far more frequency than Jet did and got redeemed after a multitude of episodes doing Various Things Moste Evile. To then slap Jet with The Toxic Ex-label and see Zuko as the ‘healthier’ and ‘better’ option creates a Double Standard(™) within the fandom, which is supposedly bad and not an arguably incorrect reading. 

But the differences in fandom perception between Jet and Zuko as Love Interests for Katara (one of which canonically, and the other potentially and apparently talked about in the writer’s room) are easily explained, as can the Supposed Double Standard—just by thinking about it from Katara’s viewpoint, or even the audience’s. Because, well, the worst things Jet ‘almost’ ended up doing didn’t happen because of outside interference only. 

That’s the important bit here. He 100% would’ve drowned an entire village just to get rid of a handful of Fire Nation soldiers, had Sokka not managed to evacuate everybody. He 100% would’ve grievously injured two people who, as far as Jet and everybody else were aware, were refugees who might not even be firebenders — considering nobody else saw Iroh heat up his tea, he could’ve been wrong — in an attempt to prove his own hunch. Had the guards not been there, had Zuko not been able to fight back with swords, Jet would’ve genuinely attempted to wound them for as much as a puff of smoke. And Jet consistently involves bystanders (innocent or not) in his desperate quest to harm and defeat the Fire Nation: the Gaang (and particularly Katara, through explicitly manipulative means) and the villagers in Jet; Zuko, Iroh, and the people in the teashop in City of Walls and Secrets. Additionally, we don’t see more violence from him because he’s not a main character like Zuko is—though it’s implied that Jet beats up villagers who are supposedly in cahoots with the Fire Nation often, only agreeing to turn over a new leaf when he, Smellerbee, and Longshot decide to move to Ba Sing Se. 

Zuko explicitly and frequently doesn’t harm people: that, or it isn’t important to the plot. He doesn’t burn down the village on Kyoshi, he literally only manages to lightly singe it. He threatens people with violence frequently but never actually goes in for the kill. I’d argue that the most explicitly violent thing he does in Book 1 is breaking Aang out of the Pouhai Stronghold—for his own ends obviously, but if it’s spelled like treason and sounds like treason, it’s probably treason. When he thinks of robbing the pregnant couple while he’s on the run, he stops himself of his own volition; when he considers using Appa to catch Aang (this was a point made against Zuko in the post), he’s unaware of what Appa’s been through prior to that point and sees him as no more than an animal used for travel, much like the ostrich horse he stole earlier in the season. 

Zuko’s schtick throughout Book 1 and 2 is that he doesn’t want to think of the consequences of his actions. His plans are never fully complete. He doesn’t think of how he’s going to get a chained, notoriously slippery little eel of an Avatar to the Fire Nation, and he doesn’t think about what would happen to twelve-year-old Aang after they got there—which is horrible of him, but it also shows an odd, ignorant kind of innocence that you’d associate with a kid who’s got a hard time telling right from wrong. Like, I love Zuko dearly, adore him even, but kiddo doesn’t think ahead until the Book 2 finale and even that’s debatable. He’ll eventually start thinking ahead a little bit but for the most part, he doesn’t. Not saying that takes away responsibility, because it absolutely doesn’t, but it is telling of Zuko’s character: he’s an ‘act first, think later’-kind of guy, all ‘fuck around; find out; maybe success’. His sole goal throughout Book 1 and 2 is going home, without even thinking on how to get there beyond like, Avatar in my custody => back in Fire Nation with Avatar => dad loves me again. And he says that his only intention is to go home too, in Ep 2 of Book 1:

Aang: If I go with you, [He holds his staff in front of him as an offer, making sure Zuko understands that he does not wish to continue fighting.] will you promise to leave everyone alone? [The camera cuts to a side-view of the area, Zuko's men still surrounding him, spears poised. After a brief moment of hesitation, Zuko erects himself and nods in agreement. Aang is apprehended by Zuko's men, who take his staff . . . ] Zuko: [Boarding the ship up the walkway. Determined.] Head a course for the Fire Nation. I'm going home.

(Added emphasis for my point)

Zuko is not the Big Bad. He’s not The Largest Threat. He never is. In Book 1 it’s Zhao, in Book 2 it’s Azula, and in Book 3 it’s Ozai. Zuko is a consistent threat, yes, but not a particularly large one no matter how good of a fighter he is. Because he’s presented to us as a disastrously hurt and traumatised little brat who we, the audience, are supposed to feel sorry for, and slowly grow fond of. Because we learn in The Storm that the notion of “caring for others is weak” has literally been branded into him. Because he keeps getting back up to fight, but consistently holds back. We are shown that he knows, on some level, that what he’s doing is wrong: the text suggests that Zuko is actively suppressing his morals. And by the time Zuko hires an assassin to ensure the Avatar is dead, we know that Zuko is incredibly unhappy with his choice(s) and is desperate to be safe; that he’s uncomfortable but wants to be comfortable; that he’s incorrect about the source of his fear while he’s back in the palace. The audience is shown this explicitly. 

By contrast, we’re shown that Jet is fully aware that those villagers will die. He’s fully aware that, if he manages to prove the two refugees are firebenders, they’ll be arrested and probably mutilated (if the hand-crushing is any indication). I love Jet and his character, but he’s supposed to be the example of poisoning yourself with your hatred, anger, and hurt. He’s revenge that goes too far, because he doesn’t allow himself closure. He knows the consequences and isn’t shown to care for them, as long as his goal is furthered.

And there is the small, but significant, difference between the two characters: Zuko initially just wants to capture the Avatar, is purposefully remaining unaware of what will happen when he does so, and is clearly shown to change, while Jet just wants to punish firebenders and is very aware of what will be necessary for him to do so, with a handful of lines of how he ‘stopped being like that’. And honestly, Jet is far more mature than Zuko is for quite some time, regarding the violence of war—basically as mature as Zuko eventually becomes at the tail-end of his redemption arc. But Zuko’s maturity is at that point healthier, because he doesn’t want to genuinely do harm. 

In regards to their separate relationships with Katara, there’s these fantastic points that @sokkastyles made in reply to the post:

The fact that Zuko actually did change and Katara actually forgave him makes ALL the difference. [ . . . ] The thing about Jet is how manipulative he was with Katara. He not only almost made her kill innocents, but he lied to her about the man he attacked having a knife when he was called out, so that Katara would see her as righteous. Someone who is willing to lie in order to make themselves seem good and someone who says they are going to change but then does the same things doesn’t have a good track record, and that’s a more troubling relationship dynamic than someone who acts as an upfront enemy but then sincerely changes.

And: 

I do think it makes sense to focus on manipulation being worse than being a cartoon villain when we're talking about personal relationships. I think many people can relate to having someone like Jet in their lives who seems nice but who lies and manipulates to justify their own bad behavior despite repeatedly claiming that they will change. Not that many people will experience being tied to a tree by someone who wants you to tell them where the Avatar is, and it is completely reasonable for people to be more forgivable of things Zuko did as a villain than things Jet did to Katara when he claimed to be a friend.

I actually don’t have anything to add to this, lol. It’s succinct and well-worded.

Lastly, in addition the relatability and the relationships being different (the manipulative, emotionally hurt, and self-proclaimed anti-hero versus the initially childish, explicitly confused and desperate cartoon villain, plus the girl they hurt horribly), there’s also the problem of Jet not being a main character. Jet is a relatively well-written side character, whilst Zuko is very quickly established as a main-ish character with his own POV (as the writers decided during the conceptualisation that he’d be joining Team Avatar eventually). Zuko’s troubling, self-destructive nature that has been forced upon him and his Tragic Childhood is shown in high definition. The audience is supposed to eventually be okay with Zuko and hopefully like him, slowly adding puzzle pieces to complete the picture of a horrific earlier youth and treatment by nearly everybody he knows except Iroh. Something like this isn’t necessary with Jet, not just because he was already incredibly likeable and understandable from his introduction and onwards, but also because he’s neither a villain nor a main character. 

