#because I'm writing them all out of order

[sturniqlo]

Pretty Girl- M.S

summary: where matt slides into singer!y/ns dms not knowing she would respond back, and it leads into something more.

cw: cursing, FLUFF; sweet messages, first meeting, honeymoon stage, kissing, ANGST(very little); second thoughts on relationship(?), past relationship issues, insecurity of not being good enough, social media hate

an: i just love fics where reader is a famous singer :) | very fast paced timeline | as usual, not proofread

masterlist | join my taglist

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"said you're not in my time zone, but you wanna be."- bed chem, s.c

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matthew.sturniolo 12:47am

hi, you're like really pretty :)

Matt exits out of the dm and scrolls on tiktok for the remainder of the night. He shuts off his phone completely forgetting about the message he had sent to Y/n. There was no way she would respond. Y/n was a famous singer with millions of more followers than him. He had been following her for sometime now, as he had discovered a song- many songs- he really likes from her. Matt also saw his big of a fan Nick was, which introduced him to his favorite songs.

Y/n was currently in New York finding some inspiration from her upcoming album. Usually she resides in LA but she loves being in New York while she writes. It's more homey to her, it was fall after all, her favorite season, the leaves were turning orange and falling off of their branches, landing on sidewalks all over the city, the weather was chillier, she loved it. Back in LA it was many degrees hotter, she couldn't wear her cute cardigans without sweating.

The next morning, Matt woke up to a loud commotion coming from the kitchen which was very close to his room. Groggily he came out of his room and saw his brothers arguing. "I hid the last bagel for a reason because I was going to fucking eat it this morning." Nick angrily crumples up the empty bag the bagel was in. "How was I supposed to know?" Chris argues back, taking a bite of the bagel.

"Do you guys mind? I was sleeping peacefully and I got woken up to you two arguing over a fucking bagel." Matt scoffs. He goes back into his room and shuts the door. He rolls his eyes and walks over to his bed where his phone is laying. As it turns on, he sees a instagram notification. Unlocking it with his face id, he sees Y/n replied to his message. "Holy-" He cuts himself off.

y/n/y/l/n 2:47pm

thank you! you're cute yourself ;)

sorry for the late response it was 3 am when you dmed me haha!

Matt stared at the message opened message with his mouth slightly open. you're cute yourself? He was about to faint. His thumbs hovered over the keyboard thinking about what he was going to say next.

matthew.sturniolo 11:49am

holy shit you actually responded... also thank you :))

sounds like you're three hours ahead of me??

y/n/y/l/n 2:50pm

hahaha

i believe so. i'm currently in new york, i'm assuming you're in the west coast? la possibly?

She responded quickly and Matt's heartbeat only got quicker.

Y/n had spent her morning bright and early. She woke up at around seven am and did her morning which consisted of her morning shower, skincare routine. She ate a bowl of strawberries and blueberries while she answered some emails. About an hour after sending emails and responding to important messages she went out for breakfast.

At her favorite cafe, she ordered her usual bagel and iced coffee and sat down by the window. She ate her breakfast and stared out the window watching people walk by going about their morning. A few fans spotted her as she was leaving so she took some pictures with them. "Excuse me, Y/n?" A soft shy voice said as she exited the bagel shop. She looked back and saw two teenage girls nervously smiling.

"Hey, guys!" She gasped, letting her wired headphones hang. "Hi, we- we uh. Sorry I'm so nervous." Y/n smiled. "Don't be nervous. I promise you it's okay." She giggled and walked closed to them. "Okay, thank you." The one girl sighed in relief. The three of them made a ten minute long conversation. "We're so sorry for taking your time!" One of them gasps realizing how long they've been talking for. "Don't worry about it, it's okay."

Y/n returned to her apartment at around twelve and cleaned up a bit. She'd been in New York for about two weeks now. She took a quick shower and chilled on her phone for a bit. Here and there she liked to go through her instagram dms and respond to some fans. As she was scrolling through, she saw that Matt has dmed her. Y/n has known about the triplets for sometime now, she has watched a couple of their youtube video. And to be honest, Matt had caught her eye those couple of times.

She blushed, she opened the dm and read the message fully. It was sent about eleven hours ago. She responded anyways and she was bold enough to send a second message. Exiting out quickly and scrolled and responded back to some fans who just wanted to say hi or wanted some advice.

Two minutes later, a notification from Matt appeared at the top of her screen. She smiled and opened it right away responding quickly, Matt responded seconds later.

matthew.sturniolo

i am

also, new york? i bet it's beautiful out there now that it's fall time

y/n/y/l/n

it's really is! have you ever been out here?

matthew.sturniolo

yeah, a couple of times actually!

are you there permanently?

y/n/y/l/n

nope, just here to get some writing done :))

matthew.sturniolo

new music im assuming?

y/n/y/l/n

can't say tooo much but yess

Over the few weeks, the two messaged each other everyday and eventually exchanged numbers. As much as Matt wanted to tell his brothers. He wanted to keep his 'relationship' with her hidden for a while and be in this little bubble. Matt really enjoyed messaging her and talking with her on the phone that he asked her if she would be up to the idea of talking romantically and see where it would lead them to. Obviously she said yes.

Y/n had never felt like this, Matt was amazing to say the least and she hasn't even met him. Every morning when she would wake up, a good morning message from Matt would be waiting for her. He'd send her little messages throughout the day when he wasn't filming and he calls her when he knows she's about to go to bed. Yeah, she's had her boyfriends here and there but they were nothing like Matt.

Her past relationships were so public from the beginning to the end they almost felt forced. Anytime they would go out there was always a new article and new pictures about it. There were rumors, allegations, and opinions. And she never dated the best people.

matt

hi pretty girl :)

y/n

hi pretty boyyy

matt

are you busy?

y/n

for you? neverrr

matt

okay, i'm calling you now!

Before Y/n could even type out a response her phone rang in her hands with Matt's contact filling her screen. She immediately answered. "Hi Matt." She put him on speaker. "Hi, pretty lady. How's the writing going?" He asks her. "It's.. going. I can't really think of anything right now, so I'm taking a break." Y/n brings her knees up to her chest and scoots her writing book away from her.

"Anyways, what have you been up to?" She says, pressing the facetime button. He answers it right away. "Nothing much, me and my brothers just finished filming a video." He brings his face into view. "Sounds fun, what'd you guys film?" She smiles. "Just a car video talking about random things."

They talked more for some time until someone interrupted Matt's rant by barging into his room. "And then- do you not know how to knock?" He scolded whoever came in. "Who are you talking to?" She heard Nicks voice. "Don't worry about it, what do you want." Matt huffs. Y/n noticed how he tilts his phone away from Nicks view. "Can you take me to-" Matt cuts him off.

"Yeah, yeah, I'll take you. Shoo now." He motions his hand for Nick to leave so he can keep talking to Y/n. A small giggle leaves Y/n and Matt looks at her through the phone and she gasps. Nick must've heard her because he also gasps. "Matt! Are you talking to a girl?" His phone is suddenly snatched from his grip.

Nick looks at the screen and Y/n is with wide eyes and a slight open mouth due to her being shocked of what's happening. Y/n knew that Matt wanted to keep this to himself, as well as her. "Oh.. my god." Nick said and quickly gave the phone back to Matt when he saw who it was. Y/n heard Matt's door close and started laughing, so did Matt. "Holy fuck."

"I'm going to let you go, I need to deal with Nick. I'll call you later." He smiled and waved at her. "Okay, let me know how it goes." She waved back.

"Nick?" Matt walks out of his room. "You, as in Matthew Sturniolo, my triplet brother, are talking to the Y/n. As in the famous singer. Fucking Grammy award winning Y/n!" Nick yelled with his eyes wide open. Y/n was probably- no, is- Nicks favorite artist. He couldn't belive it. "Yes, Nick. Is that so hard to believe?" Matt giggles. "Motherfucker yes! How did you of all people bag her?!" "I'm offended?" Matt furrowed his eyebrows.

Matt goes to tell Nick how everything had happened. "Oh my god, I can't believe this!" Nick yelled into his hands. "What's going on?" Chris comes up his set of stairs. "You'll never believe it!" Nick says. Matt- actually Nick- catches Chris up with everything he missed. "Matt, I've never realized how much game you have."

