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#better because it was 1/3rd of the length that I was expecting
fingertipsmp3 · 1 year
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The class went better and worse than I expected
#better because it was 1/3rd of the length that I was expecting#in fact it said 3 hours then she said 1 hour then it ended up being 40 minutes#so that's...... I can't do maths#I'm never beating the humanities people can't do maths allegations. moving on#it was worse because we Had to put our cameras on and I also found out that this is a thing for EVERY CLASS#EVERYONE has to have their cameras on ALL THE TIME (unless you're on break)#HORRIBLE#I understand why this is (it's so they know we're not just buggering off doing laundry while the class occurs) but liiike#I've had a singularly horrible day today. like it wasn't in the top 10 or anything because no one I know died or had to go to hospital#but top 30? probably. it's on the level of like. it's not going to be one of those days that I'll remember the date of & shudder#(like 1st may [my dad died]; 30th november [Kim died]; 21st october [dislocated my knee the first time] etc)#but I'll need like one business day and maybe a small unnecessary purchase in order to recover#I'm thinking a new pair of sleeper hoops just so I have a different colour I can wear#but I digress#do you know what it is to be a 27 year old woman who's been crying most of the day and gets asked to put her camera on#you probably do. I'm on the 27 year old women who cry most of the day website. forgot where I was for a second there. sorry guys#I don't know what to do with myself now. I'm cried out and dead inside and I have no energy#but I don't want to just lie down because I don't want to be alone with my thoughts#knitting and a podcast? knitting and a podcast. and perhaps. a chocolate biscuit#personal
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race-week · 3 months
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hey al, when do you think people can start gauging drivers on the grid. not that i don’t agree that they often get unfairly criticized and i think you should give them the grace of their rookie seasons but then when? sometimes i see arguments like “it’s only his 3rd year” or he’s still inexperienced or this is first time having a competitive car or he’s not yet in his prime. all drivers aren’t perfect but at what point in their careers do you start critiquing them like every other driver. slightly off topic but older rookies used to have more testing time, when did they reduce the testing times for rookies and why??
This is a hard question and I think different people will have different answers.
For me personally, there are different categories (for lack of a better word)
I will not judge a rookies performance at all, for the first half of their rookie season, but in the latter half of the season I would expect to see occasional moments where they match or beat their teammate (or at the very least show that they can be close to them)
The same kind of goes for stupid mistakes, ideally you don’t want to see any but I think that they are more acceptable in the first half of the rookie season, up until the end of the first season.
The other allowance that I give drivers is when they haven’t raced at a track previously - I would be more understanding if they were off pace in comparison to their teammate.
I would say that I also somewhat apply the half season rule to a driver that changes teams but in that case it’s probably more 1/4-1/3 of a season in rather than 1/2.
Personally, one of the strongest skills a driver can have is adaptability and in my mind if a driver can’t be showing that they can be close to (or match and beat) their teammate within half a season then they likely aren’t that adaptable.
The main caveat to this is race pace and tyre degradation as these are skills that take multiple seasons to develop, so when it comes to rookies I expect to see a noticeable improvement in their race pace and tyre management by their third season.
So in qualifying if they are regularly off their teammates pace in their second season I’d have questions or if by the third year they are regularly slower in race pace, that’s when I’d be critical.
For your other question: Unlimited testing in F1 was banned in 2009. This was done to even the playing field between the wealthier teams who could afford to run countless laps at various circuits and the poorer teams who could not. There’s also less preseason testing in general because of the time and cost constraints to do with the length of the season now.
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v171 · 2 years
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My year in books, 2022
It's that exciting time of year where I get to go into too much detail about all of the books I read this year, so strap in for a lot of stats observations, ranting, and not enough gushing.
This wasn't a great reading year for me. Not only did I not read as much as I would have liked (40 books compared to last years 50, and 2020's 60), but I also just didn't like as many books as I usually do.
I do a combination of pulling Goodreads books stats, The Story Graph book stats, and my own book tracking that I'll get into. Let's start high level.
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Recitatif was only 19 pages?? I don't think that's right. But Oathbringer is definitely right. I think it took me over a month to finish.
I'll probably repeat myself here, but in an effort to achieve my goal of 40 books while I dragged my feet all year, I kind of loaded up on very short books. So my average book length of 334 makes sense, but would probably be a bit bigger had I had actually just picked up books I wanted to read rather than books just to pad my numbers.
Station Eleven being most shelved?? That was a bit of a surprise considering I read Oathbringer and some other literary heavy hitters like Recitatif, and the Earthsea trilogy. Least shelved being Infinite Ground perhaps makes sense. It's a niche book in a niche genre, but I really loved it. I think I would have expected some others to be a bit less popular, like The Silence or Enter The Aardvark.
Average rating of 3.5.. hmm yeah I guess. My ratings tend to be a bit weighted towards the higher stars because I simply stop reading a book when I don't like it, and I don't rate books I don't finish so I have few 1 and 2 star ratings.
Always impressed by the insanely high ratings Sanderson books get on Goodreads.
HOBOY The Poppy War, I completely forgot I read this first this year. Looking back at my review of this book, I was way too gentle and forgiving for the complete shit that it is.
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I still find it interesting how my audiobook/physical divide has shifted over the years, largely due to COVID since I don't listen to them in the car anymore. But I'd have expected, working from home, I would have listened to more audiobooks while I worked. But with the shift in my kind of work, it has become harder to listen to anything while I work these days.
5 Books by Becky Chambers! Yeah that makes sense considering I pushed through her Wayfarer books and picked up the Tea Monk and Robot sequel. Damn I love her books, what a fuckin GOAT. I'm actually surprised there were so many authors on this list, I don't know that I typically read books by the same author in rapid succession, but it was my "Year of Series," so it's now wholly unexpected to have many repeat authors this year.
I would like to try to read more nonfiction next year, but we'll see. This year was supposed to be the Year of Series, and I think I did a good enough job with that, but I could have done better and I really shouldn't make promises that I don't plan on keeping to myself.
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This tracks. First and foremost, I'm a SFF girly. Contemporary Fiction being 3rd I GUESS makes sense, but I tend to dump books under that genre when I'm just not quite sure how to classify them.
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As expected, ratings are skewed high, but I'm still surprised about how clean of a skew it is. I do think I might have been a bit generous with some of those 4 star ratings though, I have a bad habit of feeling guilty about rating books kinda low. My 4 star rating is supposed to mean "I really liked this book," and thinking back holistically, I don't think there were a lot of books this year that I "really liked." So I'm probably just a liar.
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I love these rating breakdown graphs because they really illustrate my preference for genres. I am such a slut for science fiction, I read more 5 star SF that I read books in most other genres. Also interesting to see here that I didn't seem to have a great Fantasy reading year. Mostly 1s, 2s, and 3s.
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This breakdown looks like it confirms what I want to be true: that by ratings aren't really biased by book length. I like to think I allow the story to influence my attitudes alone rather than get bogged down with how long it is, unlike some people who live in the same house as me who instantly drops a star rating for every page over 100.
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I like this breakdown chart too because I like to look for pattern in my attitude during the year. Doesn't look like there's a lot to observe here other than the fact that I didn't read at all in September and most of October (was traveling out of the country for half of Sept. and catching up on work in October). But again, I also didn't read as much as I usually do this year, so maybe a pattern would emerge with more data. August looks like a funny hot-and-cold month with the books being almost evenly split between 2 and 4/5 stars.
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This shows a bit more about the book/page breakdown and how you can see how much I overemphasized shorter books toward the end of the year. You can basically track where I decided to pick up some epic fantasy books (January-Jade City and Poppy War, May-Oathbringer), where the pages exceed the expected number of books, and the opposite months where the number of books exceed the expected number of pages per book (April, November, December). You can basically see me panic to finish the 40 books in November/December where I was averaging 100-150 page books so I could hit my goal. I hate feeling rushed, I need to be more disciplined about it.
And that's basically it! To wrap up, here's all the books I read this year. I'll have a few more posts to make about some of the specific books I read, loved, hated, or otherwise had some strong emotions about.
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chapter 5: the school camp pt.1, the girls dorm
(Author's note: this is a longer one)
A month later, I was moving stuff around inside of my Barbie suitcase on the floor of the girls bedroom: a big room with a bunch of bunk beds with a view to the woods filled with my classmates. We had driven a hundred and something kilometers south to get to this camp in a school bus, and outside it was slowly getting dark. The disco night was tonight and we were getting ready. It is this kind of things that make me realise I really went to a lofty private school.
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It wasn't my first Time there. Last Time we'd been, I was in 3rd grade and had worn a sick outfit to this disco party dance: black capris-length leggings, a tunic top from zara in my favorite color (turquoise) and sneakers. Tonight I didn't really know what to wear though. I had prepared something with my mom but wasn't really feeling it. I kept digging through my stuff while the million girls around me were throwing clothes around, talking very loudly. Ella was somewhere near, changing clothes and Liv hadn't come to the camp because her mom told her she was either paying for the camp or Jazz, and we all thought Jazz was a better choice, since it lasted the entire school year as opposed to one weekend.
"Girls! Gather around!" Our instructor was asking for silence from one of the bunk beds. I found Ella and sat on the floor with her. "Before the disco, we're announcing which bunk bed level each of you achieved based on your team work and spirit today, alright?"
Then she called all our names in order, asigning each girl the 1st, 2nd or 3rd level. "Ella _____, 2nd level". I hugged Ella, feeling super happy for her. Barely anyone would make 3rd level on the first night, and she totally deserved it. All day she had been making points in our team and she was a big hero in one of the games where we had to balance on a tree trunk. She was also congratulated by some of the girls near us and I was happy to see her finally having a cool place at school. She hadn't had the best year last year (cause the boys were such bullies for no reason) but she was finally breaking the spell. She was not the new kid anymore. I was smiling proudly looking at my friend, in a Justice tshirt and messy big curls, being accepted by the other girls.
"Rees _______, 1st level"
???? What the fuck? I had been good all day, what had I done wrong?! I sighed out my confussion. I just had to be more enthusiastic tomorrow, I guessed, a bit frustrated. Ella nudged me in the ribs about it, getting a laugh from me. I didn't mind sleeping on the first level, I didn't even take it personally, I figured someone had to sleep there. The problem was that I would have to find someone else to pair with instead of Ella, cause most beds were placed in pairs. I told myself it didn't matter: the real problem was finding what to wear for tonight.
There was something in the air, with the expectation for this disco night, like a vague promise for romantic interactions between these 10/11 year olds. And even if I didn't have feelings like that for anyone, I could still feel it bubbling as a hope for drama inside my heart.
And yes, maybe I had someone in mind.
The only boy I had ever liked in my life was now in my class for the first Time since 2006. He was the one I pushed out of my way the day the popular kids ambushed me to tell me Rome liked me. His name was Brody and he was part of the popular clique, despite him not being popular: he was the sidekick to Miles, that actually popular boy. I found him a bit lame now but we still had an inevitable vibe going on between us, due to our past friendship. He used to like me when we were 6. It was a fact, not confirmed by him, but I had no doubts, not even when I was 6. The context was: we became friends in class in literal kindergarten and I guess we pulled a sk8ter boi by Avril Lavigne cause, he was a boy and I was a girl, could it be any more obvious? And, I mean, he was fairly funny and nice. But he had cried this one Time they sent us to the prinipal's office when we were 7 (his fault, may I add, and he blamed it all on me!), and once he ate my lunch when we were 5 (cookies that had melted in the sun, disgusting) and now at 10, he was a sidekick instead of a person. Despite aaaaall that and the fact that I had lost all my feelings for him by 2006, there was still something in the air whenever we talked these days cause, at the end of the day, he also knew I had liked him.
"Whatever" I shrugged, remembering I cared more about the dancing tonight, and not the boys. The contents of my suitcase weren't cutting it for me, and so I decided to wear whatever I was already wearing. Blue skinny jeans and a polo style shirt with stripes in a blue-yellow-white colorway. I didn't like the weird length of the top but it would have to do. I took my hair brush out of my Barbie suitcase and decided on just taking my hair out of my ponytail and brushing it out, getting just a glimpse of my reflection on the window glass. I always looked good enough anyway, so I decided on taking a rest before the disco started. I climbed up to a second level bed to brush out my hair and chill. The room felt like a rainforest with how high the bunk beds were, and the chaos of clothes, body mist and chatter just added to it.
"Girls! Stop!" The voice of one of my classmates stood out. She was giggling somewhere near.
I stopped brushing my hair, finding literal twigs from the trees tangled in it, to look over the edge of the bed to the floor.
"Guys, stop!!! Aaaa!" She was giggling, surrounded by three or four of her friends while she was changing clothes in this corner of the room. "Stop! I just want to get changed!!" Her tone was playful, a little attention seeking, but mostly funny. Her name was Poppy and I had barely ever talked to her. She had dark hair, slightly slanted eyes and a naturally flirty personality. She was in Jazz with us, and she wasn't new in school but I had just met her this school year. We sat on the same team in class and she was constantly talking over the teacher, but I didn't find her that irritating. Who I found annoying were two of her friends who sat next to me too, and were now trying to get in her way while she was taking off her top.
"Is that a Victoria's Secret bra???!" one of her friends shouted, making the scene bigger on purpose, making some other girls turn heads.
"It's sexy, isn't it?" Poppy said while laughing, but then screamed when her friend tried to lift her top. "No. Stop! Let me get changed." She was giggling a little so I decided to mind my own business.
"That IS Victoria's Secret!"
"Stop, guys!" I couldn't help but look over again. Poppy was now covering herself with a blanket.
"Stop, can you help me while I get changed? I don't want everyone to see me." She was asking them to hold the blanket up to get dressed properly. These two friends grabbed the blanket while she changed and I was 100% sure they were going to keep teasing her, and they did. Poppy screamed when she was out for the public's eyes again, and tried covering her torso with her top. "No. Now I'm being serious." She said it with an air of silliness. "Stop it guys." But I felt despite trying to seem chill, she actually was trying to stop it. Her friends were now just being mean, being loud and laughing as if being friendly, while giving her shit for wearing a patterened bra. I decided to come down to the floor.
"Do you need me to hold that up?" I got in between the other girls and got the blanket.
"Could you?! Yes!!"
I held it up giving her a corner to change. When I looked over my shoulder, it was more than only her friends, some other girls were also talking about her.
"What?" I asked.
"Seriously, Poppy!! What are you weari
"A cute bra!" shouted Poppy behind the blanket. I giggled.
"Grow up, guys" I said while having to fight this one girl who was trying to lower the blanket.
"Yes, listen to her, girls!" Said Poppy backing me up, topless and still giggling. "Grow some!!... Boobs!" We both laughed, and looked at each other with an air of having topped everyone. I shrugged, looking into her friend's eyes and they finally left. "Thanks, Rees. Those girls act like real bitches sometimes." Poppy was a rare type of trouble maker that I found amusing instead of annoying. "You're a real one." She was able to get the new top on and then looked at me with a smile. "I lowkey can't stand them. Thanks girl, that was real cool of you"
"Sure" I said tossing the blanket away, knowing I loved playing the hero.
"You're cool, Rees! Hell yeah." I laughed at that and fired back another compliment along the lines of "you're also sick" trying to mimic her way of sepaking.
"See you around"
I went looking for Ella who had gotten ready in another side of the jungle. She now had her hair down, like me, and we were pondering on whether we should take our jackets or not. The disco was being held at the lobby/hall which was indoors so we figured we wouldn't need them. Our instructor told us we had to brush our teeth at the outdoors bathroom, and then: it was Disco Time.
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itsclydebitches · 2 years
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RWBY Ice Queendom Recaps: “Red, White, Black, Yellow”
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Hello, RWBY fandom! It feels good to be back.
Technically I never left — still answering the occasional ask, just finished up "The Girl in the Tower" recap — but between the extra long hiatus and my continuing obsession with Our Flag Means Death, it feels like I've been out of the RWBY loop for a while. I wanted to start this post with that acknowledgement because I had assumed that's why I didn't realize that Ice Queendom had dropped the first three episodes. Sure, I got an anon asking my opinion of the reboot (AU? Rewrite? We're all a little unclear about that still), but I had thought that was just in preparation for the July 3rd premiere. So imagine my surprise when I did a bit of googling last night — just in case — and found a new trailer, then a three episode sneak peak, but it weirdly wasn’t on First, but it was on Crunchyroll, and (at the time) it was set to drop on YouTube at 1:00pm today, but only for a short period? Some fans had clearly seen the episodes already, yet there wasn't nearly the amount of posting I'd expect for a community-wide, anticipated drop, and official information seemed to be scarce ... but surely my confusion was simply a result of me taking a semi-break from keeping up with all RWBY info, right?
Ehhh...
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This is an excerpt from MurderOfBirds’ tweet thread (URL posted at the end of the recap, in case tumblr is still being weird about links) and, if you've been in the RWBY community for any significant length of time, you'll understand my shock that he of all fans was calling RT out like this. To be honest, I don't have much to say beyond, "This is happening"? From what little I've gathered, fans seem to have enjoyed the IQ premiere — or at least, they haven't called for a salt and burning yet — but RT's relative success in that regard doesn't suddenly erase all the other problems surrounding RWBY as a franchise. RTX planning remains a mess, communication about upcoming projects is shoddy at best, RT's company culture is continually under fire, worries about Volume 9 and the upcoming video game haven't disappeared just because we've had little reason to discuss them lately, etc. Regardless of what we think about IQ as a story, it's coming into a tumultuous IP — to put it mildly.
Again, I fully acknowledge that I haven't been actively seeking out every bit of RWBY info lately, but the fact that I, someone who is generally working to keep up with the story, had to suddenly scramble to figure out how and when and why a big chunk of the new installment was releasing now is... not great. And apparently I'm not the only one who feels this way.
That said, let's get into the story proper. In case it's not abundantly obvious by the title, I've decided to keep these recaps separated by episode, despite 1-3 releasing as a single hour of content. You all know I can write enough for each, even with a lot of this plot being repeated. No sense in giving you all a dissertation to wade through lol.
Let's do it!
We begin, as we did originally, with Salem's voice-over telling us how the humanity of today came to be.
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(Oh yay, a nice het-centric creation myth. Look, I really wasn't joking about being obsessed with OFMD right now. After months of canonical queer pirates, I'm feeling a little salty towards RWBY's version of queer rep. I won't get over it, sorry, but I promise I won't bitch about it too much.)
(Actually wait, one more point: I saw a post here — which I’ve now lost — where the author didn't seem terribly enthusiastic about IQ, but they said they'd forgive it if Blake and Yang made out in every upcoming scene and like yeah, joke-y posts are jokey-y, I love them, but AS IF. If IQ confirms Bumbleby I'll just straight up die of shock. You all can @ me in the afterlife.)