There’s multiple reasons as to why Zuko is often seen as the ‘better’ option, just like there are multiple reasons why Jet and Zuko are compared so frequently—they’re both traumatised teenage boys who ‘rebel’ to get some semblance of control back, but we see Zuko change into a kid anyone would be a little bit proud and fond of and that doesn’t happen with Jet. Double standard or not, Zuko and Jet are different characters who the writers also treated very differently, on purpose. It makes sense to me that the audience would think Zutara is the ‘less bad’ or far better option. We know far more about Zuko than we know about Jet; and Jet’s redemption arc, if we can even call it that, halts permanently when Zuko’s is reaching the height it for him to go into a freefall, ultimately culminating in a genuine redemption. We, the audience, know this. So does Katara.

[saionjeans]

so i read part one of after the revolution. touga and saionji both being art dealers who contend with the notion of prioritizing art, ethics, or profit is really great way to concisely communicate the tensions in utena regarding the inherent violence of framing as it relates to objectification through the gaze, and how objectification leads to dehumanization leads to abuse as a mode of control. here are some key panels that communicate these ideas most explicitly:

it’s really interesting that while touga argues for art to take priority over the ethics of how that art is produced, saionji finds that notion outright reprehensible and admonishes touga for thinking that way. it’s funny to consider, because they’re both so awful, but yes, technically, saionji is nonetheless far more principled than touga.

touga takes a relativist approach to the morality of abuse, including the sexual abuse of children, claiming that there is no concrete morality that dictates whether or not an act is wrong, and thus the legacy of the artist must remain in the public consciousness for future generations to evaluate on their own terms. it’s not an unreasonable argument, but it’s also clearly obfuscating his own relationship to such a dynamic, as someone who wants to minimize the pain of his own suffering to position himself as stronger and more powerful than he is. by diminishing the impact of child sexual abuse through defending the right of the artist (ie, akio), touga is diminishing his own trauma for the sake of defending the value of art.

but saionji is also an art dealer, also operates within this framework, even as he resists it. which is obvious, because that’s his established modus operandi: ruthlessly critiquing the system that he participates in and even benefits from. saionji thinks that the enabling of csa is “a betrayal of life itself,” but touga considers it a crucial facet in the process of “immortalizing art,” or, in other words, achieving eternity.

then utena appears, and she grants touga the power to revolutionize the world, or, in other words, extinguish akio’s ghost once and for all. once touga defeats akio with utena’s help, akio’s prized painting (a nude of anthy he painted) transforms into a painting of her and anthy embracing (and fully clothed). the idea of achieving immortality through art, or attaining absolute power and control through exploitation, is flawed. paradigms can be overthrown through active resistance to hegemonic norms. neither touga’s approach that all art must be approached through a relativist lens, nor saionji’s approach that bad people should never have their art platformed on ethical grounds, is entirely correct. while saionji’s principles (that csa is always wrong and must always be condemned) is not incorrect, there is also a third approach, that is actively underwriting, complicating, and shifting the dominant narrative, which can only be done by facing it head on, as utena does.

when akio comes back as a ghost (for the second time) to attempt to possess his painting of anthy titled revolution (which is great because he then says “i will let no one take my revolution!!”), saionji jumps in front of his sword to save touga. the extent to which saionji is actually injured is unclear (it’s utena, so blood isn’t actually a byproduct of stab wounds), but the sentiment remains. touga helps saionji to his feet, and they lean on each other while touga says “that’s what it means to have the power to revolutionize the world.”

saionji jumping in front of akio’s sword for touga is essentially a parallel to utena taking the swords of hatred for anthy, although the parallel roles of anthy and touga are less explicit here (although as previously stated, his defensiveness when it comes to the matter of csa is nonetheless telling). it’s basically a conclusion to touga’s claim that “true friendship is for fools,” as he offers his true friendship, tender and unbidden, to saionji, and saionji, in turn, who literally drew a sword on him at one point in the comic (valid btw), jumps in front of another sword for touga’s sake.

the role of art in this story is thus fascinating as it connects more to the role of paintings in adolescence, whereas photography is the primary vehicle used to communicate this tension of framing in the show proper. the painting of anthy is a signification of the violence done to her, and both its revolutionary potential as utena actively rewrites it, and the conversation surrounding exploitative art as approached by touga and saionji, is actually a really interesting way to summarize these key thematic tensions, while also actively developing (and perhaps even resolving) the conflict between touga and saionji, who do blatantly function as counterparts to utena and anthy, for better or for worse.

[nightmare-foundation-2]

Hot take: Ozpin isn't even morally gray. I guess he is if you count past lives (slaughtering potentially thousands of ppl to end a war), but otherwise?? I really don't think he is.

Imo, Qrow is more morally gray, Ironwood pre-villain arc was morally gray, etc. I really don't think any of Oz's actions could count as 'morally gray', even when considering that he kept important information to keep his circle and by extension RWBY and Co hopeful, regardless of if you think it's manipulative or not (technically yes, but there was good intentions behind it so imo it's fundamentally different).

Oz really isn't the bad guy the entire fndm tries making him out to be. If he was I think the show would show him in that light, which it doesn't. It TRIED showing him as morally gray, but generally his actions aren't that bad. The FNDM loves saying Oz is an awful manipulative compulsive liar who's intentions are weird and muddy. But honestly I think if he was like that, he wouldn't be portrayed as good. Most of Salems own opinions on Oz is her projecting and being a hypocrite. I don't think the characters narration is reliable when it comes to Oz. The show itself tried making him seem like that in v6, but ultimately failed.

An example people use to say he's morally gray is pointing out that he made the Academies. Which, I won't lie, is a pretty stupid take. The Academies train older teenagers (17-21, possibly older if they allow older ppl to join) who have already been learning how to fight presumably since they were young. Ruby had presumably already had Crescent Rose for a few years by the time she was 15, and there's several combat schools to teach kids how to fight. Remnantians count as a warrior race! They HAVE to fight to survive. Even if you haven't been to an academy, it's normal to know how to fight to defend against Grimm. Controlled by Salem or not, Grimm are a constant that you NEED to fight against. The Academies just give widespread access to tools and education to learn in a safe environment filled with other hunters. They just so happen to fight off Salems Grimm forces, and unknowingly defend the Relics inside. It's a win-win-win on everyone's side. Yes, people are going to die. But they'd be MORE likely to die if a) they can't defend themselves properly b) don't have proper tools to do so or c) don't know how to fight at ALL. Thanks to the Academies, militaries don't need to be used (except Atlas). The possibility of war goes WAY down, and it's harder for the kingdoms to be actively corrupt (not impossible just less easier to be enforced). Objectively? The Academies are a GOOD thing.