After everyone - Nick- calmed down, they decided to sit and watch a show.

y/n

i'm assuming everything went well?

matt

yes, nick had a moment of starstruckness i guess, but it went well in general

y/n

omgg, he is so me

will he be okay with me following him?"

matt

pls do, i would kill to see his reaction

y/n

okok

Y/n giggled as she went to her instagram and searched up Nicks username and followed him. Across the country, Matt was secretly recording Nick who was unintentionally scrolling on instagram. "No fucking way! She- she just followed me." Nick flipped his phone to Matt. "She just followed me too!" Chris jumped up from his spot on the couch.

matt

*video attachment*

chris was a plus

y/n

hahaha

one month later

"Alright, we have this shirt with these jeans or," Y/n holds up a potential outfit and shows Matt over facetime. "Ok, I like that one." He nods. "There's also this dress." She holds up the material. "That's the one. I like that one." Matt points and she giggles. "Okay." She leaves the frame and comes back in once she's changed into her outfit.

"It's four over in LA right? I still get a bit confused over timezones." She says as she applies her eyeliner. "Yeah, and it's seven for you, correct?" Matt watches intently as she does he makeup. "Mhm, I have to leave in like forty minutes." Tonight she was going to an album release party for her friend, Conan.

"I would love to be in your timezone. Makes it easier to talk to you." Y/n smiles at an idea that popped up in her head. "Would you -I don't know- maybe want to fly out here? I- you don't have to, but it's just an idea." She rambles a bit. "I'd love to actually. But, I'd have to talk to my brothers first, not that I need their approval or anything, just I'm not sure if they'd want to come." He says.

"You could bring them too. It'd be fun either way." She says. As much as Matt loves traveling with his brothers, he'd appreciate it if this trip was just about the two of them. It's be their first meeting after all. "I hope this plans out well, I really want to meet you, officially."

"I'm tryin' to go to New York." Matt blurts out randomly. He had finished his call with Y/n about two hours ago and all he thought about was possibly getting to meet Y/n and spend sometime with her. "Matt flying across the country for a girl? Who would've thought." Chris says. "Shut up." Matt rolls his eyes. "Do you guys want to go? Or?" He says.

Both Nick and Chris looks at each other and shake their head. As much as Nick wanted to go and possibly meet Y/n, he wanted Matt to have his moment. "Nah, we'll let you enjoy your time with her." Nick says and Matt dramatically sighs in relief. "Thank god! I didn't want to take you guys anyways." Nick gasped. "You know what, i'm second thought." Matt shook his head. "Nope, you made up your mind."

matt

guess who's going to new york :D

y/n

no wayy?!? i'm so excited!!!

liked by sabrinacarpenter, clairo, matthew.sturniolo, jennaortega, nicolassturniolo and 825,733 others

y/n/y/l/n: i am new york, new york is me

view all 9,372 comments

jennaortega: y/n in new york>>>

| y/n/y/l/n: you get it 🙂‍↕️

y/nfan57: it's y/n's season

y/nfan19: matt liked...

| loser4: okay? so did nick?

sadiesink_: you're so cool

matthew.sturniolo: you

| y/n/y/l/n: me

two weeks later

"I'm by the taxi pickup." Y/n said on the phone to Matt who was somewhere inside the airport. "Is there a sign or something?" Matt was having a hard time looking for the right place. "Uhm... oh yeah, there's a bright green sign that says taxi only. It's pretty big so you can't really miss it." She let out a breathy laugh. "I see it, and I see you." Y/n turned, but still couldn't see him. "Other way, pretty girl." She turned the opposite way and saw him.

"Matt!" She squealed, and ran to him as he dragged his suitcase behind with a huge smile on his face. "Y/n!" He let go of his suitcase and she jumped in his arms. "Oh my god! I can't believe you're actually here!" She whispered into his neck. "I can't believe it either." He says and she pulls away from his neck at looks at him. "You're even prettier in person." She blushes. "Stop it! I could say the same thing about you." She places her feet back on the ground. "How was your flight?" She asks. "It was good, except for the guy snoring next to me."

They arrived at Matt's hotel, and he settled in before going out for lunch together. "Okay, my favorite spot to get lunch is here." She says and Matt opens the door for her. "Thank you, Matt." Matt smiles. For the three- almost four hours they've been together, it all felt natural, as if they've known each other for years.

"What do you usually get?" He puts his arm around her shoulders and she smiles at the action. "I usually get the chicken wrap and a mango lemonade." She looks up at him. "I'll get the same." He nods and kisses her forehead. See, natural.

"What do you think?" Y/n covers her mouth as she speaks through a mouthful of her wrap. "It's very good, you weren't lying." Matt says as he goes in for another bite.

For the rest of the day, they walked around the city hand in hand, Matt pointing out at certain billboards in time square.

Later that night, they returned to Matt's hotel where Y/n said goodnight and went home. But, not without a kiss. A first kiss. "I hope you had fun today." She says as she walks towards the door. "Trust me I did. Thank you for today." He says, following behind her. "Well, I'll see you tomorrow, Matt." Y/n smiles. "For sure." He unhesitatingly grabs her jaw and plants his lips on hers with a gentle kiss.

The room was soon filled with the soft smacking sounds of their lips intertwining with each others. Soon enough her arms ended up wrapped around his neck, with her back against the door and Matt's arms holding her hips. A couple of moments later, they both pulled back gasping for air. "Wow, I- mmph!" Matt was cut off by Y/n putting her lips back on his.

"Okay, I should- I should go now." Y/n pulls away and giggles. Both of them out of breath and their lips red and swollen. "Okay, I'll see you tomorrow."

The next day, the two of them went out for breakfast and were especially giddy the whole day, sharing kisses, holding hands and small touches. "So, this one is- Matt?" Y/n stops herself. "Yeah, yup. Mhm." He says. "You weren't paying attention were you?" He breaks out in a laugh and shakes his head. "Sorry, but you're just really fucking pretty." Her cheeks redden up by the compliment.

"Matt!" He grabs her chin and kisses her. "Okay, I'll listen this time, for real."

It was now eight pm and Matt's hand was wrapped around her shoulders as usual. As they walked in a comfortable silence, Y/n heard a series of whispers behind them. Her first reaction was to look back, and as she did she saw a flash of a phone.

"Oh my god." Y/n mutters under her breath. "C'mon Matt, let's go." She grabs onto his arm and leads him to the opposite way of the stranger. Matt had noticed the person taking the picture as he also turned his head a little bit after Y/n did and saw how her mood had changed.

"Hey, you okay? You've been pretty quiet." Y/n stands in front of Matt once they've entered her apartment, moving bits of his hair that covers his eyes. "Mhm." He hums. "Matt, you can talk to me. Is it what happened with the person who took the picture?" Matt looked away from her. She had gotten it right. "Matt," She sighs, pouting slightly. "I- are you having second thoughts about this? I just- I don't know." He says. "Hey, no, of course not! It's just- I really like this little bubble we're in right now, with no unwanted opinions." She pauses before continuing on.

"And I know I shouldn't care about what people say about us or anything, but it gets to me sometimes. With my past relationships I feel like the media got involved so much that it ruined them, and- and I don't want that to happen with us. I really like you" She interlocks their hands together. "I really like you too." He gives her a soft smile before pulling her in for a kiss. "Are you okay now? Did I clear something's up." He nods. "Yes, thank you for letting me know. I really appreciate it."

Y/n was right, the internet does have a lot of opinions. After Matt had left Y/n's apartment, even though she had told him to stay, Matt did it nightly call to his brothers before going to bed. When he had woken up in the morning, he went on social media and saw tiktok about the picture and another picture that they didn't know of and and there were many negative comments about his and Y/n's relationship. Specifically about him.

y/nsoulmate: broo... how is she going to go from dating a famous singer/actor to a youtuber💀

soulmatey/n: she should get someone better

ilivefory/n: dare i say it, but she downgraded

slutniolo: why is he dating her? isn't she on her tenth relationship?

y/nismygf: y/n, matt, if you're seeing this just know twitter is rooting and happy for you guys! tiktok police is annoying!!!!!

y/nismommy: he isn't it for her 🤷

prettyy/n: he could never treat her like danny did.. oop

ang3ly/n: y/n, baby, leave b4 u can, he's just going to use u🥴

everythingy/n: not a youtuber

y/nsgirl: why is everyone being so negative? this isn't your guys' relationship to judge or comment on. get a job, get a life!

