What I find interesting is how all the characters end up in a completely different place than where they started. That’s what I call good storytelling, when it’s all about the characters.
Maura starts with trying to convince herself she isn’t crazy, trying to never let emotions cloud her judgement and never letting things get to her. She ends up almost broken, drained, on her knees crying, begging Sebastian to bring Eyk back, ultimately doing whatever Daniel tells her in order to wake up.
Eyk starts being an authority to everyone on the ship, never letting anyone question his decisions (except Maura, he’s into that😏). He’s not answering to anyone and actually does what he wants and thinks is right. He ends up losing him mind, surrendering his authority, desperately searching for answers and never really getting any.
Angel and Lucien start on the same page, as wolves, dominant compared to their partners. Angel taking everything he wants, doing anything he wants without fear, while Ramiro remains in his shadow, Lucien keeping Clemence in the same spot with his anger and pride. They both end up dying. Angel’s last words being “I’m scared” and Lucien surrendering to his fate he thought he could escape. While Ramiro and Clemence step in, expend their borders and start being a vital part in the most important events on the ship. Jerome starts as suspicious to everyone, everyone always trying to keep him on a leash. Ends up being one of the people Clemence, Olek and Eyk relay on and someone who steps in to save the day.
Olek start off as no one. Keeps his head down and is trying to not get involved in anything. But his sense of justice, kindness and loyalty brings him to a point where he, just like Jerome, ends up being a hero, and ultimately Eyk’s right hand man. Ling Yi starts as someone on a leash, being controlled like a bird in a cage, not allowed to have dreams. Ends up doing whatever she wants, against everyone’s decisions.
Tove starts off as someone always having to fight for herself, as being the pillar of sanity in her family in spite of everything she’s been through. None of them ever there to protect her when she needed it, but her protecting herself and being the reason that controls her family’s desperate actions. She ends up finally experiencing how it feels like when someone fights for her for a change when Franz of all people sacrifices himself in order to protect and save her. Finally someone to put her first.
Virginia starts off as dominant and controlling, using other people for her own gain. She ends up afraid, begging and depending on kindness of others.
ok since i'm still having a breakdown over my own post i am just going to keep talking about it
i don't think i meant 'omen' originally. that's not the right word- he's not a harbinger, not an uncontrolled act of nature. he might not know, but whatever it is- it's deliberate.
instead, i think an omen is the other side of the coin. the beginning of the end, and the final blow that actually ends it. it's the difference between a ticking time bomb and a pressure plate.
since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.
maybe she just got lost on her way to the classroom...?
(credit: backgrounds are from the game, I just put her on top of 'em)
“I was really surprised to be speaking about this big fantasy series and about a character who on both a personal and political level is somewhat at odds with the gender they were born in. That was something, as a nonbinary person, that resonates strongly....I think she’s always living in counterpoint to what her life might look like were she male.”
-Emma D'Arcy, from House of the Dragon: Inside the Creation of a Targaryen Dynasty
I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™
Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.
Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.
We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.
And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.
It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?
Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.
Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
You know, I feel like we're not talking enough about the fact that Alastor has in his room a full reproduction (?) of a swamp-forest that's highly likely very similar to the one where he was killed. Talk about being morbid.
Edit: someone pointed out in the comments that the swamp-forest is called bayou. It's a kind of ecosystem in Louisiana.
Watching multiple cracks in Alastor's composure only for him to narrow his eyes and/or smile a bit wider afterwards is one of the most delightful while simultaneously horrific things put to media that I've seen in a while.
It just builds on such encroaching dread as the episodes continue, because you can see it very clearly in his eyes that he remembers shit that bothers him, and stores whatever happened to act upon for later.
concept: eddie has heard many a rumor about king steve, but he's actually never really bothered to seek him out. and while he was doing his lunchtime monologues, steve was usually hanging out with tommy and carol in the parking lot. so despite hawkins high being a small school, he's never connected the rumor to the boy.
he HAS however seen steve, he just doesn't know it. and it's basically love at first sight, but eddie is never able to catch up to him and learn his name. so whenever he talks to his friends, he just calls him the guy with the Fat Ass.
and his friends always brush over steve harrington whenever eddie tries to point out the "love of his life." so it becomes a running joke that eddie is in love with some sort of ghost with a Fat Ass.
then one day, steve peeks into the drama room, looking for dustin. and all eddie can do is point and say "you... you fat ... fat ass." and steve is just like "rude."