Another example is people saying Oz brought RWBY and Co unwillingly into the shadow war. Which... is objectively incorrect. Qrow was the one who told Ruby about the information Cinder and Co were going to attack Haven, and Yang eventually went after her after she left. Ruby brought RNJR with her, because they all experienced trauma and reasonably wanted justice, thinking it was just Cinder behind everything. Then Qrow was the one who told RNJR roughly the truth. He didn't particularly want to, bit he relented anyways, and even then he held back information like Oz being immortal. He didn't even tell them about Salem, just that some nasty people wanted the Relics and Maiden powers and that one of them was named Salem. I guess you could count Ruby being brought into Beacon early, but even then that was the SAFEST option. If Cinder or Roman noticed her silver eyes in ep 1 and that got back to Salem, Ruby would be FUCKED. She was already involved in fighting Roman at that point, and thus would likely get targeted again, silver eyes or not. So Oz brought her in, citing her skill as the reason, while the others likely knew the truth. Qrow OR tai wouldn't have been fine with it if Oz only brought her in to put her into the circle. They would've torn him a new one. Not only that, but obviously he DIDN'T KNOW about the upcoming fall of Beacon. He genuinely thought Ruby and her team was going to be fine for the next 4 years, and when he was starting to suspect something was up, he STILL had no idea the Academy was going to be attacked during the festival. Why would he?? A direct attack isn't typical of Salem, iirc he or someone else said it themselves, especially since it had been 80 or so years since the Great War, which is implied that Salem started. Even IF he wanted to bring her in, he would've waited until after she graduated, which is what happened with STRQ and was going to happen with CVFY. Oz places an emphasis on letting them be kids for as long as possible. He only had to involve them when Qrow already told them everything. And even then, Oz repeatedly gave RWBY and JNR an out. He DID NOT WANT them involved, not yet at least. And with Pyrrha, he didn't exactly have a choice. He gave her time they didn't have, and required her to wait n think, and then needed her verbal consent WHILE BEACON WAS BEING ATTACKED. Yes telling her stressed her out, but I think if she knew the same thing could be offered to anyone else, she'd prefer to take on that burden. It wasn't fair, but it visibly pained Oz to have to give her the choice. He didn't want to, but war is never fair. He would've had to go to SOMEONE regardless.

As for Oz keeping the truth that Salem can't be killed a secret, imo, that is a very VERY hard call for anyone to make. For him it was the option of: tell them immediately and not have any allies (something he values heavily) or have them join Salem out of fear, wait first and tell them later and have them possibly freak out like Ironwood/betray him/lose hope and thus not have any allies, or never tell them so he has important allies and they possibly don't betray him or lose hope. Obviously, he chose the last option, and it's entirely possible he wanted to, eventually, tell them the truth, but we just don't know that. Of course I agree that Oz should've told his circle anyways, but for someone as traumatized and paranoid as Oz who's had to make this decision countless times, you can't exactly fault him for keeping the truth hidden. He's likely told the entire truth before and it bit him in the ass several times before he finally decided to keep it hidden. He said it himself, Leo was NOT the first nor was the last to betray him. As for not telling RWBY and Co? They're CHILDREN he's barely known for, what, a year?? And all of that he was their teacher/Headmaster who didn't often interact with them, or their mentor. He barely knew them and as far as we know, didn't get the chance to actually know and get close to them. They already knew just how dangerous Salem was from the fall of Beacon and battle of haven, plus the fact that she controls Grimm. They could've easily assumed Salem was hard to kill at LEAST since she's immortal and been around for countless thousands of years, and there's no way they thought no one tried to kill her. Oz barely knew them and they almost proved him right by nearly giving up. Plus, he was FRESHLY betrayed at that point. I'm sure yall noticed he was immediately pretty closed off due to the revelation of Leo's betrayal. He genuinely considered Leo a friend, so Oz's trauma response is to hold everyone else at arms length.

Another thing is the fact that he hid the truth from Salem as well early on in their relationship. Thing is, Jinn (a presumably reliable narrator) stated that they BOTH hid things from the other. Salem likely didn't tell him that she lied and manipulated kingdoms into turning against the gods, just that she wanted him back and the gods didn't like that bc that ABSOLUTELY would've upset Oz. Oz, knowing Salem didn't like the gods from her story, likely decided right then to keep the full truth from her, worried she wouldn't react well to it, something anyone would do. Not only that, but right after, Salem convinced, possibly manipulated, Oz into acting as a god-king with her, something he clearly didn't want to do. Jinn herself said "the hearts of men are easily swayed" as Salem convinced him to become a God-king with her. So yes, it's very possible that Salem manipulated him into doing that. "But Salem was fine with the truth later when he told her!" Yes, she was, but Oz couldn't have known that. And the whole reason he tried to leave her was because Salem was turning into a dictator tyrant, something Oz didn't want and something Salem was set on. He did overreact a little bit by bringing the kids instead of communicating with her, but it wasn't his fault that Salem immediately attacked him instead of trying to talk to him, or at least waiting until the kids were in a safe place before attacking him. Most of this wasn't Oz's fault, if any of it. Salem overreacted heavily by attacking him with the kids being react there. Had Oz and the kids lived and escaped her, they would've been TERRIFIED of Salem afterwards, traumatized by the ordeal. And it's never shown that Salem actually cared that they died, just that they "could've had freedom", blaming Oz instead. Meanwhile Oz, afterwards, spent whole LIVES drowning his sorrow and regret and trauma in alcohol, and he's clearly STILL affected by it if Salem using the silhouettes of their children is any indication, since she was likely taunting him (but also reminiscing, regardless of her feelings on the matter) and never brought up their children in any matter.

Overall I really don't think Oz is as bad as the fandom says he is. People like to think he and Salem are the same (something i might make a post on later), when they're very, very different. Oz really isn't bad, he's just traumatized and is basing current events off of past experiences. He's far from manipulative, uncaring, or really any negative adjective I've seen people describe him as. I've probably missed some things, but my point has been made I think. The fndm really likes to misinterpret Oz's character, saying he's exactly like Dumbledore, but in reality he's a subversion of characters like Dumbledore. He's a seriously good guy, and I think people miss that.

[carnivalcarriondiscarded]

hey remember that caramel-carmel Fake Script i was writing? yeah it's technically not done but i'm tired of tinkering with it so here it is! we'll just say it's a uhhhh uncovered partial script or somethin

this is not in any way official! it's a 100% unaffiliated fanwork & i am Just Fucking Around for Funsies

~

BARNABY: oh, I love carmul!

FRANK: [long, disgusted pause] …what? 

BARNABY: Carmul! You know, those tasty little treats you’re holdin’!

FRANK: You mean caramel?

BARNABY: That’s what I said.

FRANK: [scoffs] No, you didn’t. You said carmul.

BARNABY: We’re sayin’ the same thing here.

FRANK: We absolutely are not!

JULIE: [giggles] You really aren’t.

BARNABY: Carmul, caramel, tomato, tomahto! What does it matter!

FRANK: [flustered, stammering] It - it matters! Julie, you agree with me, don’t you?

JULIE: Well… I don’t know, Frank! I think both are fun!

FRANK: You’re both wrong, then! Wally, you agree with me, don’t you?

WALLY: [hesitant] …I say carmul.

FRANK: No! Not you too! How could you poison him like this, Barnaby?

BARNABY: Don’t look at me! I’m innocent, honest!

FRANK: Ha! So you admit that carmul is the wrong pronunciation!

BARNABY: [groans] ah, geez… throw a dog a bone!

FRANK: I’d be delighted to if you’d just-

[distant yelp as Eddie trips off-screen] 

FRANK: Eddie! Thank goodness, finally someone who can put an end to this debate!

EDDIE: [nervous laugh] Oh no, what did I stumble into this time? 

BARNABY: Hold on a tic, Frank. Hey Ed, take this. What do you call that tasty treat?

EDDIE: [with a tinge of fear] A… caramel?

FRANK: [triumphant] a-HA!

SALLY: [approaching] Did someone mention carmul?

FRANK: AGH!

BARNABY: [delighted] Perfect timing, Sally!

SALLY: What, for a delicious morsel? Hand it over, thank you!

FRANK: You’re all wrong, and I’ll prove it! We’re going to go around the neighborhood and - wait. [under his breath] One two three four - [returns to normal volume] we’re taking this to Poppy’s!

BARNABY: Then Home, then Howdy, yeah yeah - might as well ask the daisies, too.

