It's a bird! It's a plane! It's another intentionally suggestive Hotch x gn!reader scene!
__________
“Oh my god,” Aaron groans, voice muffled by the pillow his face is pressed into. “Don’t stop, baby, please.”
You bend at the waist to kiss the spot just behind his ear and murmur, “Yeah? Feels good?”
“That feels fucking incredible,” he affirms with another groan that reverberates through your body from the point where your hips meet. “What are you even doing back there?”
With a giggle, you mold your hands down his muscular back and explain, “It’s called petrissage, love. Part of my spa day was learning how to give a proper massage.”
“Emily got you that gift certificate for your birthday, right?”
“Mhm,” you hum, your fingers now trailing along the taut cords of muscle that make up his shoulders, the tension practically melting away beneath your touch.
“Remind me to give her a raise.”
__________
AH tags 🖤 @gothwifehotchner @iyv-ray24 @mrs-ssa-hotch
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eda: you still have my heart rainstorm <3
raine, trying to be mad at her: well... i still have your virginity
luz:
luz: and king and i will be drinking our chocy milk in another room now
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for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal
before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"
and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"
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binged playing In Stars and Time for the past week i still have not emotionally recovered
spoiler-ish bonus drawing under cut
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the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it
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childe getting accused of the serial disappearances, which started over twenty years ago, like
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i think one of the reasons glass onion is so fun is that it just... loves the audience back.
so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.
so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.
so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.
but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.
one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.
just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.
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