#as a way to really question WHO this character is

[pomefioredove]

can I request house wardens + leech twins with a reader who doesn't eat enough bc Crowley doesn't give them enough for food, and they end up really ill and collapsing or something. I'm cravin some fluffy comfort rn, pls and thank you 🙏

I got you🫡🫡 as someone who's been through an eerily similar situation, I really liked this request

*ੈ✩‧₊˚ another crowley moment™️

type of post: headcanons characters: riddle, leona, azul, floyd, jade, kalim, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu, mentions of food and not eating

Riddle wouldn't even have to like you to rush to your side. but he does like you, which makes it all the worse

after checking your vitals, you're in the infirmary. he's got doctors for parents, after all, and he knows that malnutrition is bad

he should have seen the signs...

with exams coming, he's been so busy, and he assumed that you were just tired from studying

but he can feel guilty later. right now, he needs to focus on you getting well again, and not killing Crowley

(then, of course, he'll look for some legal statute or clause that he can threaten Crowley with so you're fed properly)

*ੈ✩‧₊˚

Leona noticed you'd been acting a little weird lately, but watching you collapse still puts him in shock

luckily, Ruggie and Jack are nearby to help you to the infirmary, so Leona can focus on hunting Crowley down like an animal

there are very few times where Leona is particularly grateful for his status, but this is one of them. just one word on how his family will be hearing about Crowley's neglect, and the old bastard is begging him for forgiveness

even after that, Leona still sends Ruggie with snacks and drinks to Ramshackle

and if you ever scare him like that again, you'll regret it (lovingly)

*ੈ✩‧₊˚

the news of you collapsing during flight lessons reaches Octavinelle rather fast. no one is particularly surprised, since Floyd had mentioned how easily you'd been bruising lately just the night before, but everyone is certainly worried

Azul is the first at your side, asking you all sorts of questions, worried sick. Jade has to remind him to give you space to rest, since you look exhausted (had you always had those dark circles? how could Azul have not noticed?)

now, Azul and the tweels could easily find a way to pressure Crowley, but they know better than to trust him

from now on, you'll be eating in the Mostro Lounge, free of charge

*ੈ✩‧₊˚

perhaps Kalim was just oblivious, because he really didn't think anything was wrong until you were suddenly on the floor in front of him

sure, you'd been a little moody lately, but he figured it was just a thing you were going through. and besides, you know that you can talk to him about anything... right?

Jamil hurries to check your pulse, and shouts for him to get the school nurse- which is jarring, because Jamil never shouts

when you explain everything to Kalim later, he feels... terrible. he should've known- no, he should've asked

Kalim insists you stay at Scarabia while you're recovering, and makes sure you have the most enriching, delicious meals money can buy

*ੈ✩‧₊˚

Vil knew it was bad, but not this bad. if he had known you were on the verge of collapsing, he would've taken a firmer approach to getting you to eat

you're going to worry him to death someday, you know that?

after he's done verbally eviscerating Crowley, he'll insist on joining you at every meal. he'll eat at Ramshackle, breakfast, lunch, and dinner, if that's what it takes

he's subtle about it, at least

if he notices that your plate feels empty, he'll just take some food from his and put it on yours. gracefully, elegantly, without a word

you'll come home one day to see your kitchen stocked with vitamins, supplements, and apples (courtesy of Epel)

<3 and a note that says he'll treat you to dinner whenever you want

*ੈ✩‧₊˚

never scare Idia like that ever again. he wasn't even with you when you collapsed, and he STILL nearly had a heart attack

listen, he knows he's not a great role model when it comes to nutritional eating, but you have got to tell him these things. he would've had Ortho go get takeout! or something!

typical Crowley behavior, SMH. what does he think you are? a rabbit? even the school horses get treated better...

no way that Idia is going to even bother with that old fart, anyway. you want something? he'll get it for you. you don't even have to ask, he'll just send food to your place (and have Ortho check your vitals more often but shhh)

*ੈ✩‧₊˚

I would not want to be in the room when Malleus finds out about this

not even the building. you know what? I'd steer clear of the whole island, because it will not be pretty

when you collapse in front of him, it feels like he's dying, too. the panic sets in, and he sends Lilia to look after you, and Silver and Sebek to escort you to the infirmary, and then he casually threatens to smite Crowley. obviously

if the students and staff of NRC thought Malleus was scary just being Malleus, he's terrifying when he's mad

(rest assured that you will be getting ten times the amount of food from now on)

it's thunderstorms for days after, but he never leaves your side

[skyahri]

Unplanned |Naruto Men X Reader| HC

Characters: Sasuke Uchiha, Naruto Uzumaki, Shikamaru Nara, and Kakashi Hatake

Summary: Pregnancy scenarios 'cause I can.

Warnings: Mentions of pregnancy. Bad words. All fluff.

- - - - -

Sasuke Uchiha

He isn't the kind of guy to outwardly dote on you.

He's never been good with words or physical touch, more so preferring quality time together. You sleep in the same bed, eat meals together when it's convenient, and lounge around together when time allows.

When you come home from a last minute doctor's appointment with some big news, none of that really changes.

He assures you that he's happy, that he loves you, and this is all wonderful, but that's about all you're going to get out the emotionally constipated man.