(But oh god can you IMAGINE if IQ confirmed the fandom's biggest ship before the webseries? Chaos. Calamity. An actual, defensible position for IQ being better. It would be a complete disaster, yeah... but potentially an entertaining one.)
Anyway, back to the plot. We go through a version of our opening speech and, frankly, I don't think the actress playing Salem sounds nearly as menacing as Taylor does. I've always cared more about the characters themselves than the actors playing them, so I don't have any big opinions on the casting here. This is just a little acknowledgement that, had I been watching IQ prior to RWBY, I never would have gone, "Oh, this is our villain" like I did during the webseries’ opening. At least not until the end of the episode when we get the more threatening dialogue. Regardless, the animation more than makes up for that, showing us not merely the paper-like history of humanity, grimm, and the rise of their combat capabilities, but far more visceral images like a man collapsing amidst a field of flames, very nearly succumbing to them. That sells the idea of humanity almost crumbling back to dust.
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But then, “The smallest spark of hope brought forth a great light” and humanity discovers capital 'D' Dust, which allows them to maintain and spread civilization despite the grimm. Salem says that it was through their “power and ingenuity” that they secured it and I'm like... really? Because the animation just shows an almost-dead guy stumbling upon a glowing rock in the ground and presumably thinking, "Hey, that might be useful." Not sure there's much power and ingenuity in randomly finding a magic mineral lol.
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With the history lesson out of the way, we find Ruby at Summer's grave with... a military-like march soundtrack? It's an intriguing choice and, combined with Ozpin’s introduction + Weiss' AU design, I'm curious to see how much this story will feed into RWBY's (badly managed) anti-military themes. Though introducing our simple soul protagonist with that vibe doesn't seem like a great start...
What is done well is the character work in this scene. Actually, that's something I want to praise about the episode as a whole: IQ is very good (so far) at developing the cast and the world, something it absolutely has over the original RWBY. Remnant feels lived in, the characters' stories are better intertwined — helped by making this episode a combination of the trailers and “Ruby Rose” — and I actually feel like they have internal lives they're living, rather than just existing as archetypal puppets under the Rule of Cool's strings. Sure, RWBY gets better at that as time goes on — I wouldn't care about the early Volumes like I do if the characters didn't feel engaging to me — but IQ nails it right from the start.
Case in point, Ruby isn't just staring at a mysterious grave that was added last minute because hell, why not. She's really talking to Summer, telling her all about how Yang made it into Beacon Academy and that she "always said she wanted to be a huntress." Such a small line of dialogue and yet suddenly Yang’s motivations better align with Ruby's. Rather than being the party girl just out for a good time (the club scene doesn't even make it into this episode, if it shows up at all), Yang always wanted to be a huntress, specifically — just like their mom. It stabilizes Yang's career path and helps sell the idea that one primary, personal conflict is how Ruby will break away from her sister's shadow: she's talking to Summer primarily about her "sis," she wants to be a huntress just like Yang, she's kinda jealous that Yang is already on her way — a nice detail that makes Ruby feel like a legit person with complex emotions — Tai is worried about his youngest standing on her own, and meanwhile Ruby is asking her mom, “What can I do to be more like [Yang]?” Frankly, this scene sells the idea of Yang raising and influencing Ruby far more than the entirety of Volumes 1 and 2 did. We can see how Yang has become the mother figure that Ruby is desperate to emulate, even as she says she also wants to follow in Summer's footsteps. From Yang and Tai talking about Ruby like they're the parents waiting on their wayward child, to the hug where Ruby is positioned more like the child as Yang holds her and looks to Summer —
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I feel like the show has visually told me that Yang helped raise Ruby, episodes before we get to that talk with Blake. Sure, they're absolutely still playful sisters — and Yang calls Summer "Mom." No Raven complications just yet — but IQ changes the dynamic slightly, making Yang come across as more mature and, consequentially, more of a mentor figure for Ruby. Yang is someone Ruby needs to eventually step away from in order to forge her own path.
Also, love that they give them the exact same wink. Again, they're close and we can see Ruby mimicking some of Yang's mannerisms:
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However, this is perhaps as good a time as any to admit that I don't really like the character designs? Outside of their normal outfits/distinguishing features, of course. I mentioned weeks back that I find their eyes to be creepy as hell and though I realize now that's a visual staple of the creator's... it doesn't change that I think they're creepy lol. Worse, there's something very doll-like about the models that makes my skin crawl. It's not too bad when we've got a fight sequence going on, but when Ruby is just standing there with her unnatural eyes, glossed lips, painted cheeks, kinda shiny skin like she might be made of porcelain...
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Yeesh.
I don't know. I'm assuming this is purely a me problem (no doubt born from too many horror movies in my youth) and not every shot is bad! But some definitely make my brain go, "Nope, nope, nope, NOPE" in a very Uncanny Valley kind of way.
I mean sure, the animation quality is undoubtedly better, but original Ruby just looks more... real to me? You know? Does anyone else get that?
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Yeah, I can't explain it well. It’s fine. Just don't let IQ!Ruby into my room at night, please.
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We cut to Weiss standing before the garden monument — which I've only now realized is kinda weird. Who gives a snowflake wings? —  and she's approached by Klein who is, for all intents and purposes so far, a totally different character. There's no sign of his semblance (no real loss imo) and he's far more formal — deferential — towards Weiss than he’s ever been in the webseries. Gone is the chaotic, buddy-buddy dynamic they had and in its place is the far more common “Play-by-the-rules butler has a soft spot for the young mistress, allowing for a bit of parental love to shine through.” Think Carson with Lady Mary. Or even Alfred with Bruce. Though I’m personally a big fan of this character type—I’m an absolute sucker for love pushing up against class/social expectations/job formalities—this is a case where IQ arguably moves backwards. Rather than introducing a bit of depth like we saw between Ruby and Yang, we’ve reverted to a far simpler setup. Which, I want to emphasize, isn’t necessarily a bad thing. I don’t think Klein is important enough to necessitate that creativity when being a fond, long-suffering butler serves the story just as well. It’s just an observation that they have stripped him of what made him stand out from the butler crowd.  
He tells Weiss that the “arrangements” have been made and they walk together to the ballroom where her final test is to take place. On the way we spot a day-drinking Willow from behind and the shot reminds me a bit of the comic panels:
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and we also run into Whitley, still leaning smugly against the wall like he did in the webseries. This time though I’m reading him through the lens of the kid he is, rather than the scheming, Jacques Jr. that both stories seem to be going for. See: Whitley smirking from the shadows while Weiss walks through beams of beautiful light, finally settling between the pillars in the full sun. It’s not subtle.
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This is one of a couple split-screens in our opening episode and though it’s a technique the webseries has made use of recently (think the Team RWBY vs. Ace Ops fight), personally it’s something that I think should be used sparingly. Like here, do we really need to get Klein’s reaction and, in the process, see the awkwardness of Weiss with half a face? Or, in a moment, a shot of her boots?
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Next to the contrast of Weiss and Whitley, which actually serves a narrative purpose, these just feel unnecessary. Technique for the sake of technique.
We also get a shot of the family portrait as Weiss passes by. Nothing detailed unless you pause the episode, but it's a glimpse of that supposedly picture-perfect family right before we see it unravel. Whitley questions Weiss’ ability to pass this test, she tells him to just watch her do it, and then we get what I think is a damn solid line:
“I’ve always watched you, my fearless, foolish sisters."
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We’ve got the story introducing that there's a third sibling before we see Winter at the test. There’s Whitley's quiet admission that yes, he's been watching them (looking up to them) for, presumably, years. Also an acknowledgement of those complicated emotions tied up in their choice to not just become Huntresses, but to use the career as a means of escaping their father's abuse when he, someone without combat skills, can't follow them. Is it foolish then, or fearless? Depends entirely on whether you have that option to begin with. This is a Whitley who, right from the start, feels like a kid struggling under an inability to follow in his sisters' footsteps, despite how the animation paints him as the shadowy antagonist, with the concept of paths and having to carve out your own tying in nicely with Blake's story.
Weiss arrives at the test where both Winter and Jacques are waiting for her. It puts them on fairly even footing — both watching this dangerous battle with detachment, both taking up the same position on opposite sides of the room — despite the fact that verbally Winter is more supportive of Weiss than Jacques has ever been in his life. Still, that parallel combined with Winter being "too busy" when Weiss leaves for Beacon and her cold approach to training her in the flashback makes this version of Winter seem far less welcoming than the original. “The powerless return to dust. That is the law of this world” she tells Weiss after she fails to defeat all of her summons (as seen in the Volume 5 short) and while that is a very cool line that hints at how Remnant's history has influenced the peoples’ philosophy, it’s also a damn bit more dismissive than Weiss promising to do better and Winter saying only that she hopes she can — she'll need it to escape. I can't imagine this Winter playfully batting Weiss' head and demanding information about the friends she's made.
I do want to emphasize that Weiss' entire story is much clearer for the audience though. We're told exactly who all these people are (at least in relation to one another). We've established that Weiss is undergoing a test to get into Beacon. We have a line about Klein releasing the grimm, right on the heels of our intro explaining wtf grimm are, and oh look, now she's fighting it. All of "Red, White, Black, Yellow" flows together more smoothly than the trailers + "Ruby Rose” do, meaning there's no mad scramble to, say, explain to the community that this is a flashback, Weiss got that scar during her fight—look, there’s a bit of blood—she’s singing on her father’s orders, yeah idk why exactly it’s just a thing she does, mhmm the fight is a test to get into Beacon, etc. I didn’t come into RWBY until Volume 3, but I remember finding old posts that worked to clarify the iffy canon of our trailers (and, indeed, acknowledging that some details like Ruby’s strength against the grimm remain in the realm of “Not canon, actually”) as well as explaining what precisely happened in each. None of that is necessary here. The only thing the scene doesn’t clarify is how a suit of armor is also a grimm, but failing to get into the possession abilities is small potatoes compared to the potential confusion we started out with.
Yet despite the obvious benefits of that clarity, the fight itself is just… fine? Don’t get me wrong, there’s nothing bad about it—except, perhaps, the weird glyph sound effects that I personally hate—yet even following much of the original choreography, I didn’t have an emotional investment in this fight like I did the White Trailer. I think a great deal of that comes down to the music. Though I’ve always agreed that the soundtrack is a huge part of RWBY’s personality, I didn’t realize quite how much of the emotion it carried until it was gone. The generic battle music of IQ just can’t compare to hearing
Mirror, mirror
Tell me something,
Who’s the loneliest of all?
…I’m the loneliest of all.
while Weiss is framed in front of the broken moon, expression stony, this epic moment inter-cut with her future self belting this lament, all right before she drives through the knight and lands, perfectly confident in her victory.
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IQ!Weiss technically has the same combat beats of the original fight (with the exception of the knight’s sword nearly crushing Klein??), but it’s a completely different vibe. IQ!Weiss feels frantic at the end to me and her getting to coldly demand the Beacon reward from her father is a one-up moment that doesn’t jive with, say, Weiss later trying to muster up a fake smile in the elevator to convince her family that everything’s fine. She feels too confident, like she’s already won against Jacques and RWBY!Weiss’ journey (marred as it was by Volume 8) isn’t even on the table anymore. And, you know, maybe it’s not. Though the changes are subtle so far, this is already a very different version of Weiss. Personally, I prefer the theme of loneliness in the original: Weiss standing as the knight is obliterated behind her, bloody face fading into someone who, despite this victory, is still left standing there, alone on stage, performing for her father. She won the battle, but is still fighting the war.
(Gotta love shots like this though. The size difference! The scale! The seemingly insurmountable challenge!)
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With a red leaf that looks a lot like a rose petal flying by—nice—we transition to Blake who is…
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…Naruto running with Adam?
alksdfjalsjfa okay, cool.
Their section is pretty similar to the Black Trailer, though this time around Blake’s decision to leave feels like it’s really coming out of left field. I mean, she questions whether they’ll be fighting actual people, but Adam reframes that around Blake’s courage and there’s no visual cue from her that he’s wrong about that. Then we get a seemingly sweet moment where she doesn’t even look at the Atlas soldier behind her, knowing Adam’s got her back
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and though she’s clearly not happy about Adam crashing the train when there are people on board, Blake doesn’t have that much of a reaction to it. She just walks over to the next car and severs the connection, leaving the audience with Adam’s supremely awkward line, “Are you betraying me? Betraying the White Fang?”
Easily the worst part of the episode for me 😬 You know you haven’t written a scene well when a character has to spell things out in the most heavy-handed way possible.
To be honest, I’ve always found the Black Trailer to be the weakest of the bunch and I don’t think IQ has succeeded in improving on it. If anything, I think having Blake sneak away while Adam is busy with the mech, only for him and the audience to both realize she’s on a different, separated car works better than… this. I suppose neither version really sells me on the idea that this was a breaking point for Blake and if it wasn’t, why leave now, right in the middle of a mission? Compared to the clarity of our other stories, Blake’s remains lacking in some respects.
We get to Ruby’s Dust shop robbery and, given that we’ve just gone through two of the trailers, I’m a little disappointed that the Red Trailer wasn’t included. Certainly it’s the least plot connected of the four and yes, they’ve done away with Yang’s too, but Ruby taking out a horde of grimm under a shattered moon is the defining image of the franchise—at least for me. It’s not just what IQ decided to cut out though. Like Weiss’ fight sending a very different message thanks to the time spent on clarifying her test and its consequences, the development of Ruby’s character pre-robbery means that we’ve lost the appealing surprise of who she really is. What I mean is, outside of the Red Trailer, the moment Ruby turns—tiny, bright-eyed, sporting headphones and a weapons magazine—is our first introduction to her and that particular image contrasts wonderfully with her kicking that goon to hell and back. I mean sure, we already know how such “surprises” work (especially in a combat webseries. It’s not really a surprise), but I still love the (supposed) shock of this child being cornered, but then turning around and kicking ass.
That doesn’t happen in IQ precisely because the show does a better job of developing Ruby beforehand. We’ve already watched her tell Summer about how she might be getting bad grades, but she’s an expert with weapons. She’s already visited a weapons store before popping into the Dust shop.
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She’s already gushed over the weapons magazine and even quoted from it, rather than that existing purely as a background detail for the audience to catch. Hell, we’ve already seen Crescent Rose, at least in its compact state, which makes the robbery “reveal” no longer a reveal at all. There’s no, “Oh cool the vulnerable kid is actually a badass fighter! And she’s got a scythe!!” reaction because the show has established that as a firm part of Ruby’s characterization. We know about Yang and Beacon and Ruby’s long-term combat goals. This
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just doesn’t have the same impact anymore.
It’s the same with Zwei. Do I love seeing my favorite pupper right in the first episode? Hell yeah. Have we now lost the opportunity to introduce him through the mail—another iconic RWBY moment? Also yeah.
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Which, again, is not automatically a bad thing. This isn’t a case of “Choice A works, but Choice B doesn’t.” Although IQ’s timeline is arguably a more productive way to write a long-term story, in inevitably comparing it to the webseries, I can’t help but notice that we’ve lost a certain absurdity and, well, fun that’s a part of RWBY’s charm.
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(That’s an awesome shot though. Love the lighting.)
So Ruby works her way through the goons—a combat sequence I quite enjoyed. Very liberal on the crunchy faces. Looked painful—and Roman runs through most of his original lines. This time he does comment, “Semblance? A Beacon Academy student?” when Ruby busts out the window, which both hints at the fact that semblances might be comparatively rare (remember that Roman doesn’t have one) and, by extension, highlights Ruby’s innate abilities. The fact that Roman assumes she must go to Beacon implies that only someone two years older than her could pull that kind of control off. Ruby, as the talented protagonist, has managed this early.
Roman throws his smoke bomb, runs up the building, Ruby follows him… calls him a thief even though technically he didn’t take any of the Dust with him lol. While they’re on the roof, Tai, Yang, and Zwei arrive on the scene, having grown worried when Ruby failed to return home at a normal time.
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(Why is that clock so cool and why don’t I own it.)
Again, IQ does a really great job of fleshing out the world and the characters’ relationships, especially in just 20 minutes. I love that Ruby was out looking for a present for Yang (still bitter we never got to see what she bought her in Volume 6), that Yang and Tai have this conversation about Ruby’s growth, Zwei is being used as a bloodhound to track her, the fact that yeah, of course there are other civilians about and the police were called on scene.
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Personally, I think there’s a nostalgic charm to RWBY’s shadow people, but it’s still true to say that animating actual characters responding to situations goes a long way towards making your world feel lived in. 
Also, can I just SHOUT FROM THE ROOFTOPS that Tai is out looking for his daughter? I never cared about his character much until post-Volume 3 when the fandom started dragging him for… well, everything. How dare you make a joke your daughter clearly loved. How dare you tell her the truth in an effort to keep her from losing another limb—or her life. (Which, I will always point out now, happened! Yang stupidly jumped in front of Ruby, just like she stupidly charged Adam, and Neo killed her!! You have a ranged weapon, Yang, oh my god—) How dare you fail to follow one kid while the other is at home with severe depression. How dare you not follow both when [checks notes] you’re not a part of the primary plot. Tai really went the way of Ozpin and Ironwood (pre-Volume 8 Ironwood, anyway) where potential mistakes are declared unforgivable sins and… that’s it. You’re Remnant’s #1 Worst Dad. Sucks to be you.
So hell yeah, good on IQ for reminding everyone that Tai, even an AU Tai, is of course worried sick over his missing kid and will do whatever he can to help her. Double kudos for managing that alongside a slight increase in mom!Yang energy.
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Glynda (my beloved) shows up and does her thing. Cinder never comes out to fight them, but we still see her piloting the airship, which is interesting. At least, it is to me given that I’d assumed going into IQ that a lot of the larger plot-lines would be dropped in favor of the new story: the White Fang, Cinder’s lust for power, even Salem herself. Obviously that’s not the case, so now I’m wondering if IQ is like an interlude type story? We get a mostly-the-same Volumes 1-2, then a totally new adventure, then the implication that the characters go back to a version of the original tale with Relics, Maidens, la de da? We’ll have to see.
After Ruby DOESN’T ask for Glynda’s autograph (tragic) and she’s getting her lecture while Tai and Yang wait at the station, Ozpin shows up to… salutes?
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That’s a choice.
You know how I was saying that Whitley’s characterization feels more in line with where he’ll end up several Volumes later? Well, Ozpin’s characterization feels more in line with where the show says he ends up several Volumes later… even though they never actually wrote that. Meaning, this is an Ozpin introduction that actually implies an ulterior, morally gray motive. This is a guy that does feel sketchy to me.
Let’s tally the details.
Ozpin arrives at the station—now overtly a police station and not the ambiguous closet of the webseries—and is saluted by everyone there. He doesn’t wave the formality aside with discomfort or anything, but takes it as a given. If I didn’t know better, I’d think that was Ironwood walking into the room.