Although the last comment made him chuckles a bit, the other comments hurt him. Were they right? Yeah, he wasn't on her level of famousness, but was it such a big deal? His phone suddenly rang in his hold as he was too deep in his thoughts. It was a call from Nick. He answered. "Good morning sunshine!" Nick said. "Why are you up so early? Isn't it six am over there?" Matt says. "I haven't slept actually. It's kind of worrying me." Nick laughed as he got comfy on his bed.

"I saw the pictures. How're you guys feeling about it?" Great, something he didn't want to think about right now. "I don't know? She wasn't the happiest when she caught that one person taking a picture, but she gave me her reasons and it was understandable. I didn't realize it at first, but she was totally right. The internet can be harsh, holy shit." Nick furrowed his eyebrows. "What do you mean?" Matt sighed and got up to sit against his headboard.

"I saw a video and the comments were a bunch of people saying that she shouldn't be with me because i'm not on her level of success, I guess, and that she also downgraded. I mean, what if they're right? What if I'm not good enough for her?" Nick felt bad, he hated that the internet was making Matt have second thoughts about his developing relationship. "Don't listen to them Matt, they're just a bunch of losers. And, you are more than enough for her. I was called her earlier today, yesterday I guess, and she was so excited to tell me what she had planned for you two. She's in deep and so are you, I can see it. There's no way you can back out now." Nick reassured him.

As Matt got ready, he thought of what Nick had said. She's in deep and so are you, I can see it. There's no way you can back out now. He was right, he is in deep. Matt knew Y/n was going back to LA a week after he was. They'd have all the time in the world to hang out. However, he wanted to be hers.

He was going to ask her today.

"Hi, pretty girl." He kissed forehead once she let him in. "Hi, how was your morning." She closed and locked the door behind him. "It was good, how about yours." They walked into her bedroom so she could continue getting ready for the day. "I had an early morning." She sighs. "I had a last minute meeting, luckily it was short and over zoom." She wraps her arms around Matt. "Hi." Y/n whispers. "Hi." He giggles and she leans up to kiss him.

"Okay- shit!" Matt stumbles a bit to the side with the bike. It was a couple of hours later and Y/n and Matt decided to rent bikes and bike around the city for a bit before heading to their planned picnic Y/n really liked to go to. "Why is it so heavy?" He says, trying to put the bike up straight. "They're so heavy for no reason, the amount of times I've fallen to the side with it is ridiculous." She starts to peddle slowly, waiting for Matt to catch up. A folded blanket is held by the basket that is on the bike.

"Are you sure you can ride the bike and carry the picnic basket at the same time?" She asks him. "I'm sure, just can't go too fast or I'll bust my shit." They rode around for thirty minutes sight seeing before heading to the park. "This looks like a nice spot." Matt pointed out an empty spot near a tree. "Okay, I'll lay out the blanket." Y/n unfolded the blanket and carefully placed it down on the grass.

"So, you're going to be in LA a week after I go back, right?" Matt says as he sips on his water bottle Y/n had packed. "Mhm, the twenty fifth. We'll finally be in the same place permanently. I'd love to hangout more with you." She smiles at him. "About that, I actually had a question for you." He caps his water and places it down next to him, moving his body to face her. "Oh, okay."

"Can I be yours, pretty girl? Officially yours." She gasps lightly and breaks into a huge smile. "You were always mine, pretty boy."

[kujakumai]

On the subject of being good with children, which characters do you think WOULD be good babysitters?

YUGIOH CHARACTERS AS BABYSITTERS, RANKED

TOP PICKS:

Seto Kaiba runs an entire company dedicated exclusively to safely entertaining children, and unless his parks are getting continually sued I believe he knows how. Your kindergartner is not only safe with him but will probably leave knowing how to play chess and write in C++. He may allow them to play with knives, but only if they're 9 or over, plus he has all the emergency numbers on speed-dial.

Hiroto Honda babysits his niblings on the regular. Can warm a bottle and change a diaper. A level-headed and practical guy. He’ll be fine as long as his friends don't drag him into a horrible game-themed deathtrap. Don't ask why that caveat exists.

Rishid Ishtar is safe, experienced, has dad energy, however he will crumple like wet paper at the first sign of conflict re: ice cream for dinner / no bedtime / blood-soaked cross-country quest for revenge / an extra episode of cartoons over the screentime limit.

Ishizu Ishtar would make a great babysitter. I don't really have a quirky joke here she just would.

"MAYBE"S

Jonouchi used to watch his little sister and I think he'll do about as well as any other teenager you're paying minimum wage, and with a lot of earnest enthusiasm. Your child will be fine at the end of the night, though they will probably have eaten some junk food and played a T rated videogame.

I do not think Atem would know what to do with a baby, and may panic about it, though if you have an older child he will be happy to offer a rousing speech and some deep-voiced mentorlike advice while teaching them to play board games. Not a bad choice, just try not to leave him with anyone under seven.

Yugi knows zilch about kids and often appears a little annoyed by them. Same general rules as Atem--do not leave him with a baby, but he'll probably just teach an older kid to play shogi or something.

Mai Kujaku will put the kid in front of the television and order pizza while she paints her nails. Honestly, though, what more are you paying her for?

Listen, I love Anzu. I do. She’s smart, driven, and big-hearted, but she is also sort of short-tempered and impatient, and patience is like 90% of child-rearing. Please do not ask Anzu Mazaki to watch your children. She WILL say yes because she needs the money, and she WILL go into it with optimism and gumption, and yes, both she and your child will both be in one piece at the end of the night, but it will be clear from both of their frazzled expressions that she lost most of her sanity an hour in after the fifth "Why?"

DEFINITELY NOT

Ryou Bakura would in theory be a perfectly good, if kind of spacey, babysitter, but you cannot trust him to remain Ryou Bakura, and the other guy is definitely not someone you want anywhere near your children.

I don't think Marik Ishtar has ever interacted with a child for very long and the number of people he talks to that are even his own age is in the single digits. And he is definitely not getting spat on or dealing with any bathroom stuff. I'm not saying he can't figure it out but the learning curve is going to be steep.

I have to put Yami Bakura here in principle and yet for some reason I think it wouldn't go that bad? I mean he definitely doesn't care about the safety of your child. And he may enlist them to the armies of darkness. And he's not cleaning anything up. But he's like, a weird socially awkward over-the-top guy? And children love those? Honestly I think they would both have fun. For at least an hour until everything goes horribly wrong.

Please do not summon Zork Necrophades to babysit your child.

[icarusredwings]

It's Bed Time, Kiddo. Part 1/3

Writing this was kind of hard because imagining being tucked in by THE Wolverine is the safest feeling, and It makes me tired.

No tws!

Standing at the door with all of her things, Vanessa had a bitter sweet smile on her face as she saw how melted Wade was into his shoulder, clinging to him like wax that was still moveable but so warm and content where it was.

"Thanks again for coming on such short notice. And for the food.. how uhm.. How much do I owe you?" He says to her, very gently moving him to the other shoulder in order to grab his wallet.

She shook her head. "Nothin' just... take care of him. He deserves it."

"He does, doesn't he?" He muttered, running a hand over his back as he whined.

"Yeah.. Hey, uhm.. Logan?" She asks, tilting her head and took a breath after moving her weight to the other foot. He could already tell that she was nervous and now he was too. It's not that she wasn't nice and all. It's just.. He's tried being in the middle of stuff before. It never works out for him.. and he didn't want to ruin what they already had going on.

"Look, Vanessa I-"

"I want you to keep this.."

He blinks as she hands him the faded Spiderman sippy cup. Looking at it for a moment, he tried to process what this meant.

"But... this is yours?"

She nods. "I know. I want you to have it."

"...Why?"

Ness rolls her eyes with a sigh. Were all men this stupid?