However, while words may not be his strong suit, actions certainly are.

It's become painfully obvious that you are never allowed to go anywhere alone ever again.

He's like a shadow, following you everywhere and anywhere you decide to go. It doesn't matter that you're just running to the market- he's coming with. Ino invited the girls over for a dinner party? Cool, he'll walk you there, hang around in the shadows outside, then walk you home.

When questioned, Sasuke only says that he doesn't trust other people. Already knowing how he is, you don't push him any further. (Not that he'd entertain you if you did.)

People notice pretty quickly. He's not subtle and it's not exactly common for the Uchiha to be so openly clingy.

You wanted to keep the pregnancy a secret for a little while longer. You knew that his status would make the whole thing bigger than you'd like and it was still so early, only about eight weeks in. But people were becoming more and more insistent with their questions.

"Seriously, did something happen? He's been watching you like a Hawk for the past month."

"It was cute at first, but now it's straight up creepy."

Sakura and Ino dramatically shiver at the notion. You laugh, imagining how unsettling this all must look from the outside.

"It's fine, I promise. He's just been a little overprotective since he found out I was pregnant."

They don't register it at first. They just nod in understanding and move to sip their tea. You can almost see it click in their heads before they slam down their cups and start freaking out.

"Wait, WHAT?"

Naruto Uzumaki

"Congratulations! Based on the ultrasound, I'd say you're about five weeks along. It's still early, but you can see a tiny sac right here-"

Your mind is going a thousand miles a minute, thinking of everything and nothing as the doctor points out the tiny, centimeter-long blob in the picture.

Naruto had been bugging you for the past three weeks about a smell. He swears it's nothing bad, just that Kurama is insisting that your scent has changed and- blah, blah, blah. You never could get any more information out of him, which just left you to eventually cave and visit the doctor. Animals have instincts for a reason and who were you to ignore them?

Turns out, that damn fox was right.

After a half-hour lecture on what you can and can't do anymore, you were handed a goodie bag of essentials and sent on your way.

You barely remember the walk home. Your mind was completely blank as it tried to process the news. It wasn't until Naruto was standing in front of you in the doorway to your home that you finally snapped out of the trance.

You stared up at him. His eyebrows were knit together and he was asking if everything was alright. He pulled everything out of your hands and not-so-gently set them on the floor.

"I'm pregnant."

His eyes blew wide and not even a second later he was smiling, pulling you into him and spinning you around. It's over just as quickly as it started. He's setting you back down on your feet and looking you over, mumbling a few hollow apologies for manhandling you. He takes a deep breath, that lopsided grin on his face never leaving.

"You're pregnant."

Just those two words have all the fog clearing from your head. Reality is forced onto you in an instant. In any other situation, it might have made you dizzy, but right now you couldn't be happier.

"I'm pregnant."

Shikamaru Nara

He really should've seen this coming.

Honestly, with how careless he is with protection, it's a wonder how you hadn't gotten pregnant sooner. A year and some change of not bothering with condoms and lazy, half-assed pullouts had finally come to bite him in the ass.

Although he knows this is all going to be horrifically bothersome, he can't find it in himself to be all that bothered. No, not when you're standing in front of him so nervously, little tears gathering on your waterline as you hold out a slip of paper for him to take.

He pulls you into a hug- a very tight, very intimate hug. One of his hands is on your lower back, pressing you into him, and the other is in your hair to cup the back of your head. He can feel the stress start to melt from your body as you relax into him, your arms moving to loosely hold him back.

"I'm sorry. I know this wasn't exactly planned..."

It definitely wasn't planned. He didn't like to think about things too hard. The only talk about the future he'd engaged in was a brief confirmation that you were both interested in pursuing each other exclusively and that neither were against marriage and kids.

But even though this was sudden and unprompted and definitely not what he was expecting when you asked to talk with him privately, he just couldn't find it in himself to be anything other than pleased. Sure, he would've liked to wait a few years and it preferably be after he'd properly proposed and married you, but none of that is deterring him.

He loved you. He didn't say it as often as he probably should, but that didn't make it any less true. You were easygoing and passive and fit into his life with no resistance. His friends liked you, possibly more than they did him. You liked to cook and he never had to worry about you causing trouble.

This was fine.

Not troublesome in the least.

"No, this is... good."

Kakashi Hatake

He was positive he was sterile. He'd have to be after all the injuries and trauma he's sustained, right? Four years and not a single scare, yet here you were, apparently three months pregnant, handing him a report from the OB's office.

He couldn't even form a sentence. He just sighed and sat back onto the couch with his eyes closed. It's only eight in the morning, it's too early for this, not that there'd ever be a great time.

"I knew you weren't going to be thrilled, but now I'm starting to get nervous. Can you please say something?"

He held his arm up and gestured for you to come towards him. When he could feel you brush against him, he grabbed your wrist and carefully yanked you onto his lap. You let out a relieved, albeit hesitant, chuckle as he slowly wrapped himself around you, his head finding solace in the crook of your neck.

The two of you stayed like that for a little while until he let out the loudest, most dramatic groan you'd ever heard leave his mouth, followed by a mumbled 'are you sure?', to which you rolled your eyes.

