In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.
Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.
Sounds awful familiar, doesn't it?
Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.
More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.
But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.
A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.
Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.
So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.
Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.
It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.
There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:
The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader.
This kind of nuance gets completely worn away on Twitter, home of paranoid readings.
“[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”
A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.
It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.
And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.
Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.
Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.
So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.
Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.
So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.
And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.
And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.
And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.
Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.
Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).
It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.
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Pride banned Jews?!?
So it's that time of year again that I see people circulating stuff that is completely fabricated about what they imagine happened at Chicago Dyke March in 2017.
First, Dyke March is not Pride. It is not meant to be apolitical or single-issue. It is explicitly anti-imperialist, anticapitalist, and, yes, antizionist. It's not the big mainstream pride Parade that has corporate sponsors (and ads for gay tourism in Israel), it's a small radical grassroots demonstration.
Ok now that that's out of the way, they did not "ban Jews". I was there. They did not "ban Jewish symbols". They did not ask anyone to leave because of their Jewish pride flag.
What actually happened was three women who turned out to be employed by Israeli pinkwashing operation A Wider Bridge participated in the march with a rainbow flag that featured a blue star of david in the center. I remember seeing it and disliking it bc it gave me Zionist vibes but neither I nor anyone else bothered them about it.
After the march there was a cookout in the park. The women were asked to leave by a Jewish member of the Dyke March Collective after several hours of hanging out at the cookout because they were harassing other marchgoers.
Immediately publications like Forward, Tablet, JTA, as well as more mainstream publications started running stories making wild untrue claims which you can still read if you Google it because none of these were ever corrected or retracted. It's clear that these AWB agents had press releases pre-written and ready to fire as soon as they managed to provoke any reaction that they could spin into a controversy.
The photos that ran along with these headlines were also misleading. One of them showed a photo of a rainbow flag with a white star in the center. The star on the flag I saw was blue, and the shade of the star has specific political connotations. Showing a different flag with the politically significant color removed is extremely misleading. The one that was carried in the march (and which, again, wasn't banned!) looked like this:
Another banner image, this one in a New York Times article, showed a young woman with dark curly hair holding a sign that says "this is who we are". She was clearly chosen to feature because of her stereotypically Jewish features. The article implies that she is one of the supposedly banned Jews. This is false. You know how I know? Bc that was the friend I was there with that day! She does not identify as Jewish, she looks like that bc she is Italian, and she had no idea she was being photographed!
I had a hat decorated with red and black stars of David, and the following year a bunch of us wore Workers Circle sashes with Yiddish text (which uses the Hebrew alphabet) as well. No one who wasn't employed by a Zionist organization was asked to leave or even questioned about anything related to Zionism or Jewish identity.
I'm resigning myself to the fact that this is going to get dug up and passed around every year and people will believe what they want to believe, but if you hear claims that some queer group "banned Jews" or something similar, please look at the source for the information and if possible try to talk to actual Jewish people who participate in the community events being discussed. And if you hear this about Chicago Dyke March in specific, please correct people. I feel like I'm going insane when this many people are insisting that what I saw and experienced wasn't real and pointing to the barrage of misleading articles as what I should believe over my own experiences.
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look. i'm sorry. really sorry for not just letting this die. but it bugs me. so suffer i guess.
If I saw a canonically trans character and said "well I prefer to write them as cis" people would be pissed at me, for good reason.
If I saw a canonical trans woman/man character and wrote them as a demigirl/boy and said "while the show just says she/he's trans, not that she/he's a trans woman/man" people would be pissed at me, also for good reason.
If a character was directly implied to be trans, and the creator confirmed later that they were meant to be trans, and I went "well it wasn't said explicitly in the show so it's not canon," people would be pissed at me, for good reason.
If the majority of a fandom did those things, we could collectively agree that the fandom is really transphobic.
You can sub this out for any queer identity with mainstream representation, and probably non-queer identities too.
So why is it considered acceptable to do these things to aspec characters?
Why are ships contrary to aspec identities the only ships against a character's canon queer identity that get popular?
Why are aspec people the only ones that get consistent ship discourse over our real identities?
Why are aspec people the only ones asked to sit back and take it?
Why is it on aspec people to not ruin allo people's fun in fandom, but allo people are allowed to ruin ours?
(The answer to all of the above is: aspec identities are viewed by other queer people as functionally straight and are treated as such)
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how are you both bisexual and asexual. are you also both autistic and neurotypical? are you both trans and cis too? please help me out here
okay so first off I don't think you meant this to come off as confrontational, so in the future please do keep in mind that these are highly personal questions. I don't actually owe anyone this information
So, sexual attraction and romantic attraction are different things. Someone who is asexual may desire a romantic relationship with someone, while someone who is aromantic may desire a sexual relationship with someone.
Alternatively, someone who is AroAce may desire strong, intimate connections that have nothing to do with sex OR romance.
So someone who is romantically attracted to all genders but sexually attracted to nobody may be more accurately described as "Biromantic / Panromantic Asexual", but that's a bit of a mouthful and uses terminology and concepts a lot of people don't get so they may just say they're ace and bi.
I've known for a long time that I'm asexual, that one was relatively easy. Romantic attraction, I've found, is harder to evaluate because "deep, intimate friendship" and "romance" have a lot of overlap and are difficult to distinguish.
For a long time, I thought, "I feel the same level of attraction to all genders, so I must be bi or pan". It just so happens that that level of sexual attraction was zero.
(Apparently this is a fairly common experience.)
Also, not entirely what you asked, but recently I've come to the realization that I may be Aromantic as well as Asexual- I may just experience aesthetic attraction to all genders, which is a third thing, in which you can see someone and go "Ohhhhhhh my god you're so fuckin cool and pretty I'm dying" but not actually really wanna do anything about it.
And since I may be aesthetically attracted to all genders, romantically attracted to like 5 people ever, and sexually attracted to nobody, I could go around saying, "Yeah I'm an asexual demiromantic with panaesthetic attraction", confusing half the people I talk to and sounding like a queer zoomer in a conservative political cartoon, I could also just say, "yeah I'm ace and bi" or "I'm queer" and keep the rest to myself.
Also, while I openly use he/him pronouns now and for the last couple years, growing up I thought for about a decade that I was Genderfluid and I'm still pretty attached to the Genderqueer identity, so trans and cis isn't really the reach you may think it is.
So, yeah. Autistic, Asexual, Bi, Trans.
But I've found that my personal identity is less like a business card and more like a witness statement.
Any wordier than you need to be, and you start giving the opposition room to poke holes.
"Queer", though. Queer is good
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been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.
this is early edo period. 1600s. the japan you know now did not exist yet.
yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)
"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.)
that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.
there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.
yall have got to realize queer rep will not and should not always adhere by modern western standards.
there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.
i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.
i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.
i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.
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