JULIE: Oooh, and the butterflies! 

SALLY: While we’re at it, we should phone everyone in the book, just to get the widest audience input.

FRANK: [unamused] You all think you’re so funny. 

EDDIE: Well, you gotta admit it’s… it’s… 

[brief, tense pause. Eddie clears his throat]

EDDIE: It’s perfectly sensible!

[Frank makes an affronted noise]

FRANK: Poppy will see sense.

-

POPPY: I’d be delighted to have a cah-mehl, but I’m afraid it-

FRANK: [aghast, truly astonished] You’re joking. You have to be joking. CAH-MEHL? Does no one in this town have sense?! Besides Eddie, of course. And Julie - on a technicality.

EDDIE: [oddly pleased] Why thank you. 

POPPY: My goodness, did- did I say it wrong?

BARNABY: [gleeful] Not in the least, Pops!

SALLY: As far as I’m concerned, you added an extra layer of… pizazz to the word. In fact, I may adjust my own pronunciation accordingly!  

POPPY: [flustered] Oh, well, I didn’t - don’t change on my account -

SALLY: Take the compliment, Poppy. 

POPPY: [meekly] Thank you.

[Sally wanders from the group, practicing the slightly adjusted pronunciation]

WALLY: I’m not sure I understand. What’s wrong with carmul or… care… mul… carmel…

POPPY: Don’t strain yourself dear, you’ll get a migraine.

FRANK: What’s wrong is that it’s ENTIRELY incorrect! It! Is! Pronounced! Caramel!

JULIE: Aww, Frank, I’m sure Home and Howdy will agree with us! Team Caramel, WOOO!

BARNABY: [barely restrained disbelief] Boy, won’t they! 

POPPY: I’m not sure what the fuss is about… there isn’t much of a difference, is there?

[Frank makes a high pitched, frustrated noise and stomps off. He can be heard calling Home’s name in the background]

JULIE: Oop, there he goes!

POPPY:  Oh - oh dear. I didn’t mean to rile him up.

BARNABY: Don’t twist your beak about it - Frank’s just bein’ Frank. Now if you’ll excuse us, I wanna see how it goes with Home.

WALLY: [quietly, thoughtful] But Home doesn’t talk like us…

POPPY: If you’re sure… Do let me know how it goes. 

SALLY: [swaying back to the group] I’ll phone you post-haste! Or even better, I can come by for one of your delicious muffins and regale you with the whole escapade, in detail.

POPPY: [audibly pleased] That sounds - well that sounds like a wonderful idea! I have some fresh from this morning-

BARNABY: Sounds great! See you around, Poppy.

-

FRANK: Home, I have an important question to ask you. Is the correct pronunciation for this candy ‘carmul’, or ‘caramel’? One creak for caramel, two for the incorrect carmul.

BARNABY: Talk about a bias…

[Home stays silent. Sally yawns.]

FRANK: One creak for caramel, two-

[Home slowly shuts their curtains]

FRANK: Hmph! The nerve… well, I suppose a house that can’t speak shouldn’t have a say, anyway.

WALLY: Home can speak. He just does it differently.

BARNABY: And I’m pretty sure they just agreed with me, Walls, an’ Sally.

JULIE: They did not!

BARNABY: Looked like it to me!

SALLY: I have to agree with Julie. Home just declared itself a neutral party, and so the vote can’t be counted either way. On to Howardson!

JULIE: Yes! Howdy! Our last hope!

FRANK: He may have terrible taste in company, but he’s a sensible businessman. Poppy and Home have let me-

JULIE: Us!

FRANK: -us down, but surely Howdy will back us up. 

BARNABY: [faux-serious tone, knows something they don’t] Absolutely. Without a doubt.

-

[store bell chimes]

HOWDY: Howdy-do - [brief pause, a tinge of surprise] everyone! My my, what brings the entire neighborhood to my bountiful bodega? Finally decided to clean me out for good?

BARNABY: [snorts] With how fast you restock? I think I’d break my funnybone!

FRANK: We have important business.

HOWDY: [mildly curious] Do we? That’s news to me! But I’m letting you know now that I don’t deal in bugs, Frankly. It’d be hypocritical. 

FRANK: Believe me, I wish I were here to talk insects. Unfortunately, I need to settle a score. Mr. Dear, if you would?

EDDIE: If I would what?

SALLY: [stage-whisper] Barnabello gave you the, ah, parcel earlier?

EDDIE: The…? Oh! Oh, right - I have it right here, just… give me a second… which pocket…? There we go.

[sound of a small, hard candy placed on the countertop] 

HOWDY: A carmul all for me? You shouldn’t have! No, really, you shouldn’t have. I’m on the clock.

BARNABY: [loud bark of laughter] I knew I could count on you, pal! So what’s the tally, Frankie?

[Frank mutters something inaudible]

BARNABY: What was that? I couldn’t hear you over the sound of me bein’ right!

FRANK: [explosive] You’re all wrong! The correct pronunciation is caramel, CARAMEL! You’re all - you’re all just - heathens! Heathens, I say! I’m taking my company elsewhere! 

EDDIE: Mr. Frankly…

JULIE: [overlapping, following] Aw, c’mon Frank! 

[the door jingles. Julie and Frank’s hushed arguing in the doorway underlies the dialogue]

HOWDY: It sounds like I missed quite the context! Mind filling me in?

BARNABY: That was pretty much it; a real potato potahto argument.

HOWDY: If you say so, Barn. Speaking of potahtos-

[the background argument abruptly cuts off, the door jingles again as it's closed]

FRANK: [rapidly rejoining the group] Hold it! You don’t really say potahto, do you?

BARNABY: [under breath] Here we go again…

SALLY: [deeply amused] Where on Earth did you pick up such a butchered pronunciation? I must have missed the sign on my tour down from the heavens.

EDDIE: [baffled, underlying the dialogue] I’ve never heard anyone say it that way.

JULIE: Oh! Is it a joke? Like, Barnaby says potato-potahto, and then you jokingly say potahto to make us laugh? 

HOWDY: It’s not a joke. That’s how it’s said.

FRANK: [genuinely disturbed] No - no one says that. It’s potato.

HOWDY: Well I say potahto, thank you very much! And if you ever want one from my store again, you’d do well to accept that.

[Various grumbles of reluctant acceptance]

HOWDY: Good. Now, can I get any of you a refreshing drink after such a squall? You must be parched! 

WALLY: I wouldn’t mind a glass of mulk.

[Horrified silence. A pin drop would be deafening]

[Sudden uproarious and overlapping argument]

[fuh-saw-t]

How to Write Character Dialogue 

Like, in a realistic and engaging way. 

Edit: PART 2

Preemptive warning that this extremely long-winded and messy post is designed to be a vague guide to help or prompt beginners with methods they could use in writing, to help people avoid common mistakes, and to hopefully aid in developing unique methods of constructing and presenting dialogue. It's also opinionated, and heavily influenced by my own writing style.

This post will be split up into two posts detailing a macro and a micro view - macro being dialogue in general, and micro focusing on how individual characters and stories will have certain considerations. Reblog and say in the tags if you want Pt 2 on the micro-view.

The 'Macro-View'

Don't start googling that term. I made it up.

The key to making dialogue sound realistic (and, in turn, making your characters appear more like people - making them easier to empathise with) is to think about how real people talk. Very obvious, right? You'd be surprised.

-

Ellipsis 

And no, not the '...' kind. We'll get to that later.

Ellipsis is a term that refers to how words can be omitted from a sentence, yet it can still be understood. It's something we do all the time (though not often thinking about it). For example:

"Are you going home?"

"You going home?"