"Yes, I'm sure. Here, you can see for yourself."

You unfold the paper and pulled out a few pictures. He shifts you around so you're at a better angle before he takes them into his hands. It's obvious that he has no idea what he's looking at- just that the blob is already baby-shaped and very, very intimidating.

You point out some of the obvious things, the head and feet and such, before moving down to the very last photo at the bottom.

"And that little spot right there means that we're having a boy."

"I thought they couldn't tell the gender until later."

"It is later, Kashi. Fourteen weeks."

He lets you take the pictures from him so he can set his hand on your stomach. You'd mentioned gaining a little weight recently, which he honestly hadn't noticed, but now he's wondering how he could've missed it as he brushes his fingers over the slightest most obvious bump in your usually flat stomach.

He must've been zoned out for too long, because you're calling his name and setting your hand over his. He hums, a slight acknowledgment that he's heard you, but you know he's not actually listening.

He's too busy thinking about diapers and bottles and late nights and early mornings. How his son is going to be in the same class as his student's kids. How Gai is going to be a hundred times more annoying in the coming years.

But then a single thought completely derails his spiraling. He wonders what your baby will look like. If he'll be a morning person like you or like to take naps like him. If they'll accel in genjutsu or not, because while he certainly does, you most certainly don't.

He's spent time with Kurenai and Mirai. While raising a person definitely seemed difficult, he couldn't deny that Kurenai was happy. Actually, despite Asuma's untimely death, she's the happiest he'd ever seen her.

"Are you okay?"

"Yeah, just... thinking about how annoying it'll be to tell everyone we're expecting."

"Seemed more like panicking to me."

"... shut up."

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[darkficsyouneveraskedfor]

Just Friends: Big News

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes

masterlist

Summary: You have a surprise for Bucky.

It’s giving

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

“Hey!” You bounce up to the table. It’s funny how Bucky can look so intent. So gloomy in the midst of the bustling cafe. He sits up as he puts his phone down on the table. “I’m sorry I’m late. I got great news!” 

“Oh?” His brows lower, “well, you’re double sugar frappa-whatever is melting.” 

He points across the table as you sit and roll your eyes. 

“If you tried it, you wouldn’t be making fun of me. They are delicious!” You put your purse in your lap and take a long slurp through the straw. You pop your lips off and let out and ‘ahhhhh’. You smile at him as he gives you that look. 

“I don’t take sugar in my coffee and you barely take coffee in your sugar,” he drones. 

You giggle. He's always so grumpy about the smallest things. 

“News?” He prompts dully. 

“Right,” you wiggle in your seat. “I got you a date!” 

He twitches and tilts his head, “a date?” He gives you a cautious look and shifts in his seat. “Uh...” 

“Yes! This lawyer lady I know. I met her at a trivia night way back and added her on Insta. Well, I saw her post the other day and I was like how did I not think of this before?” 

“Lawyer?” He mutters. “I... you’re setting me up with a stranger?” 

“It’s a blind date. It’s fun. She’s really established and smart and beautiful. Oh my god, she posted this picture of her in a bikini—I could never wear something like that.” You get your phone out and he sighs. 

“Wait, why did you do that?” He grits. 

You look above the screen at him, “well, you said the other day that you get lonely. That’s why you have Alpine, right? And she’s so sweeeeet,” you drag out the word in adoration, “but you need someone you can talk to. Who can talk back.” 

“We talk,” he insists. 

“Yes, but we’re friends. You need someone your own age. Or closer to.” 

“Wait, how old is she?” He wonders. 

“Aha, you’re interested,” you point at him accusatorily. 

“I’m asking questions.” 

“Right, she’s... fifty something? She doesn’t look it. Like you. You don’t look... uh... 1917... carry the one...”  

“Stop that,” he demands. “I know how goddamn old I am.” 

“Ha, yeah, sorry, I...” you scroll through your Insta friends. “Here!” You turn the phone to him and beam a smile in his direction. He glances at it for a split second and shrugs. He sits back and drinks his coffee.

“I’m not really... in that scene,” he says. 

“You should get out there! I mean, you can’t bring Sam and Steve to dinner all the time. You need someone--” 

“Is this what it’s about? Because I showed up at the restaurant?” He asks. 

“No, it’s-- I’m being a friend. You two are so alike and she loves old movies and motorcycles. I could never! I'd fall off or not tie my helmet right,” you chuckle. 

“Dreamy,” he growls. 

“Bucky,” you whine back. “You gotta get out and have some fun.” 

“We have fun,” he counters. 

“We do and that’s awesome—Oh, okay, how about, I got an idea! A double date.” 

“A double—you have... a boyfriend?” He taps the porcelain cup with his metal fingertip. 

“Ha, no way. But I could find someone to come along. Just so you’re not alone. There’s a few guys at the restaurant I’m sure would go for a free meal or I mean I know other cute girls. I’m not picky.” 

He closes his eyes and a line forms between his brows. He pinches his nose and squares his shoulders. “Where the hell did you come up with the idea that I wanted to date?” 

“I...” you sit back and your smile falls. His blue eyes flick open as he drops his hand. The dimple in his cheek ticks. “I’m sorry, I thought it was—I was... trying to be a good friend.” 