"Because. He likes it. Just keep it okay? Besides, I'm going to buy some bluey one's soon so.. you know.."

He didn't connect it just yet but was starting to get there. "But.. This is his first cup.."

She nods again. "I know."

Just before Logan could understand, Wade whined something about his "Mommy cuppie" being his favorite.

"Yeah? I know honey. But now it's Kitty's cup. Okay? I uhm... I have work tomarrow. So.."

"Yeah..." He said this as if just now realizing that the transfer of his cup was more than just a cup. He didn't quite understand what exactly but knew that there was something definitely more than her deciding to gift him the old cup.

"Anyway.... Time to get this one to bed. See ya around, Vanessa?"

He asks, giving her a stern look as if threatening to break her skull in half if she was trying to leave him. The both of them. He wasn't ready to take sole responsibility for him, nor knew how to explain to him that Vanessa... left.

In the not so physical kind of way.

She let out a scoff of a chuckle. "Yeah. Just give me a call whenever. Okay? Bye bye baby." She says to Wade, kissing his limp hand.

As if hearing "Bye bye" woke him up, Wade sat up, gruggily and tired. "Noo... no no no noo nooo." He whined, his arms lazily reaching out for her to take him instead. She couldn't leave if he slept on top of her, right? That was his logic, anyway.

Snorting, Logan smiled, closing the door, rubbing his back, and kissing his head. "Oh yeess, yes yes yes yes yeess." He coes, having adored when Wade was like this. Sleepily babbling for Mommy and that he 'wasn't tired' despite both of his eyes struggling to stay open and his chin was leaning on his shoulder, starting to drool.

"Shhh. It's bedtime."

"Nnnoo... mommy.." He groaned, softly kicking his legs as if trying to squirm out of his grip.

"Mommy's going to bed, and you are too. You've had a rough day. Sleep all ya want, Kid."

"MmmMMmfh!!"

"Oh yeah?"

This was Wade's 'If my feet were touching the ground right now, I'd SO stomp my feet' grunt.

"Cranky little thing, ain't you?"

Taking him into the bedroom, he collected his stuffies, laying him down, and began to tuck them in with him the way he liked.

" 'm not liddle.." He mumbled.

"Oh, my mistake. What are you then? A big tough guy?" By now, He was just teasing him. It wasn't often he was so tired that he could treat him this way. It's taken him a bit to get used to the baby talk, but he had to admit it was kind of fun. To be able to tease him.

Wade was so tired that he shrugged.

And yeah, that sounded so messed up, teasing a guy who was just a kid right now, but to Logan, it felt.. natural. Because Wade wasn't a kid in the sense that he's said way worse things with that potty mouth of his, but because Wade kind of enjoyed a bit of fuss. A bit of play fighting. "For Funsies"

"Good night, Wade. Don't let the bedbugs bite." He tells him.

"Kitty.."

"Yeah, Bub?"

He pointed to his star night light.

"Oh, right." He bends down to click it on. "Better?"

No response but a snore. Logan can't help but smile and sigh heavily, beginning to quietly clean up the room of the cryaons and other toys out. He didn't need Althea tripping or dying because of a coloring book.

Finding that crumbled up paper from earlier, He glances back at him, watching as his chest and shoulders rose and fell with each deep breath through an open drooling mouth. God, he was so cute. How could anyone want to hurt him? He quite literally played himself to sleep.

Picking it up, he gently unfolds the crinkles, trying to make out what it said in the dark. Shaking his head, he put it in his pocket, putting everything away before leaving. After silently closing the door, he took out the paper again, curiosity killing the cat.

It said "I Kitty" with a heart made out of blood in the middle of the two words. He knew it was blood because the blood was coming down from a picture of a dead guy. On the drawing, too, was him in his suit, claws drawn and full cowl.

He chuckles, blushing some. Wade had made him extra buff in the picture. So buff that his biceps had biceps and in the other corner was wade in his own costume with big heart eyes.

Was this how he truly saw him? As such a powerful person to rely on? Someone to look at with massive pink heart-shaped eyes?

Coming into the kitchen, he pinned it to the fridge with a hello kitty magnet. "There.." now it was where it belonged. Stuck to the fridge for everyone to see instead of half ripped up on the dirty floor.

[stormblessed95]

Watching Are You Sure?! EP 7

A reminder of how I do these reaction posts as I watch things. I just write my reactions and thoughts down literally they happen. Think more of a bullet point format. I'll include links when I can to videos, thanks to the people who twt who upload clips. And at the end, I'll do a better wrap up of all my opinions. I hope everyone enjoyed the show so far!!

Not this show starting off with a mistaken identity trip!! Lol Jimin saying that he only went snowboarding once before and it was with JK. And JK was so confused. You could see him searching the files in his brain lmfao. Jimin's oh wait! I went with your friends 😂😂 okay, just hanging out with JKs friends on your own? It's giving couple. I can't lie. I'm sorry. What in the best friend?! 😂😂 I loved the facial expressions and the way Jimin buried his face into Jungkookie there too

Jimin listening to hate you. And JKs why are you listening to that? Jimin: because I like it 😳 lmao I agree Jimin, it was abrupt 😂😂

Their appreciation for their crew is 😍😍

Jk dozing off to Jimin's softly singing. It's giving the same vibes as that one run episode that he dozed off to Jimin's ASMR. Idk what that's giving exactly.... But it's giving *something* and you know what it is

"this is our last moment of relaxation. I love it" 😭

Not JK just chopping at his hair like that. Oh baby lol don't look at me like this is my fault!! It's okay, fucking up your hair and needing to make it much shorter than originally planned is a life right of passage lol

Not JKs haircut transporting Jimin back in time 10 years 😂😂😂

The staff giggling and immediately taking photos 😂 BTS are their babies lol

Jimin hurting himself and shouting oh shit 😂😂 the subtitles trying to sensor him without bleeping his actual words 😂🤣 subtitles should be accurate above all else people! Cmon! Lol

Jimin moaning and groaning while transferring tubs, sitting on the edge, etc and JK just looks like he is enjoying the show the whole time. There is so much ass on display in the shorts they are wearing in this whole scene. Where is the decorum?! Lol!

Turning off the cameras to shower together before the Jacuzzi. Very innocent, but sounds like it could be so not 🤣😂

JKs faces when trying to handle to cold tub 😂😂

"feel how cold I am" better translated to "just hug me once" and the immediate hug and the hand placement to feel the cold? Yeah okay 🤣

Anyone remember the emojis over the barest slips of tummy during anything? Now they are showing them wash themselves and rub their own muscles in a cold tub and show off flexing to the camera. What the fuck Hybe 🤣🤣🤣

Soundproof Sauna to their matching PJs and eating a whole feast 🥰

The way they giggle together is my favorite thing

JK watching Jimin making his this crab is so good video so endeared 🥰😂😍

Jimin insisted on JK trying the shrimp too because it was so amazing instead of eating the last of the shrimp even though he loved it so much. And JK sharing half his urchin with Jimin because it was so yummy. Cute. They are so precious to each other

Jimin wants seconds, JK says it's a bad idea. They order seconds 😂😂😂

I both love and hate watching them eat. Because I think watching people eat is gross and I stand by that. Lol but they love it so much and look so happy, I also just enjoy seeing them enjoy themselves. It's a complicated mix of emotions I experience 😂

The trend continues of brushing their teeth together. Jimin, the mischief maker, kicks JK during their teeth brushing?? Lol and takes a selfie of them too. Share it please?