The latter is entirely understandable, but is not grammatically correct. However, most people do not speak in grammatically correct sentences, or even sentences. We speak in utterances and focus more on being understandable than eloquent. It's important to consider this when writing, as I've seen time and time again - even in published books - the writer focusing too much on making the dialogue grammatically correct. The characters sound dry, void of personality, and appear to be reading off of a script at every moment.

Ellipsis isn't going to be used in every sentence. You still have to think about which character will use it and when.

-

The Other Ellipsis

Gonna break every fanfic writer's heart in one statement: using ellipsis to convey pause is grammatically incorrect.

But, good news! Language is made up and I think it works well for dialogue, so it gets to stay.

Ellipsis (...) can be used to convey a pause - usually when a character is considering something, overthinking or too heartbroken to think straight. It can technically be used anywhere, but I'd advise against using it at the beginning of a sentence, like this:

He muttered, "...I can't believe it."

Because, honestly, it doesn't really convey much that you couldn't show through other methods. And, since a pause is silence, placing it at the start of a sentence conveys (in most cases) nothing, as of course there would be silence - the character hadn't started speaking yet.

However, when placed at the end of a sentence, like this:

He muttered, "I can't believe it…"

We report back to the primary purpose of an ellipsis - to convey something has been omitted. Here, the use of the points have created the impression that the character had more to say, but instead trailed off. This is something we do in speech all the time.

-

Dashes

To me, dashes are a near-essential part of constructing realistic dialogue; they can be used to present characters' spontaneity, the insertion of impromptu remarks, or a 'take it or leave it' comment that can be considered by the other characters or reader based on context (or what's remembered). For example:

"Well," he said, flipping idly through the pages, "we could go to the city and protest there—that might be too dangerous—or try to rally some support from the neighbouring villages."

That's the (largely) grammatically correct version, though. Since language is made up, punctuation is a lie and readers don't notice nor care, you can do whatever. There, I used the 'em dash' (as opposed to the 'en dash', which is '–', or the hyphen, which is '-'). This is what grammarians and dictionaries tell you to do, but you can totally change whatever you want to suit what you think looks best. Such as putting in an en dash or a hyphen instead, putting spaces between the words and the punctuation mark, or putting marks such as '?' or '!' within the subordinate clause (a relatively-new habit of mine).

As you can tell, I usually put a '-' in writing where I don't have to bother. Like here on this blog.

Overall, dashes are a great way of inserting side-comments and impromptu thoughts, making your characters seem much more natural and alive. Moreover, they can be used to give the effect of stuttering. And, as a bonus, they can also be used to show interruption or a stopped thought. For example:

"But you didn't tell me about—"

"I didn't have to tell you anything."

Personally, I use en dashes for interruptions and em dashes for self-obstructed speech (where the character stops themselves) to indicate the following silence. Punctuation can be used creatively to show whatever effect you want. Experiment and find your style!

-

Contractions

This is a short one, since I'll touch on it in part 2, but contractions such as 'don't' and 'I'm' do not necessarily indicate a character, for lack of a better term, isn't posh. I see people try to write characters that are intended to be posh or highly educated all the time and decide the best way to show that through their speech is to omit contractions. In fact, it just makes them sound a bit like a robot. People can still use contractions in speech if they're highly educated, especially in a context where their education or status is not relevant. There are better methods to show a character's personality or upbringing through dialogue, but we'll touch on that later.

-

Dialogue Placement

I'm too lazy to think of, or look for, a better term. It's where you put the dialogue, and how much of it you have. Simple as.

Let's be blumt. Don't do this:

He said, "blah blah blah."

She replied, "blah blah blah."

He responded, "blah blah–"

She screamed, "blah blah blah!"

Riveting dialogue, am I right?

Instead, let's try jazz things up. Ensure that your speakers are clear to the reader, that the tone can be understood through either your punctuation, descriptions or dialogue, and you'll be absolutely fine.

Elliot was heartbroken. Taking Elena's hand, he told her, "I can be better, I promise."

"Seriously?" She snapped her hand out from his grip. "If you could be better, then why weren't you better before? Before all this, I– now I don't know what to think."

"But you don't have to think! I'm telling you, Elena, the life we can have–"

"I don't want to hear it!" She screamed, "We're over!"

Even if you replaced that with blahs, it'd probably be a bit more engaging. The content of your dialogue isn't the only thing that matters, it's how it's placed. Here, the placing is diversified; the dialogue is sometimes embedded within the sentence, more so than before, making the words seem a lot more related to the context; a better view of the situation is shown, and we aren't bothering the reader with a constant 'she said, he said' situation. Though, it should be noted that 'said' is your friend, not an enemy.

Also, you know how sometimes in TV you get characters go 'all right!', 'so cool!', 'let's go!, etc, and wonder how much they paid the voice actors to say the same generic one-liner ten times an episode? That happens in writing, too. If it's something generic and unimportant to the plot or adds nothing to the situation, you can describe it instead or leave it out entirely. 

Like how you can say 'he screamed in pain' instead of typing out "AUGSHAHSGEJAJAHHHHHHHAAAAAA!!!"

-

Also, a few other, quick things because I am tired:

Every rule of punctuation and grammar, as well as every piece of advice you'll ever be given, can be broken in certain situations. Always take advise and grammar rules into consideration, but recognise when it may be best to break them.

Avoid empty adverbs. These are situational.

E.g. 'She whispered quietly' is empty - the verb 'whispered' already insinuates the action was quiet. Adverbs should add to a description or circumvent expectations, an example being if she 'whispered angrily'. Adverbs are not always necessary.

Please don't overuse dashes and overdo stuttering. I'm looking at you, My Hero Academia Fanfiction writers. This line is directed at you.

-

Obligatory 'I'm not a professional, I just do things sometimes and have some education on this'.

Asks are open, and if anyone wants a Pt 2 where I cover considerations in writing dialogue for certain situations, personality traits, etc, feel free to either ask for that in the comments/tags or send an ask in about what specific thing you want covered!

[hippeasantwitch]

James Somerton, the man, the myth, the plagiarist, saying that any slasher movie that is being made is a plagiarism of Texas Chainsaw Massacre is about the most brain dead take I have ever heard. Texas Chainsaw isn't even a slasher film technically, it's an exploitation film that inspired the slasher genre MAINSTREAM and kicked off the golden age of slashers. Black Christmas came out the same year and features a pro-abortion storyline, which is one of the reasons it's overlooked. The first mainstream slasher is Halloween (1978). I know this because I saw Grady Hendrix live (you know, the guy he plagiarized) as he gave a thorough history of slasher movies and how the history is largely incorrect as it takes away the important contributions of women. When HBomberguy was discussing the premise of James' movie I literally said out loud "Oh, like Final Girl Support Group” because while I know final girls are a trope, I also know that using tropes in stories is not plagiarism but using the entire plot line of stories is plagiarism.

Also the first slasher was before Texas Chainsaw Massacre anyways. Arguably, Agatha Christie's "And Then There Were None" is a great look at a form of slasher, or at least have elements you may see in the modern form ("You're Next" has elements and would be a modern slasher that probably doesn't exist without works by Christie). Robert Bloch writer Psycho, inspiring Hitchcock, also giving foundations to the subgenre. I'm sure I'm not 100% correct, I am using information from a lecture I saw three months ago, but damn, you can tell he doesn't even know what he's ever been talking about because he can't even fight for what is making him "right."

Also, because this guy just stinks, the Black Christmas and Texas Chainsaw come out within ten days of each other. Obviously Texas Chainsaw is a legendary classic, but BOTH of those movies impacted the genre and to erase Black Christmas is to erase a pro abortion film as well.

[buggywiththefolkmagic]

Personal Do Not Read Witchy Author List

There will be a google doc with updates as I find more authors to avoid. These are all my own personal opinion and I do take the author's actions into account when judging their ability to write legitimate information.