He stares at you and the stone slowly eases from his jaw. He looks down and back up. He huffs. 

“I’m sorry, dreamy,” he says, “it’s just been a while for me. Not that I haven’t thought of it, you know? But I don’t know if I’m ready for that.” He shakes his head and glances around the cafe. “The last time I dance with a dame was a goddamn USO tour in 1945.” 

That hits you like a sixteen-wheeler. You didn’t know that. You didn’t think of it. He’s been in this world for a while and he’s handsome and a superhero! You just though he’d have lots of people interested. Charlize sure seemed excited when you asked. 

“And now you’re looking at me like I’m a loser because I haven’t kissed a gal in 80 years--” 

“No, you’re not a loser. If you are, then I am.” 

“Come on, you don’t gotta--” 

“Really. I never kissed anyone. Not lying.” 

He shakes his head and scoffs, “oh no, you’re not lying to make me feel better.” 

You put on your most sober face, “Bucky, I swear,” your cheeks burn and you put your hands on your neck. “I mean... it would be nice I’m sure but it just never came up.” He looks at you quietly. You squirm. “I know you can hear that I’m telling the truth.” 

“Yeah, I know,” he accepts at last. He crosses his arms and clicks his tongue, “fine. If you’re going to suffer through it, I will too.” He looks away as his jaw tenses, “if you’re going to keep pulling that puppy dog face, one day, it’s gonna wear off.” 

“Yes! Bucky’s got a date! Bucky’s got a date!” You sing out of tune. 

“Stop,” he snarls and narrows his eyes at you. You wince and giggle.  

“Yay!” You put your hands up in a demure celebration and he tuts. 

“You’re so cheesy,” he sneers. 

“And you’re a party pooper. No moping on date night, got it?” You try to put on a stern face and he squints even harder. Finally, he cracks and gives a chuckle. 

“You’re ridiculous,” he sniffs. “You and tough, don’t go together.” 

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[writingquestionsanswered]

Hi! Could you talk more about "character development exercises", please?:]

Character Development Exercises

Character development exercises are writing exercises you can do to help you explore and develop your characters. This isn't a required part of writing or character development, but many writers find it helpful. Here are some that I like to do when I'm struggling to get to know a character:

Character Interview - imagine that you’ve pulled your character out of a story into the room and now have the opportunity to interview them. What questions would you ask them? What do you want to know about them that you don’t already know? What do you think the reader would want to know? What might be pertinent to the story that you haven’t thought about yet?

TV Crew follow around - Imagine you’ve dropped an invisible TV crew into your story’s world to follow your character around through an average day (even if it's anachronistic). Follow them from the moment they wake up until the moment they go to bed that night. What are they like when they wake up? What is their morning routine? What do they eat for breakfast? How do they get ready? What do they do throughout the day? Who do they interact with? What else do they eat and drink? What do they do for fun or relaxation? How to they make money or meet their basic needs? What is their bedtime routine like?

Letters or Journal Entries - Look at your character's back story, off-screen events, etc. and find something for your character to write about in a journal entry or a letter to another character. What would they say about this event? How does it make them feel? What do they think about it?

Use Your Character in a Writing Prompt - Look at some writing prompts and do one using your character as the main character. You can keep it within your story's world or plop them into a whole different world. Whatever works for you and your story. This is about getting to know this character in a different context than the events of your story provides.

Create a Character Mood Board/Aesthetic - Mood boards go a long way in mentally fleshing out a character for me. Being able to have a visual representation of their style, their vibe, things that are important to them, etc. really turns them into real people in my mind.

Create a Playlist for Your Character - I think playlists can also be a really great way to mentally flesh out a character in your mind. Sometimes, just having a particular song or a playlist of songs that makes you think of them gives them some dimension they wouldn't otherwise have.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[meadow-of-daisies-and-lavender]

Deity! 141 AU HCs

A/N: Just some ramblings about the 141 as deities in my poly AU

(18+ only)

Please comment and reblog!

Captain John Price

God of the East Woods, who is represented by winter. He is known for his leadership skills, analytical abilities, and good faith in his men.

As he is known for leadership skills, he is known as the god most worshiped by leaders who seek guidance in their ability to command others. He is also known for being the one sought out by outcasts who are looking for community. He’ll help you find your way, don’t you worry. You belong somewhere; we just have to find where.

Contrary to popular belief, John does not participate in assisting those who force their command over others. He believes in leading by example and earning the privilege of leadership.

 He is most closely associated with cold metal, with his altar decorated in winter wreaths, warm spices, and delicate metalwork.

Kyle Garrick

God of the North Woods, represented by Spring and water. He is courageous, knowledgeable in the social and environmental climate, and can foresee the cause and effects of many actions on the battlefield.

He is worshiped by those beginning new endeavors. As the youngest and newest god (which, how new can ancient beings really be?), myths range from his grand displays of courage to self-doubt. His stories paint imagery of humbleness and of an eager learner. To those seeking new starts, he is the perfect divine being to guide you to ask questions and be courageous in the midst of change.

Kyle, while known best for being the god of changes, is also the patron of mystics for his foreseeing abilities (and beauticians. He likes his skincare and pretty things). As the foreseeing one, he knows all the outcomes and can assist divination practitioners in seeking knowledge of the future.