"I'm going to pass out after this, especially if we get massages" JK " we are getting massages?!" No lmfao you silly goose, that was 100% Jimin hinting at wanting a massage 😂🤣😂🤣

Not them being super sleepy, yet still annoying each other on purpose by flashing lights at each other 😂

Jimin asking JK if he is too hot, probably knowing already he gets too hot at night. But instead of changing the temperature when he did wake up too hot, knowing Jimin was comfy with how it was, JK just moved to the living room. And Jimin waking him up by so softly petting his head 🥺🥺🥺

Are they advertising sunscreen? Lol it worked. I wanted to go get some 😂😂

Jimin fighting for his LIFE in the shower. Wtf was happening?!! Lmao and JK finishing up his breakfast before going into the bathroom to shower while Jimin was still in the shower it sounded like. Lol ALRIGHT. Hope you both enjoyed said shower I guess 😅😂🤣

Why are we play fighting while getting dressed boys?! Lmao

Jimin starting a pretend photoshoot with the ski jacket and gear. Absolutely, yes please

Jimin is such a good boyfriend bringing JKs jacket back out to him

Jimin just enjoying sitting in the car while JK goes in to order 😂😂 good for him! JK telling him he only ordered food for himself and none for Jimin, only to say "here is our food" when it arrived 😂 what a jokester lol

Jimin feeding Jungkook while he is driving 🥺

Jimin joking about an AYS OST. Please please please give it to us though for real

Singing random love songs for a game! Where JK interrupted Jimin singing the line "the person I love is gone" to sing "I love you" three times lol okay got it

The way JK always stops to just stare at Jimin until he gets his reaction to whatever he is doing or wearing is always so cute. Especially because he always smiles so cutely after Jimin gives him his desired compliment 💜❤️

JK adjusting Jimin's googles for him 🥺

The way that JK checks in on Jimin first to make sure he is actually okay before teasing him about being scared lol it's sweet and cute

The hysterical cut of JK shredding down the slope to Jimin laying in the snow 😂😂😂😂 Jimin and his staff member literally falling over each other 🤣🤣🤣 I'm dying lmao!

Jimin ditching his helmet with how often he falls is stressing me out lmfao he looks gorgeous though!

Skiing would be fun too he says, turning to Jimin with a hopefully sparkle in his eyes that he knows Jimin can't say no to. Camera cuts to them on skis 😂 JK, I love and adore you. Never change

Wrap up thoughts:

They showered/bathed together 3 times in one episode and thats insane. Lmao whatever guys 😂 this was just an excellent episode showcasing their closeness, their intimacy, their silliness, their individuality and their soft spoken nature with each other. It showed the way they consistently consider each other, what the other wants and needs. I don't think I have anything to expand on from what I've already said above. I really loved this episode. Fully plan on the last episode making me cry.

All purple links in my post go back to @dstdes with video clips of the moment being talked about. I did use a few twitter clips as well, sorry. Thanks for reading!

[downbaddetective]

I'm finally coming back to one of my previous posts. (Thank you to @m-eowdy for the reminder to finish the thought. I'm sorry if it's a little disappointing after the wait.)

Specifically these two shots of Edwin being completely covered in our two most important colors, because the symbolism here is significant to me.

I lost the original thoughts that I had (unfortunately migraines make me forget things) and by the time I was feeling kind of okay I knew that there were things I wanted to say but couldn't remember how. So, instead, I sat and rewatched the show, taking notes so that I could make sure that I wasn't making anything up.

So, color symbolism in this show is so stupidly important, and it's called out by characters in universe (thank you, Niko). We obviously see our characters in their colors, Edwin in blue, Charles in red, Crystal in purple, and Niko in pink. But it's also not that cut and dry. Edwin, in all reality, is very grey, Crystal wears a lot of different colors, and so does Niko. Obviously, part of that is because the girls aren't dead and have to change their clothes, but the colors that are worn are still significant to their state of mind and the events happening around them. With Edwin and Charles, it's very similar, though a little different. Charles' red gets darker as he is more and more affected by what happens at the Devlin house. Edwin, though, barely shows his blues most of the time, but when he becomes vulnerable, he sheds his grey layers, and we see it a lot more.

Now, I think that it's worth mentioning that Edwin and Charles swap their afterlife colors, so when they look at each other, they see their afterlife. The red and blue also give us clues as to things that they're hiding. Red being often associated with anger and blue with sadness. That being said, I'm now getting to the symbolism in the fact that Edwin is one of two* characters to be washed in both hell's red and death's (heaven's?) blue like this.

Edwin's entire journey is kind of impeded by the fear of getting caught by the afterlife and being sent back to hell. Red is his constant source of fear, hell being the biggest example, but Charles in his red is also the cause of Edwin's issues. Charles is the reason why both the Cat King and Monty have some type of red associated with them during interactions with Edwin. These colors are omens for Edwin. Charles essentially shared his blue afterlife light with him. They were meant to be detectives together, and that's where it all starts, right there in that attic. The red, on the other hand, is indicative of the bullshitery that is incoming, including the worst-case scenario, aka BEING DRAGGED BACK TO HELL. RIGHT THERE. IN THE APARTMENT THAT THEY GO LOOK AT RIGHT AFTER THIS. (Even though it is definitely at least partially his own darn fault.) The fact that we see these two scenes out of order also indicates that by the end of it all Edwin has overcome the previously stated bullshitery. We see Edwin interact with these two colors as a collective much more in the show, and it's seems it's because this was Edwin's time to learn and grow, and I suspect that if we get a season two at some point, we will see that flip so that Charles can have his turn.

All in all, I am absolutely in love with the colors in this show and I will probably have more to say later but I wanted to finish at least this part of the color analysis so that I could have a resolution to the previous post. I don't think I was able to recover all of my original thoughts about the significance of these two, but I think I got a pretty good chunk of it. I do want to say that I've seen the other color analyses floating around. I will be taking a look at some point, but before doing my own, I will be avoiding them for now because I want to write about my own perception rather than accidentally just stealing other peoples work.

(* Ngl, a little worried about Jenny if we ever see a season two)

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[desultory-novice]

You think Magolor and Susie would hire Adeleine for marketing and graphic design for their products?

I could see them both trying!

Adeleine, sweetie that she is, would probably be really shy about the offer at first, not sure she should accept, but also secretly SUPER EXCITED on the inside because, "Da-...ERR, King Dedede! Listen! I got my first 'professional' commission!"

Would it last past that? I dunno, lol...

I think both entrepreneurs would be incredibly happy with her demo piece for them! ...And then Susie, being Susie, would proceed to order a follow-up of 2,500 hand-drawn, personalized copies ("...Does two weeks sound like enough time? I'm on a schedule here. Oh, and if you can sign this ti~ny little non-compete clause!")

While Magolor would bug her for endless variations and changes until it's an entirely different piece of art; ad infinitum. ("Now, this is all still one commission, so I don't owe you anything extra, right?" "A-Actually..." "Wonderful! Pleasure doing business with you!") 

(Note that despite writing them as commissioner horror stories here, I don't see either of them as awful people. They're just quirky, as all our beloved cast members are. And, in this specific instance, a little short-sighted. ^^ )

Cue a burnt-out Adeleine sitting in the grass with a thousand yard stare. That is until Kirby, Ribbon, and Gooey come by to play and help remind her that her art is best when it's both personal and fun!

…

Haha… Is it clear yet how desperately I would want to be on the writing staff of a Kirby ensemble cast animated series? XD (Comic works too!)

[dalekowrites]

What would your favourite choice of the games interactive stories be? Would you have a favourite type? Romance, Fantasy etc. and did any of the inspire you with the ones you are currently writing? 😁

Oh boy! This is going to be a long answer, brace yourself lol

Let me start by saying that I have a degree in English literature (in fact, I'm going to do a PhD on it), so reading, in general, is one of the core activities of my life.

As for text adventures, even if not from Choice of Games Ltd., I'd like to mention a few inspirations: my passion first came from the original Choose Your Own Adventure series, and I still remember which numbers obsessed me as a child: Mountain Survival #28, The Dragons' Den #33, and more than any other, Space Patrol #22! (The latter may have also fueled my unhealthy obsession with Star Trek TOS, actually). For those unfamiliar with this fantastic book series, the genres of the three books I mentioned are, respectively, adventure, fantasy, and sci-fi. This gives you an idea of how varied my tastes are...

Later on, I discovered interactive fictions and text adventures. Dude, it was a dream come true. I started with Adventure ('76, never finished it, of course) and Zork ('79, never finished that either… of course. How damn hard were they?!). Then Mystery Mansion ('78), Castle Adventure ('82), and too many, many others. I'm a sucker for Sorcery! from inkle, and I deeply loved Magium (RIP Chris, you won't be forgotten). For my Italian-speaking friends, I also really enjoyed the Fra Tenebra e Abisso series (although its current status is unknown).