TW: Slavery, serial killers, racism, TERFs, creeps, neonazis, asylums, and a slew of other super unsavory things. I tried to make this list as PG as possible while highlighting the issues with these individual people. 

*Alestier Crowley. *

   He's a literal piece of garbage. Misogynistic, thief of a toooon of closed practices, has entire cults still dedicated to him, called himself a voice of God (both Abrahamic and apparently like 5 Egyptian deities??? I mean excuse me sir how about no??) He also declared himself ‘above’ Gods back in 1922 calling himself Ipssissimus. I hate Crowley so much I have literally stuck a picture of him to a dartboard before. He can suck an egg in the afterlife. He also put his own wife in an asylum for 'alcoholism’ because she wanted a divorce. The only thing he ever did right was get kicked down a flight of stairs at a temple once by a poet.

*Anastasia Greywolf*

   Appropriates at least Jewish practices if not every Indigenous practice there is. Wholeheartedly encourages people to use magic instead of going to a doctor for things like oh I dunno EPILEPSY And claims she has spells for like Marvel-level super powers which uh no Ana. You don't. Lots of Christianity for a supposedly FULL pagan and wiccan author. Her spells are all controlled like...so wrong. So, so wrong. Don't ask please. I can't begin to describe it. Advocates for smudging and uses phrases like "Cherokee Rituals", and the Romani G-slur. 

*Gerald Gardner*

   Made his own branch of wicca, the first technically, and his own coven had to make rules just so he wouldn't spill everything to any reporter that asked. Used Crowley as a main resource.

*Jason Miller*

   Claims to do Hoodoo. A horrible formatter, and generally super dismissive of being a rootworker and other potentially closed practices, has not been initiated. Has claimed that anyone can petition/pray to Papa Legba without initiation because "Vodou is a congregational religion/practice". From the Vodou and Haitian Vodou practitioners I have talked to that is VERY incorrect, it may be congregational but you still have to be involved in the community to be trusted with those practices because so much of it has been bastardized for media and racism purposes. He is also a student of Catherine Yronwode, who is another SUPER problematic figure in the Hoodoo/Rootwork community.  

 A link of his own words on culture appropriation which includes mild inaccuracy towards Indiginous Peoples and that they don’t ‘own’ certain practices when it’s very clear the wording of those practices DOES in fact come from those peoples. He’s fine with people being Yogis, or Shamans, or calling satchel spells mojo bags, and other such phrases and won’t correct people if they use such words out of context because “language changes”. Also says if someone within a practice says it’s closed to go to ANOTHER AND ANOTHER until you find someone willing to teach you??? That’s not how it works sir.

Source: https://www.strategicsorcery.net/on-cultural-misappropriation/

*Lisa Chamberlain*

   Not an actual person. This is a ghost writer name for a bunch of garbage literally copy and pasted from wikipedia into books. I wish I was kidding. 

*Lisa Leister/Lester/whatever other spelling she's used.*

   Such a major TERF. Like JK Rowling level TERF. Claims magic comes from a womb so anybody that doesn't have one isn't a real witch. Like WTF lady.

*Raymond Buckland*

  Where to start...uses the G-slur often. (His grandfather was romani so it blurs the line of blood quantum.)  Very sexist and obsessed with the idea of a woman getting uh...undressed for rituals while men stay dressed and more things I cannot say ina PG space??? As magic?? VERY anti-minor and LGBTQA+. Toxic, just plain toxic. Can't do it. I have read his Blue Book and it's the least problematic thing he wrote. I'm alright with it.

*Silver Ravenwolf*   WhOOO boy. So super anti-christian, which is fine and dandy...if you didn't claim to be in a lineage of braucherei/hexerei. Wiccan, like the type of wiccan that says no other witchcraft exists and yet has written folk magic books??? She really needs to make up her mind. Claims Satanists don't actually exist. Claims most Jewish powers worshiped "the Goddess" (whoever that is)??? Very cult-like language about "not telling friends and family about your new life/reality/experience/whatever". Also SO MUCH APPROPRIATION. SO SO MUCH. She also gets her history wrong, on a lot of basic information that most non-witches know about like say the Salem Witch Trials.

*Catherine Yronwode* Ooh man. So Catherine Yronwode’s career started as a comic book artist. She’s worked on such things like the Elvira comic, DNAgents, and a gaggle of super controversial trading cards which included the Kennedy Assasination, a serial killer collection, and the AIDS epidemic. Of which she was sued for using one half of the Hillside Stranglers duo in said killer trading cards without his permission, the judge sadly threw the case out because and this is a quote, “ If Bianchi had been using his face as a trademark when he was killing women, he would not have tried to hide it from the police.” There were two more from her comic days, but those aren’t super relevant besides the one that pushed the envelope of what sort of trading cards should be sold to children. On the magical side of things, I will be blunt here: As one of the ‘big bads’ of the Rootwork/Folk/Hoodoo community? I really REALLY dislike her. She has made numerous false claims about New Orleans/Haitian Vodou and that it’s only a very recent practice, non-religious, and slaves never used it because it didn’t exist yet??? History books and entire generations will disagree. An example would be this link of an open letter to her written by a New Orleans Voodoo practitioner and someone she wrote a whole article about: https://conjureart.blogspot.com/2013/10/open-letter-to-cat-yronwode-and-lucky.html

She owns a few different websites namely https://www.luckymojo.com/, has written numerous Hoodoo based books, and actively has accused numerous people who have asked her for sources and or disagreed with her of plagiarism and has slung more mud that you can shake a stick at. 

She also praises a book on Marie Laveau and yet discredits herself by calling New Orleans Voodoo a new religion/neopractice??? She’s just confusing as all heck to me.

*Christian Day*   This guy’s just a creep. One stuck in the early 2000s mall goth phase even though he’s over 50. He also appropriates Hoodoo and owns two Hoodoo shops as well as multiple other witch shops in Salem and recently New Orleans on the French Quarter (Which is pure tourist fodder and not a reflection of true New Orleans Voodoo/Vodun/Rootwork). He has also harassed ex-employees so badly it’s landed him in court. His book The Witch’s Book of the Dead also reads very much like a list of accomplishments rather than anything useful. All about his television spots and experiences doing that. (Did I mention he was in an episode of Ghost Adventures? Yes, that one with Zac Bagans??? And it did not make us witches look too great, honestly speaking.)

Sources for Harassment Claims: https://www.cbsnews.com/news/salem-witch-gets-protective-order-against-warlock/

https://www.wcvb.com/article/warlock-christian-day-ordered-to-stay-away-from-salem-witch/8228072

*Yvonne and Gavin Frost*   I dunno how else to say this, I really don’t. These two? Pedophiles. Multiple writings of theirs included not-safe-for-work-or-children rituals that must include minors. Avoid. AVOID AVOID. AVOID ANYONE WHO USES THEM AS A RESOURCE! This should NOT be okay in any circle. They are VERY used within the Wicca religion so please be careful!!

*Orion Foxwood* Some of his information is very sound! I can’t fault him there. He does have a tendency to blend different traditions without actively TELLING you he’s blending them though. He’s and this is a direct quote, “He is a witch and Elder in Romano Celtic-Traditional Craft, High Priest in Alexandrian Wicca and teacher of the Faery Seership tradition. He is also the founding Elder of Foxwood Temple and a primary founder of the Alliance of the Old Religion, a national network of covens in his line that have united to preserve the ways of his Elders. He was the co-director of Moonridge, a center for metaphysical, Craft and Faery studies in Maryland” That’s an awful lot of traditions to juggle and not only write on but actively teach. He also performs conjure, which in of itself might not be an issue but Conjure usually blends into Hoodoo really quickly if one isn’t careful! A lot of the traditions he talks about from his family sound quite familiar, he’s clearly from Appalachia but his books on the subject blend in his other practices instead of keeping them separate. 