He still gives Ruby cookies, but this time we see that he didn’t arrive with them. Meaning, he must have made one of the officers scrounge them up which, while still potentially just a nice gesture, feels like it has more potential for manipulation. More “Do the work for me so I can look good to the kid” rather than, “I heard Glynda had you in her clutches and brought cookies from home to soothe that :D”
Ruby never gives her passionate speech about wanting to help people like her parents taught her to and how Beacon is her plan to do that. So although the fandom has long assumed that Ozpin invited her partly due to her Silver Eyes—an assessment I agree with—that motivation feels far more prominent without Ruby overtly wanting to come. At least, she doesn’t tell Ozpin she wants to come. Now, instead of making Ruby’s wish come true (with the added benefit of assisting Ozpin’s war) Ozpin offers a place seemingly out of the blue, still putting some focus on Ruby’s combat skills, far more on those special, Silver Eyes. This feels like a recruitment now, not a benevolent gesture towards a family friend’s kid.
Going off of that, there’s no playful banter between Ozpin and Glynda about Ruby getting in early. This Ozpin has very little of the kind, fatherly energy of the webseries.
Finally, we see Ozpin talking to Tai afterwards and though Tai is quite taken with Ruby getting to skip two years, it’s not like Ozpin is asking his permission here. Sure, sure, we could get into the question of how much agency Remnant kids actually have—Blake’s parents are cool with her going off to Beacon after being missing for a time, no one is looking for Oscar, etc.—but the point is that twice, once before meeting Ruby and once after, Ozpin has the chance to offer Tai this opportunity for his daughter, but very overtly does not. He says that he will be speaking to Ruby. He says that she will be attending Beacon. He’s in control here.
The combination of this creates a far less approachable, more calculating Ozpin. AKA, the kind of Ozpin that RWBY failed to write, but the fandom insists is there in an effort to make the fury in Volume 6+ make sense. I’m not sure how I feel about it? On the one hand yeah, I’m glad to see IQ setting the stage for future reveals. This is an Ozpin who really might be puppeteering this war in a way the cast can be justifiably disgusted by. Yet on the other hand, it doesn’t feel much like Ozpin to me. Though small changes have been made to all the characters, they still feel like themselves (Klein being the exception). Ozpin though… there’s no interest in Ruby’s passion, no teasing Glynda, no intimacy with Tai. Seriously, go back and watch “Ruby Rose.” We’ve got Ozpin’s dad-like concern over Ruby using one of the “most dangerous weapons every designed,” his clear fondness for his “dusty old crow,” offering the cookies only after Ruby has explained herself a bit and her actually eating them (comfortable in his presence/trusting what he gives her), the eye-twitch when she talks with her mouth full, fond smile as Ruby gushes about her uncle, laughing a little at her karate chops, “adorable girl,” the very stern “You want to come to my school?” which forces Ruby to clearly state her own goals and desires (that oh so conveniently align with his), THIS
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I mean, Ozpin is a dad. I feel like that’s a very crucial part of his characterization. He’s a romantic who settled down, had kids, does the stupid voices while reading his beloved fairy tales… and then his life went to absolute shit. He’s an exhausted dad who is still fighting because he believes wholeheartedly that the world is worth fighting for. He’s exactly the kind of guy who would bring a talented kid cookies and let her skip two years, all while ensuring her happiness benefits humanity somehow.
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This guy feels like a creep—and that’s not just because of the weird doll features.
So good for the fandom, finally has a legitimately suspicious Ozpin to embrace? Yay IQ laying the groundwork for future plot-points? But as my favorite character, I wish we had Ozpin back. Especially since he’s only existed as an extension of Oscar for the past five Volumes, one everyone uses as a punching bag.
Maybe his characterization will change in the upcoming episodes? :(
We near the end of “Red, White, Black, Yellow” with a bit of additional worldbuilding slapped onto the trailer content. Weiss learns from Winter that there are hard rules to their totally-not-magic system—“Your Aura can only take a direct attack once or twice at most. The moment you’re hit, you’re finished”—and that’s reiterated by Glynda to Ruby: “Is your Aura strong enough to stop every bullet they fired?”
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Cue me CACKLING at, like, every single RWBY fight ever. Will IQ do what the webseries couldn’t and actually stick to its own rules? We’ll have to see…
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Blake is off in a… barn? Some isolated place with a bag of supplies now. She gets her admission notice from Beacon and I have to wonder when she took that exam. Was it before she left Adam, thereby making her leaving him feel a little less random? Was it after her escape and she’s been, what? Just running through grimm infested territory since then, popping into Beacon once for a quick test? Why didn’t she ever go home?? Yeah, there are still aspects that don’t quite add up for me. Regardless, Blake gets teary and says that now she’s really able to follow a “different path.”
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Klein sends Weiss off with faith that she’ll carry on the legacy of Master Nicholas Schnee and, after Ruby tells Tai that she’ll make a ton of friends at Beacon (that’s a change in characterization), we finish with them all boarding the same transport. We then get a really lovely moment where both Weiss and Blake stare at their reflection on opposite sides of the ship, mustering up a smile.
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Watching OFMD grow as a fandom these last few months, I’ve gotten to see a lot of people question certain fandom trends that have popped up, including asking, “Wait, people ship that?” Ignoring for the moment that you obviously don’t need a reason beyond, “I like it,” we can usually pinpoint why fans end up liking that particular duo (or trio). The important takeaway here is that it doesn’t take much—at ALL—to spark that interest. This moment is a perfect example of that. Blake and Weiss are set up to parallel and contrast one another. One is the rich heiress harming the faunus. The other is the (right now reading as) poor faunus fighting the heiress. They’ve got that Romeo and Juliet potential—two houses not meant to join—and yet we also see, right here, that they’re so much more alike than either will initially believe. They’re separated now, haven’t yet met, are literally on opposite sides of the transport, and yet they both go through the exact same motions of sighing in relief at making it in time, catching sight of themselves in a reflective surface, considering who they are, and then smiling. There’s so much potential there! We in the RWBY fandom know that Bumbleby and White Rose are the two heavy-hitters, but right now Weiss hasn’t met Ruby and Blake hasn’t met Yang. I guarantee that if IQ were its own show and we were waiting a week for the next, totally original episode, fans would be all over Monochrome as the primary ship. It would have sunk its teeth into the community from that alone and even if IQ went the way of RWBY, splitting them up and starting numerous moments of other shipping potential (Weiss slowing coming to care for Ruby, Yang opening up to Blake, etc.) there’s a good chance that Blake/Weiss would have hung on like whoa, just from this moment and a week of theorizing alone. Never doubt the power of fans to imagine up the most epic romances from a single, thematically loaded shot.
We’re given our first glimpses of Jaune (vomiting), Nora (hanging onto Ren), Ren (suffering, but he likes it), and Pyrrha—taking up most of the screen as Salem says that “even the most brilliant lights eventually flicker and die.”
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I can’t go through this again 😭
At least that’s a WAY better introduction for Pyrrha than being Jaune’s background, quirky girl...
And, of course, we end on a close-up of Ruby as Ozpin talks about small sparks and simple souls igniting the most change.
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(I’m sorry she looks so creepy here hOW IS THAT NOT A MURDER DOLL??)
So, just to summarize, there's really good character work throughout this episode. Not only are the introductions tighter and better interwoven with Remnant's worldbuilding, but IQ does a decent job of setting up future themes, conflicts, and — if the plot circles back to canon — foreshadowed events like Pyrrha’s death. Basically, this is what happens when you take your story through another draft. This is RWBY with an eye towards what did and didn't work the first time around.
Yet for all that praise... I have to admit that a certain spark is missing. Yes, the animation is so much better, but as said, there's something charming about RWBY's janky movements and shadow people. Yes, the characters' introductions fit more neatly into the story-world now, but it was exciting to get individual action trailers, unsure at first how they would develop into a plot-driven narrative. No, there's no reason to waste time on silly things like Jaune being Vomit Boy, but the lack of stupid humor in this premiere makes me feel like a crucial part of RWBY is missing. There's no disappearing cookies, or Ruby being chill about Yang kicking men out of club windows, or karate chops, or (and this is a real travesty imo) a cringey "Can I have your autograph??" towards Glynda. Maybe it's that we're nearly a decade out from the original air date and tastes have changed, or maybe it's just straight up nostalgia on my part, but for however good IQ is so far, it doesn't feel like it has the same heart that RWBY did — and I don't think it's capable of recreating that. RWBY was a specific storm of Monty + 2013 + the appeal of a group of fans doing something fun in their basement over something objectively "good," and who knows what else thrown into the mysterious pot of success. You literally can't recreate that, especially when so much of RWBY's fanbase are adults now, unable to return to their teenage years — or even just the eight years younger version of themselves if they were adults the first time around — and the headspace of when they first fell in love with the story. That doesn't make IQ bad by any means (and it may well get its own fanbase of first-time viewers). I really enjoyed this first episode... but I enjoyed it in the way I enjoy lots of other well-made, but kinda generic anime. Without it already being a RWBY story and without RWBY having caught my imagination back when it did, I don't think I would have gotten hooked on IQ in the same way. The premier is good, arguably far, FAR better than "Ruby Rose" ever was, and yet, whether due to time, nostalgia, or something else entirely, RWBY still feels like it comes out on top. It’s just got... something that IQ lacks.
Not that it's a competition, of course, though certain members of the fandom seem to believe quite strongly that it should be. More because they’d like a built-in reason to drag anyone with a criticism of IQ/RWBY than because they actually believe two versions of a story can’t co-exist.
But I digress.
With that, we've completed "Red, White, Black, Yellow"! At a measly 6,000 words, no less. (I’m apologizing now for the inevitable typos. It’s past 1:00am now and I can’t read through this again...) As is abundantly obvious, these recaps take a long time to write and this sneak peek has, quite unexpectedly, dropped the equivalent of three weeks worth of RWBY content into my lap all at once. Normally I'd have no problem buckling down to write the next episode, but I have a number of fic commitments at the start of July that I can't afford to ignore. So writing time will be going towards those, first and foremost, with me continuing to work on Ice Queendom on the side. I hope to have the next episode recapped in the next few days — at the latest — but that depends entirely on how kind the writing Gods are to me this week.
So stay tuned and, as always, thanks for reading! <3
MurderOfBirds' Twitter Thread: https://twitter.com/MurderofBirds_/status/1540414268457340928
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deadpcnned · 4 years
Text
the gamble of the heart | chapter 1 (r.l.)
chapter one: certain uncertainty 
series masterlist
pairing: remus lupin x potter!reader
chapter summary: remus reflects on when he lost the person he held closest to his heart. 
warnings: swearing 
wordcount: 2.2k
a/n: hi! this is a new remus series i’m working on. WARNING it’s going to be slowburn. hope you enjoy <33
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REMUS LUPIN was never one to rely on the idea of certainty. In his sixteen years of life, Remus had gathered that the way the world worked didn’t allow for anything to be certain. For example, he could have been certain that the only peculiar thing about him would have been that he was a wizard (and really this was only peculiar to unknowing muggles). However, at the age of four, his life went off track and he was suddenly a werewolf and had no understanding of what that meant. It wasn’t always bad, however. Sometimes life was uncertain in a good way. At one time Remus was certain that a life of isolation was a fate he would have to accept, but within his first day at Hogwarts, he was proven wrong. 
And so, Remus decided that it was okay that virtually nothing was certain. He had even begun enjoying the uncertainty of life at times. He enjoyed not knowing what crazy adventure his mates and him would journey through next and he even liked the uncertainty of what subjects he would have to tackle next in his favorite classes. Which is why he couldn’t understand why he was surprised by the events unfolding now. His relationship with Y/N hadn’t even been official, yet he was stuck pondering over her recent actions instead of the notes laid out in front of him. He knew he hadn’t imagined the feelings that had been growing between the two of them and he had the image of intimate touches ingrained in his mind as proof of that. So, why? Why had she stopped looking at Remus like he held the stars in his hands? Why had she trained her sight on that lousy Ravenclaw instead? Why was she holding his hands in the halls, when the two of them had never even been so publicly affectionate? But most importantly, why was he so surprised by the uncertainty of it all?
A part of Remus - the part that resonated with his younger self most - knew he shouldn’t have been surprised. He knew it was unlikely that any girl, especially a girl as captivating as Y/N, would have been interested in him for long. Not only was he singularly boring in his opinion, but he was a monster. The other part of Remus - the part he had spent years working on - couldn’t understand why she was suddenly acting like she forgot he existed. He knew they worked well together. He knew that he understood her in a way no one else had. He knew that he was perfect for her. Or at least he’d say he was. 
“What did that poor piece of parchment ever do to you, Moony?” A voice behind him pulled him out of his thoughts and Remus’ eyes flickered down to the notes in front of him. He had been holding his inked up quill to the paper for so long it had created a hole that was getting bigger from the severity of his hold. Dropping the quill, Remus looked up to see Peter stood in the doorway. 
“Uh, must’ve zoned out,” Remus muttered, sending Peter a lackadaisical smile. “What are you lot up to?” 
“Headed to Hogsmeade. You sure you don’t wanna join, mate? I’m sure you’re not gonna do much good just tearing through your notes. Literally.” Remus ignored Peter’s poor attempt at a pun and considered his options. He really wasn’t doing much good sitting at his desk and he needed to get his mind off certain things. No better way to do that than with the three most troublesome boys. 
“Alright, yah,” Remus nodded his head at Peter who was frowning. “You’re right, Pete. No point in tearing through my notes.” Content with Remus’ validation, Peter led the two out of their dorm and down to the common room.
“YES! Prongs, we’ve got Moony on board!” 
Being at Hogsmeade during the start of the year always felt odd. Remus would argue that it was one of those things that only made sense during the holidays. He had gotten into many heated debates with James about whether Hogsmeade could be considered fun this early in the school year. James would start by explaining September was the holidays and Remus would remind him that Christmas wasn’t for another few months. But he didn’t feel like striking that kind of conversation today. Normally, he’d have Y/N to back him up. 
Remus entered The Three Broomsticks with his spirits a lot higher than they had been a half-hour ago. As much as he renounced being too sure about anything, he was certain he could never be bored when he was with his friends. He prayed nothing would put a damper on his mood, but the world didn’t work the way he wanted. He had heard her before he saw her. The familiar laugh had him looking over his shoulder and following Y/N’s figure from the door.
The Y/H/C haired girl was walking hand in hand with Mason Tomlinson as they looked for a seat in the corner of the establishment. As though she felt eyes on her, she turned to the table the boys sat at and waved kindly. Remus wanted to roll his eyes at her gesture but thought better of it. 
“I don’t understand when that even happened,” Sirius mumbled, his eyes still trained on Y/N.
“Apparently they were paired up for a project,” James shook his head slightly before turning to look back at his friends. “You’d think she’d tell her bloody cousin she was seeing someone, wouldn’t you?” Y/N hadn’t been seen by the group of boys as often as they usually did in the past few weeks and Remus could tell it was rubbing James the wrong way. Actually, all of them seemed annoyed by her absence. 
“Two weeks… I swear that’s how long the two have known each other,” Peter commented. “Remus, did she ever say anything about him - OUCH!”
All three boys were now staring at Remus with guilty expressions on their faces (except Peter, who seemed to also be holding his leg in pain). Remus simply shook his head and gave him a shrug in response. 
“I’m sorry, Remus,” Sirius started and this time Remus didn’t stop his eyes from rolling. “I really did think the two of you were going to get together.” Remus froze, halting the way he was nervously pulling at his napkin under the table. He had expected pitying looks or impetus questions, but he hadn’t expected that. Remus hadn’t expected to be confronted with the exact thought that had been haunting him. When would he learn he really couldn’t expect shit? 
“No idea what you mean, mate,” Remus spoke, trying to appear much more nonchalant than he felt. “Haven’t even spoken to her in weeks. Why would we be together?” The three pairs of eyes lingered on him for a moment longer, before Sirius began to nod. 
“Right… Well, boys, I think it's time for some more butterbeer.” Remus’ friends continued with their night, but all Remus could do was stare at the manifestation of his nightmares. Y/N had her elbow resting on the table in front of her and was running her hand up and down the length of Mason’s arm. From what Remus could see Mason's other arm was placed against her hip and he was leaning closer. Within moments Remus’ stomach was lurching forward as he watched Y/N’s lips meet with Mason’s to kiss him passionately. If it had been any other person he would’ve been gagging at the crude disregard of their surroundings, but at the current moment, it was as though he was stuck. He couldn’t look away and he couldn’t vomit the sight away. He was stuck watching Y/N crush his heart into pieces without even lifting a finger. 
“Don’t stare, Remus,” James’ words could’ve been taken as a joke, but Remus knew why he was saying them. He didn’t want Remus hurting. 
“Merlin, I don’t understand what has gotten into her,” Sirius, seemingly not learning from his prior mistake, was looking at Y/N again. “That’s not like her, she doesn’t mouth fuck people in public.”
“Sirius!” James and Remus had yelled at the same time. 
“That’s so vulgar!”
“That’s my cousin!” 
“Oh please, Moony. Like you don’t have the mouth of a sailor. James, I do apologize for talking about your very innocent cousin that way, but there is no other way to explain whatever that is.” James smacked Sirius on the back of his head and the two began to argue amongst themselves, but Remus was too distracted to care about what they were saying.
Sirius was right. It wasn’t like Y/N to get into a relationship so fast and even more unlike her to be so publicly affectionate. But then again, he wondered how much of that was dependent on who was sitting beside her. Maybe she was only affectionate when it wasn’t him crowding the seat next to her. Did they even know Y/N? Did he know her? Remus thought back to the first time he had ever felt a sense of mutual understanding between the two. 
The Gryffindor common room was quieter than usual as a group of five 3rd years faced the welcoming fireplace. Remus, James, Sirius, Peter, and Y/N had opted to stay at Hogwarts instead of going to Hogsmeade that weekend and were glad they had. Other than his friend group, Remus noted that the common room was empty which meant they could do anything without prying eyes. They seized the opportunity by playing Wizard Chess and munching on some leftover candy Y/N had from a previous Hogsmeade trip. 
“Bloody hell,” Sirius whined, as he pushed the table in front of him. “How? Again?” Remus just shrugged as he motioned for Peter to take Sirius’ spot across from him. They had all agreed they would have a tournament of sorts and whoever won would get to be the one who executed their next prank. This prank was especially exciting because it was going to be affecting anyone who was innocently spending time in the Slytherin common room next Thursday. 
“No way,” Peter tutted, crossing his arms across his chest. “I’m not playing just to lose.”
“Peter, the rules were the winner plays the next contestant,” Remus argued. He knew he was undoubtedly the best at Wizarding Chess amongst the five of them and he took pride in any moments he could use that to his advantage. 