But back to CoG-related things. I've read a lot, and I'd probably be faster telling you what I didn't like! As you may have figured out by now, I don't have any particular genre preferences as long as a story is well-written, though horror-thriller stories usually grab my attention more easily.

Important note: I've read a lot of stories and, with a few exceptions, I liked most of them. To avoid writing a too-long list, here are the published stories that really impressed me:

A Crown of Sorcery and Steel,

A Midsummer Night's Choice,

Blood for Poppies,

Blood Moon,

Broadway: 1849,

Choice of the Cat,

Choice of the Vampire,

Donor,

Doomsday on Demand (1 and 2),

Gilded Rails,

Golden Rose: Book One,

Jazz Age,

Lies Under Ice,

Life of a Mercenary,

Life of a Space Force Captain,

MetaHuman Inc.,

Noblesse Oblige,

Paradox Factor,

The Evertree Saga (all four books),

Rent-a-Vice,

Revolution Diabolique,

Siege of Treboulain,

Tally Ho,

The Daily Blackmail,

The Dragon and the Djinn,

The Fernweh Saga: Book One,

The Fog Knows Your Name,

The Gray Painter,

The Grim and I,

The Ghost and the Golem,

The Lost Heir,

The Midnight Saga: The Monster,

The Parenting Simulator,

The Play's the Thing,

The Soul Stone War (1 and 2),

The War for the West,

Tudor Intrigue,

Vampire Regent,

Vampire: The Masquerade (all of them),

Way Walkers: University (1 and 2),

Welcome to Moreytown,

Werewolves: Haven Raising,

Zombie Exodus,

Zombie Exodus: Safe Haven.

And now, onto works in progress! There aren’t that many because I barely have time to follow my own (heh…), so here, in alphabetical order, are the ones I'm following with the most interest:

Adoriel's Tears (@adoriels-tears-if),

A Father's Love (@kal-down),

Crown of Ashes and Flames (@coeluvr),

Dawn Chorus (@dawnchorus-if)

Disenchanted (@disenchantedif),

Dragon's Edged (@dragonedged-if),

Elysium (@elysiumcircusif),

Fallen Lights (@fallenlightsif),

For King and Country (@forkingandcountry-if),

From The Ashes We Rise (@kal-down),

Hubris (@hubris-the-if-game),

Kingdoms and Empires (@kingdoms-and-empires),

Return to Misty Cove (@fluorescent-if),

The Abyssal Song (@ri-writes-if),

The Adventures of Sherlock Holmes - An affair of the heart (@doriana-gray-games),

The Lonely Shore (@thelonelyshore-if),

The King's Hound (@the-kingshound),

The Reaper Watches Me (@thereaperwatchesme),

The Bureau (@thebureau),

The Unseelie (@theunseelieif),

Van Helsing (@vanhelsing-if),

When Life Gives You Lemons (@when-life-gives-you-lemons-if).

Okay, that was… a lot. As for direct inspirations, I don't have any direct ones, but I can say I felt like writing a post-apocalyptic story after reading Doomsday on Demand! Other than that, I guess the collection of narrative, text adventures, and interactive fiction I've read have led me to where I am now.

Damn, it took me hours to write this answer. I hope it's satisfying at least! Thanks for asking ☺

[serickswrites]

Hey :)

Can you write a fic where whumpee is new to the team and has a dark mysterioys past - so when their framed as a traitor the team believes them.There beaten up by some members of team despite protests of not being the traitor and given to whumper o put in custody who posses as a good person and planned it all to have them.

The team eventually uncovers the truth that whumper is bad and is actually the traitir-however whumper already tortured whumpee-sexually assaulting them,branding their name into their arm.When they break into whumper's place-whimper is already dead courtesy if whumpee who managed to free thrmselvez and kill them-however they collapse upon seeing their team.

The team us guilt ridden and doesn't know how to make amends and team leader feels like a failure

It's ok if your not interested in doing it♡

Anon, Anon, Anon! When I tell you that I have had an idea like this on my back burner for a while, I cannot tell you how long it has sat there. I have scrapped this story twice. But, because you are voicing exactly what I wanted to write several times, I'm going to do this. This is a series and will be posted under the title "Monster"

Please enjoy!

Warnings: betrayal, physical violence, unconsciousness, captivity, restraints

"Leave your weapon on the table," Team Leader said coldly as they watched Smallest Teammate.

Smallest Teammate was confusion. What had happened? Team Leader never talked to them like this. "What, I don't understand? What--"

"Put your weapon on the table," Team Leader ordered.

"We know who you really are," Teammate One hissed.

Smallest Teammate's mouth went dry. "I can explain, let me--"

"You sold us out!" Teammate Two stepped forward angrily. "You sold us out after we accepted you!"

Before Smallest Teammate could open their mouth, Teammate Two swung, their fist connecting with Smallest Teammate's cheek. Smallest Teammate didn't try to fight back. They hunched over themself as Teammate Two and Teammate Three surged forward.

"You sold us out!"

"How could you!"

"Whumper revealed exactly who you are!"

Teammate One's words froze Smallest Teammate's heart. Whumper. Whumper had infiltrated the team. Whumper had found them. "I'm not....Whumper....they..." Smallest Teammate couldn't get a good word in as the team was unrelenting in their beating.

"I don't want to hear another lie from you," Team Leader said, their voice very close. Smallest Teammate could see them through the flailing limbs of their team. "You lied to all of us. You lied to me. And you sold us, all of us, out."

"Pl-Pl-Please," Smallest Teammate tried. Their body hurt. Everything hurt. The team was relentless in their beating. If they fought back, they would prove Whumper right. And so they had to hope that the team wouldn't kill them.

"Whumper has graciously offered to take you off our hands and turn you into the proper authorities," Team Leader sneered as they stared down at Smallest Teammate. "They will be here soon to collect you."

And though Smallest Teammate wanted to respond, wanted to beg for mercy. They couldn't. The darkness that had edged their vision for so long as becoming all consuming. They could only hope that Team Leader would realize their mistake sooner rather than later. And that Whumper wouldn't kill them yet.

Tags: @acer-whumpstuff

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[not-poignant]

I was surprised to hear that Ice Plague is a lesser read story from you! It’s one of my favorites and something I re-read often. I treasure that little family. I’ve never loved these particular characters more, they’re all my favorite versions of them. It’s such a beautiful and brilliantly plotted book!

Oh thank you anon!!

Tbh I think there were a few things working against it:

It came at the end of an already long series and there's more drop off the longer a series goes for, because it can only keep the people reading it, and doesn't attract new readers (though it attracted a few who didn't like Gwyn/Augus!)

A lot of people just didn't want to leave Gwyn/Augus behind and/or didn't like Mosk/Eran (I learned my lesson there)

It was actually written a lot more like a book series because I was writing them with a view to publishing down the track, which means of the whole Fae Tales Verse series, The Ice Plague is the one most ready to go directly to paperback/hardback etc. But I actually think that style of like epic fantasy storytelling is a bit less compatible with AO3 serials.

I wrote less cliffhangers. I now write a lot more cliffhangers (for all people hate them, they just do create more connection to a story as long as they're breaks and it's not constant).

I still love The Ice Plague. At the time I got really disheartened with it, and then I reread it and I was like 'wait this is fucking good though???' - I also think this and the final epilogue give Gwyn and Augus the happiest ending they could ever hope for.

In terms of writing quality, it's the story I'd publish first in the Fae Tales Verse even if it's out of order. It was the thing that was like 'shit, I can do this, and I can do this pretty well actually.' But I didn't know that at the time, because I was watching like... every metric of engagement dwindling over the years.

I'm afraid of this happening again with Underline the Red and Underline the Silver, but...I'll just have to suck it up and figure it out if it does happen! And in the meantime, I don't regret writing those stories, I'm just sad that it all fell out the way that it did. There are some of us who really love TIP, and I toast to like all of you, because whether you found it during the series or after the series, it's kept me going! <333

[frommybookbook]

Earlier today, some friends and I were discussing one of those Star Trek captains memes. You know the ones I’m talking about, the ones that pit the captains against each other with pithy descriptions that glorify and champion the men and shit on Janeway. The ones where Picard is describe as the wise teacher and scholarly diplomat; Kirk is the brave trailblazer and lovable rogue; Sisko is the take-no-shit commander and more-than-human uniter; Archer is the quick thinking explorer and the avenging do-gooder; Pike is the empathetic Boy Scout and the quippy everyman…and Janeway is an irrational murderer and erratic loose canon. And, as usual, I went on a bit of a rant. They (looking at you @redsesame, @epersonae, and @emi--rose) told me to share it here so, if you trudge through this whole thing, blame them.