Just because Kyle can help doesn’t mean he will. Many fortune-tellers have reported trickery and confusion trying to get answers from him. He likes his jokes and finds seeing humans guessing about the future amusing. Won’t they find out eventually?

 His altar is decorated with bowls of water representing spring rain and winds. As spring flowers bloom, they are also decorated upon his altar. The seed of each planted crop is represented on the altar as a blessing for a productive sowing season.

Johnny McTavish

The god of summer and of the southlands. McTavish is known for quick, fiery actions mirrored by a thunderstorm's quick turn or a wildfire's spark.

While he might have fiery emotions, the god is methodological in his delivery of quick actions. For this reason, if you need help finding passion, McTavish is the god for you. He is the patron of athletes and artisans who harness passion into practice and dedication to their craft.

The god of summer is precise! If you seek his help, be specific and think about what you need versus what you want. His help will come on his timing, but it’ll be exactly what you asked for. He finds it funny when mortals get upset by this. Usually, if he is going to be helpful to the mortals, it is on his terms and conditions, and you’ll know by a sudden splash of warmth on your skin or by the way events just so happen to align that it could only be the work of a god.

His altar is decorated with an always-lit candle. There are summer fruits in bowls and an icon of a thunderbolt descending from the sky to represent his passions.

The one they call “Ghost”

The god of the south and autumn season, mortals know the least about him. His mythology is sparse, usually featuring him as a supporting character in someone else’s myth (usually Johnny’s) with a dry sense of humor.

He is the god of the ground that is transitioning into hibernation, the god of intelligence, knowing when to take ground and when to give ground. He is the wisdom gained from remembering the bones and dust from whence you came. He is the patron of the elderly and wise, of those who understand the power of listening before speaking to the aged ideals that came before you.

Hidden by shadows of the unknown, protected by the bones of the dying, Ghost is not a death god, but he represents the bridge between mortals and the spiritual, helping those who are dying.

Ghost is not a god you call upon lightly. He will make you search your shadows, forcing you to gaze upon those fearsome things that hide in all mortal souls. If you ask to see the divine, he will show you it when you are ready. But it will not look pretty or neat or holy. It will be sacred in its raw, awesome terror, a power unleashed that mortals cannot grasp.

Ghost’s alter typically has a buck skull on it- the first buck killed of the season. Black and grey altar cloths are laid beneath the walnut bowls holding the nuts and acorns offered to the god.

Once upon a time, there were four gods. Together, they took turns helping the mortals. But what spirit connects them all, centering their efforts? Of what clear mission banner do they unite under? To whom is the focal point of life’s great mysteries? It had always been assumed human mortals as a collective to be that focal point. But the myths do not end with the death of the old. They continue and will grow with the next generations and generations next.

[ohnoitstbskyen]

I get a question, and this is a bout Odyssey Two characters that I think that it could work in this universe is Heimerdinger and Kled

Heimerdinger is the engineer like ziggs

Kled and snaarl are space pirates

I mean, there's a lot of LoL champions who definitely could work in Odyssey, but I really don't think any more champions should be added to it. What Odyssey needs as a skin line isn't 100 more named characters, each of whom is The Coolest Most Important Motherfucker In The Galaxy For Various Reasons, what it needs is for the characters and storylines it's already set up to actually get explored or brought to a conclusion.

Like, failson Yasuo, romantic giga-ADHD explosion enthusiast Jinx and Hypercompetent Himbo With Anger Management Problems Malphite make a compelling trio of washouts who are now saddled with the impossible job of saving the galaxy by bringing a sheltered, unfathomably powerful magic space-nun to the special place where she can fulfil her Destiny.

And Kayn as a representative of the uptight, rules-bound conquering empire slowly being driven out of his mind by a genocidal eldritch murder monster trapped in his scythe is a near perfect villain for that crew. A group of chaotic floundering idiots versus one ultra-competent super assassin with the backing of the entire space empire at his back, that's a compelling narrative hook, that's an underdog story worth reading, I think.

Those dynamics just get undercut by piling more main characters into them. Same thing very much happened to Star Guardian, and same thing happens to every narrative-driven skinline that gets too popular. It gets bloated with main characters whose stories do not and will never actually resolve in any meaningful way, and that sucks.

[literaryvein-reblogs]

Writing Worksheets: Death & Sacrifice

Worksheets & Templates Death; Sacrifice; How to Kill Your Characters

Use the following questions as a story guide, or to interview your characters...

DEATH

What do you think happens after you die?

How does the thought of death affect you? Why?

Whose death has affected you the most?

What is the biggest lesson that death has taught you?

How do the deaths of people you didn’t know personally affect you?

Recount your favourite death myth.

What would you like to happen to your body after you die?

What would you like to be written on your tombstone, in your obituary, or in a posthumous biography of your life?

If you were a ghost, what would be your favourite haunt?

What do you fear most about death?

How is death not what you feared?

Describe death as a person, creature, or symbol.

What are your thoughts on euthanasia?

Which fictional character’s death affected you the most?

Is your own mortality different to that of others?

How has your perception of death evolved over time?

Research a death ritual.

How does death create life?

Choose 3 very different characters and explore their relationships with death.