“Moons, just let me play Peter,” Sirius started. At Remus’ look of dissent, he continued, “Come on, do you even care about actually being the one that says the incantation?” Remus considered this. He didn’t actually care, but he did want to win. 
“No,” The voice came from the body next to him and Remus looked up to see Y/N shaking her head. “You can’t make the rules and then change them just because Remus is better than you.” 
“Shut up, you Hufflepuff,” James taunted. The Marauders had often told Y/N she would’ve been suitable for Hufflepuff because of how highly she valued fairness. Even if it was something as small as a game, she wanted to see the right thing done. Remus admired that. He figured if more people did that, the world would be a hell of a better place. 
“Eh, let ‘em play. They won’t let me hear the end of it once I win,” Remus uprooted from his spot on the floor and took a seat next to Y/N. The pair sat back as they watched their friends banter and laugh amongst themselves. Remus had only known the lot of them for three years, but he knew that moments like these would be life-altering for him. He had come a long way from the glum eleven-year-old who thought he deserved to be alone. He still battled with whether he deserved the love he received, but he was slowly learning he did. And the only reason he was ever able to get this far in that journey was because of the four smiling idiots around him. 
When James began to chase Peter around the common room, Remus turned his face to the side just as Y/N did and the two of them just smiled at each other. It was like they were both thinking the same things, but Remus had no way of knowing. Y/N and he had always been friends, but they rarely spent time alone the way he did with Sirius and the way she did with James. It wasn’t weird, it was just the dynamic of their group. But at that moment, as they laughed with each other, he felt like he had known her for years. He felt like she was agreeing with him on how much these people meant to both of them. He was probably projecting, but it made him feel warm with comfort. At the time he didn’t know that she would soon grow to be one of the closest friends he’d ever have, but he found solace in that random second of certain uncertainty.  
tiny little taglist: @kitkatkl​ 
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porgthespacepenguin · 3 years
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Mini-meta about S5 Buddie
Since I am now fully in Buddie hell, I have been thinking about the future of A*a/Eddie and Buck/Taylor, and what those two relationships ending may mean for S5.
Eddie/A*a
Better meta writers than I (and the whole fandom, really) have discussed the topic to death so I won’t go into too much detail. I don’t actually dislike A*a; she’s not the monster some fics make her out to be. But it’s become patently obvious that Eddie/A*a cannot be endgame. Here’s why.
Endgame couples:
don’t get together in a jinx/bad luck episode.
don’t have “nice” horrible dates.
don’t get interrupted as they are about to kiss. In a will-they-wont-they scenario, to tease the audience, sure. But not as an established couple.
don’t make the character’s kid run away from home.
Don’t have the LI fade to the background when their other half is in mortal danger.
And then there are the problems specific to A*a herself:
She calls Eddie Edmundo. Now that’s an interesting writing choice in a show where “finding out who you truly are” is a major theme. Whoever she’s dating, isn’t who Eddie really is.
She has (at best) ableist tendencies. The show takes a dim view of that, and she was framed as the bad guy in the skateboard episode.
She’s paradoxically too perfect on paper: she’s a young, pretty, female latina school teacher, practically checking all the boxes of what Eddie thinks he needs. There’s no narrative growth to be found here.
Carla does not find her right for Eddie, or at the very least, doubts that she is what Eddie truly wants/needs. Final nail in the coffin, right there.
Buck/Taylor
As obvious as it is that Eddie and A*a are doomed to failure, I think it's equally clear that Buck and Taylor won’t last.
Why? Because Taylor kept Buck at arms’ length all through season 4, effectively “friendzoning'' him (though I dislike the term) -- until he put himself at risk. Then and only then, did she kiss him.
She only wanted Buck once she got scared for him.
Their relationship reinforces Buck's certainty that he is only worthy of love and attention when he puts himself in danger and/or gets hurt. If that's not a callback to Buck Begins and his childhood self-harm, I don't know what is.
Plus, Taylor ran away after kissing Buck, and expected him to go after her. Which, again, is a callback to Buck’s pattern of always chasing after people and being left behind (Abby, anyone?).
So while in early S5 we may see some initial regression as they get together for a while, narratively, Buck has to keep growing. He has to leave behind his old self-destructive, self-sacrificing patterns. And the writers have already established right off the bat that he’s not going to do this with Taylor.
So what’s next?
Let’s imagine the writers decide not to make Buddie canon, and just keep them purely platonic BFFs.
They can either leave the boys single forever (cruel and hard to justify when both really want to find love), or they have to introduce not one, but two new characters as love interests.
Considering they just brought back A*a and Taylor as a LIs this season, that makes very little sense. Why waste precious screen time on those relationships in S4 if 1) they’re not meant to last, 2) they’re not meant to bring Eddie/Buck together eventually?
But let’s go past that and assume both new LIs have chemistry with Eddie/Buck (always a coin toss, honestly), and get enough screen time to actually develop their relationships. Sounds good, right? Except, there’s still a gigantic problem:
There’s no room left for them.
The writers have consistently shown us how important Buck is to Chris. In S4, we saw how scared Chris was of being left behind by the people he loves. Pushing Buck aside to make room for a random new LI would be cruel and make no narrative sense.
Worse, we know Eddie made Buck Chris’ legal guardian in his will a year ago. He’s not going to change his mind in S5. Should anything happen to him, Eddie clearly doesn’t plan on leaving his kid with a distant friend or relative. So we know Buck’s role in Chris’ life is likely to increase, not diminish. At this point, Buck is essentially Chris’ godfather/co-parent and Eddie is likely to want Buck to spend even more time with Chris to deepen their bond.
What about Eddie himself? Well, if we had learned about the will without him ever being in mortal danger this season, I honestly would have been scared the writers planned to kill him off. But he did almost die, so that ship has clearly sailed. If they wanted to get rid of him, for whatever reason, they had the perfect opportunity to kill him and get a tear-jerker season finale out of it. Eddie clearly isn’t going anywhere either.
So. What we have in S5 is two adult men co-parenting a child for the foreseeable future.
Now ask yourself this: what woman in her right mind would want to come not only 2nd (after Chris, which is normal but already not easy) but 3rd (after Eddie/Buck) in a serious relationship? None. At least, not long term.
So the only logical way forward, narratively-speaking, is a romantic relationship between Buck and Eddie.
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Text
The Fall
Harry Potter AU 
Pairings: Sirius Black x Reader 
Rating: M 
Summary: Losing someone you love is hard. Losing them because you were told they've gone crazy is worse! After Sirius escaped from prison, its time to face years of heartbreak while still keeping yourself sane for your nephew Harry.
Song at the beginning: Impossible
__________
When all is done, there is nothing to say. You have gone and so effortlessly. You have won, you can go ahead, tell them. Tell them all I know now. Shout it from the rooftops. Write it on the skyline. All we had is gone now. Tell them I was happy and my heart is broken. All my scars are open. Tell them all I hoped would be impossible
Your eyes looked at the page from your journal 14 dated years ago. It was the day that you found out Sirius had been locked up in Azkaban. You didn’t want to believe any of it! You didn’t want to believe the sunshine boy that you had fallen in love with had really gone bad!
As if supposedly joining the death eaters wasn’t bad enough the knowledge that he had betrayed your brother and best friend was worse! How did Sirius betray his best friend in the world? James had been everything to Sirius! Your whole family had! It was unfathomable how he could actually end up like his family.
You wanted to believe that Sirius was innocent! It didn’t help that he never returned any letter that you sent him in prison. If he wanted to clear his name at least to you this was a shitty way to do it! It seemed Sirius was just going to let his girlfriend believe that he was a murderer!
“Aunt Y/n?”
Your head snapped up, hearing Harry’s voice on the other side of your closed door.
“I’ll be right out.”
You said softly. At the moment, you didn’t want to face Harry. You didn’t want him to see your tear-stained face. Unfortunately, you would have to soon though.
“I am so screwed.”
You muttered as you continued dressing. Today was THE day. Harry and yourself were moving to Grimmauld place and you would have to face Sirius.
“Stupid Voldermort and him coming back acting all rowdy...stupid jerk,”
You muttered, looking around your now empty bedroom. With the return of the biggest jerk on the planet, you agreed to Sirius’ family home to keep Harry safe. You could also get back into the order again.
“Yay for good times!”
Since the day, Harry came home from 3rd year and told you that Sirius wasn’t guilty; you knew that you would have to face your lover someday.
When Harry told you that Sirius was innocent, all you could do was sit and stare at your nephew....
“Y/n, did you hear me?
Harry asked softly. You could only nod as your nephew sat down beside you.
“He wants to see you. I believe that he is still in love with you.”
It was everything that you wanted to hear! Everything and some more, your mind supplied. Since the day that you had gained custody of baby Harry all of those years before you wanted nothing more than for Sirius to be part of your lives. You wanted him to be the godfather that he was supposed to be...the two of you could raise Harry as a family. Unfortunately, that dream was shot to hell!
“I can’t see him, Harry. Not now.”
You pulled yourself from the memory as Harry knocked again.
“Y/n, Remus is here to get us.”
(Meanwhile)
Sirius sat looking around his mother’s living room with disgust written all over his face. He absolutely hated being back here! Sure, it was better than prison but not as good as truly free. He felt like he was in a second prison that he couldn’t escape from. Being trapped in the place that tormented him as a child was enough to bring back some nasty PTSD!
He couldn’t go out and do anything so essentially he was in prison again with his mother’s screeching portrait to keep him company. Of course, there were always people coming and going but it was no one that he particularly wanted. They weren’t you.
Sirius should have been ecstatic that you were coming with Harry! He should have been thrilled to know that the one woman that he loved was going to be under the same roof as him...but he wasn’t. Sirius had a feeling that you still didn’t believe that he was innocent. The fact that you hadn’t come to him sooner told Sirius all that he needed to know.
His eyes went to the photo that was sitting on the fireplace. It was the one that was taken not long after graduation when the two of you moved in together. Everything about you was happy. Sirius could see the love radiating in your eyes as you smiled up at him. Something told him that look would no longer be in your pretty eyes anymore.
The man that you knew was long gone! Sirius wasn’t afraid to admit that. Sure, he was still similar but prison had changed him. You would be lucky to get a smile out of him. Sirius sighed. It was probably best to let go of any hopes of reconciliation. You didn’t need someone who would worry you with dark looks and distant expressions! You needed someone that could make you happy and laugh...the way he used to…
(1 hour later)
You stepped into the dark hallway for 12 Grimmauld Place behind Remus. Looking around quietly, you couldn't help but think how much the place hadn’t changed. Still dark and gloomy laced with oppression and sadness. The last time you were here was for one of Sirius’ mother’s pureblood “Our family is the best in the universe parties.”
Sirius’ mother had, for whatever, reason decided to let him bring a guest and the two of you didn’t disappoint! You wore a bright red scarlet dress while Sirius had on one of his school ties. He had taken extra care to make sure that his shoulder-length black hair was wild that night. Walburga Black about died from embarrassment. That was the last time that you were allowed in that house.
Remus glanced at you over his shoulder.
“Thinking about that party?”
You nodded.
“Yes.
Harry slammed the door behind him and there was a loud screeching in the other room.
“BLOOD TRAITORS! GET OUT OF MY HOUSE!”
You immediately groaned.
“I thought that old bat died!”
You snapped following Remus into the room where a painting of Walburga Black hung. If she could the woman would have been hopping up and down in anger. She glared at everyone.
“FILTH! BLOOD TRAITORS! THE LOT OF YOU!”
You frowned, putting a hand out to stop Harry from moving closer.
“That’s obnoxious.”
You said as Sirius walked into the room to help Remus put the curtain over the painting. The air stopped in your lungs as you looked at him. Still perfectly handsome Sirius Black! You couldn’t help but swoon for a moment, however, you quickly stopped yourself as Walburga’s painting started screaming extra loud at the sight of her son.
“You filthy blood traitor...you are no son of mine!”
Sirius rolled his eyes. This wasn’t the first time that he had heard that!
“Shut up!”
When the old hag was finally shut up, Sirius and Remus exchanged an exhausted expression.
“Still no idea how to shut her up?”
Remus asked. Sirius rolled his eyes.
“Gasoline and an oily rag is my next guess.”
Sirius turned his attention from Remus to where Harry and yourself stood. Harry quickly walked to his godfather and wrapped his arms around his neck.
“It's good to see you!”
Harry said happily. You were relieved to see Sirius actually smile a real smile. It wasn’t one of those fake ones that he was a master at. You watched the two with heartbroken eyes. This was everything that you had wanted from the beginning! You wanted a family with Sirius and Harry. The three of you could have been the perfect little family...if the fates would have allowed it.
When Harry let go of Sirius, his expression turned to you. The awkwardness slowly crept in...just as you imagined it would. He still looked mostly the same, just a bit older. Sirius still had that haughty handsome look to him that attracted you the first time as kids. The only thing different now was he didn’t smile when looking at you. Instead, he looked in pain. Was it guilt...you didn’t know.
“Hi, Y/n.”
Sirius was finally able to get out. Just looking at you was enough for him to know that he was still in love with you. Merlin, you were still perfect! 14 years had been good to your looks! Nothing seemed to be different!
When he said your name it was a gut-punch of emotions. You were heartbroken thinking about your stolen life and overjoyed to hear his voices saying your name.
“Hi, Sirius.”
Had it been 14 years ago, you would have blushed when he said your name, and Sirius would start flirting with you shamelessly. It didn’t matter how long the two of you had been dating; the man could make you blush with one sultry look,
“It's so good to see you.” He said, sounding almost too hopeful.
Remus put a hand on Harry’s shoulder to usher him out of the room. Harry, nor Remus himself, needed to watch this. It was going to be awkward enough without their presence. Remus knew that deep down you believed Sirius was innocent but you needed to hear it for yourself from Sirius directly.
Once they were out of the room, you finally looked up. You made a mental note to thank Remus for taking Harry out later.
“You didn’t write.”
Sirius frowned.
“I figured that you wouldn’t want to hear from me.”
You rolled your eyes before slightly laughing.
“I guess four letters a day for six months wasn’t enough of a clue. Excuse me, I should have been more obvious.”
Sirius frowned. He expected you to be distant but maybe not this hostile.
“Y/n, that isn’t what I meant. I thought...damn it I don’t know what I thought. I’ve missed you...not a day goes by…”
You shook your head.
“Tell it to the wall! You don’t know how badly that you have hurt me!”
Sirius quickly frowned. His hopeful mood was going to anger.
“Well, my life has been a fucking picnic!”
You winced, forgetting how loud he was when angry.
“Isn’t that lovely? I don’t know what you are expecting from me…”
Sirius clenched his right fist trying to hold back any venom that wanted to spill out of his mouth.
“I want to be a part of yours and Harry’s life...the way that I was supposed to.”
You shook your head.
“I have raised that boy on my own!”
“And you weren't supposed to.”
Sirius said, sadly. You looked down at your feet for a few moments before looking back to your fuming lover.
“That's what you get for messing with dark arts.”
Sirius went if possible redder with rage. For a moment, you wondered if he was going to come after you. Remus came popping back in.
“Okay. Okay! Happy catching up time is now over!”
Sirius turned his glare one his one remaining friend.
“She’s impossible!”
He turned and stormed from the room leaving you looking at the place he stood. Remus groaned before gently touching the small of your back.
“Come on, let's get you settled.”
_______
@cardboardbenmazzello (here’s another one to give a shot)
@brokencasbutt67-writer
@authoressskr
@fandom-trash-worth-it
@hankypranky
@summer-novak
@emiwrites3reads
@wontlookaway
@shitfaceddaniel
@stuckinsaudi1
@marichromatic
@maggiolim
@shadows-and-padlocked-hearts
@shaylybaby2032
@untoldshortsofthefandoms
@knight-of-gleefulness
@deanwherescas
@sprnaturallover
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ghostinthebau · 5 years
Text
Super Fanfic Rec List -- Iron Dad Edition (because I just wanna share the love)
I’ve had such a blast reading fanfic of the IronDad and SpiderSon variety over the last 6 months or so, and I thought I’d just make a rec list of some of my favorite stories.  Most of them are angsty, with whump and hurt/comfort because that’s what I live for.  
This is in no particular order or in any way complete because there’s just way too many amazing fics/authors in the Iron Dad fandom, but it will still be hella long, so....here goes! 
First off, @yellowdistress:
What We Are series - Bio-dad Tony series that goes all the way through Infinity War.  Endgame AU.
Someday I’ll Make it Out of Here series - Adoption AU!  It’s so good.
The Missing 92 Days - A take on HYDRA Peter that destroyed me emotionally.
Reviving Peter Parker - This about killed me.  Peter actually died during his fight with Toomes and SHIELD brings him back a la the TAHITI project like they did with Phil Coulson.  
A Sailor Went to Sea - Gut-wrenching Endgame fix it.  
Double, Double
@losingmymindtonight:
Webcams and Webshooters series
I Never Lived ‘Til I Lived In Your Light series - !!! TISSUE WARNING !!! Peter dies, but there’s another one shot with a happier ending if you need it.
And You’ll Blow Us All Away - Adoption fic!  A lovely one at that.
5 Times Peter’s Mental Illness Made Him Stumble And The 1 Time He Refused To Falter - I really love a well-depicted take on mental illness, and losingmymindtonight delivered 100%.
If You Can’t Catch A Breath (You Can Take The Oxygen Straight Out Of My Own Chest)
Cyanide? In My Shawarma?
@justme--emily:
The Guardian - Adoption AU with a lovely Loki and Peter friendship!
Radioactive - Peter endures the after effects of the spider bite, and scares bio-dad Tony to death.  Lovely, lovely, lovely.
The Good Fight - Peter gets hurt at the airport in Germany instead of Rhodey.  
@iron--spider:
ever in your favor - Hunger Games AU and an epic work of art!  
Lazarus, come forth - The Endgame fix it before Endgame.  Peter will break your heart.
dear mr. fantasy
this isn’t a game - Highly underrated fic based off the PS4 Spider-Man game.  I’ve never even played the game, and I loved this story.
what if there is no tomorrow? - This story actually made me kinda like Justin Hammer, if you can believe it.  
blindness
@tempestaurora:
hydra’s not a home series - HYDRA Peter, and also bio-dad Tony and bio-mom Pepper!
i’ll find you in the drift - Pacific Rim AU, and I have never seen PR, but I adored this so much.
it’s okay, we’re okay [whumpvember 2018] series
@jolinarjackson:
Lights To Guide You Home series - Another adoption AU.  They are my weakness, and this is one of the best out there.  
... and when you can’t crawl ...