Does Janeway make some questionable decisions throughout VOY (Prodigy!Janeway is a different conversation for another time)? Yes, absolutely. But here’s the thing: every captain does. What I still love about her though and will champion until I'm blue in the face is that Janeway owns her decisions more than I think any other captain does.

Picard and Kirk hide behind the Prime Directive a lot. That's the reasoning Picard gives for not interfering in the drug running in “Symbiosis” and leaving the Ornarans trapped in dependence on the abusive Brekkans. His line, “Beverly, the Prime Directive is not just a set of rules. It is a philosophy, and a very correct one. History has proved again and again that whenever mankind interferes with a less developed civilization, no matter how well-intentioned that interference may be, the results are invariably disastrous." is a cop-out we hear from him time and time again, especially to Dr. Crusher, as she is the one who most often calls him on his bullshit.

Kirk does the same thing. We still this when he leaves Shanna and the other thralls behind in "The Gamesters of Triskelion" and when he forces Elaan of Troyius into a marriage she clearly doesn't want because it's "for a greater good." And all the while, he's got Spock at his side giving him confirmation bias that he's following regulations.

And Sisko, Sisko makes some of the most horrific and destructive decisions of any captain and uses not only the Prime Directive to fall back on, but he's got the Dominion War to blame. He poisons an entire planet to get back at one man he feels betrayed him in "For the Uniform" and don't even get me started on his actions in "In the Pale Moonlight".

Enterprise is so unjustly shat on by the fandom that I almost hate to bring some of Archer's questionable choices into this conversation but I'm going to do it anyway. Similar to Sisko and the Dominion War, Archer has the threat of the Xindi in his back pocket to excuse some of his worst behavior. If Tuvix is the worst thing people can point to for Janeway, then we have to talk about Archer and Sim, the simbiont created solely to be a living tissue donor for an injured Trip, a procedure that will kill the living, breathing, sentient Sim. Archer orders Sim created against the arguments made by Dr. Phlox. He rationalizes his decision with the same argument for the greater good that we see from all the others. He says to T'Pol before Sim is created "…we've got to complete this mission. Earth needs Enterprise. Enterprise needs Trip. It's as simple as that." And it doesn't end there. When Sim is grown enough for the procedure and has figured out what's going to happen to him, he challenges Archer himself, arguing for his own right to live, and Archer sticks to his guns. This exchange directly between Archer and Sim is haunting.

Archer: I must complete this mission; and to do that, I need Trip. Trip! I'll take whatever steps necessary to save him. Sim: Even if it means killing me? Archer: Even if it means killing you. Sim: You're not a murderer. Archer: Don't make me one.

Not only do all of these captains (except Archer, who arguably writes the damn thing himself at the end of the series) have the Prime Directive to fall back on, they also have Starfleet/the Federation/Vulcan High Council right there on speed dial to validate their choices and hear their excuses and give them another commendation. They all know that ultimately, they can turn to someone higher in command to turn to for help.

Janeway is alone. She is alone with her crew 70,000 lightyears from home with only her training and her own moral compass to guide her. Yes, she claims the Prime Directive a lot but she also goes with what she feels is right and she is clear about that with her crew. When she makes the decision to split Tuvix, despite what everyone else says, she sticks to it and more importantly, does the procedure herself. Picard would have forced Beverly to do it, saying Doctor I gave you an order, your conscience be damned, and Archer does the same to Phlox with Sim, but Janeway takes the tool out of the Doctor's hand and says it's my call, I'll do it. When everyone is angry and mad about her destroying the Caretaker's array, she stands up for her decision and says yes, I did it, because it's what my Starfleet training said to do AND because I think it was the right thing and it's on me to make the hard choices.

She also can admit when she made the wrong decision, which isn't something we see from the other captains. In the season 5 opener, "Night", we see her in a depressive state because she's questioning her decision to effectively strand her crew in the Delta quadrant but she comes out of it when she's reminded by her senior staff that the crew believes in her and trusts her, she should do the same for herself. When the Doctor has a mental crisis in "Latent Image" after questioning his own choice to save the life of Harry Kim over that of another crew member, Janeway admits she did the wrong thing by first deleting his memories of it so he could get back to work and then sits with him for days while he works through it because that's what captains do.

And she does all of this without the backup and support of Starfleet. She doesn't have anyone higher on the chain of command. She's 70,000 miles away from the admiralty and her support system. There's no one higher than her to give her a break from making every decision.

To quote my fellow Missourian Harry Truman, for Janeway the buck stops with her in a way it doesn't for any other captain and she is painfully aware of that and owns that and that is why I love her and she's my captain.

[nail-art-no-jutsu]

🎶🌹 Rojuro 'Rose' Otoribashi headcanons 🌹🎶

Soundtrack: Alexis Ffrench - A Time of Wonder

Y'all I'm back on the bleachwagon and I can't stop thinking about this man, I especially love to imagine how he got to where he is, and finally I'm putting all my ideas in one place. So without further ado:

I don't think he grew up in Soul Society, but I definitely think he died at the worst possible time, when he was young and life was good and easy, and he had time to indulge in his hobbies, music in particular

like Toshiro, Rose heard the calling of Kinshara before he knew what it was, he just thought it was just something that happens to artists after they die

but unlike Toshiro, I imagine Rose told everyone, cause he just talks a lot in general lmao, and someone or other must have told him that what he's describing is called a zanpakuto

otherwise he wouldn't have gone and become a Shinigami at all

he was only interested in the training he needed in order to understand this creative force inside of him that he absolutely must express outwardly, and no instrument seems to be good enough

... except for a sword ...

he absolutely hated the Academy though, not enough room for creative freedom, too much structure, no composing daydreaming in class allowed, not to mention how he always got the best ideas for songs he wanted to write while he was in the middle of a training session

the only good thing about the Academy was meeting many of the people he would call friends for way over a hundred years

Rose didn't acquire shikai or even bankai in order to advance in his career or to become more powerful, he did so because it would have been impossible not to

Kinshara is very insistent and when it has something to show him, he has no choice, not that he doesn't absolutely love the experience, it's so magnificent that it moves him to tears of joy, it's ecstatic, it's sensory heaven

Rose: look at this thing I just learned to do, isn't this wonderful? Any of his friends: my dude, that's called a shikai, go apply for the position of Lieutenant. right now!!!!

he goes through a phase where he's uncomfortable with the fact that Kinshara doesn't just entertain, it kills

he'd be a lover not a fighter if it wasn't for how much farther he got artistically after learning to use his love for music for fighting

he overcomes this dilemma by telling himself that it's fine actually because he's one of the good guys, and promising that he'll only blur the line between creation and destruction against opponents who really deserve it

how do you identify that? he'll cross that bridge when he gets to it. don't worry about it

Rose didn't have a good time as a Lieutentant, again, too much structure, but he actually did apply for the position of Captain himself, at least that way he'd get to make the rules and he could take breaks whenever he wanted and procrastinate with his paperwork until he found the perfect background music for it and so on

this did not work out that great, because he had a very hard time working with Iba's mother as his Lieutenant, she had no patience for *gestures towards all of this*, and I also suspect she might have been resentful that someone so carefree ended up as her superior

and to fast forward just for a bit, Izuru is not like that at all, and it's one of the first things that Rose appreciates about him, Izuru does respect structure, but he's not above doing the work in all kinds of unusual ways as long as it gets done

a thing that Rose shares with Shinji is that he's always been interested in what's going on in the world of the living, especially when it comes to music, and then he branched out to literature, philosophy, pop culture, and other things that are referenced in lyrics, that's how he learns about things, even if after that he starts enjoying them for their own sake

I can see them both taking trips to music stores or to concerts on Earth, separately or together, especially when they were supposed to be doing something else

Rose just really needs a lot of enrichment in his enclosure or else he absolutely will wilt and perish, most gracefully, of course~

he is in fact not a snob when it comes to music, he knows the lyrics to songs you'd least expect, and he can appreciate the artistic value of artists or genres that he doesn't really listen to

you wanna rickroll him? nice try, he loves that song

and yeah, this is getting so long someone pls take my keyboard away from me

just kidding, this is way too much fun 💖

[setaripendragon]

WIPS - I'm curious about the Cat SI. I mean, it's a reasonably self-explanatory title, but I'm interested to know what sort of direction you'd take.