*Starr Casas*   She’s in the same category as Orion, only she doesn’t necessarily give her credentials to be teaching Hoodoo, and even wrote a whole book filled with Hoodoo love spells. She also co-owns a French Quarter Conjure Shop, which if you ask any practitioners from New Orleans...is catered to pure tourists and not a true example of the crafts from the area. 

*Shawn Engel*   I’m gonna be blunt here. More appropriation of the Jewish practices, Hoodoo, and other information that is just plain UPG without saying it’s UPG and encourages throwing hexes at political party members solo. I read The Power of Hex and had to put it down numerous times just to gather myself and not throw it away, I don’t know if it was tone or sheer level of appropriation...likely both.

*Kate Freuler*   Of Blood and Bones is chock full of Hoodoo, full stop. Only acknowledges that something comes from Hoodoo once and also gets basic mythology information on the Deities she mentions wrong in some cases. Also a lot of the book seems to be UPG because the bibliography is super small for a 300 page book.

*Dorothy Morrison*   I picked up Utterly Wicked once. A very odd book full of Hoodoo and Vodun spellwork and misinformation, the author is also Garderian Wiccan so even the writing of a book full of hexes is slightly...concerning compared to the Wiccan traditions and redes. Odd is the best I have to describe how I personally feel. I will say this again: Voodoo Dolls are not used to cause pain, stop bastardizing that single aspect of the practice. Thank you.

*Helena Blavatsky*

 I dunno how else to say this either, her philosophy and occult knowledge, called Theosophy is a portion of what inspired Hitler. Pure unadulterated racism veiled in a ‘Atlantian Race Theory”. Horrible stuff, read for a class project once and felt disgusting.

*Christopher Penczak*Whoo boy. On the surface he seems alright, one of the first ‘male’ witches I had ever heard of except for Scott Cunningham. But the more you dig into his work the more inaccuracies and Christian bashing you see. For example: Christianty was the first patriarchal society. Uhm...I believe you’re kinda forgetting the men who ran Rome and Greece there sir. He also fully proposes the ‘burning times’ were like a ‘witch holocaust’. NO! NO IT WAS NOT. You can’t compare the hundreds of years and MAYBE a thousand-ish people dying to the millions that died in the short timespan the Holocaust was a thing. Fuck Christopher for that comparison and also for claiming it was a ‘burning time’ to begin with. (History says that most were hung...or tortured. Burning is a very small number of that list in general. 

He makes a lot of sweeping statements and sees witchcraft as a religion and NOT a practice. He whitewashes, fully harps on the Wicca = witchcraft = religion thing and THEN hones in on the difference between “white and black” magic and how cursing is evil and yet highlights certain practices that actively practice...cursing...as they have for generations??? He (atleast) doesn’t demonize Satanism but does still backhand the idea anyway, that they CAN’T be witches because witches only ‘heal’. Cultural appropriation and fetishization of ‘Native’ practices while calling them primitive all in the same breath, I just can’t with this guy. I really can’t. 

*Amy Blackthorn* 

Owns a tea brand called ‘Blackthorn Hoodoo Blends’ she is white. When questioned by BIPOC individuals she complains and blocks them instead of explaining why she chose the name Hoodoo for just teas. TEA. She is also the author of Blackthorn’s Botanical Magic, Sacred Smoke (A book on smudging yikes on trikes), and Blackthorn’s Protection Magic. 

Proof of blocking: https://thisblackwitch.com/2016/04/01/blackthorn-teas-whose-culture-is-it-anyways/

*Tarl Warwick *

Is more commonly known as Styxhexenhammer666 on youtube and other social media sites. Has written a pile and I mean a PILE of occult based books including ones on Hermetic magic, ritualistic magic, demons, solomon, folk plants and healing, Kabbalah, and many MANY more. 

He makes no claim to being Jewish, and given his political wishy washiness, and multitude of controversies which includes claiming the Holocaust wasn’t ‘that many dead’, Charles Manson deserved release because he was ‘extremely innocent and didn’t kill anyone’, and fairly recently also wrote and published a book on Critical Race Theory and why it’s ‘garbage’. I can’t support him no matter how accurate some of his information may be (if any at all). 

*Temperance Alden* This really pains me to say, Temperance in her Wheel of the Year book made a claim that birth control “stunted her magical abilities” because it affected her hormones…in OTHER words unless you are a perfectly hormone producing WOMAN you don’t have great magical power. AVOID. AVOID. AVOID. That is a slippery slope to claiming medication will harm you, not to mention how TERF-y it is AND completely disregards that magic is for well…everyone. Such a stupid gatekeep-y concept. 

*Sarah Kate Istra/Dver*

Advocates for using ‘spirit animals’ regardless of Indigenous beliefs and concerns. Is also a known ally with the Piety Posse, a neo-nazi group of pagans who claim the term polytheist can only apply to them and if you aren’t a Hellenistic pagan…you aren’t pagan at all. They also advocate for animal sacrifices, blood tests to prove purity, and other horrible HORRIBLE stuff. 

*Sannion/H. Jeremiah Lewis*

Obvious Neo-nazi, keeps images of swastikas on his personal blog, and not the ones that the nazis stole from, the nazi one. And super SUPER transphobic.

*Edward P. Butler*

Major persecution complex, spends half his twitter complaining about how monotheists are destroying…I dunno…everything? Also defends Krasskova quite heavily. Antisemetic as well.

*Galina Krasskova*

Hellenic pagans watch out. Defends the AFA. A ringleader of the Piety Posse. There’s a lot more horrific stuff about her and I won’t go into extreme details. But TW: Romanticizes SA with deities, human sacrifice, animal sacrifice. Compares debating to the holocaust, lots of victim blaming, gatekeeping, and screams folkish. 

*Diana Cooper*

Racist. Hard stop. Also appropriates chakras. Has a weird belief that food controls skin color and that Africa will never be a good country because it’s the solar plexus of the universe…or something like that. I got 20 pages into the book and literally couldn’t go any farther. Did I mention this book was supposedly on dragons???

*Judika Iiles* So much appropriation, advocates for making altars and working with closed deities. Lots of incorrect information including dangerous spellwork like obsession spells. And one in particular that has roots in a racist stereotypes. Avoid please! 

[fangirltothefullest]

Saw your post about the fandom, and wanted to stop by and say hi! It actually was nice to see that pop up on my dash, cause a lot of people are getting really negative about the waits, and I've seen it get kinda nasty. So seeing you be so genuine about enjoying it is really nice to see. I'm always open to talk about Sanders Sides, though, it's still one of my favorite things even after all this time.

ME TOO! I love it so much and I think... well as a Content Creator myself, I know how hard these past few years have been for me and I am not surprised at all that it's been hard for him and his team so I can be impatient and want more content but also... I can't be mad. A little peak into my brain coming and I apologize if that wasn't what you were looking for but-

I had to close commissions and my own patreon because I had to get a job that could actually support me, and had a TON of personal stuff happened to me and my family IRL that affected a lot of my online presence.

As a consequence I don't post art NEARLY as much as I used to and I found myself feeling EXTREMELY upset about it. I used to even livestream art, can you believe it? 8U

And I sat there worrying I'd never post art again because of the burnout and stress..... and I thought everyone who liked my stuff may leave. Because that's happened before- I was a product, a machine to pump out free stuff for people to enjoy, and when the product stopped coming, people just left. That's SO hard to face as a creator, ESPECIALLY when you are trying to GENUINELY provide your art and works pretty much for free and you're already going through traumatic stuff IRL behind the screen.