Damaged At Best (Like You’ve Already Figured Out)
@blondsak:
No Life But This
come morning light (you and I’ll be safe and sound)
Burying Grounds - Eeeek!  Tony has to choose between saving Peter or Pepper and it hurts.
hold on, hold on
Something the Soul Needs
@madasthesea:
turn back the clock (and I’ll try again in the morning)
when my body won’t hold me anymore (where will I go)
They have so many other lovely looking fics--including an adoption au series (which I, of course, love), but I just haven’t gotten around to reading them yet.  I’m pretty sure anything they write is golden.  :)
@signofuncertainty:
It’s Always the Little Things
I’m sure their other fic, The Third Option, is fantastic and I really, really wanna read it but I’m trying so hard to wait until it’s complete!  It’s really difficult to wait, though, tbh....I may give in soon.  
@upcamethesun:
Twelve Days Of Peter Parker - So cute and fluffy, and then it kills you at the end.
5 Times Peter Made Tony Laugh Out Loud
5 Times Tony Didn’t Need To Worry About Peter
5 Times Peter Pretended To Be Tougher Than He Was
@frostysunflowers:
Between how it is and how it should be - This story made me love a Peter and Bucky friendship.
@kitcat992:
Identity Theft - This was one of the very first Iron Dad fics I read, and it was a doozy.  Full of whump, medical accuracy, and hurt/comfort!  The author is posting a sequel now, too: Identity Crisis.  :D
For Pete’s Sake!
@camelot-queen:
Goner - A perfectly heartbreaking kidnapping fic, but heed the warnings!
Who Saves The Hero
Never Meet Your Heroes
i’m the satellite (and you’re the sky) - Tony is Peter’s bio-dad but Peter doesn’t know it.  I haven’t actually finished this yet, but it’s good.  So, so good.
@peter-stank:
built from scraps - YOU GUYS, this is one of the best fics I’ve read on AO3.  It’s a ‘Tony gets dusted instead of Peter’ AU, and it’s got such an amazing dynamic between Peter, Pepper, and Morgan.  It’ll also make you tear up a few times, at least.
@geekymoviemom:
Sins of the Fathers - So, I’ve only read the first 5 chapters of this epic length (303k words@) adoption AU so far, but I’m LOVING it so I wanted to add it here.  They also have an even longer bio-dad Tony with added Stony bonus series, Pieces of Echoes, that they’re posting the 3rd installment to right now.  I’ll definitely be checking it out!
@too-many-bees:
let’s kick it
like a bridge over troubled water
@jbsforever:
it’ll be over (and I’ll still be asking when)
@tnyystark:
where the memories reside
@whumphoarder:
Quieting the Void series - Peter kinda has an eating disorder due to the spider bite, so take care if you read!
Poison Apple - Loved how medically accurate this was, and Ned’s reaction to Peter’s condition was heartbreaking.
@seek-rest:
It Hurts to Become
Someday We’ll Know - This is a Walk to Remember AU, so there’s MCD.  I’ve gotten about halfway through, but I can only read it when I’m in the right mindset.  But it’s lovely and so well done.  
This author has so many fics that I’m sure are amazing, and they’re on my ‘to read’ list when I’m in the mood for beautiful Spideychelle stories.
@caraminha:
The Primary Reason Tony Stark Would Throw Down With an Anti-Vaxxer in the Street - Hella scary depiction of Peter with tetanus, and it’s SO GOOD.
@tonystarkstan:
it all comes back to this
skeletons series
to build a home series - I love recovery fics, and this was a beautiful story of Peter dealing with the aftermath of being snapped and coming back.
lay your weary head to rest
@foolscapper:
Exploding Head Syndrome - Everyone comes back when the snap is reversed, but Peter is sort of catatonic--stuck between the living world and the soul stone where he’s with Gamora.  It’s such a lovely fic.
@alice-in-ink:
It’s a Little Bit We Do
Danger Pizza
@legalassie:
oh, darling - Peter’s kidnapped and Tony frantically searches for him--one of my favorite things.  Peter uses his smarts to help him get out of the situation, too, which is also one of my favorite things.
don’t think about tomorrow. 
@blackwatchandromeda:
Broken Thoughts (I Remember Everything)
Leave Me to Dream
A Nightmare to Remember
@emma--anacortes: 
Accepting the Tides - Here I am with another adoption AU.  Can you see a pattern yet?  I love them, and this one has danger and whump and comfort as well.  
@ardenskyedarcy221b:
they are standing in the garden - This hurt.  Several times the author had me tearing up and there’s a few lines that will stay with me forever.  It was just immensely lovely to read.
@iamallyetnotatall:
At the Start of the Universe - This was so much better than I was expecting! Peter is an Angel, and he knows Tony from the very beginning of the universe. It’s different, but absolutely gorgeous.
@starktowr:
somewhere outside my life - I don’t wanna say too much, but just read this.  It’ll break you and you’ll love it.
@jessicagoddamnjones: 
too bad (but it’s the life you lead)
@silver-bubbles:
The Fire’s Out (But Still It Burns)  
@day-dreamer176:
Like A Strike of Lightning - I kinda took this as a demonic possession a la Supernatural, but I don’t think it actually was.  Either way, it was fantastic.
fifty-four
five, tops
The World Stopped
@ambivalentmarvel:
Into His Fold series - Where Thanos brings Peter back from the ashes to make him into his new son (a la Nebula and Gamora).
@notaparty-trick:
Doom and Gloom - A ‘Peter doesn’t get dusted’ AU, filled with whump and Iron Dad and an awesome Carol Danvers.  Angst!!!
Dust and Blood - Peter is hurt much worse when Toomes drops the building on him.  More angst!!!!  This author does angst very well.
@ema--vee:
You don’t have to hold your head up high - Peter can’t thermoregulate!  I love that trope.
@forensicleaf:
All the Things We’ve Lost (And All the Things We’ve Gained) - This one gutted me, and then made it better.  But there’s pain to be had before the comfort!
They just posted the first chapter of a new WIP that looks AMAZING, too: Can’t Part the Sea, Can’t Reach the Shore.
@plnkblue:
foolish, fragile spine - Peter’s severely injured in his fight with Adrian Toomes and Tony finds him.  
@helloitisiafellowgay:
god did not craft us as altars, but as dying gods - Okay, guys.  This one is heavy.  It deals with Skip coming back into Peter’s life, and it’s not pretty but it’s handled superbly.  It’s a tough read, but one I definitely recommend if you can handle it.  Take care of yourselves first and foremost, though.  <3
~ ~ ~ I’m not sure if the following authors have a tumblr, so I just linked their AO3 pages ~ ~ ~
eccentric_artist_221b:
Only for a Little While - This is a Titanic AU, and it’s AMAZING.  There’s several scenes that just took my breath away and brought me to tears (not an easy feat). They’re also working on a WWI sequel!!!!
tiaylasglass:
the one who made it out - Short, simple in a gorgeous way, and poignant.  
And finally, I thought I’d humbly add my own little contribution to the fandom.  So far, I’ve only written the one fic, but I hope to write more in the future!
@ghostinthebau:
For Want of a Dad (in need of a son) - There’s a bit of blood, and a very distraught Tony at one point, so warning for angst and injury!
Again, this list is probably severely lacking, and if someone has a rec that’s not on here please please please reblog this and let me know!  I’m always in the mood for more fics.  
And I hope anyone reading this finds something they enjoy!  
I’m sure you will.  
ilu 3,000
:)
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So while we’re in this delay-induced downtime, just for fun, I’d like to make a few short term predictions for Hero Aca’s future; Namely I’d like to make some predictions about what I think the next 3-ish arcs will be after the Paranormal Liberation “War” arc.
(Small preface, I am making these predictions under the prediction that the current arc will end with at least 99.9% of the PLF getting away & society as a whole some form of devastated by this arc’s events. Both safe bets, I think.)
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Anyway yeah, here’s my predictions on what I think the next 3 arcs will be; the prison break arc, the start of the 2nd year arc, and the 2nd Sports Festival arc.
The Prison Break Arc (early April, in-universe)
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A long-expected arc, this is one that finally feels like everything’s in place for. The PLF finally have all their resources to fight against society, but the timing’s not right so they need to be productive between now & their real big attack (which we’ll get back to). But the villains do have a few personal issues to take care of, namely friends in need of rescuing and potato-heads in need of confronting. Also taking out a massive prison before major attack just seems like a smart move.
This arc’s got a lot going for it. First, people are thinking we could see PLF members (usually Dabi) getting captured and needing rescuing from Tartarus; and if that does happen, we could get some cool character interactions out of it.
But even without that, we’ll get reunions with Muscular, Moonfish, & especially Kurogiri. (Also maybe Mustard? It’s yet to be confirmed or denied if he’s in Tartarus, and one the one hand he’s a kid, but on the other we’re 5 for 5 for caught League members/associates going to Tartarus.) We’ve got the potential continuation of the Kurogiri/Shirakumo storyline. We’ve got Stain meeting some combination of Toga, Spinner, & Dabi. We’ve got Shigaraki meeting with AFO again, which could very likely end up rather ugly as he confronts him for his shenanigans, his weakness, & the actions of his vestige. I could honestly see Tomura vs AFO being the final boss fight of this arc.
But before all that, we also have the PLF fighting against Tartarus’ forces. It’s the perfect opportunity to see some action for PLF members that’ve been quiet this arc, like Trumpet or Redestro, and get to know some of the advisors better. And on the other hand we can see the defense systems in Tartarus, as well as meet new...well I’m not sure if they’d be classified as heroes, but I imagine the workers would be licensed to use their quirks. It’d be an interesting battle is what I’m saying.
The Start of 2nd Year Arc (late April, in-universe)
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Honestly, I’m not sure what this arc would actually entail, but I do think it would be necessary before the next big arc. A chance to see what the start of the new school year brings, a chance to see how everyone is handling the events of the failed PLF raid, and one last chance to set up another dark horse or 2 for the next arc, like how Jirou, Aoyama, & Mina have gotten some importance in the last few student-focused arcs.
Also it would be the final piece to Shinso’s current arc, with him actually getting into a hero class, and hopefully a chance to start up a new arc. While we’re at it, we could get other new students too, like new 1st years or maybe even a transfer student so 1a & 1b continue having even student body counts.
But what this arc would actually be, I don’t have a clue about. It could be some simple new training exercise for 2nd years to start out the new years. Or it could be something in response to the villains’ rise, perhaps some new extreme exercise mandated by the Hero Commission or even the government itself. It could also be either a decent length or quite short, since not a lot really needs to happen.
As an aside before we move on, I’m not really sure if this would go before or after the Prison Break arc. I mean I say this would be late April and that one early, but they could easily set this arc over the break in order to reverse the order. The only important bits is they have have 2 arcs, one with the villains and one with the students, to see where everyone’s at.
The 2nd Sports Festival (early May, in-universe)
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This will be the next big arc. The Sports festival; the one time of year when hundreds of heroes are known to gather in a single location, a massive cultural event to Japan, a chance to see how far everyone’s really grown since the last Sports Festival, & coincidentally taking place 4 months after Toga said Tomura was going to destroy everything in 4 months. Except the entire point of this theory (and I mean the entire theory) is that that’s not a coincidence and I’ve never believed it was.
So put simple, I’m excepting things to go all Chunin Exams this year, so it would be divided into 2 sections...actually 3 since we need to establish why this is happening at all.
And the reason it would happen at all after Jaku is simple; good PR. The hero commission & hero society as a whole is currently running on good PR and the faith of the people, and I’ve long expected the higher ups to get desperate if that faith were called into question. People can do stupid stuff to save face so of course they’re still holding this big event in the aftermath of a major villain victory and the ruined reputation of at least the top 2 heroes; it’ll show how...unwavering they are...or something. Oh but don’t worry, they’ll up security; I mean they’re not idiots.
But yeah, then there’s the tournament itself, which would have a lot going on. Everyone would be affected by the PLF raid in lots of potential ways; maybe some are wondering why they’re bothering with this while others see it as a way to reassure people or to get stronger. We’ll get to see everyone’s growth and have a proper tourney where we know everyone, instead of being introduced to a lot of people’s competence level for the first time. Deku will get to try again to show off to the world, and might even got the the finals this time.
I’m not sure if he’ll win though, a) because this would probably be Bakugou’s last opportunity to fight Deku with even the remotest chance to win, b) there should be a 3rd festival in the 3rd year and we’ve got to keep up progression, and c) who can even say there’ll be a winner if I’m expecting things to go all Chunin Exams?
And yeah, that leads to the start of the war-for-real, the big shake up likely to shape the entire rest of the school year, the big attack where things go all Chunin Exams. I’m honestly not sure what it would entail, actually, since there’s so many options to make this a big status quo-shaking moment for the PLF to peruse. Off the top of my head:
They could launch a big attack on UA, with hundreds to thousands of heroes gathered in an attempt to kill them all and end heroics by default. It’s certainly an effective way to get the students involved, to the point that if this wasn’t the plan, I wouldn’t be surprised if the PLF pretended it was anyway as a diversion. One way or another, I think the students have to be involved in this fight.
They could attack some key target, like the Hero Commission building or whatever base of government japan has. I mean if so many of the heroes are in one place, that must mean there’s not a lot anywhere else, which means a lot of places should be relatively unprotected...in theory. In practice, I wouldn’t be surprised if top heroes met the PLF at where ever they’re going.
Lastly, they could just attack lots of cities at once like they said they would. I’m not sure if this would really be the focus, since this being the big attack implies they want to do it all in one day, where this felt to me more like a long term plan when I heard it; but I’m leaving it on the table anyway. Maybe they will try to physically collapse society in one day, who knows?
One last prediction before we close out: if Endeavor is still alive by this point, instead of dying fighting Touya in the current arc, this arc will be where he dies. This will be to force All Might to the spotlight, both as people reminisce to when he was no.1, and as he intentionally goes out to try & keep faith in heroes alive. As a result, the target on his back that was removed with his retirement will return to him, and his safety will once again be a concern.
And that about sums it up; I think we’ll have a villain arc, a hero arc, and then the next big conflict arc where things get shaken up once again. And then whatever the aftermath of these arcs are, they’ll be what really shapes the status quo and be what separates the students’ 2nd year from the 1st.
That’s the really safe version of my prediction anyway, but I’m prepared to be wrong regardless. And even so, I’m excited to see where the story will go after Jaku.
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80scartoonfan · 3 years
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My Review of Masters of the Universe Revelation - Better late then Never...
It has been two months now, and wow... Not, not many fans of the entire franchise like the Kevin Smith Masters of the Universe series do they? As an aspiring writer myself I can't say I blame them.
I know this comes literally on the heels of the LATEST series being released (obligations to projects, work, family and other things got in the way) and I have to say I wasn't all that impressed with it. If anything, compared to the dumpster fire that was Season 8 of Voltron Legendary Defender that season was more enjoyable than this first part of the mini-series. 
And if I am being honest from the first leaks of Skele-God, to the drama with YouTubers like Clownfish-TV and others, to the "race swapping" of Andra and King Greyskull, to spoilers Kevin Smith himself even made, I would give Part-1 a GENEROUS D-Minus. This is a shame because I really wanted this series to exceed all expectations and be equal to the original like 2012s TMNT is or 2011s ThunderCats. But there is too much against it. 
First, let’s talk about the animation. It was absolutely breathtaking! It was crisp, the world-building in just the scenery was a masterpiece. Out of what I saw of all of part 1, spotted one goof - dealing in episode 1 with Evil-Lyn's staff, which shows that their animators care of what they produce. I loved the animation so much that if the rights to my favorite anime were purchased by a studio to do a continuation from 2005 or a second reboot, I'd gladly give Powerhouse Animation my salary for the next 5 years!
The music, the music was gorgeous! But then I am biased towards Bear McCreary. Even though He-Man seems a bit knew to compose music to, he immediately got my vote of confidence when it was announced he was attached. Reason being, his work for the movie Godzilla King of the Monsters! His music made me actually tear up during that movie. Something I didn't do since another Godzilla movie.
With the exception of Mark Hamill - as shocking as it comes and Sarah Michelle Gellar, the voice acting was phenomenal! I loved Kevin Michael Richards as Beastman, Tony Todd as ScareGlow, even Liam Cunningham as Duncan! Chris Wood was spectacular as Prince Adam/He-Man for just being introduced to him. But the one who really stole the show for me was Lena Headdy. She killed it as Evil-Lyn, so much that if the Eternity War Saga or 2 part crossover event ThunderCats and He-Man/Injustice vs Masters of the Universe were made into live-action or animated movies, I'd pay whatever she wanted just to have her return. 
I also want to applaud the effort of getting a diverse group of voice actors. Something which I noticed few if ANY have. Actors who are both known for their VA resumes and those who are new to voice acting. But also the actors themselves, besides the white and black VAs there were if I am not mistaken a Native American and I think 2 Mixed-Race voice actors. I don't remember if there were any Asian or Middle Eastern VAs, but it is always Part-2! 
As for Mark Hamill, at first, I was excited that he was going to do the voice of Skeletor. But upon hearing him as Skeletor, I'm not sure anymore. Granted this is just the first part of the mini-series, but it didn't feel like Skeletor if that makes sense? To me, it felt like he was trying to mix Joker/Alvin the Treacherous/and Firelord Orzi all into one character.
Sarah Michelle Gellar is another one I wasn't sure about. I admit I found it hard going in unbiased because I never liked Sarah. Not as Gwendy Doll, or Andromeda, Daphne and certainly not as Buffy - mainly because I preferred Kristy Swanson as Buffy, but that is beside the point. She had some nice emotional spots, but for the majority of her performance as Teela, it just wasn't there for me. If the writing and script had been better than what it was, she could have won me over for Teela, but as I write this I am more excited for Kimberly Brooks to voice Teela.
Now let’s talk about the things I hated. This will involve anything from Characters including designs to the writing and other things. If you don't want to be triggered I advise you to stop reading this and move on. If you are still here and get triggered, like one person who always seems to be, don't say I didn't warn you. I am always open to engaging others civilly in talking and debate. But if you can't even do that, don't bother engaging. These are my opinions and MY THOUGHTS, and I will hold nothing back regardless of the topic. You have been warned!
The story, the story absolutely sucked! You can tell the writers, if you can call them that, just didn’t care about what they were doing. I’ll go into this shortly. But those writers should be ashamed to even call themselves that. Sure it was catered to be modernized and appealing to potential new fans, but they should have been more aware of what they were doing. Just in this first part, there are so many plotholes and questions I was asking myself that I filled 4 whole pages of paper asking questions and thoughts - which to the fanfic writers I will put in at the end of this if you want to explore them. 
I watched the mini-series five times now, trying to be as objective as I possibly could as an aspiring writer and not as a MotU fan, and each time got even more painful. Let’s be clear on one thing, I wanted this series to succeed. But too many things brought it down, and like with Ghost in the Shell 2045, I’m not sure I want Netflix to release part 2 or that I would watch it if they did. 