How would you solve the trolley problem? [The Trolley Problem: You are riding in a trolley without functioning brakes, headed toward a switch in the tracks. On the current track stand 5 people who stand to be killed if the trolley continues on its path. You have access to a switch that would make the trolley change to the other track, but another individual stands there. That person is certain to be killed if the switch is activated. So do you switch tracks or not?]

Write a fictional will.

SACRIFICE

How do you know it’s the right time for you to make a sacrifice?

What are you afraid of losing?

How will losing this change you?

How will not losing this allow you to stay the same?

What is the cost of not making this sacrifice?

Why is this sacrifice necessary to achieving your dreams?

How can you make it feel more like a relief than a sacrifice?

Why have you been chosen to make this particular sacrifice?

What are the steps you need to take to make this sacrifice?

How will you know that you’ve really made it?

How to Kill your Characters

A worksheet to kill off a character...

Why is the characterʼs death important?

When does it occur?

Why then?

How long does it take?

Who is there with the character?

What is the character’s reaction to imminent death?

What emotion is evoked in the reader?

Locations (associated with the character):

Objects (associated with the character):

Themes (associated with the character):

Ways to die:

Effects of death on other characters:

Effects of death on the story:

Source

[tragedy-of-commons]

Heyo Gwen!! Congrats on 200 followers once more!!!!!

If you don't mind, allow me to drop in a request too hehe, no pressure of course!

"Wanna make a bet?" + Kamisato Ayato

I'm excited to see what you write for the event (>u<)!!!

– sincerely,

Maple

"Wanna make a bet?"

Ayato's lips curl at the question. Why not bite?

"Such a trap you're laying out for me," he tilts his head, sun reflecting off his pastel blue tufts, right directly into your corneas. You squint, grimacing at his sly expression. "Please, inform me of the stakes."

The Yashiro Commissioner knows which cards to play and when to play them to ensure victory, but he also knows better than to count his chickens before they hatch. You're clever and get your way more than he intends - which is precisely why he's letting you hold his hand in the privacy of the Estate's gardens.

You compliment one another perfectly. It seems like such a childish sentiment to any onlookers (those who dare to look), but even they can't deny this wonderful synergy that you two share, really two halves of a whole--

"I bet you a kiss that you can't remember our first date."

Sometimes, you can be cheekier than him.

"The art of subtlety is lost on you," Ayato tuts, already resigned. "Setting me up to fail like this... one would think you're a sadist."

It's almost comical to utter the words whispered about him by all sorts of political figures to your unassuming character. Even so, he probably won't be winning this bet. Robbed blind of another kiss - how tragic.

Kamisato Ayato is used to this being the way things go, usually nestled between sparring (where he's only lost to you twice), and hushed nights of mulling over poetry (where he still constantly watches the clock). If this routine is at all like the others that came before it, you're about to start gloating about your checkmate.

"I'm not hearing an answer," you singsong, admiring the various flora and painstakingly spoiled greenery.

He sighs, squeezing your hand. "I'd have to give you my best guess."

His memory isn't all what it used to be. Too many precious moments have been lost to the tumultuous sea of work and his constantly occupied mind; it's hard enough to keep it sharp, and even harder to fall into your arms after a long day, given the fact that there's still a lingering worry you may try to assassinate him in his sleep.

Your impish nature softens, grin shrinking into a sweet smile.

"That's all I want from you, Ayato."

Ah. Nevermind.

Before he answers incorrectly, he brings your knuckles up to his lips and kisses each one reverently, maintaining breathless eye contact. He's inclined to savor this while it lasts, after all.

"It had to have been when I first saw you. Mentally, I was already preparing to deal with the eventual public backlash of our marriage," he delivers, smirking against your skin--

You wrench your hand back to presumably elbow him, but Ayato is prepared, capturing your wrist with a gentle flair.

"I am ready for my kiss, as per your terms."

You heave a world-weary sigh, and Ayato has won.

🏷️: @akutasoda, @aviiarie, @lowkeyren

a/n: MAPLE 💗 thank you for your well-wishes n support thus far! you're so silly and fun, hope u like what i did with ayato. i know it's short, but ehhhhhhh i think i did an okay job at characterizing him.

event post here

[mkpersephone]

I saw this on Qura about Professor X's character assassination in modern days comics and it fits perfectly:

it's pure character assassination. They've played with this idea before where Xavier's suppressed desires run amok for a while making him evil, or like Onslaught, the writers use the first excuse to make him an outright villain and plot device for "Heroes Reborn". Even Wolverine renaming the school the "Jean Grey School for Higher Learning" is one of the methods of trying to replace Xavier or rewrite his place in the hierarchy or question who is more 'saintly'. But when push came to shove the wheel would turn back because what actually sells (and is popular) is the classic, wheelchair-bound, parental, wise, and caring Professor Charles Xavier. I think they do this in these comics now because comics are dying, and the current writer wants these classic characters parroting their own thoughts and beliefs... even if it becomes the character's epitaph.

