#basing view

[photowalkmyworld]

30 Dec 23

Ending the year as it began, wet, dreary, windy and cold

[that-one-weird-cloud0]

Batman: You need a new costume. That one provides no protection.

Danny: oh I cant.

Batman: You won’t owe me for it.

Danny: no I literally cant. Like if i remove it it just returns.

Batman:………. Explain.

Danny: look *takes off glove and explodes it into pieces*

*glove reforms on his hand*

Danny: see? Can’t get rid of it. It’ll just heal itself.

Batfam: …

[communistkenobi]

The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 

[hitwiththetmnt]

Dragon turnaround’s for their base design + a height comparison

[unproduciblesmackdown]

Lackadaisy Enrichment

[pherredraws]

from the homumiko mines

[very-tired-child]

checkmate.

based on ch 5 of Primum non Nocere by @aughtpunk!!

[yamtaroh]

forgot to use the paraglider

[greenswing]

Found an old sketch (like a few weeks old) and wanted to add some colors

Trying to have a cute date with your key boyfriend but some annoying goth randomly intrudes

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[asoftepiloguemylove]

on childhood and growing up

Noah Kahan The View Between Villages / Taylor Swift Never Grow Up / Kim Addonizio The Women; Wild Nights: New and Selected Poems / @/twinnedpeaks (on tumblr) / Taylor Swift You're On Your Own Kid / リリイ・シュシュのすべて All About Lily Chou-Chou (2001) dir. 岩井 俊二 Shunji Iwai / Martha Gellhorn in a letter to Hortenese Flexner and Wyncie King; Selected Letters of Martha Gellhorn / Richard Siken Birds Hover the Trampled Field; War of the Foxes / The Perks of Being a Wallflower (2013) dir. Stephen Chbosky / Katie Maria The Memory of a Memory / Lorde Secrets From a Girl (Who's Seen it All) / Keaton St. James A List for Nightdreamers

[selky]

L&DS Rafayel x MC | view on twitter

[jaynovz]

In discussions about the finale of Black Sails, one of the things I often see is folks hard-focusing on Flint's fate, in an either-or binary fashion, usually presented as "Which do you believe-- that Silver killed him? or sent him to the plantation?"

Now, for posterity's sake, gonna mention a few things-- first off, that's simply not thinking broadly enough. There are farrrr more than two options here and I've come up with my share of the reallyyyyy bad ones for sure. Whatever your mind chooses, none of those are happy endings anyway, there are bittersweet, bad, and worse endings all the way down. (They are paused, they are in a time loop, and also all endings and no endings are happening simultaneously)

But also, the more cogent point is that, it doesn't actually matter what happened *to Flint* The story is... not actually about him at that point. We have transitioned from Flint as protag to Silver as protag, setting up for (the fanfiction that Black Sails has ended up making of, ugh, king shit) Treasure Island.

And so, I just, don't find it to be of particular interest exploring what we think Flint is actually doing or if he's alive for real. What is EXTREMELY interesting to explore though is how Silver's speech at the end to Madi is sort of giving Thomas back to Flint as a pacifier/comfort object, but how... Silver is giving Flint that thing in his own mind as his own type of pacifier/comfort object.

That's the REALLY chewy bit. What actually happens to Flint is not the purpose of that scene for me, of Silver's recounting of events to Madi. It's more about... projection. It's about how Silver is dealing with whatever happened to Flint/whatever he did.

And I just feel like it's missing the point to focus so hard on if Flint is alive or not.

He is the ghost of the story regardless, that's what's important. He's going to haunt the narrative for the rest of everyone's lives. No one has been untouched or unscarred by coming into contact with Captain Flint; he has a forever legacy. I'm not the first to call him this, but he's Schrödinger's Flint and he's staying that way.

But this?

"No. I did not kill Captain Flint. I unmade him. The man you know could never let go of his war. For if he were to exclude it from himself, he would not be able to understand himself. So I had to return him to an earlier state of being. One in which he could function without the war. Without the violence. Without us. Captain Flint was born out of great tragedy. I found a way to reach into the past... and undo it. There is a place near Savannah... where men unjustly imprisoned in England are sent in secret. An internment far more humane, but no less secure. Men who enter these gates never leave them. To the rest of the world, they simply cease to be. He resisted... at first. But then I told him what else I had heard about this place. I was told prominent families amongst London society made use of it. I was told the governor in Carolina made use of it. So I sent a man to find out if they'd used it to hide away one particular prisoner. He returned with news. Thomas Hamilton was there. He disbelieved me. He continued to resist. And corralling him took great effort. But the closer we got to Savannah, his resistance began to diminish. I couldn't say why. I wasn't expecting it. Perhaps he'd finally reached the limits of his physical ability to fight. Or perhaps as the promise of seeing Thomas got closer... he grew more comfortable letting go of this man he created in response to his loss. The man whose mind I had come to know so well... whose mind I'd in some ways incorporated into my own. It was a strange experience to see something from it... so unexpected. I choose to believe it... because it wasn't the man I had come to know at all... but one who existed beforehand... waking from a long... and terrible nightmare. Reorienting to the daylight... and the world as it existed before he first closed his eyes... letting the memory of the nightmare fade away. You may think what you want of me. I will draw comfort in the knowledge that you're alive to think it. But I'm not the villain you fear I am. I'm not him."

This is the speech of a man who is self-soothing, who is spinning himself a tale, who is projecting, who is coping.

and THAT is just, way chewier, innit?

[mayopocket]

nefarious fox scheming

[shitpostingkats]

Duel Links is an existential horror tragedy just waiting to happen

[weaver-z]

I'm convinced that the way Guillermo del Toro picked which stories he wanted directors to make in Cabinet of Curiosities was by reading every script submitted to him and sorting them into piles labelled "DOESN'T HAVE A FUCKED UP CREATURE" and "DOES HAVE A FUCKED UP CREATURE" and then setting fire to the first pile