Let’s start with how it was advertised as a “direct sequel to the original.” It was not a direct sequel to the original. I have seen someone bring this up and I have to agree with him. This mini-series is more in line with Nickelodeon’s Voltron-Force from 2011. I remember watching that series when it premiered and then had to hunt down my VHS tapes that had them to get a feel for the series again. 
Both played off their respective originals as direct sequels, but both are in fact pseudo-sequels/soft reboots. They have the characters we grew up with and we can identify these characters because they are close to their original counterparts, but that is as far as the “sequel” goes. They bring in newer characters who we know nothing about or characters who have maybe been unimportant to the main characters, but we have to accept them now. It was like that with Mona Lisa in the 2012 TMNT who I enjoyed WHEN they used her, Larmina of Voltron-Force being Allura’s niece, and Andra of Revelation who had maybe 2 or 3 appearances in the entire run of the Masters of the Universe franchise.
Like Voltron-Force, Revelation, had no real ties to the original. There were no mentions of battles, events, and characters who played critical roles in the original. Instead, it starts off with a narrative deposition to set the series up (not matching how the original ended) and just starts in with new adventures. For it to be a direct sequel to an original,  you need to have more than just characters we can identify as He-Man/Skeletor/Keith/Lotor/Allura/or Teela.
Next, let’s talk about the length of this mini-series. This is still a bitter subject amongst Voltron fans because so much Netflix could have done more with it if they didn’t do four seasons that were  6/7 episodes. We can all agree that with the “story telling” they wanted to do, just five episodes just were not enough for the first part and potentially the second part. The amount of time needed to portray the journey from Adam’s death to Skeletor taking the power sword and becoming Skelegod could have easily been an entire season. Even 9-10 episodes would have been acceptable with the proper writing that wasn’t going for deliberate shock value goals or “shipping.”
With a 9-10 episode first part, they could have given everyone what they wanted. They could have had He-Man solidly in the first 3 episodes killing him off in the 3rd in such an emotional way it would leave us old-timers not only devastated but eager for more. Use episode 4 to transition into a dying magical world trying to survive with the loss of He-Man and Skeletor and set up the following episode where we see Teela and Andra meet, rather than “next episode we meet Teela and her ‘friend’ Andra on a practically dead world.” Hell, if this was supposed to be a series which wanted to emotionally cripple old timers like me, I’d have been fine if were three season 13 episode series where He-Man dies at the very end of season 1, season 2 picks up with the aftermath of his death, and season 3 is He-Man’s return to defeat Skeletor.
Let’s now talk about the plotholes in this series which tie together with the amount of episodes. These are the biggest things that damage the series the most! The biggest plothole and the most important one is “SPAN OF TIME!” How long has it been since Prince Adam’s death and we see Teela with Andra - days/weeks/months/years - WHAT?! When did they meet? Where did they meet? What happened to Eternos? Did King Randor go all Mad-King Targarian or was Eternos get sacked and destroyed now that He-Man was no longer there to protect its people? Did King Randor put a bounty on Teela’s head for leaving? Remember she was a sworn member of the guard to the King. I doubt he would have just let her leave unless he had a good reason not to go after her. What happened to all the other Masters - Clamp Champ/Ram-Man/Stratos/Buzzoff/Tusk Man and many others in the aftermath of Adam’s death? These are questions and things fans should have been focusing on rather than “will Teela and Andra be together?” Kevin Smith said this series had what others didn’t... STAKES. What are those stakes?
Speaking of Teela and Andra and I know this will be a touchy one for most. I feel that their dynamic is directly done to “queerbait” people. Now I am not saying we can’t have LGBT couples in series, it’s just that writers either need to commit to establishing these couples or not at all. Only doing glimpses or hints at, is for a lack of a better term a Kobayashi Maru - (a No Win Scenario for the Non-Star Trek fans) like it was with Shiro in Voltron Legendary Defender. And if and when this blows up in their faces, like it did the Voltron writers, they have no one to blame but themselves. 
Star Trek Lower Decks like every other Star Trek since “The Next Generation” have no qualms in establishing certain characters as LGBT. It is how you do it, and many of these shows need to follow the example from Star Treks TNG/DS9/VOY/LD. This series are a clear testament that you can have Straight/Gay/Lesbian/Bisexual relationships without “queer-baiting” or overtly shoving it in people’s faces.
The writers have made it clear that there is something between Teela and Andra but while also making it clear there is still something between her and Adam. Which regardless of how part 2 ends is liable to upset the fans they “catered” this series to. Who do you make happy and who do you ostracize? And with today’s social media are you going to handle the backlash of giving one and not the other? I personally would prefer Teela and Adam to be what kids today call “Endgame,” but ever since the Keith & Allura tradition was soundly destroyed in Season 2 of Netflix’s Voltron, that when it comes to Netflix series I just simply don’t care anymore who ends up with who, I want a well thought-well developed story. 
The character designs of Teela/Andra/Evil-Lyn I understand they wanted a more “modern” realistic feel to them, which I am neither for nor against. Because let’s face it spandex-clad or barely covered barbarian fantasy women with chainmail is a product of the 70s/80s/90s. It is alright to have modern designs for characters but not too modern. Especially when we have shows like Game of Thrones and others to draw references from.
I do admit, I am not a fan of Teela’s design. I understand the reasoning is to make her a “Strong Female Character” but there is more to being a strong female character than looking strong. Strength is also one’s character, how they grow and develop. Teela’s stubbornness, fear, and anger at her “past life” are preventing her growth. If this is the way they portray a strong female character then they have no business doing so. 
Kimberly Brooks’ Allura is a far stronger woman than this Teela ever will be. The burdens she shouldered, admitting she was wrong and not gloating when she was correct, the forgiveness of a race responsible for the genocide of her’s, being a diplomat while also being a warrior, sacrificing her well being for others all contributed to her growth from “Princess who just woke up” to Strong Female Character by the end of Season 6. 
Teela understandably was hurt by the lies that filled her life. Sure she built a life away from those lies, but she was running away from them. Rather than confront the reason why she became bitter and ran away essentially. She was only forced to confront those lies to save Eternia and the universe and even then there really wasn’t any humility about it. Instead, it is all about her. Not once in this series have I seen growth for Teela’s character like Legendary Defender’s Allura, and let me be perfectly blunt - I had no love for Allura after Season 2. Not once did she admit she was wrong or apologize. Not once was she willing to sacrifice her life for the greater good - instead she was willing to let the whole universe die because of the lies she was fed her life. 
Now let me address the whole Race-Bending “controversy.” As with the new designs, I am neither for nor against them. I understand the arguments on both sides when it comes to Andra and King Greyskull. One side argues it appeals to young black girls and boys while the other argues they are being tired of being handed “Hand-Me-Down” characters. Both sides have valid arguments. But honestly, as an old Masters of the Universe fan, it took the so-called “race-swapping” of Andra for me to even remember her because she was never that important and even betrayed Teela for Faker in the Injustice vs Masters of the Universe comics and even then she appeared in maybe 5 panels at most.
Now King Greyskull, at first I was against, I’ll admit it but then I changed my tone looking at myself and my family. See I am Bi-Racial, my mother is white and my father is black. My father’s sister married a white guy and had 6 bi-racial kids. Two who in turn gave birth to white-skinned blond-haired blue-eyed kids. Had they gone the “bloodline” path Prince Adam could have been a representation of not just blacks, whites, but bi-racial and mixed-blood peoples. 
I realize this is coming out on the eve of that new He-Man and the Masters of the Universe series, which as a He-Man fan since 1984 (when I was potty training) I will give it a shot, maybe even write a review of it. But I still have my reviews of Godzilla: Singular Point, Pacific Rim: The Black, Star Trek Lower Decks, Ghost in the Shell: Stand Alone Complex 2045, and other series to write on top of work and my family life.
-------------------------------~ Question and Thoughts Time ~---------------------------
As I mentioned above,  had many thoughts and questions which I believe were pivotal in the development of this series. Questions and thoughts should have been vocalized during the writing stage rather than fans asking them. These are of the first 3 episodes and some of episode 4. If you are a fanfiction writer who wants to explore these feel free to do so, I will be more than happy to read if they answer these questions and make the mini-series more enjoyable.
Keep in mind these are questions and thoughts I had because I am also an aspiring writer of my own fiction - that I am keeping close to my chest until I feel ready to release it.
Any true He-Man fan would question why is He-Man on a mechanical horse when he would be using battle cat
I do like the celebration happening at the same time quote-unquote He-Man is approaching Castle Grayskull it makes you think Adam is missing out on an important event
In the original series, Castle Grayskull had defenses that the Sorceress could call upon to confuse and combat an enemy who breached its walls how did Skeletor learn about the true secrets of Castle Grayskull when it should only be the Sorceress that knows of such secrets
If the Sorceress is so powerful and so smart why was she tricked by the faker He-Man he doesn't have the power sword?
I love that Orko is still a bumbling magician in Eternia’s realm. Shows how different realities have an effect on others
Adams entrance to “I have the power” let alone his playful jab at who “He is” should have been a hint to Teela
I do like the scene between Adam and Teela in the hall. It really makes you think that they actually are friends from childhood that grew up together and possibly have a future together.
My knowledge of the 38 years of the canon may be a bit shady now, but hasn’t Skeletor always needed the Power sword to get into Castle Grayskull like he always needed it in the comics?
They hinted that his mother knows he's He-Man and that she does reveal that he is He-Man after the battle. I know a mother knows these things about her child. But how did she learn Adam was He-Man and how did she not tell King Randor
Again how did Marlena know He-Man was her son and not tell her husband?
King Randor’s response is feasible but Teela’s response, because everyone lied to her is understandable - but she's a warrior. She is also a sworn captain of the royal guard, sworn to the King. She can’t just quit like that, can she?
How much time has passed between the death of Adam and when we see Teela with Andra
What has happened to the Royal Family in this time? What about Eternos? Has King Randor and Marlena revealed that he-man was their son Prince Adam? With He-Man out of the picture Has Eternos Fallen? Did Randor go all Mad-King Targaryen and become a ruthless tyrant?
What has happened to all of the other Masters? Ram-Man/Buzzoff/Clamp Champ/Fisto/Stratos/ and so many others? Were they killed off? Did they disband? Or were they exiled, WHAT?!
What about Snake-Mountain? What happened in the aftermath of Skeletor’s apparent death? Did Triclops and Beastman betray Evil-Lyn?
How did Teela meet Andra? What is the “When, where, and how” behind their meeting? What did she do to gain Teela’s trust when she felt betrayed by the world?
What is Andra’s background or history in this series besides being an engineer?
When old hag gives Teela and Andra their mission you can obviously tell it's evil-lyn
He-Man flashbacks are kind of nice but it would have been nice to have a build-up for such flashback or have a series season before his demise with such flashbacks that way it could be more poignant
I do like the idea of Triclops and Trap-jaw building a technical but what put them on the path for this techno cult
The cult kind of feels like the Borg as much as I like the idea of Trap-jaw and Triclops making a cult I don't know how I feel about it being Borg-like
This may be controversial but Andra feels like the stereotypical POC Rooky sidekick you see join the main character on their quest.
Like Grace Randolph said this whole Teela/Andra angle may come up and bite everyone in the ass later on if they don’t follow through which will piss off all the old-time fans and if they don’t follow through with the Teela/Andra angle and make Prince Adam/Teela are a couple then all the LGBTQ fans will be pissed off about that
I can already foresee it happening just like it did with Voltron Legendary Defender with Shiro being gay and his ex-partner Adam being killed in combat
We do get a hint of what the king did after the final battle but still what happened in that time after Prince Adam was killed? Did king Randor go off the deep end and become a dictator, what? These are questions that needed to be asked and answered during the writing stage
When did Evil-Lyn, Cringer, and the Sorceress make an alliance to save what little magic is left and in essence the entire universe?
I have the suspicion that was the Sorceress finally trying to tell Teela she's her mother Ford Shadows that the Sorceress is going to die and Teela is going to take her place
Did Teela really name Cringer, or was it something to boost her up in this mini-series?
Did cringer really tell Tela the Adam loved her?
Thus Begins the quest to reforge the sword to go to heaven and hell to get the parts and rebuild the Power sword thus queue Duncan
How much time has passed between the end of the previous episode and the beginning of this new one?
How is time measured on Eternia? 
If Skeletor truly wanted to kill He-Man why didn't you take his power sword when he was shackled up?
Kevin Conroy is ma as Mermaid Man if he gets more roles as mermaid man he might grow on me
Instead of gloating, why didn’t they take He-Man’s sword if it was their prize all along?
Typical 80s cartoon ponds very nice
If Evil-Lyn preached that Man-at-Arms was the most dangerous man in Eternia why didn't they act like it why did they act like He-Man was the most dangerous one?
I do love the jobs both Teela and Evil-Lyn take at each other because they are pretty much the same. Evil-Lyn is Skeletor’s version of the Sorceress and Teela is practically He-Man sorceress when she accepts her destiny.
Teela has seen her father fight hundreds of times how could you not recognize his fighting style?
I like how beast man's loyalty never swayed from evil when I also like Kevin Michael Richardson parentheses? As Beastman I thought I would like him as King Grayskull but I I do like him as beast man
Orko like Castle Grayskull does provide a little hint as to King Randor’s reaction to Prince Adam’s death. I feel this is something they should have put into the series
I feel that all of Orko's scenes in episode 3 and my Following episode 4 are tainted because of Kevin Smith revealing he gets killed and why he decided to have Oracle killed
Why should Beastman show a little fear to Andra who is she to him?
I like that you can still see that Man at Arms still loves the Sorceress and I also find it funny that when it comes to that one huge secret something always gets in the way
Again I hate how they portrayed the span of time in this? 
How did they go from a Forest Village so halfway across the world?
Something's been nagging me lately could Evil-Lyn be related to both Teela and the Sorceress somehow?
It could be a reference to how similar the Figures were in the 80s but in some scenes, Teela and Evil-Lyn’s facial structures look almost identical could you be separated sisters?
The further this point it's funny how Evil-lyn and Kela can just cut through the bullshit between their infatuation with He-Man and Skeletor
Again what time something happened between evil-lyn and Merman we don't know what just that he seems bitter that she didn't take over the land while he took a while he tried to take over the seat
It seems that there are undertones to a massive war and the wake of Prince Adam’s death.
I kind of like how even evil-lyn kind of shows that she may be afraid of subterranean
With half of part 1 ended could Skeletor have them influencing her? Why did she have to retrieve the Havoc staff head?
How does Evil-Lyn know so much about the Subterranea?
Teela facing a false He-Man could be a hint of her feelings for Adam. But I think it would be more of a visceral scene if it was Prince Adam and not He-Man.
Was that a hint of Teela becoming the new sorceress? 
Scenes between Orko and Lyn were a nice touch. Maybe a better connection between Orko and Lyn than Teela, He-Man, and the others?
Orko’s sacrifice could be the beginning of the Dark-Orko storyline?
Was that the Sorceress’ most recent ancestor, Teela’s Grandmother or GREAT-Grandmother?
Why didn’t Adam finish the chant? If Kevin Smith borrowed aspects from everything relating to He-Man, then why didn’t Adam finish the chant? A few times Adam has been run through in which he could finish the chant to become He-Man.
If Teela is such a badass, why didn’t she attempt to stop a reconstituting Skeletor from stabbing Adam?
Really Andra? You are going to sass Skeletor? He doesn’t know you and would sleep like a baby dispersing you. You are nothing to him, you are lucky he didn’t decide to run you through with the power sword.
And really Skeletor? Because no woman could love a face like your’s? Thats your motivation?
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fyexo · 4 years
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200925 SuperM Dives Deeper with Super One
We meet the game-changing and boundary-breaking supergroup everybody needs to know.
There’s a rumble in the ground, a rupture, a star shining in the sky. Like a meteor landing on a quiet plain, SuperM – the Avengers of K-pop – landed in our lives, igniting the industry in unprecedented ways. With K-pop now considered a global phenomenon, how much more innovation is required to demand attention? The answer lies in the Capitol Records and SM Entertainment supergroup: the first K-pop act to debut in the US who immediately stole the show and made music fun again with their record-breaking 2019 introduction. SuperM consists of a diverse group of stars hailing from different groups: Taemin from SHINee, Kai and Baekhyun from EXO, Taeyong and Mark from NCT 127, and Ten and Lucas from WayV. They are the future, the charismatic force managing to both elevate and inspire. With Super One, the group’s first full-length album released on 25th September, they graduate from simply jumping and popping (Jopping!) to invoking the sincere emotions of listeners while simultaneously lighting up the room in the way that only they know how.
Baekhyun – the soulful vocalist, humble leader, and oldest member of SuperM – opens up about their growth: “When we first met, I could tell that the younger members were feeling a little nervous. But aside from working and performing together, we also naturally spent a lot of time together off stage, too.” In fact, their chemistry is palpable: “From sharing the same rooms when we were on tour in the US to shooting a reality show together recently, we made a lot of memories. Now, we’re like close brothers. We feel very comfortable with each other.”
Since joining the supergroup, Baekhyun’s Delight, released in May, became the first album in 19 years by a Korean soloist to sell over 1 million copies. Baekhyun says, “Shortly after completing my solo activities with ‘Candy’ [the lead single], I regrouped with SuperM, and I definitely feel more at ease in a group.” As evidenced by their discography, which fuses elements of hip-hop, pop, and various other genres, “We are always experimenting with different styles and trying to create something new so the synergy that we bring to the stage is very distinct and unique.”
Taemin has found similar success with his solo endeavours, recently releasing his best-selling project to date just this month. His 3rd Korean studio album, Never Gonna Dance Again: Act 1, hit number 1 on several iTunes Top Albums charts including the US and Canada. The graceful performer ponders the importance of embarking on this journey with the rest of SuperM. “Through our individual teasers, we wanted to tell a personal story about our beginnings—from how we developed our dreams to how we got to where we are now. They are reflections of our past that allowed us to become the artists that we are today.” For Taemin personally, who first debuted in SHINee in 2008, “This experience helped broaden my boundaries as an artist and I’m very thankful for that.”
Taemin’s wisdom is apparent in how he interprets his growth, “Although I’ve performed abroad many times before, SuperM was formed with the global market in mind so I took this as a new challenge and a great opportunity for me to learn and grow even more. Through SuperM, I was able to get closer to my international fans and learn more about their cultures. Because of the opportunities I’ve had more recently to perform on a global stage, my stage performances and mannerisms have improved and this has made me a stronger artist.”
Branded as fast-moving and dynamic, there were certain expectations for them to continue on this path. The motifs are intentional, but fitting, and as the endearing Hong Kong rapper Lucas puts it, “‘Movement’ and ‘speed’ for us carries a deep meaning and represents our strength and energy. It also describes how SuperM is always moving forward no matter how difficult the situation may be. There is no better tomorrow if you’re not moving forward.”