Honestly, modern writers DO NOT know how to try to build up a character or idea without tearing something down. And Xavier is always an awesome target because the ideal he stood for when originally created, (just like you pointed out in your answer) is one that ideologically is being opposed by today's progressives. There is no fight for equality, there is only ever varying levels of power and the struggle to have more. Having a straight white male who is a benevolent father figure to the wayward lost souls and moral center to an adoptive family unit is out of the question for modern writers. If you want to destabilize and re-write something in your own image, you attack the root, and Professor Charles Xavier is the root of the X-Men.

This whole story is WAY out of character for Xavier, but in their defense, I would say ever since Krakoa, each writer writes the characters as how they want to interpret the character. And this isn't the first character they've assassinated, including Moira McTaggert. Today, there is no Jim Shooter anymore trying to wrangle the whole bullpen and fighting the writers on bad ideas. (And to be fair, not all of his ideas were good and the writers fought him plenty, but the writers at the time were outstanding pros with long track records of great stories, not twitter account holders on their first comic who were given a job based on their race or sexuality).

When you stop knowing how to make great new characters, (heroes and villains alike), then you're stuck trying to reinvent the characters you have. That's been X-Men's problem for almost the last 20 years; when they make new characters, they're not really good and no one really cares. That leaves using the current stable... over and over and over again.

[bananaactivity]

Sooooooooo MBAV x SCREAM (1996)???? Anyone???

Scream 1996 is not only my fav Horror movie but my favorite movie in general. I love this movie it’s great. So why not combine it with a show that I love also! MBAV is definitely not my fav show but it is one I like to make art of.

Character Swaps:

Billy Loomis= Ethan Morgan

Sydney Prescott= Sarah Fox

Stu Macher= Benny Weir

Tatum Riley= Erica Jones

Randy Meeks= Rory Keaner

I actually really like this Au idea… I’m definitely making more art for it. In a weird way it makes sense ya know??

Rory’s the goofy horror buff, Erica’s the sexy bestie, Ethan is also a horror buff but in wayyy more self righteous way, Sarah is uptight and vampires are always a sex allegory so that makes sense that she would be a “prude”, and most fittingly Benny is the goofy overacting friend who goes with wtv his bestie wants just for the lols.

I think I like this AU more than my Descendants AU I dunnoooo. It’s just a lot of fun fr.

I think that it’d be the same plot as Scream 1996 ignoring the other movies because that’s what I’ve been doing my whole life. I know some of the later movies are really good but I decided long ago I’d never watch them so boohoo.

I’m sure if I think about it hard enough I could fit some characters into other AU roles but I’m mostly gonna be doing screenshot redraws of the main 5…

Enjoyyyy and ask questions if you’d like!

[signanothername]

In your opinion do you think nightmare would let a human work for him or do you think he prefers only monsters to work under him?

(It's for a character I'm making a mini comic for :) )

But I'd also imagine even then there would be issues regarding the murder time trio, especially considering their hang ups when it comes to them (Chara and frisk ect.)

Ooooohhh

Ok tbh I feel like Nightmare wouldn’t genuinely care whether someone who works for him is human, monster or something completely different

As long as they’re efficient and do their job properly then he’ll be ok with them

I think the true question is whether Nightmare would be willing to recruit anyone at all beyond MTT, considering that Nightmare hates change in his routine

I for one at least, like to believe he didn’t just recruit MTT just because, without any true reason in mind, he made very calculated decisions after careful planning and after weighing his options

So i feel like the true challenge is how to get Nightmare to be willing to have another subordinate under him much more so than what they are

And I feel like, if Nightmare got a human under him, they’d be someone who isn’t Frisk/Chara as to not trigger MTT and chaos ensues

I like to believe MTT might be a tiny bit tense with the prospect of working with a human, but I feel like they wouldn’t get aggressive if they aren’t Chara/Frisk (except for Murder maybe) and even then I think it really depends, as I believe Murder’s first choice is to keep distance from them rather then actually engage with them

Hell, I think MTT in general are like cats, if you include a new recruit (regardless of whether human or not) Nightmare has to introduce them carefully to each other the way you introduce a new cat to another as to not agitate the older cat hxhxhdhhd

Which again, just puts more challenges in the prospect of Nightmare even being willing to include a new subordinate under him at all

So I feel like the exploration of reasons why Nightmare would include a new subordinate is much more important than what kinda subordinate they are

And while i’m a firm believer in the idea that making a deal with Nightmare is like making a deal with the devil himself (basically you’re stuck with that deal for the rest of your life) I never was one to believe that Nightmare would recruite anyone who he makes a deal with under him, but rather, have a use for them in other ways that are still pretty much very stuck with Nightmare cause of it *side eyes my interpretation of Ccino and Nightmare’s relationship*

I can imagine Nightmare also bargaining and settling for temporary work time, basically having someone work for him until he deems the work they needed them for done with in a way that satisfies him

So yes, Nightmare would let humans work for him if it’s actually beneficial to him

[jessieren]

Here In America

I managed to go and see Here In America last night and, as promised, here's my (fairly brief) review. If you're going to see it and don't want to know anything in advance then don't read any further - although I've tried hard not to include any spoilers.

Firstly the theatre is tiny... and I mean really really tiny! When they said in the promo video 'you're going to be up close and personal with the audience' they weren't kidding. The stage area is incredibly tight and all the audience are within a few feet of the actors.