Ahaha, hoooo, okay.

Buckle your seatbelt, cause this one turned into a monster on me (the thing titled 'CatSI' in my WIP folder isn't a file, it's its own folder with fifteen different files inside), and I will try to keep this short, but... ^^"

It started when I was watching some Order of the Green Hand theory videos on youtube, specifically the ones about the Ned+Ashara=Jon theory, which, while I don't think it's true in canon, I do still find it fascinating.

And then I wondered, okay, what if Catelyn didn't blame the bastard (since he's technically not one)? But since that is kind of entrenched in her whole... main motivation, and I genuinely cannot imagine a Catelyn that wouldn't (I don't... really like her. She's the main reason I stopped reading the books, tbh, so I may be being unfair to her ^^"), and the blame the bastard trope is one of my Big Nopes (hence why I don't like her, probably), and I really needed an escape from reality at that point in time...

So it originally started with a freshly transmigrated Cat having a bit of a meltdown on her wedding night (a sexist feudal hellscape wedding night as someone on the ace spectrum, to boot) all over a Ned who also very much wants to just have a meltdown, for obvious reasons. And Cat decides 'fuck it, the old gods don't look down on polygamy, I can at least make sure he gets to keep his lover and son' and tells him to damn Hoster Tully and keep them both.

It gets, you know, a lot more political than that, because everyone and their mother has an opinion about it, or wants to use it against them, etc, but that's the gist of it. Mostly it's an exercise in Make Things Better for Ned Stark with bonus OT3 as endgame.

But, well, I got a lot more invested in this AU as time went on. That need for escape during the pandemic meant I was thinking about this AU pretty much 24/7 and it grew out of control.

I eventually decided to have Cat transmigrate in at birth, and I've plotted out a Childhood Adventure for her that I've stuffed full of fun things for me to play with like a trans friend, issues with the Faith, internal Riverlands politics, her mother's death, etc etc etc, and is, you know, supposed to serve as a sort of set-up for her being properly integrated into the world by the time the Rebellion starts.

So, instead of starting at her wedding, the main story (or Book 2 of the trilogy ^^") starts at Harrenhal. The ten-day tourney in which, word of god says, so much stuff happens. The tourney is being held in honour of Cat's cousin, and the first part of the story focuses on all the ridiculous romantic nonsense that goes on there. There will, of course, be Cat pining over Ned who's pining over Ashara, as well as Lysa pining over Petyr who's pining over Cat and also Lyanna pining over Rhaegar who's ignoring his wife. Cat tries to keep Lysa and Petyr apart, and tries to get Lyanna's attention anywhere else, and actually thinks she's succeeding...

Right up until Lysa tells her she's pregnant. She talks her out of telling their father, but then her own wedding is looming, and the only way to get out of it is to let a good man get killed, and then Petyr challenges said man to a duel for her hand and Cat... says nothing. She doesn't ask Brandon to spare Petyr's life, and so he doesn't. Petyr dies, and Lysa is devastated, and Cat is guilty, and it only gets worse when Lyanna gets 'kidnapped', and Brandon goes off to King's Landing despite Cat's best efforts (were they, though?). Cat gets to stew in all this guilt for a while, and then...

Finally, the Wedding. Politics happen, Cat fights with her father about her betrothal to Ned along with Brynden 'Only Sane Tully' Blackfish, has a panic attack about her wedding night, cries all over her uncle, and asks him, in a fit of desperation to do at least One Thing Right, if, when he gets to King's Landing with the army, he'll try to save Princess Elia and the royal children. Then there's the wedding night, she introduces the idea of polygamy to Westeros (oops?), and ends up fucking pregnant because there isn't really a way to get out of it at this point.

She goes North to meet her new sister-wife Ashara, and then goes looking for Lyanna (honestly, I still haven't quite decided if I'm going with the standard Tower of Joy thing, or if I'm gonna go with the Green Hand's theory about Winterfell, but since it's another theory that I think is fun despite not thinking it's true, I'll probably go with Winterfell). Four pregnant women walk into a bar... Everyone has their babies with no one dying, because Cat actually brings a midwife or six with her, so this one almost counts as a success! Except little Targaryen-Stark baby (who we will henceforth call Geralt) has to go into hiding, and Lysa's bastard can't be known to be hers, and Cat had a girl instead of a boy! Oh, and then Princess Elia shows up with Rhaenys but not Aegon or Brynden. (Honestly, I am very seriously considering killing Brynden off here. Would make sense, him taking on the Mountain and all, but... I don't wanna...)

Baby Geralt goes with Elia north of the wall, and Arthur comes with his sister and the rest of them to King's Landing. Which is where the Politics start. Cat makes the mistake of getting involved by offering the King an excuse to kick Jaime out of the Kingsguard, and then she ends up defending Jaime's honour against Ned, which sticks an oar right in there just when the three of them were starting to build a relationship, and also attracts the attention of Tywin Lannister.

More stuff probably happens, but my notes for this part are a fucking mess, ngl -cries- Why do I like political intrigue so much? It's so hard to write! But, yeah, there needs to be some stuff with the Faith's reaction to the OT3 marriage, Oberyn finding out Elia's alive and the tangle of alliances and grudges that creates, possibly some stuff to do with the Tyrells and other loyalists, and also Cat probably getting too involved in helping Robert govern the Seven Kingdoms.

We end with a bunch of weddings; Tywin engages Jaime to Lysa as a way to drag Cat closer to their family, Robert of course marries Lyanna, which leaves Cersei with Stannis. (And Cat, of course, is still on the outs with Ned, and Ashara's caught in the middle.)

So literally no one except Robert goes home happy.

Then, I have another story planned that covers, primarily the Greyjoy Rebellion, but also the rest of the time before canon. Story starts with Cat, you know, doing everything in her power to prepare the North for the Long Night ('taters, precious), except then, whoops, she gets kidnapped by Iron Island pillagers, kills a man who's trying to rape her, commandeers a ship, survives the war by the skin of her teeth, goes to Pyke and convinces Robert to let the Iron Islands have a not-a-kingsmoot to decide the next Lord Paramount instead of leaving Greyjoy in charge.

Meanwhile, Ned thought she was dead and had a missed-opportunities style revelation that he wishes he hadn't left their relationship so strained after the whole Kingslayer thing, and they make up and talk things out, while Ashara just straight up kisses her as a welcome home. Cat detours to the Citadel on her way home to ask after that one Maester who knows magic stuff, because she's been in this racist sexist feudal hellscape for over a quarter of a century and she wants plumbing, damnit, and also gets the ball rolling on magical sunlamps (Generation-long night?! GRRM, there would be no survivors, wtf?!). Ned starts having wolf-dreams five or six years early, gets his own wolf companion, Cat maybe accidentally wakes up the Lion of Night, the Stark family ends up even bigger than in canon (nine kids instead of six, because I am a sucker for kidfic, okay), everything ends happily ever after.

Until the beginning of canon, anyway =D

(And then there's the AU where the extra Stark babies are all transmigrators as well; Obi-wan Kenobi, Tony Stark, and Frodo Baggins (or possibly Wei Wuxian, I haven't quite settled on that one 100% yes). But I don't have much more on this beyond a few funny snippets of the transmigrators recognising each other and doing a spider-man meme about it ^^")

Most of what I have written for this AU is actually a whole bunch of Canon Crossovers where, variously, Jaime Lannister, Tywin Lannister, the Six Canon Starks, Cat herself, or Ned Stark from the AU swap places with their canon counterpart and generally freak out a lot. (And the reverse, but that's less fun because Cat, of course, spots them at 200 paces and is there to explain shit.)

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.