Taemin further reflects on this. “I think fans will be surprised to hear mellow, medium-tempo tracks that are not performance-based. Incorporating the performance element is of course one of the most important parts of what SuperM does in our music, but this time, we also wanted to emphasise a message of hope.”
Kai, lead dancer of EXO and Gucci ambassador, who will also be embarking on his solo career soon, shares that “I really want to perform ‘Infinity’ and ‘Monster’. Together, they form our title track, ‘One’. I’m excited to perform ‘One’ as well, but also would love to showcase the two tracks separately, as I think that would bring a different charm on stage.”
The love for this track is echoed by Taemin, an expert when it comes to this fusion of songs as SHINee also had a combination of tracks with 2012’s ‘Sherlock’, a mix of ‘Clue’ and ‘Note’. “With K-pop, you often have a gradual change of genres in one song, but ‘One’ brings together two completely different songs, so it’s fresh—but it still sounds very natural and seamlessly put together.” He adds, “The members’ vocals really stand out through these tracks so I hope fans enjoy!”
B-sides like ‘Together At Home’ and ‘Wish You Were Here’ are like a comfort blanket for fans, suitable for the current world climate. Kai recognises that impact and describes it as intentional, “Music can really lift your spirits when you’re feeling down so I hope people find healing and happiness while listening to our music. That would make us very happy.”
“FROM SHARING THE SAME ROOMS WHEN WE WERE ON TOUR IN THE US TO SHOOTING A REALITY SHOW TOGETHER RECENTLY, WE MADE A LOT OF MEMORIES. NOW, WE’RE LIKE CLOSE BROTHERS. WE FEEL VERY COMFORTABLE WITH EACH OTHER.”
Prior to the official album drop with title track ‘One’, several songs were released, each accompanied by their own electric music videos. The single, ‘100’, has lyrics written by youngest member Mark, who explains, “For ‘100,’ I wanted to really bring the energy of SuperM, because my verse opens up the track, and I wanted to really complement the song while emphasising our strength as a group and that we have the capability to be at the top.” The Canadian rapper, whose positive energy is contagious, says, “Taeyong and I also wrote our verses for ‘Together At Home,’ and I think we tried to keep the lyrics closely tied to the overarching message of the album. So for that song, we tried to envision what it’s like to be “together at home”, so staying connected to the fans and our loved ones while we are physically apart.”
Ferocious single ‘Tiger Inside’ was released on 1st September, and NCT leader Taeyong describes it best, “as a hip-hop song with an Asian-themed vibe. One part of the lyrics says, “Wake up the tiger inside” which I think describes SuperM’s energy really well. He eloquently personifies the group through a more artistic lens. “SuperM coming together is almost like a painting created using these different colours, to create a new work of art.”
Though promotions are hectic, Taeyong opens up about life outside of the spotlight, sharing, “I personally spent a lot of quality time with my family and also creating new music.” Mark has also been in tune with his rhythmic side, adding, “I’ve been listening to a lot of the new music that’s been coming out… Recently, Big Sean’s new album and Dominic Fike.”
The fashion of the group ranges from traditional Korean wear to modern hip-hop stylings, reflecting the merging of cultures, sounds, and themes apparent in their music. Lucas took a special liking to the outfits they wore for this comeback. “I wore a black outfit in the ‘One’ music video and it made me feel like a fictional character from a film or a book. I really liked the concept of that look. For ‘Tiger Inside’, I wore this beautiful emerald colour outfit with gold embroidery and intricate Asian-themed details—that was another one of my favourites!”
With everything going on in the world right now, Ten, the multilingual Thai singer and dancing king, says, “Right now, our biggest goal is to interact closely with our fans in the best way possible given the current situation. Even though we can’t meet each other in person, we want our fans to know that we are always thinking of them and that we are always trying to create opportunities to make us feel close.” He mentions ‘Beyond Live’, the platform SuperM spearheaded earlier this year to provide a virtual concert experience for fans.
“We are always thinking of fun and innovative ways to interact with our fans so we are definitely planning on doing many more online promotions that bring us closer together.” He elaborates, also sharing that he’s excited to finally perform songs off of Super One.
This album is a new era for SuperM, whose journey as a group has been far from ordinary but delightfully rewarding. As Baekhyun concludes, “When SuperM was first announced to the public, it may have been odd to see members from different groups come together like this to form a new group. But in spite of that, our fans have always cheered us on from the get-go and we’re incredibly grateful for their support.” SuperM’s awareness of the times they’re in and ability to adapt allow them to be a tantalizing force in the industry.
Though awards and accolades are nice, what makes this group special beyond their obvious talent and charm is the passion, grit, and hard work they put into what they do, and Super One is the ultimate care package and culmination of their gifts. Through music, they remind us that we all have the power to unite together as one no matter where we come from.
Ashlee Mitchell @ TMRW
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eushiloh · 4 years
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⟨ SYDNEY SWEENEY. CIS FEMALE. SHE/HER. ⟩ though the mist might prevent some from seeing it, SHILOH MONROE is actually a descendent of H Y P N O S. it’s still a question of whether or not the TWENTY-THREE year old DANCE MAJOR from COPENHAGEN, DENMARK has taken after their godly parent completely, but the demigod is still known to be quite EMPATHIC & INDECISIVE.
howdy howdy howdy, i’m h and lemme just start by saying how excited i am to be here and bring this sweet little baby to life. i’m gonna keep this little section short and sweet because there’s HELLA info below (if you read it all, bless u sweet angels) so without further ado, let’s get into it, shall we?
BASIC INFORMATION
FULL NAME shiloh josefine monroe NICKNAME(S) shi, sj OCCUPATION cashier at eonia theater/dance major SEXUALITY: bisexual AGE 23 DATE OF BIRTH march 3rd NATIONALITY danish RELIGION spiritual THREAT LEVEL 3/10
PHYSICAL INFORMATION
FACE CLAIM sydney sweeney HEIGHT 5′4 EYE COLOR blue HAIR COLOUR + STYLE dirty blonde, typically in messy/loose waves DOMINANT HAND left DISTINGUISHING FEATURES big, sleepy eyes, full lips, wide smile, strong dancer legs ACCENT + INTENSITY danish accent (here is a video for reference of how it sounds) TATTOO(S) she has three tattoos, they are all fairly small and dainty. one is a pair of pink ballet slippers on her ankle, then a cresent moon with clouds on the inside of her right wrist, and lastly (her biggest one) is a dream catcher along her left side of her ribs. SCAR(S) one along her right knee from when she fell off a bike as a child and cut her leg open PIERCING(S) five in each ear, she has a nose hoop but forgets about it all the time, and her belly button.
BACKGROUND INFORMATION
HOMETOWN copenhagen, denmark CURRENT RESIDENCE athens, greece LANGUAGE(S) Danish/English SOCIAL CLASS middle BASIC EDUCATION high school COLLEGE EDUCATION currently a junior in college DEGREE(S) N/A PARENT #1 sofia monroe PARENT #2 n/a PET(S) white cat named cloud RAP SHEET? squeaky clean PRISON TIME? yeah right
VICES + HABITS
SMOKES? yes DRINKS? yes DRUGS? only weed VIOLENT? no ADDICTION(S)? sleeping? maybe? SELF-DESTRUCTIVE? sometimes HABIT(S) humming to herself, bouncing her leg, rubbing her lips together, not making eye contact when she speaks, cracking her knuckles HOBBIES dancing, sleeping, binge watching shows in her bed, yoga LIKES native american flute music, the color blue, soft lighting, dance clothes, sleeping in, and reality television DISLIKES loud noises, violence, people staring for too long, and heavy metal music. OBSESSION(S) dancing and sleeping, once again COMPULSION(S) leaving events early to be alone?? does that count?
MISCELLANEOUS INFORMATION
HOUSE hypnos ZODIAC pisces ELEMENT water ANIMAL panda
P O W E R S
when it comes to her powers, the strongest that shiloh has come to obtain would be hypnokinesis , though she tries not to take advantage of it too much. trying be the key word there, because there’s something so entrancing about living in somewhat of a dream like world, which is usually what she likes to use the power for. it first started out with delving into a fantasy land, a place for her to escape to and get lost in, and slowly she found herself falling deeper and deeper into her own rabbit hole. even as a young lady, she’d always heard people refer to her as their “dream girl” and once she realized she had the ability to somewhat make some dreams come true, she couldn’t help but sink into her title. once she got the hang of it, she couldn’t help but use it to her advantage here and there, if she had a crush on somebody she would appear in their dreams more and more. a sucker for romance, it was basically how she swayed her suitors, although sometimes it was for nothing whenever she realized it was all fantasy and never reality. still, living in dream worlds was too delicious not to become wrapped up in, that it became something she mastered perfectly. whether it was astral projecting herself into other settings while she was sleeping, or into other dreams, it seemed shiloh was entirely infatuated with living in her own little dream worlds. although, something that came hand in hand with dreams were nightmares, an area that shiloh hated getting stuck in.
something that she is wanting to dip her toes into more, would be her shapeshifting abilities. the blonde has only been able to do such in a limited ability, only recently being able to do so whenever she is fully awake. it’s uncomfortable, sure, but there’s something so mesmerizing about taking on the form of something else….or better yet someone else. often there’s many eyes on her, so being able to blend into a background and garner less attention is a rush of relief for her.
the girl has also always excelled in the levitation ability aspect of her life, shiloh has always been rather light on her feet, it was almost as if she was always floating. almost a picture of grace, it brought her face to face with something she adored at a rather early age: dancing. enrolled in classes from the age of 8, shiloh practically could float across a dance floor with elegance, something she now contributes to her levitation aspect of her powers.
P E R S O N A L I T Y
with wide eyes and a soft smile, shiloh had always been rather quiet yet somehow still garnered the attention in a room. she wasn’t the type of girl to command it though, often keeping to herself, there was something magnetic and glowy about her that made her fall into the social hierarchy without really trying to. the blonde had always prided herself on being a good friend to those around her, even if they never gave her the same respect back, and soon realized that she was becoming a doormat to those around her. she kept everyone’s secrets, harboring them inside her like a vessel and remembering the little things others might have even forgotten they’d told her. soon enough, shiloh had realized she had enough dirt and ammo on those around her that if they ever did cross her, she’d use against them if need be. but luckily, thus far, the girl never had to shoot her shot to the heart just yet. a part of her always wondered if she had the guts to do it anyways, to cross those who she’d held nearest and dearest, or if she’d end up chickening out from the fear of hurting them too much. a never ending battle of right and wrong within her, she often finds herself torn and defeated by the end of the day. it makes her almost come off as flaky and aloof, although her intentions are typically anything but pure, her own overthinking tends to be her downfall. never letting anyone close enough to pick her brain, she is a beautiful mystery with expectations that had always been built upon her back. to be perfect, to be a vision of grace and poise, but sometimes she just wants to let loose and say fuck it to everything that had ever been expected of her and prove that she’s anything but a delicate flower. she has thorns that she’s never shown, and she fears if anyone gets to close, she’ll draw blood without warning.
EXTRA THINGS LOL
shiloh is on the dance team, obviously, the girl lives for dancing and when she’s not dancing....she’s probably napping. 
also she has a job at the eonia theater as a cashier, so you’ll see her little sleepy self behind the counter and sometimes sneaking into the show to sleep in the back.
her mother was the type to live vicariously through her, always putting pressure on her to be “perfect” and put together. there was even a time in her younger years whenever her mother would put her into pageants, which shiloh absolutely hated, it was too much energy towards something she hated which ultimately left her feeling even more drained than normal. in fact, any pictures remaining of that time in her life are privately stored away and she refuses to revisit that memory which she even went lengths to alter from people’s brains whenever she figured out she had that ability.
the only good thing that she found from pageants was her love of dance, something that shiloh has passionately pursued all her life. she was enrolled in ballet mostly but soon fell in love with contemporary dance, and it was something that satisfied her mother, a win-win.
even though she was accepted as someone that was a part of the “in-crowd” in high school, celeste suffers from social anxiety, instead of hanging out at parties she often finds herself slipping away and disappearing. she’s much more of a homebody than someone who enjoys going out, being peer pressured is something she often falls victim to because she’s afraid of coming off as flaky, although she tends to do so anyways due to her disappearing acts.
the relationship she has with her mother is strained, because while she loves her mom, the constant pressure to “perform” and the way her mother sort of pushed her and talked so highly of her has her nervous to disappoint those around her. she constantly feels as if she has to be some sort of social butterfly, when the idea of getting close to people terrifies her, leaving her in a never-ending cycle of what she SHOULD be and what she WANTS to be.
speaking of relationships, most of celeste’s tend to fizzle out quickly once her partners discover she’s not all that they dreamt her up to be. it could be her fault, inserting herself into people’s dreams to learn more about them, that most of her relationships die out after the honeymoon phase...making her fear commitment all together.
she’s a pisces, because....well, obviously.
shiloh is bisexual, although she is a little nervous about dating women seeing as her mother wouldn’t quite understand, most of her public relationships have been exclusively with men due to her fear of disappointing her mother.
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poirott · 4 years
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Hello! Do you know if Kenneth has concrete plans to adapt other books from Agatha? I can't wait to see DOTN.
Hello and thank you for your ask! No, Ken hasn’t said anything concrete about another Poirot film, only that he’s interested in doing more films. In a past video interview he mentioned several Christie books he likes best, including Murder in Mesopotamia and The Murder of Roger Ackroyd, which could be possible candidates for a 3rd film, if we’re getting one. My gut feeling is that behind the scenes, Ken and the screenwriter Michael Green have already expressed their desire to do one and that they 100% know which Christie book it would be (if they’re mirroring MOTOE, maybe the 3rd film is teased at the end of DOTN), but we won’t get any concrete answers from them before the studio makes an official announcement to the media.
I think Ken will know of the studio’s decision about a 3rd movie way before the media is notified about it, and even if he’s been told by the execs the movie is happening, he still won’t be able to say anything to journalists after the DOTN promo. He’ll be told to wait for the announcement first, otherwise his comments could cause pre-mature headlines before the studio is ready to go to print with the story.
The same thing must have happened after Murder on the Orient Express. He couldn’t exactly divulge in interviews that he’s been “in talks” with the studio execs and Agatha Christie Limited about a sequel. Instead directors are asked by the studio to give a more standard response to journalists along the lines of, “Of course, I’m interested in doing a sequel and working with the studio again”, etc etc. In other words, play coy because they either don’t have the confirmation and everything is up in the air, or they know what’s going on but they’ve been told to wait.    
We should hear more about Ken’s plans and wishes once the box office results for DOTN are out, and those are very tricky to analyse during a pandemic. Lower ticket sales and movies going straight to streaming are part of the new norm. Studios can’t gauge a film’s success the same way they did in the past. It’s gonna be an interesting few months!
Before the Disney/20th Century Fox merger, Fox greenlit DOTN because MOTOE was a surprise and stealthy success, overperforming according to estimates in Europe and the US. Even though a Nile murder was teased at the end of MOTOE, and Ken and the screenwriter Michael Green really wanted to adapt that story next, a sequel wasn’t guaranteed. I think they put the tease just in case MOTOE did well in theatres.
But then MOTOE exceeded studio’s expectations, and pleased Agatha Christie Limited and its CEO, Agatha Christie’s grandson Mathew Prichard, and his son James (who is now the CEO, taking over from Mathew), and the studio went ahead with a 2nd movie. DOTN is also James Prichard’s first Christie book he got to enjoy. Recently he talked about Christie tv adaptations doing well internationally, but that movies have an even bigger reach worldwide, and a bigger impact on book sales.
From the quote I gather it’s in their interest to continue making Christie movies, and indeed, his father Mathew confirmed this in the Agatha Christie International Festival livestream a couple days ago, when he spoke very highly of Ken’s MOTOE and its worldwide success, and praised the way the 1974 version and similarly the 2017 version of MOTOE "restored Agatha Christie as a media property" after the 1960s MGM films about Miss Marple (which he wasn’t pleased with), and restored the confidence of studios and the professionals spending money on the property, “which was colossally important, far more important than the money we make on the film. It was the reputational thing that really was transformative.”
He said of Ken’s MOTOE: “Even 20th Century Fox was quite amazed by its performance.” You can listen to the full quote here at 1:10:01 when he is asked about his fave Christie books. He also said his son has seen Ken’s DOTN and that it’s better than MOTOE. :)
Fox and the Agatha Christie property are very happy with Ken’s Poirot movies, and I’m hoping the studio will be just as pleased with DOTN’s box office results, and greenlight another movie. Before we get any confirmation, I know I’ll be watching Ken’s reaction in interviews like a hawk whenever he’s asked about the topic! ;D
Sorry for the length and take care!
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majorshiraharu · 4 years
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Discussion of Limitations in Live Action & Style Choices
This will be all spoilers for the new episode of the Mandalorian.  I’m putting it under a cut so no one accidentally gets spoiled. Fair warning it is long af, I tried doing a mix of my opinions and information from the show, films, etc. I tried putting the more opinion parts in italic, might have forgotten some parts tho. I spent way too long on this lmao
--------------SPOILERS BELOW------------------
I'm putting my thoughts for each time I watched it. That way, you can see how rewatching changed my mind some. I also had almost a whole day to process the episode before I watched it again, then I had a few hours to think about it and add to this, and then now I've watched it for the third time. This will be a mix of my reactions and opinions and then some information about The Mandalorian and things I think many people are overlooking. Especially in a time when we have major blockbuster films with pretty amazing CGI and people have come to expect that level of detail in everything. If you don’t want to read my reaction/opinion parts, skip down past “3rd Viewing” (the sectioned area)
1st Viewing When It Dropped; Right After Watching: — Okay honestly not the biggest fan of this Ahsoka, I feel like they could have done a bit better with her lekku, montrals, and the contacts because they kinda took me out of it a few times. She didn't move a lot like Ahsoka, but then again she does move and act more like the Rebels version, so if you haven't seen that I can see how this would be more off-putting. She's much older at this point and probably can't move as well as she used to. Also, I know we've come to expect the effects of high-budget films and their fancy CGI, but this show is not that and I think they truly did the best they could with what they had. I'm too tired now, but will write about that stuff in my second viewing section. Overall, I think in the scenes where she interacted with Mando and the child were very well done and felt like how I thought Ahsoka would be after the journey she had over the past years. Those moments felt like Ahsoka to me, and I really enjoyed. 2nd Viewing; About 16 Hours After First Viewing: — So I took some time today to think about last night's episode, I also decided to hop on social media and see what people's reactions were. I was surprised how on Twitter and Reddit I hardly found anyone who disliked this version, longtime fans, new fans, people who didn't know Ahsoka. It seemed like most people really loved it and were extremely happy to see her in live-action. Some people didn't like the way her lekku & montral looked but otherwise enjoyed it, and then there were a few people who said it didn't feel like Ahsoka to them. Now here's my opinion on the second viewing, I liked her more after watching it again. As mentioned above she's definitely more like her Rebels version, and we have a few years when she and Sabine were out searching for Ezra and Thrawn. We don't know what she's been through but clearly, she's much calmer and wiser, which I think fits, it's not like how she was in Clone Wars but it's been like 25+ ish years, so she's had a lot of time to grow and shouldn’t be the same. The actress who played her was pretty stiff and monotone during more scenes than I would have liked, but all her scenes with Din and the Child were excellent, and felt pretty close to Ahsoka, really liked her in those. The action scenes were very cool at the start. Her fighting style was more like her fighting in Rebels. I would have liked a few more shots of her with her signature lightsaber hold, but they included them during the right moments, so that doesn't really bother me that much. Now for the mostly on Tumblr infamous lekku & montral, on second viewing I didn't mind them as much because it wasn't as shocking. The length should have been longer imho, and they definitely needed to change the montral, that's what I have the only real problem with. The montral just looked too short, was angled back quite far, and yeah, just didn't look like any animated version, concepts, or even any cosplays I've seen. This was the only thing about her that I really just didn't like and bothered me some. 3rd Viewing; Most of my opinions stayed the same, I watched it this time with some of my friends who love Star Wars and one who loves Ahsoka as much as me, so I wanted to see their reaction. They all loved her, tho they agreed the length should have been longer and the top should have been different. But they all really loved the episode and her.
