#and walks away

[the-phantom-author]

THIS is popstar!gf coded

📸 Look at this post on Facebook https://fb.watch/oDqPZct8q_/?mibextid=qC1gEa

Correct!

She's always stopping mid interview to just be like "now why did you ask me that question?"

[majormeilani]

fic where dj grooves teaches conductor how to swim when. 😔 jkjkkjjkkkk

[buggoblin2]

How's the Solar sickfic going?

uhhh..

Looks At The 300 Words Ive Got

UHHH..

[happyheidi]

𝖦𝗅𝖾𝗇 𝖢𝗈𝖾, 𝖡𝗅𝖺𝖼𝗄 𝖱𝗈𝖼𝗄 𝖢𝗈𝗍𝗍𝖺𝗀𝖾, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽

𝖡𝗒 𝖦𝖺𝗋𝗒 𝖧𝗈𝗈𝗄

[menelaiad]

the infamous 'last sighting of a barbary lion in the wild' photo taken by marcelin flandrin (1925) haunts me to my core. there's something so achingly poetic about it.

[starfall-isle]

[frownyalfred]

a random socialite at a fundraiser: you know Bruce, that boy of yours is getting to be a little too pretty. heh.

Bruce Wayne, who was also "too pretty" at fourteen and is absolutely ready to castrate anyone who even looks at Dick directly: oh?

[greelin]

[honeypleasejustkillme]

“what’s wrong, talk to me”

“let’s fix this, i can’t lose you”

“we’ll work it out together”

[ionomycin]

wild strawberries

[idliketobeatree]

btw when you're being mean to aziraphale this is who you're being mean to. hope this helps

[lotus-pear]

in love with tragedy

[eelhound]

"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:

If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.

'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?

This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).

But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."

- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.

[ratcandy]

saw a version for a different fandom on my dash and suddenly got compelled .sorry .

[lilowoof]

[bbbbbbbbatman]

Gotham has so many rogues and most of them don’t actually cause that much trouble in the grand scheme of things, so other than the really big ones, like joker, news about Gotham rogues can get pretty muddled outside the city which leads the JL to believing that Batman and Manbat are the same person and that their colleague sometimes turns into a giant bat monster but they don’t bring it up bc they think it’s a sensitive topic

Which eventually leads to a scenario like this mid combat when they’re getting pretty desperate:

Green Lantern: I know we’re not supposed to talk about it or whatever, but it would be really helpful if you could turn into a giant bat right now, spooky

Batman, having zero context for this comment, pausing mid fight to look at Hal like he just grew a second head: What the fuck are you talking about, Jordan?

Green Lantern, suddenly much less confident: Um…you know how you…turn into a giant bat?

Batman, utterly bewildered, turning to the other members but finding that he is clearly the only one out of the loop: what is happening right now