To see people getting SO angry with the content that HAS been provided hurts me more than the wait and it's not because I put the man on a pedestal it's because I humanized him. I had a shit few years and so did he. Would it have been nice for him to be like 'hey I need to go on a break for a while I'm sorry', hell yeah but I didn't either. I posted every so often about Going Through It and kicking myself privately because I could barely sketch on paper, much less muster the courage to do a digital piece, but I didn't tell people wehat I was going through until later and even then a lot of my life is private and I haven't disclosed stuff because... it's personal, it's private. Online space isn't supposed to be privy to all my secrets and stuff you know?

So when I see people nitpicking the plushie episode because it's also doubled as an ad for the toys, I want to growl and bite and hiss because it's STILL an episode with an actual PLOT; it's not like the crofters ads. FWSA, the cartoon one, is a 24 minute ASIDES video and was LITERALLY given to us during Covid when EVERYTHING ELSE was shut down. Have I Grown is an hilarious video that also somewhat recaps but less episode recap and more personal sides recaps- seeing how their current mental state is. The Wes Anderson one is literally a Season Recap episode. We got a fucking Janus Cover of an OtGW song and they're all in their casual clothes and that song is about pretending everything is ok just for a littler while and it's STILL technically plot related. WTIT is a fucking ASIDES video that's 28 minutes long AND HAS PLOT! AND THE CANON CONFIRMATION OF THE SUSPECTED ORANGE SIDE!!! Incorrect Quotes was a way for us to see them being silly and lighthearted and so is The Sides Need A Nice Day!

I just- that's a lot more content than I think people realize. Yes he has a full team but that doesn't stop the stress or the burnout, especially when half your fanbase is saying how terrible you're being not being faster.

Not to mention the bloopers and the Gavin Sides and the entire episodes of Roleslaying AND a cartoon therapy have all come out AND he was part of a few song collabs too.

I just.... I can't imagine going through the stresses I went through and how much it would hurt me to provide that much stuff and still have people angry. Do you know how much I've done since Covid? Not nearly as much in terms of BIG PROJECTS.

Sorry if this came off as a rant, I'm just so passionate about this show that I love to much! >//<

[cairavende]

Worm Arc 15 interludes thoughts

Carol interlude:

Holy shit you really were just a fucking TERRIBLE mother!

Like I get it, you had lots of horrible childhood trauma. And you didn't want to adopt Amy and let yourself get bullied into it by your sister. But that doesn't give you an excuse for how you treated both your kids.

Got to see another trigger event!! Fuck yes. Give me more. I want to see more details on those higher dimensional beings.

Fucking hell seeing Marquis's powers in play is pretty crazy. Dangerous boy.

Carol was just going to full blown stab right through that closet door without even looking inside! She almost killed a child! God damn.

“No.  He’s just my daddy.  Reads me bedtime stories, makes me dinner, and tells me jokes.  I love him more than anything else in the world.  You can’t take him away from me.  You can’t!” Fucking ooof that's a line.

No seriously though this can't be the first time there has been a young child of a cape that needed to be adopted because their parent was arrested or killed. Is there really no system in place for this? Cause Amy should not be going with Carol.

Just the way through most of the present sections of the interlude that Carol thinks about her daughter and Amy. Not her daughters. And this was before she knew anything about what Amy had done. Terrible mother.

HOLY SHIT AMY OH MY GOD YOU MADE IT EVEN WORSE! And I thought flesh coffin Victoria was bad! FUCK!

Vic is going to need lots of therapy.

Fucking Carol basically deciding Amy is her daughter now only because she doesn't want to think about Victoria being her daughter. Damn. Bad mother.

And Amy is in the birdcage (Hellfire playing in my head the entire damn time I'm reading this part). I'd be rather terrified to see what she becomes except no one ever gets out of the birdcage so obviously there is no worries. She is never going to be an issues. (I shouldn't need the /s but just to be safe.)

Brian interlude:

Not much to say here, most of my thoughts on this relationship was said in my last post.

I do always love seeing Taylor from the PoV of someone else. Just shows how fucking badass she is. And kinda terrifying.

"She conveyed an eerie kind of confidence that he knew she didn’t have at her core." This is just incorrect bud. When she isn't thinking about how she is portraying herself she conveys the confidence she does have at her core. The stuff she hides from herself.

Alexandria interlude:

DATES! DATA! LORE! AHHHHHHH!!!!

Date of first Endbringer attack!!!!! Strong estimation of the number of capes in August 1986! Knowledge that Cauldron was working in 1986! Their "success" rate at the time that I can compare to now! (Success in quotes cause I don't personally think tentacles is a failure. I want to meet tentacle lady.)

Obviously I'm not a big fan of any of the Cauldron people on the surface. But I think I like Contessa within those boundaries. I technically have no idea what she can do but I'm almost positive she is some type of precog. And I kind of ship her and Alexandria.

Behemoth is fucking scary. Just light people on fire from the inside, shoot lightning. Full energy manipulation. Damn.

Alexandria is the head of the PRT! Damn! (I assume at least.)

I want to know more about the Terminus project!

And Coil is a product of Cauldron! But he doesn't know it (supposedly). Damn. They list him as an alternate to the Protectorate which is very interesting. I'm super curious what Cauldron's goal with the Protectorate was and how Coil can do the same.

Fucking Alexandria just going and grabbing people to be experimented on and it's "ok" cause they were dying. Holy shit! She even manages to make the comparison to her chemo treatment and still does it! Fuck lady. You can justify anything.

Triumph interlude:

See? Triumph is fine! So Skitter didn't do anything wrong.

Triumph is Cauldron created too. Cause he was only good enough at baseball for the minor league but not the majors. God damn fucking privileged ass rich white boy. And he describes it as a traumatic thing! God. At least later he does kinda call out that he got stuff from having a rich dad with connections.

Assault seems to be doing great! Sure was a good idea to let him join the Protectorate just cause he wanted to be a creep to this one girl. Turns out when that girl is gone he doesn't have any motivations to be a "good guy". Great decision Legend.

Robot daughter! Good to see you again! And you built yourself a bio body! Or a head at least. Still, fun!

AAAAAAAAHAHAHAHAHAHAHAHA. Defiant.

Definitely isn't Polearm McGee! Nope! Absolutely a different person. That also likes really long pointy sticks.

I am glad Frank Miller's Armsmaster was able to remove the restrictions on robot daughters code. She deserves freedom. Pretty much served his purpose now and she basically just keeps him around to humor him. "Oh yes I need Defiant to help me, even though I built his suit and could just control it directly myself."

Seven Dragon suits in Brockton Bay huh? I'm sure that won't result in anything next arc. What with Dragon specifically on the lookout for Taylor and Taylor planning on going with her dad to the town hall on the election.

Triumph gives in to the weight of not speaking up about Defiant being Armsmaster but then he gets mad at Prism for not speaking up! My dude! You didn't speak up, you can't be mad at her for the same thing!

Fucking LOVED the ending of this interlude, and thus this arc, though. Absolutely perfect. Just with the inherent comparison of Defiant to Mannequin, especially considering Colin called Mannequin a "monster" in his interlude and said "I'm nothing like you!" And then Triumph thinking how he could see the reason for every step Colin made and could see himself justifying each one. And the previous chapter had Taylor dealing with how far she had let herself go. All that and then ending this chapter with Triumph staring at the bodies of Crawler and Mannequin (finally confirmed dead) and the line "Maybe it was to find some clue, some sign he could watch out for, that would let him identify the monsters from the men."

Just fucking. So good. I think it's my favorite quotable arc ending so far. I might like Arc 11's ending more (it's close) but not in quotable way. "All lies" at the end of Arc 14 is a close second, but I like this one more.