--------------------- Now all that said, here are some counterpoints and information because I thought it was important to look into why it might be that way, and I will also include ways that I think it could have been done better. Besides having some cosplay experience of my own, I have no idea what they went through to pick or make this look, and it could have been always ended up a lot worse. First off they need to consider the actress, the material, how it moves, how heavy it is, how it looks in movement, fight scenes, etc. - There is concept art that shows many types of looks for her, and while I think they picked my least favorite of them, people need to understand that there was a reason. We don't know and may never know, but it was a choice made. Concept art from the end of the episode:
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It could have also been that it looked better in person, or that they wanted a distinct look for it in live-action to make it feel more realistic or unique. Here is other concept art of Ahsoka from Rebels and The Clone Wars, Link Here
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----------------- Also, many people aren't aware of this, but the Mandalorian is made to look a lot like the OG movies. They specifically try to only use camera angles/ movements from that time. They try to do action that fits the original films style and also is similar to old westerns. They have a very specific look they're going for, and a lot of people don't know this. This also includes the use of miniatures, puppets, and as many realistic things as they can for costumes and the interactive parts of the set. They use CGI and new tech too, but aside from the large screen they use for scenery they seem to only use CGI when it's really needed and not for everything like blockbuster movies or even some shows do, aka they don’t overuse it.
Here are two links for more info on this. They are long but have a lot of cool insight into the show: link for filming style here — link for the tech they use for filming here They have the tech and probably money to have made Ahsoka's lekku & montral CGI, but it was a deliberate choice in style not to do this. Was it a good idea, maybe yes, maybe no, maybe a mix? In Season 1 Chapter 6 of The Mandalorian when they had the Twi’lek Xi’an and I saw how her lekku moved I was concerned for if they ever included lekku in a more prominent role.
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As you can kind of see in the above gif, they didn't have enough weight to them and were too foamy/rubbery in their movement. It seems like the same stuff was used for Ahsoka's, which resulted in the same problem. Since we've only known her in animation where they can change things to a much more finite degree, it's off-putting in live-action, and it kinda falls into the uncanny valley which I think is why it's slightly weird to see. If we had seen her in live-action first this probably wouldn't have bothered people as much.
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Video Link to show it better
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I included the older Clone Wars version of Ahsoka in here because I believe they mixed her looks together to come up with the live-action design. - We saw Shaak Ti in live-action years ago and many people are pointing to that as what they should have gone with for Ahsoka. A reminder that was done for a film, not a TV show, so there will be differences in quality and style. I do think they could have used that as a model to base Ahsoka on, they should have access to old headpiece unless it just deteriorated with time. Here’s a video that includes behind the scenes looks of Shaak Ti, Youtube Link Here  
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Also here’s a look of Ayla from the Prequels and from the original trilogy of the Jaba palace Twi’lek to compare how they look with the Twi’lek in the Mandalorian.
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I think the original trilogy looked better than the lekku in The Mandalorian so if they’re using similar material to keep it more fitting to that time, maybe they need to make them longer to hold more weight and look like actual flesh and not foamy rubber.
They could have also gone the route of making different headpieces with other material depending on what they were being used for. Again it's a TV show, not sure if they have the time or money to do this or think it's worth it for just one episode. But they could have had one made of that foamy material for action scenes, and then one that looked more like Shaak Ti's for scenes where she just talked or moved some. Honestly, this would have been their best option, and as far as I can tell, that wasn't done. I see people mention they could have done no action or less action and made better lekku, but there are already people complaining that there wasn't enough action or movement in her action scenes. You can't please everyone, and I think they struck a good balance.
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Other opinions of mine on her live-action version. I think Ashley Eckstein should have been the one to play Ahsoka in live-action, or I think they should have dubbed the voice. The actress playing her in this wasn't bad, but honestly, she brought nothing new to the role and didn't do enough to capture the smaller nuances of Ahsoka's character. Some of these problems could have been fixed by dubbing her voice, even if she didn't move or look like how people wanted Ahsoka to in live-action, having her voice would have made a big difference. I don't know if Ashley was brought in on this; she hasn't mentioned anything as far as I have seen. I would find it strange if she wasn't involved since Dave and her are friends. Both really love the character, but he doesn't have full control over the show and maybe she wasn't made a part of it for one reason or another. But if she wasn’t, I think that was a bad choice, she’s the one who brought her to life in the Clone Wars.  -  I also think that we don't always need a big name or famous person playing a character, we could have a dubbed voice and had someone performing it who was a stunt woman or an actor who isn't as well known, this has been done in Star Wars before. 
Also look at this cute cosplay of Ashley as Ahsoka:
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--------------------- TLDR: Lekku and Montral are not easy to make or look real, I think the creators did the best they could with the style they try to achieve (again we don’t know behind the scenes stuff or their choices), there is stuff that could have maybe improved the look. Many people don’t understand the amount of work that goes into something like this and that sometimes choices are made for a design that you may not like, but that doesn’t make it wrong. Art is a creative thing which includes taking risks, putting a unique spin on something that exists, and sometimes making choices that not everyone will like.
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But still I’m happy we got to see live action Ahsoka and I’m glad she was able to bring joy to so many people. I’ve watched the Clone Wars since I was a kid and have always loved Ahsoka and while I have my nitpicks about her live action version, overall, I think they did a good job. I was disappointed at first, but now not so much, and instead I just view her as a different version and that she’s unique in her own ways. I remember when Rebels Ahsoka came out a lot of people hated that version, personally I loved it, there are aspects of her design I didn’t like as much tho.
I also feel this was her only appearance in The Mandalorian, I don’t think she will return again, as far as the story goes, I don’t think there is a need for her to return either. I personally would prefer to have Ahsoka stay as an animated character if she got her own show, animation suits her better and has fewer limitations for the creators.
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haruatori · 4 years
Text
Common list of misconceptions
Had great fun learning about these, maybe now I will remember it better:
https://en.m.wikipedia.org/wiki/List_of_common_misconceptions
Fortune cookies, despite being associated with Chinese cuisine in the United States, were invented in Japan and introduced to the US by the Japanese.[11] The cookies are extremely rare in China, where they are seen as symbols of American cuisine.[12]
The United States does not require police officers to identify themselves as police in the case of a sting or other undercover work, and police officers may lie when engaged in such work.[25] Claiming entrapment as a defense instead focuses on whether the defendant was induced by undue pressure (such as threats) or deception from law enforcement to commit crimes they would not have otherwise committed.[26]
Parody singer "Weird Al" Yankovic did not write or perform most of the songs and comedy sketches attributed to him or "Weird Al Yankovich" on the Internet.[48]
The forbidden fruit mentioned in the Book of Genesis is never identified as an apple,[51] a misconception widely depicted in Western art.The original Hebrew texts mention only tree and fruit. Early Latin translations use the word mali, which can mean either "evil" or "apple" depending on if the A is short or long respectively, although the difference in vowel length had already vanished from speech in Latin at the time. In early Germanic languages the word "apple" and its cognates usually simply meant "fruit". German and French artists commonly depict the fruit as an apple from the 12th century onwards, and John Milton's Areopagitica from 1644 explicitly mentions the fruit as an apple.[52] Jewish scholars have suggested that the fruit could have been a grape, a fig, an apricot, or an etrog.[53]
The Bible does not say that exactly three magi came to visit the baby Jesus, nor that they were kings, or rode on camels, or that their names were Casper, Melchior, and Balthazar, nor what color their skin was. Three magi are inferred because three gifts are described, but we only know that they were plural (at least 2); there could have been many more and probably an entourage accompanied them on their journey. The artistic depictions of the nativity have almost always depicted three magi since the 3rd century.[57] The Bible only specifies an upper limit of 2 years for the interval between the birth and the visit (Matthew 2:16), and artistic depictions and the closeness of the traditional dates of December 25 and January 6 encourage the popular assumption that the visit took place in the same season as the birth, but later traditions varied, with the visit taken as occurring up to two years later. The association of magi with kings comes from efforts to tie the visit to prophecies in the Book of Isaiah.[58]
No Biblical or historical evidence supports Mary Magdalene having been a prostitute.[59]
The idea that Mary Magdalene was a prostitute before she met Jesus is not found in the Bible or in any of the other earliest Christian writings. The misconception likely arose due to a conflation between Mary Magdalene, Mary of Bethany (who anoints Jesus's feet in John 11:1–12), and the unnamed "sinful woman" who anoints Jesus's feet in Luke 7:36–50.[59]
The Quran does not promise martyrs 72 virgins in heaven. It does mention companions, houri, to all people—martyr or not—in heaven, but no number is specified. The source for the 72 virgins is a hadith in Sunan al-Tirmidhi by Imam Tirmidhi.[74][75] Hadiths are sayings and acts of the prophet Muhammad as reported by others, and as such they are not part of the Quran itself. Muslims are not meant to necessarily believe all hadiths, and that applies particularly to those hadiths that are weakly sourced, such as this one.[76] Furthermore, the correct translation of this particular hadith is a matter of debate.[74] In the same collection of Sunni hadiths, however, the following is judged strong (hasan sahih): "There are six things with Allah for the martyr. He is forgiven with the first flow of blood (he suffers), he is shown his place in Paradise, he is protected from punishment in the grave, secured from the greatest terror, the crown of dignity is placed upon his head—and its gems are better than the world and what is in it—he is married to seventy two wives among wide-eyed houris (Al-Huril-'Ayn) of Paradise, and he may intercede for seventy of his close relatives."[77]
Ancient Greek and Roman sculptures were originally painted bright colors; they only appear white today because the original pigments have deteriorated. Some well-preserved statues still bear traces of their original coloration.[127][128]
The accused at the Salem witch trials in North America were not burned at the stake; about 15 died in prison, 19 were hanged and one was pressed to death.[172]
Marie Antoinette did not say "let them eat cake" when she heard that the French peasantry were starving due to a shortage of bread. The phrase was first published in Rousseau's Confessions when Marie was only nine years old and most scholars believe that Rousseau coined it himself, or that it was said by Maria Theresa, the wife of Louis XIV. Even Rousseau (or Maria Theresa) did not use the exact words but actually Qu'ils mangent de la brioche, meaning "Let them eat brioche" (a rich type of bread). Marie Antoinette was a target of attacks from radical jacobins; therefore, political activists attributed the phrase "let them eat cake" to her, to promulgate an image of her as disconnected from her subjects.[173]
Napoleon Bonaparte was not short. He was actually slightly taller than the average Frenchman of his time.[180] After his death in 1821, the French emperor's height was recorded as 5 feet 2 inches in French feet, which in English measurements is 5 feet 7 inches (1.70 m).[181] He was actually nicknamed le Petit Caporal (The Little Corporal) as a term of endearment.[182] Napoleon was often accompanied by his imperial guard, who were selected for their height[183]—this may have contributed to a perception that he was comparatively short.
There was no widespread outbreak of panic across the United States in response to Orson Welles's 1938 radio adaptation of H.G. Wells's The War of the Worlds. Only a very small share of the radio audience was even listening to it, and isolated reports of scattered incidents and increased call volume to emergency services were played up the next day by newspapers, eager to discredit radio as a competitor for advertising. Both Welles and CBS, which had initially reacted apologetically, later came to realize that the myth benefited them and actively embraced it in later years.[200]
Rosa Parks was not sitting in the front ("white") section of the bus during the event that made her famous and incited the Montgomery bus boycott. Rather, she was sitting in the front of the back ("colored") section of the bus, where African Americans were expected to sit, but refused to give up her seat to a white man who asked for it (which was also the expected action of African Americans at the time).
Although popularly known as the "red telephone", the Moscow–Washington hotline was never a telephone line, nor were red phones used. The first implementation of the hotline used teletype equipment, which was replaced by facsimile (fax) machines in 1988. Since 2008, the hotline has been a secure computer link over which the two countries exchange emails.[220] Moreover, the hotline links the Kremlin to the Pentagon, not the White House.[221]
Bulls are not enraged by the color red, used in capes by professional matadors. Cattle are dichromats, so red does not stand out as a bright color. It is not the color of the cape, but the perceived threat by the matador that incites it to charge.[238]
Dogs do not sweat by salivating[239] Dogs actually do have sweat glands and not only on their tongues; they sweat mainly through their footpads. However, dogs do primarily regulate their body temperature through panting.[240] (See also: Dog anatomy).
Bats are not blind. While about 70 percent of bat species, mainly in the microbat family, use echolocation to navigate, all bat species have eyes and are capable of sight. In addition, almost all bats in the megabat or fruit bat family cannot echolocate and have excellent night vision.[244]
The notion that goldfish have a memory span of just a few seconds is false.[250][251] It is much longer, counted in months.
There is no such thing as an "alpha" in a wolf pack. An early study that coined the term "alpha wolf" had only observed unrelated adult wolves living in captivity. In the wild, wolf packs operate more like human families: there is no defined sense of rank, parents are in charge until the young grow up and start their own families, younger wolves do not overthrow an "alpha" to become the new leader, and social dominance fights are situational.[254][255]
Mice do not have a special appetite for cheese, and will eat it only for lack of better options. Mice actually favor sweet, sugary foods. It is unclear where the myth came from.[260]
Sunflowers do not always point to the sun. Flowering sunflowers face a fixed direction (often east) all day long, but not necessarily the sun.[287] However, in an earlier developmental stage, before the appearance of flower heads, the immature buds do track the sun (a phenomenon called phototropism) and the fixed alignment of the mature flowers toward a certain direction is often the result.[288]
Petroleum does not originate from dinosaurs but rather bacteria and algae.[308]
No human genome (nor any mammalian genome for that matter) has ever been completely sequenced. As of 2017, by some estimates, between 4% to 9% of the human genome had not been sequenced.[311]
Trickle-down theory of economics does not work.[325]
Waking sleepwalkers does not harm them. While it is true that a person may be confused or disoriented for a short time after awakening, this does not cause them further harm. In contrast, sleepwalkers may injure themselves if they trip over objects or lose their balance while sleepwalking.[332]
Stretching before or after exercise does not reduce muscle soreness.[338]
Exercise-induced muscle soreness is not caused by lactic acid buildup.[339] Muscular lactic acid levels during and after exercise do not correlate with soreness;[340] exercise-induced muscle soreness is thought to be due to microtrauma from an unaccustomed or strenuous exercise, against which the body adapts with repeated bouts of the same exercise.[341]
Shaving does not cause terminal hair to grow back thicker (more dense) or darker. This belief is due to hair that has never been cut having a tapered end, whereas, after cutting, the edge is blunt and therefore thicker than the tapered ends; the sharper, unworn edges make the cut hair appear thicker and feel coarser. That short hairs are less flexible than longer hairs also contributes to this effect.[355]
A person's hair and fingernails do not continue to grow after death. Rather, the skin dries and shrinks away from the bases of hairs and nails, giving the appearance of growth.[356]
Acne is mostly caused by genetics, rather than lack of hygiene, eating fatty food, or other personal habits.[360]
The order in which different types of alcoholic beverages are consumed ("Grape or grain but never the twain" and "Beer before liquor never sicker; liquor before beer in the clear") does not affect intoxication or create adverse side effects.[381]
Hand size does not predict human penis size,[385] but finger length ratio may.[386]
There is no physiological basis for the belief that having sex in the days leading up to a sporting event or contest is detrimental to performance.[390] In fact it has been suggested that sex prior to sports activity can elevate male testosterone level, which could potentially enhance performance.[391]
Glass does not flow at room temperature as a high-viscosity liquid.[442] Although glass shares some molecular properties found in liquids, glass at room temperature is an amorphous solid that only begins to flow above the glass transition temperature,[443] though the exact nature of the glass transition is not considered settled among scientists.[444] Panes of stained glass windows are often thicker at the bottom than at the top, and this has been cited as an example of the slow flow of glass over centuries. However, this unevenness is due to the window manufacturing processes used at the time.[443][444] No such distortion is observed in other glass objects, such as sculptures or optical instruments, that are of similar or even greater age.[443][444][445]
Most diamonds are not formed from highly compressed coal. More than 99 percent of diamonds ever mined have formed in the conditions of extreme heat and pressure about 140 kilometers (87 mi) below the earth's surface. Coal is formed from prehistoric plants buried much closer to the surface, and is unlikely to migrate below 3.2 kilometers (2.0 mi) through common geological processes. Most diamonds that have been dated are older than the first land plants, and are therefore older than coal. It is possible that diamonds can form from coal in subduction zones and in meteoroid impacts, but diamonds formed in this way are rare and the carbon source is more likely carbonate rocks and organic carbon in sediments, rather than coal.[446]
Although the Greek philosopher Pythagoras is most famous today for his alleged mathematical discoveries,[452][453] classical historians dispute whether he himself ever actually made any significant contributions to the field.[450][451] He cannot have been the first to discover his famous theorem, because it was known and used by the Babylonians and Indians centuries before Pythagoras,[454][455][456][457] but it is possible that he may have been the first one to introduce it to the Greeks.[458][456]
There is no scientific evidence for the existence of "photographic" memory in adults (the ability to remember images with so high a precision as to mimic a camera),[478] but some young children have eidetic memory.[479] Many people have claimed to have a photographic memory, but those people have been shown to have good memories as a result of mnemonic devices rather than a natural capacity for detailed memory encoding.[480] There are rare cases of individuals with exceptional memory, but none of them has a memory that mimics that of a camera.
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