The scale of the theatre really gives the sense that you're 'in the room' with what's happening and adds to the sense of tension as the play builds. It also means that you can see the actors every expression and movement and they don't need to project/act up in the same way as you would in a large normal layout theatre. My personal view is that this suited Shaun's more minimal nuanced acting style really well - it was almost like acting for the camera.

The play is just under 90 minutes and is intense, quite complex, and dialogue heavy but the pacing is incredible and the 90 minutes disappeared in a flash. Shaun is on stage for pretty much all of that time and much of the dialogue and interaction happens between Kazan and Miller. The set, props and lighting are very minimal but work well and support the interactions (the scrabble scene near the beginning is great and sets the play up really well).

All four actors are absolutely brilliant but Shaun and Michael Aloni's performances are truly stunning. Shaun really does hold the entire piece together but without overwhelming or detracting from any of the other performances. Whilst it is intense there are some small moments of comedy and Shaun, in particular, plays those really well.

I enjoy plays with small casts as I think you get far more from the relationships and interactions and this is an absolute case in point. The details and nuance of the way the characters interact build a picture of their relationships that support and help move the play along and I think also build a genuine sense of empathy with the conflicts at the heart of the play. I went into it with a clear view of what/who I thought was right and wrong but the script and performances really made me reconsider my views throughout - and I'm still questioning how I feel about it 24 hours later.

Whilst Shaun doesn't look like Kazan (Aloni truly becomes Miller in an uncanny way, and similarly Jasmine is compelling as Monroe - not an easy ask), he is really convincing and plays him with a charm and charisma that gives a fully rounded view of him as a man and the choices he made, where it could have been easy to play him as a more two dimensional 'bad guy'.

I absolutely loved it and really hope it gets the praise and attention it deserves. Its one of the best pieces of theatre I've seen - and I go to a lot!

I'd highly recommend getting to see it - or paying to stream when its available.

Just as a side note: The play covers a lot of ground and refers to quite a lot of detail of Miller and Kazan's lives in particular. My personal view is that you get more from it if you already know the overall chronology of what happened in that period and also understand the basics of Kazan and Miller. I'm sure its still very watchable without the background but personally I felt I got a lot more from it from knowing something about the key characters, events and timeline.

[googleitlol]

Two questions! Well, one’s more like a prompt/scenario, but I’m still saying it!

Do you have any plans on getting back to your “The Memory of You” fanfic in the future? Because I’m a certified Macaque wimp (right there with Wukong) and I’m dying to know everything that happened between him and Lian!😭

And second:

I just got myself Black Myth Wukong brainrot and I randomly thought of a situation where Dove would wake up from a nightmare about Wukong’s death, and she instinctively places a hand over the Destined One’s heart to hear it beating because of his resemblance and everything. And the Destined One just helps hold her hand to his chest and resting his own hand over hers until she calms down🥲💘💞

1) Omg tbh I didn't realise ppl were still reading that one! I'm focusing on PoM rn so I don't think I'll be getting to it anytime soon unfortunately. I do wanna continue it tho, and rewrite some stuff too! My google doc is so big for TMoY that if you wanted, I could totally answer some asks about it. Since I'm focusing on Dove and Wukong rn, I wouldn't mind sharing some secrets about Lian and Macaque's past (I will yap so much abt them, I love Lian she's my sweetheart).

I also took a break from writing that fic because, uhhhhh… I had only seen part of season 4 when I started writing the backstory for Lian, did some research into chinese mythology and legends I could pull from… then after posting a bunch of chapters, I watched the rest and realised I accidentally made her backstory/creation extremely similar to someone else (if you're caught up on the show, you'll know who I'm talking about). They both involve, uh… similar people?? So I got spooked and decided to wait a bit to see if that character's backstory would be like what I'd written for Lian and… it's starts out very similar 💀

But honestly, I think I'm gonna keep it the same cuz I love Lian, and I love the story I've made for her and Macaque. So if you've got any questions abt them, I'd be happy to answer until I shift my focus back onto TMoY.

2) Oh, and… my god. I love this idea of yours. That dream. Hoo boy, that dream. I love it when people understand the sort of angst I wanna put Dove under. Running to her love, knowing what's about to happen but too far to stop it. Maybe if he saw her, if he knew she was coming, maybe he'd still be there. But no matter how much her throat scratches as she screams, no sound is made. No matter how fast she runs, how far she pushes herself, nothing changes.

The Destined One frowns, he's seen her like this on so many nights. There's something that's plaguing her… he just doesn't know what. She shuts him down at any and all moments he has to inquire about her night-terrors. Still, he's found a subtle way to help in the best way he can. After one night where she reached out for him and he let her hand press against his chest, he noticed how she calmed a bit.

That becomes their nightly ritual. Whenever he notices how she starts to mumble in her sleep, shout and cry, he'll cuddle up next to her and hold her in his arms. He'll keep her head pressed against his chest so she can hear his heart– that always calms her down. As long as she has something, her hand or even an ear pressed to his heart, she'll calm down. Maybe the first few nights he started doing this, she'd cuddle up to him a bit. He'd be awkward about it at first, but eventually grow used to it. After a while, he'd find that he actually really enjoys spending those nights with Dove in his arms.